ActeUnSceneUn, take 2
[opera_libre.git] / instruments / contrebasse.ly
blob170a82dd6b12ef317f25db8eee7e8d20356960d4
1 %------------------------------------------------------------------%
2 % Opéra Libre -- contrebasse.ly %
3 % %
4 % (c) Valentin Villenave, 2008 %
5 % %
6 %------------------------------------------------------------------%
8 \include "italiano.ly"
10 Contrebasse = {
11 \set Staff.instrumentName = \markup { \hcenter-in #27.5 "Contrebasse "}
12 \set Staff.shortInstrumentName = "Ctrb. "
13 \set Staff.midiInstrument = "contrabass"
14 \clef "F_8"
17 PrologueContrebasse = { \Contrebasse
18 \relative {
19 %%% Introduction %%%
21 \partial 4 r4 R2.*3 R1 | mi,,,2 r8 mi' \t {mi mi mi}
22 mi,2.~|mi2 r8 mi' \t {mi mi mi} | mi,2.~| mi4 \pizz mi |
23 r8 mi \t {mi mi mi}| \arco mi2. ~ | mi4 \pizz mi |
24 r8 mi \t {mi mi mi}| \arco mi2. ~ | mi4 mi'~| mi8 mi \t {re re re} |
25 dod4 r2 | \t {\pizz dod4 re mi} sol4 r |
26 \arco dod,2 r8 sol r dod r sol | dod4 dod sol8 dod~|
27 dod4 r | sol dod sib8 dod~| dod sol dod4 | dod sol8 dod r sib |
28 r dod4 sol8 | sib2~ sib2 r4 |
30 %%% Tempo giusto %%%
31 re8 re' re, re' |
32 re, re' re, re' |
33 re, re' re, re' |
34 re, re mib re | fa re lab' fa |
35 sib lab si dod | dod, r r4 | R2
36 re4 re re | lab2 r4 |
37 re4. re | fad,2. mib' do |
38 sib2 sol4~ sol mi'2 | re2.~ re4 r8 sol mi re |
39 dod1~ dod4 r R2 R2-\fermataMarkup |
41 %%% Solo ténor %%%
42 R1*2 R2. R1 R2. R1
43 sol2~ sol~ sol~ sol~ sol2.~ sol~sol~ sol~
44 sol2 r4 | \repeat tremolo 12 {sol32 lab} sol'2. R2.*4
45 R4.
47 %%% Andantino %%%
48 \pizz <sol lab>8\plak r4 | <sol lab>8 r4 | R4.*2
49 <sol lab>8 r4 | <sol lab>8 r4 |
50 <sol lab>8 r4 | <sol lab>8 r4 |
51 R4.*6
52 mi,4 r8 <sol sol'>4\plak r8 |
53 mi4 r8 <sol sol'>4\plak r8 |
54 red'4 r8 | <fad, fad'>4\plak r8 |
55 red'4 r8 | <fad, fad'>4\plak r8 |
56 mi4 r8 | <mi mi'>4\plak r8 |
57 re'4 r8 \arco solb8 mib reb do4.~ do~ do4 r8 |
58 solb'8 mib reb | do4.~ do~ do4 r8 |
59 solb'8 mib reb | do4.~ do4 r8 |
60 fad4 mib8~ mib dod4 |
62 %%% A tempo %%%
63 re8 r4 | \pizz sold,8 si dod |
64 re8 r4 | sold,8 si dod re fa sol |
65 lab4 r8 | \arco lab4 fa8~ fa mib4 |
66 re4.~ re~ re4 r8 |
67 mib4 re8 fa,4.~ fa~ fa4 r8 |
68 fa'4. re do si4.~ si4 r8 |
69 sib4.~ sib~ sib~ sib4 r8 | R4.
