ly/bagpipe.ly

   1 %{
   2   Bagpipe music settings for LilyPond.
   3   This file builds on work by Andrew McNabb (http://www.mcnabbs.org/andrew/)
   4
   5   Substantial changes and additions made by
   6   Sven Axelsson, the Murray Pipes & Drums of Gothenburg
   7   (http://www.murrays.nu)
   8
   9   $Id: bagpipe.ly,v 1.12 2006/03/16 14:39:46 hanwen Exp $
  10 %}
  11
  12 \version "2.13.29"
  13
  14 % Notes of the scale of the Great Highland Bagpipe. Extra high notes for bombarde.
  15 % Flat notes used mainly in some modern music.
  16
  17 pitchnamesBagpipe = #`(
  18   (G . ,(ly:make-pitch 0 4 NATURAL))
  19   (a . ,(ly:make-pitch 0 5 NATURAL))
  20   (b . ,(ly:make-pitch 0 6 NATURAL))
  21   (c . ,(ly:make-pitch 1 0 SHARP))
  22   (cflat . ,(ly:make-pitch 1 0 FLAT))
  23   (d . ,(ly:make-pitch 1 1 NATURAL))
  24   (e . ,(ly:make-pitch 1 2 NATURAL))
  25   (f . ,(ly:make-pitch 1 3 SHARP))
  26   (fflat . ,(ly:make-pitch 1 3 FLAT))
  27   (g . ,(ly:make-pitch 1 4 NATURAL))
  28   (gflat . ,(ly:make-pitch 1 4 FLAT))
  29   (A . ,(ly:make-pitch 1 5 NATURAL))
  30   (B . ,(ly:make-pitch 1 6 NATURAL))
  31   (C . ,(ly:make-pitch 2 0 SHARP))
  32 )
  33 pitchnames = \pitchnamesBagpipe
  34 #(ly:parser-set-note-names parser pitchnames)
  35
  36 % Bagpipe music is written in something like D major. If we use
  37 % flattened notes, the flat should be shown on all instances.
  38
  39 hideKeySignature = {
  40   % We normally don't want to show the key signature.
  41   \override Staff.KeySignature  #'stencil = ##f
  42   \set Staff.extraNatural = ##f
  43   \key d \major
  44   #(set-accidental-style 'forget)
  45 }
  46 showKeySignature = {
  47   % Show the key signature e.g. for BMW compatibility.
  48   \override Staff.KeySignature  #'stencil = #ly:key-signature-interface::print
  49   \set Staff.extraNatural = ##f
  50   \key d \major
  51   #(set-accidental-style 'forget)
  52 }
  53
  54 % Layout tweaks.
  55
  56 \layout {
  57   \context {
  58     \Voice
  59     % All stems go down.
  60     \override Stem #'direction = #DOWN
  61     % All slurs and ties are on top.
  62     \override Slur #'direction = #UP
  63     \override Tie #'direction = #UP
  64   }
  65 }
  66
  67 % Some common timing tweaks.
  68
  69 % Sets the autobeamer to span quarter notes only. Use for fast music.
  70 quarterBeaming = {
  71   \set Staff.beamExceptions = #'()
  72 }
  73 halfBeaming = {
  74   \set Staff.beamExceptions = #'((end . (((1 . 8) . (4 4))
  75                                          ((1 . 12) . (3 3)))))
  76 }
  77
  78 % Reels are in allabreve time with half note beaming.
  79 reelTime = {
  80   \time 2/2
  81   \halfBeaming
  82 }
  83 % 4/4 marches are written with numerical time signature and with quarter beaming.
  84 marchTime = {
  85   \time 4/4
  86   \numericTimeSignature
  87   \quarterBeaming
  88 }
  89
  90 % Add appropriate tweaks needed for piping grace notes to look great.
