instruments/contrebasse.ly

   1 %------------------------------------------------------------------%
   2 % Opéra Libre -- contrebasse.ly                                    %
   3 %                                                                  %
   4 % (c) Valentin Villenave, 2008                                     %
   5 %                                                                  %
   6 %------------------------------------------------------------------%
   7
   8 \include "italiano.ly"
   9
  10 Contrebasse = {
  11   \set Staff.instrumentName = \markup { \hcenter-in #27.5 "Contrebasse  "}
  12   \set Staff.shortInstrumentName = "Ctrb.  "
  13   \set Staff.midiInstrument = "contrabass"
  14   \clef "F_8"
  15 }
  16
  17 PrologueContrebasse = { \Contrebasse
  18   \relative {
  19     %%% Introduction %%%
  20
  21     \partial 4 r4 R2.*3 R1 | mi,,,2 r8 mi' \t {mi mi mi}
  22     mi,2.~|mi2 r8 mi' \t {mi mi mi} | mi,2.~| mi4 \pizz mi |
  23     r8 mi \t {mi mi mi}| \arco mi2. ~ | mi4 \pizz mi |
  24     r8 mi \t {mi mi mi}| \arco mi2. ~ | mi4 mi'~| mi8 mi \t {re re re} |
  25     dod4 r2 | \t {\pizz dod4 re mi} sol4 r |
  26     \arco dod,2 r8 sol r dod r sol | dod4 dod sol8 dod~|
  27     dod4 r | sol dod sib8 dod~| dod sol dod4 | dod sol8 dod r sib |
  28     r dod4 sol8 | sib2~ sib2 r4 |
  29
  30     %%% Tempo giusto %%%
  31     re8 re' re, re' |
  32     re, re' re, re' |
  33     re, re' re, re' |
  34     re, re mib re | fa re lab' fa |
  35     sib lab si dod | dod, r r4 | R2
  36     re4 re re | lab2 r4 |
  37     re4. re | fad,2. mib' do |
  38     sib2 sol4~ sol mi'2 | re2.~ re4 r8 sol mi re |
  39     dod1~ dod4 r R2 R2-\fermataMarkup |
  40
  41     %%% Solo ténor %%%
  42     R1*2 R2. R1 R2. R1
  43     sol2~ sol~ sol~ sol~ sol2.~ sol~sol~ sol~
  44     sol2 r4 | \repeat tremolo 12 {sol32 lab} sol'2. R2.*4
  45     R4.
  46
  47     %%% Andantino %%%
  48     \pizz <sol lab>8\plak r4 | <sol lab>8 r4 | R4.*2
  49     <sol lab>8 r4 | <sol lab>8 r4 |
  50     <sol lab>8 r4 | <sol lab>8 r4 |
  51     R4.*6
  52     mi,4 r8 <sol sol'>4\plak r8 |
  53     mi4 r8 <sol sol'>4\plak r8 |
  54     red'4 r8 | <fad, fad'>4\plak r8 |
  55     red'4 r8 | <fad, fad'>4\plak r8 |
  56     mi4 r8 | <mi mi'>4\plak r8 |
  57     re'4 r8 \arco solb8 mib reb do4.~ do~ do4 r8 |
  58     solb'8 mib reb | do4.~ do~ do4 r8 |
  59     solb'8 mib reb | do4.~ do4 r8 |
  60     fad4 mib8~ mib dod4 |
  61
  62     %%% A tempo %%%
  63     re8 r4 | \pizz sold,8 si dod |
  64     re8 r4 | sold,8 si dod re fa sol |
  65     lab4 r8 | \arco lab4 fa8~ fa mib4 |
  66     re4.~ re~ re4 r8 |
  67     mib4 re8 fa,4.~ fa~ fa4 r8 |
  68     fa'4. re do si4.~ si4 r8 |
  69     sib4.~ sib~ sib~ sib4 r8 | R4.
