Prologue, take 4
[opera_libre.git] / instruments / contrebasse.ly
blobfa31757d7e92eeb2ea38b342e72275a6c80f908d
1 %------------------------------------------------------------------%
2 % Opéra Libre -- contrebasse.ly %
3 % %
4 % (c) Valentin Villenave, 2008 %
5 % %
6 %------------------------------------------------------------------%
8 \include "italiano.ly"
10 Contrebasse = {
11 \set Staff.instrumentName = \markup { \hcenter-in #27.5 "Contrebasse "}
12 \set Staff.shortInstrumentName = "Ctrb. "
13 \set Staff.midiInstrument = "contrabass"
14 \clef "F_8"
17 PrologueContrebasse = { \Contrebasse
18 \relative {
19 %%% Introduction %%%
21 \partial 4 r4 R2.*3 R1 | mi,,,2 r8 mi' \t {mi mi mi}
22 mi,2.~|mi2 r8 mi' \t {mi mi mi} | mi,2.~| mi4 \pizz mi |
23 r8 mi \t {mi mi mi}| \arco mi2. ~ | mi4 \pizz mi |
24 r8 mi \t {mi mi mi}| \arco mi2. ~ | mi4 mi'~| mi8 mi \t {re re re} |
25 dod4 r2 | \t {\pizz dod4 re mi} sol4 r |
26 \arco dod,2 r8 sol r dod r sol | dod4 dod sol8 dod~|
27 dod4 r | sol dod sib8 dod~| dod sol dod4 | dod sol8 dod r sib |
28 r dod4 sol8 | sib2~ sib2 r4 |
30 %%% Tempo giusto %%%
31 re8 re' re, re' |
32 re, re' re, re' |
33 re, re' re, re' |
34 re, re mib re | fa re lab' fa |
35 sib lab si dod | dod, r r4 | R2
36 re4 re re | lab2 r4 |
37 re4. re | fad,2. mib' do |
38 sib2 sol4~ sol mi'2 | re2.~ re4 r8 sol mi re |
39 dod1~ dod4 r R2 R2-\fermataMarkup |
41 %%% Solo ténor %%%
42 R1*2 R2. R1 R2. R1
43 sol2~ sol~ sol~ sol~ sol2.~ sol~sol~ sol~
44 sol2 r4 | \repeat tremolo 12 {sol32 lab} sol'2. R2.*4
45 R4.
47 %%% Andantino %%%
48 \pizz <sol lab>8\plak r4 | <sol lab>8 r4 | R4.*2
49 <sol lab>8 r4 | <sol lab>8 r4 |
50 <sol lab>8 r4 | <sol lab>8 r4 |
51 R4.*6
52 mi,4 r8 <sol sol'>4\plak r8 |
53 mi4 r8 <sol sol'>4\plak r8 |
54 red'4 r8 | <fad, fad'>4\plak r8 |
55 red'4 r8 | <fad, fad'>4\plak r8 |
56 mi4 r8 | <mi mi'>4\plak r8 |
57 re'4 r8 \arco solb8 mib reb do4.~ do~ do4 r8 |
58 solb'8 mib reb | do4.~ do~ do4 r8 |
59 solb'8 mib reb | do4.~ do4 r8 |
60 fad4 mib8~ mib dod4 |
62 %%% A tempo %%%
63 re8 r4 | \pizz sold,8 si dod |
64 re8 r4 | sold,8 si dod re fa sol |
65 lab4 r8 | \arco lab4 fa8~ fa mib4 |
66 re4.~ re~ re4 r8 |
67 mib4 re8 fa,4.~ fa~ fa4 r8 |
68 fa'4. re do si4.~ si4 r8 |
69 sib4.~ sib~ sib~ sib4 r8 | R4.
