| blob | 5e78f3e9d996f865cfdae3cf002164a92a586d90 |
1 \# Basic page setup
2 \#
3 .PAGE 8.5i 11i \" Printer sheet size
4 .L_MARGIN 1i \" Left margin 1 inch
5 .R_MARGIN 1i \" Right margin 1 inch (calculates the line length)
6 \#
7 \# Refinements
8 \#
9 .KERN \" Automatic pairwise kerning
10 .SS 0 \" No extra space between sentences
11 .HY \" Hyphenate
12 .LIGATURES \" Automatic ligature generation
13 .SMARTQUOTES \" Enable smartquotes
14 \#
15 \# Basic type parameters
16 \#
17 .FAM T \" Times Roman family
18 .FT B \" Bold font
19 .PS 12 \" Point size
20 .LS 14 \" Leading (line spacing)
21 .LEFT \" Set lines flush left, nofill mode
22 \#
23 \#
24 .ALD |1i-1v \" Advance 1 inch from top of paper to first baseline
25 Example 1\*[BU2]:
26 .ALD .25v \" Advance an extra 1/4 linespace
27 .UNDERSCORE 3.75p "T\*[BU4]asting notes using padding, string tabs \
28 and multi-columns"
29 .SP \" Add an extra line space
30 \#
31 \#
32 .FAM H \" Helvetica family
33 .PS 10
34 .LS 11 \" New leading
35 \#
36 \# The following uses a combination of padding, string tabs, and the FP escape
37 \# to set up five tabs with 12-point (1-pica) gutters over the full line length.
38 \#
39 .SILENT \" Don't print the next line
40 .PAD "\*[ST1]VIN#\*[ST1X]\*[FP12]\*[ST2]ROBE#\*[ST2X]\*[FP12]\*[ST3]NEZ#\*[ST3X]\*[FP12]\*[ST4]BOUCHE#\*[ST4X]\*[FP12]\*[ST5]COMMENTAIRES\*[ST5X]"
41 .SILENT OFF \" Resume normal printing of text
42 \#
43 \# Now that the string tabs have been marked off, we "set" them.
44 \#
45 .ST 1 L \" First string tab flush left, nofill mode (no need for .BR's between input lines)
46 .ST 2 L QUAD \" Remaining tabs are flush left/rag right, fill mode
47 .ST 3 L QUAD
48 .ST 4 L QUAD
49 .ST 5 L QUAD
50 \#
51 \#
52 .TAB 1 \" Call first tab
53 .UNDERSCORE "VIN"
54 .TN \" Move to next tab and stay on the same baseline
55 .UNDERSCORE "ROBE"
56 .TN \" Ibid
57 .UNDERSCORE "NEZ"
58 .TN \" Ibid
59 .UNDERSCORE "BOUCHE"
60 .TN \" Ibid
61 .UNDERSCORE "COMMENTAIRES"
62 .TQ \" Quit tabs
63 \#
64 \#
65 .ALD 6p \" Advance an extra 6 points
66 .FT R \" Change font to roman (medium)
67 .MCO \" Turn multi-column mode on
68 \#
69 \#
70 .TAB 1 \" Notice that this tab gets set line-for-line
71 \*[IT]Peelee Island \" Set italic
72 \*[PREV]Gewürztraminer \" Revert to former font (roman)
73 2000
74 (Canada)
75 .MCR \" Return to top of column
76 .TAB 2 \" Call tab 2; in multi-column mode, don't use .TN
77 Jaune pâle.
78 .MCR
79 .TB 3 \" Notice that from here on, we use the alias TB instead of TAB
80 Frais, fruité, ci\%tronné, arômes fortes de lichee et de fruits
81 tropicaux.
82 .MCR
83 .TB 4
84 Doux, fruité, bien équilibré avec une bonne acidité.
85 .MCR
86 .TB 5
87 Bon apéro. Servir avec des plats
88 .RW .1
89 indiens ou \%chinois.
