instruments/saxophone2.ly

   1 %------------------------------------------------------------------%
   2 % Opéra Libre -- saxophone2.ly                                     %
   3 %                                                                  %
   4 % (c) Valentin Villenave, 2008                                     %
   5 %                                                                  %
   6 %------------------------------------------------------------------%
   7
   8 \include "italiano.ly"
   9
  10 SaxAltoDeux = {
  11   #(make-instrument-name 'saxophone-two "alto sax" 25)
  12   \clef treble
  13 }
  14
  15 SaxophoneBaryton = {
  16   #(make-instrument-name 'saxophone-baritone "baritone sax" 25)
  17   \clef bass
  18 }
  19
  20 PrologueSaxophoneDeux = { \SaxophoneBaryton
  21   \relative {
  22
  23     %%% Introduction %%%
  24     \partial 4 r4 R2.*3 R1
  25     \ten mi,,2~\fp mi4 r | mi4~\p \tt {mi32( fa mi mi' fa)} mi'8~ mi4~ |
  26     mi2~ mi4 r | mi,,2--\p r4 |
  27     R2*2 \ten mi2.~ | mi2~ mi4 r |
  28     mi2.( | mi'2) \t {sol4\<( sib do8) r} |
  29
  30     %%% Entrée du baryton 2 %%%
  31     re,8.->\f dod16~-> dod8 mi-> r4 | R2*2 | reb,2--\p r4 | R2
  32     la'4--\mp\< si-- fa'8->\! sol~-> |
  33     \ten sol2~\p sol2.~ sol8 r r4 | R2. R2 |
  34     sib,2~--\pp sib4 r \t {lab8\fsubito( fa mib} |
  35
  36     %%% Tempo giusto %%%
  37     re8->\f) r r4 | R2*2 re4\p( mib fa lab sib si8) r |
  38     \t {reb4\p( mi fad} \t {sol\< la do} |
  39     re4\f) r2 lab,2.--\mp( re4--) r2 solb2.\p mib do |
  40     r2 lab'8-> r r4 do8-> r r4 | re,,2\f re'4~-- re mib2-- |
  41     reb2.---> r4 | R2*2 R2-\fermataMarkup
  42
  43     %%% Solo ténor %%%
  44     R1*2 R2. R1 R2. R1
  45     R2*4 R2.*11 R4.*15
  46     mi,?8-.\pp r4 sol?8-. r4 |
  47     mi8-. r4 sol8-. r4 |
  48     mib8-. r4 solb8-. r4 |
  49     mib8-. r4 solb8-. r4 |
  50     mi8-. r4 mi8-. r4 |
  51     re8-. r4 re?8-. r4 |
  52     \ten do'4.~\pp do~ do~ do8 r4 |
  53     do4.~ do~ do~ do8 r4 |
  54     do4.~ do~ do4 r8 |
  55     r r16 re'\mp\< \t {re re lab} |
  56
  57     %%% A tempo %%%
  58     re,8\sfz r4 | lab4.--\p( re8) r4 | re4.~\p( re4.) |
  59     \ten lab4.~\mf lab~ lab4 r8 | re,8-> r4 | R4.*2
  60     r8 mib\mp( re) \ten fa4.~ fa~ fa4 r8 | R4.*4
  61     r8 mi''\<( re | fa4.\f) R4. | r8 dod\<( si mi4\!) r8 |
  62     R4.*2 fa,,4.~\p fa8 r4 fa'4--\mf r8 R4.
  63     \t {mi16\>( fa fad} sol8) r |
  64     R4. solb,8\pp( lab la |
  65     si re mi fa\< sol sib do reb |
  66     re4--\f) r re,,-- | fa-- r2 | R2. |
  67
  68     %%% Adagio %%%
  69     R1*3-\markup "Mettez la sourdine" \ten sib1~\pp sib1.~ sib4 r r1 |
  70     R1*2 \ten sib1~ sib1.~ sib4 r r1 |
  71     R1*2 sib2\pp r4 |
  72
  73     %%% Valse %%%
  74     sol2 r4 | R2.*2
  75     r4 si'2-- r4 la2-- | r4 solb2-- r4 solb-- r mi-- |
  76     sol,2.~\pp sol4 r | R2.*2-\markup "Enlevez la sourdine" R1*2