70 si8 sib lab |
71 fa4.~ fa~ fa8 r4 | R4.*3
72 fa8 fa fa fa4.:8 fa4 r8 r16 fad' fad fad |
73 re4 mib re | fa8. lab fa8 mib re | do2 mib4 |
75 %%% Adagio %%%
76 la,1~\CaV la~\CaV la\CaV |
77 sib1~ sib1.~ sib4 r r1 |
78 la1~\CaV la\CaV
79 sib~ sib1.~ sib4 r r1 |
80 la1~\CaV la\CaV sib2. |
82 %%% Valse %%%
83 sol2.~ sol4 r dod~ | dod2 r4 |
84 sol2 r4 | dod2 r4 | sol2 r4 |
85 \pizz sib4 r <mi, mi'>\plak r | sol4 r2
86 R2 R2.*2 R1
87 r4 \arco do2 r4 | fad,2 r4 | do'2 r4 | fad,2 r4 |
88 do'2 r4 | \pizz fad,4 r2 | <mi mi'>4\plak r | <sol sol'>\plak r |
89 \arco do1 do4 do4. sold8 |
91 %%% Vivo al fine %%%
92 <re' re>8 lab' sib fa <re re> sib' dod sold |
93 <re re> lab' sib fa <re re> sib' dod sold |
94 <re re> dod mi fad <re re> fa lab <re, re> |
95 sol sib <re, re> lab' si <re, re'> la' mib |
96 re4 <re mib'> <re dod'> <re mib'> |
97 <re dod'> <re mib'> <re dod'> <re mib'> |
98 <re re'> re re re |
99 re re re re re re' re, re' re, r |
100 \pizz re r re r R2*9
101 r4 mi,
105 ActeUnSceneUnBisContrebasse = { \Contrebasse
106 \relative {
107 dod,,2.
108 <dod sold'>~<dod sold'>2 r4 |
109 sib16 lab si sol sib lab si sol sib lab si sol |
110 dod re mi sol dod,8 r dod16 re mi sol |
111 dod,re mi sib sol la sib mi dod re mi sol, |
112 lab8 lab16 lab fa8 fa'16 fa mib8 mib16 mib |
114 %%% Piu vivo %%%
115 re4 r r8 do sol la | fad2 \t {sol8 la do} |
116 re4 r r8 mib lab, fa| sib4. lab |
117 sol2.~sol~ sol4 r reb' | sol2. |
118 R2. r4 reb'2~ reb4. r8\fermata r4 |
119 R2. r4 reb2~reb~reb8 r\fermata r4 | r2 r4 fad,, sol la |
121 %%% Largo %%%
122 do2 do~ do~ do2.~
123 do2~ do2.~ do2~ do2.~
124 do4 do2 do4 r r2 |
125 R1 R2. R2 R1 R2.*2 R2*2 R2. R2*3 R2. R1 R2.
126 R2*3 R2.*3
128 %%% Adagio %%%
129 R1*9
130 r2 r4 r8 <\parenthesize sol' si''>~\CaV |
131 si''1~\CaV si2.\CaV r4 |
132 R1 sib,,8 lab si sol~sol2~ |
133 sol4 sib sol2~
134 sol4 sol, fa sold |
135 mi1~mi~mi~mi2 r | R1*13
136 R2 \pizz re''4 sold, fa r
137 r \arco dod
141 ActeUnSceneDeuxContrebasse = { \Contrebasse
142 \relative {
143 %%% Air de la Soprano2 %%%
145 \repeat unfold 9 {R2.*2 R1*2}
146 R2. | r4 dod,, r |
147 sol1~ sol~ | sol2.~ sol4 r2 | sol1~ sol2. r4 |R2.*2 |
148 sold1~ sold~| sold2.~ sold~ |sold1~ sold2. r4 |
149 \repeat unfold 7 {R2.*2 R1*2} R2.*2 R1 R1-\fermataMarkup |
151 %%% Récitatif %%%
153 R2.*2 R1 R2.*3 R1 R2.*6 R2 R2. R1*2 R2.*5 R1 |
155 %%% Duo %%%
157 \pizz re'4
158 \repeat unfold 16 re
159 \repeat unfold 7 reb
160 \repeat unfold 4 si
161 \repeat unfold 4 sib r |
162 \arco sol lab8 sib |
163 reb4 dob sib | dob sib lab sib |
164 dob sib lab fa | dob' r8 sib r4 |
165 mi,2.~| mi r4| mi'1 | reb2.~|reb~|reb4 r2 | R1 |
167 %%% Piu vivo %%%
168 sol,2.~ | sol1~ sol2 r4 | R2.
