Documentation/bibliography/engraving.bib

   1 %
   2 % TITLE=The engraving bibliography
   3 % AUTHOR=Han-Wen Nienhuys
   4 %
   5
   6
   7 @Book{banter,
   8   author =      {Harald Banter},
   9   title =       {Akkord Lexikon},
  10   publisher =   {Schott's S\"ohne},
  11   year =        {1987},
  12   isbn =        {ISBN 3-7957-2095-8},
  13   note =        {Comprehensive overview of commonly used
  14   chords.  Suggests (and uses) a unification for all different kinds
  15   of chord names.},
  16   address =     {Mainz, Germany},
  17 }
  18
  19 @Book{rastall,
  20   author =       {Richard Rastall},
  21   ALTeditor =    {},
  22   title =        {The Notation of Western Music: an
  23   Introduction},
  24   publisher =    {J. M. Dent \& Sons London},
  25   year =         {1983},
  26   note = {Interesting account of the evolution and origin of common notation starting from neumes, and ending with modern innovations HWN},
  27 }
  28
  29 @Book{mcgrain,
  30   author =       {Mark Mc Grain},
  31   title =        {Music notation},
  32   year =         1991,
  33   publisher={Hal Leonard Publishing Corporation},
  34 isbn ={0793508479},
  35 note={HWN writes: `Book' edition of lecture notes from XXX school of
  36 music.  The book looks like it is xeroxed from bad printouts.  The
  37 content has nothing you won't find in other books like\cite{read} or
  38 \cite{heussenstamm}.   }
  39 }
  40
  41 @Book{ross,
  42   author =       {Ted Ross},
  43   title =        {Teach yourself the art of music engraving and processing},
  44   publisher =    {Hansen House},
  45   year =         1987,
  46   note =         {This is about engraving, i.e.  professional typesetting.  It contains
  47   directions on good typesetting, but the sections on reproduction
  48   technicalities, how to use pens and history are interesting.
  49   Especially the section on Music Typewriters is amusing HWN},
  50   address =      {Miami, Florida},
  51 }
  52
  53
  54
  55 @Book {read78,
  56   note = {Sound (boring) review of the various hairy rhythmic notations used by avant-garde composers HWN},
  57   year =  {1978},
  58   title = {Modern Rhythmic Notation},
  59   author = {Gardner Read},
  60   publisher = {Indiana University Press},
  61 }
  62
  63
  64 @Book {read-notation,
  65
  66   note = {This is as close to the ``standard''
  67   reference work for music notation issues as one is likely to get.},
  68
  69   title = {Music Notation: a Manual of Modern Practice},
  70   author = {Gardner Read},
  71   totalentry = {(2nd edition)},
  72   publisher ={Taplinger Publishing},
  73   address ={New York},
  74 }
  75
  76 @Book {weaner93,
  77   year =  {1993},
  78   title = {Standard Music Notation Practice},
  79   author = {Maxwell Weaner and Walter Boelke},
  80   totalentry = {revised edition by Arnold Broido and Daniel Dorff.},
  81   publisher = {Music Publisher's Association of the United States Inc},
  82   address = {New York}
  83 }
  84
  85
  86 @Book {wanske,
  87
  88 note = {I. A very thorough overview of engraving practices of various
  89 craftsmen. It includes detailed specs of characters, dimensions
  90 etc. II. a thorough overview of a anonymous (by now antiquated)
  91 automated system. EDV Means e(lektronischen) D(aten)v(erarbeitung),
  92 electronic data processing HWN.},
  93
  94   year =  {1988},
  95   title = {Musiknotation --- Von der Syntax des Notenstichs zum EDV-gesteuerten Notensatz},
  96   author = {Helene Wanske},
  97   publisher = {Schott-Verlag},
  98   address = {Mainz},
  99   isbn = {ISBN 3-7957-2886-x},
 100 }
 101
 102 {willemze,
 103   note = {A comprehensive overview of music theory;
 104 the (Dutch) authority on general music theory},
 105   year =  {1964-1993},
 106   title = {Algemene muziekleer},
 107   author = {Theo Willemze},
 108   publisher = {Aula, Het Spectrum},
 109   address = {Utrecht},
 110   isbn = {ISBN 90-274-1817-9},
 111 }
 112
 113
 114 @Book {hader48,
 115   year =  {1948},
 116   title = {Aus der Werkstatt eines Notenstechers},
 117   author = {Karl Hader},
 118   publisher = {Waldheim--Eberle Verlag},
 119   address ={Vienna},
 120
 121   note = {Hader was the chief-engraver of the Waldheim-Eberle music
 122   publishers.  This beautiful booklet was intended as an introduction
 123   for laymen on the art of engraving.  It contains a step by step,
 124   in-depth explanation of how to cut and stamp music into zinc plates.
