Dynamics and expressive marks in ActeDeuxSceneUnBis
[opera_libre.git] / definitions / mesures.ly
blob59c2201781e9bae1031c129e910139aad6818014
1 %------------------------------------------------------------------%
2 % Opéra Libre -- mesures.ly %
3 % %
4 % (c) Valentin Villenave, 2008 %
5 % %
6 %------------------------------------------------------------------%
8 % FIXME : find this file a relevant place.
10 PrologueMesures = {
11 %%% Introduction %%%
13 \time 3/4
14 \mark \markup \init-did \PrologueAAA
15 \partial 4 s4 R2.*3
16 \time 4/4 R1 \bar "||"
17 \time 2/4
18 \tempo "Largo" 4 = 48
19 R2*2
20 \time 3/4 r2.
21 _\markup \did \PrologueA
22 \time 2/4 R2*2
23 \time 3/4 R2.
24 \time 2/4 R2*2
25 \time 3/4 R2.
26 \time 2/4 R2*2
27 \time 3/4 r2.
28 _\markup \did \PrologueB
29 \time 2/4 R2*2
31 %%% Entrée du Baryton 1 %%%
33 \time 3/4
34 \tempo "Vivo subito" 4 = 120
35 r2.
36 _\markup \did \PrologueC
37 \time 2/4 R2*2
38 \time 3/4 R2.
39 \time 2/4 r2
40 _\markup \did \PrologueD
41 \time 3/4 R2.
42 \time 2/4 R2
43 \time 3/4 R2.
44 \time 2/4 R2
45 \time 3/4 R2.
46 \time 2/4 r2
47 _\markup \did \PrologueE
48 \startTxt #"rit."
50 \time 3/4 R2.
51 \stopTxt \bar "||"
52 \time 2/4
53 \tempo "Tempo giusto"
55 _\markup \did \PrologueF
58 _\markup \did \PrologueG
59 R2*6
60 \time 3/4 R2.*6
63 _\markup \did \PrologueH
64 R2.
65 r2.
66 _\markup \did \PrologueI
67 R2.
68 \time 4/4 R1
69 \time 2/4 R2*2 R2\fermata \bar "||"
70 \time 4/4
71 \tempo "Più lento" 4 = 60
73 _\markup \did \PrologueJ
75 \time 3/4 R2.
76 \time 4/4 R1
77 \time 3/4 R2.
78 \time 4/4 R1
79 \time 2/4
80 \tempo "Adagio" 4 = 52
81 R2*4
82 \time 3/4 R2.*11
83 \time 3/8 r4.
84 _\markup \did \PrologueK
85 \bar"||"
86 \tempo "Andantino" 4. = 56
87 R4.*25
88 \startTxt #"Poco a poco allargando..."
89 R4.*9
92 _\markup \did \PrologueL
93 R4.*3 \bar "||"
94 \stopTxt
95 \tempo "A tempo, un poco più vivo" 4. = 63
96 R4.*28
97 r4.
98 _\markup \did \PrologueM
99 R4.*3
101 _\markup \did \PrologueN
103 \time 5/8 R2*5/4
104 \time 6/8 r2.
105 _\markup \did \PrologueO
106 R2.*2 \bar "||"
107 \time 4/4
108 \tempo "Adagio ad lib." 4 = 66
109 R1*4
110 \time 6/4 R1.*2
111 \time 4/4 R1*3
112 \time 6/4 R1.*2
113 \time 4/4 R1*2
114 \time 3/4 R2. \bar "||"
115 \tempo "Mouvement de valse modérée" 4 = 88
116 R2.*6
117 \time 2/4 R2*2
118 \time 3/4 R2.
119 \time 2/4 R2
120 \time 3/4 R2.*2
121 \time 4/4 R1*2
122 \mark \markup \did \PrologueP
123 \time 3/4 R2.*5
124 \time 2/4 R2*2
125 \time 4/4
126 \tempo "Scherzando"
128 \time 3/4 R2. \bar "||"
130 %%% Sortie du Baryton 2 %%%
132 \time 2/4
133 \tempo "Vivo al fine" 4 = 120
134 R2*8
135 \mark \markup \did \PrologueQ
136 R2*14
139 _\markup \did \PrologueR
140 \bar "||"
141 \tempo "Recitativo"
142 R2*7
145 _\markup \Noir
146 \bar "|."
149 ActeUnSceneUnMesures = {
150 \time 2/4
151 \mark \markup \init-did \ActeUnSceneUnAAA
152 \tempo "Largo non troppo" 4 = 69
153 R2*2
154 \time 3/4 R2.
155 \time 2/4 R2*2
156 \time 3/4 R2.
157 \time 2/4
158 \mark \markup \did \ActeUnSceneUnA
159 R2*2
160 \time 3/4 R2.
161 \time 2/4 R2*2
162 \time 3/4 R2.
163 \time 2/4
164 \mark \markup \did \ActeUnSceneUnB
165 R2*2
166 \time 3/4 R2.
167 \time 2/4
168 \mark \markup \did \ActeUnSceneUnC
169 R2*2
170 \time 3/4 R2.
172 %%% Air du Baryton 1 %%%
174 \time 4/4
175 \tempo "Poco a poco animando..."
177 \mark \markup \did \ActeUnSceneUnD
180 \time 3/4 R2.
181 \time 4/4
182 \mark \markup \did \ActeUnSceneUnE
184 \time 3/4 R2.
185 \time 4/4
186 \mark \markup \did \ActeUnSceneUnF
188 \time 3/4 R2.
189 \time 4/4 R1
190 \time 3/4 R2.
191 \time 4/4 R1
192 \time 3/4 R2.
193 \time 4/4 R1
194 \time 3/4 R2.