  70     si8 sib lab |
  71     fa4.~ fa~ fa8 r4 | R4.*3
  72     fa8 fa fa fa4.:8 fa4 r8 r16 fad' fad fad |
  73     re4 mib re | fa8. lab fa8 mib re | do2 mib4 |
  74
  75     %%% Adagio %%%
  76     la,1~\CaV la~\CaV la\CaV |
  77     sib1~ sib1.~ sib4 r r1 |
  78     la1~\CaV la\CaV
  79     sib~ sib1.~ sib4 r r1 |
  80     la1~\CaV la\CaV sib2. |
  81
  82     %%% Valse %%%
  83     sol2.~ sol4 r dod~ | dod2 r4 |
  84     sol2 r4 | dod2 r4 | sol2 r4 |
  85     \pizz sib4 r <mi, mi'>\plak r | sol4 r2
  86     R2 R2.*2 R1
  87     r4 \arco do2 r4 | fad,2 r4 | do'2 r4 | fad,2 r4 |
  88     do'2 r4 | \pizz fad,4 r2 | <mi mi'>4\plak r | <sol sol'>\plak r |
  89     \arco do1 do4 do4. sold8 |
  90
  91     %%% Vivo al fine %%%
  92     <re' re>8 lab' sib fa <re re> sib' dod sold |
  93     <re re> lab' sib fa <re re> sib' dod sold |
  94     <re re> dod mi fad <re re> fa lab <re, re> |
  95     sol sib <re, re> lab' si <re, re'> la' mib |
  96     re4 <re mib'> <re dod'> <re mib'> |
  97     <re dod'> <re mib'> <re dod'> <re mib'> |
  98     <re re'> re re re |
  99     re re re re re re' re, re' re, r |
 100     \pizz re r re r R2*9
 101     r4 mi,
 102   }
 103 }
 104
 105 ActeUnSceneUnContrebasse = { \Contrebasse
 106   \relative {
 107   }
 108 }
 109
 110 ActeUnSceneUnBisContrebasse = { \Contrebasse
 111   \relative {
 112     dod,,2.
