ActeDeuxSceneUn, COMPLETED
[opera_libre.git] / instruments / violoncelle2.ly
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1 %------------------------------------------------------------------%
2 % Opéra Libre -- violoncelle2.ly %
3 % %
4 % (c) Valentin Villenave, 2008 %
5 % %
6 %------------------------------------------------------------------%
8 \include "italiano.ly"
10 VioloncelleDeux = {
11 #(make-instrument-name 'cello-two "cello" 25)
12 \clef bass
15 PrologueVioloncelleDeux = { \VioloncelleDeux
16 \relative {
18 %%% Introduction %%%
19 \partial 4 r4 R2.*2 \clef treble sib''2.\p\<\upbow ~ sib1\glissando
20 mi,,2\f\downbow \clef bass |r8 mi,,-- \t {mi--( mi-- mi--)} mi2.~ | mi2 r8 mi--
21 \t {mi8--( mi-- mi--)} mi2.~\mp mi2~mi~mi2.~mi2~mi~ mi2.~mi4 mi~mi8 mi\<
22 \t {re--( re-- re--)}|
23 dod4--->\f r2 | \t { \pizz dod4--\mf re-- mi--\<} \t {sol-- sib-- do--} |
24 \arco dod2--->\f r8 sol-. r dod-. r sol | dod4---> dod---> sol8-. dod~--->|
25 dod4 r | sol-- dod-- sib8-. dod~--| dod sol-. dod4-- | dod-- sol8-. dod-. r sib-. |
26 r dod4\>( sol8) | sib2~--\p sib2 r4 |
28 %%% Tempo giusto %%%
29 re,8\sfz re'--\p re-- re,-- re-- re'-- re-- re,-- |
30 re-- re'-- re'-- re,-- re, re mib re | fa re lab' fa |
31 sib lab si dod | dod, r r4 | R2
32 re4--\f re'8-. re-. re-. re-. | lab2-- r4 |
33 re,4-- r8 re'-. re-. re-. | fad,2.\mp mib do |
34 sib'2\< sol4~ sol mi2 | \ten re2.~\f re4 r8 sol'--\ff mi-- re-- |
35 \ten dod1~---> dod4 r R2 R2-\fermataMarkup |
37 %%% Solo ténor %%%
38 R1*2 R2. R1 R2. R1
39 R2*2 lab4\p( si fa2) mib2( fad4) do2.~ do2 r4 |
40 R2.*2 r2 lab'4\p( sol'2.) R2.
41 lab4-.\p sol,\leftpizz r |
42 lab'-. sol,\leftpizz r | R2. R4.
44 %%% Andantino %%%
45 \pizz sol8\p r4 | sol8 r4 | R4.*2
46 sol8 r4 | sol8 r4 |
47 sol8 r4 | sol8 r4 |
48 sol'8 r4 \clef treble |
49 %%FIXME: grace synchronization bug
50 \acciaccatura s16 red''8 r4 \clef bass |
51 r8 sol,, sol, | R4.*14
52 \arco solb8\>( mib reb) \ten do4.~\pp do~ do4 r8 |
53 solb'8( mib reb) | do4.~ do~ do4 r8 |
54 solb'8( mib reb) | do4.~ do4 r8 |
55 fad4\< mib8~ mib dod4 |
57 %%% A tempo %%%
58 re8\sfz r4 | sold8--\mf( si-- dod--) |
59 re8\sfz r4 | sold,8\mf( si dod) re( fa sol) |
60 lab4-- r8 | lab,4--->\f fa8~---> fa mib4---> |
61 \ten re4.~---> re~ re4 r8 |
62 mib4( re8) \ten fa4.~ fa~ fa4 r8 |
63 fa'4.\mf re\< do si4.~\fmolto si4 r8 |
64 \ten sib4.~ sib~ sib~ sib4 r8 | R4.
