input/gallina.ly

   1 \header{
   2 title   La Gallina a 2 violini
   3 date    1637
   4 source  the manuscript of Canzoni overo Sonate Concertate
   5         libro terzo, opera duodecima
   6 composer         Tarquinio Merula (1594/95-1665)
   7 enteredby        Mats Bengtsson
   8 copyright        Public Domain
   9 }
  10
  11
  12 %{
  13 From mats.bengtsson@s3.kth.seThu Aug 14 02:11:19 1997
  14 Date: Wed, 13 Aug 1997 18:24:53 +0200
  15 From: Mats Bengtsson <mats.bengtsson@s3.kth.se>
  16 To: Han-Wen Nienhuys <hanwen@stack.nl>
  17 Subject: Re: brevis?
  18
  19 [snip]
  20
  21 Here comes a sample score where I've tried to fiddle around with different
  22 spacing parameters to get a decent layout, but it still looks quite strange.
  23 For example is the second half of the bar more spread out than the first
  24 half in many cases.
  25 Hopefully it could be useful input to future improvements. I've entered the
  26 music directly from the 1637 manuscript and intend to publish it public
  27 domain on for example ftp.gmd.de when finished. You could include it as an
  28 example in the distribution, but in that case I could add a LaTeX title file.
  29 There were no beams in the manuscript so I didn't use them in this edition
  30 either.
  31
  32       /Mats
  33
  34
  35 Tested Features: Note placement, multipart score, figured base, \breve
  36
  37 note: the sharp signs hoovering over the bass part are no mistake, but
  38 part of the basso continuo
  39
  40 %}
  41
  42 \version "0.1.6";
  43
  44 vi1=\melodic{
  45   \meter 4/4;
  46   \octave c'';
  47
  48   d8 d d d d4 A16 B c A |
  49   B8 G G G16 A B8 G G G16 A |
  50   B8 G G A16 B c4 B |
  51   A8 D G2 Fis4 |
  52   G2 r2 |
  53   r1 |
  54   d8 d d d d4 A16 B c A |
  55   B8 G G G16 A B8 G G G16 A |
  56   B8 G G A16 B c8 e d c |
  57   B G c2 B4 |
  58   c2 r |
  59   r1 |
  60   g8 g g g g4 d16 e f d |
  61   e8 c c c16 d e8 c c c16 d |
  62   e8 c c d16 e f4 e |
  63   d8 G c2 B4 |
  64   c8 G G G16 A B4 G |
  65   r8 G G G16 A B4 G |
  66   r8 E16 Fis G8 G  Fis! G G Fis! |
  67   G2 r |
  68   r1 |
  69   r16 d c B A G Fis E D8 d d d16 c |
  70   B8 d d d16 c B8 d d d16 e |
  71   fis4 g2 fis!4 |
  72   r16 g f e d c B A G8 g g g16 f |
  73   e8 g g g16 f e8 g g g16 a |
  74   b4 c'2 b4 |
  75   c'8 g g g16 f e4 d |
  76   r8 g g g16 f e4 d |
  77   r8 d16 A B8 B16 c A2 |
  78   B1 |
  79   \meter 3/2;
  80   r4 d d d d d |
  81   e1. |
  82   r4 c c c c c |
  83   d1. |
  84   r4 d8 c B4 c8 d G4 A8 B |
  85   E1. |
  86   r4 e8 d cis4 d8 e A4 B8 cis! |
  87   Fis1. |
  88   r4 d d d d d |
  89   e e8 d c4 d8 e A4 B8 c |
  90   Fis4 fis8 e d4 e8 fis! B4 c8 d |
  91   G4 g g g g g |
  92   a4 c'8 b a4 b8 c' f4 g8 a |
  93   d4 g g g g g |
  94   a d8 c B4 c8 d A2 |
  95   \meter 4/4;
  96   B1 |
  97   d8 d d d d4 A16 B c A |
  98   B8 G G G16 A B8 G G G16 A |
  99   B8 G  c2 B4 |
 100   c2 r |
 101   g8 g g g g4 d16 e f d |
 102   e8 G G G16 A B8 d d d16 e |
 103   fis4 g2 fis!4 |