195 \mark \markup \did \ActeUnSceneUnFF
196 \tempo "Piu vivo" 4 = 80
197 R2.*6
198 \mark \markup \did \ActeUnSceneUnFFF
200 \time 4/4 R1
201 \time 3/4 R2. \bar "||"
202 \time 4/4
203 \tempo "Ad libitum (stesso tempo)"
205 \time 3/4 R2.*2
206 \time 4/4
207 \mark \markup \did \ActeUnSceneUnG
209 \time 3/4 R2.*2 \bar "||"
211 %%% Entrée Baryton 2 et Soprano 1 %%%
213 \time 2/2
214 \mark \markup \did \ActeUnSceneUnH
215 \tempo "Agitato" 2 = 92
216 R1*6
217 \time 3/2 R1.
218 \time 2/2 R1*2
219 \time 3/2 R1.
220 \time 2/2 R1*3
221 \time 3/2 R1.
222 \time 2/2 R1*2
223 \time 3/2 R1.*3
224 \time 2/2 R1
225 \time 3/2 R1.*4 \bar "||"
227 %%% Duo Soprano 1 et Baryton 1 %%%
229 \time 4/4
230 \tempo "Allegro non troppo" 4 = 92
232 \time 3/4 R2.
233 \time 4/4
234 \mark \markup \did \ActeUnSceneUnHH
235 R1*5
236 \time 3/4 R2.
237 \time 4/4 R1
238 \time 3/4 R2.
239 \time 4/4 R1
240 \time 3/4 R2.
241 \time 4/4 R1
242 \time 3/4
243 \tempo "poco allargando..."
245 \time 4/4 R1
246 \mark \markup \did \ActeUnSceneUnI
248 \mark \markup \did \ActeUnSceneUnJ
249 R1*3
250 \time 3/4 R2.*2
251 \mark \markup \did \ActeUnSceneUnK
253 \time 4/4 R1
254 \mark \markup \did \ActeUnSceneUnL
255 R1*5 \bar "||"
256 \time 4/4
257 \mark \markup \did \ActeUnSceneUnM
258 \tempo "Moderato" 4 = 76
259 R1*2
260 \time 3/4 R2.*2
261 \time 4/4 R1
262 \time 3/4 R2.
263 \time 4/4 R1
264 \time 3/4 R2.
265 \time 4/4 R1
266 \time 3/4 R2.
267 \time 4/4 R1
268 \time 3/4 R2.
269 \time 4/4 R1
270 \time 3/4 R2.
271 \time 4/4 R1
272 \time 3/4 R2.
273 \time 4/4 R1
274 \time 3/4 R2.
275 \time 2/4 R2
276 \time 3/4 R2.
277 \time 4/4 R1
278 \time 2/4 R2*4
280 %%% Trio %%%
282 \time 2/2
283 \tempo "Allegro marcato" 4 = 132
284 R1*18
285 \mark \markup \did \ActeUnSceneUnN
286 R1*2
287 \mark \markup \did \ActeUnSceneUnO
289 \mark \markup \did \ActeUnSceneUnP
290 R1*2 \bar "||"
291 \mark \markup \did \ActeUnSceneUnQ
292 \tempo "Agitato" 2 = 80
293 R1*11
294 \time 3/2 R1.
295 \time 2/2 R1*2 \bar "||"
296 \time 4/4 R1
297 \time 3/4 R2.
298 \time 2/4 R2*2
299 \mark \markup \did \ActeUnSceneUnR
300 R2*2
301 \mark \markup \did \ActeUnSceneUnS
304 _\markup \Noir
305 \bar "||"
306 \time 4/4
307 \mark \markup \did \ActeUnSceneUnT
308 \tempo "Ad libitum" 4 = 80
309 R1*4 \bar "|."
312 ActeUnSceneUnBisMesures = {
313 \time 3/4
314 \mark \markup \init-did \ActeUnSceneUnBisAAA
315 \tempo "Agitato" 4 = 96
316 R2.*7
317 \time 4/4
318 \mark \markup \did \ActeUnSceneUnBisA
319 \tempo "Piu vivo" 4 = 112
321 \time 3/4
323 \time 4/4
325 \time 3/4
326 R2.*5
327 \mark \markup \did \ActeUnSceneUnBisB
329 \startTxt #"molto rit."
330 R2.
332 \stopTxt
333 \mark \markup \did \ActeUnSceneUnBisC
334 \tempo "A Tempo"
336 \startTxt #"molto rit."
338 \time 4/4
339 \stopTxt
340 \mark \markup \did \ActeUnSceneUnBisD
341 R1*2
342 \time 2/4
343 \mark \markup \did \ActeUnSceneUnBisE
344 R2 \bar "||"
345 \tempo "Largo" 4 = 66
346 R2*3
347 \time 3/4 R2.
348 \time 2/4 R2
349 \time 3/4 R2.
350 \time 2/4 R2
351 \time 3/4 R2.*2
352 \time 4/4
353 \tempo "Risoluto" 4 = 96
354 R1*2
355 \time 3/4 R2.
356 \time 2/4 R2
357 \time 4/4 R1
358 \time 3/4
359 \tempo "Largo" 4 = 66
360 R2.*2
361 \time 2/4 R2*2
362 \time 3/4 R2.
363 \time 2/4
364 \tempo "Risoluto" 4 = 96
365 R2*3
366 \time 3/4 R2.
367 \time 4/4 R1
368 \time 3/4 R2.
369 \time 2/4
370 \tempo "Recitativo" 4 = 72
371 R2*3
372 \time 3/4 R2.*3 \bar "||"
373 \time 4/4
374 \tempo "Adagio" 4 = 66
375 R1*33 \bar "||"
376 \time 2/4
377 \tempo "Risoluto" 4 = 92
378 R2*3
381 _\markup \Noir
382 \bar "|."
385 InterludeUnMesures = {
386 \time 3/2
387 \mark \markup \init-did \InterludeUnA
388 \tempo "Andante con moto" 4 = 63
389 R1.*4
390 \mark \markup \did \InterludeUnB
391 \time 4/2 R1*2/1
392 \mark \markup \did \InterludeUnC
393 \time 3/2 R1.
