scores/etoilesanscouleur/piano.ly

   1 %-- Étoile sans couleur -- piano.ly -------------------------------%
   2 % (c) 2011 Valentin Villenave <valentin@villenave.net>
   3
   4 \language "italiano"
   5
   6 #(define quasiHarp
   7   (define-music-function (parser location x) (ly:music?)
   8 #{
   9   \override Stem #'stencil =
  10     #(lambda (grob)
  11        (let* ((x-parent (ly:grob-parent grob X))
  12               (is-rest? (ly:grob? (ly:grob-object x-parent 'rest))))
  13          (if is-rest?
  14              empty-stencil
  15              (ly:stencil-combine-at-edge
  16               (ly:stem::print grob)
  17               Y
  18               (- (ly:grob-property grob 'direction))
  19               (grob-interpret-markup grob
  20                 (markup
  21                   #:center-align ; #:fontsize -4
  22                   #:musicglyph "noteheads.s2cross"))
  23               -2.3))))
  24     $x
  25    \revert Stem #'stencil
  26 #}))
  27
  28 PianoMd = \relative do' {
  29   \partial 16 s16
  30   R1*7/16*4
  31   R2.*19
  32
  33   %%% 1 %%%
  34   \quasiHarp {
  35   r8 \acciaccatura {si16[^"simile" _"(gliss.)" do] \glissando} dod8\laissezVibrer
  36   r4 \t {r8 la''4\laissezVibrer} |
  37   \t {r8 sol \mg dod,,} \md fa'4\laissezVibrer r4
  38   R2.
  39   \t {r8 red'4\laissezVibrer} r4 r8 dod,,8\laissezVibrer |
  40   r4 sib'\laissezVibrer r |
  41
  42   %%% 2 %%%
  43   R2.
  44   \acciaccatura {sold16[-"(gliss.)" la]} sib2\laissezVibrer r4 |
  45   \acciaccatura {fad16[-"(simile)" sol]} sold2\laissezVibrer r4 |
  46   r4 \acciaccatura {mi16[ fa]} fad2\laissezVibrer |
  47   R2.*2
  48   r4 \acciaccatura {lad'16[ si]} do2\laissezVibrer |
  49   r4 \acciaccatura {dod16[ re]} red2\laissezVibrer |
  50   R2.*6
  51   r4 mi2\laissezVibrer
  52   R2.*4
  53   }
  54
  55   %%% 3 %%%
  56   r2 \ottava #1 r16 \t {la32 do fa} si8 |
  57   r8 sol16 do, \mg reb, \md fa' \mg do,, \md do'
  58   \tt {reb' \mg lab, mi, \md reb''' fa,} | \ottava #0
  59   \ttt {sol do, lab \mg mi, reb' \md lab'}
  60   \tt {\mg red,, mi, \md dod''' sib, \mg mi,,}
  61   \tt {\md la' si' \mg la,,, \md dod' sib'} |
  62   s4 <do, fa sol>2 <do fa sol>2. |
  63   <do fa sol>4 <do fa sol>2 <do fa sol> <do fa sol>4 |
  64   \pl {<do fa sol>4. <do fa sol>}
  65   {r4 \ottava #1 \t {si'16 red'' mi,,} \ottava #0 r8 r4} |
  66   \set tieWaitForNote = ##t
  67   \hideNotes \stemUp fa,16~ do~ sol'8~ \unHideNotes \stemNeutral <do, fa sol>2 |
  68   \set tieWaitForNote = ##f
  69   <do fa sol>4 <do fa sol>2 <lab do sol'>2. |
  70   <do fa sol>4 <do fa sol>2 <si re mi sol>2. |
  71   <do fa sol>4 <do fa sol>2 <si re mi sol> <si re mi sol>4 |
  72   <do fa sol>8 <si re mi sol>4 <do fa sol> s8 |
  73   \pl {<do fa sol>8 <si re mi sol>4.} {s4 \t {r8 <lab' sib reb> <fa sol>}}
  74   <fa, lab sib reb>8 <si re mi sol>~ |
  75   <si re mi sol> <si re mi sol> r2 |
  76   <si re mi sol>8 r r4 r8 s | \clef bass
  77
  78   %%% 4 %%%
  79   <si, re mi sol>2 r4 <si re mi sol>2. |
  80   <si re mi sol>4. <si re mi sol>8~ <si re mi sol>2
  81   <mi sol>16 <si sol'> <re sol>8 r <re mi sol>~ |
  82   <re mi sol>4 <si re mi sol>~ <si re mi sol>4.