 113     <dod sold'>~<dod sold'>2 r4 |
 114     sib16 lab si sol sib lab si sol sib lab si sol |
 115     dod re mi sol dod,8 r dod16 re mi sol |
 116     dod,re mi sib sol la sib mi dod re mi sol, |
 117     lab8 lab16 lab fa8 fa'16 fa mib8 mib16 mib |
 118
 119     %%% Piu vivo %%%
 120     re4 r r8 do sol la | fad2 \t {sol8 la do} |
 121     re4 r r8 mib lab, fa| sib4. lab |
 122     sol2.~sol~ sol4 r reb' | sol2. |
 123     R2. r4 reb'2~ reb4. r8\fermata r4 |
 124     R2. r4 reb2~reb~reb8 r\fermata r4 | r2 r4 fad,, sol la |
 125
 126     %%% Largo %%%
 127     do2 do~ do~ do2.~
 128     do2~ do2.~ do2~ do2.~
 129     do4 do2 do4 r r2 |
 130     R1 R2. R2 R1 R2.*2 R2*2 R2. R2*3 R2. R1 R2.
 131     R2*3 R2.*3
 132
 133     %%% Adagio %%%
 134     R1*9
 135     r2 r4 r8 <\parenthesize sol' si''>~\CaV |
 136     si''1~\CaV si2.\CaV r4 |
 137     R1 sib,,8 lab si sol~sol2~ |
 138     sol4 sib sol2~
 139     sol4 sol, fa sold |
 140     mi1~mi~mi~mi2 r | R1*13
 141     R2 \pizz re''4 sold, fa r
 142     r \arco dod
 143   }
 144 }
 145
 146 InterludeUnContrebasse = { \Contrebasse
 147   \relative {
 148     R1. R1*3 R1. R1 R1.*2 R1*2
 149     la,4\CaV r r1 \clef "G_8"
 150     la'1 si2 do1~ do4 r2 | R2 \clef "F_8"
 151     r2 \ttt {r16 fad,, red dod sib do} |
 152     sol1~ sol2 sol8 do sib dod |
 153     sol1 r8 dod4. | sol8 sol' sol, sol' sol, sol' sol, sol' |
 154     sol, sol' sol, sol' sol, dod dod dod |
 155     sol16 sol sol' sol sol, sol sol' sol
 156     sol, sol sol' sol sol, sol sol' sol
 157     sol, sol sol sol sol sol sol sol |
 158     sol sol sol sol sol sol sol sol dod dod dod dod \t {r8 mib reb} |
 159     fad,2. sol2 r4 | R2.*4
 160     si2.~ si~ si~ si~ si8 sib4 lab si8 |
 161     sol'2.~ sol~ sol~ sol~ R2.*2
 162   }
 163 }
 164
 165 ActeUnSceneDeuxContrebasse = { \Contrebasse
 166   \relative {
 167     %%% Air de la Soprano2 %%%
 168
 169     \repeat unfold 9 {R2.*2 R1*2}
 170     R2. | r4 dod,, r |
 171     sol1~  sol~ | sol2.~  sol4 r2 | sol1~ sol2.  r4 |R2.*2 |
 172     sold1~ sold~| sold2.~ sold~   |sold1~ sold2. r4 |
 173     \repeat unfold 7 {R2.*2 R1*2} R2.*2 R1 R1-\fermataMarkup |
 174
 175     %%% Récitatif %%%
 176
 177     R2.*2 R1 R2.*3 R1 R2.*6 R2 R2. R1*2 R2.*5 R1 |
 178
 179     %%% Duo %%%
 180
 181     \pizz re'4
 182     \repeat unfold 16 re
 183     \repeat unfold 7  reb
 184     \repeat unfold 4  si
 185     \repeat unfold 4  sib r |
 186     \arco sol lab8 sib |
 187     reb4 dob sib | dob sib lab sib |
 188     dob sib lab fa | dob' r8 sib r4 |
 189     mi,2.~| mi r4| mi'1 | reb2.~|reb~|reb4 r2 | R1 |
 190
 191     %%% Piu vivo %%%
 192     sol,2.~ | sol1~ sol2 r4 | R2.
 193     sol2 sol4 sol dod4. dod8 dod dod |
 194     sol2 r8 sol sol sol | dod4. dod8 \t {dod dod dod} |
 195     sol4 sol2 r4 |
 196     dod4 r8 sib lab si |
 197     sol4 sol sol sol r2 | sol4 sol sol si r2 |
 198     sib4 sib sib | re r2 | re4 re re re r2 | re4 re re re r2 re4 re re |
 199     dod r2 dod4 dod dod fa,1~ fa2 r4 si~ | si8 do4. dod2 |
 200
 201     %%% Tempo giusto %%%
 202     \pizz re4 re re re re re re re |
 203     dod dod dod dod si si si si | si r r2 |
 204     \arco <sol sol'>2 r4 |
 205     \repeat unfold 16 sol8 |
 206     sol r r2 | r4 \t { re'8 si do} |
 207     \repeat unfold 14 sold |
 208     sold r r sold fad la |
 209     fa2~fa4. fa8 |
