lilypond-0.0.38
[lilypond.git] / input / scsii-menuetto.ly
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1 % scsii-menuetto.ly
3 % Solo Cello Suites
4 % J. S. Bach
6 % Suite II part v
7 % Menuetto I
9 % Copyright (c) 1995,1996,1997 Jan Nieuwenhuizen <jan@digicash.com>
11 % The purpose of this file is to demonstrate features of LilyPond.
12 % (there is an accompanying LaTeX file, scsii-menuetto.tex)
15 % \lefttitle{Menuetto}
16 % \tempo{Moderato}
17 % \metron{4=120}
19 % \meter{3/4}
20 % \key\F % key is F ( f-major )
21 % \clef\alto % use alto clef
22 % \duration8 % default duration is 'eight note
24 % \verb{\nobarnumbers} % issue MusiXTeX command
25 % \barnumbering0
26 % \slope{30} % Fool MusiXTeX into 30 / 10 steeper beam
27 % \stemlength3 % shorter stemlength
28 % % because piece is set very tightly
29 %%1 % double comments are included in .tex file
30 ii_menuetto = music {
31 $\clef"alto"
32 \key {bes}
33 \octave{}
34 \duration{8}
35 { a2 f2 d2_"\f" } bes4-. |
36 %%2
37 { [ bes^"1" e c_"2"_"4" }
38 % (^ )
39 a bes-. g-. ] a4-.^"4" |
40 %%3
41 % { d4 `bes4-.\stemup } stemup: 2 voices?
42 { d4 `bes4-. } g4-. [ f-. e-. ] |
43 %%4
44 % { f `a } (^ e ) d cis-. `b-. `a-. ]
45 % [ f ( e ) d cis-. `b-. `a-. ]
46 { [ f `a } e d cis-. `b-. `a-. ]
47 %%5
48 { a2 f2 d2 } bes4-. | % @bes4-. |
49 %%6
50 % { bes( e } ) a
51 { [ bes e } a bes-. g-. ]
52 'c4-. | % ='c4-. |
53 %%7
54 { a4-. f4}
55 % { 'd4-.-\upbow f4 `bes4\stemdown }
56 { 'd4-.-\upbow f4 `bes4 }
57 % { 'e4-.-\downbow g4 `g4\stemdown } |
58 { 'e4-.-\downbow g4 `g4 } |
59 %%8
60 % { 'cis2.-\upbow e2. `a2.\stemdown } :|:%%sorry!!
61 { 'cis2.-\upbow e2. `a2. } \bar ":|:"%%!! sorry!
62 %%9
63 \clef "violin"
64 % { 'e2 a2_f\stemdown }
65 { 'e2 a2_"\f" }
66 [ 'd( 'e16 )'f16 ] |
67 %%10
68 % [ { 'e( g } ) 'd 'cis_{ }_{ }_2 'e
69 { [ 'e g } 'd 'cis_"2" 'e a( )g ] |
70 %%11
71 % { a4\stemup( f2\stemdown } ) 'd4\stemup
72 % { 'cis4\stemup-. e4\stemdown }
73 { \multivoice \music {\stem{1} a4(\stem{1}) 'd4 'cis4-. } \music { \stem{-1} f2 e4 } } |
74 %%12
75 % { 'g^4 d\stemdown } (^ 'f 'e ) 'f 'd^3(^ ) ='c ] |
76 { [ 'g^"4" d } 'f 'e 'f 'd^"3"( ) 'c ] |
77 % %13
78 % { bes2\stemup g4\stemdown } ( ) f4
79 % { 'c4\stemup e4\stemdown }
80 % { bes2 g4 } f4 { 'c4 e4 } |
81 \clef "alto"%
82 { \multivoice
83 \music { \stem{1} bes2 'c4 }
84 \music { \stem{-1} g4(\stem{-1}) f4 e4 }% ugh
85 } |
86 %%%14
87 %% [ { a( f } ) g a f ] { 'd4-\upbow e4 `bes4\stemdown } |
88 { [ a f } g a f ] { 'd4-\upbow e4 `bes4 } |
89 %%%15
90 %% { 'c4-\downbow f4 `a4\stemdown } [ bes( )a g a ] |
91 % { 'c4-\downbow f4 `a4 } [ bes( )a g a ] |
92 %%%16
93 [ f( e )f a-. g-. bes-. ] |
94 %% \tighten % use one line less
95 %% \newline % start new line
96 %% |
97 %%%17
98 %% { a2^0^\tr fis2_3 } bes4 |
99 { a2^"0" fis2_"3" } bes4 |
100 %%%18
101 %% [ { 'c( es } ) bes 'c a ] fis4^\tr |
102 { \music{ [ 'c( )bes 'c a ] } \music{ [ es ] } } fis4 |
103 %%%19
104 { 'd4-\downbow g4 `bes4 } { 'c4-\upbow g4 c4 } { [ bes d } a ] |
105 %%%20
106 %% [ { 'c( d `g } bes a ) bes g ( ) bes ] |
107 { \music{ [ 'c( bes a )bes g( )bes ] } \music{ [ d ] } \music{ [ g ] } } |
108 %%%21
109 %% { 'd4\stemup g2\stemdown } (^ ) 'cis4\stemup { 'd4\stemup =f4\stemdown } |
110 { \multivoice \music {\stem{1} 'd4(\stem{1} ) 'cis4 'd4 } \music { \stem{-1} g2 f4 } } |
111 %%%22
112 %% [ { g( cis } )f g e ] { f4 d4 } |
113 { \music{ [ g( )f g e ] } \music{ [ cis ] } } { f4 d4 } |
114 %%%23
115 %% [ `g g ] { e4.\stemup^\tr `a4.\stemdown } d\stemup-\upbow |
116 [ `g g ] { e4. `a4. } d-\upbow |
117 %%%24
118 %% { d2.^{fine} `a2. `d2.\stemup_{ }_{ }_{3 mins.}} s4 :||
119 %% { \textstyle "italic" d2.^"fine" `a2. \textstyle "roman" `d2._"3 mins."} | % :||
120 { d2.^"fine" `a2. `d2._"3 mins."} \bar ":||"
121 %% \tighten % use one line less
125 score {
126 staff {
127 melodic music { ii_menuetto }
129 commands {
130 meter {3 * 4}
132 paper {
133 symboltables { table_sixteen }
134 width 195mm
135 unitspace 9mm % to get lily to use only three lines
136 geometric 1.4
137 output "scsii-menuetto.out"
139 midi {
140 tempo 4:120
141 output "scsii-menuetto.midi"