input/manual/fretted-headword.ly

   1 % INSPIRATIONAL HEADER FOR LILYPOND DOCUMENTATION fretted-strings %
   2 % Passage from Johann Kaspar Mertz "Opern Revue, Op. 8, no. 17"   %
   3 % on melodies from Bellini's "Norma"                              %
   4 %*****************************************************************%
   5
   6 \version "2.11.57"
   7
   8 #(set-global-staff-size 15)
   9 \paper{
  10  ragged-end=##t
  11  line-width=17\cm
  12  indent=0\cm
  13 }
  14
  15 \layout {
  16  \context { \Score
  17    \remove "Bar_number_engraver"
  18    \override PaperColumn #'keep-inside-line = ##t
  19    \override NonMusicalPaperColumn #'keep-inside-line = ##t
  20  }
  21 }
  22
  23 %%%% shortcuts
  24 %  fingering orientations
  25         sfol = \set fingeringOrientations = #'(left)
  26         sfor = \set fingeringOrientations = #'(right)
  27         sfod = \set fingeringOrientations = #'(down)
  28         sfou = \set fingeringOrientations = #'(up)
  29
  30 %  string number orientations
  31         ssnol =  \set stringNumberOrientations = #'(left)  %(down right up)
  32         ssnou =  \set stringNumberOrientations = #'(up)
  33         ssnod =  \set stringNumberOrientations = #'(down)
  34         ssnor =  \set stringNumberOrientations = #'(right)
  35
  36 % define fingering offset
  37 FO = #(define-music-function (parser location offsetX offsetY) (number? number?)
  38   #{
  39     \once \override Voice.Fingering #'extra-offset = #(cons $offsetX $offsetY )
  40   #})
  41
  42 %  markups
  43         rit = \markup \center-align { \bold { \italic { " rit." } } }
  44         dim = \markup \center-align { \italic { " dim." }}
  45         andantino = \markup \left-align { \italic { \bold { \fontsize #+2.5 { "Andantino"  }}}}
  46         benmarcato = \markup { \italic { \bold { "il canto ben marcato" }}}
  47
  48 %%% THE MUSIC %%%
  49
  50 melody =  \relative c {
  51   \clef "treble_8"
  52   \key d \major
  53   \time 4/4
  54 %  \override Staff.TimeSignature #'transparent = ##t
  55   \voiceOne
  56   \override Fingering #'staff-padding = #'()
  57   \sfol
  58     e,32 a' c e
  59     e, a c e
  60     e,, a' c e
  61     e, a c e
  62     f4\rest <e'-4>4-> | % m. 1
  63
  64     e,,,32 gis' b e
  65     e, gis b e
  66     e,, gis' b e
  67     e, gis b e
  68     f4\rest \FO #'0.4 #'0.5 <gis-1 e'-4>4 | % m. 2
  69
  70     d4\rest <b e>-> d4\rest^\rit <b e>4->  | % m. 3
  71     <gis b e>1  | % m. 4
  72
  73   \bar "||"
  74   \key a \minor
  75   \override TupletNumber #'stencil = ##f
  76   \override TupletBracket #'bracket-visibility = ##f
  77     R1  % m. 5
  78
  79     e'4^\benmarcato e8. d16-4
  80     d4-4 \times 2/3{\sfou \FO #'-0.3 #'0.6 <c-2>4 b8} | % end of m. 6
  81
  82   \FO #'-0.3 #'0.3
  83     <a-3>4 \times 2/3{c4 b8} a4 e'8. e16  | % m. 7
  84
  85   \FO #'-0.3 #'0.3
  86     <g-4>4 \times 2/3{\sfol \FO #'0.3 #'0.0 <f-1>4 e8} e4   % beg of m. 8
  87       \times 2/3{\sfou <d-4>4 c8}                         | % end of m. 8
  88
  89     b4 \times 2/3{d4-4 c8} \sfou \FO #'-1.7 #'-1.5 <b-0>4 e | % end of m. 9
  90
  91     e4 e8. d16-4 d4 \times 2/3{c4 b8}                     | % m. 10
  92
  93     \times 2/3{a4 a8 b4 c8}                                 % beg of m. 11
  94   \sfou \FO #'-0.3 #'0.3
  95     <d-4>4^\< \times 2/3{e4 <d f>8\!}                     | % end of m. 11
  96 }
  97
  98 bass =  \relative c {
  99   \key d \major
 100   \time 4/4
 101   \voiceTwo
 102   \override Fingering #'staff-padding = #'()
 103
 104     e,8\fp[ e'] e,[ e'] e,[ \sfol <c''-1> <a'-2> c,]  | % m. 1
 105
 106     e,,8\fp[ e'] e,[ e'] e,[ \sfod \FO #'0.2 #'-0.2 <b''-1>  % beg m. 2
 107         \sfol \FO #'0.3 #'0.0 <e-2> b]  | % end m. 2
 108
 109     e,,8 e' gis e e, e' gis_\dim e      | % m. 3
 110
 111     e,1                                 | % m. 4
 112
 113 %% new section starts here in A minor
 114   \override TupletNumber #'stencil = ##f
 115   \override TupletBracket #'bracket-visibility = ##f
 116   \set tupletSpannerDuration = #(ly:make-moment 1 4)
 117   \once \override TextScript #'staff-padding = #1.7
 118     \times 2/3{a8\p[^\andantino e' a c a e ] a,[ e' a c a e ]} | % m. 5
 119
 120   \once \override DynamicText #'extra-offset = #'( -2.1 . 0.0 ) % beg m. 6
 121   \once \override TextScript #'staff-padding = #'()
 122   \once \override TextScript #'extra-offset = #'( 0.0 . 2.0 )
 123     \times 2/3{a,8[\p_\markup {\italic { "dol." } } e' a c a e]}
 124     \times 2/3{e,8[ \sfou <e'-3> <gis-1> c gis e]}      | % end m. 6
 125
 126     \times 2/3{a,8[ <e'-2> a c e, b'] a,[ e' a c a e]}  | % m. 7
 127
 128     \times 2/3{f,8[ f' a \sfol \FO #'0.3 #'-0.5 <d-4> a f] fis,[ d' a' d a d,]}  | % m. 8
 129
 130     \times 2/3{<g,-3>8[ d' g d' g, d]                                     % beg m. 9
 131         \sfod \FO #'0.0 #'-2.0 <gis,-4>[ \sfou <e'-2> <gis-1> b gis e]} | % end m. 9
 132
 133     \times 2/3{a,8[ e' a c a e] e,[ e' gis c gis e]}                    | % m. 10
 134
 135     \times 2/3{a,8[ e' a b a e] f,[ f' a d a f]}                        | % m. 11
 136 }
 137
 138
 139 \score {
 140     \context Staff = "guitar" <<
 141         \context Voice = "upper" { \melody }
 142         \context Voice = "lower"   { \bass }
 143     >>
 144     \layout { }
 145
 146   \midi {
 147     \context {
 148       \Score
 149     }
 150   }
 151 }
 152
 153
 154