instruments/saxophone1.ly

   1 %------------------------------------------------------------------%
   2 % Opéra Libre -- saxophone1.ly                                     %
   3 %                                                                  %
   4 % (c) Valentin Villenave, 2008                                     %
   5 %                                                                  %
   6 %------------------------------------------------------------------%
   7
   8 \include "italiano.ly"
   9
  10 SaxAltoUn = {
  11   #(make-instrument-name 'saxophone-one "alto sax" 25)
  12 }
  13
  14 PrologueSaxophoneUn = { \SaxAltoUn
  15   \relative {
  16
  17     %%% Introduction %%%
  18     \partial 4 r4 R2.*3 R1
  19     \ten mi2~\fp mi4 r
  20     \ind #"en dehors" mi16\mf( fa8.~) fa4
  21     \t {mi8( fa4~)} fa2~ fa4 r | mi2--\p r4 |
  22     R2*2 r4 \t {mi,4\mp( fa8~)} fa4 | fad2~ fad4 r |
  23     r r8 mib'4.-- | r8 mi,4.-- \t {la4\<( do mib8) r} |
  24
  25     %%% Entrée du baryton 2 %%%
  26     la,2--->\mf r4 | R2*2 | reb,2-- r4 | R2
  27     solb4--\mp\< lab-- sib8->\! do~-> |
  28     do2\> \ten si2.~\p si2 la2.~\pp la4 r |
  29     sib2~-- sib4 r \t { lab8\fsubito ( fa mib } |
  30     \ten re2~\fp) re~ re4 r | \ten re'2~\p re~ re4. r8 |
  31     \t {reb,4\p( mi fad} \t {sol\< la do} |
  32     re4\f) r2 lab2.--\mp( re4--) r2 sib2.\p reb mi |
  33     r2 sib8-> r r4 mi8-> r r4 | mi,2\f sib'4~--( sib) lab2-- |
  34     re?2.---> r4 | R2*2 R2-\fermataMarkup
  35
  36     %%% Solo ténor %%%
  37     R1*2 R2. R1 R2. R1
  38     R2*4 R2.*11 R4.*15
  39     mib,8-.\pp r4 solb8-. r4 |
  40     mib8-. r4 solb8-. r4 |
  41     mib8-. r4 sol!8-. r4 |
  42     mib8-. r4 sol?8-. r4 |
  43     mi8-. r4 fa8-. r4 |
  44     re8-. r4 reb8-. r4 |
  45     \ten do'4.~\pp do~ do~ do8 r4 |
  46     do4.~ do~ do~ do8 r4 |
  47     re4.~ re~ re4 r8 |
  48     r r16 re\mp\< \t {re re re} |
  49
  50     %%% A tempo %%%
  51     re8\sfz r4 | re,4.--\p( re'8\sfz) r4 | lab4.~\p( lab4.) |
  52     \ten reb,4.~\mf reb~ reb4 r8 | re8-> r4 | R4.*2
  53     r8 mib\mp( re) \ten fa4.~ fa~ fa4 r8 | R4.*4
  54     r8 dod''\<( si | mi4--\f re8) R4. | r8 mi\<( re sol4\!) r8 |
  55     R4.*2 fa,,4.~\p fa8 r sol32\<( sold la lad |
  56     si4--\mf) r8 | r4 si32\<( do dod re | mib4\!) r8 |