  83   <red mi sib' dod>8~ <red mi sib' dod>2 |
  84   <si re mi sol>4. fa32 si re mi sol4
  85   <mi sol>16 <si sol'> <re mi sol>8~ <re mi sol> <lab sib reb>4. |
  86   <si re mi sol>4. <si sol'>16 <re mi sol> r4 <si re mi sol>2. |
  87   <sib do mib fa lab>4. <si re mi sol>8~ <si re mi sol>2 \clef treble
  88   <mi' do' fa sol>2 | \clef bass
  89   \acciaccatura <lad,, dod>8 <si re mi sol>1\laissezVibrer r2 |
  90   r \t {r4 do dod} \t {sold' mi dod'} |
  91   fa1\laissezVibrer r2 |
  92
  93   %%% 5 %%%
  94   R1. \clef treble r2 s1 s1.
  95   <si si'>16 <do do'>2... <si si'>8 <dod dod'>4.~ |
  96   <dod dod'>2. r4 <si si'>2 |
  97   <re re'>1.*1/3\laissezVibrer
  98   \t {mib,8 fad sol} \t {fad sol sib} \t {mib, fad sol} \t {fad sol sib} |
  99   \t {mib, fa sol} \t {mi fad sold} \t {sib re, mib} \t {fad dod re}
 100   \tt {mi do sol sib fad} | mi4 r
 101   <si'' si'>8 <do do'>2.. |
 102   <si si'>4 <dod dod'>2. <si si'>2*1/2 \ottava #1 \t {r8 dod' sold'} |
 103   \pl {r8 dod, \t {mi dod sold'}} <red red'>1.*1/3\laissezVibrer
 104   \tt {red'!8 dod, mi dod sold'} \tt {red' dod, mi dod sold'} |
 105   \tt {red' mi, sold mi lad} \tt {red fadd, lad sold si}
 106   \tt {red do mi, dod' sold'} |
 107
 108   %%% 6 %%%
 109 }
 110
 111
 112
 113 PianoMg = \relative do {
 114   \clef bass
 115   \partial 16 s16
 116   R1*7/16*4
 117   R2.*18
 118
 119   %%% 1 %%%
 120   \quasiHarp {
 121   fa,2.\laissezVibrer ^"cordes pincées" _"(con Ped.)"
 122   R2. s4 s2
 123   R2.
 124   r4 la\laissezVibrer r |
 125   R2.
 126   }
 127
 128   %%% 2 %%%
 129   R2.*19
 130
 131   %%% 3 %%%
 132   R2. \clef treble
 133   s2. s4 \clef bass s2 |
 134   \md \t {fa''16 do sol'} \mg mi,,8~ mi2 | mi2. |
 135   mi4 mi2 mi mi4 |
 136   mi4. mi |
 137   \md \stemDown fa''16 do sol' \mg \stemNeutral mi,,~ mi2 |
 138   mi4 mi2 <mi reb'>2. |
 139   mi4 mi2 fa2. |
 140   mi4 mi2 fa fa4 |
 141   mi8 fa4 mi \md \stemUp <lab' sib reb>32 sol \mg <sib, reb> fa | \stemNeutral
 142   mi8 fa4. fa4~ fa8 fa r2 |
 143   fa8 r r4 r8 \md \stemUp \ttt {sol''32 reb sib lab \mg reb, sib} | \stemNeutral
 144
 145   %%% 4 %%%
 146   \ottava #-1
 147   fa8 fa, fa fa fa fa fa fa fa fa fa fa |
 148   fa fa fa' fa, fa fa fa fa fa fa fa fa |
 149   fa mi' fa, fa fa fa fa fa fa fa solb' fa, |
 150   fa fa fa \t {lab16 sib reb} fa8 fa, fa fa fa fa fa fa |
 151   fa' fa, fa fa fa fa fa' fa, fa fa fa fa |
 152   mi' fa, fa fa' fa, mi fa fa fa fa fa fa |
 153   <fa fa'> <fa fa'> <fa fa'> <fa fa'>
 154   <fa fa'> <mi fa'> <mi fa'> <fa fa'>
 155   <fa fa'> <fa fa'> <fa fa'> <fa mi'> |
 156   <fa mi'> <fa mi'> <mi fa'> <mi fa'>
 157   <fa mi'> <mi fa'> <mi fa'> <mi fa'>
 158   <mi fa'> <mi fa'> <fa mi'> <fa mi'> |
 159   <fa mi'> fa fa' fa, fa fa mi fa fa fa fa fa |
 160
 161   %%% 5 %%%
 162   \ottava #0
 163   fa16 lab' sib dod re dod sib lab
 164   fa la si re mi re si la
 165   fa si re mi sol mi re si |
 166   \stemDown \tt {fa lab sib reb sol} sold la reb, sib
 167   \tt {fa sib reb mib lab} \md sol' reb sib lab
 168   \mg fa, si lab' \md sol' la' mib fad, \mg sol, |
 169   fa, re' lab' \md sib' la' do, fad, \mg mi, \stemNeutral
 170   \t {\tt {fa do' sol' \md sol' re'} la'4 \tt {\mg fa,,,16 dod' mi \md sib'' reb}} \tupletUp
 171   \t {la'4 \tupletDown \tttt {fa,,,16 si re lab \md fad' do' mib} sib'8 \mg fa,,,} | \tupletNeutral
 172   \t {mi,8 mi' red'} \t {sol lab red} \tt {sol red lab sol si,} \tt {mi, re' sol lab reb} |
 173   \tt {sol reb lab sol sib,} \tt {mi, re' fad sol la} si16 la sol fad sol fad mi dod |
 174   mib,8 sib' \t {si fad' sol} \t {re' si lad} \t {si lad fad} \t {re' si lad} \t {si lad fad} |
 175   \t {re' do sib} \t {si la sol} \t {fad si lad} \t {sol lad sol} \tt {fad sol red dod do} |
 176   \tt {mi, red' sol red lab'} \tt {si lab sol red do} \tt {mi, si' re fa lab} |
 177   \tt {si lab sol re sib} \tt {mi, si' fad' sol re'} \clef treble \t {la' sib fa'} do'4 | \clef bass
 178   <la,,,, la'>1.*1/3\laissezVibrer \clef treble
 179   \t {la''''4 mi dod} \t {sold' la mi,} |
 180   dod' sold' la2.\laissezVibrer r4 |
 181
 182   %%% 6 %%%
 183
 184 }