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[opera_libre.git] / instruments / contrebasse.ly
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1 %------------------------------------------------------------------%
2 % Opéra Libre -- contrebasse.ly %
3 % %
4 % (c) Valentin Villenave, 2008 %
5 % %
6 %------------------------------------------------------------------%
8 \include "italiano.ly"
10 Contrebasse = {
11 #(make-instrument-name 'double-bass "contrabass" 27.5)
12 \clef "F_8"
15 PrologueContrebasse = { \Contrebasse
16 \relative {
17 %%% Introduction %%%
19 \partial 4 r4 R2.*3 R1 | mi,,,2\f r8 mi'-- \t {mi--( mi-- mi--)}
20 mi,2.~|mi2 r8 mi'-- \t {mi--( mi-- mi--)} | mi,2.~\mp| mi4 \pizz mi |
21 r8 mi--\mf\> \t {mi-- mi-- mi--}| \arco mi2.\mp ~ | mi4 \pizz mi |
22 r8 mi \t {mi mi mi}| \arco mi2. ~ | mi4 mi'~| mi8 mi\< \t {re--( re-- re--)} |
23 dod4--->\f r2 | \t {\pizz dod4--\mf re-- mi--} sol4-- r |
24 \arco dod,2--->\f r8 sol-. r dod-. r sol-. | dod4---> dod---> sol8-. dod~--->|
25 dod4 r | sol-- dod-- sib8-. dod~--| dod sol-. dod4-- | dod-- sol8-. dod-. r sib-. |
26 r dod4\>( sol8) | sib2~--\p sib2 r4 |
28 %%% Tempo giusto %%%
29 re8\sfz re'-. re,-. re'-. |
30 re,-. re'-. re,-. re'-. |
31 re,-. re'-. re,-. re'-. |
32 re,-- re mib re | fa re lab' fa |
33 sib lab si dod | dod, r r4 | R2
34 re4--\f re-- re-- | lab2-- r4 |
35 re4.-- re-- | fad,2.\mp mib' do |
36 sib2\< sol4~ sol mi'2 | \ten re2.~\f re4 r8 sol--\ff mi-- re-- |
37 \ten dod1~---> dod4 r R2 R2-\fermataMarkup |
39 %%% Solo ténor %%%
40 R1*2 R2. R1 R2. R1
41 sol2~\pp sol~ sol~ sol~ sol2.~ sol~sol~ sol~
42 sol2 r4 | \repeat tremolo 12 {sol32\p\<( lab\!} sol'2.) R2.*4
43 R4.
45 %%% Andantino %%%
46 \pizz <sol lab>8\p\plak r4 | <sol lab>8 r4 | R4.*2
47 <sol lab>8 r4 | <sol lab>8 r4 |
48 <sol lab>8 r4 | <sol lab>8 r4 |
49 R4.*6
50 mi,4\p r8 <sol sol'>4\plak r8 |
51 mi4 r8 <sol sol'>4\plak r8 |
52 red'4 r8 | <fad, fad'>4\plak r8 |
53 red'4 r8 | <fad, fad'>4\plak r8 |
54 mi4 r8 | <mi mi'>4\plak r8 |
55 re'4 r8 \arco solb8\>( mib reb) \ten do4.~\pp do~ do4 r8 |
56 solb'8( mib reb) | do4.~ do~ do4 r8 |
57 solb'8( mib reb) | do4.~ do4 r8 |
58 fad4\< mib8~ mib dod4 |
60 %%% A tempo %%%
61 re8\sfz r4 | \pizz sold,8--\mf( si-- dod--) |
62 re8\sfz r4 | sold,8\mf( si dod) re( fa sol) |
63 lab4-- r8 | \arco lab4--->\f fa8~---> fa mib4---> |
64 \ten re4.~---> re~ re4 r8 |
65 mib4( re8) \ten fa,4.~ fa~ fa4 r8 |
66 fa'4.\mf re\< do si4.~\fmolto si4 r8 |
67 \ten sib4.~ sib~ sib~ sib4 r8 | R4.
68 si8--\f\>( sib-- lab--) |
69 fa4.~\mp fa~ fa8 r4 | R4.*3
70 fa8\pp fa fa fa4.:8 fa4---> r8 r16 fad'\mf fad fad |
71 re4--\f mib-- re-- | fa8.--( lab--) fa8--\>( mib-- re--) | do2\mf mib4--\> |
73 %%% Adagio %%%
74 la,1~\p\CaV la~\CaV la\CaV |
75 sib1~\p sib1.~ sib4 r r1 |
76 la1~\CaV la\CaV
77 sib~\p sib1.~\pp sib4 r r1 |
78 la1~\CaV la\CaV sib2.\p |
80 %%% Valse %%%
81 sol2.~\pp sol4 r dod~-- | dod2 r4 |
82 sol2-- r4 | dod2-- r4 | sol2-- r4 |
83 \pizz sib4 r <mi, mi'>\plak r | sol4 r2
84 R2 R2.*2 R1
85 r4 \arco do2--\pp r4 | fad,2-- r4 | do'2-- r4 | fad,2-- r4 |
86 do'2-- r4 | \pizz fad,4 r2 | <mi mi'>4\plak r | <sol sol'>\plak r |
87 \arco do1\mf do4 do4. sold8 |
89 %%% Vivo al fine %%%
90 <re' re>8\sfz lab'-. sib-. fa-.