  57     R4. re,8\pp( mi fa |
  58     sol sib do | reb\< mib solb lab la |
  59     re,,4--\f) mib-- re-- | fa-- r2 | R2. |
  60
  61     %%% Adagio %%%
  62     R1*3-\markup "Mettez la sourdine" \ten mi1~\pp mi1.~ mi4 r r1 |
  63     R1*2 \ten mi1~ mi1.~ mi4 r r1 |
  64     R1*2 re'2\pp r4 |
  65
  66     %%% Valse %%%
  67     sol,2 r4 | R2.*2
  68     r4 re'2-- r4 do2-- | r4 si2-- r4 la-- r sol-- |
  69     R2. R2 R2.*2-\markup "Enlevez la sourdine" R1
  70     r2 fa'4\pp( do) | r reb( sib) |
  71     r do( la) r sib( fa) | r la( mi) |
  72     r fa-- r | r re-- r reb-- |
  73     r do'2.--->\f si2 r8 \t {do16\<( dod re} |
  74
  75     %%% Vivo al fine %%%
  76     mib4\sfz) r | R2*3
  77     r4 r8 la,-.-> do-.-> r r4 |
  78     r8 fa->\mf\< fa-> lab-> sib->\! r r4 |
  79     R2*22 r4 mi,8->\pp r |
  80   }
  81 }
  82
  83 OuvertureSaxophoneUn = { \SaxAltoUn
  84   \relative {
  85     R2. r4 \tt {mi16 sol solb si sib} \t {re4 mib8} |
  86     mi4 sold,16 sold la8 r16 mib, \t {sold' sold la} |
  87     sib4
  88   }
  89 }
  90
  91 ActeUnSceneUnSaxophoneUn = { \SaxAltoUn
  92   \relative {
  93     R2*2 R2. R2*2 R2.
  94     R2*2 R2. R2*2 R2.
  95     R2*2 R2. R2*2 R2.
  96     do2~\pp do8 r16 r32 reb'\mf( do4) |
  97     do,2.~\pp do4 r reb'16\mf\>( do mib8~\!) mib16 reb( do sib) |
  98     do\>( sol4..\p) r4 |
  99     lab,1~\p lab8 fa'16\mp( sol sib4.) r8 |
 100     lab,4--\p r8 reb'16\mf( do~) \t {do mib( reb} mib8~) mib r |
 101     \t {solb4--\> mib8~--} \t {mib reb4--} do~\< |
 102     \ten do2~\mf do8 r r do,~\mp( | do re4.) r4 | do8( re~) re2 r4 |
 103     do8 re~ re4 \t {do8(\< re fa} |
 104     sol4--\f) r2 | R2.*2
 105     \ten solb2.~\pp solb~ solb~ solb4\pp r \t {solb8\<( la sol} |
 106     \ten do1~\f) do2 r4 |
 107
 108     %%% Ad libitum %%%
 109     R1 R2.*2 R1 R2.*2
 110
 111     %%% Agitato %%%
 112     \ten re,1~\mf re2 r | r2 r4 r8 \t {sold,16\<( si dod} |
 113     re4\sfz) r r2 | R1 r2 re4\sfz r |
 114     r re,\sfz r1 | R1*2 r4 re\sfz r1 | R1*3
 115     r4 re\sfz r1 | R1*2 R1.
 116     r8 lab'-.\mp si8.( mi16) sol2 r |
 117     r4 \t {sol8\mf\<( mi) sol} do4--\! \t {mi8\<( si) mi} sol2--\! |
 118     r4 do,2--\mp r4 | r mib2-- r4 r2 |
 119     mi,!1--\f r2 | R1. r2 r4 mi,\mp\<( sol fa |
 120
 121     %%% Allegro non troppo %%%
 122     sib8-.\!) r r4 r2 | R2.
