ActeUnSceneUn, take 2
[opera_libre.git] / instruments / violoncelle2.ly
blob7d48d60a4bbff70fefcba79aba3c71d7f0e69303
1 %------------------------------------------------------------------%
2 % Opéra Libre -- violoncelle2.ly %
3 % %
4 % (c) Valentin Villenave, 2008 %
5 % %
6 %------------------------------------------------------------------%
8 \include "italiano.ly"
10 VioloncelleDeux = {
11 \set Staff.instrumentName = \markup { \hcenter-in #25 "Violoncelle 2 "}
12 \set Staff.shortInstrumentName = "Vlc. 2 "
13 \set Staff.midiInstrument = "cello"
14 \clef bass
17 PrologueVioloncelleDeux = { \VioloncelleDeux
18 \relative {
20 %%% Introduction %%%
21 \partial 4 r4 R2.*2 \clef treble sib''2.\upbow ~ sib1\glissando
22 mi,,2\downbow \clef bass |r8 mi,, \t {mi mi mi} mi2.~ | mi2 r8 mi
23 \t {mi8 mi mi} mi2.~mi2~mi~mi2.~mi2~mi~ mi2.~mi4 mi~mi8 mi
24 \t {re re re}|
25 dod4 r2 | \t { \pizz dod4 re mi} \t {sol sib do} |
26 \arco dod2 r8 sol r dod r sol | dod4 dod sol8 dod~|
27 dod4 r | sol dod sib8 dod~| dod sol dod4 | dod sol8 dod r sib |
28 r dod4 sol8 | sib2~ sib2 r4 |
30 %%% Tempo giusto %%%
31 re,8 re' re re, re re' re re, |
32 re re' re' re, re, re mib re | fa re lab' fa |
33 sib lab si dod | dod, r r4 | R2
34 re4 re'8 re re re | lab2 r4 |
35 re,4 r8 re' re re | fad,2. mib do |
36 sib'2 sol4~ sol mi2 | re2.~ re4 r8 sol' mi re |
37 dod1~ dod4 r R2 R2-\fermataMarkup |
39 %%% Solo ténor %%%
40 R1*2 R2. R1 R2. R1
41 R2*2 lab4 si fa2 mib2 fad4 do2.~ do2 r4 |
42 R2.*2 r2 lab'4 sol'2. R2.
43 lab4 sol,\leftpizz r |
44 lab' sol,\leftpizz r | R2. R4.
46 %%% Andantino %%%
47 \pizz sol8 r4 | sol8 r4 | R4.*2
48 sol8 r4 | sol8 r4 |
49 sol8 r4 | sol8 r4 |
50 sol'8 r4 \clef treble | red''8 r4 \clef bass |
51 r8 sol,, sol, | R4.*14
52 \arco solb8 mib reb do4.~ do~ do4 r8 |
53 solb'8 mib reb | do4.~ do~ do4 r8 |
54 solb'8 mib reb | do4.~ do4 r8 |
55 fad4 mib8~ mib dod4 |
57 %%% A tempo %%%
58 re8 r4 | sold8 si dod |
59 re8 r4 | sold,8 si dod re fa sol |
60 lab4 r8 | lab,4 fa8~ fa mib4 |
61 re4.~ re~ re4 r8 |
62 mib4 re8 fa4.~ fa~ fa4 r8 |
63 fa'4. re do si4.~ si4 r8 |
64 sib4.~ sib~ sib~ sib4 r8 | R4.
65 si8 sib lab |
66 fa4.:32~ fa4.:32
67 fa16:32 solb: lab: si: dod: re: |
68 mi: re: dod: si: lab: solb: |
69 fa: lab: sib: si: dod: mi: |
70 fad: mi: dod: si: sib: lab: |
71 \t {fad16 fad fad} \t {sold sold sold} \t {la la la} |
72 si8 r4 | fa16 fa fa fa fa fad fad fad fad fad |
73 re4 mib re | fa8. lab fa8 mib re | do2 r4 |
75 %%% Adagio %%%
76 R1*2 r2 r8 mi \t {mi mi mi} |
77 mi1~ mi1. \repeat tremolo 16 {mi32 fa} mi4 r |
78 R1 r2 r4 \pizz la |
79 \arco mi1~ mi1.~ \repeat tremolo 16 {mi32 fad} mi4 r |
80 R1 r2 r8 sold \t {sold sold sold} |
81 sib2.
