ly/bagpipe.ly

   1 %{
   2   Bagpipe music settings for Lilypond.
   3   This file builds on work by Andrew McNabb (http://www.mcnabbs.org/andrew/)
   4
   5   Substantial changes and additions made by
   6   Sven Axelsson, the Murray Pipes & Drums of Gothenburg
   7   (http://www.murrays.nu)
   8
   9   $Id: bagpipe.ly,v 1.12 2006/03/16 14:39:46 hanwen Exp $
  10 %}
  11
  12 \version "2.10.0"
  13
  14 % Notes of the scale of the Great Highland Bagpipe. Extra high notes for bombarde.
  15 % Flat notes used mainly in some modern music.
  16
  17 pitchnamesBagpipe = #`(
  18   (G . ,(ly:make-pitch 0 4 NATURAL))
  19   (a . ,(ly:make-pitch 0 5 NATURAL))
  20   (b . ,(ly:make-pitch 0 6 NATURAL))
  21   (c . ,(ly:make-pitch 1 0 SHARP))
  22   (cflat . ,(ly:make-pitch 1 0 FLAT))
  23   (d . ,(ly:make-pitch 1 1 NATURAL))
  24   (e . ,(ly:make-pitch 1 2 NATURAL))
  25   (f . ,(ly:make-pitch 1 3 SHARP))
  26   (fflat . ,(ly:make-pitch 1 3 FLAT))
  27   (g . ,(ly:make-pitch 1 4 NATURAL))
  28   (gflat . ,(ly:make-pitch 1 4 FLAT))
  29   (A . ,(ly:make-pitch 1 5 NATURAL))
  30   (B . ,(ly:make-pitch 1 6 NATURAL))
  31   (C . ,(ly:make-pitch 2 0 SHARP))
  32 )
  33 pitchnames = \pitchnamesBagpipe
  34 #(ly:parser-set-note-names parser pitchnames)
  35
  36 % Bagpipe music is written in something like D major. If we use
  37 % flattened notes, the flat should be shown on all instances.
  38
  39 hideKeySignature = {
  40   % We normally don't want to show the key signature.
  41   \override Staff.KeySignature  #'stencil = ##f
  42   \set Staff.extraNatural = ##f
  43   \key d \major
  44   #(set-accidental-style 'forget)
  45 }
  46 showKeySignature = {
  47   % Show the key signature e.g. for BMW compatibility.
  48   \override Staff.KeySignature  #'stencil = #ly:key-signature-interface::print
  49   \set Staff.extraNatural = ##f
  50   \key d \major
  51   #(set-accidental-style 'forget)
  52 }
  53
  54 % Layout tweaks.
  55
  56 \layout {
  57   \context {
  58     \Voice
  59     % All stems go down.
  60     \override Stem #'direction = #DOWN
  61     % All slurs and ties are on top.
  62     \override Slur #'direction = #UP
  63     \override Tie #'direction = #UP
  64   }
  65 }
  66
  67 % Some common timing tweaks.
  68
  69 % Sets the autobeamer to span quarter notes only. Use for fast music.
  70 % TODO: Needs more tweaking
  71 quarterBeaming = {
  72   #(override-auto-beam-setting '(end * * * *) 1 4 'Staff)
  73   #(override-auto-beam-setting '(end * * * *) 1 2 'Staff)
  74   #(override-auto-beam-setting '(end * * * *) 3 4 'Staff)
  75   #(override-auto-beam-setting '(end * * * *) 4 4 'Staff)
  76   #(revert-auto-beam-setting '(end 1 32 2 4 ) 1 8 'Staff)
  77   #(revert-auto-beam-setting '(end 1 32 2 4 ) 3 8 'Staff)
  78   #(revert-auto-beam-setting '(end 1 32 4 4 ) 1 8 'Staff)
  79   #(revert-auto-beam-setting '(end 1 32 4 4 ) 3 8 'Staff)
  80   #(revert-auto-beam-setting '(end 1 32 4 4 ) 5 8 'Staff)
  81   #(revert-auto-beam-setting '(end 1 32 4 4 ) 7 8 'Staff)
  82 }
  83 halfBeaming = {
  84   #(override-auto-beam-setting '(end * * 2 2) 1 2 'Staff)
  85   #(override-auto-beam-setting '(end * * 2 2) 2 2 'Staff)
  86 }
  87 % Reels are in allabreve time with half note beaming.
  88 reelTime = {
  89   \time 2/2
  90   \halfBeaming
  91 }
  92 % 4/4 marches are written with numerical time signature and with quarter beaming.
