Documentation/bibliography/engraving.bib

   1 %
   2 % TITLE=The engraving bibliography
   3 % AUTHOR=Han-Wen Nienhuys
   4 %
   5
   6
   7 @Book{banter,
   8   author =      {Harald Banter},
   9   title =       {Akkord Lexikon},
  10   publisher =   {Schott's S\"ohne},
  11   year =        {1987},
  12   isbn =        {ISBN 3-7957-2095-8},
  13   note =        {Comprehensive overview of commonly used
  14   chords.  Suggests (and uses) a unification for all different kinds
  15   of chord names.},
  16   address =     {Mainz, Germany},
  17 }
  18
  19
  20
  21 @Book{rastall,
  22   author =       {Richard Rastall},
  23   ALTeditor =    {},
  24   title =        {The Notation of Western Music: an
  25   Introduction},
  26   publisher =    {J. M. Dent \& Sons London},
  27   year =         {1983},
  28   note = {Interesting account of the evolution and origin of common notation starting from neumes, and ending with modern innovations HWN},
  29 }
  30
  31
  32 @Book{ignatzek95:_jazzm_klavier,
  33   author =       {Klaus Ignatzek},
  34   title =        {Die Jazzmethode f\"ur Klavier 1},
  35   publisher =    {Schott},
  36   year =         1995,
  37   note =         {This book contains a system for denoting chords that is used in LilyPond.}
  38 }
  39
  40 @Book{mcgrain,
  41   author =       {Mark Mc Grain},
  42   title =        {Music notation},
  43   year =         1991,
  44   publisher={Hal Leonard Publishing Corporation},
  45 isbn ={0793508479},
  46 note={HWN writes: `Book' edition of lecture notes from XXX school of
  47 music.  The book looks like it is xeroxed from bad printouts.  The
  48 content has nothing you won't find in other books like\cite{read} or
  49 \cite{heussenstamm}.   }
  50 }
  51
  52 @Book{ross,
  53   author =       {Ted Ross},
  54   title =        {Teach yourself the art of music engraving and processing},
  55   publisher =    {Hansen House},
  56   year =         1987,
  57 annote =         {This is about engraving, i.e.  professional typesetting.  It contains
  58   directions on good typesetting, but the sections on reproduction
  59   technicalities, how to use pens and history are interesting.
  60   Especially the section on Music Typewriters is amusing HWN},
  61   address =      {Miami, Florida},
  62 }
  63
  64 @Book {read78,
  65   note = {Sound (boring) review of the various hairy rhythmic notations used by avant-garde composers HWN},
  66   year =  {1978},
  67   title = {Modern Rhythmic Notation},
  68   author = {Gardner Read},
  69   publisher = {Indiana University Press},
  70 }
  71
  72 @Book {read-notation,
  73   note = {This is as close to the ``standard''
  74   reference work for music notation issues as one is likely to get.},
  75
  76   title = {Music Notation: a Manual of Modern Practice},
  77   author = {Gardner Read},
  78   totalentry = {(2nd edition)},
  79   publisher ={Taplinger Publishing},
  80   address ={New York},
  81 }
  82
  83 @Book {weaner93,
  84   year =  {1993},
  85   title = {Standard Music Notation Practice},
  86   author = {Maxwell Weaner and Walter Boelke},
  87   totalentry = {revised edition by Arnold Broido and Daniel Dorff.},
  88   publisher = {Music Publisher's Association of the United States Inc},
  89   address = {New York}
  90 }
  91
  92
  93 @Book {wanske,
  94
  95   annote = {I. A very thorough overview of engraving practices of various
  96   craftsmen. It includes detailed specs of characters, dimensions
  97   etc. II. a thorough overview of a anonymous (by now antiquated)
  98   automated system. EDV Means e(lektronischen) D(aten)v(erarbeitung),
  99   electronic data processing HWN.},
 100
 101   year =  {1988},
 102   title = {Musiknotation --- Von der Syntax des
 103     Notenstichs zum EDV-gesteuerten Notensatz},
 104   author = {Helene Wanske},