83 %%% Valse %%%
84 sol2.~ sol4 r dod~ | dod2 r4 |
85 sol2 r4 | dod2 r4 | sol2 r4 |
86 sib4 r mi, r | sol2.~ sol4 r \clef tenor |
87 r8 sold'' fa r r fa mib r r mib re r |
88 mi4 \ttt {red16 mi red mi red mi} red4 r \clef bass |
89 r4 do,,2 r4 | fad2 r4 | do2 r4 | fad2 r4 |
90 do2 r4 | fad2 r4 | mi r sol r |
91 <do, si'>2 <do si'>4 <do si'>8 <do si'>~ |
92 <do si'> <do si'> <do si' mi la>4 <do si' mi la> |
94 %%% Vivo al fine %%%
95 <re re'>8 re' <do re> <do re> |
96 <re mib> <re mib> <la re> <la re> |
97 <re mib> <re mib> <do re> <do re> |
98 <re mib> <re mib> <la re> <la re> |
99 <re mib> <re mib> <re mib> <re mib> |
100 <re mi> <re mi> <re mi> <re mi> |
101 <re sol> <re sol> <re sol> <re sol> |
102 <re la'> re re re |
103 <re mib> <re mib> <do re> <do re> |
104 <re mib> <re mib> <la re> <la re> |
105 <re mib> <re mib> <do re> <do re> |
106 <re mib> <re mib> <la re> <la re> |
107 <re mib> <re mib> <do re> <do re> |
108 <re mib> <re mib> <la re> <la re> |
109 <re mib> <re mib> <do re> <do re> |
110 <re mib> <re mib> <la re> <la re> |
111 <re mib> <re mib> r4 |
112 <re mib>8 <re mib> r4 |
113 re8 re r4 re8 re r4 | re8 r r4 \pizz re r |
114 re, r | R2*7 r4 mi
118 ActeUnSceneUnVioloncelleDeux = { \VioloncelleDeux
119 \relative {
120 do,,2 do'\CaV fad,2 r4 |
121 do2 do'\CaV fad,4 fad2 |
122 <do sol'>2~ <do sol'> fad4. fad8~ fad4 |
123 <do sol'>2~ <do sol'> fad2 fad4 |
124 <do do'>2 do' fad,8 fad~ fad2 |
125 <do do'>2 <do do'> fad2~ fad8 fad |
126 fa2 do'16 fa, do' la'~ la mib' \t {la, do, fa,} |
127 fa4 do'16 fa, do' la' mib' la, do, fa, |
128 do' fa, do' la'~ la mi'! \t {la, do, fa,} fa2 |
129 do'16 fa, do' la' sol' mi \t {la, do, fa,} \t {fa8 fa fa} |
130 lab2 mi'16 lab, mi' la do8 \t {la16 mi lab,} |
131 lab4 mi'16 lab, mi' la do la mi lab, |
132 reb, lab' mi' la \ttt {do la mi lab, mi' la}
133 do la mi lab, reb, lab' \t {mi' la do} |
134 \t {lab,8 mi' lab,} reb,4 reb |
135 do16 sol' mi' sib' \t {re8 sib mi,}
136 \t {sol, mi' sib'} re16 sib mi, sol, |
137 do, sol' mi' sib' \t {re8 sib mi,} \t {sol, do, sol'} |
138 \ttt {do,16 sol' mi' sib' mi, sol,}
139 \ttt {do, sol' mi' sib' mi, sol,}
140 \ttt {do, sol' mi' sib' mi, sol,}
141 \ttt {do, sol' mi' sib' mi, sol,} |
142 \ttt {do, sol' mi' sib' mi, sol,}
143 \ttt {do, sol' mi' sib' mi, sol,}
144 \ttt {do, sol' mi' sib' mi, sol,} |
145 do,4 do do | \t {mib8 fad sold} \t {la si re} \t {mi fa sol} |
146 <do,, sol' re' sib'>4 do do | fad fad \t {fad8 sold fad} |
147 <fad si>4 fad fad8 fad |
148 \t {do re mib} \t {fa lab sib} \t {si dod mi}
149 <lad, fad'>4 \t {<fad si>8 dod' mi} \t {fad, la sol} |
150 <do, do'>1~ <do do'>2 r4 |
152 %%% Ad libitum %%%
153 R1 R2. do2.~ do4 r r2 | do2.~ do4 r2 |
155 %%% Agitato %%%
156 re8 re mib mib re re mib mib |
157 re4:8 mib: re: mib: re: mib: re: mib: |
158 re: mib: re: mib: re: mib: re: mib: |
159 re: mib: re: mib: |
160 re: mib: re: mib: re: mib: |
161 re: mib: re: mib: re: mib: re: mib: |
162 re: mib: re: mib: re: mib: |
163 re: mib: re: mib: re: mib: re: mib: re: mib: re: mib: |
164 re: mib: re: mib: re: mib: |
165 re: mib: re: mib: re: mib: re: mib: |
166 mib8 fab mib fab mib fab mib fab mib fab mib fab |
167 mib fab mib fab mib fab mib fab mib fab mib fab |
168 mib fab mib fab mib fab mib fab mib fab mib fab |
169 mib fab mib fab mib fab mib fab |
170 mib fab mib fab mib fab mib fab mib fab mib fab |
171 mi1. R1.*2
173 %%% Allegro non troppo %%%
174 \pizz sib''4 r r2 | R2. sib4 mi, r \t { \arco mi8 si dod} |
175 sib8 r r4 r2 | \pizz sib'4 mi, r \t { \arco mi8 dod si} |
176 sib8 r r4 r2 R1 R2.
177 \pizz sib'4 r r2 | R2. sib4 r r2 | sib4 sib sib sib r r2 |
178 \arco sol,2. sib4 r r2 |
179 r2 \ttt {sol16 lab sib dod red mi} \ttt {fad mi red dod sib lab} |
180 \ttt {sib dod red mi fad la} \ttt {si la fad mi red dod} sib8 r r4 |
181 R1 \clef tenor |
182 re'8\CaV re\CaV re\CaV re\CaV re\CaV re\CaV re\CaV re\CaV | R2.
