Documentation/colorado.bib

   1 %
   2 % from the University of Colorado Engraving page (by Alyssa Lamb)
   3 %
   4
   5 @Book {
   6 author ={Jacob, Archibald},
   7 year={ 1947},
   8 title = {Musical handwriting : or, How to put music on paper : A handbook for all musicians, professional and amateur},
   9 address ={   London}
  10 publisher ={Oxford University Press},
  11 subject = { Musical notation},
  12 }
  13
  14 @Book {
  15 author ={Brandt, Carl, and Roemer, Clinton},
  16 title = {Standardized Chord Symbol Notation},
  17 address={Sherman Oaks, CA}
  18 publisher={Roerick Music Co.}
  19 }
  20
  21 @Book {
  22 author = {Johnson, Harold M},
  23 year = {1946},
  24 title = {How to write music manuscript an exercise-method handbook for the  music student, copyist, arranger, composer, teacher},
  25 publisher={ Carl Fischer, Inc. }
  26 address= {New York}
  27 subject = {Musical notation --Handbooks, manuals},
  28 }
  29
  30 @Book {
  31 title = {Music Printing & Publishing},
  32 editedby={ Donald W. Krummel \& Stanley Sadie},
  33 author = {?}
  34 year = {1990},
  35 series={ The Norton/Grove Handbooks in Music.}
  36 publisher={W.W. Norton}
  37 }
  38
  39 @Book {
  40 author={Foss, Hubert},
  41 title = {Music Printing},
  42 series = {Practical Printing and Binding},
  43 address={  London},
  44 publisher={  Oldhams Press Ltd., Long Acre.}
  45 }
  46
  47 @Book {
  48 author = {Steele, Robert},
  49 year = {1903},
  50 title = {The Earliest English Music Printing},
  51 address={  London},
  52 }
  53 @Book {
  54 author={Austin, Ernest},
  55 title = {The Story of Music Printing},
  56 address={ London},
  57 publisher={Lowe and Brydone Printers, Ltd.}
  58 }
  59
  60 }
  61
  62 @Book {
  63 title = {Pictoral History of Music Printing},
  64 address={E;lhardt, Indiana}
  65 publisher={H. and A. Selmer, Inc.}
  66 }
  67
  68 @Book {
  69 author = {Scholderer, Victor},
  70 year = {1963},
  71 title = {Johann Gutenberg},
  72 address={ London},
  73 publisher={  British Museum},
  74 }
  75
  76 @Book{
  77 author = {Wintermitz, Emmanuel},
  78 year = {1955},
  79 title = {Musical Autographs from Monteverdi to Hindemith},
  80 address={Princeton}
  81 publisher={Princeton University Press},
  82 }
  83
  84 @Book{
  85 author = {Wolf, Johannes},
  86 year = {1919},
  87 title = {Handbuch der Notationskunde},
  88 address={Leipzig},
  89 publisher={  Breitkopf & Hartel.}
  90 }
  91 @Book{
  92
  93 author = {Novello, A},
  94 year = {1847},
  95 title = {Some Account of the Methods of Musick Printing, with Specimens of the Various Sizes of Moveable Types and of Other Matters},
  96 address={  London}.
  97 }
  98
  99 @Book{
 100 author={Chrsander, F.}
 101 year={18??}
 102 title={A Sketch of the HIstory of Music printing, from the 15th to the 16th century},
 103 }
 104 @Book{
 105 author = {Squire, W},
 106 year = {1897},
 107 title = {Notes on Early Music Printing},
 108 , title = {Bibliographica},
 109 , iii, 99.
 110 }
 111
 112 @Book{
 113 author = {Meyer, K. and O'Meara, J},
 114 year = {1935},
 115 title = {The Printing of Music, 1473-1934},
 116 , title = {The Dolphin},
 117 , ii, p.171-207.
 118
 119 @Book{
 120 author = {Pattison, B},
 121 year = {1939},
 122 title = {Notes on Early Music Printing},
 123 ,title = {The Library},
 124 , 4th ver., xix, p.389-421.
 125 }
 126
 127 @Book{
 128 author = {Barksdale, A},
 129 year = {1957},
 130 title = {The Printed Note: 500 Years of Music Printing and Engraving},
 131 address={Toledo, Ohio}
 132 note={(exhibition catalogue, the Toledo Museum of Art).}
 133 }
 134
 135 @Book{
 136 author = {King, H},
 137 year = {1964},
 138 title = {Four Hundred Years of Music Printing},
 139 London.
 140 }
 141
 142 @Book{
 143 Gamble, W.  1923 (Rev. 1971).  title = {Music Engraving and Pinting, Historical And Technical Treatise},
 144 Londond.
 145
 146 Deutsch, O.F.  1946 (Rev.1961).  title = {Music Publishers' Numbers},
 147 London.
 148 }
 149
 150 @Book{
 151 author = {Marco, G.A},
 152 year = {1962},
 153 title = {The Earliest Music Printers of Continental Europe: a Checklist of Facsimiles Illustrating Their Work},
 154 Charlottesville, Virginia.
 155 }
 156
 157 @Book{
 158 author = {Kinkeldey, O},
 159 year = {1932},
 160 title = {Music And Music Printing in Incunabula},
 161 , title = {Papers of the Bibliographical Society of America},
 162 , xxvi, p.89-118.