 210     fa2~ fa |
 211     r8 la sol sib |
 212     fad2~ fad2. \pizz la'8\CaV r r2
 213     R1 R2.*3 R2 R2. R1*4
 214   }
 215 }
 216
 217 ActeUnSceneTroisContrebasse = { \Contrebasse
 218   \relative {
 219     R2.*4 do,,2.\upbow ~ do~ do do4 r2 | R2.*3
 220     si2. sib2.:32 si2. sib2.:32 si2. dod2.:32~dod:~dod4 r
 221     \pizz sold si r2
 222     \arco sib2.~sib~sib~sib2 r4 |
 223
 224     %%% Lamento %%%
 225     r2 r4 \pizz re si dod \arco sib2 re4 r r2 | reb fa4 r r2 |
 226     sib,re4 r r2 reb fa4 r r2 | sib,re4 r r2 | reb fa4 r2 |
 227     sib,reb4 r2 | re fa4 r2 sib,reb4 r2 sib si4 r2 |
 228     mi,2 sol4 r | sold2 si4 r |
 229     mi,2 sol4 r | si2 fa'4 r |
 230     reb2 reb4 reb4. reb8 reb reb reb4 reb8 reb r4 | R2*2
 231
 232     %%% Tempo I %%%
 233     R2.*3
 234     << {mi2.~mi~mi~mi~mi~mi~mi4}\\
 235     {s2.*2 mi,4-+ s2 mi4-+ s2 mi4-+ r mi-+
 236     mi-+ r mi-+ mi-+}>> r8 mi' \t {mi mi mi} sold4 r2 |
 237     R2.*3
 238
 239     %%% Tempo II %%%
 240     R1. do,~ do~ do~do~do2 r1 | r2 r4 do r | R1 R2. R2
 241   }
 242 }
 243
 244 ActeUnSceneTroisBisContrebasse = { \Contrebasse
 245   \relative {
 246     R1*3 r4 sol2\CaV r4 R1*2 r4 sol2\CaV r4 |
 247     R1 r2 re,4 la8 si fad4 r r2 | R1*8
 248     fad1~fad~fad2. r4 | R1*2 %%FIXME: harmonics
 249     \pizz <re' la'\harmonic>4 r <re sol\harmonic> r
 250     \arco <re fad\harmonic>1~<re fad\harmonic>2. r4 \clef "G_8" |
 251     \simile fad''4\CaV r fad\CaV r
 252     fad\CaV r fad\CaV r
 253     fad\CaV r fad\CaV r
 254     fad\CaV r fad\CaV r
 255     fad\CaV r fad\CaV r
 256     fad\CaV r fad\CaV r
 257     fad\CaV r fad\CaV r
 258     fad\CaV r fad\CaV r |
 259     \ordin fad\glissando red8 r red4\glissando do8 r |
 260     sib\glissando sol16 r sol8\glissando mi16 r mi8\glissando dod16 r \clef "F_8" |
 261     re,1~re~re
 262     <fa dod'>4\upbow  \ind #"pizz. du pouce" re\thumbpizz r2
 263     <fa dod'>4\upbow \simile re\thumbpizz r2
 264     <fa dod'>4\upbow re\thumbpizz <fa dod'>\upbow re\thumbpizz
 265     <fa dod'>\upbow re\thumbpizz <fa dod'>\upbow re\thumbpizz
 266     <fa dod'>\upbow re\thumbpizz <fa dod'>\upbow re\thumbpizz
 267     <fa dod'>\upbow re\thumbpizz <fa dod'>\downbow <la, fa'> |
 268     fad1~fad~fad~fad~fad~fad~fad2. r4 |
 269     R1*7
 270     <re' fad\harmonic>1~<re fad\harmonic>~<re fad\harmonic>4
 271     r4 \ordin fad2~fad1~fad4 r r2 |
 272     sol1 fad~fad~fad~fad~fad~fad\fermata
 273   }
 274 }
 275
 276 ActeUnSceneTroisTerContrebasse = { \Contrebasse
 277   \relative {
 278     R2*3 R2. R2*2 R2.*7
 279     \pizz mib,,4 r r2
 280     mi4 r fa r |
 281     re'8 sol, do fad, lad si sol sold |
 282     la fad sib sol lab reb sol, si |
 283     do lab la sib sol si lab la |
 284     re lab do reb la sib mib la, |
 285     dod re sib si do dod |
 286
 287     %%% Poco meno %%%
 288     re4 r2 R2.*2
 289     \arco re'2.~\CaV re~\CaV re~\CaV re~\CaV re4\CaV r2 |
 290     re2.~\CaV re~\CaV re4\CaV r2 |
 291     <re, sol\harmonic re''>2.~\CaV
 292     <re sol\harmonic re''>~\CaV
 293     <re sol\harmonic re''>~\CaV
 294     <re sol\harmonic re''>~\CaV
 295     <re sol\harmonic re''>2\CaV r4
 296     <re sol\harmonic re''>2.:32~\CaV
 297     <re sol\harmonic re''>8\CaV r r2
 298     \pizz fa4 r2 R2.*2
 299     fa,4 r2 R2.*2
 300     dod'4 r2 R2.*2
 301     dod4 r2 R2.
