ActeUnSceneUn, take 2
[opera_libre.git] / instruments / contrebasse.ly
blob28368136f393bb28436e6b076352a592afd8b24e
1 %------------------------------------------------------------------%
2 % Opéra Libre -- contrebasse.ly %
3 % %
4 % (c) Valentin Villenave, 2008 %
5 % %
6 %------------------------------------------------------------------%
8 \include "italiano.ly"
10 Contrebasse = {
11 \set Staff.instrumentName = \markup { \hcenter-in #27.5 "Contrebasse "}
12 \set Staff.shortInstrumentName = "Ctrb. "
13 \set Staff.midiInstrument = "contrabass"
14 \clef "F_8"
17 PrologueContrebasse = { \Contrebasse
18 \relative {
19 %%% Introduction %%%
21 \partial 4 r4 R2.*3 R1 | mi,,,2 r8 mi' \t {mi mi mi}
22 mi,2.~|mi2 r8 mi' \t {mi mi mi} | mi,2.~| mi4 \pizz mi |
23 r8 mi \t {mi mi mi}| \arco mi2. ~ | mi4 \pizz mi |
24 r8 mi \t {mi mi mi}| \arco mi2. ~ | mi4 mi'~| mi8 mi \t {re re re} |
25 dod4 r2 | \t {\pizz dod4 re mi} sol4 r |
26 \arco dod,2 r8 sol r dod r sol | dod4 dod sol8 dod~|
27 dod4 r | sol dod sib8 dod~| dod sol dod4 | dod sol8 dod r sib |
28 r dod4 sol8 | sib2~ sib2 r4 |
30 %%% Tempo giusto %%%
31 re8 re' re, re' |
32 re, re' re, re' |
33 re, re' re, re' |
34 re, re mib re | fa re lab' fa |
35 sib lab si dod | dod, r r4 | R2
36 re4 re re | lab2 r4 |
37 re4. re | fad,2. mib' do |
38 sib2 sol4~ sol mi'2 | re2.~ re4 r8 sol mi re |
39 dod1~ dod4 r R2 R2-\fermataMarkup |
41 %%% Solo ténor %%%
42 R1*2 R2. R1 R2. R1
43 sol2~ sol~ sol~ sol~ sol2.~ sol~sol~ sol~
44 sol2 r4 | \repeat tremolo 12 {sol32 lab} sol'2. R2.*4
45 R4.
47 %%% Andantino %%%
48 \pizz <sol lab>8\plak r4 | <sol lab>8 r4 | R4.*2
49 <sol lab>8 r4 | <sol lab>8 r4 |
50 <sol lab>8 r4 | <sol lab>8 r4 |
51 R4.*6
52 mi,4 r8 <sol sol'>4\plak r8 |
53 mi4 r8 <sol sol'>4\plak r8 |
54 red'4 r8 | <fad, fad'>4\plak r8 |
55 red'4 r8 | <fad, fad'>4\plak r8 |
56 mi4 r8 | <mi mi'>4\plak r8 |
57 re'4 r8 \arco solb8 mib reb do4.~ do~ do4 r8 |
58 solb'8 mib reb | do4.~ do~ do4 r8 |
59 solb'8 mib reb | do4.~ do4 r8 |
60 fad4 mib8~ mib dod4 |
62 %%% A tempo %%%
63 re8 r4 | \pizz sold,8 si dod |
64 re8 r4 | sold,8 si dod re fa sol |
65 lab4 r8 | \arco lab4 fa8~ fa mib4 |
66 re4.~ re~ re4 r8 |
67 mib4 re8 fa,4.~ fa~ fa4 r8 |
68 fa'4. re do si4.~ si4 r8 |
69 sib4.~ sib~ sib~ sib4 r8 | R4.