91 <re re>-> sib'-. dod-. sold-. |
92 <re re>-> lab' sib fa
93 <re re>-> sib' dod sold |
94 <re re>-> dod mi fad
95 <re re>-> fa lab <re, re>-> |
96 sol sib <re, re>-> lab' si <re, re'>-> la' mib |
97 re4-> <re mib'>---> <re dod'>---> <re mib'>---> |
98 <re dod'>---> <re mib'>---> <re dod'>---> <re mib'>---> |
99 <re re'>\> re re\p re |
100 re re re re re-- re'-- re,-- re'-- re,-- r |
101 \pizz re r re r R2*9
102 r4 mi,\mp
106 ActeUnSceneUnContrebasse = { \Contrebasse
107 \relative {
108 do,,2--\pp( do) fad,-- r4 |
109 do'2--( do--) fad4--( fad,2--) |
110 do'2--( do--) fad4.--( fad,8~-- fad4) |
111 do'2--( do--) fad2--( fad,4--) |
112 do'2-- do fad8 fad,~-- fad2 |
113 do'2-- do-- fad2~--\mp\< fad8 fad, |
114 \ten fa1\p fa4-- fa2-- |
115 \ten fa1-- fa2--( fa'4--) |
116 reb1--\psempre reb4--( reb2--) |
117 reb1 reb2--\<( reb4--) |
118 \t {do4\mf( sol'8} mi'4) \t {do,4\>( sol'8} mi'4\!) |
119 do,4-- \t {sol'4( do,8)} sol'4-- |
120 do,16( sol' mi') sol,
121 do,( sol' mi') sol,
122 do,( sol' mi') sol,
123 do,( sol' mi') sol, |
124 do,( sol') do, sol'
125 do,( sol') do, sol'
126 do,( sol') do, sol' |
127 do,4\downbow do\downbow do\downbow \simile do do do do do do |
128 \t {fad,8-- sol--( la--)} \t {<fad do'>-- re'--( mib--)} fa4-- |
129 \t {<fad, la>8-- do'--( re--)} \t {mib-- fa--( lab--)} sib4-- |
130 fad,4\downbow fad\downbow fad\downbow fad8---> fad-- \t {fad-- fad-- fad--} fad'4---> |
131 \ten do1~\f do2 r4 |
133 %%% Ad libitum %%%
134 R1 R2.*2 R1 R2.*2 |
136 %%% Agitato %%%
137 re2:8\fp re: re: re: re: re: re: re: re: re: re: re: |
138 re: re: re: re: re: re: re: |
139 re: re: re: re: re: re: re: re: re: |
140 re: re: re: | re4:8 mib: re: mib: | re8-> re mib re-> re mib re-> re |
141 mib4\mp\downbow mib\downbow \simile mib mib mib mib |
142 mib mib mib mib mib mib mib mib mib mib mib mib |
143 mib mib mib mib mib2:8\< mib: mib: |
144 \ten <mi, mi'>1.\f R1.*2
146 %%% Allegro non troppo %%%
147 R1R2.R1*5 R2. R1 R2. R1 R2. R1
148 sol2.\ff sib4.--\< reb8~--\! \t {reb4 sib--\>( lab--\!)} |
149 sol2. r4 | R1*3 R2.*3 R1*6
151 %%% Moderato %%%
152 la4.---> sib8~\mp sib2 | la4. sib8~ sib2 |
153 la8. sib16~ sib4. la8 | do2.~ do2 r |
154 la8. sib16~ sib4~ sib16 la8. | do1~ |
155 do2 la4 | do2 r4 \t {la8--\<\upbow( do-- sib--)} |
156 \ten mib2.~\mf mib2 r | \ten fa2.~\p fa2 r | mib4\mp( fa2) |
157 mib8.( fa16~) fa2~ \t {fa8 mib--\<( fa--)} |
158 solb8.\mf( lab16~) lab2 | solb4-- lab4~-- lab16 solb8.-- lab-- mib16~---> |
159 mib8.\< fa16~---> fa8 solb~---> solb16 lab8.~--->\! | lab8 fa,->\f solb-> lab-> |
160 si8\sfz r r2 | R1 R2*4 |
162 %%% Allegro marcato %%%
163 \acc {si?4\f si' si, si' si, si' si,} r | R1*3
164 \acc {si4\f si' si, si' si, si' si,} r | R1*16
166 %%% Agitato %%%
167 re2:8\f re: re: re: re: re: re: re: |
168 \det {re4\fp re' re, re' re, re' re, re' |
169 re, re' re, re' re, re' re, re' |
170 re, re' re, re' re, re' re, re' |
171 re, re' re, re'} <re, re'>8->\sfz r r4 r1 | R1*3 R2. R2*3
172 re'16\<\CaV re\CaV re\CaV re\CaV re8->->\! r | R2 R1*4
176 ActeUnSceneUnBisContrebasse = { \Contrebasse
177 \relative {
178 dod,,2.