169 sol2 sol4 sol dod4. dod8 dod dod |
170 sol2 r8 sol sol sol | dod4. dod8 \t {dod dod dod} |
171 sol4 sol2 r4 |
172 dod4 r8 sib lab si |
173 sol4 sol sol sol r2 | sol4 sol sol si r2 |
174 sib4 sib sib | re r2 | re4 re re re r2 | re4 re re re r2 re4 re re |
175 dod r2 dod4 dod dod fa,1~ fa2 r4 si~ | si8 do4. dod2 |
177 %%% Tempo giusto %%%
178 \pizz re4 re re re re re re re |
179 dod dod dod dod si si si si | si r r2 |
180 \arco <sol sol'>2 r4 |
181 \repeat unfold 16 sol8 |
182 sol r r2 | r4 \t { re'8 si do} |
183 \repeat unfold 14 sold |
184 sold r r sold fad la |
185 fa2~fa4. fa8 |
186 fa2~ fa |
187 r8 la sol sib |
188 fad2~ fad2. \pizz la'8\CaV r r2
189 R1 R2.*3 R2 R2. R1*4
193 ActeUnSceneTroisContrebasse = { \Contrebasse
194 \relative {
195 R2.*4 do,,2.\upbow ~ do~ do do4 r2 | R2.*3
196 si2. sib2.:32 si2. sib2.:32 si2. dod2.:32~dod:~dod4 r
197 \pizz sold si r2
198 \arco sib2.~sib~sib~sib2 r4 |
200 %%% Lamento %%%
201 r2 r4 \pizz re si dod \arco sib2 re4 r r2 | reb fa4 r r2 |
202 sib,re4 r r2 reb fa4 r r2 | sib,re4 r r2 | reb fa4 r2 |
203 sib,reb4 r2 | re fa4 r2 sib,reb4 r2 sib si4 r2 |
204 mi,2 sol4 r | sold2 si4 r |
205 mi,2 sol4 r | si2 fa'4 r |
206 reb2 reb4 reb4. reb8 reb reb reb4 reb8 reb r4 | R2*2
208 %%% Tempo I %%%
209 R2.*3
210 << {mi2.~mi~mi~mi~mi~mi~mi4}\\
211 {s2.*2 mi,4-+ s2 mi4-+ s2 mi4-+ r mi-+
212 mi-+ r mi-+ mi-+}>> r8 mi' \t {mi mi mi} sold4 r2 |
213 R2.*3
215 %%% Tempo II %%%
216 R1. do,~ do~ do~do~do2 r1 | r2 r4 do r | R1 R2. R2
220 ActeUnSceneTroisBisContrebasse = { \Contrebasse
221 \relative {
222 R1*3 r4 sol2\CaV r4 R1*2 r4 sol2\CaV r4 |
223 R1 r2 re,4 la8 si fad4 r r2 | R1*8
224 fad1~fad~fad2. r4 | R1*2 %%FIXME: harmonics
225 \pizz <re' la'\harmonic>4 r <re sol\harmonic> r
226 \arco <re fad\harmonic>1~<re fad\harmonic>2. r4 \clef "G_8" |
227 \simile fad''4\CaV r fad\CaV r
228 fad\CaV r fad\CaV r
229 fad\CaV r fad\CaV r
230 fad\CaV r fad\CaV r
231 fad\CaV r fad\CaV r
232 fad\CaV r fad\CaV r
233 fad\CaV r fad\CaV r
234 fad\CaV r fad\CaV r |
235 \ordin fad\glissando red8 r red4\glissando do8 r |
236 sib\glissando sol16 r sol8\glissando mi16 r mi8\glissando dod16 r \clef "F_8" |
237 re,1~re~re
238 <fa dod'>4\upbow \ind #"pizz. du pouce" re\thumbpizz r2
239 <fa dod'>4\upbow \simile re\thumbpizz r2
240 <fa dod'>4\upbow re\thumbpizz <fa dod'>\upbow re\thumbpizz
241 <fa dod'>\upbow re\thumbpizz <fa dod'>\upbow re\thumbpizz
242 <fa dod'>\upbow re\thumbpizz <fa dod'>\upbow re\thumbpizz
243 <fa dod'>\upbow re\thumbpizz <fa dod'>\downbow <la, fa'> |
244 fad1~fad~fad~fad~fad~fad~fad2. r4 |
245 R1*7
246 <re' fad\harmonic>1~<re fad\harmonic>~<re fad\harmonic>4
247 r4 \ordin fad2~fad1~fad4 r r2 |