70 si8 sib lab |
71 fa4.~ fa~ fa8 r4 | R4.*3
72 fa8 fa fa fa4.:8 fa4 r8 r16 fad' fad fad |
73 re4 mib re | fa8. lab fa8 mib re | do2 mib4 |
75 %%% Adagio %%%
76 la,1~\CaV la~\CaV la\CaV |
77 sib1~ sib1.~ sib4 r r1 |
78 la1~\CaV la\CaV
79 sib~ sib1.~ sib4 r r1 |
80 la1~\CaV la\CaV sib2. |
82 %%% Valse %%%
83 sol2.~ sol4 r dod~ | dod2 r4 |
84 sol2 r4 | dod2 r4 | sol2 r4 |
85 \pizz sib4 r <mi, mi'>\plak r | sol4 r2
86 R2 R2.*2 R1
87 r4 \arco do2 r4 | fad,2 r4 | do'2 r4 | fad,2 r4 |
88 do'2 r4 | \pizz fad,4 r2 | <mi mi'>4\plak r | <sol sol'>\plak r |
89 \arco do1 do4 do4. sold8 |
91 %%% Vivo al fine %%%
92 <re' re>8 lab' sib fa <re re> sib' dod sold |
93 <re re> lab' sib fa <re re> sib' dod sold |
94 <re re> dod mi fad <re re> fa lab <re, re> |
95 sol sib <re, re> lab' si <re, re'> la' mib |
96 re4 <re mib'> <re dod'> <re mib'> |
97 <re dod'> <re mib'> <re dod'> <re mib'> |
98 <re re'> re re re |
99 re re re re re re' re, re' re, r |
100 \pizz re r re r R2*9
101 r4 mi,
105 ActeUnSceneUnContrebasse = { \Contrebasse
106 \relative {
107 do,,2 do fad, r4 |
108 do'2 do fad4 fad,2 |
109 do'2 do fad4. fad,8~ fad4 |
110 do'2 do fad2 fad,4 |
111 do'2 do fad8 fad,~ fad2 |
112 do'2 do fad2~ fad8 fad, |
113 fa1 fa4 fa2 |
114 fa1 fa2 fa'4 |
115 reb1 reb4 reb2 |
116 reb1 reb2 reb4 |
117 \t {do4 sol'8} mi'4 \t {do,4 sol'8} mi'4 |
118 do,4 \t {sol'4 do,8} sol'4 |
119 do,16 sol' mi' sol,
120 do, sol' mi' sol,
121 do, sol' mi' sol,
122 do, sol' mi' sol, |
123 do, sol' do, sol'
124 do, sol' do, sol'
125 do, sol' do, sol' |
126 do,4 do do do do do do do do |
127 \t {fad,8 sol la} \t {<fad do'> re' mib} fa4 |
128 \t {<fad, la>8 do' re} \t {mib fa lab} sib4 |
129 fad,4 fad fad fad8 fad \t {fad fad fad} fad'4 |
130 do1~ do2 r4 |
132 %%% Ad libitum %%%
133 R1 R2.*2 R1 R2.*2 |
135 %%% Agitato %%%
136 re2:8 re: re: re: re: re: re: re: re: re: re: re: |
137 re: re: re: re: re: re: re: |
138 re: re: re: re: re: re: re: re: re: |
139 re: re: re: | re4:8 mib: re: mib: | re8 re mib re re mib re re |
140 mib4\downbow mib\downbow \simile mib mib mib mib |
141 mib mib mib mib mib mib mib mib mib mib mib mib |
142 mib mib mib mib mib2:8 mib: mib: |
143 <mi, mi'>1. R1.*2
145 %%% Allegro non troppo %%%
146 R1R2.R1*5 R2. R1 R2. R1 R2. R1
147 sol2. sib4. reb8~ \t {reb4 sib lab} |
148 sol2. r4 | R1*3 R2.*3 R1*6
150 %%% Moderato %%%
151 la4. sib8~ sib2 | la4. sib8~ sib2 |
152 la8. sib16~ sib4. la8 | do2.~ do2 r |
153 la8. sib16~ sib4~ sib16 la8. | do1~ |
154 do2 la4 | do2 r4 \t {la8 do sib} |
155 mib2.~ mib2 r | fa2.~ fa2 r | mib4 fa2 |
156 mib8. fa16~ fa2~ \t {fa8 mib fa} |
157 solb8. lab16~ lab2 | solb4 lab4~ lab16 solb8. lab mib16~ |
158 mib8. fa16~ fa8 solb~ solb16 lab8.~ | lab8 fa, solb lab |
159 si8 r r2 | R1 R2*4 |
161 %%% Allegro marcato %%%
162 si?4 si' si, si' si, si' si, r | R1*3
163 si4 si' si, si' si, si' si, r | R1*16
165 %%% Agitato %%%
166 re2:8 re: re: re: re: re: re: re: |
167 re4 re' re, re' re, re' re, re' |
168 re, re' re, re' re, re' re, re' |
169 re, re' re, re' re, re' re, re' |
170 re, re' re, re' <re, re'>8 r r4 r1 | R1*3 R2. R2*3
171 re'16\CaV re\CaV re\CaV re\CaV re8 r | R2 R1*4
175 ActeUnSceneUnBisContrebasse = { \Contrebasse
176 \relative {
177 dod,,2.