 104   r16 g f e d c B A G8 g g g16 f |
 105   e2 r8 d d d16 e |
 106   fis a g fis e d c B A8 d d d16 e |
 107   fis4 g2 fis!4 |
 108   \cadenza 1;
 109   g\breve
 110   \bar "|.";
 111 }
 112
 113 vi2=\melodic{
 114   \meter 4/4;
 115   \octave c'';
 116
 117   r1 | r | r |
 118   d8 d d d d4 A16 B c A |
 119   B8 G G G16 A B8 G G G16 A |
 120   B8 G G A16 B c4 B |
 121   A8 D G2 Fis4 |
 122   G2 r2 |
 123   r1 |
 124   g8 g g g g4 d16 e f d |
 125   e8 c c c16 d e8 c c c16 d |
 126   e8 c c d16 e f4 e |
 127   d8 G c2 B4 |
 128   c2 r |
 129   r1 |
 130   g8 g g g g4 d16 e f d |
 131   e2 r8 G G G16 A |
 132   B4 G r8 G G A16 B
 133   c4 B A2 |
 134   G r16 d c B A G Fis E |
 135   D8 d d d16 c B8 d d d16 e |
 136   fis4 g g4. fis!8 |
 137   g2 r |
 138   r16 d c B A G Fis E D8 d d d16 c |
 139   B4 c2 B4 |
 140   c d G2 |
 141   r16 g f e d c B A G8 g g g16 f |
 142   e4 d r8 g g g16 f |
 143   e4 d r8 c16 G B8 B16 c |
 144   A4 G2 Fis4 |
 145   G1 |
 146   \meter 3/2;
 147   r1. |
 148   r4 g8 f e4 f8 g c4 d8 e |
 149   A1. |
 150   r4 a8 g fis4 g8 a d4 e8 fis! |
 151   B1. |
 152   r4 g g g g g |
 153   a1. |
 154   r4 a a a a a |
 155   b d8 c B4 c8 d G4 A8 B |
 156   E4 g8 f e4 f8 g c4 d8 e |
 157   A4 a8 g fis4 g8 a d4 e8 fis! |
 158   B4 b8 a g4 a8 b e4 fis8 g |
 159   c4 A A A A A |
 160   B d8 c B4 c8 d D4 E |
 161   Fis2 G Fis! |
 162   \meter 4/4;
 163   G1 |
 164   r1 | r1 |
 165   g8 g g g g4 d16 e f d |
 166   e8 c c c16 d e8 G G G16 A |
 167   B8 G c2 B4 |
 168   c2 r |
 169   r16 d c B A G Fis E D8 d d d16 c |
 170   B4 c2 B4 |
 171   c8 G G G16 A B d c B A G Fis E |
 172   D8 d d d16 e fis16 a g fis e d c B |
 173   A d c B A G Fis E D4 d |
 174   \cadenza 1;
 175   B\breve
 176   \bar "|.";
 177 }
 178
 179 bc=\melodic{
 180   \clef "bass";
 181   \meter 4/4;
 182   \octave c;
 183
 184   G2 d^"4 3" | G1 |
 185   g2 c4 G | d1^"3 4 3" |
 186   G1 | g2 c4 G |
 187   d1^"3 4 3" | G |
 188   g2 c4 d | G1^"3 4 3" |
 189   c1 | c2 F4 c |
 190   G1^"3 4 3" | c |
 191   c2 F4 c | G1^"3 4 3" |
 192   c2 G | g G |
 193   c4 G d2^"3 4 3" | G g |
 194   fis g | d1^"3 4 3" |
 195   G2 B | d1^"3 4 3" |
 196   G^"3 4 3" | c4 B c2 |
 197   G1^"3 4 3" | c4 B c g |
 198   c B c G | d1^"3 4 3" |
 199   G1 |
 200   \meter 3/2;
 201   g1. | c |
 202         % 30
 203   f | d^"\textsharp" |
 204   g | c |
 205   A | d^"\textsharp" |
 206   G | c |
 207   d^"\textsharp" | e |
 208   f | g1 B2 |
 209   d1.^"3 4 3" |
 210   \meter 4/4;
 211   G1 |
 212   g2 fis | g G |
 213   g1^"3 4 3" | c |
 214   G^"3 4 3" | c2 G |
 215   d1^"3 4 3" | G^"3 4 3" |
 216   c2 G | d1^"\textsharp" ( |
 217   ) d^"3 4 3" |
 218   \cadenza 1;
 219   G\breve
 220   \bar "|.";
 221 }
 222
 223 \score{
 224   \type Staff_group <
 225     \vi1
 226     \vi2
 227     \bc
 228   >
 229   \paper{
 230     %linewidth=18.\cm;
 231      \output "gallina.out";
 232     gourlay_maxmeasures=7.;
 233   }
 234   \midi{
 235         \tempo 4=90;
 236   }
 237 }
 238
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