Documentation/engraving.bib

   1 @Book{rastall,
   2   author =       {Richard Rastall},
   3   ALTeditor =    {},
   4   title =        {The Notation of Western Music: an
   5   Introduction},
   6   publisher =    {J. M. Dent \6& Sons London},
   7   year =         {1983},
   8   key =          {},
   9   volume =       {},
  10   number =       {},
  11   series =       {},
  12   address =      {},
  13   edition =      {},
  14   month =        {},
  15   note =         {},
  16   comment = {Interesting account of the evolution and origin of common notation starting from neumes, and ending with modern innovations HWN},
  17   annote =       {},
  18 }
  19
  20 @Book{ross,
  21   author =       {Ted Ross},
  22   title =        {Teach yourself the art of music engraving and processing},
  23   publisher =    {Hansen House},
  24   year =         {1987},
  25   key =          {},
  26   volume =       {},
  27   number =       {},
  28   series =       {},
  29   address =      {},
  30   edition =      {},
  31   month =        {},
  32   comment =      {This is about engraving, i.e.  professional typesetting.  It contains
  33   directions on good typesetting, but the sections on reproduction
  34   technicalities, how to use pens and history are interesting.
  35   Especially the section on Music Typewriters is amusing HWN},
  36   annote =       {},
  37 }
  38
  39 @Article{blostein94,
  40   author =       {Dorothea Blostein and Lippold Haken},
  41   title =        {The Lime Music Editor: A Diagram Editor Involving Complex
  42   Translations},
  43   journal =      {Software Practice and Experience},
  44   year =         {1994},
  45   key =          {},
  46   volume =       {24},
  47   number =       {3},
  48   month =        {march},
  49   pages =        {289--306},
  50   note =         {},
  51   annote =       {},
  52   comment = {A description of various conversions, decisions and issues relating to this interactive editor HWN},
  53 }
  54
  55
  56
  57 @Book {wanske,
  58   comment = {I. A very thorough overview of engraving practices of various craftsmen. It includes detailed specs of characters, dimensions etc. II. a thorough overview of a anonymous (by now antiquated) automated system. EDV Means e(lektronischen) D(aten)v(erarbeitung), electronic data processing HWN},
  59   year =  {1988},
  60   title = {Musiknotation --- Von der Syntax des Notenstichs zum EDV-gesteuerten Notensatz},
  61   author = {Helene Wanske},
  62   publisher = {Schott-Verlag},
  63   address = {Mainz},
  64   isbn = {ISBN 3-7957-2886-x},
  65 }
  66
  67
  68
  69
  70 @Book{,
  71   ALTauthor =    {},
  72   ALTeditor =    {},
  73   title =        {},
  74   publisher =    {},
  75   year =         {},
  76   key =          {},
  77   volume =       {},
  78   number =       {},
  79   series =       {},
  80   address =      {},
  81   edition =      {},
  82   month =        {},
  83   note =         {},
  84   annote =       {},
  85 }
  86
  87
  88
  89 @Book {,
  90   year =  {1993},
  91   title = {Standard Music Notation Practice},
  92   author = {Maxwell Weaner and Walter Boelke},
  93   totalentry = {revised edition by Arnold Broido and Daniel Dorff.},
  94   publisher = { Music Publisher's Association of the United States Inc},
  95   address = {New York}
  96 }
  97
  98
  99
 100 @Book {,
 101   comment = {Sound (boring) review of the various hairy rhythmic notations used by avant-garde composers HWN},
 102   year =  {1978},
 103   title = {Modern Rhythmic Notation},
 104   author = {Gardner Read},
 105   publisher = {Indiana University Press},
 106 }
 107
 108
 109 @Book {,
 110   comment = {This is as close to the ``standard'' reference work for music notation issues as one is likely to get. MB},
 111   title = {Music Notation: a Manual of Modern Practice},