248 sol1 fad~fad~fad~fad~fad~fad\fermata
252 ActeUnSceneTroisTerContrebasse = { \Contrebasse
253 \relative {
254 R2*3 R2. R2*2 R2.*7
255 \pizz mib,,4 r r2
256 mi4 r fa r |
257 re'8 sol, do fad, lad si sol sold |
258 la fad sib sol lab reb sol, si |
259 do lab la sib sol si lab la |
260 re lab do reb la sib mib la, |
261 dod re sib si do dod |
263 %%% Poco meno %%%
264 re4 r2 R2.*2
265 \arco re'2.~\CaV re~\CaV re~\CaV re~\CaV re4\CaV r2 |
266 re2.~\CaV re~\CaV re4\CaV r2 |
267 <re, sol\harmonic re''>2.~\CaV
268 <re sol\harmonic re''>~\CaV
269 <re sol\harmonic re''>~\CaV
270 <re sol\harmonic re''>~\CaV
271 <re sol\harmonic re''>2\CaV r4
272 <re sol\harmonic re''>2.:32~\CaV
273 <re sol\harmonic re''>8\CaV r r2
274 \pizz fa4 r2 R2.*2
275 fa,4 r2 R2.*2
276 dod'4 r2 R2.*2
277 dod4 r2 R2.
278 r8 \arco mi fa sold fa mi |
279 la,2.~\CaV la~\CaV la2\CaV r4 |
280 <la la'>2.~ <la la'>~<la la'>4 r8 \pizz la' r4 |
281 sold r8 si r16 fad8. | fa4 do r |
282 mib r sib | la r8 la' sol, sol' sib, sib' |
283 \arco fad,2.~fad~fad2 r4 |
284 fad2.~fad~ fad2 r4 |
285 fa2.~fa~fa4 dod'2 |
286 fa2.~fa~fa4 la2 |
287 dod,2.~dod~dod4 la'2 |
288 dod,2.~dod~dod4 fa2 |
289 la,2.~la~la~la2 r4 |
290 la'2.\CaV la,4-+ r2 | R2.*13
294 InterludeTroisContrebasse = { \Contrebasse
295 \relative {
296 sol,,4\upbow mi\thumbpizz r2 | sol4\upbow mi\thumbpizz r |
297 sol8\upbow mi\thumbpizz sol\upbow mi\thumbpizz
298 sol\upbow mi\thumbpizz \pizz sol lab |
299 \arco sol\upbow mi\thumbpizz sol\upbow mi\thumbpizz
300 \pizz sol lab |
301 \simile sol mi sol mi sol mi sol lab |
302 sol mi sol mi sol lab |
303 sol mi sol mi sol mi sol lab |
304 sol mi sol mi sol r |
305 r \arco mi r mi r mi sol lab |
306 r mi r mi sol mi |
307 r mi r mi sol lab |
308 r mi sol mi |
309 r <mi mi'> r <mi mi'> r <mi mi'> |
310 r <mi mi'> r <mi mi'> |
311 r <mi mi'> r <mi mi'> |
312 r <mi sol'> r <mi sol'> |
313 sol16 mi sol lab si lab si do |
314 mib do mib mi sol mi sol lab |
315 sol8 re sol re la8 r r4 |
319 ActeUnSceneQuatreContrebasse = { \Contrebasse
320 \relative {
321 \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
322 R2-\fermataMarkup
323 R1 R2. R1*2 R1. R1*2 R1. R1*2
325 %%% Agitato %%%
326 \pizz la,4 r2 | la,4 r2 | do4 r2 | do4 r2 |
327 R2. la'2~la4\glissando do2. | mi4 r
328 sold,,~\upbow | sold dod si | re r2 |
329 re4 r r16 la' la la | re,4 r2 | re4 r r16 la la la |
330 re4 r8 re' fad, si |
331 mib,4 r8 reb4 sol8 | do,4 r8 fa la, re |
332 fad,4 r8 la4 mib'8 | lab4 r8 la reb, solb |
333 sib,4 r8 sib4 sib8 | mi4 r8 mi, \t {mi mi mi} |
334 mi4 mi mi | mi4 r2 |
335 mi'4 r8 mi, \t {mi mi mi} | mi4 r2 |
336 mi'4 mi sib8 mi~ | mi2 re4~ | re fa2 |
337 dod2~dod8 r r4 | R2. R1 R2. R2 R2. R2 R2. R2 R2.