183 re8\CaV re\CaV re\CaV re\CaV re\CaV re\CaV | R2. \clef treble
184 \pizz la'4 la la la R1 la4 la la la R1 |
185 \arco fa16 fa r8 fa16 fa r8 fa16 fa r8 fa16 fa r8 | R1 \clef bass
187 %%% Moderato %%%
188 la,,4. sib8~ sib2 | la4. sib8~ sib2 |
189 la8. sib16~ sib4. la8 | do2.~ do2 r |
190 la8. sib16~ sib4~ sib16 la8. | do1~ |
191 do2 la4 | do2 r4 \t {la8 do sib} |
192 mib2.~ mib2 r | fa2.~ fa2 r | mib4 fa2 |
193 mib8. fa16~ fa2~ \t {fa8 mib fa} |
194 solb8. lab16~ lab2 | solb4 lab4~ lab16 solb8. lab mib16~ |
195 mib8. fa16~ fa8 solb~ solb16 lab8.~ | lab8 fa, solb lab |
196 si8 r r2 | R1 R2*4
198 %%% Allegro marcato %%%
199 <sib do>4 <sib do>16 <sib do> <sib do> <sib do> <sib do>4 r |
200 <sib do>4 <sib do>16 <sib do> <sib do> <sib do> <sib do>4 r |
201 re, re re re mi2 re8 r r4 | R1
202 <fa sib mi la>4 <sib dod>16 <sib dod> <sib dod> <sib dod> <sib dod>4 r |
203 <fa sib mi la>4 <sib dod>16 <sib dod> <sib dod> <sib dod> <sib dod>4 r |
204 re re sib sib <sol re' la'>2 fad8 r r4 | R1*3
205 do'4 do si si sib2 la8 r r4 | R1*2
206 do4 do sib sib si2 sol8 r r4 | R1
207 r2 r4 \pizz re' do la sol r fad mi dod r r sib' la sol |
209 %%% Agitato %%%
210 \arco re'8 fa sib fa re16 fa lab sib reb sib lab fa |
211 re8 sol sib sol re16 la' sib do mib do sib la |
212 re,8 sol sib sol re16 si'dod red mi red dod si |
213 re, re re re re re re re re re re re re re re re |
214 <la re>8 re <re la'> re <la re> re <re la'> re |
215 <re re> re <sol la> re <re re> re <sol la> re |
216 <re re> re <sol re'> re <re re> re <sol re'> re |
217 <re sol> re <do' fa> re, <re sol> re <do' fa> re, |
218 <re sol> re <do' fa> re, <re sol> re <do' fa> re, |
219 <sol, re'> re' \clef treble <fa' do'> \clef bass re,
220 <sol, re'> re' \clef treble <fa' do'> \clef bass re, |
221 re \clef treble <fa' do'> \clef bass re, \clef treble <solb' reb'> \clef bass
222 re, \clef treble <lab'' mib'> \clef bass re,, \clef treble <la'' mi'> \clef bass |
223 <mi, la>8 r r4 r1 | R1*2
225 R1 R2. R2 \clef treble la'16\CaV la\CaV la\CaV la\CaV la\CaV la\CaV la\CaV la\CaV |
226 fad fad fad fad fad fad fad fad | fad fad fad fad fad8 r \clef bass | R2 R1*4