179 <dod sold'>~<dod sold'>2 r4 |
180 sib16 lab si sol sib lab si sol sib lab si sol |
181 dod re mi sol dod,8 r dod16 re mi sol |
182 dod,re mi sib sol la sib mi dod re mi sol, |
183 lab8 lab16 lab fa8 fa'16 fa mib8 mib16 mib |
185 %%% Piu vivo %%%
186 re4 r r8 do sol la | fad2 \t {sol8 la do} |
187 re4 r r8 mib lab, fa| sib4. lab |
188 sol2.~sol~ sol4 r reb' | sol2. |
189 R2. r4 reb'2~ reb4. r8\fermata r4 |
190 R2. r4 reb2~reb~reb8 r\fermata r4 | r2 r4 fad,, sol la |
192 %%% Largo %%%
193 do2 do~ do~ do2.~
194 do2~ do2.~ do2~ do2.~
195 do4 do2 do4 r r2 |
196 R1 R2. R2 R1 R2.*2 R2*2 R2. R2*3 R2. R1 R2.
197 R2*3 R2.*3
199 %%% Adagio %%%
200 R1*9 \clef "G_8"
201 r2 r4 r8 <\parenthesize sol' si''>~\CaV |
202 si''1~\CaV si2.\CaV r4 \clef "F_8" |
203 R1 sib,,8 lab si sol~sol2~ |
204 sol4 sib sol2~
205 sol4 sol, fa sold |
206 mi1~mi~mi~mi2 r | R1*13
207 R2 \pizz re''4 sold, fa r
208 r \arco dod
212 InterludeUnContrebasse = { \Contrebasse
213 \relative {
214 R1. R1*3 R1. R1 R1.*2 R1*2
215 la,4\CaV r r1 \clef "G_8"
216 la'1\mf( si2 do1~) do4 r2 | R2 \clef "F_8"
217 r2 \ttt {r16 fad,,-- red-- dod-- sib-- do--} |
218 sol1~\f sol2 sol8 do-- sib-- dod-- |
219 sol1-- r8 dod4.-- | sol8-- sol'-- sol,-- sol'-- sol,-- sol'-- sol,-- sol'-- |
220 sol, sol' sol, sol' sol, dod dod dod |
221 sol16--\mf sol sol'-- sol sol,-- sol sol'-- sol
222 sol,-- sol sol'-- sol sol,-- sol sol'-- sol
223 sol,-- sol sol sol sol sol sol sol |
224 sol sol sol sol sol sol sol sol dod dod dod dod \t {r8 mib--( reb--)} |
225 fad,2.--->\ff\> sol2\p r4 | R2.*4
226 si2.~\pp si~ si~ si~ si8 sib4( lab) si8( |
227 sol'2.~) sol~ sol~ sol~ R2.*2
231 ActeUnSceneDeuxContrebasse = { \Contrebasse
232 \relative {
233 %%% Air de la Soprano2 %%%
235 \repeat unfold 9 {R2.*2 R1*2}
236 R2. | r4 dod,, r |
237 sol1~ sol~ | sol2.~ sol4 r2 | sol1~ sol2. r4 |R2.*2 |
238 sold1~ sold~| sold2.~ sold~ |sold1~ sold2. r4 |
239 \repeat unfold 7 {R2.*2 R1*2} R2.*2 R1 R1-\fermataMarkup |
241 %%% Récitatif %%%
243 R2.*2 R1 R2.*3 R1 R2.*6 R2 R2. R1*2 R2.*5 R1 |
245 %%% Duo %%%
247 \pizz re'4
248 \repeat unfold 16 re
249 \repeat unfold 7 reb
250 \repeat unfold 4 si
251 \repeat unfold 4 sib r |
252 \arco sol lab8 sib |
253 reb4 dob sib | dob sib lab sib |
254 dob sib lab fa | dob' r8 sib r4 |
255 mi,2.~| mi r4| mi'1 | reb2.~|reb~|reb4 r2 | R1 |
257 %%% Piu vivo %%%
258 sol,2.~ | sol1~ sol2 r4 | R2.
