input/lsr/ancient-notation-template----modern-transcription-of-mensural-music.ly

   1 %% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
   2 %% This file is in the public domain.
   3 \version "2.11.57"
   4
   5 \header {
   6   lsrtags = "ancient-notation, template"
   7
   8   texidoces = "
   9 Al transcribir música mensural, es útil un «incipit» al compienzo
  10 de la pieza para indicar la tonalidad y el tempo
  11 originales. Aunque los músicos actuales están acostumbrados a las
  12 barras de compás para reconocer con más facilidad los patrones
  13 rítmicos, durante el período de la música mensural aún no se
  14 habíen inventado las líneas divisorias; de hecho, la medida solía
  15 cambiar a cada pocas notas. Como compromiso, a menudo las líneas
  16 divisorias se imprimen entre los pentagramas en vez de hacerlo
  17 encima de ellos.
  18
  19 "
  20   doctitlees = "Plantilla de notación de música antigua (transcripción moderna de música mensural)"
  21
  22   texidoc = "
  23 When transcribing mensural music, an incipit at the beginning of the
  24 piece is useful to indicate the original key and tempo. While today
  25 musicians are used to bar lines in order to faster recognize rhythmic
  26 patterns, bar lines were not yet invented during the period of mensural
  27 music; in fact, the meter often changed after every few notes. As a
  28 compromise, bar lines are often printed between the staves rather than
  29 on the staves.
  30
  31 "
  32   doctitle = "Ancient notation template -- modern transcription of mensural music"
  33 } % begin verbatim
  34 global = {
  35   \set Score.skipBars = ##t
  36
  37   % incipit
  38   \once \override Score.SystemStartBracket #'transparent = ##t
  39   \override Score.SpacingSpanner #'spacing-increment = #1.0 % tight spacing
  40   \key f \major
  41   \time 2/2
  42   \once \override Staff.TimeSignature #'style = #'neomensural
  43   \override Voice.NoteHead #'style = #'neomensural
  44   \override Voice.Rest #'style = #'neomensural
  45   \set Staff.printKeyCancellation = ##f
  46   \cadenzaOn % turn off bar lines
  47   \skip 1*10
  48   \once \override Staff.BarLine #'transparent = ##f
  49   \bar "||"
  50   \skip 1*1 % need this extra \skip such that clef change comes
  51             % after bar line
  52   \bar ""
  53
  54   % main
  55   \revert Score.SpacingSpanner #'spacing-increment % CHECK: no effect?
  56   \cadenzaOff % turn bar lines on again
  57   \once \override Staff.Clef #'full-size-change = ##t
  58   \set Staff.forceClef = ##t
  59   \key g \major
  60   \time 4/4
  61   \override Voice.NoteHead #'style = #'default
  62   \override Voice.Rest #'style = #'default
  63
  64   % FIXME: setting printKeyCancellation back to #t must not
  65   % occur in the first bar after the incipit.  Dto. for forceClef.
  66   % Therefore, we need an extra \skip.
  67   \skip 1*1
  68   \set Staff.printKeyCancellation = ##t
  69   \set Staff.forceClef = ##f
  70
  71   \skip 1*7 % the actual music
  72
  73   % let finis bar go through all staves
  74   \override Staff.BarLine #'transparent = ##f
  75
  76   % finis bar
  77   \bar "|."