  77     r2 lab4\mp( sol'2) r4 |
  78     r si,2( mi2) r4 | r2 re4( la'2\> | sol\!) |
  79     \ten do,1~\f do2 lab4-- |
  80
  81     %%% Vivo al fine %%%
  82     re,4---> r | R2*3
  83     \ten re'2~\p re~ re8 re->\mf\< re-> re-> re->\! r r4 |
  84     R2*22 r4 mi,8->\pp r |
  85   }
  86 }
  87
  88 OuvertureSaxophoneDeux = { \SaxAltoDeux
  89   \relative {
  90     R2. r2 \tt { sib16 si solb' sol re'} |
  91     mi,4 la,16 la sold8 r16 re \t {la' la lab} |
  92     sib4
  93   }
  94 }
  95
  96 ActeUnSceneUnSaxophoneDeux = { \SaxAltoDeux
  97   \relative {
  98     R2*2 R2. R2*2 R2.
  99     R2*2 R2. R2*2 R2.
 100     R2*2 R2. R2*2 R2.
 101     fa,2~\pp fa8 r16 r32 fa'\mf( sol4) |
 102     fa,2.~\pp fa4 r sol'16\mf\>( sib reb8~) reb16 sib( sol fa) |
 103     fa\>( mi4..\p) r4 |
 104     reb,1~\p reb8 do'16\mp( re fa4.) r8 |
 105     reb,4--\p r8 sib''16\mf( sol~) \t {sol do( sib} do8~) do r |
 106     \t {reb4--( sib8~--} \t {sib fa4--)} sol~\< |
 107     \ten sol2~\mf sol8 r r sol,~\mp( | sol sib4.) r4 | sol8( sib~) sib2 r4 |
 108     sol8 sib~ sib4 \t {fa8(\< sib re} |
 109     do4--\f) r2 | R2.*2
 110     \ten solb2.~\pp solb~ solb~ solb4 r \t {solb8\<( la sol} |
 111     \ten do1~\f) do2 r4 |
 112
 113     %%% Ad libitum %%%
 114     R1 R2.*2 R1 R2.*2
 115
 116     %%% Agitato %%%
 117     \ten re,1~\mf re2 r R1 |
 118     re4\sfz r r2 | R1 r2 re4\sfz r |
 119     r re\sfz r1 | R1*2 r4 re\sfz r1 | R1*3
 120     r4 re\sfz r1 | R1*2 R1.
 121     r8 mib-.\mp mib8.( si'16) lab2 r |
 122     r4 \t {si8\mf\<( lab) si} mi4\! \t {lab8\<( mib lab} si2\!) |
 123     r4 si,2--\mp r4 | r sib'2-- r4 r2 |
 124     mi,,!1--\f r2 | R1.*2 |
 125
 126     %%% Allegro non troppo %%%
 127     R1 R2. R1*5
 128     R2. R1 R2. R1 R2. R1
 129     sol2--\f r4 r2 \t {reb'4--\> sib-- lab--} |
 130     sol2.--\! r4 | R1 sol2.--\p r4 | R1 sol2-- r4 |
 131     R2.*2 R1*8
 132
 133     %%% Moderato %%%
 134     R2.*2 R1 R2. R1
 135     R2. R1
 136     \ten mib2.~\pp mib2 r | \ten fa2.~ fa2 r | mib4-- fa2-- |
 137     mib8.( fa16~) fa2. | solb8.\p( lab16~) lab2 |
 138     solb4 lab2. | mib8.--\mp fa16~-- fa8 solb~-- solb16 lab8.~ |
 139     lab8 solb-- fa-- mib-- | sib'8-> r r2 | R1
 140     R2*4
 141
 142     %%% Allegro marcato %%%
 143     r4 mib,8.--\mp\< mib16 solb4.\! r8 |
 144     r4 mib8.--\< mib16 solb4\!( re8) r |
 145     R1*2 dod4->\mf( re8-- mi-- sol!4--) r |
 146     r4 mi8.\mp\< mi16 sol4.\! r8 |
 147     r4 mi8.\< mi16 sol4\!( mib8) r | R1*2
 148     r2 r4 fa---.\pp mi2--( fa8) r fa4---. |
 149     mi2--( fa8) r r4 | R1
 150     r2 r4 fa---. | mi2--( fa8) r fa4---. | mi2--( fa8) r r4 | R1*2
 151     r2 r4 sib8-.\pp r | \st {lab r fa r mib} r re' r | \st {do r la r sol r r4 |
 152     fad8 r mi r dod} r r4 | R1
 153
 154     %%% Agitato %%%
 155     re2.\mf r4 | r re-- r re-- R1 |
 156     r4 re2.--( re8-.) r r4 r2 | R1*6
 157     do'8-.->\sfz r r4 r1 | R1*3 R2.