70 si8 sib lab |
71 fa4.~ fa~ fa8 r4 | R4.*3
72 fa8 fa fa fa4.:8 fa4 r8 r16 fad' fad fad |
73 re4 mib re | fa8. lab fa8 mib re | do2 mib4 |
75 %%% Adagio %%%
76 la,1~\CaV la~\CaV la\CaV |
77 sib1~ sib1.~ sib4 r r1 |
78 la1~\CaV la\CaV
79 sib~ sib1.~ sib4 r r1 |
80 la1~\CaV la\CaV sib2. |
82 %%% Valse %%%
83 sol2.~ sol4 r dod~ | dod2 r4 |
84 sol2 r4 | dod2 r4 | sol2 r4 |
85 \pizz sib4 r <mi, mi'>\plak r | sol4 r2
86 R2 R2.*2 R1
87 r4 \arco do2 r4 | fad,2 r4 | do'2 r4 | fad,2 r4 |
88 do'2 r4 | \pizz fad,4 r2 | <mi mi'>4\plak r | <sol sol'>\plak r |
89 \arco do1 do4 do4. sold8 |
91 %%% Vivo al fine %%%
92 <re' re>8 lab' sib fa <re re> sib' dod sold |
93 <re re> lab' sib fa <re re> sib' dod sold |
94 <re re> dod mi fad <re re> fa lab <re, re> |
95 sol sib <re, re> lab' si <re, re'> la' mib |
96 re4 <re mib'> <re dod'> <re mib'> |
97 <re dod'> <re mib'> <re dod'> <re mib'> |
98 <re re'> re re re |
99 re re re re re re' re, re' re, r |
100 \pizz re r re r R2*9
101 r4 mi,
105 ActeUnSceneUnContrebasse = { \Contrebasse
106 \relative {
107 do,,2 do fad, r4 |
108 do'2 do fad4 fad,2 |
109 do'2 do fad4. fad,8~ fad4 |
110 do'2 do fad2 fad,4 |
111 do'2 do fad8 fad,~ fad2 |
112 do'2 do fad2~ fad8 fad, |
113 fa1 fa4 fa2 |
114 fa1 fa2 fa'4 |
115 reb1 reb4 reb2 |
116 reb1 reb2 reb4 |
117 \t {do4 sol'8} mi'4 \t {do,4 sol'8} mi'4 |
118 do,4 \t {sol'4 do,8} sol'4 |
119 do,16 sol' mi' sol,
120 do, sol' mi' sol,
121 do, sol' mi' sol,
122 do, sol' mi' sol, |
123 do, sol' do, sol'
124 do, sol' do, sol'
125 do, sol' do, sol' |
126 do,4 do do do do do do do do |
127 \t {fad,8 sol la} \t {<fad do'> re' mib} fa4 |
128 \t {<fad, la>8 do' re} \t {mib fa lab} sib4 |
129 fad,4 fad fad fad8 fad \t {fad fad fad} fad'4 |
130 do1~ do2 r4 |
134 ActeUnSceneUnBisContrebasse = { \Contrebasse
135 \relative {
136 dod,,2.