 302     r8 \arco mi fa sold fa mi |
 303     la,2.~\CaV la~\CaV la2\CaV r4 |
 304     <la la'>2.~ <la la'>~<la la'>4 r8 \pizz la' r4 |
 305     sold r8 si r16 fad8. | fa4 do r |
 306     mib r sib | la r8 la' sol, sol' sib, sib' |
 307     \arco fad,2.~fad~fad2 r4 |
 308     fad2.~fad~ fad2 r4 |
 309     fa2.~fa~fa4 dod'2 |
 310     fa2.~fa~fa4 la2 |
 311     dod,2.~dod~dod4 la'2 |
 312     dod,2.~dod~dod4 fa2 |
 313     la,2.~la~la~la2 r4 |
 314     la'2.\CaV la,4-+ r2 | R2.*13
 315   }
 316 }
 317
 318 InterludeTroisContrebasse = { \Contrebasse
 319   \relative {
 320     sol,,4\upbow mi\thumbpizz r2 | sol4\upbow mi\thumbpizz r |
 321     sol8\upbow mi\thumbpizz sol\upbow mi\thumbpizz
 322     sol\upbow mi\thumbpizz \pizz sol lab |
 323     \arco sol\upbow mi\thumbpizz sol\upbow mi\thumbpizz
 324     \pizz sol lab |
 325     \simile sol mi sol mi sol mi sol lab |
 326     sol mi sol mi sol lab |
 327     sol mi sol mi sol mi sol lab |
 328     sol mi sol mi sol r |
 329     r \arco mi r mi r mi sol lab |
 330     r mi r mi sol mi |
 331     r mi r mi sol lab |
 332     r mi sol mi |
 333     r <mi mi'> r <mi mi'> r <mi mi'> |
 334     r <mi mi'> r <mi mi'> |
 335     r <mi mi'> r <mi mi'> |
 336     r <mi sol'> r <mi sol'> |
 337     sol16 mi sol lab si lab si do |
 338     mib do mib mi sol mi sol lab |
 339     sol8 re sol re la8 r r4 |
 340   }
 341 }
 342
 343 ActeUnSceneQuatreContrebasse = { \Contrebasse
 344   \relative {
 345     \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
 346     R2-\fermataMarkup
 347     R1 R2. R1*2 R1. R1*2 R1. R1*2
 348
 349     %%% Agitato %%%
 350     \pizz la,4 r2 | la,4 r2 | do4 r2 | do4 r2 |
 351     R2. la'2~la4\glissando do2. | mi4 r
 352     sold,,~\upbow | sold dod si | re r2 |
 353     re4 r r16 la' la la | re,4 r2 | re4 r r16 la la la |
 354     re4 r8 re' fad, si |
 355     mib,4 r8 reb4 sol8 | do,4 r8 fa la, re |
 356     fad,4 r8 la4 mib'8 | lab4 r8 la reb, solb |
 357     sib,4 r8 sib4 sib8 | mi4 r8 mi, \t {mi mi mi} |
 358     mi4 mi mi | mi4 r2 |
 359     mi'4 r8 mi, \t {mi mi mi} | mi4 r2 |
 360     mi'4 mi sib8 mi~ | mi2 re4~ | re fa2 |
 361     dod2~dod8 r r4 | R2. R1 R2. R2 R2. R2 R2. R2 R2.
 362
 363     %%% Placando assai %%%
 364     dod2. dod4 sol2. r4 | dod2. dod4 sol2. r4 |
 365     dod2 re mib mi2.~mi2. r4 |
 366
 367     %%% Andante a piacere %%%
 368     \pizz fa,4 r r2 r reb'4 r |
 369     fa, r r2 r reb'4 r |
 370     \arco fa,1~ fa2 reb fa1~ fa2 reb |
 371     sol2. r4 r8 dod4 sol dod8 |
 372     sol2. r4 r8 dod4 sol sol8 |
 373     dod8 r r4 r2 |
 374     sol1~sol~sol~sol~sol~sol2. r4 |
 375     R2*3 R2.*6
 376
 377     %%% A tempo %%%
 378     do4 r8 fad,4 do' fad,8 |
 379     do'4 r8 fad,4 do' fad,8 |
 380     do'4 do r8 fad, r4 |
 381     R1
 382     \pizz la16 fad' sold8 dod,16 sib do8 fa16 re mi,8 |
 383     la4 r4 r2 | r4 la4 sol'8 re dod4 si8 fad fa4 mib'8 sib |
 384     la4 r2 | r16 re,8. r4 r2 |
 385     R2. \arco sol2~sol8 sol \t {sol sol sol} | sol2 r8 dod4. |
 386     sol2 r4 sol sol sol fa2 fa4 fa~ \t {fa8 fa4~} \t {fa fa8~} fa4 |
 387     r fa~fa8 mib' \t {mib mib fad} |
 388
 389     re2.~ re8 r4 | sold,2 si4~si8 dod4 |
 390     re2~ re8 r4 | la4. sib8~sib8. do16~do4 |
 391     mib2~ mib8 r4 | si2~si8 do~do16 re8. |
 392     fa,2~fa4 r8 | fa2~fa | R2 R4. R2.