65 si8--\f\>( sib-- lab--) |
66 fa4.:32~\mp fa4.:32
67 fa16:32\p solb:\< lab: si: dod: re: |
68 mi:\mf\> re: dod: si: lab: solb: |
69 fa:\mp\< lab: sib: si: dod: mi: |
70 fad:\f\> mi: dod: si: sib: lab: |
71 \t {fad16\pp fad fad} \t {sold sold sold} \t {la la la} |
72 si8 r4 | fa16\< fa fa fa fa fad fad fad fad fad |
73 re4--\f mib-- re-- | fa8.--( lab--) fa8--\>( mib-- re--) | do2\mf r4 |
75 %%% Adagio %%%
76 R1*2 r2 r8 mi-- \t {mi--( mi-- mi--)} |
77 mi1~\p mi1. \repeat tremolo 16 {mi32\pp\>( fa} mi4\!) r |
78 R1 r2 r4 \pizz la |
79 \arco mi1~\p mi1.~ \repeat tremolo 16 {mi32\pp\>( fad} mi4\!) r |
80 R1 r2 r8 sold \t {sold-- sold sold} |
81 sib2.\p
83 %%% Valse %%%
84 sol2.~\pp sol4 r dod~-- | dod2 r4 |
85 sol2-- r4 | dod2-- r4 | sol2-- r4 |
86 sib4-- r mi,-- r | sol2.~-- sol4 r \clef tenor |
87 r8 sold''\pp( fa) r r fa( mib) r r mib( re) r |
88 mi4 \ttt {red16\>( mi red mi red mi} red4\!) r \clef bass |
89 r4 do,,2--\pp r4 | fad2-- r4 | do2-- r4 | fad2-- r4 |
90 do2-- r4 | fad2-- r4 | mi-- r sol-- r |
91 <do, si'>2\mf <do si'>4-> <do si'>8-. <do si'>~-> |
92 <do si'> <do si'>-. <do si' mi la>4->\< <do si' mi la>-> |
94 %%% Vivo al fine %%%
95 <re re'>8\sfz re'-. <do re>-. <do re>-. |
96 <re mib>-. <re mib>-. <la re>-. <la re>-. |
97 <re mib> <re mib> <do re> <do re> |
98 <re mib> <re mib> <la re> <la re> |
99 <re mib> <re mib> <re mib> <re mib> |
100 <re mi> <re mi> <re mi> <re mi> |
101 <re sol> <re sol> <re sol> <re sol> |
102 <re la'> re re re |
103 <re mib> <re mib> <do re> <do re> |
104 <re mib> <re mib> <la re> <la re> |
105 <re mib> <re mib> <do re> <do re> |
106 <re mib> <re mib> <la re> <la re> |
107 <re mib>\> <re mib> <do re> <do re> |
108 <re mib>\mp <re mib> <la re> <la re> |
109 <re mib> <re mib> <do re> <do re> |
110 <re mib>\> <re mib> <la re> <la re> |
111 <re mib>-.\p <re mib>-. r4 |
112 <re mib>8-. <re mib>-. r4 |
113 re8-. re-. r4 re8-. re-. r4 | re8-. r r4 \pizz re r |
114 re, r | R2*7 r4 mi\mp
118 ActeUnSceneUnVioloncelleDeux = { \VioloncelleDeux
119 \relative {
120 do,,2--\pp( do'--)\CaV fad,2-- r4 |
121 do2--( do'--)\CaV fad,4--( fad2--) |
122 <do sol'>2~-- <do sol'> fad4.--( fad8~--) fad4 |
123 <do sol'>2~ <do sol'> fad2--( fad4--) |
124 <do do'>2-- do' fad,8 fad~-- fad2 |
125 <do do'>2-- <do do'>-- fad2~--\mp\< fad8 fad |
126 fa2\ppsubito do'16( fa, do' la'~ la mib') \t {la,( do, fa,)} |
127 fa4-- \simile do'16 fa, do' la' mib' la, do, fa, |
128 do' fa, do' la'~ la mi'! \t {la, do, fa,} fa2 |
129 do'16 fa, do' la' sol' mi \t {la, do, fa,} \t {fa8 fa fa} |