 158     \st {si'8\p fa si fa la mi la mi |
 159     dod fad dod sold dod fad dod->} r | R2 r1*4
 160   }
 161 }
 162
 163 ActeUnSceneUnBisSaxophoneDeux = { \SaxAltoDeux
 164   \relative {
 165     R2.*7
 166     re4->\f r r2 | r4 mib,2\p\<(
 167     re4\!) r r2 | r4 lab'2\p\<(
 168     sol8->\f) r do'2---> | fa,---> sib,4~---> |sib lab2---> | R2.*2
 169     sib2.~---> \ten sib4.\pp r8\fermata r4 | R2.
 170     \ten sib2.~\pp sib2~ sib8 r\fermata r4 | R1 R2
 171
 172     %%% Largo %%%
 173     R2*3 R2. R2 R2. R2 R2.*2
 174     r2 r4 si-.\p | sib2-- r4 si-. | sib2-- r4
 175     r sol\mp\<( solb fa\!) r2 |
 176     R2.*2 R2*2
 177     r2 r8 la-.\p | lab4-- r8 la-. | lab2-- |
 178     r8 sib->\mf r4 | r8 la-> mi'-> r r4 |
 179     r2 r8 lab,->( fa'-> mi->) |
 180     R2. R2*3 R2.*3
 181
 182     %%% Adagio %%%
 183     R1*33
 184     R2*4
 185   }
 186 }
 187
 188 InterludeUnSaxophoneDeux = { \SaxAltoDeux
 189   \relative {
 190     R1. R1*3 R1. R1 R1.
 191     mi32\mp( fa8..~) fa4 r mi8( fa~ fa4) \tt {re16( mi fa la sold} |
 192     si4.) r8 \t {fa16( re mi} si8~) \ten si4~ si r r2 |
 193     R1. r2 \t {r8 la'\mf( sold} si4~) si4. r8 |
 194     r2 r4 \t {mi,4( fa8~)} | fa16 mi32( fa mi8~ mi4) r |
 195     R2 R2.
 196     sold4\mp( mi8) r sold4( mi8) r |
 197     sold4( mi8) r sold4( mi8) r |
 198     sold4( mi8) r sold4( mi8) r sold4( mi8) r |
 199     sold4( mi8) r sold4( mi8) r |
 200     sold4( mi8) r sold4( mi8) r |
 201     \tt {mi16\mf( fa sol\< do sib} do2.\!) r2 |
 202     \tt {mi,16 fa sol8 do16} sib4 \ttt {mib16 reb sib fa8 sol16} mi8 r |
 203     fad,2.\f\> sol2\pp r4 | R2.*15
 204   }
 205 }
 206
 207 ActeUnSceneDeuxSaxophoneDeux = { \SaxAltoDeux
 208   \relative {
 209     %%% Air de la Soprano2 %%%
 210
 211     \repeat unfold 9 { R2.*2 R1*2} R2.*2 |
 212     re'8\mf( mib re sib) lab( sib) re4-- | re8( mib re sib) lab( sib re mib) |
 213     lab,( sib re mib) lab,( sib | re mib) r2 |
 214     lab,8\mf( sib lab fa) lab( sib re mib) | re\>( sib lab fa) re( fa re do) |
 215     lab4--\! r sol8( lab | do re) do( lab) do4-- | \ten re,1~\ppp| re2. r4 |
 216     \repeat unfold 8 {R2.*2 R1*2}
 217     R2.*2 R1 R1-\fermataMarkup |
 218
 219     %%% Récitatif %%%
 220
 221     R2.*2-\markup "Prenez le Sax. Baryton" \SaxophoneBaryton
 222     R1 R2.*3 R1 R2.*4
 223     \repeat tremolo 12 {si'32\p\< do} |
 224     si8\sfz r r2 R2 R2. R1*2 R2.*5 R1 |
 225
 226     %%% Duo %%%
 227
 228     re,4---.\p re,4---. \simile re,4 \repeat unfold 14 re
 229     \ind #"senza cresc." reb \repeat unfold 6 reb
 230     \repeat unfold 4 si
 231     \repeat unfold 4 sib r
 232     sol4->\mf lab8-> sib-> | reb4---> reb-- lab-- | \simile reb lab fa lab | reb lab fa reb |
 233     reb' r8 lab r4 | \ten mi2.~\p| mi r4 | mi'1\mp\<( | dod2.~\!) dod~ dod4 r2 r2 r8 si'4.--\fsubito |
 234
 235     %%% Piu vivo %%%
 236     sol,4\sfz r2 | R1-\markup "Prenez le Sax. Alto" \SaxAltoDeux R2.*2 R1
 237     r4 la''--\mf fad-- | la8-> mib~-> mib4 r2|
 238     r4 la-- fad-- |sol8-> mi~-> mi4 r2|
 239     r4 la-- sol-- |mi'8-> si~-> si4 r | R2.
