lilypond-1.3.69
[lilypond.git] / input / standje.ly
blobe6d29fd9943d268af93e10e1e17a4e1433694943
1 \header{
2 filename = "standje.ly";
3 title = "St\"andchen (Serenade) \"Leise flehen meine Lieder\"";
4 opus = "D. 957 No. 4";
5 composer = "Franz Schubert (1797-1828)"
6 "Text by Ludwig Rellstab (1799-1860)";
7 enteredby = "JCN";
8 copyright = "public domain";
9 }
12 Tested Features@ multivoice, accents, lyrics, chords, piano music,
13 multiple \paper{}s in one \score
16 \version "0.1.8";
18 $vocal_verse1 = \melodic{
19 \octave c';
20 % ugh: treble/bass
21 % \clef treble;
22 \clef violin;
23 [2/3 g8( )as] g \] c'4. g8 |
24 [2/3 f8( )g] f \] c'4 f8 r |
25 g4.-> f8 [2/3 f( )es] d \] |
26 es2 r4 |
27 % ugh: a whole should be a measure
28 %r1 |
29 r2. |
30 r2. |
31 [2/3 g8( )as] g \] es'4. g8 |
32 [2/3 f8( )g] f \] d'4. c'8 |
33 bes4. as8 [2/3 as( )g] f \] |
34 g2 r4 |
35 r2. |
36 r2. |
37 g8. b16 es'4. d'8 |
38 c'8. g16 es4. c8 |
39 % [as3 2\grace( bes3 2\grace] )
40 [2/3 as8( )g] as \] c'4. as8 |
41 g2. |
42 %[f3 2\grace( g] )
43 [2/3 f8( )e] f \] as4. f8 |
44 es!2. |
45 g8. b16 es'4. d'8 |
46 c'8. g16 e4. c8 |
47 % [a3 2\grace b] )
48 [2/3 a!8( ) gis] a \] c'4. a8 |
49 g!2. |
50 [2/3 d'8\f cis'] d \] f'4. b8 |
51 c'2. |
52 r2. |
53 r2. |
56 $lyric_verse1 = \lyric{
57 % 5
58 \[2/3 Lei-4 se8 \] fleh-4. en8 |
59 \[2/3 mei-4 ne8 \] Lie-4 der8 _8 |
60 Durch4. die8 \[2/3 Nacht4 zu8 \] |
61 dir;2 _4 |
62 _4 _ _ |
63 _ _ _ |
64 % 11
65 \[2/3 In4 den8 \] stil-4. len8 |
66 \[2/3 Hainr4 her-8 \] nie-4. der,8 |
67 Lieb4. chen,8 \[2/3 komm4 zu8 \] |
68 mir!2 _4 |
69 _4 _ _ |
70 _ _ _ |
71 % 17
72 Fl\"us-8. ternd16 schlan-4. ke8 |
73 Wip-8. fel16 rau-4. schen8 |
74 \[2/3 In4 des8 \] Mon-4. des8 |
75 Licht;2. |
76 _4 _ _ |
77 _4 _ _ |
78 % 23
79 Des8. Ver-16 r\"a-4. ters8 |
80 feind-8. lich16 Lau-4. schen8 |
81 \[2/3 F\"urch-4 te,8 \] Hol-4. de,8 |
82 nicht,2. |
83 \[2/3 f\"urch-4 te,8 \] Hol-4. de,8 |
84 nicht.2. |
85 _4 _ _
86 _ _ _
89 $treble_intro = \melodic{
90 \octave c';
91 \clef violin;
92 % ugh: i'd like to type this!