90 .RW 0
91 .BR
92 Excellent rapport qualité/prix.
93 .MCX 8p \" Multi-column mode off; advance an extra 8 points
94 .MCO \" Re-invoke multi-columns for next wine description
95 .TB 1
96 \*[IT]Carau Pujol
97 \*[ROM]Tannat
98 1995
99 (Uraguay)
100 .MCR
101 .TB 2
102 Rubis foncé, vio\%lacée, presque opaque.
103 .MCR
104 .TB 3
105 Belles arômes de fruits foncés (prunes, cerises noires, cassis).
106 Odeurs tertiares de cuir, cèdre, violets, eucalyptus, avec une trace
107 exotique de Band-Aid*\*[BU12].
108 \#
109 \# The \*[BU12], above, pulls the period back so that it falls
110 \# underneath the asterisk. \*[BP<#>] could have been used instead
111 \# if you prefer to use points rather than kern units.
112 \#
113 .MCR
114 .TB 4
115 Très rond, tannins mûres et veloutés, avec un long finis fruité et
116 doucement alcoolique.
117 .MCR
118 .TB 5
119 Superbe\|! Une aubaine à ne pas manquer. Prêt à boire maintenant.
120 .MCX 1v \" Multi-columns off; advance an extra linespace
121 \#
122 \# Now, an example of a hanging indent. This is excessively fussy
123 \# from a typographic standpoint in that it hangs the asterisk outside
124 \# the current left margin so that the text following it lines up with
125 \# with the text in the tasting notes. Notice that in order to use a
126 \# hanging indent, you must first set a left indent.
127 \#
128 .FT I \" Change font to italic
129 .PS -.5 \" Reduce point size by 1/2 point
130 .LS -.5 \" Reduce leading by 1/2 point
131 .JUSTIFY \" Set text justified
132 \#
133 \# Now, move the left margin back by the width of an asterisk plus 2 points...
134 \#
135 .L_MARGIN -(\w'*'+2p)
136 \#
137 \# ...and set a left indent equal to the width of an asterisk plus 2 points
138 \#
139 .IL \w'*'+2p
140 \#
141 \# Now, set the hanging indent equal to the left indent, effectively pulling
142 \# the first line of the following text back to the new left margin.
143 \# Subsequent output lines will be indented by the .IL amount.
144 \# Notice that when using the \w inline escape, there's no need to append
145 \# a unit of measure to it.
146 \#
147 .HI \w'*'+2p
148 *\*[FP1]The term "Band-Aid" means the slightly sweet, vaguely chemical
149 smell associated with medical-grade plastics. It is often found in
150 wines from terroirs in South America. Provided a wine has a sufficient
151 concentration of fruit
152 .RW .04 \" Kern the whole next line slightly, so "lipstick" doesn't hyphenate.
153 aromas and complex tertiary characteristics, Band-Aid is a Good Thing.
154 Otherwise, it smells like cheap lipstick.
155 .RW 0 \" Reset kerning to 0
156 \#
157 \# Notice, above, that although the values for IL and HI are the width
158 \# of an asterisk plus 2 points, when setting the first line of text
159 \# (the one with the asterisk at the beginning), we put only 1 point of
160 \# space after the *. This is to compensate for the fact that in the
161 \# italic font, the letter T doesn't align visually with the rest of
162 \# the text. As already noted, this is an extremely fussy example. :)
163 \#
164 \#
165 \#
166 .IX CLEAR \" Cancel and clear stored indent values
167 .L_MARGIN 1i \" Reset left margin to its original value.
168 \#
169 \#
170 .ALD 2P \" Add 2-picas extra space before next example
171 .FAM T
172 .FT B
173 .PS 12
174 .LS 14
175 Example 2:
176 .ALD .25v
177 \#
178 .COMMENT \" COMMENT lets you enter comments without using \# or \"
179 In the next line, because the string to be underscored must be
180 enclosed by double-quotes, you can't use the double-quote character
181 itself around the word "Massaging". We circumvent this by using the
182 groff inline escapes \(lq and \(rq (leftquote and rightquote).
183 .COMMENT OFF \" Remember to turn COMMENT off!