137 <dod sold'>~<dod sold'>2 r4 |
138 sib16 lab si sol sib lab si sol sib lab si sol |
139 dod re mi sol dod,8 r dod16 re mi sol |
140 dod,re mi sib sol la sib mi dod re mi sol, |
141 lab8 lab16 lab fa8 fa'16 fa mib8 mib16 mib |
143 %%% Piu vivo %%%
144 re4 r r8 do sol la | fad2 \t {sol8 la do} |
145 re4 r r8 mib lab, fa| sib4. lab |
146 sol2.~sol~ sol4 r reb' | sol2. |
147 R2. r4 reb'2~ reb4. r8\fermata r4 |
148 R2. r4 reb2~reb~reb8 r\fermata r4 | r2 r4 fad,, sol la |
150 %%% Largo %%%
151 do2 do~ do~ do2.~
152 do2~ do2.~ do2~ do2.~
153 do4 do2 do4 r r2 |
154 R1 R2. R2 R1 R2.*2 R2*2 R2. R2*3 R2. R1 R2.
155 R2*3 R2.*3
157 %%% Adagio %%%
158 R1*9
159 r2 r4 r8 <\parenthesize sol' si''>~\CaV |
160 si''1~\CaV si2.\CaV r4 |
161 R1 sib,,8 lab si sol~sol2~ |
162 sol4 sib sol2~
163 sol4 sol, fa sold |
164 mi1~mi~mi~mi2 r | R1*13
165 R2 \pizz re''4 sold, fa r
166 r \arco dod
170 InterludeUnContrebasse = { \Contrebasse
171 \relative {
172 R1. R1*3 R1. R1 R1.*2 R1*2
173 la,4\CaV r r1 \clef "G_8"
174 la'1 si2 do1~ do4 r2 | R2 \clef "F_8"
175 r2 \ttt {r16 fad,, red dod sib do} |
176 sol1~ sol2 sol8 do sib dod |
177 sol1 r8 dod4. | sol8 sol' sol, sol' sol, sol' sol, sol' |
178 sol, sol' sol, sol' sol, dod dod dod |
179 sol16 sol sol' sol sol, sol sol' sol
180 sol, sol sol' sol sol, sol sol' sol
181 sol, sol sol sol sol sol sol sol |
182 sol sol sol sol sol sol sol sol dod dod dod dod \t {r8 mib reb} |
183 fad,2. sol2 r4 | R2.*4
184 si2.~ si~ si~ si~ si8 sib4 lab si8 |
185 sol'2.~ sol~ sol~ sol~ R2.*2
189 ActeUnSceneDeuxContrebasse = { \Contrebasse
190 \relative {
191 %%% Air de la Soprano2 %%%
193 \repeat unfold 9 {R2.*2 R1*2}
194 R2. | r4 dod,, r |
195 sol1~ sol~ | sol2.~ sol4 r2 | sol1~ sol2. r4 |R2.*2 |
196 sold1~ sold~| sold2.~ sold~ |sold1~ sold2. r4 |
197 \repeat unfold 7 {R2.*2 R1*2} R2.*2 R1 R1-\fermataMarkup |
199 %%% Récitatif %%%
201 R2.*2 R1 R2.*3 R1 R2.*6 R2 R2. R1*2 R2.*5 R1 |
203 %%% Duo %%%
205 \pizz re'4
206 \repeat unfold 16 re
207 \repeat unfold 7 reb
208 \repeat unfold 4 si
209 \repeat unfold 4 sib r |
210 \arco sol lab8 sib |
211 reb4 dob sib | dob sib lab sib |
212 dob sib lab fa | dob' r8 sib r4 |
213 mi,2.~| mi r4| mi'1 | reb2.~|reb~|reb4 r2 | R1 |
215 %%% Piu vivo %%%
216 sol,2.~ | sol1~ sol2 r4 | R2.
217 sol2 sol4 sol dod4. dod8 dod dod |
218 sol2 r8 sol sol sol | dod4. dod8 \t {dod dod dod} |
219 sol4 sol2 r4 |
220 dod4 r8 sib lab si |
221 sol4 sol sol sol r2 | sol4 sol sol si r2 |
222 sib4 sib sib | re r2 | re4 re re re r2 | re4 re re re r2 re4 re re |
223 dod r2 dod4 dod dod fa,1~ fa2 r4 si~ | si8 do4. dod2 |
225 %%% Tempo giusto %%%
226 \pizz re4 re re re re re re re |
227 dod dod dod dod si si si si | si r r2 |
228 \arco <sol sol'>2 r4 |
229 \repeat unfold 16 sol8 |
230 sol r r2 | r4 \t { re'8 si do} |
231 \repeat unfold 14 sold |
232 sold r r sold fad la |
233 fa2~fa4. fa8 |