 393     re'4\CaV r r re | re re re re re re re re |
 394     re re re re re re re re |
 395     re' <re, re'> re' <re, re'> re' <re, re'> re' <re, re'> |
 396     re'8 re <re, re'> re re' re <re, re'> re |
 397     re'16\CaV re re re re re re re re re re re re re re re |
 398     re4\CaV re,-+ re'\CaV re,-+ \pizz <re re'> r r2 |
 399     R1 R2 R2.*2 R2 R1
 400
 401     %%% Piu lento %%%
 402     r2 \clef "G_8" \arco si''?4~si2 r4 | R2.
 403     r2 si4~si2 r4 |
 404     r2 si4~si2 r4 |
 405     r2 si4~si2 r4 |
 406     r2 do4~do2 r4 | R2.
 407     r2 re4~re2 r4 |
 408     r2 mib4~mib2 r4 |
 409     r2 mib4~mib2 r4 | R2. \clef "F_8"
 410     r4 \pizz si,? r r re, r |
 411
 412     %%% Stesso tempo %%%
 413     la4 r r2 r8 mi4. | la4 r r2 |
 414     la4 r r do r mi, | la4 r r2 |
 415     la4 re dod fad fa sib, | la4 r r2 | R1. R1 R1. R1
 416     la8 do sib4 fa'8 sold, fad4 dod'8 mi re4 |
 417     la8 sol re'4 dod8 si fad'4 fa8 mib sib4 |
 418     la8 fad sold4 dod8 sib do4 fa8 re mi4 |
 419     la,8 si mi,4 fa'8 sol do,4 reb8 mib lab,4 |
 420     la8 do sib4 dod8 si fad4 fa'8 re mi,4 |
 421     la r r2 | R1. \arco do1~ do1. do4 r \pizz sib reb |
 422     la8 fad sold4 dod8 sib do4 fa,8 re' mi,4 |
 423     la8 si mi,4 fa8 sol do4 reb8 mib lab,4 |
 424     la8 do sib4 fa8 lab solb4 dod8 mi, re'4 |
 425     la8 sol' re4 dod8 si fad4 fa'8 mib sib4 |
 426     la8 fad' sold4 fa8 sol do,4 dod8 mi, re' sol |
 427     la,4 r r2 R1. R1
 428   }
 429 }
 430
 431 EntracteContrebasse = { \Contrebasse
 432   \relative {
 433     sold,,2~ sold sold~ sold |
 434     sold~ sold sold sold sold4 r8 \t {sold16 dod si} |
 435   }
 436 }
 437
 438 ActeDeuxSceneUnContrebasse = { \Contrebasse
 439   \relative {
 440     R2.*4 R2 R2.*2 R2 |
 441     r4 sol2~\CaV sol2.~\CaV sol2.~\CaV sol4\CaV r |
 442     R2. R2 | R2.*2 R2 |
 443     r4 sold2~ sold2.~ sold2.~ sold4 r |
 444     R2. R2 | R2.*2 R2 | R2.*2 | R2. \clef "G_8" |
 445     \ttt { mi8[ mi16 mi mi mi] } \ttt { mi[ mi mi mi mi mi] }|
 446
 447     %%% Entrée de la Soprano Deux %%%
 448     R2.*2 r4 \ttt {dod'8 dod16 dod dod dod} dod8 r r4 |
 449     r2 \ttt {fa,8 fa16 fa fa fa} \clef "F_8" |
 450     R1 \pizz fa,,4 fa' r R2 mi,4 mi' r R1 |
 451
 452     %%% Andantino %%%
 453     sib4 r r2 R1 R2. mi4 r2 R2.*2 R2 \clef "G_8"
 454     \arco <re''mi>2.~\CaV <re mi>~\CaV <re mi>~\CaV <re mi>2\CaV r4 |
 455     <re mi>\CaV r <re mi>\CaV | r <re mi>\CaV r <re mi>\CaV |
 456     r <re mi>\CaV r | R2 \clef "F_8" |
 457     fad,,4 dod' sid8 sold fad1~ fad2 r4 |
 458     r8 fad fad, do''! fad,4 fad, | fad'2.~ fad2 fad,4\thumbpizz r |
 459     R2. R1 fad'2.~ fad2. r4 | R2. fad1~ fad2 r4 |
 460     fad,1 fa2.~ fa2. r4 | fad2.~ fad1 fa2.~ fa2. r4 |
 461     fad2.~ fad2. r4 |
 462
 463     %%% Entrée de la Contralto %%%
 464     R2. R1 R2. R1
 465     R2. R1 R2. R1 do'2.~ do2. r4 | r do2~ |
 466     r4 do2. | dod2.~ dod2. r4 | do2 r4 | R1
 467     fad2. fa2. r4 | fad2. fa2. r4 |
 468     fad2. sol2.~ sol4 r \pizz fa |
 469     sib, r2 si4 r2 sib4 r2 si4 r2 | mi4 r2 |
 470     \arco mib2.~ mib2 r4 | R1 R2.