259 sol2 sol4 sol dod4. dod8 dod dod |
260 sol2 r8 sol sol sol | dod4. dod8 \t {dod dod dod} |
261 sol4 sol2 r4 |
262 dod4 r8 sib lab si |
263 sol4 sol sol sol r2 | sol4 sol sol si r2 |
264 sib4 sib sib | re r2 | re4 re re re r2 | re4 re re re r2 re4 re re |
265 dod r2 dod4 dod dod fa,1~ fa2 r4 si~ | si8 do4. dod2 |
267 %%% Tempo giusto %%%
268 \pizz re4 re re re re re re re |
269 dod dod dod dod si si si si | si r r2 |
270 \arco <sol sol'>2 r4 |
271 \repeat unfold 16 sol8 |
272 sol r r2 | r4 \t { re'8 si do} |
273 \repeat unfold 14 sold |
274 sold r r sold fad la |
275 fa2~fa4. fa8 |
276 fa2~ fa |
277 r8 la sol sib |
278 fad2~ fad2. \pizz la'8\CaV r r2
279 R1 R2.*3 R2 R2. R1*4
283 InterludeDeuxContrebasse = { \Contrebasse
284 \relative {
285 R1 R2. R2 R2. R2 R2. R2
286 \pizz si,,4--\mf r re-- r si-- r fad'-- r sol--\p r sol r sol r |
287 dod, r mi sib do fad mi sib do fad mi r R2 |
288 \arco \ten la,1~\p la~ la~ la2 r | R2.
289 \ten fa1~ fa2 r4 | R2. \pizz dod'4\p r r2 | R2. dod4 r |
293 ActeUnSceneTroisContrebasse = { \Contrebasse
294 \relative {
295 R2.*4 do,,2.\upbow ~ do~ do do4 r2 | R2.*3
296 si2. sib2.:32 si2. sib2.:32 si2. dod2.:32~dod:~dod4 r
297 \pizz sold si r2
298 \arco sib2.~sib~sib~sib2 r4 |
300 %%% Lamento %%%
301 r2 r4 \pizz re si dod \arco sib2 re4 r r2 | reb fa4 r r2 |
302 sib,re4 r r2 reb fa4 r r2 | sib,re4 r r2 | reb fa4 r2 |
303 sib,reb4 r2 | re fa4 r2 sib,reb4 r2 sib si4 r2 |
304 mi,2 sol4 r | sold2 si4 r |
305 mi,2 sol4 r | si2 fa'4 r |
306 reb2 reb4 reb4. reb8 reb reb reb4 reb8 reb r4 | R2*2
308 %%% Tempo I %%%
309 R2.*3
310 << {mi2.~mi~mi~mi~mi~mi~mi4}\\
311 {s2.*2 mi,4-+ s2 mi4-+ s2 mi4-+ r mi-+
312 mi-+ r mi-+ mi-+}>> r8 mi' \t {mi mi mi} sold4 r2 |
313 R2.*3
315 %%% Tempo II %%%
316 R1. do,~ do~ do~do~do2 r1 | r2 r4 do r | R1 R2. R2
320 ActeUnSceneTroisBisContrebasse = { \Contrebasse
321 \relative {
322 R1*3 r4 sol2\CaV r4 R1*2 r4 sol2\CaV r4 |
323 R1 r2 re,4 la8 si fad4 r r2 | R1*8
324 fad1~fad~fad2. r4 | R1*2 %%FIXME: harmonics
325 \pizz <re' la'\harmonic>4 r <re sol\harmonic> r
326 \arco <re fad\harmonic>1~<re fad\harmonic>2. r4 \clef "G_8" |
327 \simile fad''4\CaV r fad\CaV r
328 fad\CaV r fad\CaV r
329 fad\CaV r fad\CaV r
330 fad\CaV r fad\CaV r
331 fad\CaV r fad\CaV r
332 fad\CaV r fad\CaV r
333 fad\CaV r fad\CaV r
334 fad\CaV r fad\CaV r |
335 \ordin fad\glissando red8 r red4\glissando do8 r |
336 sib\glissando sol16 r sol8\glissando mi16 r mi8\glissando dod16 r \clef "F_8" |
337 re,1~re~re
338 <fa dod'>4\upbow \ind #"pizz. du pouce" re\thumbpizz r2
339 <fa dod'>4\upbow \simile re\thumbpizz r2
340 <fa dod'>4\upbow re\thumbpizz <fa dod'>\upbow re\thumbpizz
341 <fa dod'>\upbow re\thumbpizz <fa dod'>\upbow re\thumbpizz
342 <fa dod'>\upbow re\thumbpizz <fa dod'>\upbow re\thumbpizz
343 <fa dod'>\upbow re\thumbpizz <fa dod'>\downbow <la, fa'> |
344 fad1~fad~fad~fad~fad~fad~fad2. r4 |
345 R1*7
346 <re' fad\harmonic>1~<re fad\harmonic>~<re fad\harmonic>4
347 r4 \ordin fad2~fad1~fad4 r r2 |
348 sol1 fad~fad~fad~fad~fad~fad\fermata
352 ActeUnSceneTroisTerContrebasse = { \Contrebasse
353 \relative {
354 R2*3 R2. R2*2 R2.*7
355 \pizz mib,,4 r r2
356 mi4 r fa r |
357 re'8 sol, do fad, lad si sol sold |
358 la fad sib sol lab reb sol, si |
359 do lab la sib sol si lab la |
360 re lab do reb la sib mib la, |
361 dod re sib si do dod |
363 %%% Poco meno %%%
364 re4 r2 R2.*2
365 \arco re'2.~\CaV re~\CaV re~\CaV re~\CaV re4\CaV r2 |
366 re2.~\CaV re~\CaV re4\CaV r2 |
367 <re, sol\harmonic re''>2.~\CaV
368 <re sol\harmonic re''>~\CaV
369 <re sol\harmonic re''>~\CaV
370 <re sol\harmonic re''>~\CaV
371 <re sol\harmonic re''>2\CaV r4
372 <re sol\harmonic re''>2.:32~\CaV
373 <re sol\harmonic re''>8\CaV r r2
374 \pizz fa4 r2 R2.*2
375 fa,4 r2 R2.*2
376 dod'4 r2 R2.*2
377 dod4 r2 R2.