178 <dod sold'>~<dod sold'>2 r4 |
179 sib16 lab si sol sib lab si sol sib lab si sol |
180 dod re mi sol dod,8 r dod16 re mi sol |
181 dod,re mi sib sol la sib mi dod re mi sol, |
182 lab8 lab16 lab fa8 fa'16 fa mib8 mib16 mib |
184 %%% Piu vivo %%%
185 re4 r r8 do sol la | fad2 \t {sol8 la do} |
186 re4 r r8 mib lab, fa| sib4. lab |
187 sol2.~sol~ sol4 r reb' | sol2. |
188 R2. r4 reb'2~ reb4. r8\fermata r4 |
189 R2. r4 reb2~reb~reb8 r\fermata r4 | r2 r4 fad,, sol la |
191 %%% Largo %%%
192 do2 do~ do~ do2.~
193 do2~ do2.~ do2~ do2.~
194 do4 do2 do4 r r2 |
195 R1 R2. R2 R1 R2.*2 R2*2 R2. R2*3 R2. R1 R2.
196 R2*3 R2.*3
198 %%% Adagio %%%
199 R1*9
200 r2 r4 r8 <\parenthesize sol' si''>~\CaV |
201 si''1~\CaV si2.\CaV r4 |
202 R1 sib,,8 lab si sol~sol2~ |
203 sol4 sib sol2~
204 sol4 sol, fa sold |
205 mi1~mi~mi~mi2 r | R1*13
206 R2 \pizz re''4 sold, fa r
207 r \arco dod
211 InterludeUnContrebasse = { \Contrebasse
212 \relative {
213 R1. R1*3 R1. R1 R1.*2 R1*2
214 la,4\CaV r r1 \clef "G_8"
215 la'1 si2 do1~ do4 r2 | R2 \clef "F_8"
216 r2 \ttt {r16 fad,, red dod sib do} |
217 sol1~ sol2 sol8 do sib dod |
218 sol1 r8 dod4. | sol8 sol' sol, sol' sol, sol' sol, sol' |
219 sol, sol' sol, sol' sol, dod dod dod |
220 sol16 sol sol' sol sol, sol sol' sol
221 sol, sol sol' sol sol, sol sol' sol
222 sol, sol sol sol sol sol sol sol |
223 sol sol sol sol sol sol sol sol dod dod dod dod \t {r8 mib reb} |
224 fad,2. sol2 r4 | R2.*4
225 si2.~ si~ si~ si~ si8 sib4 lab si8 |
226 sol'2.~ sol~ sol~ sol~ R2.*2
230 ActeUnSceneDeuxContrebasse = { \Contrebasse
231 \relative {
232 %%% Air de la Soprano2 %%%
234 \repeat unfold 9 {R2.*2 R1*2}
235 R2. | r4 dod,, r |
236 sol1~ sol~ | sol2.~ sol4 r2 | sol1~ sol2. r4 |R2.*2 |
237 sold1~ sold~| sold2.~ sold~ |sold1~ sold2. r4 |
238 \repeat unfold 7 {R2.*2 R1*2} R2.*2 R1 R1-\fermataMarkup |
240 %%% Récitatif %%%
242 R2.*2 R1 R2.*3 R1 R2.*6 R2 R2. R1*2 R2.*5 R1 |
244 %%% Duo %%%
246 \pizz re'4
247 \repeat unfold 16 re
248 \repeat unfold 7 reb
249 \repeat unfold 4 si
250 \repeat unfold 4 sib r |
251 \arco sol lab8 sib |
252 reb4 dob sib | dob sib lab sib |
253 dob sib lab fa | dob' r8 sib r4 |
254 mi,2.~| mi r4| mi'1 | reb2.~|reb~|reb4 r2 | R1 |
256 %%% Piu vivo %%%
257 sol,2.~ | sol1~ sol2 r4 | R2.