230 ActeUnSceneUnBisVioloncelleDeux = { \VioloncelleDeux
231 \relative {
232 dod,,8:32
233 dod8 \t {dod16 dod dod} dod8 \t {dod16 dod dod} dod8 \t {dod16 dod dod} |
234 dod8 \t {dod16 dod dod} dod8 \t {dod16 dod dod} dod8 \t {dod16 dod dod} |
235 dod8 \t {dod16 dod dod} dod8 \t {dod16 dod dod} dod8 \t {dod16 dod dod} |
236 dod8 \t {dod16 dod dod} dod8 \t {dod16 dod dod} dod8 r |
237 dod16 re mi sib' sol la sib mi dod re mi sol, |
238 \t {lab16 lab lab} lab8 \t {fa16 fa fa} fa8 \t {mib16 mib mib} mib8 |
240 %%% Piu vivo %%%
241 re4 r r8 do' sol la | fad2 \t {sol8 la do} |
242 re4 r r8 mib, lab fa| sib4. lab |
243 sol2.~sol2 r4 |
244 <mib' fa>4. <re sib'> | re2. |
245 R2. r4 <la'mi'\harmonic mi'>2~ <la mi'\harmonic mi'>4. r8\fermata r4 |
246 R2. r4 <la mi'\harmonic mi'>2~<la mi'\harmonic mi'>~
247 <la mi'\harmonic mi'>8 r\fermata r4 | r2 r4 fad, sol la |
249 %%% Largo %%%
250 do,2 do'~ do
251 lab2.~ <do, lab'>2~<do sol'>2.~
252 <do la'>2~ <do la'>4 r2 |
253 <do si'>2 <do si'>4 |
254 <do mib'>4 r r2 |
255 R1 R2. R2 r2 r8 lab'4. |
256 sib2.~ sib2 r4 |
257 re2 mib~ mib r4 |
258 R2*3 R2. R1 R2.
259 r4 sib8 lab | sol2~sol fad2. |
260 r2 si4 mi,2. |
262 %%% Adagio %%%
263 R1*9
264 r2 r4 r8 <do mi\harmonic mi''>~ |
265 <do mi\harmonic mi''>1~ <do mi\harmonic mi''>~ |
266 <do mi\harmonic mi''>~<do mi\harmonic mi''>~
267 <do mi\harmonic mi''>2. r8 sol'~\CaV |
268 sol4 sol fa sold |
269 mi1~mi~mi~mi2 r | R1*8
270 r4 <do''mi> <do mi> <do mi> |
271 <do mi> r r2 |
272 R1*3
273 R2 \pizz <re, sold>4 <sold, red'> <fa reb'> r
274 r \arco <dod sold'>
278 InterludeUnVioloncelleDeux = { \VioloncelleDeux
279 \relative {
280 R1. R1*3 R1. R1 R1.*2 R1*2
281 la1 la2~ la1 si2 do1~ do4 r2 |
282 R2 \ttt {r16 fa mi re la si}
283 \ttt {sold la sold fad dod red}
284 \ttt {do fad red dod sib do} |
285 sol8\leftpizz <sol sol'>\downbow
286 sol\leftpizz <sol sol'>\downbow
287 sol\leftpizz <sol sol'>\downbow
288 sol\leftpizz <sol sol'>\downbow |
289 sol\leftpizz <sol sol'>\downbow
290 sol\leftpizz <sol sol'>\downbow
291 sol\leftpizz <do, sol'> sol' dod, |
292 sol'\leftpizz <sol sol'>\downbow
293 sol\leftpizz <sol sol'>\downbow
294 sol\leftpizz <sol sol'>\downbow
295 sol\leftpizz <sol sol'>\downbow
296 sol\leftpizz <dod, sol'>\downbow
297 sol'\leftpizz <dod, sol'>\downbow |
298 \arco sol' <sol sol'> sol <sol sol'>
299 sol <sol sol'> sol <sol sol'> |
300 sol <sol sol'> sol <sol sol'> sol <dod, sol'> dod <dod sol'> |
301 sol' <sol fad'> sol <sol fad'>
302 sol <sol fad'> sol <sol fad'>
303 sol <sol fad'> sol <sol fad'> |
304 sol <sol fad'> sol <sol fad'> sol <dod, sol'> sol' <dod, sol'> |
305 fad2. sol2 r4 | R2.*4
306 si2.~ si~ si~ si~ si8 sib4 lab si8 |
307 sol'2.~ sol~ sol~ sol R2.*2
311 ActeUnSceneDeuxVioloncelleDeux = { \VioloncelleDeux
312 \relative {
313 %%% Air de la Soprano2 %%%
315 R2.*2 | R1*2| R2.*2 | R1*2 | R2.*2|
316 re,8 mi sold4 la re,8 la' |
317 r re, mi sold la4 sold8 re |
318 mi4 sold la8 mi | r sold la re, mi4~|
319 mi1~ mi2 r2 | R2.*2 | R1*2 | R2.*2 | R1*2 | R2.*2|
320 dod,1~ dod~| dod2 r4 | R2.|
321 dod1~ dod~| dod2 r4| r dod r |
322 mi1~ mi2. r4 | dod2.~ dod2 r4 |
323 sol'1~ sol~ | sol2 r4 |
324 sol re' do8 lab | sol2. r4|
325 sol re' do8 lab sol4 | lab8 sol do re r4| R2. |
326 sold1~ sold~| sold2.~ sold~ |
327 sold1~ sold2. r4 | R2.*2 R1*2 R2.*2 R1*2 R2.*2 |
328 \clef treble re'1~\CaV re~ re2.~ re~ re1~ re~ re2.~ re2 r4|
329 R1*2 R2.*2 R1*2 R2.*2| R1*2 R2.*2 R1|
330 R1-\fermataMarkup \clef bass |
332 %%% Récitatif %%%
334 R2.*2 R1| R2.*3 | R1 R2.*2 r4 r8 mib,4 lab,8~| lab2.~|
335 lab8 lab~ \t {lab lab lab} lab4:32 |
336 lab8 r r2 | R2 R2. R1*2 | R2.*4 re,2.~ re2. r4 |
338 %%% Duo %%%
340 \pizz <re sib'>4
341 \repeat unfold 15 <re sib'> r8 \arco <re sib'> |
342 <reb lab'> r \pizz <reb lab'>4
343 \repeat unfold 5 <reb lab'>
344 \repeat unfold 3 <sib' sol'> r8 \arco <sib sol'> |
345 <la fa'>8 r \pizz <la fa>4 <la fa'> | <la fa'> r |
346 \arco sol lab8 sib |
347 reb4 dob sib | dob sib lab sib |
348 dob sib lab fa | dob' r8 sib r4 |
349 si!8 si lad lad si si |
350 lad lad si si lad lad si si |si1
351 lab2.~ lab~ lab4 r2 R1 |
353 %%% Piu vivo %%%
354 <sol sol'>4 sol16 sol sol sol lab lab lab lab |
355 sib sib sib sib reb reb reb reb mib mib mib mib mi mi mi mi |
356 fad fad fad fad la la la la si si si si |
357 do4 re, dod, |
358 sol'2 sol4 sol | dod,4. dod8 dod dod |
359 sol'2 r8 sol sol sol | dod,4. dod8 \t {dod dod dod} |
360 sol'4 sol2 r4 |
361 dod,4 r8 sib' lab si |
362 sol4 sol sol |
363 sol \tt {si'16 sold fad red dod} \tt {fad red dod do sib} |