130 lab2\ppsempre mi'16( lab, mi' la do8) \t {la16( mi lab,)} |
131 lab4 mi'16( lab, mi' la do) la( mi lab,) |
132 reb,( lab' mi' la \ttt {do) la( mi lab,) mi'( la}
133 do) la( mi lab,) reb,( lab' \t {mi' la do)} |
134 \t {lab,8--\<( mi'-- lab,--)} reb,4-- reb-- |
135 do16\p( sol' mi' sib') \t {re8( sib mi,)}
136 \t {sol,( mi' sib')} re16( sib mi, sol,) |
137 do, sol' mi' sib' \t {re8 sib mi,} \t {sol, do, sol'} |
138 \ttt {do,16( sol' mi' sib' mi, sol,}
139 \ttt {do, sol' mi' sib' mi, sol,}
140 \ttt {do, sol' mi' sib' mi, sol,}
141 \ttt {do, sol' mi' sib' mi, sol,)} |
142 \ttt {do,( sol' mi' sib' mi, sol,}
143 \ttt {do, sol' mi' sib' mi, sol,}
144 \ttt {do, sol' mi' sib' mi, sol,)} |
145 do,4\downbow do\downbow do\downbow | \t {mib8-- fad--( sold--)} \t {la-- si--( re--)} \t {mi fa sol} |
146 <do,, sol' re' sib'>4\downbow do\downbow do\downbow | fad fad \t {fad8( sold fad)} |
147 <fad si>4 fad fad8--( fad--) |
148 \t {do-- re( mib)} \t {fa-- lab( sib)} \t {si-- dod( mi)}
149 <lad, fad'>4\downbow \t {<fad si>8-- dod'-- mi--} \t {fad,-- la-- sol--} |
150 \ten <do, do'>1~\fmolto <do do'>2 r4 |
152 %%% Ad libitum %%%
153 R1 R2. \ten do2.~\pp do4 r r2 | do2.~ do4 r2 |
155 %%% Agitato %%%
156 \st {re8\fp re mib mib re re mib mib} |
157 \simile re4:8 mib: re: mib: re: mib: re: mib: |
158 re: mib: re: mib: re: mib: re: mib: |
159 re: mib: re: mib: |
160 re: mib: re: mib: re: mib: |
161 re: mib: re: mib: re: mib: re: mib: |
162 re: mib: re: mib: re: mib: |
163 re: mib: re: mib: re: mib: re: mib: re: mib: re: mib: |
164 re: mib: re: mib: re: mib: |
165 re: mib: re: mib: re: mib: re: mib: |
166 mib8\mp\upbow( fab) \ind #"serioso" mib\upbow( fab) mib\upbow( fab) mib\upbow( fab) \simile mib fab mib fab |
167 mib fab mib fab mib fab mib fab mib fab mib fab |
168 mib fab mib fab mib fab mib fab mib fab mib fab |
169 mib fab mib fab mib fab mib fab |
170 mib\< fab mib fab mib fab mib fab mib fab mib fab |
171 \ten mi1.\f R1.*2
173 %%% Allegro non troppo %%%
174 \pizz sib''4\mf r r2 | R2. sib4 mi, r \t { \arco mi8--\mp\<\upbow( si-- dod--\!)} |
175 sib8-.-> r r4 r2 | \pizz sib'4\mf mi, r \t { \arco mi8--\upbow( dod-- si--)} |
176 sib8-.-> r r4 r2 R1 R2.
177 \pizz sib'4 r r2 | R2. sib4 r r2 | sib4\< sib sib sib\! r r2 |
178 \arco sol,2.\ff( sib4) r r2 |
179 r2 \ttt {sol16\< lab sib dod red mi} \ttt {fad\> mi red dod sib lab} |
180 \ttt {sib\< dod red mi fad la} \ttt {si\> la fad mi red dod} sib8\! r r4 |
181 R1 \clef tenor |
182 re'8\pp\CaV re\CaV re\CaV re\CaV re\CaV re\CaV re\CaV re\CaV | R2.