258 sol2 sol4 sol dod4. dod8 dod dod |
259 sol2 r8 sol sol sol | dod4. dod8 \t {dod dod dod} |
260 sol4 sol2 r4 |
261 dod4 r8 sib lab si |
262 sol4 sol sol sol r2 | sol4 sol sol si r2 |
263 sib4 sib sib | re r2 | re4 re re re r2 | re4 re re re r2 re4 re re |
264 dod r2 dod4 dod dod fa,1~ fa2 r4 si~ | si8 do4. dod2 |
266 %%% Tempo giusto %%%
267 \pizz re4 re re re re re re re |
268 dod dod dod dod si si si si | si r r2 |
269 \arco <sol sol'>2 r4 |
270 \repeat unfold 16 sol8 |
271 sol r r2 | r4 \t { re'8 si do} |
272 \repeat unfold 14 sold |
273 sold r r sold fad la |
274 fa2~fa4. fa8 |
275 fa2~ fa |
276 r8 la sol sib |
277 fad2~ fad2. \pizz la'8\CaV r r2
278 R1 R2.*3 R2 R2. R1*4
282 ActeUnSceneTroisContrebasse = { \Contrebasse
283 \relative {
284 R2.*4 do,,2.\upbow ~ do~ do do4 r2 | R2.*3
285 si2. sib2.:32 si2. sib2.:32 si2. dod2.:32~dod:~dod4 r
286 \pizz sold si r2
287 \arco sib2.~sib~sib~sib2 r4 |
289 %%% Lamento %%%
290 r2 r4 \pizz re si dod \arco sib2 re4 r r2 | reb fa4 r r2 |
291 sib,re4 r r2 reb fa4 r r2 | sib,re4 r r2 | reb fa4 r2 |
292 sib,reb4 r2 | re fa4 r2 sib,reb4 r2 sib si4 r2 |
293 mi,2 sol4 r | sold2 si4 r |
294 mi,2 sol4 r | si2 fa'4 r |
295 reb2 reb4 reb4. reb8 reb reb reb4 reb8 reb r4 | R2*2
297 %%% Tempo I %%%
298 R2.*3
299 << {mi2.~mi~mi~mi~mi~mi~mi4}\\
300 {s2.*2 mi,4-+ s2 mi4-+ s2 mi4-+ r mi-+
301 mi-+ r mi-+ mi-+}>> r8 mi' \t {mi mi mi} sold4 r2 |
302 R2.*3
304 %%% Tempo II %%%
305 R1. do,~ do~ do~do~do2 r1 | r2 r4 do r | R1 R2. R2
309 ActeUnSceneTroisBisContrebasse = { \Contrebasse
310 \relative {
311 R1*3 r4 sol2\CaV r4 R1*2 r4 sol2\CaV r4 |
312 R1 r2 re,4 la8 si fad4 r r2 | R1*8
313 fad1~fad~fad2. r4 | R1*2 %%FIXME: harmonics
314 \pizz <re' la'\harmonic>4 r <re sol\harmonic> r
315 \arco <re fad\harmonic>1~<re fad\harmonic>2. r4 \clef "G_8" |
316 \simile fad''4\CaV r fad\CaV r
317 fad\CaV r fad\CaV r
318 fad\CaV r fad\CaV r
319 fad\CaV r fad\CaV r
320 fad\CaV r fad\CaV r
321 fad\CaV r fad\CaV r
322 fad\CaV r fad\CaV r
323 fad\CaV r fad\CaV r |
324 \ordin fad\glissando red8 r red4\glissando do8 r |
325 sib\glissando sol16 r sol8\glissando mi16 r mi8\glissando dod16 r \clef "F_8" |
326 re,1~re~re
327 <fa dod'>4\upbow \ind #"pizz. du pouce" re\thumbpizz r2
328 <fa dod'>4\upbow \simile re\thumbpizz r2
329 <fa dod'>4\upbow re\thumbpizz <fa dod'>\upbow re\thumbpizz
330 <fa dod'>\upbow re\thumbpizz <fa dod'>\upbow re\thumbpizz
331 <fa dod'>\upbow re\thumbpizz <fa dod'>\upbow re\thumbpizz
332 <fa dod'>\upbow re\thumbpizz <fa dod'>\downbow <la, fa'> |
333 fad1~fad~fad~fad~fad~fad~fad2. r4 |
334 R1*7
335 <re' fad\harmonic>1~<re fad\harmonic>~<re fad\harmonic>4
336 r4 \ordin fad2~fad1~fad4 r r2 |