378 r8 \arco mi fa sold fa mi |
379 la,2.~\CaV la~\CaV la2\CaV r4 |
380 <la la'>2.~ <la la'>~<la la'>4 r8 \pizz la' r4 |
381 sold r8 si r16 fad8. | fa4 do r |
382 mib r sib | la r8 la' sol, sol' sib, sib' |
383 \arco fad,2.~fad~fad2 r4 |
384 fad2.~fad~ fad2 r4 |
385 fa2.~fa~fa4 dod'2 |
386 fa2.~fa~fa4 la2 |
387 dod,2.~dod~dod4 la'2 |
388 dod,2.~dod~dod4 fa2 |
389 la,2.~la~la~la2 r4 |
390 la'2.\CaV la,4-+ r2 | R2.*13
394 InterludeTroisContrebasse = { \Contrebasse
395 \relative {
396 sol,,4\upbow mi\thumbpizz r2 | sol4\upbow mi\thumbpizz r |
397 sol8\upbow mi\thumbpizz sol\upbow mi\thumbpizz
398 sol\upbow mi\thumbpizz \pizz sol lab |
399 \arco sol\upbow mi\thumbpizz sol\upbow mi\thumbpizz
400 \pizz sol lab |
401 \simile sol mi sol mi sol mi sol lab |
402 sol mi sol mi sol lab |
403 sol mi sol mi sol mi sol lab |
404 sol mi sol mi sol r |
405 r \arco mi r mi r mi sol lab |
406 r mi r mi sol mi |
407 r mi r mi sol lab |
408 r mi sol mi |
409 r <mi mi'> r <mi mi'> r <mi mi'> |
410 r <mi mi'> r <mi mi'> |
411 r <mi mi'> r <mi mi'> |
412 r <mi sol'> r <mi sol'> |
413 sol16 mi sol lab si lab si do |
414 mib do mib mi sol mi sol lab |
415 sol8 re sol re la8 r r4 |
419 ActeUnSceneQuatreContrebasse = { \Contrebasse
420 \relative {
421 \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
422 R2-\fermataMarkup
423 R1 R2. R1*2 R1. R1*2 R1. R1*2
425 %%% Agitato %%%
426 \pizz la,4 r2 | la,4 r2 | do4 r2 | do4 r2 |
427 R2. la'2~la4\glissando do2. | mi4 r
428 sold,,~\upbow | sold dod si | re r2 |
429 re4 r r16 la' la la | re,4 r2 | re4 r r16 la la la |
430 re4 r8 re' fad, si |
431 mib,4 r8 reb4 sol8 | do,4 r8 fa la, re |
432 fad,4 r8 la4 mib'8 | lab4 r8 la reb, solb |
433 sib,4 r8 sib4 sib8 | mi4 r8 mi, \t {mi mi mi} |
434 mi4 mi mi | mi4 r2 |
435 mi'4 r8 mi, \t {mi mi mi} | mi4 r2 |
436 mi'4 mi sib8 mi~ | mi2 re4~ | re fa2 |
437 dod2~dod8 r r4 | R2. R1 R2. R2 R2. R2 R2. R2 R2.
439 %%% Placando assai %%%
440 dod2. dod4 sol2. r4 | dod2. dod4 sol2. r4 |
441 dod2 re mib mi2.~mi2. r4 |
443 %%% Andante a piacere %%%
444 \pizz fa,4 r r2 r reb'4 r |
445 fa, r r2 r reb'4 r |
446 \arco fa,1~ fa2 reb fa1~ fa2 reb |
447 sol2. r4 r8 dod4 sol dod8 |
448 sol2. r4 r8 dod4 sol sol8 |
449 dod8 r r4 r2 |
450 sol1~sol~sol~sol~sol~sol2. r4 |
451 R2*3 R2.*6
453 %%% A tempo %%%
454 do4 r8 fad,4 do' fad,8 |
455 do'4 r8 fad,4 do' fad,8 |
456 do'4 do r8 fad, r4 |
458 \pizz la16 fad' sold8 dod,16 sib do8 fa16 re mi,8 |
459 la4 r4 r2 | r4 la4 sol'8 re dod4 si8 fad fa4 mib'8 sib |
460 la4 r2 | r16 re,8. r4 r2 |
461 R2. \arco sol2~sol8 sol \t {sol sol sol} | sol2 r8 dod4. |
462 sol2 r4 sol sol sol fa2 fa4 fa~ \t {fa8 fa4~} \t {fa fa8~} fa4 |
463 r fa~fa8 mib' \t {mib mib fad} |
465 re2.~ re8 r4 | sold,2 si4~si8 dod4 |
466 re2~ re8 r4 | la4. sib8~sib8. do16~do4 |
467 mib2~ mib8 r4 | si2~si8 do~do16 re8. |
468 fa,2~fa4 r8 | fa2~fa | R2 R4. R2.
