Documentation/bibliography/computer-notation.bib

   1 %
   2 % TITLE=The music notation with computer bibliography
   3 % AUTHOR=Han-Wen Nienhuys
   4 %
   5
   6 @String{CitH = {Computing and the Humanities}}
   7 @String{CMJ = {Computer Music Journal}}
   8
   9
  10
  11 @Book {smith73,
  12   year =  {1973},
  13   title = {Editing and Printing Music by Computer},
  14   author = {Leland Smith},
  15   totalentry = {Journal of Music Theory},
  16   volume={17},
  17   pages ={292-309},
  18
  19   note = {Gourlay\cite{gourlay86} writes: A discussion of Smith's
  20 music-printing system SCORE}
  21
  22 }
  23
  24 @Article {byrd74,
  25   year =  {1974},
  26   title = {A System for Music Printing by Computer},
  27   author = {Donald Byrd},
  28   journal = {Computers and the Humanities},
  29   volume ={8},
  30   pages ={161-72},
  31 }
  32
  33
  34 @Article{ericson75,
  35   author =       {R. F. Ericson},
  36   title =        {The DARMS Project: A status report},
  37   journal =      {Computing in the humanities},
  38   year =         1975,
  39   volume =       9,
  40   number =       6,
  41   pages =        {291--298},
  42   note = {Gourlay\cite{gourlay86} writes: A discussion of the design
  43   and potential uses of the DARMS music-description language.}
  44 }
  45
  46 % Gomberg
  47 @PhdThesis {gomber75,
  48   year =  {1975},
  49   title = {A Computer-Oriented System for Music Printing},
  50   author = {David A. Gomberg},
  51   school = {Washington University},
  52 }
  53
  54 @Book {gomberg,
  55   title = {A Computer-oriented System for Music Printing},
  56   author = {David A.  Gomberg},
  57   journal  = CitH,
  58   volume={11},
  59   month = {march},
  60   year = {1977},
  61   pages = {63-80},
  62
  63   note = {Gourlay \cite{gourlay86} writes: "A discussion of the
  64   problems of representing the conventions of musical notation in
  65   computer algorithms."}
  66 }
  67
  68
  69 @TechReport{Ornstein83,
  70   author={Ornstein, Severo M. and John Turner Maxwell III},
  71   title={Mockingbird: A Composer's Amanuensis},
  72   institution={Xerox Palo Alto Research Center},
  73   address={3333 Coyote Hill Road, Palo Alto, CA, 94304},
  74   number={CSL-83-2},
  75   month={January},
  76   year={1983}
  77 }
  78
  79 @Article{Ornstein84,
  80   author={Ornstein, Severo M. and John Turner Maxwell III},
  81   title={Mockingbird: A Composer's Amanuensis},
  82   journal= {Byte},
  83   volume= 9,
  84   month = {January},
  85   year= { 1984},
  86
  87   note={A discussion of an interactive and graphical computer system
  88 for music composition}
  89
  90 }
  91
  92 % byrd
  93 @PhdThesis {byrd85,
  94   year =  {1985},
  95   title = {Music Notation by Computer},
  96   author = {Donald Byrd},
  97   school = {Indiana University},
  98
  99   note = {Describes the SMUT (sic) system for automated music printout.}
 100 }
 101
 102 @InProceedings{assayaag86,
 103   author =       {G. Assayaag and D. Timis},
 104   title =        {A Toolbox for music notation},
 105   booktitle =    {Proceedings of the 1986 International Computer Music Conference},
 106   year =        1986
 107 }
 108
 109 @TechReport{roush88,
 110   year = {1988},
 111   title = {Music Formatting Guidelines},
 112   author = {D. Roush},
 113   number = {OSU-CISRC-3/88-TR10},
 114   institution = {Department of Computer and Information Science, The Ohio State University},
 115
 116   note = {Rules on formatting music formulated for use in
 117   computers. Mainly distilled from [Ross] HWN},
 118
 119 }
 120
 121
 122 @Article{byrd94,
 123   author =       {Donald Byrd},
 124   title =        {Music Notation Software and Intelligence},
 125   journal =      {Computer Music Journal},
 126 year = 1994,
 127 pages = {17--20},
 128   volume =       18,
 129   number =       1,
 130
 131   note = {Byrd (author of Nightinggale) shows four problematic
 132 fragments of notation, and rants about notation programs that try to
 133 exhibit intelligent behaviour. HWN}
 134 }
 135
 136
 137 @Article{field-richards93,
 138   author =       {H.S. Field-Richards},
 139   title =        {Cadenza: A Music Description Language},
 140   journal =      CMJ,
 141   year =         1993,
 142   volume =       17,
 143   number =       4,
 144
 145   note = {A description through examples of a music entry language.