 240     r4 si-- la-- |mi'8-> si~-> si4 r |
 241     r  si la | si8\< re~\! re4  r |
 242     R2.*2 r16 la-.->\mp r8 r2 |
 243     R2.*2 r4 r16 sold-> r8 r4 |
 244     R2.
 245     %%% Poco allargando %%%
 246     \t {fa,4--\f( fa-- fa--)}
 247     \t {fad--( fad-- fad--)}
 248     \t {sol--( sol-- sol--)}
 249     re'2-> | R1
 250     %%% Tempo giusto %%%
 251     R1*5 R2. R1*2 R2. R2
 252     \ten sold,2~\mp sold | sold2.~ sold8 r r2 |
 253     fa4.--\mf fa8( la) fa r fa( si) la r fa( la) fa r fa( |
 254     si) re( mi) si( fad4--) r8 re'\f( mi) la, r re( mi) si'(|
 255     sold-.) r r2 |
 256     R1 R2.*3 R2 R2. R1*4
 257   }
 258 }
 259
 260 InterludeDeuxSaxophoneDeux = { \SaxophoneBaryton
 261   \relative {
 262     R1 R2. R2 R2. R2 R2. R2
 263     R2*14
 264     la,2.--\pp r4 | la2.-- r4 la2.-- r4 R1 R2.
 265     fa2.-- r4 fa2 r4 | R2. reb2--\pp r R2. reb4-- r |
 266   }
 267 }
 268
 269 ActeUnSceneTroisSaxophoneDeux = { \SaxophoneBaryton
 270   \relative {
 271     R2.*4 sol8-.\mp mi4-- sol8-. mi4-- r r8 mi4-> dod8-. si2.~--\< si8\! r r2 |
 272     R2.*8 r2 \t {mi'8-.\f mi-. mi-.} mi4-- sol-- la8-> mi~-> mi4 r2 |
 273     R2.*5
 274
 275     %%% Lamento %%%
 276     R1.*6 R1*5/4 reb,2\pp\>( do4\!) r2 |
 277     reb\>( do4\!) r2 |
 278     \simile reb do4 r2 |
 279     re reb4 r2 |
 280     sol2\p( fad4) r |
 281     sol2( fad4) r |
 282     sol2( fad4) r |
 283     red2\>( mi4\!) r |
 284     reb4.\mp reb,4 reb'8~ reb4\< sib'\! do,\<( reb,4.\mf) r8 r4 | R2*2
 285
 286     %%% Tempo I %%%
 287     R2.*7 \ten mi2.~\fp mi mi\< lab8\sfz r r2 | R2.*3
 288     R1. r2 r4 sol2.\pp( lab mib') mi1.~\p mi2. r4 r2 | \ten do1.~--\mp do2.~ do8 r r4 |
 289     \ten do1~\pp do4 r2 | r4 si-- |
 290   }
 291 }
 292
 293 ActeUnSceneTroisBisSaxophoneDeux = { \SaxophoneBaryton
 294   \relative {
 295     R1*2 mi,1 R1 r2 lab,~ lab1 R1 r2 fa~ fa r |
 296     solb1~solb~solb2. r4 | R1*2 |
 297     solb1~solb~solb2. r4 | R1*5
 298     r4 re'16 lab' fa sib reb8 r re,16 lab' fa sib |
 299     reb8 fa,16 sib reb8 fa,16 sib reb8 fa,16 sib reb fa, re la |
 300     solb4 r r2 | R1
 301     si1~si~si2. r4 | R1*6 R2.