339 %%% Placando assai %%%
340 dod2. dod4 sol2. r4 | dod2. dod4 sol2. r4 |
341 dod2 re mib mi2.~mi2. r4 |
343 %%% Andante a piacere %%%
344 \pizz fa,4 r r2 r reb'4 r |
345 fa, r r2 r reb'4 r |
346 \arco fa,1~ fa2 reb fa1~ fa2 reb |
347 sol2. r4 r8 dod4 sol dod8 |
348 sol2. r4 r8 dod4 sol sol8 |
349 dod8 r r4 r2 |
350 sol1~sol~sol~sol~sol~sol2. r4 |
351 R2*3 R2.*6
353 %%% A tempo %%%
354 do4 r8 fad,4 do' fad,8 |
355 do'4 r8 fad,4 do' fad,8 |
356 do'4 do r8 fad, r4 |
358 \pizz la16 fad' sold8 dod,16 sib do8 fa16 re mi,8 |
359 la4 r4 r2 | r4 la4 sol'8 re dod4 si8 fad fa4 mib'8 sib |
360 la4 r2 | r16 re,8. r4 r2 |
361 R2. \arco sol2~sol8 sol \t {sol sol sol} | sol2 r8 dod4. |
362 sol2 r4 sol sol sol fa2 fa4 fa~ \t {fa8 fa4~} \t {fa fa8~} fa4 |
363 r fa~fa8 mib' \t {mib mib fad} |
365 re2.~ re8 r4 | sold,2 si4~si8 dod4 |
366 re2~ re8 r4 | la4. sib8~sib8. do16~do4 |
367 mib2~ mib8 r4 | si2~si8 do~do16 re8. |
368 fa,2~fa4 r8 | fa2~fa | R2 R4. R2.
369 re'4\CaV r r re | re re re re re re re re |
370 re re re re re re re re |
371 re' <re, re'> re' <re, re'> re' <re, re'> re' <re, re'> |
372 re'8 re <re, re'> re re' re <re, re'> re |
373 re'16\CaV re re re re re re re re re re re re re re re |
374 re4\CaV re,-+ re'\CaV re,-+ \pizz <re re'> r r2 |
375 R1 R2 R2.*2 R2 R1
377 %%% Piu lento %%%
378 r2 \clef "G_8" \arco si''?4~si2 r4 | R2.
379 r2 si4~si2 r4 |
380 r2 si4~si2 r4 |
381 r2 si4~si2 r4 |
382 r2 do4~do2 r4 | R2.
383 r2 re4~re2 r4 |
384 r2 mib4~mib2 r4 |
385 r2 mib4~mib2 r4 | R2. \clef "F_8"
386 r4 \pizz si,? r r re, r |
388 %%% Stesso tempo %%%
389 la4 r r2 r8 mi4. | la4 r r2 |
390 la4 r r do r mi, | la4 r r2 |
391 la4 re dod fad fa sib, | la4 r r2 | R1. R1 R1. R1
392 la8 do sib4 fa'8 sold, fad4 dod'8 mi re4 |
393 la8 sol re'4 dod8 si fad'4 fa8 mib sib4 |
394 la8 fad sold4 dod8 sib do4 fa8 re mi4 |