  93 marchTime = {
  94   \time 4/4
  95   \override Staff.TimeSignature #'style = #'()
  96   \quarterBeaming
  97 }
  98
  99 % Single grace notes
 100 grG = { \grace { \small G32 } }
 101 gra = { \grace { \small a32 } }
 102 grb = { \grace { \small b32 } }
 103 grc = { \grace { \small c32 } }
 104 grd = { \grace { \small d32 } }
 105 gre = { \grace { \small e32 } }
 106 grf = { \grace { \small f32 } }
 107 grg = { \grace { \small g32 } }
 108 grA = { \grace { \small A32 } }
 109
 110 % Doublings
 111 dblG = { \grace { \small g32[ G d] } }
 112 dbla = { \grace { \small g32[ a d] } }
 113 dblb = { \grace { \small g32[ b d] } }
 114 dblc = { \grace { \small g32[ c d] } }
 115 dbld = { \grace { \small g32[ d e] } }
 116 dble = { \grace { \small g32[ e f] } }
 117 dblf = { \grace { \small g32[ f g] } }
 118 % These are the same as the half doublings.
 119 dblg = { \grace { \small g32[ f] } }
 120 dblA = { \grace { \small A32[ g] } }
 121
 122 % Half doublings
 123 hdblG = { \grace { \small G32[ d] } }
 124 hdbla = { \grace { \small a32[ d] } }
 125 hdblb = { \grace { \small b32[ d] } }
 126 hdblc = { \grace { \small c32[ d] } }
 127 hdbld = { \grace { \small d32[ e] } }
 128 hdble = { \grace { \small e32[ f] } }
 129 hdblf = { \grace { \small f32[ g] } }
 130 hdblg = { \grace { \small g32[ f] } }
 131 hdblA = { \grace { \small A32[ g] } }
 132
 133 % Thumb doublings
 134 tdblG = { \grace { \small A32[ G d] } }
 135 tdbla = { \grace { \small A32[ a d] } }
 136 tdblb = { \grace { \small A32[ b d] } }
 137 tdblc = { \grace { \small A32[ c d] } }
 138 tdbld = { \grace { \small A32[ d e] } }
 139 tdble = { \grace { \small A32[ e f] } }
 140 tdblf = { \grace { \small A32[ f g] } }
 141 tdblg = { \grace { \small A32[ g f] } }
 142
 143 % Shakes
 144 % A few of these can't really be played and are here only for consistency.
 145 shakea = { \grace { \small g32[ a d a G] } }
 146 shakeb = { \grace { \small g32[ b d b G] } }
 147 shakec = { \grace { \small g32[ c d c G] } }
 148 shaked = { \grace { \small g32[ d e d G] } }
 149 shakee = { \grace { \small g32[ e f e a] } }
 150 shakef = { \grace { \small g32[ f g f a] } }
 151 shakeg = { \grace { \small A32[ f g a] } }
 152 shakeA = { \grace { \small A32[ g A a] } }
 153
 154 % Half shakes
 155 hshakea = { \grace { \small a32[ d a G] } }
 156 hshakeb = { \grace { \small b32[ d b G] } }
 157 hshakec = { \grace { \small c32[ d c G] } }
 158 hshaked = { \grace { \small d32[ e d G] } }
 159 hshakee = { \grace { \small e32[ f e a] } }
 160 hshakef = { \grace { \small f32[ g f a] } }
 161 hshakeg = { \grace { \small g32[ f g a] } }
 162 hshakeA = { \grace { \small A32[ g A a] } }
 163
 164 % Thumb shakes
 165 tshakea = { \grace { \small A32[ a d a G] } }
 166 tshakeb = { \grace { \small A32[ b d b G] } }
 167 tshakec = { \grace { \small A32[ c d c G] } }
 168 tshaked = { \grace { \small A32[ d e d G] } }
 169 tshakee = { \grace { \small A32[ e f e a] } }
 170 tshakef = { \grace { \small A32[ f g f a] } }
 171 tshakeg = { \grace { \small A32[ f g a] } }
 172 tshakeA = { \grace { \small A32[ g A a] } }
 173
 174 % Slurs
 175 % A few of these can't really be played and are here only for consistency.