  91 stemspace = #(define-music-function (parser location extent) (pair?) #{
  92   \once \override Staff.Stem #'X-extent = #$extent
  93 #})
  94 pgrace = #(define-music-function (parser location notes) (ly:music?) #{
  95   \override Score.GraceSpacing #'spacing-increment = #0
  96   \override Score.Stem #'beamlet-max-length-proportion = #'(0.5 . 0.5)
  97   \grace $notes
  98   \revert Score.Stem #'beamlet-default-length
  99 #})
 100
 101 % Single grace notes
 102 grG = { \pgrace { \small G32 } }
 103 gra = { \pgrace { \small a32 } }
 104 grb = { \pgrace { \small b32 } }
 105 grc = { \pgrace { \small c32 } }
 106 grd = { \pgrace { \small d32 } }
 107 gre = { \pgrace { \small e32 } }
 108 grf = { \pgrace { \small f32 } }
 109 grg = { \pgrace { \small g32 } }
 110 grA = { \pgrace { \small A32 } }
 111
 112 % Doublings
 113 dblG = { \pgrace { \small g32[ G d] } }
 114 dbla = { \pgrace { \small g32[ a d] } }
 115 dblb = { \pgrace { \small g32[ b d] } }
 116 dblc = { \pgrace { \small g32[ c d] } }
 117 dbld = { \pgrace { \small g32[ d e] } }
 118 dble = { \pgrace { \small g32[ e f] } }
 119 dblf = { \pgrace { \small g32[ f g] } }
 120 % These are the same as the half doublings.
 121 dblg = { \pgrace { \small g32[ f] } }
 122 dblA = { \pgrace { \small A32[ g] } }
 123
 124 % Half doublings
 125 hdblG = { \pgrace { \small G32[ d] } }
 126 hdbla = { \pgrace { \small a32[ d] } }
 127 hdblb = { \pgrace { \small b32[ d] } }
 128 hdblc = { \pgrace { \small c32[ d] } }
 129 hdbld = { \pgrace { \small d32[ e] } }
 130 hdble = { \pgrace { \small e32[ f] } }
 131 hdblf = { \pgrace { \small f32[ g] } }
 132 hdblg = { \pgrace { \small g32[ f] } }
 133 hdblA = { \pgrace { \small A32[ g] } }
 134
 135 % Thumb doublings
 136 tdblG = { \pgrace { \small A32[ G d] } }
 137 tdbla = { \pgrace { \small A32[ a d] } }
 138 tdblb = { \pgrace { \small A32[ b d] } }
 139 tdblc = { \pgrace { \small A32[ c d] } }
 140 tdbld = { \pgrace { \small A32[ d e] } }
 141 tdble = { \pgrace { \small A32[ e f] } }
 142 tdblf = { \pgrace { \small A32[ f g] } }
 143 tdblg = { \pgrace { \small A32[ g f] } }
 144
 145 % Shakes
 146 % A few of these can't really be played and are here only for consistency.
 147 shakea = { \pgrace { \small g32[ a e a G] } }
 148 shakeb = { \pgrace { \small g32[ b e b G] } }
 149 shakec = { \pgrace { \small g32[ c e c G] } }
 150 shaked = { \pgrace { \small g32[ d e d G] } }
 151 shakee = { \pgrace { \small g32[ e f e a] } }
 152 shakef = { \pgrace { \small g32[ f g f a] } }
 153 shakeg = { \pgrace { \small A32[ f g a] } }
 154 shakeA = { \pgrace { \small A32[ g A a] } }
 155
 156 % Half shakes
 157 hshakea = { \pgrace { \small a32[ d a G] } }
 158 hshakeb = { \pgrace { \small b32[ d b G] } }
 159 hshakec = { \pgrace { \small c32[ d c G] } }
 160 hshaked = { \pgrace { \small d32[ e d G] } }
 161 hshakee = { \pgrace { \small e32[ f e a] } }
 162 hshakef = { \pgrace { \small f32[ g f a] } }
 163 hshakeg = { \pgrace { \small g32[ f g a] } }
 164 hshakeA = { \pgrace { \small A32[ g A a] } }
 165
 166 % Thumb shakes
 167 tshakea = { \pgrace { \small A32[ a d a G] } }
 168 tshakeb = { \pgrace { \small A32[ b d b G] } }
 169 tshakec = { \pgrace { \small A32[ c d c G] } }
 170 tshaked = { \pgrace { \small A32[ d e d G] } }
 171 tshakee = { \pgrace { \small A32[ e f e a] } }
 172 tshakef = { \pgrace { \small A32[ f g f a] } }
 173 tshakeg = { \pgrace { \small A32[ f g a] } }
 174 tshakeA = { \pgrace { \small A32[ g A a] } }
 175
 176 % Slurs
 177 % A few of these can't really be played and are here only for consistency.