 302     re,1~re~re2. r4 |
 303     fa4 re8 r r2 fa4 re8 r r2 |
 304     fa4 re8 r fa4 re8 r
 305     fa4 re8 r fa4 re8 r
 306     fa4 re8 r fa4 re8 r
 307     fa4 re8 r fa4 re8 r |
 308     solb1~solb2~solb8 r solb4~solb1~solb2. r4 solb1~solb~solb2. r4 |
 309     R1*7
 310     solb1~solb~solb4 r r2 | R1*9
 311   }
 312 }
 313
 314
 315 ActeUnSceneTroisTerSaxophoneDeux = { \SaxophoneBaryton
 316   \relative {
 317     R2*3 R2. R2*2 R2.*7 R1*6 R2.*19
 318     r4 mib,2 mib re4~ re re r |
 319     r  mib2  mib re4~ re re r |
 320     r sol2 sol fad4~fad fad r |
 321     r sol2 sol fad4~fad fad r |
 322     r mib2 mib mib4~mib2 r4 |
 323     r mib2 sol si4~ si r2 |
 324     R2.*3 R1
 325     r4 si,2 si si4~ si2 r4 |
 326     r  si2  si si4~ si2 r4 |
 327     r sol'2 sol fad4~fad r2|
 328     r4 sol2 sol fad4~ fad r2 |
 329     r4 mib2 mib re4~ re re r |
 330     r  re'2 sol fad4~fad sol fad |
 331     r8 fad sol re mib sib si fad' sol re mib sib |
 332     si4 r8 fad' sol,4 | r8 re~ re4 r | R2.*15
 333   }
 334 }
 335
 336 InterludeTroisSaxophoneDeux = { \SaxophoneBaryton
 337   \relative {
 338     R1 R2. R1 R2. R1 R2.
 339     si,8 lab si lab si lab si do | si lab si lab si do16 r |
 340     si8 lab si lab si lab si do | si lab si lab si do16 r |
 341     reb8 sib reb sib reb mib | reb sib reb mi16 r |
 342     reb8 sib reb sib reb mib | reb sib reb mi16 r |
 343     fa8 re fa solb si lab si do | R2*4
 344   }
 345 }
 346
 347 ActeUnSceneQuatreSaxophoneDeux = { \SaxophoneBaryton
 348   \relative {
 349     \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
 350     R2-\fermataMarkup
 351     R1 R2. R1*2 R1. R1*2 R1. R1*2
 352
 353     R2. r16 la la la re4 do re8 la4. r4 | r16 la la la
 354     \acciaccatura dod16 re4 \acciaccatura si16 do4
 355     \acciaccatura mib16 re8 la4. r4 | R2.*4
 356     re,,4 r2 R2. re4 r2 R2. re4 r2 R2.*3
 357     lab'4 lab lab sib2~ \tt {sib16 la sol fa lab} |
 358     mi2.~ mi4 r2 | r8 sib' r4 r8 sib |
 359     mi,2 r4 r8 sib' r4 r8 sib |
 360     mi,2 sib'8 mi,~ mi2 r4 R2.