184 \#
185 .UNDERSCORE 3.75p "\(lqMassaging\(rq \*[BP1]a passage of rag right text"
186 .SP \" Add an extra linespace
187 \#
188 \#
189 .PS 12.5
190 .LS 14
191 .PS -1 \" Reduce point size by 1 point
192 Passage using groff defaults
193 .ALD .5v \" Add an extra 1/2 line space
194 .PS +1 \" Restore point size
195 .QUAD LEFT \" Set quad left, fill mode
196 .IB 3P \" Indent 3 picas from both the left and right margins
197 .FT R
198 The thousand injuries of Fortunato I had borne as I best could;
199 but when he ventured upon insult, I vowed revenge. You, who so well
200 know the nature of my soul, will not suppose, however, that I gave
201 utterance to a threat. \*[IT]At length\*[PREV] I would be
202 avenged; this was a point definitively settled\(embut the very
203 definitiveness with which it was resolved, precluded the idea of
204 risk. I must not only punish, but punish with impunity. A
205 wrong is unredressed when retribution overtakes its redresser.
206 It is equally unredressed when the avenger fails to make himself
207 felt as such to him who has done the wrong.
208 .ALD 6p
209 \#
210 \# The next line is set quad right, nofill mode, 1/2 point smaller
211 \# than the preceding text (using the \*S[...] inline escape.
212 \#
213 .RIGHT
214 \*S[-.5]\(emEdgar Allen Poe, \*[IT]The Cask of Amontillado\*[PREV]\*S[+.5]
215 .SP \" Extra linespace
216 .IBX \" Disable "indent both"
217 \#
218 \# The passage above, while acceptable in a longer document, exhibits a
219 \# few typographic flaws. The shape of the right margin rag exhibits
220 \# a decided "rounded" appearance. The word "I" stands alone at the
221 \# end of the third line. The space between the 1st and 2nd sentences
222 \# ("...revenge. You...") is too large, owing to the letter "Y" that
223 \# begins the 2nd sentence. The spacing between "A wrong..." (line 6)
224 \# is equally too large because of the way "A" and "w" fit together.
225 \# The em-dash before Edgar isn't vertically centered with the letter "E".
226 \# And so on. The most important correction below is fixing the rag
227 \# so that longer and shorter lines alternate. This is accomplished by
228 \# manually breaking lines and then slightly lengthening and shortening
229 \# them until a pleasing rag is achieved. The remainder of the little
230 \# flaws are fixed with inline escapes.
231 \#
232 .FT B
233 .PS -1
234 .LEFT
235 The same passage, \*[BU4]"massaged"
236 .ALD .5v
237 .FT R
238 .PS +1
239 .QUAD LEFT
240 .HY OFF \" Turn automatic hyphenation off
241 .BR_AT_LINE_KERN \" Automatically insert a line break (.BR) with each invocation of .RW and .EW
242 .WS +1 \" Increase word space slightly
243 .IB \" Turn "indent both" back on; values are the same as before
244 \#
245 \#
246 The thousand injuries of Fortunato I had borne as I best could; but
247 when he ventured upon insult, I \*[BU2]vowed revenge. \*[BU4]Y\*[BU6]ou,
248 \*[BU4]who so \*[BU2]well know the nature
249 .EW .2
250 of my soul, \*[BU2]will not suppose, however, that I gave utterance to
251 a threat. \*[IT]At
252 .EW .2
253 length\*[PREV] I would be avenged; this was a point definitively
254 settled\(embut the
255 .EW .2
256 v\*[BU1]ery definitiveness with which it was resolved, precluded the idea
257 of risk.
258 .EW 0
259 I must not only punish, but punish with impunity. A \*[BP1]wrong is
260 unredressed
261 .EW .1
262 when retribution overtakes its redresser. It is equally unredressed
263 when the
264 .RW .1
265 avenger fails to make himself felt as such to him \*[BU2]who has done
266 the wrong.