 112   author = {Gardner Read},
 113   totalentry = {(2nd edition)},
 114   publisher ={Taplinger Publishing},
 115   address ={New York},
 116   note = { (Out of print)},
 117 }
 118
 119
 120 @Book{,
 121   ALTauthor =    {},
 122   ALTeditor =    {},
 123   title =        {},
 124   publisher =    {},
 125   year =         {},
 126   OPTkey =       {},
 127   OPTvolume =    {},
 128   OPTnumber =    {},
 129   OPTseries =    {},
 130   OPTaddress =   {},
 131   OPTedition =   {},
 132   OPTmonth =     {},
 133   OPTnote =      {},
 134   OPTannote =    {}
 135 }
 136
 137 @Book {,
 138   year =  {1948},
 139   title = {Aus der Werkstatt eines Notenstechers},
 140   author = {Karl Hader},
 141   publisher = {Waldheim--Eberle Verlag},
 142   address ={Vienna},
 143
 144   comment = {Hader was the chief-engraver of the Waldheim-Eberle music
 145   publishers. This book contains the most important rules on engraving
 146 (according to [Chlapik])},
 147
 148 }
 149
 150
 151
 152 @Booklet {,
 153   comment = {Pamphlet explaining some fine points in music font design HWN},
 154   year =  {1996},
 155   title = {Standard music notation specifications for computer programming. },
 156   month =  {December},
 157   publisher = {MPA},
 158 }
 159
 160 @TechReport{,
 161   comment = {Rules on formatting music formulated for use in computers. Mainly distilled from [Ross] HWN},
 162   year =  {1988},
 163   title = {Music Formatting Guidelines,},
 164   author = {D. Roush},
 165   note={Technical Report OSU-CISRC-3/88-TR10},
 166   institution ={Department of Computer and Information Science, The Ohio State University},
 167 }
 168
 169
 170
 171 @PhdThesis {,
 172   year =  {1985},
 173   title = {Music Notation by Computer},
 174   author = {Donald Byrd},
 175   institution = {Dissertation Indiana University},
 176 }
 177
 178
 179 @Article {,
 180   year =  {1974},
 181   title = {A System for Music Printing by Computer},
 182   author = {Donald Byrd},
 183   journal = {Computers and the Humanities},
 184   volume ={ 8},
 185   pages ={161-72},
 186 }
 187
 188
 189 @Book {,
 190   comment = {If I remember correctly, this was concerned more with an input language than with the typography. SP},
 191   year =  {1973},
 192   title = {Editing and Printing Music by Computer},
 193   author = {Leland Smith},
 194   totalentry = {Journal of Music Theory},
 195   volume={ 17},
 196   pages ={292-309},
 197 }
 198
 199
 200 @PhdThesis {,
 201   year =  {1975},
 202   title = {A Computer-Oriented System for Music Printing},
 203   author = {David A Gomberg},
 204   school = {Washington University},
 205 }
 206
 207
 208 @Book {,
 209   comment = {Annual editions since 1985, many containing surveys of music typesetting technology. SP},
 210   title = {Directory of Computer Assisted Research in Musicology},
 211   author = {Walter B Hewlett. and Eleanor Selfridge-Field},
 212   totalentry = {Menlo Park, CA: Center for Computer Assisted Research in the Humanities},
 213 }
 214
 215
 216 @Book {,
 217   title = {A Computer-oriented System for Music Printing},
 218   author = {David A.  Gomberg; },
 219
 220   journal  = {Computers and the Humanities},
 221   volume={11},
 222   pages = {63-80},
 223 }
 224
 225
 226 @TechReport {,
 227   comment = {Algorithm for generating spacing in one line of (polyphonic) music, tailored for use with MusiCopy. LilyPond uses a variant of it (as of pl 76) HWN},
 228   year =  {1987},
 229   title = {Spacing a Line of Music,},
 230   author = {John S. Gourlay},
 231   totalentry = {OSU-CISRC-10/87-TR35},
 232   institution ={ Department of Computer and Information Science, The Ohio State University},
 233 }
 234
 235
 236 @TechReport {,
 237   comment = {A brief overview of MusiCopy HWN},
 238   year =  {1987},
 239   title = {MusiCopy: An automated Music Formatting System},