469 re'4\CaV r r re | re re re re re re re re |
470 re re re re re re re re |
471 re' <re, re'> re' <re, re'> re' <re, re'> re' <re, re'> |
472 re'8 re <re, re'> re re' re <re, re'> re |
473 re'16\CaV re re re re re re re re re re re re re re re |
474 re4\CaV re,-+ re'\CaV re,-+ \pizz <re re'> r r2 |
475 R1 R2 R2.*2 R2 R1
477 %%% Piu lento %%%
478 r2 \clef "G_8" \arco si''?4~si2 r4 | R2.
479 r2 si4~si2 r4 |
480 r2 si4~si2 r4 |
481 r2 si4~si2 r4 |
482 r2 do4~do2 r4 | R2.
483 r2 re4~re2 r4 |
484 r2 mib4~mib2 r4 |
485 r2 mib4~mib2 r4 | R2. \clef "F_8"
486 r4 \pizz si,? r r re, r |
488 %%% Stesso tempo %%%
489 la4 r r2 r8 mi4. | la4 r r2 |
490 la4 r r do r mi, | la4 r r2 |
491 la4 re dod fad fa sib, | la4 r r2 | R1. R1 R1. R1
492 la8 do sib4 fa'8 sold, fad4 dod'8 mi re4 |
493 la8 sol re'4 dod8 si fad'4 fa8 mib sib4 |
494 la8 fad sold4 dod8 sib do4 fa8 re mi4 |
495 la,8 si mi,4 fa'8 sol do,4 reb8 mib lab,4 |
496 la8 do sib4 dod8 si fad4 fa'8 re mi,4 |
497 la r r2 | R1. \arco do1~ do1. do4 r \pizz sib reb |
498 la8 fad sold4 dod8 sib do4 fa,8 re' mi,4 |
499 la8 si mi,4 fa8 sol do4 reb8 mib lab,4 |
500 la8 do sib4 fa8 lab solb4 dod8 mi, re'4 |
501 la8 sol' re4 dod8 si fad4 fa'8 mib sib4 |
502 la8 fad' sold4 fa8 sol do,4 dod8 mi, re' sol |
503 la,4 r r2 R1. R1
507 EntracteContrebasse = { \Contrebasse
508 \relative {
509 sold,,2~ sold sold~ sold |
510 sold~ sold sold sold sold4 r8 \t {sold16 dod si} |
514 ActeDeuxSceneUnContrebasse = { \Contrebasse
515 \relative {
516 R2.*4 R2 R2.*2 R2 |
517 r4 sol2~\CaV sol2.~\CaV sol2.~\CaV sol4\CaV r |
518 R2. R2 | R2.*2 R2 |
519 r4 sold2~ sold2.~ sold2.~ sold4 r |
520 R2. R2 | R2.*2 R2 | R2.*2 | R2. \clef "G_8" |
521 \ttt { mi8[ mi16 mi mi mi] } \ttt { mi[ mi mi mi mi mi] }|
523 %%% Entrée de la Soprano Deux %%%
524 R2.*2 r4 \ttt {dod'8 dod16 dod dod dod} dod8 r r4 |
525 r2 \ttt {fa,8 fa16 fa fa fa} \clef "F_8" |
526 R1 \pizz fa,,4 fa' r R2 mi,4 mi' r R1 |
528 %%% Andantino %%%
529 sib4 r r2 R1 R2. mi4 r2 R2.*2 R2 \clef "G_8"
530 \arco <re''mi>2.~\CaV <re mi>~\CaV <re mi>~\CaV <re mi>2\CaV r4 |
531 <re mi>\CaV r <re mi>\CaV | r <re mi>\CaV r <re mi>\CaV |
532 r <re mi>\CaV r | R2 \clef "F_8" |
533 fad,,4 dod' sid8 sold fad1~ fad2 r4 |
534 r8 fad fad, do''! fad,4 fad, | fad'2.~ fad2 fad,4\thumbpizz r |
535 R2. R1 fad'2.~ fad2. r4 | R2. fad1~ fad2 r4 |
536 fad,1 fa2.~ fa2. r4 | fad2.~ fad1 fa2.~ fa2. r4 |
537 fad2.~ fad2. r4 |
539 %%% Entrée de la Contralto %%%
540 R2. R1 R2. R1
541 R2. R1 R2. R1 do'2.~ do2. r4 | r do2~ |
542 r4 do2. | dod2.~ dod2. r4 | do2 r4 | R1
543 fad2. fa2. r4 | fad2. fa2. r4 |
544 fad2. sol2.~ sol4 r \pizz fa |
545 sib, r2 si4 r2 sib4 r2 si4 r2 | mi4 r2 |
546 \arco mib2.~ mib2 r4 | R1 R2.