234 fa2~ fa |
235 r8 la sol sib |
236 fad2~ fad2. \pizz la'8\CaV r r2
237 R1 R2.*3 R2 R2. R1*4
241 ActeUnSceneTroisContrebasse = { \Contrebasse
242 \relative {
243 R2.*4 do,,2.\upbow ~ do~ do do4 r2 | R2.*3
244 si2. sib2.:32 si2. sib2.:32 si2. dod2.:32~dod:~dod4 r
245 \pizz sold si r2
246 \arco sib2.~sib~sib~sib2 r4 |
248 %%% Lamento %%%
249 r2 r4 \pizz re si dod \arco sib2 re4 r r2 | reb fa4 r r2 |
250 sib,re4 r r2 reb fa4 r r2 | sib,re4 r r2 | reb fa4 r2 |
251 sib,reb4 r2 | re fa4 r2 sib,reb4 r2 sib si4 r2 |
252 mi,2 sol4 r | sold2 si4 r |
253 mi,2 sol4 r | si2 fa'4 r |
254 reb2 reb4 reb4. reb8 reb reb reb4 reb8 reb r4 | R2*2
256 %%% Tempo I %%%
257 R2.*3
258 << {mi2.~mi~mi~mi~mi~mi~mi4}\\
259 {s2.*2 mi,4-+ s2 mi4-+ s2 mi4-+ r mi-+
260 mi-+ r mi-+ mi-+}>> r8 mi' \t {mi mi mi} sold4 r2 |
261 R2.*3
263 %%% Tempo II %%%
264 R1. do,~ do~ do~do~do2 r1 | r2 r4 do r | R1 R2. R2
268 ActeUnSceneTroisBisContrebasse = { \Contrebasse
269 \relative {
270 R1*3 r4 sol2\CaV r4 R1*2 r4 sol2\CaV r4 |
271 R1 r2 re,4 la8 si fad4 r r2 | R1*8
272 fad1~fad~fad2. r4 | R1*2 %%FIXME: harmonics
273 \pizz <re' la'\harmonic>4 r <re sol\harmonic> r
274 \arco <re fad\harmonic>1~<re fad\harmonic>2. r4 \clef "G_8" |
275 \simile fad''4\CaV r fad\CaV r
276 fad\CaV r fad\CaV r
277 fad\CaV r fad\CaV r
278 fad\CaV r fad\CaV r
279 fad\CaV r fad\CaV r
280 fad\CaV r fad\CaV r
281 fad\CaV r fad\CaV r
282 fad\CaV r fad\CaV r |
283 \ordin fad\glissando red8 r red4\glissando do8 r |
284 sib\glissando sol16 r sol8\glissando mi16 r mi8\glissando dod16 r \clef "F_8" |
285 re,1~re~re
286 <fa dod'>4\upbow \ind #"pizz. du pouce" re\thumbpizz r2
287 <fa dod'>4\upbow \simile re\thumbpizz r2
288 <fa dod'>4\upbow re\thumbpizz <fa dod'>\upbow re\thumbpizz
289 <fa dod'>\upbow re\thumbpizz <fa dod'>\upbow re\thumbpizz
290 <fa dod'>\upbow re\thumbpizz <fa dod'>\upbow re\thumbpizz
291 <fa dod'>\upbow re\thumbpizz <fa dod'>\downbow <la, fa'> |
292 fad1~fad~fad~fad~fad~fad~fad2. r4 |
293 R1*7
294 <re' fad\harmonic>1~<re fad\harmonic>~<re fad\harmonic>4
295 r4 \ordin fad2~fad1~fad4 r r2 |
296 sol1 fad~fad~fad~fad~fad~fad\fermata
300 ActeUnSceneTroisTerContrebasse = { \Contrebasse
301 \relative {
302 R2*3 R2. R2*2 R2.*7
303 \pizz mib,,4 r r2
304 mi4 r fa r |
305 re'8 sol, do fad, lad si sol sold |
306 la fad sib sol lab reb sol, si |
307 do lab la sib sol si lab la |
308 re lab do reb la sib mib la, |
309 dod re sib si do dod |
311 %%% Poco meno %%%
312 re4 r2 R2.*2
313 \arco re'2.~\CaV re~\CaV re~\CaV re~\CaV re4\CaV r2 |
314 re2.~\CaV re~\CaV re4\CaV r2 |
315 <re, sol\harmonic re''>2.~\CaV
316 <re sol\harmonic re''>~\CaV
317 <re sol\harmonic re''>~\CaV
318 <re sol\harmonic re''>~\CaV
319 <re sol\harmonic re''>2\CaV r4
320 <re sol\harmonic re''>2.:32~\CaV
321 <re sol\harmonic re''>8\CaV r r2
322 \pizz fa4 r2 R2.*2
323 fa,4 r2 R2.*2
324 dod'4 r2 R2.*2
325 dod4 r2 R2.