 123     \t {\ind #"prezioso" sib8( sol fa} mi2) r4 |
 124     R1 \t {\simile sib'8( sol la} mi2) r4 |
 125     R1*2 R2. R1 R2. R1 R2. R1
 126     sol2--\f r4 r2 \t {reb'4--\> sib-- lab--} |
 127     sol2.--\! r4 | R1 sol2.--\p r4 | R1 sol2-- r4 |
 128     R2.*2 R1*8
 129
 130     %%% Moderato %%%
 131     R2.*2 R1 R2. R1
 132     R2. R1
 133     r4 fa'\mp( mib sib'2) r8 fa( do'4~ |
 134     do mib,2~) mib8 r \t {do( sib' fa} re'2) |
 135     r8 fa,~\p fa4 mib8( fa~) | fa4~ fa8 mib4( fa8~) fa4 |
 136     mib16\>( fa) reb do~\!( do sib) do8~ do r |
 137     mib16\<( fa) sib do~-- do4~\mp\> do8( fa,4.\!) |
 138     lab8( solb) fa( mib) fa16( mib) fa( solb) |
 139     lab8( solb) fa( mib) | si?-> r r2 | R1
 140     R2*4
 141
 142     %%% Allegro marcato %%%
 143     r4 sol'8.--\mp\< sol16 sib4.\! r8 |
 144     r4 sol8.--\< sol16 sib4\!( solb8) r |
 145     R1*2 dod,,4->\mf( re8-- mi-- sol!4--) r |
 146     r sold'8.\mp\< sold16 si4.\! r8 |
 147     r4 sold8.\< sold16 si4\!( sol8) r |
 148     R1*2 r2 r4 sib,4---.\pp reb2--( sib8) r sib4---. |
 149     reb2--( sib8) r r4 | R1 r2 r4 sib---. reb2--( sib8) r sib4---. |
 150     reb2--( sib8) r r4 | R1*2 r2 r4 fad'8-.\pp r |
 151     \st {mi r dod r si r sib' r | lab r fa r mi r r4 |
 152     re8 r do r la} r r4 | R1
 153
 154     %%% Agitato %%%
 155     do2.\mf r4 | r do-- r do-- | R1
 156     r4 dod2.--( re8-.) r r4 r2 | R1*6
 157     sib'8-.->\sfz r r4 r1 | R1*3 R2.
 158     \st {la8\p si! la si fad la fad la |
 159     si sol si fad sold re si'->} r | R2 R1*4
 160   }
 161 }
 162
 163 ActeUnSceneUnBisSaxophoneUn = { \SaxAltoUn
 164   \relative {
 165     R2.*7
 166     re'4->\f r r2 | r4 fad,,2\p\<( |
 167     re'4\!) r r2 | r4 sib2\p\<( |
 168     re8->\f) r fa'2---> | si,---> dod,4~--->| dod do2---> | R2.*2
 169     \ten fa2.~\pp fa4. r8\fermata r4 | R2.
 170     \ten fa2.~\pp fa2~ fa8 r\fermata r4 | R1 R2
 171
 172     %%% Largo %%%
 173     R2*3 R2. R2 R2. R2 R2.*2
 174     r2 r4 sib-.\p | sol2-- r4 sib-- | sol2-- r4
 175     r la,\mp\<( si2\!) r |
 176     R2.*2 R2*2
 177     r2 r8 sib'-.\p | sol4-- r8 sib-. | sol2-- |
 178     r8 sol->\mf r4 | r8 sol-> sib-> r r4 |
 179     r2 r8 sol->( sib-> reb->) |
 180     R2. R2*3 R2.*3
 181
 182     %%% Adagio %%%
 183     R1*33
 184     R2*4
 185   }
 186 }
 187
 188 InterludeUnSaxophoneUn = { \SaxAltoUn
 189   \relative {
 190     r1 re32\mp( mib re4..~ | re8. do16\> si sol lab fa re'2~\! |
 191     re8) r r4 r2 | r2 \t {mib8\<( mi sol\!~} sol4~ | sol8) r r4 r1 |
 192     R1 r2 mi16\mp( fa4..) r4 \tt {re16( mi fa la sold } |
 193     \ten si1--) r2 | r16 mi, sold8 sol16 si8 sib16 \ten re2~ re4 r r2 |
 194     r4 r8 mi,32\mf( fa mi16~ mi2) r8 mi4.-- | mi8( fa4.~) fa2. r4 |
 195     r16 fa\>( solb re \t {dod8 si sold'~--)} \ten sold2~\p sold2 r4 |
 196     \tt {re16\mf( mi fa la sold} si8) r | R2.