 125   It also contains   a few compactly formulated rules on musical
 126   orthography. Out of print. }
 127 }
 128
 129 @Book{gamble23:_music_engrav,
 130   author =       {William Gamble},
 131   title =        {Music Engraving and printing.  Historical and Technical Treatise},
 132   publisher =    {Sir Isaac Pitman & Sons, ltd.},
 133   year =         1923,
 134   note = {This pattriotic book was an attempt to promote and help
 135   British music engravers.  It is somewhat similar to Hader's
 136   book\cite{hader48} in scope and style, but Gamble focuses more on
 137   technical details (Which French punch cutters are worth buying from,
 138   etc.), and does not treat typographical details, such as optical
 139   illusions.  It is available as reprint from Da Capo Press, New York
 140   (1971).}
 141 }
 142
 143
 144 @Booklet {mpa96,
 145   note = {Pamphlet explaining a few  fine points in music font design HWN},
 146   year =  {1996},
 147   title = {Standard music notation specifications for computer programming.},
 148   month =  {December},
 149   author ={mpa},
 150   publisher = {MPA},
 151 }
 152
 153
 154 @Book {donato63,
 155   year =  {1963},
 156   author = {Anthony Donato},
 157   title ={Preparing Music Manuscript},
 158   address ={Englewood Cliffs, NJ},
 159   publisher={Prentice-Hall},
 160 }
 161
 162
 163 @Book {Karkoshka72,
 164   year =  {1972},
 165   title = {Notation in New Music; a critical guide to interpretation and realisation},
 166   author = {Erdhard Karkoshka},
 167   translator={Ruth Koenig},
 168   publisher={Praeger Publishers},
 169   address={New York},
 170   note ={(Out of print)},
 171 }
 172
 173
 174 @Book {Roemer84,
 175   year =  {1984},
 176   title = {The Art of Music Copying},
 177   author = {Clinton Roemer},
 178   publisher={Roerick music co.},
 179   address= {Sherman Oaks (CA)},
 180
 181   note ={Out of print. Heussenstamm writes: an instructional manual
 182     which specializes in methods used in the commercial field. },
 183   edition={2nd},
 184 }
 185
 186
 187 @Book {Rosecrans79,
 188   year =  {1979},
 189   title = {Music Notation Primer},
 190   author = {Glen Rosecrans},
 191   publisher={Passantino},
 192   address={New York},
 193   note={Heussenstamm writes: Limited in scope, similar to \cite{Roemer84}}
 194 }
 195
 196 @Book {donemes1900,
 197   year =  {1900},
 198   title = {Uitgeven van muziek},
 199   author = {Donemus},
 200   publisher= {Donemus Amsterdam},
 201 }
 202
 203
 204 @Book{vinci,
 205 author={Vinci, Albert C.},
 206 title={Fundamentals of Traditional Music Notation},
 207 publisher={Kent State University Press},
 208 year={1989}
 209 }
 210
 211 @Book{schirmer90,
 212   author={G. Schirmer, Inc.},
 213   title={The G. Schirmer Manual of Style and Usage},
 214   address={New York},
 215   publisher={The G. Schirmer Publications Department},
 216   year={1990}
 217 }
 218
 219
 220 @Book {Stone80,
 221   year =  {1980},
 222   title = {Music Notation in the Twentieth Century},
 223   author = {Kurt Stone},
 224   publisher= {Norton},
 225   address={New York},
 226   note ={Heussenstamm writes: The most important book on notation in recent years. },
 227
 228 }
 229 @Book {Heussenstamm87,
 230   year =  {1987},
 231   title = {The Norton Manual of Music Notation},
 232   author = {George Heussenstamm},