 240   author = {Allen Parish, Wael A. Hegazy, John S. Gourlay, Dean K. Roush and F. Javier Sola},
 241   totalentry = {OSU-CISRC-10/87-TR29},
 242   institution ={ Department of Computer and Information Science, The Ohio State University},
 243 }
 244
 245
 246 @TechReport {,
 247   comment = {This paper discusses the development of algorithms for the formatting of musical scores (from abstract). It also appeared at PROTEXT III, Ireland 1986},
 248   year =  {1987},
 249   title = {Computer Formatting of Music,},
 250   author = {John S. Gourlay, A. Parrish, D. Roush, F. Sola, Y. Tien},
 251   totalentry = {OSU-CISRC-2/87-TR3},
 252   institution ={Department of Computer and Information Science, The Ohio State University},
 253 }
 254
 255
 256 @TechReport {,
 257   comment = {Describes the "parser" which converts MusiCopy MDL  to MusiCopy Simultaneities & columns HWN},
 258   year =  {1987},
 259   title = {On the Implementation of the MusiCopy Language Processor,},
 260   author = {Wael A. Hegazy},
 261   number = { OSU-CISRC-10/87-TR34},
 262   institution={ Department of Computer and Information Science, The Ohio State University},
 263 }
 264
 265
 266 @TechReport {,
 267   comment = {This generalizes TeX's breaking algorithm to music. It also appeared in Document Manipulation and Typography, J.C. van Vliet (ed) 1988. HWN},
 268   year =  {1987},
 269   title = {Optimal line breaking in music},
 270   author = {Wael A. Hegazy and John S. Gourlay},
 271   totalentry = { OSU-CISRC-8/87-TR33},
 272   institution={Department of Computer and Information Science, The Ohio State University, },
 273 }
 274
 275
 276 @TechReport {,
 277   comment = {User manual of MusiCopy. Includes an impressive example piece.  HWN},
 278   year =  {1987},
 279   title = {Using MusiCopy},
 280   author = {Dean K. Roush},
 281   totalentry = { OSU-CISRC-18/87-TR31},
 282   institution={ Department of Computer and Information Science, The Ohio State University},
 283 }
 284
 285
 286 @TechReport {,
 287   comment = {Placement of balls, stems, dots which occur at the same moment ("Simultaneity") HWN},
 288   year =  {1987},
 289   title = {Computer Formatting of Musical Simultaneities,},
 290   author = {A. Parrish and John S. Gourlay},
 291  institution={ Department of Computer and Information Science, The Ohio State University},
 292 }
 293   totalentry = { OSU-CISRC-10/87-TR28},
 294 }
 295
 296
 297 @TechReport {,
 298   comment = {Overview of a procedure for generating slurs HWN},
 299   year =  {1987},
 300   title = {Computer Design of Musical Slurs, Ties and Phrase Marks,},
 301   author = {F. Sola},
 302   institution={ Department of Computer and Information Science, The Ohio State University},
 303   totalentry = { OSU-CISRC-10/87-TR32},
 304 }
 305
 306
 307 @TechReport {,
 308   institution={ Department of Computer and Information Science, The Ohio State University},
 309   comment = {Calculating beam slopes HWN},
 310   year =  {1987},
 311   title = {Design of Musical Beams,},
 312   author = {F. Sola and D. Roush},
 313   totalentry = { OSU-CISRC-10/87-TR30},
 314 }
 315
 316
 317 @Article {,
 318   comment = {This paper describes the MusiCopy musicsetting system and an input language to go with it. HWN},
 319   year =  {1986},
 320   title = {A language for music printing},
 321   author = {John. S. Gourlay},
 322   journal = { Communications of the ACM},
 323    volume= { 29 },
 324   number ={5},
 325   pages = {388--401},
 326 }
 327
 328
 329
 330
 331 @Article {,
 332   comment = {A description of Lime internals (which resemble older (before 0.0.68pre) LilyPond data structures somewhat) HWN},
 333   year =  {1993},
 334   title = {The Tilia Music Representation: Extensibility, Abstraction, and Notation Contexts for the Lime Music Editor},
 335   author = {Lippold Haken and Dorothea Blostein},