 178 slura  = { \pgrace { \small g32[ a G] } }
 179 slurb  = { \pgrace { \small g32[ b G] } }
 180 slurc  = { \pgrace { \small g32[ c G] } }
 181 slurd  = { \pgrace { \small g32[ d G] } }
 182 wslurd = { \pgrace { \small g32[ d c] } }
 183 slure  = { \pgrace { \small g32[ e a] } }
 184 slurf  = { \pgrace { \small g32[ f a] } }
 185 slurg  = { \pgrace { \small A32[ f a] } }
 186 slurA  = { \pgrace { \small f32[ a] } }
 187
 188 % Half slurs
 189 hslura  = { \pgrace { \small a32[ G] } }
 190 hslurb  = { \pgrace { \small b32[ G] } }
 191 hslurc  = { \pgrace { \small c32[ G] } }
 192 hslurd  = { \pgrace { \small d32[ G] } }
 193 whslurd = { \pgrace { \small d32[ c] } }
 194 hslure  = { \pgrace { \small e32[ a] } }
 195 hslurf  = { \pgrace { \small f32[ a] } }
 196 hslurg  = { \pgrace { \small g32[ a] } }
 197 hslurA  = { \pgrace { \small A32[ a] } }
 198
 199 % Thumb slurs
 200 tslura  = { \pgrace { \small A32[ a G] } }
 201 tslurb  = { \pgrace { \small A32[ b G] } }
 202 tslurc  = { \pgrace { \small A32[ c G] } }
 203 tslurd  = { \pgrace { \small A32[ d G] } }
 204 wtslurd = { \pgrace { \small A32[ d c] } }
 205 tslure  = { \pgrace { \small A32[ e a] } }
 206 tslurf  = { \pgrace { \small A32[ f a] } }
 207 tslurg  = { \pgrace { \small A32[ f a] } }
 208 tslurA  = { \pgrace { \small f32[ a] } }
 209
 210 % Catches
 211 catcha = { \pgrace { \small a32[ G d G] } }
 212 catchb = { \pgrace { \small b32[ G d G] } }
 213 catchc = { \pgrace { \small c32[ G d G] } }
 214 catchd = { \pgrace { \small d32[ G b G] } }
 215 catche = { \pgrace { \small e32[ G d G] } }
 216
 217 % G-grace catches
 218 gcatcha = { \pgrace { \small g32[ a G d G] } }
 219 gcatchb = { \pgrace { \small g32[ b G d G] } }
 220 gcatchc = { \pgrace { \small g32[ c G d G] } }
 221 gcatchd = { \pgrace { \small g32[ d G b G] } }
 222 gcatche = { \pgrace { \small g32[ e G d G] } }
 223
 224 % Thumb catches
 225 tcatcha = { \pgrace { \small A32[ a G d G] } }
 226 tcatchb = { \pgrace { \small A32[ b G d G] } }
 227 tcatchc = { \pgrace { \small A32[ c G d G] } }
 228 tcatchd = { \pgrace { \small A32[ d G b G] } }
 229 tcatche = { \pgrace { \small A32[ e G d G] } }
 230
 231 % Triple strikes (BMW has them all, but I've never seen any but the A one used, so ...)
 232 tripleA = { \pgrace { \small A32[ g A g A g] } }
 233
 234 % Throws
 235 thrwd     = { \pgrace { \small G32[ d c] } }
 236 Gthrwd    = { \pgrace { \small d32[ c] } }
 237 gripthrwd = { \pgrace { \small G32[ d G c] } }
 238 thrwe     = { \pgrace { \small e32[ a f a] } }
 239 wthrwe    = { \pgrace { \small e32[ d f d] } }
 240 thrwf     = { \pgrace { \small f32[ e g e] } }
 241
 242 % Birls
 243 birl  = { \pgrace { \small a32[ G a G] } }
 244 wbirl = { \pgrace { \small G32[ a G] } }
 245 gbirl = { \pgrace { \small g32[ a G a G] } }
 246 dbirl = { \pgrace { \small d32[ a G a G] } }
 247
 248 % Grips
 249 grip  = { \pgrace { \small G32[ d G] } }
 250 dgrip = { \pgrace { \small G32[ b G] } }
 251 egrip = { \pgrace { \small G32[ e G] } }
 252
 253 % Taorluaths
 254 taor    = { \pgrace { \small G32[ d G e] } }
 255 taorjmd = { \pgrace { \small G32[ d a e] } }
 256 taorold = { \pgrace { \small G32[ d G a e] } }
 257 dtaor   = { \pgrace { \small G32[ b G e] } }
 258 Gtaor   = { \pgrace { \small d32[ G e] } }
 259 taoramb = { \pgrace { \small G32[ d G b e] } }
 260 taoramc = { \pgrace { \small G32[ d G c e] } }
 261 taoramd = { \pgrace { \small G32[ d G c d e] } }