326 r8 \arco mi fa sold fa mi |
327 la,2.~\CaV la~\CaV la2\CaV r4 |
328 <la la'>2.~ <la la'>~<la la'>4 r8 \pizz la' r4 |
329 sold r8 si r16 fad8. | fa4 do r |
330 mib r sib | la r8 la' sol, sol' sib, sib' |
331 \arco fad,2.~fad~fad2 r4 |
332 fad2.~fad~ fad2 r4 |
333 fa2.~fa~fa4 dod'2 |
334 fa2.~fa~fa4 la2 |
335 dod,2.~dod~dod4 la'2 |
336 dod,2.~dod~dod4 fa2 |
337 la,2.~la~la~la2 r4 |
338 la'2.\CaV la,4-+ r2 | R2.*13
342 InterludeTroisContrebasse = { \Contrebasse
343 \relative {
344 sol,,4\upbow mi\thumbpizz r2 | sol4\upbow mi\thumbpizz r |
345 sol8\upbow mi\thumbpizz sol\upbow mi\thumbpizz
346 sol\upbow mi\thumbpizz \pizz sol lab |
347 \arco sol\upbow mi\thumbpizz sol\upbow mi\thumbpizz
348 \pizz sol lab |
349 \simile sol mi sol mi sol mi sol lab |
350 sol mi sol mi sol lab |
351 sol mi sol mi sol mi sol lab |
352 sol mi sol mi sol r |
353 r \arco mi r mi r mi sol lab |
354 r mi r mi sol mi |
355 r mi r mi sol lab |
356 r mi sol mi |
357 r <mi mi'> r <mi mi'> r <mi mi'> |
358 r <mi mi'> r <mi mi'> |
359 r <mi mi'> r <mi mi'> |
360 r <mi sol'> r <mi sol'> |
361 sol16 mi sol lab si lab si do |
362 mib do mib mi sol mi sol lab |
363 sol8 re sol re la8 r r4 |
367 ActeUnSceneQuatreContrebasse = { \Contrebasse
368 \relative {
369 \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
370 R2-\fermataMarkup
371 R1 R2. R1*2 R1. R1*2 R1. R1*2
373 %%% Agitato %%%
374 \pizz la,4 r2 | la,4 r2 | do4 r2 | do4 r2 |
375 R2. la'2~la4\glissando do2. | mi4 r
376 sold,,~\upbow | sold dod si | re r2 |
377 re4 r r16 la' la la | re,4 r2 | re4 r r16 la la la |
378 re4 r8 re' fad, si |
379 mib,4 r8 reb4 sol8 | do,4 r8 fa la, re |
380 fad,4 r8 la4 mib'8 | lab4 r8 la reb, solb |
381 sib,4 r8 sib4 sib8 | mi4 r8 mi, \t {mi mi mi} |
382 mi4 mi mi | mi4 r2 |
383 mi'4 r8 mi, \t {mi mi mi} | mi4 r2 |
384 mi'4 mi sib8 mi~ | mi2 re4~ | re fa2 |
385 dod2~dod8 r r4 | R2. R1 R2. R2 R2. R2 R2. R2 R2.