 336   journal = { Computer Music Journal},
 337   volume= {17},
 338   number={ 3},
 339   pages = {43--58},
 340 }
 341
 342
 343 @Article {,
 344   comment = {This describes an algorithm which uses springs between adjacent columns. This algorithm is a "subclass" of the LilyPond algorithm. HWN},
 345   year =  {1995},
 346   title = {A New Algorithm for Horizontal Spacing of Printed Music},
 347   author = {Lippold Haken and Dorothea Blostein},
 348   totalentry = {Lippold Haken and Dorothea Blostein. ``A New Algorithm for Horizontal Spacing of Printed Music'', International Computer Music Conference, Banff, Sept. 1995},
 349   pages = {118-119},
 350 }
 351
 352 @Article {,
 353   comment = {This paper provides a shallow overview of the algorithm used in LIME for spacing individual lines. HWN},
 354   year =  {1991},
 355   title = {Justification of Printed Music},
 356   author = {Dorothea Blostein and Lippold Haken},
 357   totalentry = {Communications of the ACM},
 358   volume={J34},
 359   number={ 3},month={ March}, pages = {88-99},
 360 }
 361
 362
 363 @Article {,
 364   comment = {Describes a system called MusicEase, and explains that it uses "constraints" (which go unexplained) to automatically position various elements. HWN},
 365   year =  {1996},
 366   title = {Creating Printed Music Automatically},
 367   author = {Gary M. Rader},
 368   journal = {Computer},
 369   volume={ 29},
 370   number={6},
 371   month={June}, pages = {61--69}},
 372
 373
 374 @PhdThesis {,
 375   comment = {Don't ask Stephen for a copy. Write to the Bodleian Library, Oxford, or to the British Library, instead. SP},
 376   year =  {1988},
 377   title = {Computer Tools for Music Information Retrieval},
 378   author = {Stephen Dowland Page},
 379   school ={ Dissertation University of Oxford},
 380 }
 381
 382 @MastersThesis{,
 383   comment = {This dutch thesis describes a simplistic (monophonic) typesetting system, and focuses on the breaking algorithm, which is taken from Hegazy & Gourlay HWN},
 384   year =  {1991},
 385   title = {Een Geautomatiseerd Systeem voor het Afdrukken van Muziek},
 386   author = {Ren\'e Roelofs},
 387   totalentry = {Ren\'e Roelofs. ``Een Geautomatiseerd Systeem voor het Afdrukken van Muziek'' afstudeerscriptie Bestuurlijke informatica, no 45327, Erasmus universiteit Rotterdam, 1991.  (``An automated system for printing music'' Master's Thesis Managerial Computer Science.)},
 388 }
 389
 390
 391 @Article {,
 392   year =  {1993},
 393   title = {Representation and manipulation of music documents in SceX},
 394   author = {Miguel Filgueiras and Jos\'e Paulo Leal},
 395   journal= { Electronic Publishing},
 396   volume={ 6},
 397   number={4}, pages = {507--518},
 398
 399 }
 400
 401
 402 @Article {,
 403   comment = {A paper on a TROFF preprocessor to typeset music. The output shown is not very sophisticated, and contains some typographical atrocities HWN},
 404   year =  {1987},
 405   title = {Music --- A language for typesetting music scores},
 406   author = {Eric Foxley, },
 407   journal={ Software --- Practice and Experience, },
 408   volume={ 17},
 409   number={8}, pages = {485-502},
 410
 411 }
 412
 413
 414 @Book {,
 415   year =  {1996},
 416   title = {Implementing a Symbolic Music Processing System},
 417   author = {Miguel Filgueiras},
 418   totalentry = {LIACC, Universidade do Porto, 1996; submitted},
 419 }
 420
 421 @Book {,
 422   title = {Some Music Typesetting Algorithms},
 423   author = {Miguel Filgueiras},
 424   totalentry = {Miguel Filgueiras. ``Some Music Typesetting Algorithms''. LIACC, Universidade do Porto, forthcoming},
 425 }
 426
 427
 428 @Book {,
 429   comment = {A concise, alphabetically ordered list of typesetting and music (notation) issues with a rather simplistic attitude but in most  cases "good-enough" answers JCN},