 176 slura = { \grace { \small g32[ a G] } }
 177 slurb = { \grace { \small g32[ b G] } }
 178 slurc = { \grace { \small g32[ c G] } }
 179 slurd = { \grace { \small g32[ d G] } }
 180 slure = { \grace { \small g32[ e a] } }
 181 slurf = { \grace { \small g32[ f a] } }
 182 slurg = { \grace { \small A32[ f a] } }
 183 slurA = { \grace { \small f32[ a] } }
 184
 185 % Half slurs
 186 hslura = { \grace { \small a32[ G] } }
 187 hslurb = { \grace { \small b32[ G] } }
 188 hslurc = { \grace { \small c32[ G] } }
 189 hslurd = { \grace { \small d32[ G] } }
 190 hslure = { \grace { \small e32[ a] } }
 191 hslurf = { \grace { \small f32[ a] } }
 192 hslurg = { \grace { \small g32[ a] } }
 193 hslurA = { \grace { \small A32[ a] } }
 194
 195 % Thumb slurs
 196 tslura = { \grace { \small A32[ a G] } }
 197 tslurb = { \grace { \small A32[ b G] } }
 198 tslurc = { \grace { \small A32[ c G] } }
 199 tslurd = { \grace { \small A32[ d a] } }
 200 tslure = { \grace { \small A32[ e a] } }
 201 tslurf = { \grace { \small A32[ f a] } }
 202 tslurg = { \grace { \small A32[ f a] } }
 203 tslurA = { \grace { \small f32[ a] } }
 204
 205 % Catches
 206 catcha = { \grace { \small a32[ G d G] } }
 207 catchb = { \grace { \small b32[ G d G] } }
 208 catchc = { \grace { \small c32[ G d G] } }
 209 catchd = { \grace { \small d32[ G b G] } }
 210 catche = { \grace { \small e32[ G d G] } }
 211
 212 % G-grace catches
 213 gcatcha = { \grace { \small g32[ a G d G] } }
 214 gcatchb = { \grace { \small g32[ b G d G] } }
 215 gcatchc = { \grace { \small g32[ c G d G] } }
 216 gcatchd = { \grace { \small g32[ d G b G] } }
 217 gcatche = { \grace { \small g32[ e G d G] } }
 218
 219 % Thumb catches
 220 tcatcha = { \grace { \small A32[ a G d G] } }
 221 tcatchb = { \grace { \small A32[ b G d G] } }
 222 tcatchc = { \grace { \small A32[ c G d G] } }
 223 tcatchd = { \grace { \small A32[ d G b G] } }
 224 tcatche = { \grace { \small A32[ e G d G] } }
 225
 226 % Throws
 227 thrwd     = { \grace { \small G32[ d c] } }
 228 Gthrwd    = { \grace { \small d32[ c] } }
 229 gripthrwd = { \grace { \small G32[ d G c] } }
 230 thrwf     = { \grace { \small f32[ e g e] } }
 231
 232 % Birls
 233 birl  = { \grace { \small a32[ G a G] } }
 234 wbirl = { \grace { \small G32[ a G] } }
 235 gbirl = { \grace { \small g32[ a G a G] } }
 236 dbirl = { \grace { \small d32[ a G a G] } }
 237
 238 % Grips
 239 grip  = { \grace { \small G32[ d G] } }
 240 dgrip = { \grace { \small G32[ b G] } }
 241 egrip = { \grace { \small G32[ e G] } }
 242
 243 % Taorluaths
 244 taor    = { \grace { \small G32[ d G e] } }
 245 dtaor   = { \grace { \small G32[ b G e] } }
 246 Gtaor   = { \grace { \small d32[ G e] } }
 247 taoramb = { \grace { \small G32[ d G b e] } }
 248 taoramc = { \grace { \small G32[ d G c e] } }
 249 taoramd = { \grace { \small G32[ d G c d e] } }
 250
 251 % Crunluaths
 252 crun    = { \grace { \small G32[ d G e a f a ] } }
 253 dcrun   = { \grace { \small G32[ b G e a f a ] } }
 254 Gcrun   = { \grace { \small d32[ G e G f a ] } }
 255 crunamb = { \grace { \small G32[ d G b e b f b ] } }
 256 crunamc = { \grace { \small G32[ d G c e c f c ] } }
 257 crunamd = { \grace { \small G32[ d G c d e d f d ] } }
 258
 259 % Special piobaireachd notations
 260 grGcad  = { \grace { \small G16 } }
 261 gracad  = { \grace { \small a16 } }
 262 cad     = { \grace { \small g32[ e8 d32] } }
 263 hcad    = { \grace { \small g32[ e8] } }
 264 dre     = { \grace { \small e32[ a f a] } }
 265 % This is the same as thrwf
 266 dare    = { \grace { \small f32[ e g e] } }
 267 bari    = { \grace { \small e32[ G f G] } }
 268 dari    = { \grace { \small f32[ e g e f e] } }
 269 pthrwd  = { \grace { \small G16[ d32 c] } }
 270 darodo  = { \grace { \small G32[ d G c G] } }
 271 Gdarodo = { \grace { \small d32[ G c G] } }
 272 % Non-gracenote piobaireachd markup.
 273 trebling = \markup {
 274   \override #'(baseline-skip . 0.3)
 275   \column {
 276     \musicglyph #"scripts.tenuto"
 277     \musicglyph #"scripts.tenuto"
 278     \musicglyph #"scripts.tenuto"
 279   }
 280 }
 281 % Abbreviated notation common in piobaireachd scores.
 282 % TODO: Make sure these are put on a fixed Y-position.
 283 txtaor = \markup { "T" }
 284 txcrun = \markup { "C" }
 285 txtaorcrun = \markup { \column { "T" "C" } }
 286 % TODO: These characters should be shown upside down.
 287 % Use a postscript markup command for this.
 288 txtaoram = \markup { "T" }
 289 txcrunam = \markup { "C" }
 290 txtaorcrunam = \markup { \column { "T" "C" } }