 361     reb8 r r4 r2 | R2. R1 R2. R2 R2. R2 R2. |
 362     reb'2~ reb4 r2 | R1*5 R2 R2. R1
 363     r2 sib~ sib2. r4 | r2 sib~ sib2. r4 |
 364     r2 lab~ lab2. r4 | r2 lab~ lab2. r4 |
 365     r2 sib'4 solb fa4. reb |
 366     r2 fa4 solb fa4. fa4 r8 |
 367     dod,2 re4 mi sol1~sol~sol2. r4 | R1*3 R2*3 R2.*6
 368
 369     do4.  si'8~ si16 re8. mi8 r |
 370     do,4. re'8~ re16 mi8. fa8 r |
 371     do,4 do r8 fad, r4 R1
 372     la8 lab reb, do' fa, mi' la, r r4 r2 |
 373     r4 la8 r sol r reb r si' r fa' r mib, r la r r2 |
 374     R1 R2.
 375     sol2. r4 sol2 r8 dod4. | sol2 r4 sol2 r4 fa2 r4 fa2. r4 r fa4. mib |
 376
 377     re2 r4 | r8 re' r | sold,2 si4~si8 dod4 |
 378     re2 | r8 re r | la4. sib8~ sib8. do16~do4 |
 379     mib2 r8 mib r | si2~si8 do~do16 re8. |
 380     fa,2~fa4 r8 r fa''4.~fa2 |
 381     R2 R4. r2 \ttt {re16 la solb reb sib fa} |
 382
 383     re4 r r2 | re1~ re2 r4 re |
 384     re1~ re2. r4 | r2 sol' mi reb sib solb |
 385     re4 r r2 | R1*2
 386     re'4 re re re R2 re4 re re R2. re4 re R1 |
 387
 388     %%% Piu lento %%%
 389     R2.*21
 390     la8 do sib mib fa lab, solb si reb mi re, sol |
 391     la4 r r2 |
 392     la8 solb lab mib reb sib' do sol fa re mi' si |
 393     la4 r r2 |
 394     la8 sol re' mi reb si solb lab fa mib sib' do |
 395     la4 r la r R1. do8 sib4 do8 la2~ la1.~la2. r4 |
 396     la8 do sib mib fa lab, solb si reb mi re,4 |
 397     la'8 sol re' mi reb si solb lab fa4 r |
 398     la8 solb lab mib reb sib' do4 r8 re, r4 |
 399     la'8 si mi re fa,4 do' reb, lab' |
 400     la8 do sib mib reb si solb lab fa re mi' si |
 401     la4 r mib r | R1. R1 R1. sib'4 r r2 |
 402     la8 solb lab mib reb sib' do sol fa re mi'4   |
 403     la,8 si mi re, fa sol do sib reb4 r |
 404     la8 do sib mib fa lab, solb4 r8 mi r4 |
 405     la8 sol re' mi reb4 solb, fa sib |
 406     la8 solb lab mib fa sol do sib reb mi re, sol |
 407     la4 r la r | r2 r4 la la r | r2 re,4 r |
 408   }
 409 }
 410
 411 EntracteSaxophoneDeux = { \SaxAltoDeux
 412   \relative {
 413     R2*7 mi4 sold sol8 r r4 |
 414
 415     %%% Vivo subito %%%
 416     re4 r r2 R1*2
 417     r2 r8 r16 sol, do8. sib16 |
 418     mib1~ mib4. r8 r2 | R1*10
 419     r4 re, r re r re r2 | R1*7
 420     r4 mib8. mib16 sol4 r r la8 la sold4 r |
 421     re1~ re4 r r2 | R1*3
 422     r2 re8 r r4 R1 mi8 r r4 r2 R1*2
 423     re'4 re8 re re4 re8 re re4 re8 re re4 re8 re re4 re8 re re4 |
 424
 425     %%% Fugato %%%
 426     re,4 r r2 | R1-\markup "Prenez le Sax. Baryton" \SaxophoneBaryton R2.*2 R2
 427     R1 R2.*2 R1
 428     mi,2 sol8 r r4 | R2. lab2 si8 r |
 429     R1 mi,2 sol8 r r4 | R2. si2. fa4 r r2 |
 430     R1 R2.*2 sol'1~ sol2. r4 | R2.*2
 431     sold4 re' la la |
 432
 433     %%% Stretto %%%
 434     re, re, r re r re r re' | re, re' re re |
 435     reb reb si si sib sib sib sib |
 436     lab2 re mi sol4 r |
 437     r16 fa fa8 r4 r2 | r16 mi mi8 r4 r mi8 mi |
 438     re4 r r2 R1*3
 439
 440     %%% Noir %%%
 441     R2.-\fermataMarkup R2.*4 R2 R2. R1 r4 r8 fa'? r4 R2
 442     R1*4 mib,2 do4 r R1.*2 r2 mib do4 r | R1. r2 mib |
 443     R2.-\fermataMarkup R2.*8 R2.-\fermataMarkup
 444
 445     %%% poco più %%%
 446     R2.*4 R2.-\fermataMarkup
 447
 448     %%% Andantino %%%
 449     la,1~ la4 r si1~ si4 r do1~ do4 r re2. r4 R2.