 430   year =  {1996},
 431   title = {Essential Dictionary of Music Notation},
 432   author = {Tom Gerou and Linda Lusk},
 433   publisher = {Alfred Publishing},
 434   address ={Van Nuys CA},
 435   isbn ={  ISBN 0-88284-768-6},
 436 }
 437
 438
 439 @Book {,
 440   comment = {An clearly written book for the casually interested reader. It shows some of the conventions and difficulties in printing music HWN},
 441   year =  {1987},
 442   title = {Die Praxis des Notengraphikers},
 443   author = {Herbert Chlapik},
 444   publisher = {Doblinger},
 445   isbn ={ ISBN 3-9000 035-96-2},
 446 }
 447
 448
 449 @Book {,
 450   comment = {Webpages about engraving (designed with finale users in mind) (sic) HWN},
 451   institution = {The University of Colorado},
 452   title ={The University of Colorado Music Engraving page.},
 453   url={http://obenamots.cc.colorado.edu/Musicpress/engraving.html},
 454 }
 455
 456
 457
 458
 459 @Book {,
 460   year =  {1963},
 461   author = {Anthony Donato},
 462   title ={ Preparing Music Manuscript},
 463   address ={ Englewood Cliffs, NJ},
 464   publisher={Prentice-Hall},
 465 }
 466
 467
 468 @Book {,
 469   year =  {1900},
 470   title = {Uitgeven van muziek},
 471   author = {Donemus},
 472   publisher= {Donemus Amsterdam},
 473 }
 474
 475
 476 @Book {,
 477   year =  {1987},
 478   title = {The Norton Manual of Music Notation},
 479   author = {George Heussenstamm},
 480   address= { New York},
 481   publisher={ Norton},
 482 }
 483
 484
 485 @Book {,
 486   year =  {1972},
 487   title = {Notation in New Music; a critical guide to interpretation and realisation},
 488   author = {Erdhard Karkoshka},
 489   translator={Ruth Koenig},
 490   publisher={Praeger Publishers},
 491   address={ New York},
 492   note ={(Out of print)},
 493 }
 494
 495
 496 @Book {,
 497   year =  {1973},
 498   title = {The Art of Music Copying},
 499   author = {Clinton Roemer},
 500   publisher={ Roerick music co.},
 501   address= { Sherman Oaks (CA)},
 502 }
 503
 504
 505 @Book {,
 506   year =  {1979},
 507   title = {Music Notation Primer},
 508   author = {Glen Rosecrans},
 509   publisher={Passantino},
 510   address={New York},
 511 }
 512
 513
 514 @Book {,
 515   year =  {1980},
 516   title = {Music Notation in the Twentieth Century},
 517   author = {Kurt Stone},
 518   publisher= {Norton},
 519   address={New York},
 520   note ={(Out of print)},
 521
 522 }
 523
 524
 525 @Book {,
 526   comment = {This paper deals with some command-line tools for music editing and playback. It doesn't mention notation issues, but does come with the grand idea (not) of using music to monitor complex systems. Imagine your nuclear plant supervisor to use AC/DC for checking the reactor HWN},
 527   year =  {1990},
 528   title = {Unix music tools at Bellcore},
 529   author = {Peter S. Langston},
 530   journal={ Software --- Practice and Experience},
 531   volume={20},
 532   number={S1},
 533   pages={47--61},
 534 }
 535
 536
 537
 538 @URL {,
 539   comment = {FAQ (with answers) about TAB, the ASCII variant of Tablature. HWN},
 540   title = {how to read and write tab: a guide to tab notation},
 541   author = {Howard Wright},
 542   email={Howard.Wright@ed.ac.uk},
 543   url={ http://wabakimi.carleton.ca/~phacket2/guitar/tabfaq.html},
 544 }
 545
 546
 547 @URL {,
 548   comment = {Specs for NIFF, a comprehensive but binary (yuk) format for notation HWN},
 549   year =  {1995},
 550   title = {NIFF6a Notation Interchange File Format},
 551   author = {Cindy Grande, },
 552   publisher={Grande Software Inc.},
 553   url={http://www.jtauber.com/music/encoding/niff/},
 554 }
 555
 556
 557 @URL {,
 558   title = {SMDL, Standard Musical Description Language},
 559   url={ftp://ftp.ornl.gov/pub/sgml/wg8/smdl/10743.pdf},
 560   note={ISO/IEC DIS 10743},
 561 }