267 .RW 0
268 .WS +0 \" Restore normal wordspacing
269 .ALD 6p
270 .PS -.5
271 .RIGHT
272 \*[RLD1.5]\(em\*[ALD1.5]\*[BP3]Edgar \*[BP1]Allen Poe, \*[IT]The Cask of Amontillado\*[PREV]
273 .IX CLEAR \" Cancel and clear stored values of all indents
274 \#
275 \#
276 .NEWPAGE \" Start a new page
277 .T_MARGIN 1i \" Set top margin to 1i (approx. equivalent to .ALD |1i-1v above
278 \#
279 \#
280 .FAM T
281 .FT B
282 .PS 12
283 .LS 14
284 .LEFT
285 Example 3:
286 .ALD .25v
287 .UNDERSCORE 3.75p "A \*[BU2]recipe for enumerated lists using indents"
288 .SP \" Add an extra line space
289 .FAM N \" New Century Schoolbook family
290 .FT R
291 .PS 11
292 .LS 13
293 .HY \" Turn hyphenation back on
294 .JUSTIFY \" Justify text
295 This example demonstrates the use of left and hanging indents for
296 simple enumerated lists. Nested lists are possible, as the example
297 shows; however, the more complex the nesting, the wiser it becomes
298 to use (string) tabs, as seen in Example 4.
299 \#
300 \#
301 .JUSTIFY \" Justify text
302 .IL \w'\0.\0' \" Establish a left indent equal to the width of 2 figure spaces plus a period.
303 .HI \w'\0.\0' \" Establish a hanging indent equal to the size of the left indent.
304 .ALD 6p
305 \#
306 \#
307 1.\0This is the first item in the list. N\*[BU2]otice how the first line
308 "hangs" back from the remaining text, which is otherwise
309 indented by the width of by two figure-spaces (digit-width
310 spaces) and a period.
311 .BR
312 .HI \" Notice that HI doesn't require an argument once the value's been set
313 .ALD 6p
314 2.\0This is the second item in the list. As with the above item,
315 notice the use of the \*[BU8]\\0 escape sequence in the input text. It's
316 there to ensure that the space after the number/period combination
317 always remains the same (i.e. doesn't stretch when the line is
318 justified). That way, the text of each item always lines up perfectly.
319 \#
320 \#
321 .COMMENT
322 Now we're going to set a bullet-point list, indented from the text
323 above by 1 pica. IL arguments are always added to whatever value
324 is in already effect for IL, hence all we have to do is tell mom to
325 indent (from the current left indent) 1 pica plus the width of the
326 bullet character ( \(bu ). \*[FP3] puts three points of space after
327 the bullet so that the bullet and the text are visually separated.
328 .COMMENT OFF
329 \#
330 \#
331 .IL 1P+\w'\(bu\*[FP3]'
332 \#
333 \# Hanging indents are always relative to the current left indent.
334 \# The additional 1-pica indent, above, already having been taken
335 \# care of, we only want to hang the first lines of bullet list items
336 \# back by the width of the bullet character plus its 3 extra
337 \# points of space.
338 \#
339 .ALD 6p
340 .HI \w'\(bu\*[FP3]'
341 \*[ALD1]\(bu\*[RLD1]\*[FP3]This is the first line of a sublist with bullets.
342 N\*[BU2]otice how the first line (the one with the bullet) is indented
343 exactly one pica from the text of the list item above it, while the
344 remaining lines align with the left indent we set above.
345 .ALD 6p
346 .HI
347 \*[ALD1]\(bu\*[RLD1]\*[FP3]This is the second item of the sublist with bullets. \*[BU4]We
348 could go on indefinitely, but let's go back to the top level (numbered)
349 list...
350 \#
351 \# The easiest way to return to a previous indent value is by subtraction.
352 \# The argument to IL, above, was 1P+\w'\(bu\*[FP3]', so we just reverse
353 \# it by putting a minus sign in front. The parentheses are required
354 \# for groff to evaluate the expression properly.
355 \#
356 .IL -(1P+\w'\(bu\*[FP3]')
357 .HI \w'\0.\0' \" Reset hanging indent for use with numbered items.
358 .ALD 6p
359 3.\0...and here we are.
360 .HI \" Again, notice that once HI has been set, you don't have to keep passing it an argument.
361 .ALD 6p
362 4.\0In order not to make the example too long, we'll stop here.