337 sol1 fad~fad~fad~fad~fad~fad\fermata
341 ActeUnSceneTroisTerContrebasse = { \Contrebasse
342 \relative {
343 R2*3 R2. R2*2 R2.*7
344 \pizz mib,,4 r r2
345 mi4 r fa r |
346 re'8 sol, do fad, lad si sol sold |
347 la fad sib sol lab reb sol, si |
348 do lab la sib sol si lab la |
349 re lab do reb la sib mib la, |
350 dod re sib si do dod |
352 %%% Poco meno %%%
353 re4 r2 R2.*2
354 \arco re'2.~\CaV re~\CaV re~\CaV re~\CaV re4\CaV r2 |
355 re2.~\CaV re~\CaV re4\CaV r2 |
356 <re, sol\harmonic re''>2.~\CaV
357 <re sol\harmonic re''>~\CaV
358 <re sol\harmonic re''>~\CaV
359 <re sol\harmonic re''>~\CaV
360 <re sol\harmonic re''>2\CaV r4
361 <re sol\harmonic re''>2.:32~\CaV
362 <re sol\harmonic re''>8\CaV r r2
363 \pizz fa4 r2 R2.*2
364 fa,4 r2 R2.*2
365 dod'4 r2 R2.*2
366 dod4 r2 R2.
367 r8 \arco mi fa sold fa mi |
368 la,2.~\CaV la~\CaV la2\CaV r4 |
369 <la la'>2.~ <la la'>~<la la'>4 r8 \pizz la' r4 |
370 sold r8 si r16 fad8. | fa4 do r |
371 mib r sib | la r8 la' sol, sol' sib, sib' |
372 \arco fad,2.~fad~fad2 r4 |
373 fad2.~fad~ fad2 r4 |
374 fa2.~fa~fa4 dod'2 |
375 fa2.~fa~fa4 la2 |
376 dod,2.~dod~dod4 la'2 |
377 dod,2.~dod~dod4 fa2 |
378 la,2.~la~la~la2 r4 |
379 la'2.\CaV la,4-+ r2 | R2.*13
383 InterludeTroisContrebasse = { \Contrebasse
384 \relative {
385 sol,,4\upbow mi\thumbpizz r2 | sol4\upbow mi\thumbpizz r |
386 sol8\upbow mi\thumbpizz sol\upbow mi\thumbpizz
387 sol\upbow mi\thumbpizz \pizz sol lab |
388 \arco sol\upbow mi\thumbpizz sol\upbow mi\thumbpizz
389 \pizz sol lab |
390 \simile sol mi sol mi sol mi sol lab |
391 sol mi sol mi sol lab |
392 sol mi sol mi sol mi sol lab |
393 sol mi sol mi sol r |
394 r \arco mi r mi r mi sol lab |
395 r mi r mi sol mi |
396 r mi r mi sol lab |
397 r mi sol mi |
398 r <mi mi'> r <mi mi'> r <mi mi'> |
399 r <mi mi'> r <mi mi'> |
400 r <mi mi'> r <mi mi'> |
401 r <mi sol'> r <mi sol'> |
402 sol16 mi sol lab si lab si do |
403 mib do mib mi sol mi sol lab |
404 sol8 re sol re la8 r r4 |
408 ActeUnSceneQuatreContrebasse = { \Contrebasse
409 \relative {
410 \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
411 R2-\fermataMarkup
412 R1 R2. R1*2 R1. R1*2 R1. R1*2
414 %%% Agitato %%%
415 \pizz la,4 r2 | la,4 r2 | do4 r2 | do4 r2 |
416 R2. la'2~la4\glissando do2. | mi4 r
417 sold,,~\upbow | sold dod si | re r2 |
418 re4 r r16 la' la la | re,4 r2 | re4 r r16 la la la |
419 re4 r8 re' fad, si |
420 mib,4 r8 reb4 sol8 | do,4 r8 fa la, re |
421 fad,4 r8 la4 mib'8 | lab4 r8 la reb, solb |
422 sib,4 r8 sib4 sib8 | mi4 r8 mi, \t {mi mi mi} |
423 mi4 mi mi | mi4 r2 |
424 mi'4 r8 mi, \t {mi mi mi} | mi4 r2 |
425 mi'4 mi sib8 mi~ | mi2 re4~ | re fa2 |
426 dod2~dod8 r r4 | R2. R1 R2. R2 R2. R2 R2. R2 R2.