 197     sold4.--\mp r8 sold4.-- r8 |
 198     sold4.-- r8 sold4.-- r8 |
 199     sold4.-- r8 sold4.-- r8 sold4.-- r8 |
 200     sold4.-- r8 sol8\mf( sib4.) |
 201     r8 sol32( sib do16~ do2) r4 |
 202     \tt {sol16\mf( sib do\< mib reb} mib2.\!) r2 |
 203     \tt {sol,16 sib do8 mib16} reb4 \ttt {solb16 mib reb sib8 do16} sol8 r |
 204     mi2.\f\> fa2\pp r4 | R2.*15
 205   }
 206 }
 207
 208 ActeUnSceneDeuxSaxophoneUn = { \SaxAltoUn
 209   \relative {
 210     %%% Air de la Soprano2 %%%
 211
 212     \repeat unfold 9 { R2.*2 R1*2} R2.*2 |
 213     re'8\mf( mib re sib) lab( sib) re( mib | re sib) lab( sib re mib) lab,( sib |
 214     re mib) lab,( sib re mib) | lab,( sib re mib) r4 |
 215     re8\mf( mib re sib) lab( fa lab sib) | re\>( mib re sib) lab( sib lab fa\!) |
 216     re( fa re do re4) | R2. | lab1~--| \ten lab2.\ppp r4 |
 217     \repeat unfold 8 {R2.*2 R1*2}
 218     R2.*2 R1 R1-\fermataMarkup |
 219
 220     %%% Récitatif %%%
 221
 222     R2.*2 R1 R2.*3 R1 R2.*3 r2 \repeat tremolo 4 {mib'32\p mi!}
 223     \repeat tremolo 12 {mib32\< mi!} | do8\sfz r r2 R2 R2. R1*2 R2.*5 R1 |
 224
 225     %%% Duo %%%
 226
 227     R2. R1 R2. R1 r2 r8 re\mf\>( | mi4-.\!) r r2 | R2. r4 r16 \ind #"en dehors" re\mf re re sol2-- |
 228     r4 r16 lab-. lab-. lab-. reb4~--| reb\p( r | R2 R2. R1*2 R2.
 229     mi,,2.) | fad\mp\<( r4 lad2 si\!) | sold2.~ sold~ sold4 r2 | r2 r8 sib'4.--\fsubito |
 230
 231     %%% Piu vivo %%%
 232     sol,4\sfz r2 | R1 R2.*2 R1
 233     r4 re''--\mf do-- re8-> la~-> la4 r2|
 234     r4 re-- do-- do8-> si~-> si4 r2|
 235     r4 re-- do-- si8-> mi~-> mi4 r | R2.
 236     r4 mi-- re-- si8-> mi~-> mi4 r |
 237     r mi-- re-- mi8->\< sold~->/! sold4 r|
 238     R2.*2
 239     r16 sib,-.->\mp r8 r2 |
 240     R2.*2
 241     r4 r16 dod-.-> r8 r4 | R2.
 242
 243     %%% Poco allargando %%%
 244     \t {fa,4--\ff( fa-- fa--)}
 245     \t {fad--( fad-- fad--)}
 246     \t {sol--( sol-- sol--)}
 247     sold2( red\> dod\!) |
 248     %%% Tempo giusto %%%
 249     re4-> r r2 | R1*4 R2.
 250     \ten sol,1~\p sol4 \t { sol8--( sol-- sol--)} sol2~-- | sol8 r r2 |
 251     R2 \ten dod2~\mf | dod dod2.~ dod8 r r2 |
 252     r4 r8 si\mf( | mi) si r si( re) si r si( mi) si r la( |
 253     sol') mi( si) sol'( la4--) r8 mi\f( la) mi r mi( si') la( |
 254     sol'-.) r r2 |
 255     R1 R2.*3 R2 R2. R1*4
 256   }
 257 }
 258
 259 InterludeDeuxSaxophoneUn = { \SaxAltoUn
 260   \relative {
 261     R1 R2. R2
 262     r4 r16 re32\mp( mib re4.~ |
 263     re4~ \ttt {re16\> do si sold la fad\!} re'2) r4 | R2
 264     R2*14
 265     mi,2.--\pp r4 | r8 mi'16\mp( fa mi2.) |
 266     re4( mi~) mi8 mi16( fa mi4~ |
 267     mi re~ re8 do \t {si sold la} |
 268     fad\> re'4.\!) r4 |
 269     r8 mi16( fa mi2.~ mi2) r4 | R2.