 471     R1 R2. R1 \pizz lab4 r2 la4 r r2 | lab4 r2 |
 472     sol4 r r2 | R2. r4 \arco lab sol fa |
 473     re2.~ re1~ re4 r2 R2 |
 474     R1 R2. R1 R2. R1 R2. R1
 475   }
 476 }
 477
 478 ActeDeuxSceneUnBisContrebasse = { \Contrebasse
 479   \relative {
 480     R1 R2. R2 \clef "G_8"
 481
 482     %%% Presto agitato %%%
 483     <sol, do\harmonic sol''>1*5/4~
 484     \simile sol''~\CaV sol~\CaV sol~\CaV sol2.\CaV r2 |
 485     R1*5/4 <sol,,sib\harmonic re''>1*5/4~
 486     <sol sib\harmonic re''>2. r2 \clef "F_8" |
 487     R1*5/4*7
 488     sib,1*5/4~ sib~ sib2. r2 |
 489     dod2 re mi4 sol1*5/4~ sol2. r2 |
 490     <re do'>4 r2 <re do'>4 r | <re do'> r <re do'> r2 |
 491     <re do'>4 r r8 <re do'> r2 | <fa' sol>4 r1 |
 492     R1*5/4*3
 493     sol,,8 mi sol mi sol mi sol mi sol lab |
 494     sol mi sol mi sol mi sol mi sol lab |
 495     sol mi sol mi sol mi sol mi sol lab |
 496     sol mi sol mi sol mi sol mi sol lab |
 497     sol mi sol mi sol mi sol mi sol lab |
 498     sol mi sol mi sol mi sol mi sol lab |
 499     sol mi sol mi sol mi sol mi sol lab |
 500     sol mi sol mi sol mi sol mi sol lab |
 501     sol mi sol mi sol mi sol mi sol lab |
 502     sol mi sol mi sol mi sol mi sol4 |
 503     lab4 r2 lab4 r | lab r lab r2 |
 504     lab4 r r8 lab r2 | do4 r1 |
 505     R1*5/4 <mi,red'>4 r1 | R1*5/4-\fermataMarkup |
 506
 507     %%% Boum %%%
 508   }
 509 }
 510
 511 ActeDeuxSceneDeuxContrebasse = { \Contrebasse
 512   \relative {
 513     R1.*6 R1*2 R2.
 514     re,,8 r r16 re fa8 r16 fad8. |
 515     re8 re16 re re re re re re8 mib |
 516     re fa mib lab fa si lab lab, sib mi si fa' |
 517     re1.~ re1 r2 |
 518     R1. R1*2 R2.
 519     si8 r r16 si8 re16 r red8. r16 si re red |
 520     R4. si4 r r8 \pizz sold4. |
 521     <si si'>4\plak r8 sold r sol r4 |
 522     <si si'>4\plak r8 si r si r4 |
 523     <si si'>4\plak r8 si r si r4 |
 524     <si si'>4\plak r8 si r si r4 |
 525     <si si'>4\plak r8 si r \arco si la do |
 526     sold2.~ sold1 r2 | R1*2
 527
 528     \pizz fa4 r2 fa4 r2 fa4 r2 fa4 r |