428 %%% Placando assai %%%
429 dod2. dod4 sol2. r4 | dod2. dod4 sol2. r4 |
430 dod2 re mib mi2.~mi2. r4 |
432 %%% Andante a piacere %%%
433 \pizz fa,4 r r2 r reb'4 r |
434 fa, r r2 r reb'4 r |
435 \arco fa,1~ fa2 reb fa1~ fa2 reb |
436 sol2. r4 r8 dod4 sol dod8 |
437 sol2. r4 r8 dod4 sol sol8 |
438 dod8 r r4 r2 |
439 sol1~sol~sol~sol~sol~sol2. r4 |
440 R2*3 R2.*6
442 %%% A tempo %%%
443 do4 r8 fad,4 do' fad,8 |
444 do'4 r8 fad,4 do' fad,8 |
445 do'4 do r8 fad, r4 |
447 \pizz la16 fad' sold8 dod,16 sib do8 fa16 re mi,8 |
448 la4 r4 r2 | r4 la4 sol'8 re dod4 si8 fad fa4 mib'8 sib |
449 la4 r2 | r16 re,8. r4 r2 |
450 R2. \arco sol2~sol8 sol \t {sol sol sol} | sol2 r8 dod4. |
451 sol2 r4 sol sol sol fa2 fa4 fa~ \t {fa8 fa4~} \t {fa fa8~} fa4 |
452 r fa~fa8 mib' \t {mib mib fad} |
454 re2.~ re8 r4 | sold,2 si4~si8 dod4 |
455 re2~ re8 r4 | la4. sib8~sib8. do16~do4 |
456 mib2~ mib8 r4 | si2~si8 do~do16 re8. |
457 fa,2~fa4 r8 | fa2~fa | R2 R4. R2.
458 re'4\CaV r r re | re re re re re re re re |
459 re re re re re re re re |
460 re' <re, re'> re' <re, re'> re' <re, re'> re' <re, re'> |
461 re'8 re <re, re'> re re' re <re, re'> re |
462 re'16\CaV re re re re re re re re re re re re re re re |
463 re4\CaV re,-+ re'\CaV re,-+ \pizz <re re'> r r2 |
464 R1 R2 R2.*2 R2 R1
466 %%% Piu lento %%%
467 r2 \clef "G_8" \arco si''?4~si2 r4 | R2.
468 r2 si4~si2 r4 |
469 r2 si4~si2 r4 |
470 r2 si4~si2 r4 |
471 r2 do4~do2 r4 | R2.
472 r2 re4~re2 r4 |
473 r2 mib4~mib2 r4 |
474 r2 mib4~mib2 r4 | R2. \clef "F_8"
475 r4 \pizz si,? r r re, r |
477 %%% Stesso tempo %%%
478 la4 r r2 r8 mi4. | la4 r r2 |
479 la4 r r do r mi, | la4 r r2 |
480 la4 re dod fad fa sib, | la4 r r2 | R1. R1 R1. R1
481 la8 do sib4 fa'8 sold, fad4 dod'8 mi re4 |
482 la8 sol re'4 dod8 si fad'4 fa8 mib sib4 |
483 la8 fad sold4 dod8 sib do4 fa8 re mi4 |