364 sol4 r sol |
365 si \tt {re'16 dod si sold fad} \tt {sold fad fa mib do} |
366 sib4 r sib |
367 re r2 | re4 re re | re r2 | re4 re re | re r2 | re4 re re |
368 dod r2 | dod4 dod dod | fa,1~ fa2 r4 si~ | si8 do4. dod2 |
370 %%% Tempo giusto %%%
371 <re, sib'>4 <re sib'> <re sib'> <re sib'> |
372 <re sib'> <re sib'> <re sib'> <re sib'> |
373 <dod la'> <dod la'> <dod la'> <dod la'> |
374 <red si'> <red si'> <red si'> <red si'> |
375 \pizz sol r8 \arco sib4 lab si8 |
376 <sol sol'>2 r4 | \repeat unfold 32 sol16
377 sol8 r r2 |
378 r4 \t {re'8 si dod} |
379 \repeat unfold 28 sold16
380 sold8 r r sold fad la |
381 fa2 fa4. fa8
382 <fa fa'>2 | <fa fa'> |
383 r8 la sol sib |
384 fad4. fad8 | fad4. fad8 <fad re'>4\glissando \clef tenor |
385 <fad'' la>8 r r2 |
387 %%% Largo assai %%%
388 R1 R2.*3 R2
389 solb2.~ solb2. r4 |
390 r2 \pizz fa'4 mi | mib r sib r | re, r r2 |
394 ActeUnSceneTroisVioloncelleDeux = { \VioloncelleDeux
395 \relative {
396 do,,2.:32~do: <do si'>2.:32~<do si'>:~<do si'>:~<do si'>:~<do si'>: <do si'>4 r2 |
397 r4 \pizz la' r r fad r r8 mi r fa lab4 |
398 \arco sib2. mib,2.:32 <sib'la'>2. mib,2.:32
399 mi2. fad2.:32~fad:~fad4 r \pizz reb mi r2 |
400 r2 \arco sib'4 la2. r2 sib4 la2 r4 |
402 %%% Lamento %%%
403 r2 r4 \pizz re si dod | sib2 r1 | R1.*3
404 \arco sib2 re4 r r2 | reb fa4 r2 |
405 la,2 solb4 r2 | lab fa4 r2 | la! solb4 r2 | la sib4 r2 |
406 <mi, red'>2 <sol fad'>4 r |
407 <lab sol'>2 <sol fad'>4 r |
408 <mi red'>2 <sol fad'>4 r |
409 <mi red'>2 <fa mi'>4 r |
410 <reb do'>2 <reb do'>4 <reb do'>4. <reb do'>8 <reb do'> <reb do'> |
411 <reb do'>4 <reb do'>8 <reb do'> r4 | R2*2
413 %%% Tempo I %%%
414 \pizz mi4 sol r mi sib' r r mi, r |
415 \arco la2.:32 la2. sold la lad si~ si4 r8 mi, \t {mi mi mi} |
416 dod'4 r2 R2. \pizz si4 r mib, r2 solb4 |
418 %%% Tempo II %%%
419 r2 r4 mib reb mi | \arco do1.~ <do sol'>~<do sol'>~
420 <do sol'>2 r4 si'2.:32~si1.:32~<do si'>2.:32 <do si'>4 r |
421 R1 R2. R2
425 ActeUnSceneTroisBisVioloncelleDeux = { \VioloncelleDeux
426 \relative {
427 R1*3 r4 sib,2\CaV r4 | R1*2 r4 re,2 r4 R1 |
428 r2 lad'4 sold fad r r2 | R1*6
429 fad1~fad~fad~fad~fad2. r4 | R1*8
430 si1~si si2 si si si si si do, do do2. R1*7
431 fa4 re8 r fa4 re8 r
432 fa4 re8 r fa4 re |
433 fad1~fad~fad~fad~fad~fad~fad2. r4 | R1*3
434 r4 <sol do\harmonic sol''>2 r4 |
435 si2 sib la1 lab2 sol fad1~fad~fad4 r r2 |
436 R1*2 do'1 lad~lad~lad~lad~lad~lad\fermata
440 ActeUnSceneTroisTerVioloncelleDeux = { \VioloncelleDeux
441 \relative {
442 R2*3 R2. R2*2 R2. \clef treble
443 \repeat unfold 36 re'16
444 re re fad re dod dod fa do do red mi si |
445 sib8 r r2 | R2. \clef bass |
446 mib,,,2. r4 mi2 fa |
447 re'8 r r4 r2 | R1*3 R2.
449 %%% Poco meno %%%
450 <re sol\harmonic re''>2.:32~
451 <re sol\harmonic re''>: ~
452 <re sol\harmonic re''>: ~
453 <re sol\harmonic re''>: ~
454 <re sol\harmonic re''>: ~
455 <re sol\harmonic re''>: ~
456 <re sol\harmonic re''>: ~
457 <re sol\harmonic re''>: ~
458 <re sol\harmonic re''>: ~
459 <re sol\harmonic re''>: ~
460 <re sol\harmonic re''>: ~
461 <re sol\harmonic re''>: ~
462 <re sol\harmonic re''>: ~
463 <re sol\harmonic re''>4 r2 \clef treble
464 r8 si'' sib sol fad mib\glissando |
465 mib' re fad, sol si sib re, mib sol fad sib, si \clef bass |
466 mib,2 r4 |
468 r mib2~mib re4~ re2 r4 |
469 r mib2~mib re4~ re2 r4 |
470 r \t {sib'8 sol sib} \t {sol sib sol} \t {sib sol sib} \t {sol sib sol}
471 \t {si fad si} | \t {fad si fad} si4 r |
472 r \t {sib8 sol sib} \t {sol sib sol} \t {sib sol sib} \t {sol sib sol}
473 \t {si fad si} | \t {fad si fad} si4 r |
474 r \t {mib,8 sol mib} \t {sol mib sol} \t {mib sol mib} \t {sol mib sol}
475 mib4~ mib2 r4 |
476 r \t {mib8 sol mib} \t {sol mib sol} \t {mib sol mib} \t {sol si sol}
477 \clef tenor \t {si mib si} | \t {sol mib' si} sol'4 r \clef bass |
478 r8 \pizz si,, mi la mib sol | r4 r8 do, fa sib \clef tenor |
479 r mi r4 la | R1 \clef bass
481 r4 \arco <si,,? fa'>2~<si fa'> <si fa'>4~<si fa'>2 r4 |
482 r <si fa'>2~<si fa'> <si fa'>4~<si fa'>2 r4 |
483 r mib2~mib re4~re r2 |
484 r4 mib2~mib re4~re r2 |
485 r4 <mib sol>2~<mib sol> <re fad>4~<re fad>2 r4 |
487 \repeat tremolo 8 {re32 sol}
488 \repeat tremolo 8 {re sol}
489 \repeat tremolo 4 {red fad} red4 fa2 |
490 la,2.:32~la:~la:~la2 r4 |
491 \pizz <la la'> r2 R2.*4 |
492 \arco sib2.~sib~sib~sib~sib2 r4 |
493 sib2.~sib~sib~sib2 r4 |
494 la2.\fermata
498 InterludeTroisVioloncelleDeux = { \VioloncelleDeux
499 \relative {
500 r8 \pizz re, r re r re r re | r re r re r re |
501 r4 \arco re2.~ re2 r4 R1 R2. R1 R2.