183 re8\pp\CaV re\CaV re\CaV re\CaV re\CaV re\CaV | R2. \clef treble
184 \pizz la'4\p la la la R1 la4 la la la R1 |
185 \st {\arco fa16 fa r8 fa16 fa r8 fa16 fa r8 fa16 fa} r8 | R1 \clef bass
187 %%% Moderato %%%
188 la,,4.\mp sib8~ sib2 | la4. sib8~ sib2 |
189 la8. sib16~ sib4. la8 | do2.~ do2 r |
190 la8. sib16~ sib4~ sib16 la8. | do1~ |
191 do2 la4 | do2 r4 \t {la8--\<\upbow( do-- sib--)} |
192 \ten mib2.~\mf mib2 r | \ten fa2.~\p fa2 r | mib4\mp( fa2) |
193 mib8.( fa16~) fa2~ \t {fa8 mib--\<( fa--)} |
194 solb8.\mf( lab16~) lab2 | solb4-- lab4~-- lab16 solb8.-- lab-- mib16~---> |
195 mib8.\< fa16~---> fa8 solb~---> solb16 lab8.~--->\! | lab8 fa,->\f solb-> lab-> |
196 si8\sfz r r2 | R1 R2*4
198 %%% Allegro marcato %%%
199 <sib do>4->\ff <sib do>16-. <sib do>-. <sib do>-. <sib do>-. <sib do>4-> r |
200 <sib do>4-> <sib do>16-. <sib do>-. <sib do>-. <sib do>-. <sib do>4-> r |
201 \st {re,\p re re re} mi2--->( re8) r r4 | R1
202 <fa sib mi la>4->\ff <sib dod>16-. <sib dod>-. <sib dod>-. <sib dod>-. <sib dod>4-> r |
203 <fa sib mi la>4-> <sib dod>16-. <sib dod>-. <sib dod>-. <sib dod>-. <sib dod>4-> r |
204 \st {re\p re sib sib} <sol re' la'>2--->( fad8) r r4 | R1*3
205 \st {do'4\p do si si} sib2\>( la8\!) r r4 | R1*2
206 \st {do4\p do sib sib} si2\>( sol8\!) r r4 | R1
207 r2 r4 \pizz re'\p do( la sol) r fad( mi dod) r r sib'\> la sol\! |
209 %%% Agitato %%%
210 \arco re'8-.\f fa-. sib-. fa-. re16\<( fa lab sib) reb\>( sib lab fa) |
211 re8-.\! sol-. sib-. sol-. re16\<( la' sib do) mib\>( do sib la) |
212 re,8-.\! sol-. sib-. sol-. re16( si'dod red) mi( red dod si) |
213 re,\mf re re re re re re re re re re re re re re re |
214 \st {<la re>8\fp re <re la'> re <la re> re <re la'> re |
215 <re re> re <sol la> re <re re> re <sol la> re |
216 <re re> re <sol re'> re <re re> re <sol re'> re |
217 <re sol> re <do' fa> re, <re sol> re <do' fa> re, |
218 <re sol> re <do' fa> re, <re sol> re <do' fa> re, |
219 <sol, re'> re' \clef treble <fa' do'> \clef bass re,
220 <sol, re'> re' \clef treble <fa' do'> \clef bass re, |
221 re \clef treble <fa' do'> \clef bass re, \clef treble <solb' reb'> \clef bass
222 re, \clef treble <lab'' mib'> \clef bass re,, \clef treble <la'' mi'>} \clef bass |
223 <mi, la>8->\sfz r r4 r1 | R1*2