395 la,8 si mi,4 fa'8 sol do,4 reb8 mib lab,4 |
396 la8 do sib4 dod8 si fad4 fa'8 re mi,4 |
397 la r r2 | R1. \arco do1~ do1. do4 r \pizz sib reb |
398 la8 fad sold4 dod8 sib do4 fa,8 re' mi,4 |
399 la8 si mi,4 fa8 sol do4 reb8 mib lab,4 |
400 la8 do sib4 fa8 lab solb4 dod8 mi, re'4 |
401 la8 sol' re4 dod8 si fad4 fa'8 mib sib4 |
402 la8 fad' sold4 fa8 sol do,4 dod8 mi, re' sol |
403 la,4 r r2 R1. R1
407 EntracteContrebasse = { \Contrebasse
408 \relative {
409 sold,,2~ sold sold~ sold |
410 sold~ sold sold sold sold4 r8 \t {sold16 dod si} |
414 ActeDeuxSceneUnContrebasse = { \Contrebasse
415 \relative {
416 R2.*4 R2 R2.*2 R2 |
417 r4 sol2~\CaV sol2.~\CaV sol2.~\CaV sol4\CaV r |
418 R2. R2 | R2.*2 R2 |
419 r4 sold2~ sold2.~ sold2.~ sold4 r |
420 R2. R2 | R2.*2 R2 | R2.*2 | R2. \clef "G_8" |
421 \ttt { mi8[ mi16 mi mi mi] } \ttt { mi[ mi mi mi mi mi] }|
423 %%% Entrée de la Soprano Deux %%%
424 R2.*2 r4 \ttt {dod'8 dod16 dod dod dod} dod8 r r4 |
425 r2 \ttt {fa,8 fa16 fa fa fa} \clef "F_8" |
426 R1 \pizz fa,,4 fa' r R2 mi,4 mi' r R1 |
428 %%% Andantino %%%
429 sib4 r r2 R1 R2. mi4 r2 R2.*2 R2 \clef "G_8"
430 \arco <re''mi>2.~\CaV <re mi>~\CaV <re mi>~\CaV <re mi>2\CaV r4 |
431 <re mi>\CaV r <re mi>\CaV | r <re mi>\CaV r <re mi>\CaV |
432 r <re mi>\CaV r | R2 \clef "F_8" |
433 fad,,4 dod' sid8 sold fad1~ fad2 r4 |
434 r8 fad fad, do''! fad,4 fad, | fad'2.~ fad2 fad,4\thumbpizz r |
435 R2. R1 fad'2.~ fad2. r4 | R2. fad1~ fad2 r4 |
436 fad,1 fa2.~ fa2. r4 | fad2.~ fad1 fa2.~ fa2. r4 |
437 fad2.~ fad2. r4 |
439 %%% Entrée de la Contralto %%%
440 R2. R1 R2. R1
441 R2. R1 R2. R1 do'2.~ do2. r4 | r do2~ |
442 r4 do2. | dod2.~ dod2. r4 | do2 r4 | R1
443 fad2. fa2. r4 | fad2. fa2. r4 |
444 fad2. sol2.~ sol4 r \pizz fa |
445 sib, r2 si4 r2 sib4 r2 si4 r2 | mi4 r2 |
446 \arco mib2.~ mib2 r4 | R1 R2.