394 \mark \markup \did \InterludeUnD
395 \time 2/2 R1*5
396 \mark \markup \did \InterludeUnE
397 \time 3/2 R1.
398 \time 2/2 R1*2
399 \time 3/2 R1.
400 \mark \markup \did \InterludeUnF
401 \time 2/2 R1
402 \time 3/4 R2. \bar "||"
403 \mark \markup \did \InterludeUnG
404 \tempo "Piu vivo" 4 = 92
405 R2.*16\bar"|."
408 ActeUnSceneDeuxMesures = {
409 \time 3/4
410 \tempo "Cavatine" 2 = 84
411 R2.*2
412 \time 2/2 R1*2
413 \time 3/4 R2.*2
414 \time 2/2 R1*2
415 \time 3/4 R2.*2
416 \time 2/2 R1*2
417 \time 3/4 R2.*2
418 \time 2/2 R1*2
419 \time 3/4 R2.*2
420 \time 2/2 R1*2
421 \time 3/4 R2.*2
422 \time 2/2 R1*2
423 \time 3/4 R2.*2
424 \time 2/2 R1*2
425 \time 3/4 R2.*2
426 \time 2/2 R1*2
427 \time 3/4 R2.*2
428 \time 2/2 R1*2
429 \time 3/4 R2.*2
430 \time 2/2 R1*2
431 \time 3/4 R2.*2
432 \time 2/2 R1*2
433 \time 3/4 R2.*2
434 \time 2/2 R1*2
435 \time 3/4 R2.*2
436 \time 2/2 R1*2
437 \time 3/4 R2.*2
438 \time 2/2 R1*2
439 \time 3/4 R2.*2
440 \time 2/2 R1*2
441 \time 3/4 R2.*2
442 \time 2/2 R1*2
443 \time 3/4 R2.*2
444 \time 2/2 R1*2
445 \time 3/4 R2.*2
446 \time 2/2
447 \tempo "Ritenuto al fine..."
448 R1*2
449 \time 3/4 R2.*2
450 \time 2/2 R1*2
451 \mark \markup \did \ActeUnSceneDeuxA
452 \time 3/4 R2.*2
453 \time 2/2 R1*2
454 \time 3/4 R2.*2
455 \time 2/2 R1*2 \bar "||"
456 \time 3/4
457 \mark \markup \did \ActeUnSceneDeuxAA
458 \tempo "Recitativo" 4 = 84
459 R2.*2
460 \time 4/4 R1
461 \time 3/4 R2.*3
462 \time 4/4 R1
463 \time 3/4 R2.*6
464 \time 2/4 R2
465 \time 3/4
466 \mark \markup \did \ActeUnSceneDeuxB
468 \time 4/4 R1*2
469 \time 3/4 R2.*5
470 \time 4/4 R1 \bar "||"
471 \time 3/4
472 \tempo "Tempo giusto" 4 = 92
474 \time 4/4 R1
475 \time 3/4 R2.
476 \time 4/4 R1
477 \time 3/4 r2
479 _\markup \did \ActeUnSceneDeuxC
480 \time 4/4 R1
481 \time 3/4 R2.
482 \time 4/4 R1
483 \time 3/4 R2.
484 \time 2/4 R2*2
485 \time 3/4 R2.
486 \time 4/4
487 \mark \markup \did \ActeUnSceneDeuxCC
488 R1*2
489 \time 3/4 R2.*2
490 \time 4/4 R1*2
491 \time 3/4 R2.*2
492 \mark \markup \did \ActeUnSceneDeuxD
494 \time 4/4
495 \mark \markup \did \ActeUnSceneDeuxE
496 R1 \bar "||"
497 \time 3/4
498 \tempo "Piu vivo" 4 = 132
500 \time 4/4 R1
501 \time 3/4 R2.*2
502 \time 4/4 R1
503 \time 3/4 R2.
504 \time 4/4 R1
505 \time 3/4 R2.
506 \time 4/4 R1
507 \time 3/4 R2.*14
508 \time 4/4
509 \tempo "Poco allargando..."
510 R1*3 \bar "||"
511 \tempo "Tempo giusto subito" 4 = 92
512 R1*5
513 \time 3/4 R2.
514 \time 4/4 R1*2
515 \time 3/4 R2.
516 \time 2/4 R2*3
517 \time 3/4 R2.*2
518 \time 2/4 R2*6
519 \time 3/4 R2.
520 \mark \markup \did \ActeUnSceneDeuxF
521 R2. \bar "||"
522 \time 4/4
523 \tempo "Largo assai al fine" 4 = 52
525 \time 3/4 R2.*3
526 \time 2/4 R2
527 \time 3/4
528 \mark \markup \did \ActeUnSceneDeuxG
530 \time 4/4 R1*3
533 _\markup \Noir
534 \bar "|."
537 ActeUnSceneTroisMesures = {
538 \time 3/4
539 \mark \markup \init-did \ActeUnSceneTroisA
540 \tempo "Risoluto" 4 = 116
541 R2.*7
544 _\markup \did \ActeUnSceneTroisB
545 R2.*10
546 \mark \markup \did \ActeUnSceneTroisC
547 R2.*4
548 \mark \markup \did \ActeUnSceneTroisD
549 R2.*2 \bar "||"
550 \time 6/4
551 \tempo "Lamento" 4 = 72
552 R1.*6
553 \time 5/4
554 \mark \markup \did \ActeUnSceneTroisE
555 R1*5/4*5
556 \time 4/4 R1*4
557 \time 3/4 R2.*3
558 \time 2/4
559 \mark \markup \did \ActeUnSceneTroisF
560 R2*2 \bar "||"
561 \time 3/4
562 \mark \markup \did \ActeUnSceneTroisG
563 \tempo "Tempo I" 4 = 116
564 R2.*10
565 \mark \markup \did \ActeUnSceneTroisH
566 R2.*4 \bar "||"
567 \time 6/4
568 \mark \markup \did \ActeUnSceneTroisI
569 \tempo "Tempo II" 4 = 72
570 R1.*6
571 \time 5/4 R1*5/4
572 \time 4/4 R1
573 \time 3/4 R2.