 105   publisher = {Schott-Verlag},
 106   address = {Mainz},
 107   isbn = {ISBN 3-7957-2886-x},
 108 }
 109
 110
 111 @Book {hader48,
 112   year =  {1948},
 113   title = {Aus der Werkstatt eines Notenstechers},
 114   author = {Karl Hader},
 115   publisher = {Waldheim--Eberle Verlag},
 116   address ={Vienna},
 117
 118   note = {Hader was a chief-engraver in a Viennese engraving
 119 workshop. This beautiful booklet was intended as an introduction for
 120 laymen on the art of engraving.  It contains a step by step, in-depth
 121 explanation of how to cut and stamp music into zinc plates.  It also
 122 contains a few compactly formulated rules on musical orthography. Out
 123 of print. }
 124
 125
 126 }
 127
 128 @Book{gamble23:_music_engrav,
 129   author =       {William Gamble},
 130   title =        {Music Engraving and printing.  Historical and Technical Treatise},
 131   publisher =    {Sir Isaac Pitman & Sons, ltd.},
 132   year =         1923,
 133   note = {This pattriotic book was an attempt to promote and help
 134   British music engravers.  It is somewhat similar to Hader's
 135   book\cite{hader48} in scope and style, but Gamble focuses more on
 136   technical details (Which French punch cutters are worth buying from,
 137   etc.), and does not treat typographical details, such as optical
 138   illusions.  It is available as reprint from Da Capo Press, New York
 139   (1971).}
 140 }
 141
 142
 143 @Booklet {mpa96,
 144   note = {Pamphlet explaining a few  fine points in music font design HWN},
 145   year =  {1996},
 146   title = {Standard music notation specifications for computer programming.},
 147   month =  {December},
 148   author ={mpa},
 149   publisher = {MPA},
 150 }
 151
 152
 153 @Book {donato63,
 154   year =  {1963},
 155   author = {Anthony Donato},
 156   title ={Preparing Music Manuscript},
 157   address ={Englewood Cliffs, NJ},
 158   publisher={Prentice-Hall},
 159 }
 160
 161
 162 @Book {Karkoshka72,
 163   year =  {1972},
 164   title = {Notation in New Music; a critical guide to interpretation and realisation},
 165   author = {Erdhard Karkoshka},
 166   translator={Ruth Koenig},
 167   publisher={Praeger Publishers},
 168   address={New York},
 169   note ={(Out of print)},
 170 }
 171
 172
 173 @Book {Roemer84,
 174   year =  {1984},
 175   title = {The Art of Music Copying},
 176   author = {Clinton Roemer},
 177   publisher={Roerick music co.},
 178   address= {Sherman Oaks (CA)},
 179
 180   note ={Out of print. Heussenstamm writes: an instructional manual
 181     which specializes in methods used in the commercial field. },
 182   edition={2nd},
 183 }
 184
 185
 186 @Book {Rosecrans79,
 187   year =  {1979},
 188   title = {Music Notation Primer},
 189   author = {Glen Rosecrans},
 190   publisher={Passantino},
 191   address={New York},
 192   note={Heussenstamm writes: Limited in scope, similar to \cite{Roemer84}}
 193 }
 194
 195 @Book {donemes1900,
 196   year =  {1900},
 197   title = {Uitgeven van muziek},
 198   author = {Donemus},
 199   publisher= {Donemus Amsterdam},
 200 }
 201
 202
 203 @Book{vinci,
 204 author={Vinci, Albert C.},
 205 title={Fundamentals of Traditional Music Notation},
 206 publisher={Kent State University Press},
 207 year={1989}
 208 }
 209
 210 @Book{schirmer90,
 211   author={G. Schirmer, Inc.},
 212   title={The G. Schirmer Manual of Style and Usage},
 213   address={New York},
 214   publisher={The G. Schirmer Publications Department},
 215   year={2001}
 216 note={This is the style guide for Schirmer publications. This manual
 217 specifically focuses on preparing print for publication by
 218 Schirmer. It discusses many details that are not in other, normal
 219 notation books. It als gives a good idea of what is necessary to bring
 220 printouts to publication quality.