547 R1 R2. R1 \pizz lab4 r2 la4 r r2 | lab4 r2 |
548 sol4 r r2 | R2. r4 \arco lab sol fa |
549 re2.~ re1~ re4 r2 R2 |
550 R1 R2. R1 R2. R1 R2. R1
554 ActeDeuxSceneUnBisContrebasse = { \Contrebasse
555 \relative {
556 R1 R2. R2 \clef "G_8"
558 %%% Presto agitato %%%
559 <sol, do\harmonic sol''>1*5/4~
560 \simile sol''~\CaV sol~\CaV sol~\CaV sol2.\CaV r2 |
561 R1*5/4 <sol,,sib\harmonic re''>1*5/4~
562 <sol sib\harmonic re''>2. r2 \clef "F_8" |
563 R1*5/4*7
564 sib,1*5/4~ sib~ sib2. r2 |
565 dod2 re mi4 sol1*5/4~ sol2. r2 |
566 <re do'>4 r2 <re do'>4 r | <re do'> r <re do'> r2 |
567 <re do'>4 r r8 <re do'> r2 | <fa' sol>4 r1 |
568 R1*5/4*3
569 sol,,8 mi sol mi sol mi sol mi sol lab |
570 sol mi sol mi sol mi sol mi sol lab |
571 sol mi sol mi sol mi sol mi sol lab |
572 sol mi sol mi sol mi sol mi sol lab |
573 sol mi sol mi sol mi sol mi sol lab |
574 sol mi sol mi sol mi sol mi sol lab |
575 sol mi sol mi sol mi sol mi sol lab |
576 sol mi sol mi sol mi sol mi sol lab |
577 sol mi sol mi sol mi sol mi sol lab |
578 sol mi sol mi sol mi sol mi sol4 |
579 lab4 r2 lab4 r | lab r lab r2 |
580 lab4 r r8 lab r2 | do4 r1 |
581 R1*5/4 <mi,red'>4 r1 | R1*5/4-\fermataMarkup |
583 %%% Boum %%%
584 R1*5/4*12 r1 \t {la'8 mi fad} |
585 <mi, red'>1*5/4~ <mi red'>2. r4 \t {la'8 mi fad} |
586 <mi, red'>1*5/4 fa4 mib'2 \t {reb8 sib do} \t {sol fa lab} |
587 <mi mi'>1*5/4 | r4 mi2. fa4~ |
588 fa2 sib8 lab si sol fa lab | <mi mi'>1*5/4~ <mi mi'>2. fa2 |
589 <mi mi'>1*5/4~ <mi mi'>1*5/4 sib'2 lab si4 |
590 <mi, mi'>1*5/4~ <mi mi'>2. r2 | R1*5/4*5
592 %%% Moderato assai %%%
593 R1*7/4*7
594 \pizz fa8 do' dod sold' la mi' | R1
595 si,8 fad' sol re' \clef "G_8" mib sib' \clef "F_8" R2 |
596 mi,,,4 r2 red'4 r2 mi,4 r2 sol4 r2 mi4 r2 fad4 r2 sol4 r2 si4 r2 do4 r2 |
597 \arco fa,1*7/4~ fa4 r2 r1 | R1*7/4 R2.*7
598 sol'1*7/4~ sol1 r2 r4 |
599 R1*7/4*2 \repeat volta 2 {la1 si2. la si1 R1*7/4} si1 r2 r4 | R1*7/4
601 %%% Presto subito %%%
602 \tt {mi,,8 re' fa r4} \tt {mi,8 re' fa r4} \tt {mi,8 re' fa r4} |
603 \tt {mi,8 re' fa r4} \tt {mi,8 re' fa r4} \tt {mi, r8 re' fa} |
604 \tt {mi,4 r8 re' fa} \tt {mi,4 r8 re' fa} \tt {mi,4 r8 re' fa} |
605 \tt {mi,4 r8 re' fa} \tt {mi, re' fa sol re} \tt {mi, re' fa sol re} |
606 \tt {mi, re' fa sol re} \tt {mi, re' fa sol re} \tt {mi, re' fa sol re} |
607 \pl {re2.~ re~ re~ re~ re~ re2}
608 {re4\leftpizz r2 re4\leftpizz r2 re4\leftpizz r2 re4\leftpizz r2 re4\leftpizz r2 re4\leftpizz r}
609 \pizz re r fa r mi r r mi |
610 fad r2 fad4 r2 sold4 r sold r fad r \clef "G_8" sib8 mib lab4 R4. \clef "F_8" |
611 mi,4 \clef "G_8" mi' mi' r \clef "F_8" |
613 \arco mib,,4 mib~ mib8 mib4 | fad2 r4 |
614 mib4 mib~ mib8 mib4 | do2 r4 | mib4 mib8 mib mib |
615 <la, la'>2 la'8 la la |
616 \pl {la,\leftpizz \pizz do sib mib} {la8 s s4} r4 |
617 fad,8 si dod mi r4 |
618 sold,4 r8 sold r4 sold4 sold sold |
619 \arco sol2.~ sol2 r4 | sol2.~ sol2 r4 sol2.~ sol2 r4 |
620 sol2 r4 sol2 r4 r si2 sold2. | R2. R2 R4. R2 R1*5/8 R2.