387 %%% Placando assai %%%
388 dod2. dod4 sol2. r4 | dod2. dod4 sol2. r4 |
389 dod2 re mib mi2.~mi2. r4 |
391 %%% Andante a piacere %%%
392 \pizz fa,4 r r2 r reb'4 r |
393 fa, r r2 r reb'4 r |
394 \arco fa,1~ fa2 reb fa1~ fa2 reb |
395 sol2. r4 r8 dod4 sol dod8 |
396 sol2. r4 r8 dod4 sol sol8 |
397 dod8 r r4 r2 |
398 sol1~sol~sol~sol~sol~sol2. r4 |
399 R2*3 R2.*6
401 %%% A tempo %%%
402 do4 r8 fad,4 do' fad,8 |
403 do'4 r8 fad,4 do' fad,8 |
404 do'4 do r8 fad, r4 |
406 \pizz la16 fad' sold8 dod,16 sib do8 fa16 re mi,8 |
407 la4 r4 r2 | r4 la4 sol'8 re dod4 si8 fad fa4 mib'8 sib |
408 la4 r2 | r16 re,8. r4 r2 |
409 R2. \arco sol2~sol8 sol \t {sol sol sol} | sol2 r8 dod4. |
410 sol2 r4 sol sol sol fa2 fa4 fa~ \t {fa8 fa4~} \t {fa fa8~} fa4 |
411 r fa~fa8 mib' \t {mib mib fad} |
413 re2.~ re8 r4 | sold,2 si4~si8 dod4 |
414 re2~ re8 r4 | la4. sib8~sib8. do16~do4 |
415 mib2~ mib8 r4 | si2~si8 do~do16 re8. |
416 fa,2~fa4 r8 | fa2~fa | R2 R4. R2.
417 re'4\CaV r r re | re re re re re re re re |
418 re re re re re re re re |
419 re' <re, re'> re' <re, re'> re' <re, re'> re' <re, re'> |
420 re'8 re <re, re'> re re' re <re, re'> re |
421 re'16\CaV re re re re re re re re re re re re re re re |
422 re4\CaV re,-+ re'\CaV re,-+ \pizz <re re'> r r2 |
423 R1 R2 R2.*2 R2 R1
425 %%% Piu lento %%%
426 r2 \clef "G_8" \arco si''?4~si2 r4 | R2.
427 r2 si4~si2 r4 |
428 r2 si4~si2 r4 |
429 r2 si4~si2 r4 |
430 r2 do4~do2 r4 | R2.
431 r2 re4~re2 r4 |
432 r2 mib4~mib2 r4 |
433 r2 mib4~mib2 r4 | R2. \clef "F_8"
434 r4 \pizz si,? r r re, r |
436 %%% Stesso tempo %%%
437 la4 r r2 r8 mi4. | la4 r r2 |
438 la4 r r do r mi, | la4 r r2 |
439 la4 re dod fad fa sib, | la4 r r2 | R1. R1 R1. R1
440 la8 do sib4 fa'8 sold, fad4 dod'8 mi re4 |
441 la8 sol re'4 dod8 si fad'4 fa8 mib sib4 |
442 la8 fad sold4 dod8 sib do4 fa8 re mi4 |