447 R1 R2. R1 \pizz lab4 r2 la4 r r2 | lab4 r2 |
448 sol4 r r2 | R2. r4 \arco lab sol fa |
449 re2.~ re1~ re4 r2 R2 |
450 R1 R2. R1 R2. R1 R2. R1
454 ActeDeuxSceneUnBisContrebasse = { \Contrebasse
455 \relative {
456 R1 R2. R2 \clef "G_8"
458 %%% Presto agitato %%%
459 <sol, do\harmonic sol''>1*5/4~
460 \simile sol''~\CaV sol~\CaV sol~\CaV sol2.\CaV r2 |
461 R1*5/4 <sol,,sib\harmonic re''>1*5/4~
462 <sol sib\harmonic re''>2. r2 \clef "F_8" |
463 R1*5/4*7
464 sib,1*5/4~ sib~ sib2. r2 |
465 dod2 re mi4 sol1*5/4~ sol2. r2 |
466 <re do'>4 r2 <re do'>4 r | <re do'> r <re do'> r2 |
467 <re do'>4 r r8 <re do'> r2 | <fa' sol>4 r1 |
468 R1*5/4*3
469 sol,,8 mi sol mi sol mi sol mi sol lab |
470 sol mi sol mi sol mi sol mi sol lab |
471 sol mi sol mi sol mi sol mi sol lab |
472 sol mi sol mi sol mi sol mi sol lab |
473 sol mi sol mi sol mi sol mi sol lab |
474 sol mi sol mi sol mi sol mi sol lab |
475 sol mi sol mi sol mi sol mi sol lab |
476 sol mi sol mi sol mi sol mi sol lab |
477 sol mi sol mi sol mi sol mi sol lab |
478 sol mi sol mi sol mi sol mi sol4 |
479 lab4 r2 lab4 r | lab r lab r2 |
480 lab4 r r8 lab r2 | do4 r1 |
481 R1*5/4 <mi,red'>4 r1 | R1*5/4-\fermataMarkup |
483 %%% Boum %%%
487 ActeDeuxSceneDeuxContrebasse = { \Contrebasse
488 \relative {
489 R1.*6 R1*2 R2.
490 re,,8 r r16 re fa8 r16 fad8. |
491 re8 re16 re re re re re re8 mib |
492 re fa mib lab fa si lab lab, sib mi si fa' |
493 re1.~ re1 r2 |
494 R1. R1*2 R2.
495 si8 r r16 si8 re16 r red8. r16 si re red |
496 R4. si4 r r8 \pizz sold4. |
497 <si si'>4\plak r8 sold r sol r4 |
498 <si si'>4\plak r8 si r si r4 |
499 <si si'>4\plak r8 si r si r4 |
500 <si si'>4\plak r8 si r si r4 |
501 <si si'>4\plak r8 si r \arco si la do |
502 sold2.~ sold1 r2 | R1*2
504 \pizz fa4 r2 fa4 r2 fa4 r2 fa4 r |
505 fa' r red <mi, mi'>\plak r2 mi'4 r2 |
506 do4 r |
507 r16 \arco la fad sol fa lab |
508 <mi mi'>4 r r8 \pl sol sol'\leftpizz r4 |
509 <mi, mi'>4 r8 sol r sold r4 |
510 <mi mi'>4 r8 mi' r mi r4 |
511 <mi,mi'>4 r8 mi' r mi r4 |
512 <mi,mi'>4 r8 mi' r r16 la, fad sol fa lab |
513 mi8 mi' r dod | <mi, mi'>4 dod'8 do |
514 <mi, mi'>8 mi' mi, mi' |
515 r16 sib la do dod sol fa lab |
516 mi8 mi' r4 | \t {mi re fa} |
517 dod1~ dod2 r4 |
519 dod1 r4 dod | sol2. r4 |
520 dod1 r4 dod | sol1.~ sol2 r4 | R1 \clef "G_8"
521 la'''2.~\CaV la1~\CaV la2.~\CaV la1~\CaV la2.~\CaV la1~\CaV la2.~\CaV |
522 la1~\CaV la2.~\CaV la1~\CaV la2.~\CaV la1~\CaV la2.~\CaV la1~\CaV |
523 la4\CaV r2 \clef "F_8" | R1 R2. R1 R2. R1 R2.
524 <la,,,la'>2~ la~ <la la'>~ la2.~ <la la'>2~ la~ la1~ la2. r4 |
526 <la sold'>4 r r8 | <la la'>8 <la la'> <la sold'> r4 |
527 la8 la sold r4 | <la la'>8 <la la'> <la sold'> r4 |
528 <la sold'>4 r r8 | sold4 sold r8 | la4 r r8 |
529 <la sold'>4 r mib'8 | mib re r4 r8 | <re sold>4 <re sold> r8 |
530 <mib la>4 r r8 | mi8 mi fa r4 | r8 fad4 fad sol r r8 |
532 R1*2 si,4 r r2 | r4 \pizz mi fa r r dod mi r | R1
533 \arco <mi, mi'>2~ mi8 mi mi4 |
534 <mi mi'>2~ mi8 mi mi4 |
535 <mi mi'>2~ mi8 mi mi4 |
536 \pl mi4_\thumbpizz mi'^\leftpizz r2 | \pizz re4 r |
537 R1*2 R2.*4 r4 sib' r r fad r | R2.
538 \pizz <la, la'>4\plak mib' sold re |
539 dod' sol do | fa, si mi, |
540 mib la, re sold, |
541 dod sol do fad, | fa' mi <re sib'>\arpeggio <re sib'>\arpeggio |
542 \simile <re sib'> <re sib'> |
543 <re sib'> <re sib'> |
544 <re sib'> <re sib'> |
545 dod sol do fad, | si fa sib mi, |
546 R2 r8 \arco la16 la sold8 r | R2
547 \pizz <re'sib'>4 <re sib'> |
548 <re sib'> sold re r | R2*6 \clef "G_8"
550 la''2.~\CaV la2.~\CaV la2.~\CaV la2.~\CaV la2.~\CaV la2.~\CaV la2\CaV r4 |
551 R2.*9