502 <sol,dod>4 <sol dod> <sol dod> <sol dod>8 <lab re> |
503 <sol dod>4 <sol dod> <sol dod>8 <lab re> |
504 <sol dod>4 <sol dod> <sol dod>8 <lab re> |
505 <sol dod>4 <sol dod> |
506 r8 <mi re'> r <mi re'> r <mi dod'> |
507 r <mi re'> r <mi dod'> |
508 r <mi red'> r <sold mi'> |
509 r <sol mi'> r <si sol'> |
510 sol16:32 mi: sol: lab: si: lab: si: do: |
511 mib: do: mib: mi: sol: mi: sol: lab: \clef tenor
512 si4 mi sol8 r r4 |
516 ActeUnSceneQuatreVioloncelleDeux = { \VioloncelleDeux
517 \relative {
518 \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2
519 R2. sol4 fa mi8 la, r4 R2-\fermataMarkup
520 R1 R2. R1*2 R1. R1*2 R1. R1*2
522 %%% Agitato %%%
523 r4 la8 re sol re | la r r2 |
524 <do,sol'>2.:32 <do sol'>8 r r2 | r4 sib''8 fa4 fad8 |
525 re2~re4\glissando fa2. mi2.:32 la8 r r4 mib16 do sol mi |
526 re4 r2 | re'8 si' mi16 mi, mi mi la8 la, | re4 r2 |
527 re8 dod' fad16 fad, fad fad si8 la, | re4 r8 re fad, si |
528 mib,4 r8 reb4 sol8 | do4 r8 fa la, re |
529 fad,4 r8 la4 mib'8 | lab4 r8 la reb, solb |
530 sib,4 r8 sib4 sib8 | mi4 r8 mi, \t {mi mi mi} |
531 mi4 mi mi | r8 sib'4 mi sib'8 |
532 lab16 sib lab sib re mib re mib sib re sib re |
533 lab sib lab sib re mib re mib sib8 sib, |
534 mi4 mi sib8 mi~ | mi4 mi, re~ | re fa2 |
535 dod2~dod8 r r4 | R2. dod2. r4 |
536 R2. dod2 R2. dod2 R2.
537 dod'4 sol | dod2 sol4 |
539 %%% Placando assai %%%
540 dod2. dod4 sol2. r4 | dod2. dod4 sol2. r4 |
541 dod,2 re mib mi2.~mi2. r4 |
543 %%% Andante a piacere %%%
544 \pizz fa4 r r2 r reb4 r |
545 fa r r2 r reb4 r |
546 \arco fa1~ fa2 reb fa1~ fa2 reb |
547 sol2. r4 r8 dod,4 sol' dod,8 |
548 sol'2. r4 r8 dod,4 sol' sol8 |
549 dod,8 r r4 r2 | R1*6 R2*3 R2.*2
551 %%% Poco a poco piu mosso %%%
552 \pizz sol'4 r sol fad r2 la4 r2 sol4 r2 |
554 %%% A tempo %%%
555 \arco
556 <do,do'>4 r8 fad4 do' fad,8 |
557 <do do'>4 r8 fad4 do' fad,8 |
558 <do do'>4 <do do'> r8 fad r4 |
560 \pizz la8 sold16 red dod8 do'16 sol fa8 mi'16 si |
561 la4 r4 r2 | r4 la8 mi sol4 | dod,8 sold' si4 fa8 dod mib'4 |
562 la,4 r2 | r16 re,8. r4 r2 |
563 r8 r16 \arco dod''~ dod8 red~ red16 fad sib, mib, |
564 sol,2~ sol8 sol \t {sol sol sol} | sol2 r8 dod4. |
565 <re,sol>2 r4 | sol4 sol sol | fa2 fa4 |
566 fa~ \t {fa8 fa4~} \t {fa4 fa8~} fa4 |
567 r fa~fa8 mib \t {mib mib fad} |
569 re2. r8 re' r | sold,2 si4~si8 dod4 |
570 re2 r8 re r | la4. sib8~ sib8. do16~do4 |
571 mib2 r8 mib r| si2~ si8 do~ do16 re8. |
572 fa2~ fa4 r8 | fa,2~ fa |
573 R2 R4. re16 fa sib dod fad sib, dod fad la dod, fad la |
574 re4 re, re re <re mi> <re mi> <re mi> <re mi> |
575 <re mi> <re mi> <re mi> <re mi> |
576 <re sol>\CaV <re sol>\CaV <re sol>\CaV <re sol>\CaV |
577 <re do'> re re re | re,8 re re' re re, re re' re |
578 re, re re' re re, re re' re, |
579 re'16 re re, re re' re re' re re, re re, re re' re re, re |
580 re8 re' re, re' re' re, re,4 | re re8 re re4 r | R1*2 R2 R2.*2 R2 R1
582 %%% Piu lento %%%
583 r2 sib''4~sib2 r4 R2.
584 r2 sib4~sib2 r4 |
585 r2 sib4~sib2 r4 |
586 r2 sib4~sib2 r4 |
587 r2 sib4~sib2 r4 R2.
588 r2 sib4~sib2 r4 |
589 r2 sib4~sib2 r4 |
590 r2 sib4~sib2 r4 R2.