93 %r8 [<'g-. c-.> <c-. es-.> <'g-. c-.> <c-. es-.> <'g-. c-.>] |
94 r8 <['g-. c-.> <c-. es-.> <'g-. c-.> <c-. es-.> <'g-. c-.]> |
95 r8 <['as-. c-.> <c-. es-.> <'as-. c-.> <c-. es-.> <'as-. c-.]> |
96 r8 <['as-. c-.> <c-. d-.> <'as-. c-.> <c-. d-.> <'as-. c-.]> |
97 r8 <['g-. 'b-.> <'b-. d-.> <'g-. 'b-.> <'b-. d-.> <'g-. 'b-.]> |
101 $treble_verse1 = \melodic{
102 \octave c';
103 \clef violin;
104 r8 <['g c> <c es> <'g c> <c es> <'g c]> |
105 r8 <['f c> <c d> <'f c> <c d> <'f c]> |
106 r8 <['f 'g 'b> <'g 'b d> <'f 'g 'b> <'g 'b d> <'f 'g 'b]> |
107 r8 <['es 'g c> <'g c es> <'es 'g c> <'g c es> <'es 'g c]> |
108 <g'4.( b> <)f'8 d'> <[2/3 f' d'> <es' c'> <d' b]1/1> |
109 <c'2. e'> |
110 r8 <['g c> <c es> <'g c> <c es> <'g c]> |
111 r8 <['f c> <c d> <'f c> <c d> <'f c]> |
112 r8 <['f 'as 'bes> <'as 'bes d> <'f 'g 'bes> <'g 'bes d> <'f 'g 'bes]> |
113 r8 <['es 'g 'bes> <'g 'bes es> <'es 'g 'bes> <'g 'bes es]>
114 <{ es'( | )bes4. as8}{ c'( | )d4.( )f8 } >
115 < [2/3 f as> <es g> <d f]1/1> |
116 <es2. g> |
117 r8 <['f 'g> <'g 'b> <'f 'g> <'g 'b> <'f 'g]> |
118 r8 <['es 'g> <'g c> <'es 'g> <'g c> <'es 'g]> |
119 r8\pp <['es 'as c> <'as c es> <'es 'as c> <'as c es> <'es 'as c]> |
120 r8 <['es 'g 'bes> <'g 'bes 'es> <'es 'g 'bes> <'g 'bes 'es> <'es 'g 'bes]> |
121 % [as3 2\grace( bes )
122 [2/3 as8(( g )as]1/1 c'4.-> ) as8 |
123 g2. |
124 r8 <['f 'g> <'g 'b> <'f 'g> <'g 'b> <'f 'g]> |
125 r8 <['e 'g> <'g c> <'e 'g> <'g c> <'e 'g]> |
126 r8 <['f 'a c> <'a c f> <'f 'a c> <'a c f> <'f 'a c]> |
127 r8 <['e 'g c> <'g c e> <'e 'g c> <'g c e> <'e 'g c]> |
128 <{[2/3 f'8\f( e f']1/1 a'4. )f'8 } {\[2/3 f e f \] a4. f8 } > |
129 <e2 e'> r4 |
130 % <{as!2\mf( [c'8. )as16]} {f2 as8( )f}> |
131 as!2\mf( [c'8. )as16] |
132 <e4. g> <[e8-.( g-.> <e8-. g-.> <)e8-. g-.]> |
135 $bass_intro = \melodic{
136 \octave c;
137 \clef bass;
138 <'c2 c> r4 |
139 <''as2 'as> r4 |
140 <''f2 'f> r4 |
141 <''g2 g> r4 |
144 $bass_verse1 = \melodic{
145 \octave c;
146 \clef bass;
147 <'c2 c> r4 |
148 <'as2 as> r4 |
149 <'g2 g> r4 |
150 <'c2 c> r4 |
151 <'g8 g> <[g' d''> <d'' f''> <g' d''> <d'' f''> <g' d'']> |
152 <'c2 c> r4 |
153 <'c2 c> r4 |
154 <'c2 c> r4 |
155 <'c2 c> r4 |
156 <'c2 c> r4 |
157 <'c2 c> r4 |
158 <'c2 c> r4 |
159 <'c2 c> r4 |
160 <'c2 c> r4 |
161 <'c2 c> r4 |
162 <'c2 c> r4 |
163 <'c2 c> r4 |
164 <'c2 c> r4 |
165 <'c2 c> r4 |
166 <'c2 c> r4 |
167 <'c2 c> r4 |
168 <'c2 c> r4 |
169 <'c2 c> r4 |
170 <'c2 c> r4 |
174 global= \melodic {\meter 3 /4; \key bes es as; }
177 \score{
178 \melodic<
179 \type Lyrics {
180 \meter 3 /4; \skip 4 * 12; \$lyric_verse1
182 \type Staff { <
183 \global
184 { \skip 4 * 12; \$vocal_verse1 }
187 % i want a (grand) staff!!!
189 \type Grandstaff <
191 \global
192 { \$treble_intro \$treble_verse1 }
195 \global
196 { \$bass_intro \$bass_verse1 }
200 \paper{
201 % how does this work?
202 % previously we had the clear 'ideal whole note space' setting?
203 arithmetic_multiplier = 6.\pt;
204 % ugh: the *first* (intro) line may only have four measures...
205 gourlay_maxmeasures = 4.;