574 \time 2/4
575 \mark \markup \did \ActeUnSceneTroisJ
578 _\markup \Noir
579 \bar "|."
582 ActeUnSceneTroisBisMesures = {
583 \time 4/4
584 \mark \markup \init-did \ActeUnSceneTroisBisA
585 \tempo "Andantino" 4 = 66
586 R1*9
587 \mark \markup \did \ActeUnSceneTroisBisB
588 R1*8
589 \mark \markup \did \ActeUnSceneTroisBisC
590 R1*10
591 \mark \markup \did \ActeUnSceneTroisBisD
592 R1*7
593 \mark \markup \did \ActeUnSceneTroisBisE
595 \time 3/4 R2.
596 \time 4/4 R1*23
597 \mark \markup \did \ActeUnSceneTroisBisF
598 R1*4
599 \mark \markup \did \ActeUnSceneTroisBisG
600 R1*7
603 _\markup \Noir
604 \bar "|."
607 ActeUnSceneTroisTerMesures = {
608 \time 2/4
609 \mark \markup \init-did \ActeUnSceneTroisTerA
610 \tempo "Ad lib."
611 R2*3
612 \time 3/4 R2.
613 \time 2/4 R2*2
614 \time 3/4 R2. \bar "||"
615 \mark \markup \did \ActeUnSceneTroisTerB
616 \tempo "Allegro non troppo" 4 = 92
617 R2.*6
618 \time 4/4 R1*3
619 \mark \markup \did \ActeUnSceneTroisTerC
620 R1*3
621 \time 3/4 R2. \bar "||"
622 \tempo "Poco meno" 4 = 84
623 R2.*39
624 \time 4/4 R1 \bar "||"
625 \time 3/4
626 \mark \markup \did \ActeUnSceneTroisTerD
627 R2.*9
628 \mark \markup \did \ActeUnSceneTroisTerE
629 R2.*7
630 \mark \markup \did \ActeUnSceneTroisTerF
631 R2.*10
632 \mark \markup \did \ActeUnSceneTroisTerG
633 R2.*10
636 _\markup \Noir
637 \bar "|."
640 ActeUnSceneQuatreMesures = {
641 \time 2/4
642 \mark \markup \init-did \ActeUnSceneQuatreA
643 \tempo "Allegretto" 4 = 92
644 \partial 4 s4
645 \time 5/8 R2*5/4
646 \time 2/4 R2*3
647 \time 5/8 R2*5/4
648 \time 2/4 R2*2
649 \time 3/4 R2.
650 \time 2/4
651 \tempo "Adagio" 4 = 60
653 \mark \markup \did \ActeUnSceneQuatreB
655 \mark \markup \did \ActeUnSceneQuatreC
656 R2 \bar "||"
657 \time 4/4
658 \tempo "Allegro comodo" 4 = 92
660 \time 3/4 R2.
661 \time 2/2 R1*2
662 \time 3/2 R1.
663 \time 2/2 R1*2
664 \time 3/2 R1.
665 \time 2/2 R1
666 \mark \markup \did \ActeUnSceneQuatreD
667 R1 \bar "||"
668 \time 3/4
669 \tempo "Agitato" 4 = 126
670 R2.*19
671 \mark \markup \did \ActeUnSceneQuatreE
672 R2.*8
673 \time 4/4 R1
674 \time 3/4 R2.
675 \time 4/4 R1
676 \time 3/4 R2.
677 \time 2/4 R2
678 \time 3/4 R2.
679 \time 2/4 R2
680 \time 3/4 R2.
681 \time 2/4 R2
682 \time 3/4 R2.
683 \time 4/4
684 \mark \markup \did \ActeUnSceneQuatreF
685 \tempo "Placando assai"
686 R1*5
687 \time 2/4 R2
688 \time 3/4 R2.
689 \time 4/4 R1
690 \mark \markup \did \ActeUnSceneQuatreG
691 \tempo "Andante a piacere" 4 = 92
692 R1*7
693 \mark \markup \did \ActeUnSceneQuatreH
695 \mark \markup \did \ActeUnSceneQuatreI
697 \time 3/4 R2.
698 \time 4/4 R1
699 \time 3/4 R2.
700 \time 4/4
701 \mark \markup \did \ActeUnSceneQuatreJ
702 R1*7
703 \time 2/4
704 \mark \markup \did \ActeUnSceneQuatreK
705 R2*3
706 \time 3/4 R2.*2
707 \tempo "Poco a poco più mosso..."
708 R2.*4
709 \time 4/4
710 \tempo "Agitato assai" 4 = 104
711 R1*2
712 \mark \markup \did \ActeUnSceneQuatreL
713 R1*2
714 \time 3/4 R2.
715 \time 4/4 R1
716 \time 3/4 R2.
717 \time 4/4 R1
718 \time 3/4 R2.
719 \time 4/4 R1
720 \time 3/4
721 \mark \markup \did \ActeUnSceneQuatreM
723 \time 4/4 R1*2
724 \time 3/4
725 \mark \markup \did \ActeUnSceneQuatreMM
726 R2.*3
727 \time 4/4
728 \mark \markup \did \ActeUnSceneQuatreN
729 R1*2
730 \time 3/4 R2.
731 \time 3/8 R4*3/2
732 \time 3/4 R2.