591 r4 \pizz sib, r r re, r |
593 %%% Stesso tempo %%%
594 la'4 r r fad' r r | la, r r2 |
595 la4 r8 red r2 fa4 r | la, r r2 |
596 la4 r8 mi' r4 fad, r8 mib' r4 | la, r r2 |
597 R1. R1
598 \arco la1.~ la2. r4 |
599 \pizz la4 sib8 mib, fa4 fad8 si dod4 re,8 sol |
600 la4 re,8 mi dod'4 fad,8 sold fa'4 sib,8 do |
601 la4 sold8 red dod4 do'8 sol fa4 mi'8 si |
602 la4 mi'8 re fa,4 do8 sib' reb4 lab8 solb|
603 la4 sib8 mib, reb4 fad8 sold fa4 mi8 si'|
604 la4 r r2 | R1. \arco do,1~ do1. do4 r \pizz sib' reb |
605 la4 sold8 red dod4 do8 sol' fa4 mi'8 si |
606 la4 mi'8 re fa4 do8 sib reb,4 lab'8 solb |
607 la4 sib8 mib fa4 fad8 si, dod,4 re8 sol |
608 la4 re,8 mi dod'4 fad,8 sold fa4 sib8 do |
609 la4 sold8 red' fa4 do,8 sib' reb4 re,8 sol |
610 la4 r r2 | R1. R1
614 EntracteVioloncelleDeux = { \VioloncelleDeux
615 \relative {
616 sold,2~sold~sold sold~sold sold sold~sold4 sold~|
617 sold4 sold8 \t {sold16 fa sol} |
621 ActeDeuxSceneUnVioloncelleDeux = { \VioloncelleDeux
622 \relative { \clef tenor
623 \pizz la4 r r | la r8 la r4 | la la la |
624 la r2 | R2 | R2.*2 | R2 |
625 r4 << \arco s2 \\
626 \repeat tremolo 4 { sold16 lad16 } >> |
627 \repeat tremolo 6 { sold16 lad16 } |
628 \repeat tremolo 6 { sold16 lad16 } | si4 r |
629 R2. R2 R2.*2 R2 |
630 r4 \repeat tremolo 4 { do16 red16 } |
631 \repeat tremolo 6 { do16 red16 } |
632 \repeat tremolo 2 { do16 red16 }
633 \repeat tremolo 4 { si16 do } | sold4 r |
634 R2. R2 R2.*2 R2 | R2. | R2. |
635 \ttt { mi'8[ mi16 mi mi mi] }
636 \repeat unfold 4 { \ttt { re[ re re re re re] } } |
638 %%% Entrée de la Soprano Deux %%%
639 R2.*2 r4 \ttt {fad16 fad fad fad fad fad} \t {fad fad fad} r8 r4 |
640 r4 r8 \clef treble \t {lab16 lab lab} \ttt {lab lab lab lab lab lab} \clef bass |
641 R1 R2. R2 R2. R1
643 %%% Andantino %%%
644 \pizz sib,,4 fa' r2 R1 R2. mi4 si' r R2. mi,4 si' lad R2
645 R2. si,4 fad' r mid8 dod si4 r |
646 r4 \arco <la mi'\harmonic mi'>2~ <la mi'\harmonic mi'>2.~
647 <la mi'\harmonic mi'>1~ <la mi'\harmonic mi'>2 r4 | r \pizz si'8 mi, |
648 fad,4 r2 R1 R2. R1 R2. R1
649 sib4 fa' r | \arco sib,2. r4 R2. R1 sib2 r4 R1 R2.
650 fad1 fad2.~ fa2. r4 | fad2.~ fad1 fa2.~ fa2. r4 |
651 fad2.~ fad2. r4 |
653 %%% Entrée de la Contralto %%%
654 R2. R1 fad2.~ fad4 r r2 |
655 fa2.~ fa4 r r2 | fad2. fa2 mib |
656 do4\thumbpizz \pizz sol' mi'8 fad | la4 fad8 la re4 si,8 fad |
657 do4 mi'8 fad la4 |
658 r8 fad, do4 r2 | r4 r8 dod r sold' | fad si r fad' dod si' r4 |
659 r \arco do,,2 reb mib |
660 fad4\thumbpizz r2 | \pizz fa4 r r2 | fad4 r2 | fa4 r r2 |
661 fad8 fad' r2 | sol,4 re'8 fa do'4 | re r \arco fa,, |
662 sib r2 | si4 r2 | sib4 r2 | si4 r2 | mi4 r2 |
663 <do,fa\harmonic do''>2.~ <do fa\harmonic do''>2.~
664 <do fa\harmonic do''>2 r | mib'2. |
665 re1~ re4 r2 | R1 \pizz lab4 r2 | la4 r r2 | lab4 r2 |
666 \arco sol1~ sol2. r4 lab sol fa |
667 re2.~ re1~ re4 r2 R2 |
668 R1 R2. R1 R2. R1 R2. R1
672 ActeDeuxSceneUnBisVioloncelleDeux = { \VioloncelleDeux
673 \relative {
674 R1 R2. R2
676 %%% Presto agitato %%%
677 <do,,mi\harmonic sol do\harmonic mi' sol>1*5/4~
678 \simile <mi''sol>~\CaV <mi sol>~\CaV
679 <mi sol>~\CaV <mi sol>2.\CaV r2 |
680 R1*5/4 \clef treble |
681 <lab'sol'>1*5/4~ <lab sol'>2. r2 \clef bass |
682 R1*5/4*7
683 sib,,1*5/4~ sib~ sib2. r2 |
684 dod,2 re mi4 sol1*5/4~ sol2. r2 |
685 <do're>4 r2 <do re>4 r | <do re> r <do re> r2 |
686 <do re>4 r r8 <do re> r2 | sold,4 r1 |
687 R1*5/4*6
688 fad8 sol fad red fad red fad red fad red |
689 fad sol fad red fad red fad red fad red |
690 fad sol fad red fad red fad red fad red |
691 fad sol fad red fad red fad red fad red |
692 fad sol fad red fad red fad red fad red |
693 fad sol fad red fad red fad red fad red |