484 la,8 si mi,4 fa'8 sol do,4 reb8 mib lab,4 |
485 la8 do sib4 dod8 si fad4 fa'8 re mi,4 |
486 la r r2 | R1. \arco do1~ do1. do4 r \pizz sib reb |
487 la8 fad sold4 dod8 sib do4 fa,8 re' mi,4 |
488 la8 si mi,4 fa8 sol do4 reb8 mib lab,4 |
489 la8 do sib4 fa8 lab solb4 dod8 mi, re'4 |
490 la8 sol' re4 dod8 si fad4 fa'8 mib sib4 |
491 la8 fad' sold4 fa8 sol do,4 dod8 mi, re' sol |
492 la,4 r r2 R1. R1
496 EntracteContrebasse = { \Contrebasse
497 \relative {
498 sold,,2~ sold sold~ sold |
499 sold~ sold sold sold sold4 r8 \t {sold16 dod si} |
503 ActeDeuxSceneUnContrebasse = { \Contrebasse
504 \relative {
505 R2.*4 R2 R2.*2 R2 |
506 r4 sol2~\CaV sol2.~\CaV sol2.~\CaV sol4\CaV r |
507 R2. R2 | R2.*2 R2 |
508 r4 sold2~ sold2.~ sold2.~ sold4 r |
509 R2. R2 | R2.*2 R2 | R2.*2 | R2. \clef "G_8" |
510 \ttt { mi8[ mi16 mi mi mi] } \ttt { mi[ mi mi mi mi mi] }|
512 %%% Entrée de la Soprano Deux %%%
513 R2.*2 r4 \ttt {dod'8 dod16 dod dod dod} dod8 r r4 |
514 r2 \ttt {fa,8 fa16 fa fa fa} \clef "F_8" |
515 R1 \pizz fa,,4 fa' r R2 mi,4 mi' r R1 |
517 %%% Andantino %%%
518 sib4 r r2 R1 R2. mi4 r2 R2.*2 R2 \clef "G_8"
519 \arco <re''mi>2.~\CaV <re mi>~\CaV <re mi>~\CaV <re mi>2\CaV r4 |
520 <re mi>\CaV r <re mi>\CaV | r <re mi>\CaV r <re mi>\CaV |
521 r <re mi>\CaV r | R2 \clef "F_8" |
522 fad,,4 dod' sid8 sold fad1~ fad2 r4 |
523 r8 fad fad, do''! fad,4 fad, | fad'2.~ fad2 fad,4\thumbpizz r |
524 R2. R1 fad'2.~ fad2. r4 | R2. fad1~ fad2 r4 |
525 fad,1 fa2.~ fa2. r4 | fad2.~ fad1 fa2.~ fa2. r4 |
526 fad2.~ fad2. r4 |
528 %%% Entrée de la Contralto %%%
529 R2. R1 R2. R1
530 R2. R1 R2. R1 do'2.~ do2. r4 | r do2~ |
531 r4 do2. | dod2.~ dod2. r4 | do2 r4 | R1
532 fad2. fa2. r4 | fad2. fa2. r4 |
533 fad2. sol2.~ sol4 r \pizz fa |
534 sib, r2 si4 r2 sib4 r2 si4 r2 | mi4 r2 |
535 \arco mib2.~ mib2 r4 | R1 R2.