 146 Apparently it has no formal semantics.  There is also no
 147 implementation of notation convertor. HWN}
 148
 149 }
 150
 151 @Article{bielawa93,
 152   author =       {Herbert Bielawa},
 153   title =        {Review of Sibelius 7},
 154   journal =      CMJ,
 155   year =         {1993?},
 156
 157   note = {A raving review/tutorial of Sibelius 7 for Acorn.  (And did
 158 they seriously program a RISC chip in ... assembler ?!) HWN}
 159
 160
 161 }
 162
 163 @Article{sloan93,
 164   author =       {Donald Sloan},
 165   title =        {Aspects of Music Representation in HyTime/SMDL},
 166   journal =      CMJ,
 167   year =         1993,
 168   volume =       17,
 169   number =       4,
 170
 171 note = {An introduction into HyTime and its score description variant
 172 SMDL.  With a short  example that is quite  lengthy in SMDL}
 173
 174 }
 175
 176 @Article{wiggins93,
 177   author =       {Geraint Wiggins and Eduardo Miranda and Alaaaan Smaill and Mitch Harris},
 178   title =        {A Framework for the evaluation of music representation systems},
 179   journal =      CMJ,
 180   year =         1993,
 181   volume =       17,
 182   number =       3,
 183
 184   note = {A categorisation of music representation systems (languages,
 185 OO systems etc) splitted into high level and low level expressiveness.
 186 The discussion of Charm and parallel processing for music
 187 representation is rather vague. HWN}
 188
 189 }
 190
 191
 192
 193 @Article{dannenberg93,
 194   author =       {Roger B. Dannenberg},
 195   title =        {Music Representation: Issues, Techniques, and Systems},
 196   journal =      CMJ,
 197   year =         1993,
 198   volume =       17,
 199   number =       3,
 200   url = {http://citeseer.nj.nec.com/52890.html},
 201
 202   note = {This article  points to some problems and solutions with music
 203 representation. HWN},
 204
 205 }
 206
 207 @Article{rothstein93,
 208   author =       {Joseph Rothstein},
 209   title =        {Review of Passport Designs' Encore Music Notation Software},
 210   journal =      CMJ,
 211   year =         {?},
 212
 213
 214 }
 215
 216
 217
 218 @Article{belkin94,
 219   author =       {Alan Belkin},
 220   title =        {Macintosh Notation Software: Present and Future},
 221   journal =      CMJ,
 222   year =         1994,
 223   volume =       18,
 224   number =       1,
 225
 226   note = {Some music notation systems are analysed for ease of use,
 227   MIDI handling.  The article ends with a plea for a standard notation
 228   format. HWN},
 229
 230 }
 231
 232 @InProceedings{montel97,
 233   author =       {Dominique Montel},
 234   title =        {La gravure de la musique, lisibilit\'e esth\'etique, respect de l'oevre},
 235   booktitle =    {Musique \& Notations},
 236   year =         1997,
 237   address={Lyon},
 238   editors ={Genevois \& Orlarey}
 239 }
 240
 241
 242
 243
 244 @Book {CASR,
 245   note = {Annual editions since 1985, many containing surveys of music typesetting technology. SP},
 246   title = {Directory of Computer Assisted Research in Musicology},
 247   author = {Walter B Hewlett and Eleanor Selfridge-Field},
 248   totalentry = {Menlo Park, CA: Center for Computer Assisted Research in the Humanities},
 249 }
 250
 251
 252 @Book{selfridge-field97:_beyon_midi,
 253   title =        {Beyond MIDI: the handbook of musical codes},
 254   editor =       {Eleanor Selfridge-Field},
 255   publisher =    {MIT Press},
 256   year =         1997,
 257