 270     fa,2--\pp r R2. mi4-- r |
 271   }
 272 }
 273
 274 ActeUnSceneTroisSaxophoneUn = { \SaxAltoUn
 275   \relative {
 276     R2.*4 reb8-.\mp sib4-- reb8-. sib4-- r r8 sib4---> sol8-. mi2.~--\< mi8\! r r2 |
 277     R2.*8 r2 \t {sib''8-.\p sib-. sib-.} mib4-- reb-- mib8-> sib~-> sib4 r2 |
 278     R2.*5
 279
 280     %%% Lamento %%%
 281     R1.*6 R1*5/4 do,2\pp\>( si4\!) r2 |
 282     do\>( si4\!) r2 |
 283     \simile do si4 r2 |
 284     reb2 do4 r2 |
 285     solb'2\p( fa4) r |
 286     solb2( fa4) r |
 287     solb2( fa4) r |
 288     re2\<( mib4\!) r |
 289     do2\mp do4~-- do\< sol'4.\! sib,8\<( si4.\mf) r8 r4 | R2*2
 290
 291     %%% Tempo I %%%
 292     R2.*9 si2.\p\< mi,8\sfz r r2 | R2.*3
 293     R1.*5 \ten si'1.~--\mp si2.~ si8 r r4 |
 294     \ten sol1~\pp sol4 r2 | r4 fad-- |
 295   }
 296 }
 297
 298 ActeUnSceneTroisBisSaxophoneUn = { \SaxAltoUn
 299   \relative {
 300     R1 sol~sol R1 |
 301     r2 reb~reb1 R1|
 302     r2 reb~reb r | R1*7
 303     r2 sib'~sib2. sib4 lab2 sib~sib r4 sib lab2. sib8 r |
 304     R1
 305     re,16 lab' fa sib reb8 r
 306     re,16 lab' fa sib reb8 r
 307     re,16 lab' fa8 re16 lab' fa8 re16 lab' fa8 re16 lab' fa8 |
 308     solb4 r r2 | R1*10 R2. R1*3
 309     reb4 r r2 reb4 r r2 reb4 r reb r reb r reb r |
 310     reb8. solb16 r4 reb8~\t {reb16 solb do} r8 r16 mi, |
 311     reb8 do' reb' r reb,,4 r16 la'8. | solb'2. r4 | R1
 312     r2 r4 sib, lab2 sib | r2 r4 la sol2 la~ la2. r4 |
 313     R1*9
 314   }
 315 }
 316
 317 ActeUnSceneTroisTerSaxophoneUn = { \SaxAltoUn
 318   \relative {
 319     R2*3 R2. R2*2 R2.*7 R1*6 R2.*19
 320     r4 sib2 | sib si4~ si si r |
 321     r  sib2 | sib si4~ si si r |
 322     r  re2 | re mib4~mib mib r |
 323     r  re2 | re mib4~mib mib r |
 324     r  si2   si si4~ si2 r4 |
 325     r  si2 mib sol4~ sol r2 |
 326     R2.*3 R1
 327     r4 sib,2 sib sib4~ sib2 r4 |
 328     r  sib2  sib sib4~ sib2 r4 |
 329     r  sib2  sib si4~ si r2 |
 330     r4 sib2  sib si4~ si r2 |
 331     r4 sib2  sib si4~ si si r  |
 332     r  sib2 re mib4~ mib re mib|
 333     r8 re mib sib si fad sol re' mib sib si fad |
 334     sol4 r8 re' mib4 r8 fad,8~ fad4 r |
 335     R2.*15
 336   }