225 R1 R2. R2 \clef treble la'16\p\CaV la\CaV la\CaV la\CaV la\CaV la\CaV la\CaV la\CaV |
226 fad fad fad fad fad fad fad fad | fad\< fad fad fad fad8-.-> r \clef bass | R2 R1*4
230 ActeUnSceneUnBisVioloncelleDeux = { \VioloncelleDeux
231 \relative {
232 dod,,2.:32\pp
233 dod8 \t {dod16 dod dod} dod8 \t {dod16 dod dod} dod8 \t {dod16 dod dod} |
234 dod8 \t {dod16 dod dod} dod8 \t {dod16 dod dod} dod8 \t {dod16 dod dod} |
235 dod8 \t {dod16 dod dod} dod8 \t {dod16 dod dod} dod8 \t {dod16 dod dod} |
236 dod8 \t {dod16 dod dod} dod8 \t {dod16 dod dod} dod8 r |
237 \st {dod16\p re mi sib' sol la sib mi dod re mi sol,} |
238 \t {lab16-> lab lab} lab8 \t {fa16-> fa fa} fa8 \t {mib16-> mib mib} mib8 |
240 %%% Piu vivo %%%
241 re4\sfz r r8 do'-- sol--( la--) | fad2--\f \t {sol8--( la-- do--)} |
242 re4---> r r8 mib,-- lab--( fa--)| sib4.-- lab-- |
243 \ten sol2.~---> sol2 r4 |
244 <mib' fa>4.---> <re sib'>---> | re2.---> |
245 R2. r4 <la'mi'\harmonic mi'>2~\p <la mi'\harmonic mi'>4. r8\fermata r4 |
246 R2. r4 <la mi'\harmonic mi'>2~<la mi'\harmonic mi'>~
247 <la mi'\harmonic mi'>8 r\fermata r4 | r2 r4 fad,--\p( sol-- la--) |
249 %%% Largo %%%
250 do,2\downbow \ten do'~\downbow do
251 lab2.~ <do, lab'>2~<do sol'>2.~
252 <do la'>2~\> <do la'>4\! r2 |
253 <do si'>2\< <do si'>4 |
254 <do mib'>4--\mp r r2 |
255 R1 R2. R2 r2 r8 lab'4.\pp\upbow |
256 \ten sib2.~ sib2 r4 |
257 re2--\mp\> mib~\pp mib r4 |
258 R2*3 R2. R1 R2.
259 r4 sib8--\mf( lab--) | \ten sol2~ sol fad2.\mp |
260 r2 si4-.\downbow mi,2.\downbow |
262 %%% Adagio %%%
263 R1*9
264 r2 r4 r8 <mi\harmonic mi''>~\pp |
265 <mi\harmonic mi''>1~ <mi\harmonic mi''>~ |
266 <mi\harmonic mi''>~<mi\harmonic mi''>~
267 <mi\harmonic mi''>2. r8 sol~\mp\CaV |
268 sol4 sol--( fa-- sold--) |
269 mi1~\pp mi~ mi~ mi2 r | R1*8
270 r4 <do''mi>--( <do mi>-- <do mi>-- |
271 <do mi>--) r r2 |
272 R1*3
273 R2 \pizz <re, sold>4\mp <sold, red'> <fa reb'> r
274 r \arco <dod sold'>\f\downbow
278 InterludeUnVioloncelleDeux = { \VioloncelleDeux
279 \relative {
280 R1. R1*3 R1. R1 R1.*2 R1*2
281 la1\mf la2~ la1( si2 do1~) do4 r2 |
282 R2 \ttt {r16 fa\p( mi re la si}
283 \ttt {sold la sold fad\< dod red}
284 \ttt {do fad red dod sib do)} |
285 sol8--->\f\leftpizz <sol sol'>\downbow
286 sol\leftpizz <sol sol'>\downbow
287 sol\leftpizz <sol sol'>\downbow