363 .IX CLEAR \" Dont' forget to cancel and/or clear indents!
364 \#
365 \#
366 .FAM T
367 .FT B
368 .PS 12
369 .LS 14
370 .LEFT
371 .SP
372 \#
373 \#
374 Example 4:
375 .ALD .25v
376 .UNDERSCORE 3.75p "A \*[BU2]recipe for nested lists using string tabs"
377 .SP
378 .FAM N
379 .FT R
380 .PS 11
381 .LS 13
382 .JUSTIFY
383 Although setting up string tabs is a bit more complex than setting
384 up indents, it's \*[BU3]well worth the effort, especially for nested lists.
385 .ALD 6p
386 \#
387 .COMMENT
388 The PAD line, below, sets up two string tabs. The first (ST1)
389 is exactly the length of two figure spaces and a period. The
390 second (ST2) is simply "the remainder of the line."
391 .COMMENT OFF
392 \#
393 .SILENT
394 .PAD "\*[ST1]\0.\0\*[ST1X]\*[ST2]#\*[ST2X]"
395 .ST 1 L \" String tabs must be "set" after being marked off in a line
396 .ST 2 J \" ST 1 will be set flush left, nofill; ST 2 will be justified.
397 .SILENT OFF
398 \#
399 \#
400 .TB 1
401 1.
402 .TN \" Use .TN here so text stays on the same baseline as the number in tab 1
403 This is the first item in the list. N\*[BU2]otice how, just as in Example 3,
404 the first line hangs back from the remaining text, which is otherwise
405 indented.
406 .ALD 6p
407 .TB 1
408 2.
409 .TN
410 This is the second item in the list. N\*[BU2]otice that when setting "lists"
411 with tabs, there's no need to use the \*[BU8]\\0 escape sequence after
412 the number/period combination in the input text.
413 .ALD 6p
414 \#
415 .COMMENT
416 Now, set up the indented bullet-point sublist. The PAD line
417 says: move forward 12 points (1 pica), then mark off a string
418 tab (ST3) that's the length of the bullet character; move foward
419 another three points, then make the next string tab (ST4) the
420 length of remainder of the line.
421 .COMMENT OFF
422 \#
423 .SILENT
424 .PAD "\*[FP12]\*[ST3]\(bu\*[ST3X]\*[FP3]\*[ST4]#\*[ST4X]"
425 .ST 3 L
426 .ST 4 J
427 .SILENT OFF
428 .ALD 6p
429 .TB 3
430 \*[ALD1]\(bu\*[RLD1]
431 .TN
432 This is the first line of a sublist with bullets. N\*[BU2]otice how the
433 bullets and the text line up exactly the same as in Example 3.
434 .ALD 6p
435 .TB 3
436 \*[ALD1]\(bu\*[RLD1]
437 .TN
438 This is the second item of the sublist with bullets. For the fun of
439 it, lets add in an
440 .SPREAD
441 en-dashed sub-sublist.
442 .BR \" We're in a fill mode right now, so you *must* terminate the line with BR
443 \#
444 \#
445 .SILENT
446 .PAD "\*[FP12]\*[ST5]\(en\*[ST5X]\*[FP4]\*[ST6]#\*[ST6X]"
447 .ST 5 L
448 .ST 6 J
449 .SILENT OFF
450 .ALD 6p
451 .TB 5
452 \*[RLD.75]\(en\*[ALD.75]
453 .TN
454 Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam
455 nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat,
456 sed diam voluptua.
457 .ALD 6p
458 .TB 5
459 \*[RLD.75]\(en\*[ALD.75]
460 .TN
461 At \*[BU3]vero eos et accusam et justo duo dolores et ea rebum. Stet clita
462 kasd gubergren, no sea takimata sanctus est lorem ipsum dolor sit amet.
463 .ALD 6p
464 .TB 1
465 3.
466 .TN
467 And here we are, back at the top-level numbered list with a minimum
468 of muss and fuss,
469 .ALD 6p
470 .TB 1
471 4.
472 .TN
473 Generally speaking, once you get the hang of string tabs and the
474 \*[BD]PAD\*[PREV] macro, you'll find setting up complex nested lists
475 (or anything similar to them) easier than with hanging indents.