443 la,8 si mi,4 fa'8 sol do,4 reb8 mib lab,4 |
444 la8 do sib4 dod8 si fad4 fa'8 re mi,4 |
445 la r r2 | R1. \arco do1~ do1. do4 r \pizz sib reb |
446 la8 fad sold4 dod8 sib do4 fa,8 re' mi,4 |
447 la8 si mi,4 fa8 sol do4 reb8 mib lab,4 |
448 la8 do sib4 fa8 lab solb4 dod8 mi, re'4 |
449 la8 sol' re4 dod8 si fad4 fa'8 mib sib4 |
450 la8 fad' sold4 fa8 sol do,4 dod8 mi, re' sol |
451 la,4 r r2 R1. R1
455 EntracteContrebasse = { \Contrebasse
456 \relative {
457 sold,,2~ sold sold~ sold |
458 sold~ sold sold sold sold4 r8 \t {sold16 dod si} |
462 ActeDeuxSceneUnContrebasse = { \Contrebasse
463 \relative {
464 R2.*4 R2 R2.*2 R2 |
465 r4 sol2~\CaV sol2.~\CaV sol2.~\CaV sol4\CaV r |
466 R2. R2 | R2.*2 R2 |
467 r4 sold2~ sold2.~ sold2.~ sold4 r |
468 R2. R2 | R2.*2 R2 | R2.*2 | R2. \clef "G_8" |
469 \ttt { mi8[ mi16 mi mi mi] } \ttt { mi[ mi mi mi mi mi] }|
471 %%% Entrée de la Soprano Deux %%%
472 R2.*2 r4 \ttt {dod'8 dod16 dod dod dod} dod8 r r4 |
473 r2 \ttt {fa,8 fa16 fa fa fa} \clef "F_8" |
474 R1 \pizz fa,,4 fa' r R2 mi,4 mi' r R1 |
476 %%% Andantino %%%
477 sib4 r r2 R1 R2. mi4 r2 R2.*2 R2 \clef "G_8"
478 \arco <re''mi>2.~\CaV <re mi>~\CaV <re mi>~\CaV <re mi>2\CaV r4 |
479 <re mi>\CaV r <re mi>\CaV | r <re mi>\CaV r <re mi>\CaV |
480 r <re mi>\CaV r | R2 \clef "F_8" |
481 fad,,4 dod' sid8 sold fad1~ fad2 r4 |
482 r8 fad fad, do''! fad,4 fad, | fad'2.~ fad2 fad,4\thumbpizz r |
483 R2. R1 fad'2.~ fad2. r4 | R2. fad1~ fad2 r4 |
484 fad,1 fa2.~ fa2. r4 | fad2.~ fad1 fa2.~ fa2. r4 |
485 fad2.~ fad2. r4 |
487 %%% Entrée de la Contralto %%%
488 R2. R1 R2. R1
489 R2. R1 R2. R1 do'2.~ do2. r4 | r do2~ |
490 r4 do2. | dod2.~ dod2. r4 | do2 r4 | R1
491 fad2. fa2. r4 | fad2. fa2. r4 |
492 fad2. sol2.~ sol4 r \pizz fa |
493 sib, r2 si4 r2 sib4 r2 si4 r2 | mi4 r2 |
494 \arco mib2.~ mib2 r4 | R1 R2.