 258   note = {A description of various music interchange formats.}
 259 }
 260
 261
 262 @InProceedings{hoos98:_guido_music_notat_format,
 263 title={The {GUIDO} Music Notation Format---A Novel Approach
 264 for Adequately Representing Score-level Music},
 265 author = {H. H. Hoos and K. A. Hamel and K. Renz and J. Kilian},
 266 booktitle = {Proceedings of International Computer Music Conference},
 267 year = 1998,
 268 pages = {451--454},
 269 }
 270
 271 @Article {blostein91,
 272
 273   note = {This paper provides a overview of the algorithm used in LIME
 274   for spacing individual lines. HWN},
 275
 276   year =  {1991},
 277   title = {Justification of Printed Music},
 278   author = {Dorothea Blostein and Lippold Haken},
 279   journal   = {Communications of the ACM},
 280   volume= {J34},
 281   number= {3},
 282   month= {March},
 283   pages = {88-99},
 284 }
 285
 286
 287 @Article {haken93,
 288   year =  {1993},
 289   title = {The Tilia Music Representation: Extensibility, Abstraction, and Notation Contexts for the Lime Music Editor},
 290   author = {Lippold Haken and Dorothea Blostein},
 291   journal = {Computer Music Journal},
 292   volume= {17},
 293   number={3},
 294   pages = {43--58},
 295 }
 296 @Article{blostein94,
 297   author =       {Dorothea Blostein and Lippold Haken},
 298   title =        {The Lime Music Editor: A Diagram Editor Involving Complex
 299   Translations},
 300   journal =      {Software Practice and Experience},
 301   year =         {1994},
 302   volume =       {24},
 303   number =       {3},
 304   month =        {march},
 305   pages =        {289--306},
 306
 307   note = {A description of various conversions, decisions and issues
 308 relating to this interactive editor HWN},
 309
 310 }
 311
 312
 313
 314 @InProceedings{haken95,
 315   year =  {1995},
 316   title = {A New Algorithm for Horizontal Spacing of Printed Music},
 317   author = {Lippold Haken and Dorothea Blostein},
 318   booktitle = {International Computer Music Conference},
 319   address={Banff},
 320   month={Sept},
 321   pages = {118-119},
 322
 323   note = {This describes an algorithm which uses springs between
 324 adjacent columns. }, }
 325
 326
 327 @InProceedings{bouzaiene98:_une,
 328   author =       {Nabil Bouzaiene and Lo\"ic Le Gall and Emmanuel Saint-James},
 329   title =        {Une biblioth\`eque pour la notation  musicale baroque},
 330   booktitle =    {EP '98},
 331   year =         1998,
 332   series =       {LNCS},
 333
 334   note = {Describes ATYS, an extension to Berlioz, that can mimick
 335   handwritten baroque style beams}
 336 }
 337
 338
 339
 340
 341 @InProceedings{balaban88,
 342   author =       {M. Balaban},
 343   title =        {A Music Workstation Based on Multiple Hierarchical Views of Music},
 344   booktitle =    {Proceedings of the 1988 International Computer Music Conference},
 345   year =         1988,
 346   address =      {San Francisco},
 347   organization = {International Computer Music Association}
 348 }
 349
 350 %
 351 % MusiCopy
 352 %
 353 @TechReport {gourlay87-spacing,
 354 annote = {Algorithm for generating spacing in one line of (polyphonic) music, tailored for use with MusiCopy. LilyPond uses a variant of it.},
 355   year =  {1987},
 356   title = {Spacing a Line of Music,},
 357   author = {John S. Gourlay},
 358   number = {OSU-CISRC-10/87-TR35},
 359   institution ={Department of Computer and Information Science, The Ohio State University},
 360 }
 361
 362
 363 @TechReport {parish87,
 364   annote = {A brief overview of {MusiCopy}},