288 sol\leftpizz <sol sol'>\downbow |
289 sol\leftpizz <sol sol'>\downbow
290 sol\leftpizz <sol sol'>\downbow
291 sol\leftpizz <do, sol'>-- sol'-- dod,-- |
292 sol'\f\leftpizz <sol sol'>\downbow
293 sol\leftpizz <sol sol'>\downbow
294 sol\leftpizz <sol sol'>\downbow
295 sol\leftpizz <sol sol'>\downbow
296 sol\leftpizz <dod, sol'>\downbow
297 sol'\leftpizz <dod, sol'>\downbow |
298 \arco sol'-- <sol sol'>-- sol-- <sol sol'>--
299 sol-- <sol sol'>-- sol-- <sol sol'>-- |
300 sol <sol sol'> sol <sol sol'> sol <dod, sol'> dod <dod sol'> |
301 sol' <sol fad'> sol <sol fad'>
302 sol <sol fad'> sol <sol fad'>
303 sol <sol fad'> sol <sol fad'> |
304 sol <sol fad'> sol <sol fad'> sol <dod, sol'> sol' <dod, sol'> |
305 fad2.--->\ff\> sol2\p r4 | R2.*4
306 si2.~\pp si~ si~ si~ si8 sib4( lab) si8( |
307 sol'2.~) sol~ sol~ sol R2.*2
311 ActeUnSceneDeuxVioloncelleDeux = { \VioloncelleDeux
312 \relative {
313 %%% Air de la Soprano2 %%%
315 R2.*2 | R1*2| R2.*2 | R1*2 | R2.*2|
316 re,8(\pleggiero mi) sold4-. la-. re,8 la' |
317 r re, mi( sold) la4-. sold8( re) |
318 mi4-. sold-. la8( mi) | r sold la( re,) mi4~--|
319 mi1~ mi2 r2 | R2.*2 | R1*2 | R2.*2 | R1*2 | R2.*2|
320 \ten dod,1~\p dod~| dod2 r4 | R2.|
321 dod1~\mp dod~| dod2 r4| r dod-- r |
322 mi1~\mp mi2. r4 | dod2.~\mf dod2 r4 |
323 \ten sol'1~\f sol~ | sol2 r4 |
324 sol-> re'-> do8->( lab) | sol2.---> r4|
325 sol-> re'-> do8( lab) sol4-> | lab8( sol) do( re) r4| R2. |
326 sold1~\pp sold~| sold2.~ sold~ |
327 sold1~ sold2. r4 | R2.*2 R1*2 R2.*2 R1*2 R2.*2 |
328 \clef treble re'1~\pp\CaV re~ re2.~ re~ re1~ re~ re2.~ re2 r4|
329 R1*2 R2.*2 R1*2 R2.*2| R1*2 R2.*2 R1|
330 R1-\fermataMarkup \clef bass |
332 %%% Récitatif %%%
334 R2.*2 R1| R2.*3 | R1 R2.*2 r4 r8 mib,4--\downbow\mp lab,8~--\downbow| lab2.~|
335 lab8 lab~ \t {lab lab lab} lab4:32\< |
336 lab8\sfz r r2 | R2 R2. R1*2 | R2.*4 re,2.~\pp re2. r4 |
338 %%% Duo %%%
340 \pizz <re sib'>4\mp\arpeggUp
341 \simile <re sib'> <re sib'>
342 \repeat unfold 13 <re sib'> r8 \arco <re sib'>\>( |
343 <reb lab'>-.\!) r \pizz <reb lab'>4\mp
344 \repeat unfold 5 <reb lab'>
345 \repeat unfold 3 <sib' sol'> r8 \arco <sib sol'>\>( |
346 <la fa'>8-.\!) r \pizz <la fa'>4 <la fa'> | <la fa'> r |
347 \arco sol\f lab8--( sib--) |
348 reb4-- dob-- \simile sib | dob sib lab sib |