 262
 263 % Crunluaths
 264 crun    = { \pgrace { \small G32[ d G e a f a ] } }
 265 dcrun   = { \pgrace { \small G32[ b G e a f a ] } }
 266 Gcrun   = { \pgrace { \small d32[ G e G f a ] } }
 267 crunamb = { \pgrace { \small G32[ d G b e b f b ] } }
 268 crunamc = { \pgrace { \small G32[ d G c e c f c ] } }
 269 crunamd = { \pgrace { \small G32[ d G c d e d f d ] } }
 270 crunambfosg = { \pgrace { \small e32[ b f b ] } }
 271 crunamcfosg = { \pgrace { \small e32[ c f c ] } }
 272 crunamdfosg = { \pgrace { \small e32[ d f d ] } }
 273
 274 % Special piobaireachd notations
 275 grGcad   = { \pgrace { \small G16 } }
 276 gracad   = { \pgrace { \small a16 } }
 277 cad      = { \pgrace { \small \stemspace #'(0 . 0.5) g32[ e8 d32] } }
 278 hcad     = { \pgrace { \small \stemspace #'(0 . 0.5) g32[ e8] } }
 279 tcad     = { \pgrace { \small e8[ d32] } }
 280 thcad    = { \pgrace { \small e8 } }
 281 % This is the same as thrwe
 282 dre      = { \pgrace { \small e32[ a f a] } }
 283 % This is the same as thrwf
 284 dare     = { \pgrace { \small f32[ e g e] } }
 285 bari     = { \pgrace { \small e32[ G f G] } }
 286 dari     = { \pgrace { \small f32[ e g e f e] } }
 287 pthrwd   = { \pgrace { \small G16[ d32 c] } }
 288 darodo   = { \pgrace { \small G32[ d G c G] } }
 289 Gdarodo  = { \pgrace { \small d32[ G c G] } }
 290 pdarodo  = { \pgrace { \small G16[ d32 G c G16] } }
 291 pGdarodo = { \pgrace { \small d32[ G c G16] } }
 292 % Weird stuff from Joseph MacDonald’s book
 293 fifteenthcutting     = { \pgrace { \small G32[ d a e a f a e a d] } }
 294 fifteenthcuttingG    = { \pgrace { \small G32[ d a e G f G e G d] } }
 295 Gfifteenthcutting    = { \pgrace { \small d32[ a e a f a e a d] } }
 296 GfifteenthcuttingG   = { \pgrace { \small d32[ a e G f G e G d] } }
 297 seventeenthcutting   = { \pgrace { \small G32[ d a e a f a e a d a c] } }
 298 seventeenthcuttingG  = { \pgrace { \small G32[ d a e G f G e G d G c] } }
 299 Gseventeenthcutting  = { \pgrace { \small d32[ a e a f a e a d a c] } }
 300 GseventeenthcuttingG = { \pgrace { \small d32[ a e G f G e G d G c] } }
 301 barluadh   = { \pgrace { \small G32[ d a e a f a e a d a c a b a e a f a] } }
 302 barluadhG  = { \pgrace { \small G32[ d a e G f G e G d G c G b G e G f G] } }
 303 Gbarluadh  = { \pgrace { \small d32[ a e a f a e a d a c a b a e a f a] } }
 304 GbarluadhG = { \pgrace { \small d32[ a e G f G e G d G c G b G e G f G] } }
 305 % Non-gracenote piobaireachd markup.
 306 trebling = \markup {
 307   \override #'(baseline-skip . 0.4)
 308   \column {
 309     \musicglyph #"scripts.tenuto"
 310     \musicglyph #"scripts.tenuto"
 311     \musicglyph #"scripts.tenuto"
 312   }
 313 }
 314 % Abbreviated notation common in piobaireachd scores.
 315 % TODO: Make sure these are put on a fixed Y-position.
 316 txtaor = \markup { \center-align "T" }
 317 txcrun = \markup { \center-align "C" }
 318 txtaorcrun = \markup {
 319   \override #'(baseline-skip . 1.8)
 320   \column {
 321     \center-align "T"
 322     \center-align "C"
 323   }
 324 }
 325 % Turn these upside down, as in the Kilberry book.
 326 txtaoram = \markup { \center-align \scale #'(-1 . -1) "T" }
 327 txcrunam = \markup { \center-align \scale #'(-1 . -1) "C" }
 328 txtaorcrunam = \markup {
 329   \override #'(baseline-skip . 1.8)
 330   \column {
 331     \center-align \scale #'(-1 . -1) "T"
 332     \center-align \scale #'(-1 . -1) "C"
 333   }
 334 }