622 %%% Tempo I %%%
623 R1 <la sold'>4 r2 <la sold'>4 r <la sold'> r <la sold'> r2 |
624 <la sold'>4 r r8 <la sold'> r2 | <dod sold'>4 r1\fermata |
625 R1*5/4*21
629 ActeDeuxSceneDeuxContrebasse = { \Contrebasse
630 \relative {
631 R1.*6 R1*2 R2.
632 re,,8 r r16 re fa8 r16 fad8. |
633 re8 re16 re re re re re re8 mib |
634 re fa mib lab fa si lab lab, sib mi si fa' |
635 re1.~ re1 r2 |
636 R1. R1*2 R2.
637 si8 r r16 si8 re16 r red8. r16 si re red |
638 R4. si4 r r8 \pizz sold4. |
639 <si si'>4\plak r8 sold r sol r4 |
640 <si si'>4\plak r8 si r si r4 |
641 <si si'>4\plak r8 si r si r4 |
642 <si si'>4\plak r8 si r si r4 |
643 <si si'>4\plak r8 si r \arco si la do |
644 sold2.~ sold1 r2 | R1*2
646 \pizz fa4 r2 fa4 r2 fa4 r2 fa4 r |
647 fa' r red <mi, mi'>\plak r2 mi'4 r2 |
648 do4 r |
649 r16 \arco la fad sol fa lab |
650 <mi mi'>4 r r8 \pl sol sol'\leftpizz r4 |
651 <mi, mi'>4 r8 sol r sold r4 |
652 <mi mi'>4 r8 mi' r mi r4 |
653 <mi,mi'>4 r8 mi' r mi r4 |
654 <mi,mi'>4 r8 mi' r r16 la, fad sol fa lab |
655 mi8 mi' r dod | <mi, mi'>4 dod'8 do |
656 <mi, mi'>8 mi' mi, mi' |
657 r16 sib la do dod sol fa lab |
658 mi8 mi' r4 | \t {mi re fa} |
659 dod1~ dod2 r4 |
661 dod1 r4 dod | sol2. r4 |
662 dod1 r4 dod | sol1.~ sol2 r4 | R1 \clef "G_8"
663 la'''2.~\CaV la1~\CaV la2.~\CaV la1~\CaV la2.~\CaV la1~\CaV la2.~\CaV |
664 la1~\CaV la2.~\CaV la1~\CaV la2.~\CaV la1~\CaV la2.~\CaV la1~\CaV |
665 la4\CaV r2 \clef "F_8" | R1 R2. R1 R2. R1 R2.
666 <la,,,la'>2~ la~ <la la'>~ la2.~ <la la'>2~ la~ la1~ la2. r4 |
668 <la sold'>4 r r8 | <la la'>8 <la la'> <la sold'> r4 |
669 la8 la sold r4 | <la la'>8 <la la'> <la sold'> r4 |
670 <la sold'>4 r r8 | sold4 sold r8 | la4 r r8 |
671 <la sold'>4 r mib'8 | mib re r4 r8 | <re sold>4 <re sold> r8 |
672 <mib la>4 r r8 | mi8 mi fa r4 | r8 fad4 fad sol r r8 |
674 R1*2 si,4 r r2 | r4 \pizz mi fa r r dod mi r | R1
675 \arco <mi, mi'>2~ mi8 mi mi4 |
676 <mi mi'>2~ mi8 mi mi4 |
677 <mi mi'>2~ mi8 mi mi4 |
678 \pl mi4_\thumbpizz mi'^\leftpizz r2 | \pizz re4 r |
679 R1*2 R2.*4 r4 sib' r r fad r | R2.
680 \pizz <la, la'>4\plak mib' sold re |
681 dod' sol do | fa, si mi, |
682 mib la, re sold, |
683 dod sol do fad, | fa' mi <re sib'>\arpeggUp <re sib'>\arpeggUp |
684 \simile <re sib'> <re sib'> |
685 <re sib'> <re sib'> |
686 <re sib'> <re sib'> |
687 dod sol do fad, | si fa sib mi, |
688 R2 r8 \arco la16 la sold8 r | R2
689 \pizz <re'sib'>4 <re sib'> |
690 <re sib'> sold re r | R2*6 \clef "G_8"
692 la''2.~\CaV la2.~\CaV la2.~\CaV la2.~\CaV la2.~\CaV la2.~\CaV la2\CaV r4 |
693 R2.*9