 221 It can be ordered from the rental department.
 222
 223
 224 }
 225 }
 226
 227
 228 @Book {Stone80,
 229   year =  {1980},
 230   title = {Music Notation in the Twentieth Century},
 231   author = {Kurt Stone},
 232   publisher= {Norton},
 233   address={New York},
 234   note ={Heussenstamm writes: The most important book on notation in recent years. },
 235
 236 }
 237 @Book {Heussenstamm87,
 238   year =  {1987},
 239   title = {The Norton Manual of Music Notation},
 240   author = {George Heussenstamm},
 241   address= {New York},
 242   publisher={Norton},
 243   note={Hands-on instruction book for copying (ie. handwriting) music.  Fairly complete. HWN}
 244 }
 245
 246
 247 @Book {gerou96,
 248   note = {A cheap, concise, alphabetically ordered list of typesetting and music (notation) issues with a rather simplistic attitude but in most  cases "good-enough" answers JCN},
 249   year =  {1996},
 250   title = {Essential Dictionary of Music Notation},
 251   author = {Tom Gerou and Linda Lusk},
 252   publisher = {Alfred Publishing},
 253   address ={Van Nuys CA},
 254   isbn ={ISBN 0-88284-768-6},
 255 }
 256
 257
 258 @Book {chlapik87,
 259   note = {An clearly written book for the casually interested
 260   reader. It shows some of the conventions and difficulties in
 261   printing music HWN},
 262
 263   year =  {1987},
 264   title = {Die Praxis des Notengraphikers},
 265   author = {Herbert Chlapik},
 266   publisher = {Doblinger},
 267   isbn ={ISBN 3-9000 035-96-2},
 268 }
 269
 270
 271
 272 @Book {barksdale57,
 273         author = {Barksdale, A},
 274         year = {1957},
 275         title = {The Printed Note: 500 Years of Music Printing and Engraving},
 276         address={Toledo, Ohio},
 277         month = {January},
 278         note={`The exhibition "The Printed Note" attempts to show the various processes used since the second of the 15th century for reproducing music mechanically ... '. The illustration mostly feature ancient music},
 279         publisher={The Toledo Museum of Art},
 280 }
 281
 282
 283 @Book {wolf19,
 284         author = {Wolf, Johannes},
 285         year = {1919},
 286         title = {Handbuch der Notationskunde},
 287         address={Leipzig},
 288         publisher={Breitkopf & Hartel},
 289         note= {Very thorough treatment (in two volumes) of the history of music notation},
 290 }
 291
 292 @Book {rosenthal67,
 293         author = {Rosenthal, Carl A},
 294         year = {1967},
 295         title = {A Practical Guide to Music Notation},
 296         address={New York},
 297         publisher={MCA Music},
 298         note={Heussenstamm writes: Informative in terms of traditional notation.  Does not concern score preparation}
 299 }
 300
 301
 302 @Book {Boehm61,
 303         author = {Boehm, Laszlo},
 304         year = {1961},
 305         title={Modern Music Notation},
 306         address={New York},
 307         publisher={G. Schirmer, Inc.},
 308         note ={Heussenstamm writes: A handy compact reference book in basic notation. }
 309 }
 310 @Book{button20:_system_music_notat,
 311   author =       {Button, H. Elliot},
 312   title =        {System in Musical Notation},
 313   publisher =    {Novello and co.},
 314   year =         1920,
 315   address =      {London}
 316 }
 317
 318 @Book{johnson46:_how,
 319   author =       {Johnson, Harold},
 320   title =        {How to write music manuscript},
 321   publisher =    {Carl Fischer, Inc.},
 322   year =         1946,
 323   address =      {New York}
 324 }
 325
 326
 327
 328 @Book{tyboni94:_noter_handb_i_tradit_noter,
 329   author =       {B\"orje Tyboni},
 330   title =        {Noter Handbok I Traditionell Notering},
 331   publisher =    {Gehrmans Musikf\"orlag},
 332   year =         1994,
 333   address =      {Stockholm},
 334   note =         {Swedish book on music notation.}
 335 }
 336
 337 @Book{jaschinski00:_notat,
 338   author =       {Andreas Jaschinski},
 339   title =        {Notation},
 340   publisher =    {Bärenreiter Verlag},
 341   year =         2000,
 342   number =       {BVK1625}
 343 }
 344