 337 }
 338
 339 InterludeTroisSaxophoneUn = { \SaxAltoUn
 340   \relative {
 341     R1 R2. R1 R2. R1 R2. R1 R2.
 342     fa,8 re fa re fa re fa solb | fa re fa re fa solb16 r |
 343     si8 lab si lab si do | si lab si do16 r |
 344     si8 lab si lab si do | si lab si do16 r |
 345     re8 si re mib fa re fa solb | R2*4
 346   }
 347 }
 348
 349 ActeUnSceneQuatreSaxophoneUn = { \SaxAltoUn
 350   \relative {
 351     \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
 352     R2-\fermataMarkup
 353     R1 R2. R1*2 R1. R1*2 R1. R1*2
 354
 355     r16 la' la la re4 do re8 la4. r4 | r16 mi' mi mi la4 sol | la8 mi4. r4 |
 356     R2.*5 re,,4 r2 R2. re4 r2 R2. re4 r2 R2.*3 la'4 la la |
 357     sib8 mi, r mi \t {mi mi mi} | mi2.~mi4 r2 |
 358     r4 r8 mi r4 mi2 r4 | r4 r8 mi r4 mi mi r8 mi~ mi2 r4 |
 359     R2. reb8 r r4 r2 R2. reb2. r4 R2. reb4. r8 R2. reb4. r8 R2. si'2~si4 r2 |
 360     R1*5 R2 R2. R1
 361
 362     r2 la~ la2. r4 | r2 la~ la2. r4 |
 363     r2 si~ si2. r4 | r2 si~ si2. r4 |
 364     r2 la' lab4. do, | r2 si fad'4. sol | R1*7 R2*3 R2.*6
 365
 366     r8 do~ \t {do do do} \t {reb reb reb} \t {mib mib mib} |
 367     r  solb~ \t {solb solb solb} \t {lab lab lab} \t {la la la}
 368     \t {la la la} \t {la la la} \t {la la la} r4 |
 369     R1 R2. R1 R2. R1 R2. R1 R2.
 370     dod,2 dod4 dod dod4. dod8~dod4 r |
 371     mi,2 r4 mi2 r4 re2 r4 lab'2. r4 r fa,4. mib |
 372     re2.~ re8 r \t {fa16 sol la} sib8 r r2 |
 373     R4. re,2~ re8 r \t {sold16 la si} do4 r R2
 374     mib,2~mib8 r \t {sol16 lab sib} reb4 r R2
 375     fa,2~fa4 r8 r sol'4.~sol2 | R2 R4. R2.
 376
 377     re4 r r2 | re,1 mi sol2. r4 sol2. r4 |
 378     r2 do la1 lab re4 r r2 | R1*2
 379     sib8 sib sib sib sib sib sib sib | R2
 380     sib8 sib sib sib sib sib | R2.
 381     sib8 sib sib sib | R1
 382
 383     %%% Piu lento %%%
 384     R2.*21
 385     R1. R1 R1. R1 R1. r2 lab4 r R1.
 386     mi'8 re4 mi8 reb2~ reb1.~do2. r4 |
 387     la4 r r2 r4 re,8 sol |
 388     la4 r r2 fa8 mib sib' do |
 389     la4 r r4 do8 sol fa re mi' si |
 390     la4 r fa8 sol do sib reb mib, lab solb |
 391     la4 sib8 mib reb si solb lab fa re mi' si |
 392     la4 r re, r | R1. R1 R1.