 365   year =  {1987},
 366   title = {{MusiCopy}: An automated Music Formatting System},
 367   author = {Allen Parish and Wael A. Hegazy and John S. Gourlay and Dean K. Roush and F. Javier Sola},
 368   totalentry = {OSU-CISRC-10/87-TR29},
 369   institution ={Department of Computer and Information Science, The Ohio State University},
 370 }
 371
 372
 373 @TechReport {gourlay87-formatting,
 374   note = {This paper discusses the development of algorithms for the
 375 formatting of musical scores (from abstract). It also appeared at
 376 PROTEXT III, Ireland 1986},
 377
 378   year =  {1987},
 379   title = {Computer Formatting of Music},
 380   author = {John S. Gourlay and A. Parrish
 381 and D. Roush and F. Sola and Y. Tien},
 382   number = {OSU-CISRC-2/87-TR3},
 383   institution ={Department of Computer and Information Science,
 384 The Ohio State University},
 385 }
 386
 387
 388 @TechReport {hegazy87,
 389   year =  {1987},
 390   title = {On the Implementation of the {MusiCopy} Language Processor,},
 391
 392   author = {Wael A. Hegazy},
 393   number = {OSU-CISRC-10/87-TR34},
 394   institution={Department of Computer and Information Science, The Ohio State University},
 395
 396   note = {Describes the "parser" which converts {MusiCopy} MDL to
 397   MusiCopy Simultaneities and columns.
 398
 399 MDL is short for Music Description Language\cite{gourlay86}. It
 400 accepts music descriptions that are organised into measures filled
 401 with voices, which are filled with notes. The measures can be arranged
 402 simultaneously or sequentially.  To address the 2-dimensionality,
 403 almost all constructs in MDL must be labeled.
 404
 405 MDL uses begin/end markers for attribute values and spanners.
 406 Rightfully the author concludes that MusiCopy must administrate a
 407 "state" variable containing both properties and current spanning symbols.
 408
 409 MusiCopy attaches graphic information to the objects constructed in
 410 the input: the elements of the input are partially complete graphic
 411 objects.
 412
 413 },
 414
 415 }
 416
 417
 418 @TechReport {hegazy87-breaking-tr,
 419
 420 annote = {This generalizes \TeX's breaking algorithm to music. It also
 421 appeared in Document Manipulation and Typography, J.C. van Vliet (ed)
 422 1988},
 423
 424   year =  {1987},
 425
 426   title = {Optimal line breaking in music},
 427   author = {Wael A. Hegazy and John S. Gourlay},
 428   number = {OSU-CISRC-8/87-TR33},
 429   institution={Department of Computer and Information Science, The Ohio State University,},
 430 }
 431
 432 @InProceedings{hegazy88:_optim,
 433   author = {Wael A. Hegazy and John S. Gourlay},
 434 booktitle = {Proceedings of the International Conference on
 435 Electronic Publishing, Document Manipulation and Typography. Nice (France)},
 436 month = {April},
 437 year =1988,
 438 editor={J. C. van Vliet},
 439 publisher = {Cambridge University Press},
 440 ISBN={0-521-36294-6},
 441   title = {Optimal line breaking in music},
 442 }
 443
 444
 445 @TechReport {roush87,
 446   note = {User manual of MusiCopy. },
 447
 448   year =  {1987},
 449   title = {Using {MusiCopy}},
 450   author = {Dean K. Roush},
 451   number = {OSU-CISRC-18/87-TR31},
 452   institution={Department of Computer and Information Science, The Ohio State University},
 453 }
 454
 455
 456 @TechReport {parrish87-simultaneities,
 457
 458 note = {This note discusses
 459   placement of balls, stems, dots which occur at the same moment
 460   ("Simultaneity")},
 461