495 R1 R2. R1 \pizz lab4 r2 la4 r r2 | lab4 r2 |
496 sol4 r r2 | R2. r4 \arco lab sol fa |
497 re2.~ re1~ re4 r2 R2 |
498 R1 R2. R1 R2. R1 R2. R1
502 ActeDeuxSceneUnBisContrebasse = { \Contrebasse
503 \relative {
504 R1 R2. R2 \clef "G_8"
506 %%% Presto agitato %%%
507 <sol, do\harmonic sol''>1*5/4~
508 \simile sol''~\CaV sol~\CaV sol~\CaV sol2.\CaV r2 |
509 R1*5/4 <sol,,sib\harmonic re''>1*5/4~
510 <sol sib\harmonic re''>2. r2 \clef "F_8" |
511 R1*5/4*7
512 sib,1*5/4~ sib~ sib2. r2 |
513 dod2 re mi4 sol1*5/4~ sol2. r2 |
514 <re do'>4 r2 <re do'>4 r | <re do'> r <re do'> r2 |
515 <re do'>4 r r8 <re do'> r2 | <fa' sol>4 r1 |
516 R1*5/4*3
517 sol,,8 mi sol mi sol mi sol mi sol lab |
518 sol mi sol mi sol mi sol mi sol lab |
519 sol mi sol mi sol mi sol mi sol lab |
520 sol mi sol mi sol mi sol mi sol lab |
521 sol mi sol mi sol mi sol mi sol lab |
522 sol mi sol mi sol mi sol mi sol lab |
523 sol mi sol mi sol mi sol mi sol lab |
524 sol mi sol mi sol mi sol mi sol lab |
525 sol mi sol mi sol mi sol mi sol lab |
526 sol mi sol mi sol mi sol mi sol4 |
527 lab4 r2 lab4 r | lab r lab r2 |
528 lab4 r r8 lab r2 | do4 r1 |
529 R1*5/4 <mi,red'>4 r1 | R1*5/4-\fermataMarkup |
531 %%% Boum %%%
535 ActeDeuxSceneDeuxContrebasse = { \Contrebasse
536 \relative {
537 R1.*6 R1*2 R2.
538 re,,8 r r16 re fa8 r16 fad8. |
539 re8 re16 re re re re re re8 mib |
540 re fa mib lab fa si lab lab, sib mi si fa' |
541 re1.~ re1 r2 |
542 R1. R1*2 R2.
543 si8 r r16 si8 re16 r red8. r16 si re red |
544 R4. si4 r r8 \pizz sold4. |
545 <si si'>4\plak r8 sold r sol r4 |
546 <si si'>4\plak r8 si r si r4 |
547 <si si'>4\plak r8 si r si r4 |
548 <si si'>4\plak r8 si r si r4 |
549 <si si'>4\plak r8 si r \arco si la do |
550 sold2.~ sold1 r2 | R1*2
552 \pizz fa4 r2 fa4 r2 fa4 r2 fa4 r |
553 fa' r red <mi, mi'>\plak r2 mi'4 r2 |
554 do4 r |
555 r16 \arco la fad sol fa lab |
556 <mi mi'>4 r r8 \pl sol sol'\leftpizz r4 |
557 <mi, mi'>4 r8 sol r sold r4 |
558 <mi mi'>4 r8 mi' r mi r4 |
559 <mi,mi'>4 r8 mi' r mi r4 |
560 <mi,mi'>4 r8 mi' r r16 la, fad sol fa lab |
561 mi8 mi' r dod | <mi, mi'>4 dod'8 do |
562 <mi, mi'>8 mi' mi, mi' |
563 r16 sib la do dod sol fa lab |
564 mi8 mi' r4 | \t {mi re fa} |
565 dod1~ dod2 r4 |
567 dod1 r4 dod | sol2. r4 |
568 dod1 r4 dod | sol1.~ sol2 r4 | R1 \clef "G_8"
569 la'''2.~\CaV la1~\CaV la2.~\CaV la1~\CaV la2.~\CaV la1~\CaV la2.~\CaV |
570 la1~\CaV la2.~\CaV la1~\CaV la2.~\CaV la1~\CaV la2.~\CaV la1~\CaV |
571 la4\CaV r2 \clef "F_8" | R1 R2. R1 R2. R1 R2.
572 <la,,,la'>2~ la~ <la la'>~ la2.~ <la la'>2~ la~ la1~ la2. r4 |
574 <la sold'>4 r r8 | <la la'>8 <la la'> <la sold'> r4 |
575 la8 la sold r4 | <la la'>8 <la la'> <la sold'> r4 |
576 <la sold'>4 r r8 | sold4 sold r8 | la4 r r8 |
577 <la sold'>4 r mib'8 | mib re r4 r8 | <re sold>4 <re sold> r8 |
578 <mib la>4 r r8 | mi8 mi fa r4 | r8 fad4 fad sol r r8 |
580 R1*2 si,4 r r2 | r4 \pizz mi fa r r dod mi r | R1
581 \arco <mi, mi'>2~ mi8 mi mi4 |
582 <mi mi'>2~ mi8 mi mi4 |
583 <mi mi'>2~ mi8 mi mi4 |
584 \pl mi4_\thumbpizz mi'^\leftpizz r2 | \pizz re4 r |
585 R1*2 R2.*4 r4 sib' r r fad r | R2.
586 \pizz <la, la'>4\plak mib' sold re |
587 dod' sol do | fa, si mi, |
588 mib la, re sold, |
589 dod sol do fad, | fa' mi <re sib'>\arpeggio <re sib'>\arpeggio |
590 \simile <re sib'> <re sib'> |
591 <re sib'> <re sib'> |
592 <re sib'> <re sib'> |
593 dod sol do fad, | si fa sib mi, |
594 R2 r8 \arco la16 la sold8 r | R2
595 \pizz <re'sib'>4 <re sib'> |
596 <re sib'> sold re r | R2*6 \clef "G_8"
598 la''2.~\CaV la2.~\CaV la2.~\CaV la2.~\CaV la2.~\CaV la2.~\CaV la2\CaV r4 |
599 R2.*9