476 .TQ
477 \#
478 .NEWPAGE
479 .FAM T
480 .FT B
481 .PS 12
482 .LS 14
483 .LEFT
484 Example 5:
485 .ALD .25v
486 .UNDERSCORE 3.75p "Word spacing"
487 .ALD 8p
488 .FAM P \" Palatino family
489 .PS 11
490 .LS 14
491 \#
492 \# The "label" lines for the following are set in Helvetica bold, one
493 \# point smaller than the examples themselves. This demonstrates the
494 \# use of the groff inline escape \f[...] to change both family and
495 \# font inline. It also shows using the mom inline \*S[...].
496 \#
497 \f[HB]\*S[-1]Normal word spacing\*S[+1]\*[PREV]
498 .FT R
499 N\*[BU1]o\*[BU1]w \*[BU1]is the time for all good men to come to the aid of the party.
500 .ALD 4p
501 \f[HB]\*S[-1]Word spacing adjusted by \*[RLD1]\*[BP3]+\*[ALD1]\*[BP2]2\*S[+1]\*[PREV]
502 .FT R
503 .WS +2
504 N\*[BU1]o\*[BU1]w \*[BU1]is the time for all good men to come to the aid of the party.
505 .WS +0
506 .ALD 4p
507 \f[HB]\*S[-1]Word spacing adjusted by \*[RLD1]\*[BP3]+\*[ALD1]\*[BP2]4\*S[+1]\*[PREV]
508 .FT R
509 .WS +4
510 N\*[BU1]o\*[BU1]w \*[BU1]is the time for all good men to come to the aid of the party.
511 .WS +0
512 .ALD 4p
513 \f[HB]\*S[-1]Word spacing adjusted by \*[RLD1]\*[BP3]+\*[ALD1]\*[BP2]6\*S[+1]\*[PREV]
514 .FT R
515 .WS +6
516 N\*[BU1]o\*[BU1]w \*[BU1]is the time for all good men to come to the aid of the party.
517 .WS +0
518 .SP 1.5v
519 \#
520 \#
521 .FAM T
522 .FT B
523 .PS 12
524 .LS 14
525 .LEFT
526 Example 6:
527 .ALD .25v
528 .UNDERSCORE 3.75p "Line kerning"
529 .ALD 8p
530 .FAM P \" Palatino family
531 .FT R
532 .PS 11
533 .LS 15
534 \#
535 \# Here, we set up some tabs so the examples can go into facing columns.
536 \#
537 .TAB_SET 1 0 19.5P L
538 .TAB_SET 2 19.5P 19.5P L
539 \#
540 \#
541 .MCO \" Turn multi-columns on
542 .TB 1
543 \f[HB]\*S[-1]Unkerned line\*S[+1]\*[PREV]
544 .FT R
545 "But this is \*[IT]important!\/"\*[PREV]she exclaimed.
546 .ALD 4p
547 \f[HB]\*S[-1]Line "tightened" \(en .RW .1\*S[+1]\*[PREV]
548 .RW .1
549 "But this is \*[IT]important!\/"\*[PREV]she exclaimed.
550 .ALD 4p
551 \#
552 \# In the next line, notice that because it uses a different family
553 \# (Helvetica instead of Palatino), the RW macro doesn't affect it.
554 \#
555 \f[HB]\*S[-1]Line "tightened" \(en .RW .2\*S[+1]\*[PREV]
556 .RW .2
557 "But this is \*[IT]important!\/"\*[PREV]she exclaimed.
558 .ALD 4p
559 \f[HB]\*S[-1]Line "tightened" \(en .RW .3\*S[+1]\*[PREV]
560 .RW .3
561 "But this is \*[IT]important!\/"\*[PREV]she exclaimed.
562 .MCR
563 .TB 2
564 \f[HB]\*S[-1]Unkerned line\*S[+1]\*[PREV]
565 "But this is \*[IT]important!\/"\*[PREV]she exclaimed.