694 fad sol fad red fad red fad red fad red |
695 <re sol>4 r2 <re sol>4 r | <re sol> r <re sol> r2 |
696 <re sol>4 r r8 <re sol> r2 | <solb fa'>4 r1 |
697 R1*5/4 <fa re'>4 r1 | R1*5/4-\fermataMarkup |
699 %%% Boum %%%
703 ActeDeuxSceneDeuxVioloncelleDeux = { \VioloncelleDeux
704 \relative {
705 R1.*4 \clef treble la'1.~\CaV la4\CaV r r1 | R1*2 \clef bass
706 re,2.~\CaV re8 r r16 re,,8 fa16 r16 fad8. |
707 re4 re16 mib fa lab sib8 re, |
708 \ttt {re16 mib fa lab sib si } dod8 mib, \ttt {fa16 lab sib si dod mi}|
709 fad8 lab, \ttt {sib16 si dod mi fad sol } la8 si, |
710 re,1.~ re1 r2 |
712 R1. R1*2 si'2.~ si8 r r16 si8 re16 r16 red8. r4 |
713 r16 mi, dod re do mib |
714 si'4 r8 r16 dod dod re sold, sold sold4 |
715 r8 dod16 dod re8 sold, dod16 dod re8 <sol, re'>16 <sol re'> <re' la'> <re la'> |
716 r8 si16 si si si si si fad'8 si, si16 si si si |
717 r8 si16 si si si si si <fad' dod'>8 si, si16 si si si |
718 si si si si si8 fad' si, fad' si,16 si si si |
719 si si si si si8 fad' si,4 la8 do |
721 sold2.~ sold1 r2 | R1*2
722 \pizz fa4 r2 | fa4 r2 | fa4 r2 | fa4 r |
723 fa r red \arco mi2.~ mi2 r4 |
724 \pizz do4 r |
726 r16 \arco la' fad sol fa lab |
727 mi4 r8 <la re>16 <la re> <la re> <la re> sol8 <sol re'>16 <sol re'> <re'la'> <re la'> |
728 mi,8 <si' re>16 <si re> <re la'> <re la'> sol, sol
729 <re' la'> <re la'> sold, sold <re' la'> <re la'> <re la'> <re la'> |
730 mi8 <la re>16 <la re> <la re>8 mi, <re' sol> mi, <re' la'>16 <re la'> <re la'> <re la'> |
731 mi,8 <re' sib'>16 <re sib'> <re do'>8 mi, <re' la'> mi, <la re>16 <la re> <la re> <la re> |
732 mi8 <fa' la>16 <fa la> <fa si>8 mi, <fa' do'> r16 la, fad sol fa lab |
733 <mi si'>4 r8 dod <mi si'>4 dod8 do |
734 <mi si'>4 r8 mi | r16 sib' la do dod sol fa lab |
735 mi4 r \t {mi re fa} | dod1~ dod2 r4 |
737 R1. R1 R1. <sol' re'>1.~ <sol re'>2 r4 | R1 \clef treble
738 la''2.:32~\CaV la1:~\CaV la2.:~\CaV la1:~\CaV la2.:~\CaV la1:~\CaV la2.:~\CaV
739 la1:~\CaV la2.:~\CaV la1:~\CaV la2.:~\CaV la1:~\CaV la2.:~\CaV la1:~\CaV
740 la4 r2 R1 R2. \clef tenor r2 r4 \pizz <fa, mi'>8 <fa mi'> |
741 <mib re'>4 r <fad mi'>8 <fad mi'> | <mi! re'>4 r r2 | R2. \clef bass
743 <la,la'>16 <la la'> <la' la> <la la> <la la> <la la> <la, la'> <la la'> |
744 la2:16
745 <la la'>16 <la la'> <la' la> <la la> <la la> <la la> <la, la'> <la la'> |
746 la2:16 la4 |
747 mib16 do reb mib fad8 fa sib16 sol lab sib reb8 do |
748 fa mib lab sol do4 la4:16 |
749 la,1:16 |
751 <la sold'>4 la'8 sold la | sold sold la r4 |
752 sold,8 sold la r4 | sold'8 sold la r4 |
753 <la, sold'>4 r r8 | la4 la r8 | sold4 r r8 |
754 <la sold' la>4 r re8 | re mib r4 r8 |
755 <sold, re'>4 <sold re'> r8 | <la re>4 r r8 |
756 dod dod do r4 | r8 fa4 fa | sol, r r8 |
758 R1*2 lad4 r r2 | r4 \pizz mi sol r | r fad mi r |
759 R1 \arco red2 \repeat tremolo 8 {red32 mi} |
760 \repeat tremolo 16 {mib fa} |
761 \repeat tremolo 16 {mib fa} |
762 <re' dod'>4 r2 | r8 \pizz sold, r4 |
763 R1*2 R2.*4
764 r4 dod' r | r la r | R2. |
766 \arco la8 r mib r sold r re r |
767 dod r sol' r <do, do'> r |
768 fa' r si, r mi r |
769 mib, r la r | re, r sold r \clef tenor |
770 r16 mi'' sold mi r mib sol mib |
771 r re fad re r reb fa reb |
772 r do mi do r si red si |
773 sib8 \clef bass \pizz <re, sib'>\arpeggio r <re sib'>\arpeggio |
774 r \simile <re sib'> r <re sib'> |
775 r <re sib'> r <re sib'> |
776 r <re sib'> r <re sib'> |
777 \arco dod, \pizz dod' \arco sol, r |
778 do, r fad r | si r fa r | sib r mi, r |
779 R2 r8 la16 la sold8 r | R2
780 r8 \pizz <re' sib'> r <re sib'> |
781 r <re sib'> r sold | <sib, re>4 r |
782 R2*2 re,4 r dod r mib r | R2 \clef treble
784 la''2. sol fa mi fa4. mi fa sol la4 mi r |
785 R2.*9