733 \time 3/8 R4*3/2
734 \time 2/4 R2
735 \time 3/8 R4*3/2
736 \time 2/4 R2*3
737 \time 3/8 R4*3/2
738 \time 2/4 R2*3
739 \time 3/8 R4*3/2
740 \time 2/4 R2*3
741 \time 3/8 R4*3/2
742 \time 3/4 R2. \bar "||"
743 \time 4/4
744 \tempo "Risoluto (l'istesso tempo)" 4 = 104
745 R1*11 \bar "||"
746 \mark \markup \did \ActeUnSceneQuatreO
748 \time 2/4 R2
749 \time 3/4 R2.*2
750 \time 2/4 R2
751 \time 4/4
752 \mark \markup \did \ActeUnSceneQuatreP
753 R1 \bar "||"
754 \time 3/4
755 \tempo "Più lento" 4 = 69
756 R2.*20
757 \mark \markup \did \ActeUnSceneQuatreQ
760 _\markup \Noir
761 \bar "||"
762 \time 3/2
763 \mark \markup \did \ActeUnSceneQuatreR
764 \tempo "Andantino" 4 = 108
766 \time 2/2 R1
767 \time 3/2 R1.
768 \time 2/2 R1
769 \time 3/2 R1.
770 \time 2/2
771 \mark \markup \did \ActeUnSceneQuatreS
773 \time 3/2
774 \mark \markup \did \ActeUnSceneQuatreT
776 \time 2/2 R1
777 \time 3/2 R1.
778 \time 2/2 R1
779 \time 3/2
780 \mark \markup \did \ActeUnSceneQuatreU
781 R1.*5
782 \time 2/2 R1
783 \time 3/2 R1.
784 \time 2/2 R1
785 \time 3/2 R1.
786 \time 2/2 R1
787 \time 3/2 R1.*5
788 \time 2/2 R1
789 \time 3/2 R1.
790 \time 2/2 r2
792 _\markup \Noir
793 \bar "|."
796 EntracteMesures = {
797 \time 2/4
798 \mark \markup \init-did \EntracteA
799 \tempo "Adagio" 4 = 52
800 R2*9 \bar "||"
801 \time 4/4
802 \tempo "Vivo subito" 4 = 120
803 R1*24
806 ActeDeuxSceneUnMesures = {
807 \time 3/4
808 \mark \markup \init-did \ActeDeuxSceneUnA
809 \tempo "Animato" 4 = 92
810 R2.*4
811 \time 2/4 R2
812 \time 3/4 R2.*2
813 \time 2/4 R2
814 \time 3/4 R2.*3
815 \time 2/4 R2
816 \time 3/4 R2.
817 \time 2/4 R2
818 \time 3/4 R2.*2
819 \time 2/4 R2
820 \time 3/4 R2.*3
821 \time 2/4 R2
822 \time 3/4 R2.
823 \time 2/4 R2
824 \time 3/4 R2.*2
825 \time 2/4 R2
826 \time 3/4
827 \tempo "Poco stringendo..."
828 R2.*2
829 \mark \markup \did \ActeDeuxSceneUnB
831 \time 2/4 R2
832 \time 3/4 R2.*2
833 \time 4/4 R1
834 \time 3/4 R2.
835 \time 4/4 R1
836 \time 3/4 R2.
837 \time 2/4 R2
838 \time 3/4 R2.
839 \time 4/4 R1
840 \tempo "Andantino" 4 = 108
841 R1*2
842 \time 3/4 R2.*4
843 \time 2/4 R2
844 \time 3/4 R2.*5
845 \time 4/4 R1
846 \time 3/4 R2.
847 \time 2/4 R2
848 \time 3/4 R2.
849 \time 4/4 R1
850 \time 3/4 R2.
851 \time 4/4 R1
852 \time 3/4 R2.
853 \time 4/4 R1
854 \time 3/4 R2.
855 \time 4/4 R1
856 \time 3/4 R2.
857 \time 4/4 R1
858 \time 3/4 R2.
859 \time 4/4 R1
860 \time 3/4 R2.
861 \time 4/4 R1
862 \time 3/4 R2.
863 \time 4/4 R1
864 \time 3/4 R2.
865 \time 4/4 R1
866 \time 3/4 R2.
867 \time 4/4 R1
868 \time 3/4 R2.
869 \time 4/4 R1
870 \time 3/4 R2.
871 \time 4/4 R1
872 \time 3/4
873 \mark \markup \did \ActeDeuxSceneUnC
875 \time 4/4
876 \mark \markup \did \ActeDeuxSceneUnD
878 \time 3/4 R2.
879 \time 4/4 R1
880 \time 3/4 R2.
881 \time 4/4 R1
882 \time 3/4
883 \mark \markup \did \ActeDeuxSceneUnE
885 \time 4/4 R1
886 \time 3/4 R2.
887 \time 4/4 R1
888 \time 3/4 R2.
889 \time 4/4
890 \mark \markup \did \ActeDeuxSceneUnF
892 \time 3/4 R2.
893 \time 4/4 R1
894 \time 3/4 R2.
895 \time 4/4 R1
896 \time 3/4 R2.
897 \time 4/4 R1
898 \time 3/4 R2.
899 \time 3/4
900 \mark \markup \did \ActeDeuxSceneUnG
901 R2.*7
902 \mark \markup \did \ActeDeuxSceneUnH
903 R2.*2
904 \time 4/4 R1
905 \time 3/4 R2.
906 \time 4/4 R1
907 \time 3/4 R2.
908 \time 4/4
909 \mark \markup \did \ActeDeuxSceneUnI
911 \time 3/4 R2.
912 \time 4/4 R1
913 \time 3/4 R2.
914 \time 4/4 R1
915 \time 3/4 R2.
916 \time 4/4 r2
918 _\markup \did \ActeDeuxSceneUnJ
919 \time 3/4 R2.
920 \time 4/4 R1
921 \time 3/4 R2.
922 \time 2/4 R2
923 \time 4/4 r2
926 _\markup \Noir
927 \time 3/4 R2.
928 \time 4/4 R1
929 \time 3/4 R2.
930 \time 4/4 R1
931 \time 3/4 R2.
932 \time 4/4 R1 \bar "|."
935 ActeDeuxSceneUnBisMesures = {
936 \time 4/4
937 \mark \markup \init-did \ActeDeuxSceneUnBisA
938 \tempo "Andante ad libitum" 4 = 76
940 \time 3/4 R2.