 462   year =  {1987},
 463   title = {Computer Formatting of Musical Simultaneities,},
 464   author = {A. Parrish and John S. Gourlay},
 465   institution={Department of Computer and Information Science, The Ohio State University},
 466   number = {OSU-CISRC-10/87-TR28},
 467 }
 468
 469
 470 @TechReport {sola87,
 471   note = {Overview of a procedure for generating slurs},
 472   year =  {1987},
 473   title = {Computer Design of Musical Slurs, Ties and Phrase Marks,},
 474   author = {F. Sola},
 475   institution={Department of Computer and Information Science, The Ohio State University},
 476   number = {OSU-CISRC-10/87-TR32},
 477 }
 478
 479
 480 @Article {gourlay86,
 481   note = {This paper describes the {MusiCopy} musicsetting system and an input language to go with it.},
 482
 483   year =  {1986},
 484   title = {A language for music printing},
 485   author = {John. S. Gourlay},
 486   journal = {Communications of the ACM},
 487    volume= {29},
 488   number ={5},
 489   pages = {388--401},
 490 }
 491
 492
 493 @TechReport {sola87-beams,
 494
 495 institution={Department of Computer and Information Science, The Ohio
 496 State University},
 497
 498   note = {Calculating beam slopes HWN},
 499   year =  {1987},
 500   title = {Design of Musical Beams,},
 501   author = {F. Sola and D. Roush},
 502   number = {OSU-CISRC-10/87-TR30},
 503 }
 504
 505
 506 @PhdThesis {page88,
 507   note = {Don't ask Stephen for a copy. Write to the Bodleian Library, Oxford, or to the British Library, instead. SP},
 508   year =  {1988},
 509   title = {Computer Tools for Music Information Retrieval},
 510   author = {Stephen Dowland Page},
 511   school ={Dissertation University of Oxford},
 512 }
 513
 514
 515 %
 516 % three part study by John Gr/over
 517 @TechReport{grover89-symbols,
 518   author =       {John Gr\/over},
 519   title =        {A computer-oriented description of Music Notation.  Part I. The Symbol Inventory},
 520   institution =  {Department of informatics, University of Oslo},
 521   year =         1989,
 522   number =       133,
 523
 524 note = {The goal of this series of reports is a full description of
 525 music formatting.  As these largely depend on parameters of fonts, it
 526 starts with a verbose description of music symbols.
 527
 528  The subject is treated backwards: from general rules of typesetting
 529 the author tries to extract dimensions for characters, whereas the
 530 rules of typesetting (in a particular font) follow from the dimensions
 531 of the symbols.  His symbols do not match (the stringent) constraints
 532 formulated by eg. \cite{wanske}} }
 533
 534 @TechReport{grover89-twovoices,
 535   author =       {John Gr\/over},
 536   title =        {A computer-oriented description of Music Notation. Part II: Two Voice Sharing a Staff, Leger Line Rules, Dot Positioning},
 537
 538   institution =  {Department of informatics, University of Oslo},
 539   year =         1989,
 540   number =       134,
 541
 542   note = {A lot rules for what is in the title are formulated.  The
 543 descriptions are long and verbose.  The verbosity shows that
 544 formulating specific rules is not the proper way to approach the
 545 problem.  Instead, the formulated rules should follow from more
 546 general rules, similar to\cite{parrish87-simultaneities}},
 547 }
 548
 549 @TechReport{grover89-accidentals,
 550   author =       {John Gr\/over},
 551   title =        {A computer-oriented description of Music Notation. Part III: Accidental Positioning},