349 dob sib lab fa | dob' r8 sib r4 |
350 \st {si!8\psubito si lad lad} \simile si si |
351 lad lad si si lad lad si si |si1\mp\<\upbow
352 \ten lab2.~\! lab~ lab4 r2 R1 |
354 %%% Piu vivo %%%
355 <sol sol'>4--->\fp sol16 sol sol sol lab lab lab lab |
356 sib sib sib sib reb reb reb reb mib mib mib mib mi mi mi mi |
357 fad\< fad fad fad la la la la si si si si |
358 do4--->\f re,---> dod,--\upbow |
359 sol'2\ff sol4\downbow sol | dod,4.-> dod8 dod dod |
360 sol'2-- r8 sol sol sol | dod,4.-> dod8\downbow \t {dod dod dod} |
361 sol'4---> sol2-> r4 |
362 dod,4-> r8 sib'-> lab-> si-> |
363 sol4---> sol---> sol---> |
364 sol-> \tt {si'16( sold fad red dod} \tt {fad red dod do sib} |
365 sol4->) r sol |
366 si \tt {re'16( dod si sold fad} \tt {sold fad fa mib do} |
367 sib4) r sib |
368 re r2 | re4---> re---> re---> | re---> r2 | \simile re4 re re | re r2 | re4 re re |
369 dod r2 | dod4 dod dod | \ten fa,1~\ff fa2 r4 si~\f\> | si8 do4. dod2\! |
371 %%% Tempo giusto %%%
372 <re, sib'>4---.\fp <re sib'>---. <re sib'>---. \simile <re sib'> |
373 <re sib'> <re sib'> <re sib'> <re sib'> |
374 <dod la'> <dod la'> <dod la'> <dod la'> |
375 <red si'> <red si'> <red si'> <red si'> |
376 \pizz sol r8 \arco sib4--\upbow\f lab-- si8-. |
377 <sol sol'>2---> r4 | sol16\mf \repeat unfold 31 sol
378 sol8-- r r2 |
379 r4 \t {re'8--\upbow si-- dod--} |
380 \repeat unfold 28 sold16
381 sold8 r r sold--\upbow fad-- la-- |
382 fa2\f fa4.\downbow fa8
383 <fa fa'>2 | <fa fa'>\downbow |
384 r8 la\upbow( sol sib) |
385 fad4.-- fad8 | fad4.-- fad8 <fad re'>4--\glissando \clef tenor |
386 <fad'' la>8-.-> r r2 |
388 %%% Largo assai %%%
389 R1 R2.*3 R2
390 \ten solb,2.~\pp solb2. r4 |
391 r2 \pizz fa'4 mi | mib r \clef bass sib r | re, r r2 |
395 InterludeDeuxVioloncelleDeux = { \VioloncelleDeux
396 \relative {
397 R1 R2. R2 R2. R2 R2. R2
398 \pizz \t {si,8\mf fad' sol} mib'4-- |
399 \t {re,8 sol sib} mib4-- |
400 \t {si,8 fad' sol} mib'4-- |
401 \t {sib,8 mib sol} do4-- |
402 \t {sol,8\psubito re' la'} mi'4 |
403 \t {sol,,8 re' la'} mi'4 |
404 \t {sol,,8 re' la'} mi'4 |
405 \t {mi,8 la do} fa4 |
406 do,8 lab' si, sol' sib, solb' la, fa' |
407 do lab' si,\< sol' sib, solb' la, fa' |
408 do4\mf mi'-> R2 |
409 \arco \ten la,,1~\p la~ la~ la2 r | R2.