941 \time 2/4 R2
942 \time 5/4
943 \tempo "Presto Agitato" 4 = 192
944 R1*5/4*7
945 \mark \markup \did \ActeDeuxSceneUnBisB
946 R1*5/4*17
947 \mark \markup \did \ActeDeuxSceneUnBisC
948 R1*5/4*17
949 \mark \markup \did \ActeDeuxSceneUnBisCC
950 R1*5/4*2
951 \mark \markup \did \ActeDeuxSceneUnBisD
952 R1*5/4*2
953 \mark \markup \did \ActeDeuxSceneUnBisE
954 R1*5/4*13
955 \mark \markup \did \ActeDeuxSceneUnBisF
956 R1*5/4*16
957 \mark \markup \did \ActeDeuxSceneUnBisG
958 \startTxt #"molto rit."
959 r1*5/4
960 R1*5/4
962 \stopTxt
964 \bar "||"
965 \time 7/4
966 \tempo "Moderato assai" 4 = 104
967 R1*7/4*7
968 \time 3/4 R2.
969 \time 4/4 R1
970 \time 3/4 R2.
971 \time 2/4 R2
972 \time 3/4
973 \mark \markup \did \ActeDeuxSceneUnBisH
974 R2.*9
975 \time 7/4 R1*7/4
978 _\markup \did \ActeDeuxSceneUnBisI
980 R1*7/4
981 \time 3/4 R2.*7
982 \time 7/4 R1*7/4
986 _\markup \did \ActeDeuxSceneUnBisJ
987 R1*7/4*2
988 \mark \markup \did \ActeDeuxSceneUnBisK
989 R1*7/4*5
990 \bar "||"
991 \time 3/2
992 \mark \markup \did \ActeDeuxSceneUnBisL
993 \tempo "Presto subito" 2 = 52
994 R1.*5
995 \time 3/4
996 \mark \markup \did \ActeDeuxSceneUnBisM
997 \tempo "Tempo giusto" 4 = 104
998 R2.*6
1001 _\markup \did \ActeDeuxSceneUnBisN
1002 \time 2/4 R2*2
1003 \time 3/4 R2.*4
1004 \time 2/4 R2
1005 \time 3/8 R4.
1006 \time 2/4 R2*3
1007 \time 3/8 R4.
1008 \time 3/4 R2.
1009 \time 2/4 R2
1010 \time 3/8 R4.
1011 \time 3/4 R2.
1012 \time 5/8 R1*5/8
1013 \time 2/4 R2
1014 \time 3/8 R4.
1015 \time 3/4 R2.*14
1016 \mark \markup \did \ActeDeuxSceneUnBisO
1018 \time 2/4 R2
1019 \time 3/8 R4.
1020 \time 2/4 R2
1021 \time 5/8 R1*5/8
1022 \time 3/4 R2.
1023 \time 4/4
1024 \tempo "Tempo primo" 4 = 192
1026 \time 5/4 R1*5/4*3
1027 \mark \markup \did \ActeDeuxSceneUnBisP
1028 R1*5/4*5
1029 \mark \markup \did \ActeDeuxSceneUnBisQ
1030 R1*5/4*8
1031 \mark \markup \did \ActeDeuxSceneUnBisR
1032 R1*5/4*6
1036 _\markup \Noir
1037 R1*5/4*2
1038 \bar "|."
1041 ActeDeuxSceneDeuxMesures = {
1042 \time 3/2
1043 \mark \markup \init-did \ActeDeuxSceneDeuxA
1044 \tempo "Largo tranquillo" 2 = 46
1046 \mark \markup \did \ActeDeuxSceneDeuxB
1047 R1.*3
1048 \mark \markup \did \ActeDeuxSceneDeuxC
1050 \mark \markup \did \ActeDeuxSceneDeuxD
1052 \time 2/2 R1*2
1053 \time 3/4
1054 \mark \markup \did \ActeDeuxSceneDeuxE
1055 R2.*3
1056 \mark \markup \did \ActeDeuxSceneDeuxF
1057 R2.*2
1058 \time 3/2
1059 \mark \markup \did \ActeDeuxSceneDeuxG
1060 R1.*2
1061 \mark \markup \did \ActeDeuxSceneDeuxH
1063 \time 2/2 R1*2
1064 \time 3/4 R2.
1065 \time 4/4 R1
1066 \time 3/8 R4.
1067 \time 4/4
1068 \mark \markup \did \ActeDeuxSceneDeuxI
1069 R1*3
1070 \mark \markup \did \ActeDeuxSceneDeuxJ
1071 R1*2
1072 \mark \markup \did \ActeDeuxSceneDeuxK
1074 \time 3/4 R2.
1075 \time 3/2 R1.
1076 \time 2/2 R1*2 \bar "||"
1078 %%% Air kitsch du Baryton 1 %%%
1080 \time 3/4 R2.*3
1081 \time 2/4 R2
1082 \time 3/4 R2.*3
1083 \time 2/4 R2
1084 \time 3/8 R4. \bar "||"
1086 %%% Duo Sopranos 1 et 2 %%%
1088 \time 4/4
1089 \mark \markup \did \ActeDeuxSceneDeuxL
1090 R1*5
1091 \time 2/4
1092 \mark \markup \did \ActeDeuxSceneDeuxM
1093 R2*6
1094 \time 4/4 R1
1095 \time 3/4 R2.
1096 \time 3/2 R1.
1097 \time 2/2 R1
1098 \time 3/2 R1.*2
1099 \time 3/4 R2.
1100 \time 2/2
1101 \mark \markup \did \ActeDeuxSceneDeuxN
1102 R1 \bar "||"
1104 %%% Ensemble 1 %%%
1106 \time 3/4 R2.
1107 \time 4/4 R1
1108 \time 3/4 R2.
1109 \time 4/4 R1
1110 \time 3/4 R2.