 552   institution =  {Department of informatics, University of Oslo},
 553   year =         1989,
 554   number =       135,
 555
 556 note = {Placement of accidentals crystallised in an enormous set of
 557 rules.  Same remarks as for \cite{grover89-twovoices} applies} }
 558
 559
 560 @PhdThesis{mueller90:_inter_bearb_musik,
 561   author =       {Giovanni M\"uller},
 562   title =        {Interaktive Bearbeitung konventioneller Musiknotation},
 563   school =       {Eidgen\"ossischen Technischen Hochschule Z\"urich},
 564   year =         1990,
 565
 566 note = {This is about engraver-quality typesetting with computers.  It
 567 accepts the axiom that notation is too difficult to generate
 568 automatically.  The result is that a notation program should be a
 569 WYSIWYG editor that allows one to tweak everything.
 570 }
 571
 572 }
 573
 574
 575
 576
 577
 578 @MastersThesis{roelofs91,
 579
 580 note = {This dutch thesis describes a monophonic typesetting system,
 581   and focuses on the breaking algorithm, which is taken from Hegazy &
 582   Gourlay },
 583
 584   year =  {1991},
 585   title = {Een Geautomatiseerd Systeem voor het Afdrukken van Muziek},
 586   author = {Ren\'e Roelofs},
 587   school={Erasmus Universiteit Rotterdam},
 588   number={45327},
 589   translation = {``An automated system for printing music'' Master's Thesis Managerial Computer Science.},
 590 }
 591
 592
 593 @Article {filgueiras93,
 594   year =  {1993},
 595   title = {Representation and manipulation of music documents in SceX},
 596   author = {Miguel Filgueiras and Jos\'e Paulo Leal},
 597   journal= {Electronic Publishing},
 598   volume={6},
 599   number={4}, pages = {507--518},
 600   url={http://citeseer.nj.nec.com/512957.html},
 601 }
 602
 603
 604 @Article {foxley87,
 605
 606 note = {A paper on a simple TROFF preprocessor to typeset music. },
 607
 608   year =  {1987},
 609   title = {Music --- A language for typesetting music scores},
 610   author = {Eric Foxley},
 611   journal = {Software --- Practice and Experience},
 612   volume = {17},
 613   number = {8},
 614   pages = {485-502},
 615 }
 616
 617 @Article {Langston90,
 618
 619   note = {This paper deals with some command-line
 620   tools for music editing and playback. },
 621
 622   year =  {1990},
 623   title = {Unix music tools at Bellcore},
 624   author = {Peter S. Langston},
 625   journal={Software --- Practice and Experience},
 626   volume={20},
 627   number={S1},
 628   pages={47--61},
 629 }
 630
 631
 632 @Book {filgueiras96,
 633   year = {1996},
 634   title = {Implementing a Symbolic Music Processing System},
 635   author = {Miguel Filgueiras},
 636   totalentry = {LIACC, Universidade do Porto, 1996; submitted},
 637 }
 638
 639 @Book {filgueiras?,
 640   title = {Some Music Typesetting Algorithms},
 641   author = {Miguel Filgueiras},
 642   totalentry = {Miguel Filgueiras. ``Some Music Typesetting Algorithms''. LIACC, Universidade do Porto, forthcoming},
 643 }
 644
 645
 646 @Article {colorado-web,
 647   author ={Alyssa Lamb},
 648
 649   note = {Webpages about engraving (designed with finale
 650 users in mind) (sic) HWN},
 651
 652   institution = {The University of Colorado},
 653   title ={The University of Colorado Music Engraving page.},
 654   HTML={http://www.cc.colorado.edu/Dept/MU/Musicpress/},
 655   year={1996}
 656 }
 657
 658 @Article {tablature-web,
 659   note = {FAQ (with answers) about TAB, the ASCII variant of Tablature. HWN},
 660   title = {how to read and write tab: a guide to tab notation},
 661   author = {Howard Wright},
 662   email={Howard.Wright@ed.ac.uk},