 163 }
 164
 165 @Book{
 166 author = {Oldman, C.B},
 167 year = {1934},
 168 title = {Collecting Musical First Editions},
 169 London.
 170 Also in: Carter, J.  1934. title = {New Paths in Book Collecting},
 171 London.
 172
 173 Krummel, D.W.  1958-9.    title = {Graphic Analysis in Application to Early American Engraved Music},
 174 , title = {Notes},
 175 , xvi, p.213.
 176 }
 177
 178 @Book{
 179 author = {Krummel, D.W},
 180 year = {1971},
 181 title = {Oblong Format in Early Music Books},
 182 ,  title = {The Library},
 183 , 5th ser., xxvi, p.312.
 184 }
 185
 186 @Book{
 187 author = {King, A.H},
 188 year = {1973},
 189 title = {The 50th Anniversary of Music Printing},
 190 , title = {M_________},
 191 , cxiv.
 192 }
 193
 194 @Book{
 195 Rastall, Richard.  1982. title = {The notation of Western music : an introduction},
 196 New York, N.Y.:  St. Martin's Press.
 197 subject = { Musical notation},
 198
 199
 200 }
 201
 202 @Book{
 203 author = {Tappelot, Willy},
 204 year = {1947},
 205 title = {La Notation Musicale},
 206 Paris:  Neuchatel.
 207 }
 208
 209 @Book{
 210 author = {Williams, C.F. Abdy},
 211 year = {1903},
 212 title = {The Story of Notation},
 213 New York:  Charles Scribner's Sons.
 214 }
 215
 216 @Book{
 217 author = {Rosenthal, Carl A},
 218 year = {1967},
 219 title = {A Practical Guide to Music Notation},
 220 New York: MCA Music.
 221
 222 <UL>}
 223
 224 @Book{
 225 Apel, Willi.  1953. title = {The notation of polyphonic music, 900-1600.},
 226 Cambridge, Mass.: Mediaeval Academy of America.
 227 subject = {Musical notation},
 228 }
 229
 230 @Book{
 231
 232
 233 Berger, Anna Maria Busse. 1993.  title = {Mensuration and proportion signs : origins and evolution},
 234 Oxford, England: Clarendon Press; New York: Oxford University Press .
 235 }
 236
 237 @Book{
 238 Parrish, Carl. 1957. title = {The notation of medieval music},
 239 New York : Norton.
 240 subject = {Musical notation},
 241
 242
 243 }
 244
 245 @Book{
 246 author = {Parrish, Carl},
 247 year = {1946},
 248 title = { The Notation of Medieval Music},
 249 New York: Carl Fischer, Inc.
 250 }
 251
 252 @Book{
 253 author = {Patch, Harry},
 254 year = {1949},
 255 title = { Genesis of a Music},
 256 Madison: University of Wisconsin Press.
 257 }
 258
 259 @Book{
 260 Cage, John. 1969.  title = {Notations},
 261 New York: Something Else Press.
 262 subject = { Music, Manuscripts, Facsimiles},
 263
 264 (Facsimiles of holographs from the Foundation for Contemporary Performance Arts, with text by 269 composers, but rearranged using   title = {chance operations.},
 265 )
 266 }
 267
 268 @Book{
 269 author = {Gaburo, Virginia},
 270 year = {1977},
 271 title = {Notation},
 272 publisher= {Lingua Press:  La Jolla, California}.
 273 subject = { A Lecture about notation, new ideas about},
 274
 275
 276 }
 277
 278 @Book{
 279 author = {Risatti, Howard},
 280 year = {1975},
 281 title = {New Music Vocabulary},
 282 Urbana, Illinois: University of Illinois Press.
 283 subject = { A Guide to Notational Signs for Contemporary Music},
 284
 285
 286 }
 287
 288 @Book{
 289 author = {Boehm, Laszlo},
 290 year = {1961},
 291 Modern Music Notation.  New York: G. Schirmer, Inc.
 292 }
 293
 294 @Book{
 295 author = {Cowell, Henry},
 296 year = {1930},
 297 title = {New Musical Resources},
 298 New York: Alfred A. Knopf, Inc.
 299
 300 author = {Cowell, Henry},
 301 year = {1927},
 302 title = {Our Inadequate Notation},
 303 ,title = {Modern Music},
 304 , Vol. 4, No. 3.