1111 \time 4/4 R1
1112 \time 3/4 R2.
1113 \time 4/4 R1
1114 \time 3/4 R2.
1115 \time 4/4 R1
1116 \time 3/4 R2.
1117 \time 4/4 R1
1118 \time 3/4 R2.
1119 \time 4/4 R1
1120 \time 3/4
1121 \mark \markup \did \ActeDeuxSceneDeuxO
1123 \time 4/4 R1
1124 \time 3/4 R2.
1125 \time 4/4 R1
1126 \time 3/4 R2.
1127 \time 4/4 R1
1128 \time 3/4 R2. \bar "||"
1130 %%% Course-poursuite %%%
1132 \time 2/4
1133 \mark \markup \did \ActeDeuxSceneDeuxP
1134 \tempo "Presto (doppio tempo)" 4 = 176
1135 R2*2
1136 \mark \markup \did \ActeDeuxSceneDeuxQ
1138 \time 3/4 R2.
1139 \time 4/4
1140 \mark \markup \did \ActeDeuxSceneDeuxR
1141 R1*3
1142 \time 5/8 R1*5/8*5
1143 \mark \markup \did \ActeDeuxSceneDeuxS
1144 R1*5/8*6
1145 \mark \markup \did \ActeDeuxSceneDeuxT
1146 R1*5/8
1147 \mark \markup \did \ActeDeuxSceneDeuxU
1148 R1*5/8*2
1149 \time 4/4
1150 \tempo "Andante ad lib." 4 = 80
1152 \mark \markup \did \ActeDeuxSceneDeuxV
1154 \mark \markup \did \ActeDeuxSceneDeuxW
1156 \mark \markup \did \ActeDeuxSceneDeuxX
1158 \mark \markup \did \ActeDeuxSceneDeuxY
1159 R1*2
1160 \mark \markup \did \ActeDeuxSceneDeuxZ
1161 R1*2
1162 \mark \markup \did \ActeDeuxSceneDeuxZA
1164 \time 3/4
1165 \mark \markup \did \ActeDeuxSceneDeuxZAA
1167 \time 2/4 R2
1168 \time 4/4 R1*2
1169 \time 3/4 R2.*2
1170 \mark \markup \did \ActeDeuxSceneDeuxZB
1171 R2.*5
1172 \time 2/4
1173 \mark \markup \did \ActeDeuxSceneDeuxZBB
1174 \tempo "Andantino" 4 = 66
1175 R2*2
1176 \time 3/4 R2.*2
1177 \time 2/4 R2*19
1178 \mark \markup \did \ActeDeuxSceneDeuxZC
1179 R2*4
1180 \mark \markup \did \ActeDeuxSceneDeuxZD
1181 R2*2 \bar "||"
1182 \time 3/4
1183 \mark \markup \did \ActeDeuxSceneDeuxZDD
1184 \tempo "Stesso Tempo"
1185 R2.*16 \bar "|."
1188 ActeDeuxSceneTroisMesures = {
1189 \time 3/8
1190 \mark \markup \init-did \ActeDeuxSceneTroisA
1191 \tempo "Larghetto" 8 = 120
1192 R4.*15
1193 \mark \markup \did \ActeDeuxSceneTroisB
1194 R4.*15
1195 \mark \markup \did \ActeDeuxSceneTroisC
1196 R4.*16
1197 \mark \markup \did \ActeDeuxSceneTroisD
1198 R4.*5 \bar "||"
1199 \time 2/8
1200 \mark \markup \did \ActeDeuxSceneTroisE
1201 R4*2
1202 \mark \markup \did \ActeDeuxSceneTroisF
1203 R4*13
1204 \mark \markup \did \ActeDeuxSceneTroisG
1205 R4*12
1206 \time 3/8 R4.
1207 \time 2/8 R4
1208 \mark \markup \did \ActeDeuxSceneTroisH
1209 R4*3
1210 \mark \markup \did \ActeDeuxSceneTroisI
1212 \mark \markup \did \ActeDeuxSceneTroisJ
1213 R4*2
1214 \time 3/8 R4.*14
1215 \time 2/8 R4*13
1216 \mark \markup \did \ActeDeuxSceneTroisK
1217 R4*15
1218 \time 3/4
1219 \mark \markup \did \ActeDeuxSceneTroisL
1220 R2.*4
1221 \mark \markup \did \ActeDeuxSceneTroisM
1222 R2.*3 \bar "||"
1224 %%% Séquence instrumentale %%%
1226 \time 2/4 R2*2
1227 \mark \markup \did \ActeDeuxSceneTroisN
1228 R2*7
1229 \time 3/4 R2.
1230 \time 2/4 R2*6
1231 \time 5/8 R1*5/8
1232 \time 2/4 R2*16
1233 \time 5/8 R1*5/8
1234 \time 2/4
1235 \mark \markup \did \ActeDeuxSceneTroisO
1237 \time 3/8 R4.
1238 \time 2/4 R2
1239 \time 3/8 R4.
1240 \time 2/4
1241 \mark \markup \did \ActeDeuxSceneTroisP
1243 \time 3/8 R4.*2 \bar "||"
1245 %%% Solo du Baryton 1 %%%
1247 \time 3/4
1248 \mark \markup \did \ActeDeuxSceneTroisQ
1249 R2.*7
1250 \time 2/4 R2*2
1251 \time 3/4
1252 \mark \markup \did \ActeDeuxSceneTroisR
1254 \time 2/4 R2*2
1255 \time 3/4 R2.
1256 \time 2/4 R2*2
1257 \time 3/4 R2.
1258 \time 2/4 R2*2
1259 \time 3/4 R2.
1260 \time 2/4 R2*2
1261 \time 3/4 R2.
1262 \time 2/4
1263 \mark \markup \did \ActeDeuxSceneTroisS
1265 \time 3/8 R4.
1266 \time 2/4 R2
1267 \time 3/8 R4.