 529     fa' r red <mi, mi'>\plak r2 mi'4 r2 |
 530     do4 r |
 531     r16 \arco la fad sol fa lab |
 532     <mi mi'>4 r r8 \pl sol sol'\leftpizz r4 |
 533     <mi, mi'>4 r8 sol r sold r4 |
 534     <mi mi'>4 r8 mi' r mi r4 |
 535     <mi,mi'>4 r8 mi' r mi r4 |
 536     <mi,mi'>4 r8 mi' r r16 la, fad sol fa lab |
 537     mi8 mi' r dod | <mi, mi'>4 dod'8 do |
 538     <mi, mi'>8 mi' mi, mi' |
 539     r16 sib la do dod sol fa lab |
 540     mi8 mi' r4 | \t {mi re fa} |
 541     dod1~ dod2 r4 |
 542
 543     dod1 r4 dod | sol2. r4 |
 544     dod1 r4 dod | sol1.~ sol2 r4 | R1 \clef "G_8"
 545     la'''2.~\CaV la1~\CaV la2.~\CaV la1~\CaV la2.~\CaV la1~\CaV la2.~\CaV |
 546     la1~\CaV la2.~\CaV la1~\CaV la2.~\CaV la1~\CaV la2.~\CaV la1~\CaV |
 547     la4\CaV r2 \clef "F_8" | R1 R2. R1 R2. R1 R2.
 548     <la,,,la'>2~ la~ <la la'>~ la2.~ <la la'>2~ la~ la1~ la2. r4 |
 549
 550     <la sold'>4 r r8 | <la la'>8 <la la'> <la sold'> r4 |
 551     la8 la sold r4   | <la la'>8 <la la'> <la sold'> r4 |
 552     <la sold'>4 r r8 | sold4 sold r8 | la4 r r8 |
 553     <la sold'>4 r mib'8 | mib re r4 r8 | <re sold>4 <re sold> r8 |
 554     <mib la>4 r r8 | mi8 mi fa r4 | r8 fad4 fad sol r r8 |
 555
 556     R1*2 si,4 r r2 | r4 \pizz mi fa r r dod mi r | R1
 557     \arco <mi, mi'>2~ mi8 mi mi4 |
 558     <mi mi'>2~ mi8 mi mi4 |
 559     <mi mi'>2~ mi8 mi mi4 |
 560     \pl mi4_\thumbpizz mi'^\leftpizz r2 | \pizz re4 r |
 561     R1*2 R2.*4 r4 sib' r r fad r | R2.
 562     \pizz <la, la'>4\plak mib' sold re |
 563     dod' sol do | fa, si mi, |
 564     mib la, re sold, |
 565     dod sol do fad, | fa' mi <re sib'>\arpeggio <re sib'>\arpeggio |
 566     \simile <re sib'> <re sib'> |
 567     <re sib'> <re sib'> |
 568     <re sib'> <re sib'> |
 569     dod sol do fad, | si fa sib mi, |
 570     R2 r8 \arco la16 la sold8 r | R2
 571     \pizz <re'sib'>4 <re sib'> |
 572     <re sib'> sold re r | R2*6 \clef "G_8"
 573
 574     la''2.~\CaV la2.~\CaV la2.~\CaV la2.~\CaV la2.~\CaV la2.~\CaV la2\CaV r4 |
 575     R2.*9
 576   }
 577 }