 663   url={http://www.guitartabs.cc/tabfaq.shtml},
 664 }
 665
 666 @Article {niff-web,
 667
 668   note = {Specs for NIFF, a reasonably comprehensive but binary
 669   format for notation HWN},
 670
 671   year =  {1995},
 672   title = {NIFF6a Notation Interchange File Format},
 673   author = {Cindy Grande},
 674   publisher={Grande Software Inc.},
 675   HTML= {http://www.jtauber.com/music/encoding/niff/},
 676   ftp = {ftp://blackbox.cartah.washington.edu}
 677 }
 678
 679 @Article {smdl-web,
 680   title = {SMDL, Standard Musical Description Language},
 681   pdf= {ftp://ftp.ornl.gov/pub/sgml/wg8/smdl/10743.pdf},
 682   number={ISO/IEC DIS 10743},
 683   year = {1992},
 684   annote = {SGML instance for describing music.  Very comprehensive in music
 685 definition, but no support for notation / performance whatsoever (They
 686 basically say: "You can embed a NIFF or MIDI file")}
 687 }
 688
 689
 690 @Article {rader96,
 691
 692   note = {Describes a system called MusicEase, and explains that it
 693   uses "constraints" (which go unexplained) to automatically position
 694   various elements. },
 695   html={http://mesastate.edu/~grader/ieeeme.pdf},
 696   year =  {1996},
 697   title = {Creating Printed Music Automatically},
 698   author = {Gary M. Rader},
 699   journal = {Computer},
 700   volume={29},
 701   number={6},
 702   month={June},
 703   pages = {61--69},
 704 }
 705
 706
 707 @MastersThesis{gall97:_creat,
 708   author =       {Lo\"ic Le Gall},
 709   title =        {Cr\'eation d'une police adapt\'ee \`a la notation musicale baroque},
 710   school = {\'Ecole Estienne},
 711   year = 1997,
 712 }
 713
 714 @TechReport{droettboom00:_study_notat_descr_languag,
 715   author =       {Michael Droettboom},
 716   title =        {Study of music Notation Description Languages},
 717   year =         2000,
 718   url= {http://gigue.peabody.jhu.edu/~mdboom/format.pdf},
 719
 720   note ={GUIDO and lilypond compared. LilyPond wins on practical
 721 issues as usability and availability of tools, GUIDO wins on
 722 implementation simplicity.}  }
 723
 724 @PhdThesis{gieseking01:_code_gener_noten,
 725   author =       {Martin Gieseking},
 726   title =        {Code-basierte Generierung interaktiver Notengraphik
 727
 728 },
 729   school =       {Universit\"at Osnabr\"uck},
 730   year =         2001,
 731   isbn = {ISBN 3-923486-30-8}
 732 }
 733
 734 @Book{hewlett01:_virtual_score,
 735   editor =       {Walter B. Hewlett and Eleanor Selfridge-Field},
 736   title =        {The Virtual Score; representation, retrieval and restoration},
 737   publisher =    {MIT Press},
 738 series = {Computing in Musicology},
 739   year =         2001
 740 }
 741
 742
 743
 744 @PhdThesis{renz02:_algor_guido,
 745   author =       {Kai Renz},
 746   title =        {Algorithms and data structures for a music notation system based on GUIDO music notation},
 747   school =       {Universit\"at Darmstadt},
 748   year =         2002
 749 }
 750
 751 @InBook{powell02:_music,
 752   author =       {Steven Powell},
 753   title =        {Music engraving today},
 754   publisher =    {Brichtmark},
 755   year =         2002,
 756
 757   note =         {A "How Steven uses Finale" manual.}
 758 }
 759
 760
 761 @InProceedings{nienhuys03:_lilyp,
 762   author =       {Han-Wen Nienhuys and Jan Nieuwenhuizen},
 763   title =        {LilyPond, a system for automated music engraving},
 764   booktitle =    {XIV Colloquium on Musical Informatics},
 765   year =         2003,
 766   pages = {167--172},
 767   address =      {Firenze},
 768   month =        {May}
 769 }
 770