536 R1 R2. R1 \pizz lab4 r2 la4 r r2 | lab4 r2 |
537 sol4 r r2 | R2. r4 \arco lab sol fa |
538 re2.~ re1~ re4 r2 R2 |
539 R1 R2. R1 R2. R1 R2. R1
543 ActeDeuxSceneUnBisContrebasse = { \Contrebasse
544 \relative {
545 R1 R2. R2 \clef "G_8"
547 %%% Presto agitato %%%
548 <sol, do\harmonic sol''>1*5/4~
549 \simile sol''~\CaV sol~\CaV sol~\CaV sol2.\CaV r2 |
550 R1*5/4 <sol,,sib\harmonic re''>1*5/4~
551 <sol sib\harmonic re''>2. r2 \clef "F_8" |
552 R1*5/4*7
553 sib,1*5/4~ sib~ sib2. r2 |
554 dod2 re mi4 sol1*5/4~ sol2. r2 |
555 <re do'>4 r2 <re do'>4 r | <re do'> r <re do'> r2 |
556 <re do'>4 r r8 <re do'> r2 | <fa' sol>4 r1 |
557 R1*5/4*3
558 sol,,8 mi sol mi sol mi sol mi sol lab |
559 sol mi sol mi sol mi sol mi sol lab |
560 sol mi sol mi sol mi sol mi sol lab |
561 sol mi sol mi sol mi sol mi sol lab |
562 sol mi sol mi sol mi sol mi sol lab |
563 sol mi sol mi sol mi sol mi sol lab |
564 sol mi sol mi sol mi sol mi sol lab |
565 sol mi sol mi sol mi sol mi sol lab |
566 sol mi sol mi sol mi sol mi sol lab |
567 sol mi sol mi sol mi sol mi sol4 |
568 lab4 r2 lab4 r | lab r lab r2 |
569 lab4 r r8 lab r2 | do4 r1 |
570 R1*5/4 <mi,red'>4 r1 | R1*5/4-\fermataMarkup |
572 %%% Boum %%%
576 ActeDeuxSceneDeuxContrebasse = { \Contrebasse
577 \relative {
578 R1.*6 R1*2 R2.
579 re,,8 r r16 re fa8 r16 fad8. |
580 re8 re16 re re re re re re8 mib |
581 re fa mib lab fa si lab lab, sib mi si fa' |
582 re1.~ re1 r2 |
583 R1. R1*2 R2.
584 si8 r r16 si8 re16 r red8. r16 si re red |
585 R4. si4 r r8 \pizz sold4. |
586 <si si'>4\plak r8 sold r sol r4 |
587 <si si'>4\plak r8 si r si r4 |
588 <si si'>4\plak r8 si r si r4 |
589 <si si'>4\plak r8 si r si r4 |
590 <si si'>4\plak r8 si r \arco si la do |
591 sold2.~ sold1 r2 | R1*2
593 \pizz fa4 r2 fa4 r2 fa4 r2 fa4 r |
594 fa' r red <mi, mi'>\plak r2 mi'4 r2 |
595 do4 r |
596 r16 \arco la fad sol fa lab |
597 <mi mi'>4 r r8 \pl sol sol'\leftpizz r4 |
598 <mi, mi'>4 r8 sol r sold r4 |
599 <mi mi'>4 r8 mi' r mi r4 |
600 <mi,mi'>4 r8 mi' r mi r4 |
601 <mi,mi'>4 r8 mi' r r16 la, fad sol fa lab |
602 mi8 mi' r dod | <mi, mi'>4 dod'8 do |
603 <mi, mi'>8 mi' mi, mi' |
604 r16 sib la do dod sol fa lab |
605 mi8 mi' r4 | \t {mi re fa} |
606 dod1~ dod2 r4 |
608 dod1 r4 dod | sol2. r4 |
609 dod1 r4 dod | sol1.~ sol2 r4 | R1 \clef "G_8"
610 la'''2.~\CaV la1~\CaV la2.~\CaV la1~\CaV la2.~\CaV la1~\CaV la2.~\CaV |
611 la1~\CaV la2.~\CaV la1~\CaV la2.~\CaV la1~\CaV la2.~\CaV la1~\CaV |
612 la4\CaV r2 \clef "F_8" | R1 R2. R1 R2. R1 R2.
613 <la,,,la'>2~ la~ <la la'>~ la2.~ <la la'>2~ la~ la1~ la2. r4 |
615 <la sold'>4 r r8 | <la la'>8 <la la'> <la sold'> r4 |
616 la8 la sold r4 | <la la'>8 <la la'> <la sold'> r4 |
617 <la sold'>4 r r8 | sold4 sold r8 | la4 r r8 |
618 <la sold'>4 r mib'8 | mib re r4 r8 | <re sold>4 <re sold> r8 |
619 <mib la>4 r r8 | mi8 mi fa r4 | r8 fad4 fad sol r r8 |
621 R1*2 si,4 r r2 | r4 \pizz mi fa r r dod mi r | R1
622 \arco <mi, mi'>2~ mi8 mi mi4 |
623 <mi mi'>2~ mi8 mi mi4 |
624 <mi mi'>2~ mi8 mi mi4 |
625 \pl mi4_\thumbpizz mi'^\leftpizz r2 | \pizz re4 r |
626 R1*2 R2.*4 r4 sib' r r fad r | R2.
627 \pizz <la, la'>4\plak mib' sold re |
628 dod' sol do | fa, si mi, |
629 mib la, re sold, |
630 dod sol do fad, | fa' mi <re sib'>\arpeggio <re sib'>\arpeggio |
631 \simile <re sib'> <re sib'> |
632 <re sib'> <re sib'> |
633 <re sib'> <re sib'> |
634 dod sol do fad, | si fa sib mi, |
635 R2 r8 \arco la16 la sold8 r | R2
636 \pizz <re'sib'>4 <re sib'> |
637 <re sib'> sold re r | R2*6 \clef "G_8"
639 la''2.~\CaV la2.~\CaV la2.~\CaV la2.~\CaV la2.~\CaV la2.~\CaV la2\CaV r4 |
640 R2.*9