 450
 451     %%% Largo non troppo %%%
 452     la1. si1~ si4 r |
 453     do1. re1~ re4 r |
 454     la1. si1~ si4 r |
 455     do1. re1~ re4 r |
 456     la2 la' la, si si' r |
 457     do, do' do, dod dod, r |
 458     re re' re, sol sol' r |
 459     do,1 do2 re,1~ re4 r red1~ red4 r |
 460     mi1~ mi4 r mi2. r4 | R1 R2. mi8 r r4 |
 461   }
 462 }
 463
 464 ActeDeuxSceneUnSaxophoneDeux = { \SaxophoneBaryton
 465   \relative {
 466     R2.*4 R2 R2.*2 R2 mi,2.~ mi2.~ mi2.~ mi4 r | R2. R2 R2.*2 R2 |
 467     R2.*3 R2 | la4 re,2~ | re4 r | mi4. la,8~ la4~ | la2 r4 |
 468     si2 | mi,2.~ | mi2.~ | mi2.~ | mi4 r |
 469
 470     %%% Entrée de la Soprano Deux %%%
 471     R2.*2 R1 R2. fa'1 mi2.~ mi4 r mib2.~ mib4 r8 mi,4 fa sol8 |
 472
 473     %%% Andantino %%%
 474     sib1~ sib2. r4 R2.*4 R2
 475     R2.*5 R1 R2. R2
 476     solb4 reb' do8 lab | solb2. r4 |
 477     lab8 solb reb' do r solb | do r r4 r2 |
 478     solb8 lab do4 reb solb,8 reb' r4 r2 |
 479     R2. R1 solb,2.~ solb2. r4 | R2. solb1~ solb2 r4 |
 480     R1 R2. R1 R2. R1 R2. R1
 481     solb2.~ solb2. r4 |
 482
 483     %%% Entrée de la Contralto %%%
 484     lab'2.~ lab2. r4 | R2. R1
 485     R2. R1 R2. R1 R2. R1 R2.
 486     R1 R2. R1 do,2. reb2 mib |
 487     solb8 r r2 | R1 R2. R1 R2. fa2.~ fa4 r fa, |
 488     sib2. si2 r4 sib2. si2 dod4 | mi2 r4 R2.*2 R1 R2.
 489     R1 re2 mib4~ mib fa2. | lab2. la2. r4 | lab2. sol2. r4 | R2. R1
 490     re2.~ re1~ re4 r2 R2 sib2. r4 |
 491     lab' fa r lab fa r2 lab4 fa r lab fa lab la |
 492     lab fa r lab fa r2 |
 493   }
 494 }
 495
 496 ActeDeuxSceneUnBisSaxophoneDeux = { \SaxAltoDeux
 497   \relative {
 498     R1 R2. R2
 499
 500     %%% Presto agitato %%%
 501     R1*5/4*18
 502     r8 sol'16 la sol4 r r2 |
 503     R1*5/4*2
 504     mib4 r2 mib4 r | mib r mib r2 | mib4 r r8 mib r2 |
 505     fa,4 r1 | R1*5/4*7
 506     r1 r8 si16 dod | si4 r1 | r8 re16 mi re4 r r2 |
 507     R1*5/4 r4 r8 mi16 fa mi4 r2 | R1*5/4
 508     reb,4 r2 reb4 r | reb r reb r2 | reb4 r r8 reb r2 | fa4 r1 |
 509     R1*5/4 mi4 r1 | R1*5/4-\fermataMarkup
 510
 511     %%% Boum %%%
 512     R1*5/4*13 mib2. fa2 si fa2. |
 513     r4 mib2. fa4~ fa2 lab2 si4 |
 514     mi1*5/4~ mi2. r2 |
 515     r1 lab,4 | sib2~sib8 re~re2 |
 516     reb'2 r sib,4 | mib2~mib8 sol~sol2~|
 517     sol4 fa2 r4 sol,~ | sol2. si2~ |
 518     do2. r2 | reb2. r2 | r4 reb2. r4 |
 519     r2 reb2.~reb4 r1 | R1*5/4*2
 520
 521     %%% Moderato assai %%%
 522     R1*7/4*7-\markup "Prenez le Sax. Baryton" \SaxophoneBaryton
 523     fa,,2.~ fa4 r r2 | si2.~si4 r |
 524     mi,4 r2 | red'4 r2 | mi,4 r2 | sol4 r2 |
 525     mi4 r2 | fad4 r2 | sol4 r2 la4 r2 | do4 r2 |
 526     fa,1 r2 r4 | fa1 sol2. fa sol1 | R2.*7
 527     sol1 r2 r4 | R1*7/4*3
 528     \repeat volta 2 { R1*7/4*3 } R1*7/4*2
 529
 530     %%% Presto subito %%%
 531     mi''1 fa,,2~fa1~fa4 r |
 532     \tt {re8 fa r4 r8} r4 fa2 \t {mi8 fa sol} |
 533     sib2. r4 r2 | R1.