 393     fad4 r r2 |
 394     la4 r r2 r4 mi'8 si |
 395     la4 r r2 reb8 mib, lab solb |
 396     la4 r r4 fad8 si dod mi re, sol |
 397     la4 r dod8 si solb lab fa mib sib' do |
 398     la4 lab8 mib fa sol do sib reb mi re, sol |
 399     la4 r lab r | r2 r4 sol solb r | r2 fa4 r |
 400   }
 401 }
 402
 403 EntracteSaxophoneUn = { \SaxAltoUn
 404   \relative {
 405     R2*2 r4 mi sold2 |
 406     \t {r4 mi8} \t {sold4 sol8} |
 407     si2 \t {r4 sol8} si4~ si8 r r4 |
 408     sol4 \t {si sib8} |
 409   }
 410 }
 411
 412 ActeDeuxSceneUnSaxophoneUn = { \SaxAltoUn
 413   \relative {
 414     R2.*4 R2 R2.*2 R2 R2.*3 R2 | R2. R2 R2.*2 R2 R2.*3 R2 |
 415     la'4 re,2~ | re4 r | mi4. la,8~ la4~ | la2 r4 | si2 |
 416     mi,2.~ | mi2.~ | mi2.~ | mi4 r |
 417
 418     %%% Entrée de la Soprano Deux %%%
 419     R2.*2 R1 R2. R1 mib'2.~ mib4 r re2.~ re2 r |
 420
 421     %%% Andantino %%%
 422     R1*2 R2.*4 R2
 423     R2.*5 R1 R2. R2
 424     R2. R1 R2. R1 R2. R1
 425     R2. R1 R2. R1 R2. R1 R2.
 426     R1 R2. R1 R2. R1 R2. R1
 427     r8 mi' sold mi re mi sold mi si re si lab solb re |
 428
 429     %%% Entrée de la Contralto %%%
 430     reb2.~ reb2. r4 | R2. R1
 431     R2. R1 R2. R1 R2. R1 R2.
 432     R1 R2. R1 R2. R1
 433     solb,8 r r2 | R1 R2. R1 R2. r2 r8 mib'' re sib lab4 r |
 434     R2.*7 R1 R2.
 435     R1 R2. R1 r4 la,?2 r4 lab2 re,4 | r la'2 r4 sol2 r4 |
 436     R2. re''8 mib re sib lab fa mib fad |
 437     re2.~ re1~ re4 r2 R2 lab2. r4 |
 438     R2. R1 si4 lab r si lab si do si lab r si lab r2 |
 439   }
 440 }
 441
 442 ActeDeuxSceneUnBisSaxophoneUn = { \SaxAltoUn
 443   \relative {
 444     R1 R2. R2
 445
 446     %%% Presto agitato %%%
 447     R1*5/4*18
 448     r8 la'16 sol la4 r r2 |
 449     R1*5/4*2
 450     fad4 r2 fad4 r | fad r fad r2 | fad4 r r8 fad r2 |
 451     sol,4 r1 | R1*5/4*7
 452     r1 r8 dod16 si | dod4 r1 | r8 mi16 re mi4 r r2 |
 453     R1*5/4 r4 r8 fa16 mi fa4 r2 | R1*5/4
 454     do4 r2 do4 r | do r do r2 | do4 r r8 do r2 | sib4 r1 |
 455     R1*5/4 fa4 r1 | R1*5/4-\fermataMarkup
 456
 457     %%% Boum %%%
 458     R1*5/4*13
 459     lab2. sib2 re sib2. | r4 lab2. sib4~ | sib2 re mi4 |
 460     sol1*5/4~ sol2. r2 |
 461     r1 sib,4 | fa'2~ fa8 lab~ lab2 | mib'2 r lab,,4 |
 462     sib2~ sib8 mib~ mib2 la!2. r4 do,~ | do2. sol'2~ |
 463     sol2 lab r4 | lab2. r2 | r4 lab2. r4 | r2 lab2.~ |
 464     lab4 r1 | R1*5/4*2
 465
 466     %%% Moderato assai %%%
 467     R1*7/4*7 R2. R1 R2. R2 |
 468     mi,4 r2 R2. mi4 r2 R2.*3
 469     si'2.~ si4. sib~ sib2.~ |
 470     la1 r2 r4 | la1 si2. la si1 | R2.*7
 471     solb4 fa8 lab r sol do sib mib4 r2 | R1*7/4*3
 472     \repeat volta 2 { R1*7/4*3} R1*7/4*2
 473
 474     %%% Presto subito %%%
 475     mib2 solb,1~ solb~ solb4 r |
 476     \tt {mib8 solb r4 r8} r2 mib4 \t {lab8 la sib} |
 477     si2. r4 r2 | R1.