1268 \time 2/4 R2*2
1269 \time 3/4 R2.
1270 \time 2/4 R2*2
1271 \time 3/4 R2.
1272 \time 4/4 R1
1273 \time 3/4
1274 \mark \markup \did \ActeDeuxSceneTroisT
1276 \time 2/4 R2 \bar "||"
1278 \tempo "Doppio Tempo" 4 = 120
1279 R2*4
1280 \mark \markup \did \ActeDeuxSceneTroisU
1281 R2*3
1282 \time 3/4
1283 \mark \markup \did \ActeDeuxSceneTroisV
1284 R2.*7
1285 \time 2/4 R2
1286 \time 3/4 R2.
1287 \time 2/4
1288 \mark \markup \did \ActeDeuxSceneTroisW
1290 \time 3/4 R2.
1291 \time 2/4 R2
1292 \time 3/4 R2.
1293 \time 2/4 R2
1294 \time 3/4 R2.
1295 \time 2/4 R2
1296 \time 3/4 R2.
1297 \time 2/4 R2
1298 \time 3/4 R2.
1299 \time 2/4 R2
1300 \time 3/4
1301 \mark \markup \did \ActeDeuxSceneTroisX
1304 %%% Climax %%%
1306 \time 2/4 R2
1307 \time 3/8 R4.
1308 \time 2/4 R2*3
1309 \time 3/8 R4.
1310 \time 2/4 R2*4
1311 \time 3/8 R4.*2
1312 \time 3/4 R2.
1313 \time 4/4 R1
1314 \time 3/4 R2.
1315 \time 4/4
1316 \mark \markup \did \ActeDeuxSceneTroisY
1318 \time 3/4 R2.
1319 \time 4/4 R1
1320 \time 3/4 R2.
1321 \time 4/4 R1
1322 \time 3/4 R2.
1323 \time 4/4 R1
1324 \time 3/4 R2.
1325 \time 4/4 R1
1326 \time 3/4 R2.
1327 \time 4/4 R1
1328 \time 3/4 R2.
1329 \time 4/4 R1
1330 \time 3/4 R2.
1331 \time 4/4 R1
1332 \time 3/4 R2.
1333 \time 4/4 R1
1334 \time 3/4 R2.
1335 \time 4/4 R1
1336 \time 3/4 R2.
1337 \time 4/4 R1
1338 \time 3/4 R2.
1339 \time 4/4 R1
1340 \time 3/4 R2.
1341 \time 4/4 R1
1342 \time 3/4 R2.
1343 \time 4/4 R1
1344 \time 3/4 R2.
1345 \time 4/4 R1
1346 \time 3/4 R2.
1347 \time 4/4
1348 \mark \markup \did \ActeDeuxSceneTroisZ
1350 \time 3/4 R2.
1351 \time 4/4 R1
1352 \time 3/4 R2.
1353 \time 4/4 R1
1354 \time 3/4 R2.
1355 \time 4/4 R1
1356 \time 3/4 R2.
1357 \time 4/4 R1
1358 \time 3/4 R2.
1359 \time 4/4 R1
1360 \time 3/4 R2.
1361 \time 4/4 R1
1362 \time 3/4 R2.
1363 \time 4/4 R1
1364 \time 3/4 R2.
1365 \time 4/4 R1
1366 \time 3/4 R2.
1367 \time 4/4 R1
1368 \time 3/4 R2.
1369 \time 4/4 R1
1370 \time 3/4 R2.
1371 \time 4/4 R1
1372 \time 3/4 R2.
1373 \time 4/4 R1
1374 \time 3/4 R2.
1375 \time 4/4
1376 \mark \markup \did \ActeDeuxSceneTroisZA
1377 R1*6
1378 \time 2/4 R2*3 \bar "||"
1379 \time 3/4
1380 \mark \markup \did \ActeDeuxSceneTroisZB
1381 \tempo "Tempo giusto" 4 = 120
1382 R2.*3
1383 \mark \markup \did \ActeDeuxSceneTroisZC
1384 R2.*8
1385 \time 3/8
1386 \mark \markup \did \ActeDeuxSceneTroisZD
1388 \time 3/4 R2.*8
1389 \mark \markup \did \ActeDeuxSceneTroisZDD
1390 R2.*3
1391 \mark \markup \did \ActeDeuxSceneTroisZE
1392 R2.*2
1393 \mark \markup \did \ActeDeuxSceneTroisZF
1394 R2.*13
1395 \time 2/4
1396 \mark \markup \did \ActeDeuxSceneTroisZG
1397 R2*12
1398 \time 3/4 R2.
1399 \time 2/4 R2*6
1400 \time 3/4 R2.*4
1401 \time 2/2 R1*2
1402 \mark \markup \did \ActeDeuxSceneTroisZH
1403 R1*6
1404 \mark \markup \did \ActeDeuxSceneTroisZI
1405 R1*6
1406 \mark \markup \did \ActeDeuxSceneTroisZJ
1408 \mark \markup \did \ActeDeuxSceneTroisZK
1409 R1*4
1410 \mark \markup \did \ActeDeuxSceneTroisZL
1414 _\markup \did \ActeDeuxSceneTroisZM
1415 R1*2
1416 \mark \markup \did \ActeDeuxSceneTroisZN
1418 \time 3/4 R2. \bar "||"
1419 \mark \markup \did \ActeDeuxSceneTroisZO
1420 R2.*5
1421 \time 2/4 R2*3 \bar "||"
1423 %%% Épilogue %%%
1425 \time 3/4
1426 \mark \markup \did \ActeDeuxSceneTroisZP
1427 \tempo "Andante al fine" 8 = 92
1428 R2.*10
1429 \mark \markup \did \ActeDeuxSceneTroisZQ
1430 R2.*10
1431 \mark \markup \did \ActeDeuxSceneTroisZR
1432 R2.*5
1433 \mark \markup \did \ActeDeuxSceneTroisZS
1434 R2.*16\bar "|."