 534
 535     %%% Tempo giusto %%%
 536     re,4 r2 re4 r fa |
 537     re r2 re4 r2 | re4 r2 |
 538     re4 r re8 fa | mib'4 fa, mib' |
 539     mi,4. r8 | fad' si, mi,4 |
 540     fad8 dod' sold'4 r |
 541     fad,8 si mi4 r |
 542     sold,4 r sold8 red' | si'2 r4 |
 543     fa4. r8 R4. |
 544     mi8 mib'~ mib4 mi fa8 r |
 545     mib,,2~mib4 r8 |
 546     fad8. mi'16 dod'8 dod4. |
 547     mib,,2~mib4 r8 |
 548     do'8. sol'16 mib'8 mib4. |
 549     R1*5/8 |
 550     la,,4. r8 | do'8 do4 |
 551     la r2 R2.*3
 552     r4 mib2 mi4 sol lab |
 553     r mi2 mib4 lab sol |
 554     r mib2 mi4 sol lab |
 555     r sib si r re mib |
 556     r fa,2 mi2. R2. R2 R4. R2 R1*5/8 R2.
 557
 558     %%% Tempo I %%%
 559     R1 sol2 la,4 sol'2 | r4 la, sol' mib solb |
 560     re'2 r2 r4 | do,4 r1\fermata |
 561     R1*5/4*3-\markup "Mettez la sourdine"
 562     lab'1*5/4~ lab4 r1 |
 563     R1*5/4*2
 564     sol1*5/4~ sol4 r1 | R1*5/4*12
 565   }
 566 }
 567
 568 ActeDeuxSceneDeuxSaxophoneDeux = { \SaxAltoDeux
 569   \relative {
 570     R1.*6 R1*2 R2.
 571     re,4 re8 re r4 | re8 re r4 r8 re |
 572     r16 sol sol sol r8 re r4 | R2.
 573     re1 r2 | R1.*2 R1*2 R2.
 574     re4 re8 re r8 re do'4 | lab4 r8 |
 575     la2. si4~ si2. r4 | si1~ si2. r4 | si1~ si2. r4 |
 576     R2. R1. R1*2 la2. sib la2 r4 | R2
 577     sold2 la4~ la2 r4 | sib2 r4 | R2
 578     la4. mi4 r r la8 la | sold4 r r la8 la |
 579     sold4 r r la8 la | sold4 r r sold8 sold la4 r r2 |
 580     mi2~ mi~ mi~ mi4 r | mi2~ mi4 r |
 581     r4 r8 reb' reb reb r4 | reb8 reb reb4 reb8 reb |
 582     reb4 r r1 | R1 R1. sol,1.~ sol2 r4 | sol4 re r2 |
 583
 584     R2. R1 R2. R1 R2. R1 R2.
 585     R1 R2. mi'1~ mi4 r2 | R1 R2. R1
 586     R2. R1 R2. R1 R2. R1 R2.
 587     la,2 R2 la2~ la4 r2 | la1~ la4 r r2 | R1
 588     la8 la sold r4 | sold4 r8 la la | sold4 r8 la la |
 589     sold re r re r | re re mib r4 | la4 r r8 | R2*5/4
 590     sold8 sold la r4 | R2*5/4 la4 r r8 | R2*5/4*4
 591
 592     R1*2 sib4 r r2 | R1*3
 593     mi,1~ mi~ mi2 r2 |
 594     reb'4 r2 R2 R1 | sol,1~ sol2.~ sol2. solb4 r2 R2.*4 |
 595     R2*2 R2.*2 R2*2
 596     mi'4 mib re reb do si sib8 r re, re |
 597     r4 re8 re r4 re8 re | r4 re8 r16 sib' |
 598     do8 r r4 | R2*4 r4 reb,8 r | R2
 599     re!8 r re re r4 mi8 mi | re8 r r4 | R2*6 R2.*16
 600   }
 601 }