566 .ALD 4p
567 \f[HB]\*S[-1]Line "loosened" \(en .EW .1\*S[+1]\*[PREV]
568 .EW .1
569 "But this is \*[IT]important!\/"\*[PREV]she exclaimed.
570 .ALD 4p
571 \f[HB]\*S[-1]Line "loosened" \(en .EW .2\*S[+1]\*[PREV]
572 .EW .2
573 "But this is \*[IT]important!\/"\*[PREV]she exclaimed.
574 .ALD 4p
575 \f[HB]\*S[-1]Line "loosened" \(en .EW .3\*S[+1]\*[PREV]
576 .EW .3
577 "But this is \*[IT]important!\/"\*[PREV]she exclaimed.
578 .MCX 1.5v
579 \#
580 \#
581 .FAM T
582 .FT B
583 .PS 12
584 .LS 14
585 .LEFT
586 Example 7:
587 .ALD .25v
588 .UNDERSCORE 3.75p "Cutaround using left\*[FU2]/right indents, multi columns \
589 and a dropcap"
590 .SP
591 \#
592 \#
593 .FT R
594 .PS 11
595 .LS 12
596 .BR_AT_LINE_KERN OFF \" In justified text, it's best to have this OFF
597 \#
598 \#
599 .TS 1 0 18.5P J \" TS is an alias for TAB_SET
600 .TS 2 20.5P 18.5P J
601 .MCO
602 .ALD 5P+9p
603 .PSPIC penguin.ps
604 .MCR
605 .TAB 1
606 .DROPCAP_FONT B
607 .DROPCAP L 3 COND 80
608 .EW .2
609 orem ipsum dolor sit amet, consetetur sa\%dip\%scing elitr, sed diam
610 nonumy eir\%mod tempor invidunt ut labore et dolore magna aliquyam erat,
611 sed diam voluptua.
612 .EW 0
613 .TI 1P
614 At vero eos et accusam et justo duo dolores et ea rebum. Stet clita
615 kasd gubergren, no sea taki-
616 .SPREAD \" Force justify preceding line before starting indent
617 .IR 3.5P
618 kimata sanctus est lorem ipsum dolor sit amet.
619 Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam
620 nonumy eirmod tempor.
621 .EW .2
622 .TI
623 Invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua.
624 At
625 .EW 0
626 vero eos et accusam et justo duo dolores et ea rebum.
627 .TI
628 Stet clita kasd gubergren, no sea ta-
629 .SPREAD \" Force justify preceding line before quitting indent
630 .IRX
631 kimata sanctus est lorem ipsum dolor sit amet. Lorem ipsum dolor
632 sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor
633 in\%vi\%dunt ut labore et dolore magna aliquyam erat. Sed diam voluptua,
634 at vero eos et accusam et justo duo
635 .SPREAD
636 .EW .3
637 dolores et ea rebum. Stet clita no kasd guber-
638 .SPREAD
639 .MCR
640 .TB 2
641 gren, no sea takimata sanctus est lorem ipsum
642 .EW 0
643 dolor sit amet. Consetetur sadipscing elitr, sed diam nonumy eirmod
644 tempor invidunt ut labore et dolore.
645 .TI
646 Magna aliquyam erat, sed diam voluptua, at vero eos et accusam.
647 Et justo duo dolores et ea
648 .SPREAD
649 .IL 3.5P
650 rebum, stet clita kasd gubergren. No sea
651 takimata sanctus est, lorem ipsum dolor sit amet.
652 .TI
653 Sit amet, consetetur sadipscing elitr, sed diam. Nonumy eirmod tempor
654 in\%vi-
655 .EW .3
656 dunt ut labore et dolore magna. Ali-
657 .EW 0
658 quyam erat sed diam voluptua.
659 At vero eos et accusam et justo duo dolores et ea rebum stet.
660 .ILX
661 .TI
662 Dolores et ea rebum stet clita kasd gubergren, no sea takimata
663 sanctus. Sadipscing elitr sed diam, nonumy eirmod tempor, invidunt
664 ut labore et dolore magna aliquyam erat. Sed diam voluptua, at vero
665 eos et accusam et justo duo dolores et ea rebum.