 233   address= {New York},
 234   publisher={Norton},
 235   note={Hands-on instruction book for copying (ie. handwriting) music.  Fairly complete. HWN}
 236 }
 237
 238
 239 @Book {gerou96,
 240   note = {A concise, alphabetically ordered list of typesetting and music (notation) issues with a rather simplistic attitude but in most  cases "good-enough" answers JCN},
 241   year =  {1996},
 242   title = {Essential Dictionary of Music Notation},
 243   author = {Tom Gerou and Linda Lusk},
 244   publisher = {Alfred Publishing},
 245   address ={Van Nuys CA},
 246   isbn ={ISBN 0-88284-768-6},
 247 }
 248
 249
 250 @Book {chlapik87,
 251   note = {An clearly written book for the casually interested reader. It shows some of the conventions and difficulties in printing music HWN},
 252   year =  {1987},
 253   title = {Die Praxis des Notengraphikers},
 254   author = {Herbert Chlapik},
 255   publisher = {Doblinger},
 256   isbn ={ISBN 3-9000 035-96-2},
 257 }
 258
 259
 260
 261 @Book {barksdale57,
 262         author = {Barksdale, A},
 263         year = {1957},
 264         title = {The Printed Note: 500 Years of Music Printing and Engraving},
 265         address={Toledo, Ohio},
 266         month = {January},
 267         note={`The exhibition "The Printed Note" attempts to show the various processes used since the second of the 15th century for reproducing music mechanically ... '. The illustration mostly feature ancient music},
 268         publisher={The Toledo Museum of Art},
 269 }
 270
 271
 272 @Book {wolf19,
 273         author = {Wolf, Johannes},
 274         year = {1919},
 275         title = {Handbuch der Notationskunde},
 276         address={Leipzig},
 277         publisher={Breitkopf & Hartel},
 278         note= {Very thorough treatment (in two volumes) of the history of music notation},
 279 }
 280
 281 @Book {rosenthal67,
 282         author = {Rosenthal, Carl A},
 283         year = {1967},
 284         title = {A Practical Guide to Music Notation},
 285         address={New York},
 286         publisher={MCA Music},
 287         note={Heussenstamm writes: Informative in terms of traditional notation.  Does not concern score preparation}
 288 }
 289
 290
 291 @Book {Boehm61,
 292         author = {Boehm, Laszlo},
 293         year = {1961},
 294         title={Modern Music Notation},
 295         address={New York},
 296         publisher={G. Schirmer, Inc.},
 297         note ={Heussenstamm writes: A handy compact reference book in basic notation. }
 298 }
 299 @Book{button20:_system_music_notat,
 300   author =       {Button, H. Elliot},
 301   title =        {System in Musical Notation},
 302   publisher =    {Novello and co.},
 303   year =         1920,
 304   address =      {London}
 305 }
 306
 307 @Book{johnson46:_how,
 308   author =       {Johnson, Harold},
 309   title =        {How to write music manuscript},
 310   publisher =    {Carl Fischer, Inc.},
 311   year =         1946,
 312   address =      {New York}
 313 }
 314
 315
 316
 317 @Book{tyboni94:_noter_handb_i_tradit_noter,
 318   author =       {B\"orje Tyboni},
 319   title =        {Noter Handbok I Traditionell Notering},
 320   publisher =    {Gehrmans Musikf\"orlag},
 321   year =         1994,
 322   address =      {Stockholm},
 323   note =         {Swedish book on music notation.}
 324 }
 325