  78 }
  79
  80 discantusNotes = {
  81   \transpose c' c'' {
  82     \set Staff.instrumentName = #"Discantus  "
  83
  84     % incipit
  85     \clef "neomensural-c1"
  86     c'1. s2   % two bars
  87     \skip 1*8 % eight bars
  88     \skip 1*1 % one bar
  89
  90     % main
  91     \clef "treble"
  92     d'2. d'4 |
  93     b e' d'2 |
  94     c'4 e'4.( d'8 c' b |
  95     a4) b a2 |
  96     b4.( c'8 d'4) c'4 |
  97     \once \override NoteHead #'transparent = ##t c'1 |
  98     b\breve |
  99   }
 100 }
 101
 102 discantusLyrics = \lyricmode {
 103   % incipit
 104   IV-
 105
 106   % main
 107   Ju -- bi -- |
 108   la -- te De -- |
 109   o, om --
 110   nis ter -- |
 111   ra, __ om- |
 112   "..." |
 113   -us. |
 114 }
 115
 116 altusNotes = {
 117   \transpose c' c'' {
 118     \set Staff.instrumentName = #"Altus  "
 119
 120     % incipit
 121     \clef "neomensural-c3"
 122     r1        % one bar
 123     f1. s2    % two bars
 124     \skip 1*7 % seven bars
 125     \skip 1*1 % one bar
 126
 127     % main
 128     \clef "treble"
 129     r2 g2. e4 fis g | % two bars
 130     a2 g4 e |
 131     fis g4.( fis16 e fis4) |
 132     g1 |
 133     \once \override NoteHead #'transparent = ##t g1 |
 134     g\breve |
 135   }
 136 }
 137
 138 altusLyrics = \lyricmode {
 139   % incipit
 140   IV-
 141
 142   % main
 143   Ju -- bi -- la -- te | % two bars
 144   De -- o, om -- |
 145   nis ter -- ra, |
 146   "..." |
 147   -us. |
 148 }
 149
 150 tenorNotes = {
 151   \transpose c' c' {
 152     \set Staff.instrumentName = #"Tenor  "
 153
 154     % incipit
 155     \clef "neomensural-c4"
 156     r\longa   % four bars
 157     r\breve   % two bars
 158     r1        % one bar
 159     c'1. s2   % two bars
 160     \skip 1*1 % one bar
 161     \skip 1*1 % one bar
 162
 163     % main
 164     \clef "treble_8"
 165     R1 |
 166     R1 |
 167     R1 |
 168     r2 d'2. d'4 b e' | % two bars
 169     \once \override NoteHead #'transparent = ##t e'1 |
 170     d'\breve |
 171   }
 172 }
 173
 174 tenorLyrics = \lyricmode {
 175   % incipit
 176   IV-
 177
 178   % main
 179   Ju -- bi -- la -- te | % two bars
 180   "..." |
 181   -us. |
 182 }
 183
 184 bassusNotes = {
 185   \transpose c' c' {
 186     \set Staff.instrumentName = #"Bassus  "
 187
 188     % incipit
 189     \clef "bass"
 190     r\maxima  % eight bars
 191     f1. s2    % two bars
 192     \skip 1*1 % one bar
 193
 194     % main
 195     \clef "bass"
 196     R1 |
 197     R1 |
 198     R1 |
 199     R1 |
 200     g2. e4 |
 201     \once \override NoteHead #'transparent = ##t e1 |
 202     g\breve |
 203   }
 204 }
 205
 206 bassusLyrics = \lyricmode {
 207   % incipit
 208   IV-
 209
 210   % main
 211   Ju -- bi- |
 212   "..." |
 213   -us. |
 214 }
 215
 216 \score {
 217   \new StaffGroup = choirStaff <<
 218     \new Voice =
 219       "discantusNotes" << \global \discantusNotes >>
 220     \new Lyrics =
 221       "discantusLyrics" \lyricsto discantusNotes { \discantusLyrics }
 222     \new Voice =
 223       "altusNotes" << \global \altusNotes >>
 224     \new Lyrics =
 225       "altusLyrics" \lyricsto altusNotes { \altusLyrics }
 226     \new Voice =
 227       "tenorNotes" << \global \tenorNotes >>
 228     \new Lyrics =
 229       "tenorLyrics" \lyricsto tenorNotes { \tenorLyrics }
 230     \new Voice =
 231       "bassusNotes" << \global \bassusNotes >>
 232     \new Lyrics =
 233       "bassusLyrics" \lyricsto bassusNotes { \bassusLyrics }
 234   >>
 235   \layout {
 236     \context {
 237       \Score
 238
 239       % no bars in staves
 240       \override BarLine #'transparent = ##t
 241
 242       % incipit should not start with a start delimiter
 243       \remove "System_start_delimiter_engraver"
 244     }
 245     \context {
 246       \Voice
 247
 248       % no slurs
 249       \override Slur #'transparent = ##t
 250
 251       % Comment in the below "\remove" command to allow line
 252       % breaking also at those barlines where a note overlaps
 253       % into the next bar.  The command is commented out in this
 254       % short example score, but especially for large scores, you
 255       % will typically yield better line breaking and thus improve
 256       % overall spacing if you comment in the following command.
 257       %\remove "Forbid_line_break_engraver"
 258     }
 259   }
 260 }
 261
 262
 263