 478
 479     %%% Tempo giusto %%%
 480     re,4 r2 r4 mi' sol re' mi, la dod, r2 | R2.*3
 481     si2~ si4 r |
 482     R2.*2 do2 r4 | mib sol lab sib4. r8 R4. |
 483     r8 lab~ \t {lab lab lab} \t {la la la} \t {sib sib sib} |
 484     sol2~ sol4 r8 | mi'!8. la,16 la8 la4. |
 485     sol2~ sol4 r8 | la'8. sib,16 sib8 sib4. |
 486     sol'4 mi8 reb solb, |
 487     reb'4. reb8~ reb solb4 | la4 r2 R2.*3
 488     r4 si,,2 do4 mib mi |
 489     r4 si2 do4 mib mi |
 490     r4 do2 si4 mi mib |
 491     r fad sol r sib si |
 492     r sol, si reb2. | R2. R2 R4. R2 R1*5/8 R2.
 493
 494     %%% Tempo I %%%
 495     R1 sib'4 r2 sib4 r sib r sib r2 |
 496     r4 \t {do,8 sib reb} la'2 r4 | si,4 r1\fermata |
 497     R1*5/4*3-\markup "Mettez la sourdine"
 498     mib'1*5/4 ~ mib4 r1 | R1*5/4*2
 499     mi!1*5/4~ mi4 r1 | R1*5/4*12
 500   }
 501 }
 502
 503 ActeDeuxSceneDeuxSaxophoneUn = { \SaxAltoUn
 504   \relative {
 505     R1.*6 R1*2 R2.
 506     lab4 lab8 lab r4 | sib8 sib r4 r8 sib |
 507     r16 do do do r8 sib r4 | R2.
 508     la1 r2 | R1.*2 R1*2 R2.
 509     lab4 lab8 lab r8 dob reb4 | la?4 r8 |
 510     re1~ re2. r4 | reb1~ reb2. r4 | reb1~ reb2. r4 |
 511     R2. R1. R1*2 do2.~ do~ do2 r4 | R2
 512     si2 do4~ do2 r4 | re2 r4 | R2
 513     la4. mi4 r r sold'8 sold | la4 r r sold8 sold |
 514     la4 r r sold8 sold | la4 r r lad8 lad si4 r r2 |
 515     si,2~ si~ si~ si4 r | si2~ si4 r |
 516     r4 r8 sold' sold la r4 | sold8 sold la4 sold8 sold |
 517     la4 r r1 | R1 R1. re,1. reb2 r4 | si4 sib r2 |
 518
 519     R2. R1 R2. R1 R2. R1 R2.
 520     fa'4 mi fa sol la2.~ la1~ la4 r2 | R1 R2. R1
 521     R2. R1 R2. R1 R2. R1 R2.
 522     la,2 R2 si2~ si4 r2 | re1~ re4 r r2 | R1
 523     sold8 sold la r4 | la4 r8 sold sold | la4 r8 sold sold |
 524     la mib, r mib r | la la sold r4 | sold'4 r r8 | R2*5/4
 525     sold8 sold la r4 | R2*5/4 sold4 r r8 | R2*5/4*4
 526
 527     R1*2 do,4 r r2 | R1*3
 528     mi1~ mi~ mi2 r2 |
 529     mib4 r2 R2 r2 r4 re16 si8 re16 | mib1 R2.*2 solb,2.~ solb2 r4 |
 530     R2.*3
 531     la2~ la4 r R2. do2 r4 R2 | r8 mib fab solb |
 532     lab4 sol solb fa mi mib | re8 re, r4 |
 533     re8 re r4 | re8 re r4 re8 re r r16 re' |
 534     mi8 r r4 | R2*4 r4 do8 r | R2
 535     re8 re, r4 re8 re r4 | sib'8 r r4 | R2*6 R2.*16
 536   }
 537 }