 305 }
 306
 307 @Book{
 308 author = {Bowers, Roger},
 309 year = {1992},
 310 title = {Music & Letters},
 311 v73, n3, August, p347(52)
 312
 313 Some reflection upon notation and proportion in Monteverdi's mass and vespers.
 314 }
 315
 316 @Book{
 317 author = {Brainard, Paul},
 318 year = {1992},
 319 title = {Current Musicology},
 320 n50, July-Dec, p21(26)
 321
 322 Proportional notation in the music of Schutz and his contemporaries in the 17th Century.}
 323
 324 @Book{
 325
 326 author = {Monelle, Raymond},
 327 year = {1989},
 328 title = {Comparative Literature},
 329 v41, n3, Summer, p252(18)
 330
 331 Music notation and the poetic foot.
 332 }
 333
 334 @Book{
 335 author = {Pinegar, Sandra},
 336 year = {1993},
 337 title = {Current Musicology},
 338 n53, July, p99(10)
 339 The seeds of notation and music paleography.
 340
 341 author = {Smith, Norman E},
 342 year = {1990},
 343 title = {Current Musicology},
 344 n45-47, Jan-Dec, p283(22)
 345
 346 The notation of fractio modi.
 347 }
 348
 349 @Book{
 350 author = {Treitler, Leo},
 351 year = {1992},
 352 title = {The Journal of Musicology},
 353 v10, n2, Spring, p131(61)
 354
 355 The   title = {unwritten},
 356 and   title = {written transmission},
 357 of medieval chant and the start-up of musical notation.
 358
 359 Notational practice developed in medieval music to address the written tradition for chant which interacted with the unwritten vocal tradition...
 360 }
 361
 362 @Book{
 363 author = {West, M.L},
 364 year = {1994},
 365 title = {Music & Letters},
 366 v75, n2, May, p161(19)
 367 The Babylonian musical notation and the Hurrian melodic texts.
 368
 369 A new way of deciphering the ancient Babylonian musical notation...
 370
 371 }
 372
 373 @Book{
 374 author = {Brown, Earle},
 375 year = {1986},
 376 title = {Musical Quarterly},
 377 v72, Spr, p180(22)
 378
 379 The notation and performance of new music.
 380 }
 381
 382 @Book{
 383 author = {Eggleston, Suzanne},
 384 year = {1994},
 385
 386 title = {Notes},
 387 v51, n2, Dec, p657(7)
 388
 389 New periodicals
 390
 391 A list of new music periodicals covering the period Jun.-Dec. 1994. Includes aims, formats and a description of the contents of each listed periodical. Includes   title = {Music Notation News},
 392
 393 }
 394
 395 @Book{
 396
 397 author = {Fuller, David},
 398 year = {1989},
 399 title = {The Journal of Musicology},
 400 v7, n1, Wntr, p21(8)
 401
 402 Notes and inegales unjoined: defending a definition. (written-out inequalities in music notation).
 403 }
 404
 405 @Book{
 406
 407 author = {Jones, David Evan},
 408 year = {1990},
 409 title = {Perspectives of New Music},
 410
 411
 412 Speech extrapolated. (includes notation)
 413
 414 }
 415
 416 @Book{
 417
 418 author = {Lependorf, Jeffrey},
 419 year = {1989},
 420 I>Perspectives of New Music</I> v27, n2, Summer, p232(20)
 421
 422 Contemporary notation for the shakuhachi: a primer for composers. (Tradition and Renewal in the Music of Japan)
 423
 424 }
 425
 426 @Book{
 427 author = {Rastall, Richard},
 428 year = {1993},
 429 title = {Music & Letters},
 430 v74, n4, Nov, p639(2)
 431 Equal Temperament Music Notation: The Ailler-Brennink Chromatic Notation. Results and Conclusions of the Music Notation Refor by  the Chroma Foundation  (book reviews).
 432 }
 433
 434 @Book{
 435 <UL>
 436 Francois, Jean-Charles.title = {Perspectives of New Music},
 437 v30, n1, Wntr, p6(15)
 438
 439 1992.
 440 Writing without representation, and unreadable notation. by Jean-Charles Francois.
 441 Modern music has outgrown notation. While the computer is used to write down music with accuracy never before achieved, the range of modern sounds has surpassed the relevance of the computer...
 442 }
 443
 444 @Book{
 445 author = {Hamel, Keith A},
 446 year = {1989},
 447
 448 title = {Perspectives of New Music},
 449 v27, n1, Wntr, p70(14)
 450
 451 A design for music editing and printing software based on notational syntax. (computer music)
 452