410 \ten fa1~ fa2 r4 | R2. dod2.\pp r4 R2. dod4-- r |
414 ActeUnSceneTroisVioloncelleDeux = { \VioloncelleDeux
415 \relative {
416 do,,2.:32~\p do: <do si'>2.:32~\mp <do si'>:~ <do si'>:~ <do si'>:~ <do si'>:\< <do si'>4->\! r2 |
417 r4 \pizz la'\mf r r fad r r8 mi-> r fa lab4 |
418 \arco sib2.\fp mib,2.:32\pp <sib'la'>2. mib,2.:32
419 mi2.\mp fad2.:32~\mf fad:~\< fad4\! r \pizz reb\mf mi r2 |
420 r2 \arco sib'4\mp( la2.) r2 sib4\>( la2)\! r4 |
422 %%% Lamento %%%
423 r2 r4 \pizz re\p si dod | sib2 r1 | R1.*3
424 \arco sib2\>( re4\!) r r2 | reb\>( fa4\!) r2 |
425 la,2\p( solb4) r2 | lab( fa4) r2 | \simile la! solb4 r2 | la sib4 r2 |
426 <mi, red'>2\mp\> <sol fad'>4\upbow\! r |
427 \simile <lab sol'>2 <sol fad'>4 r |
428 <mi red'>2 <sol fad'>4 r |
429 <mi red'>2\< <fa mi'>4\mf r |
430 \ten <reb do'>2\f <reb do'>4-- <reb do'>4.---> <reb do'>8-> <reb do'>-> <reb do'>-> |
431 <reb do'>4---> <reb do'>8->\ff <reb do'>-> r4 | R2*2
433 %%% Tempo I %%%
434 \pizz mi4\mp sol r mi sib' r r mi, r |
435 \arco la2.:32\sfp la2. sold la lad si~ si4 r8 mi,\f \t {mi\< mi mi} |
436 dod'4\sfz r2 R2. \pizz si4\mp r mib, r2 solb4 |
438 %%% Tempo II %%%
439 r2 r4 mib\p reb mi | \arco do1.~\pp <do sol'>~<do sol'>~
440 <do sol'>2 r4 si'2.:32~\pppp si1.:32~ <do si'>2.:32\mp <do si'>4->\sffz r |
441 R1 R2. R2
445 ActeUnSceneTroisBisVioloncelleDeux = { \VioloncelleDeux
446 \relative {
447 R1*3 r4 sib,2--\pp\CaV r4 | R1*2 r4 re,2-- r4 R1 |
448 r2 lad'4--\p sold-- fad-- r r2 | R1*6
449 fad1~\pp fad~ fad~ fad~ fad2. r4 | R1*8
450 si1~\pp si si2-- si-- si-- si-- si-- si-- do,-- do-- do2. R1*7
451 fa4\mp( re8) r fa4( re8) r
452 fa4( re8) r fa4-- re-- |
453 fad1~\p fad~ fad~ fad~ fad~ fad~ fad2. r4 | R1*3
454 r4 <sol do\harmonic sol''>2\pp r4 |
455 si2\p( sib la1 lab2 sol) fad1~\pp fad~ fad4 r r2 |
456 R1*2 do'1\p\> \ten lad~\pp lad~ lad~ lad~ lad~ lad\fermata
460 ActeUnSceneTroisTerVioloncelleDeux = { \VioloncelleDeux
461 \relative {
462 R2*3 R2. R2*2 R2. \clef treble
463 \ind #"staccato leggiero" re'16\fp \repeat unfold 35 re
464 re re fad re dod dod fa do do red mi si |
465 sib8 r r2 | R2. \clef bass |
466 mib,,,2.\pp r4 mi2 fa |
467 re'8-> r r4 r2 | R1*3 R2.
469 %%% Poco meno %%%
470 <re sol\harmonic re''>2.:32~\pp
471 <re sol\harmonic re''>: ~
472 <re sol\harmonic re''>: ~
473 <re sol\harmonic re''>: ~
474 <re sol\harmonic re''>: ~
475 <re sol\harmonic re''>: ~
476 <re sol\harmonic re''>: ~
477 <re sol\harmonic re''>: ~
478 <re sol\harmonic re''>: ~
479 <re sol\harmonic re''>: ~
480 <re sol\harmonic re''>: ~
481 <re sol\harmonic re''>: ~
482 <re sol\harmonic re''>: ~
483 <re sol\harmonic re''>4 r2 \clef treble
484 r8 si''\mp\<( sib) sol( fad) mib\glissando |
485 mib'\mf( re) fad,( sol) si( sib) re,\>( mib) sol( fad) sib,( si) \clef bass |
486 mib,2\mp r4 |
488 r mib2~\p mib\> re4~\! re2 r4 |
489 r mib2~ mib\> re4~\! re2 r4 |
490 r \t {sib'8\p( sol sib} \t {sol sib sol)} \t {sib( sol sib} \t {sol sib sol)}
491 \t {si( fad si} | \t {fad si fad} si4) r |
492 r \t {sib8( sol sib} \t {sol sib sol)} \t {sib( sol sib} \t {sol sib sol)}
493 \t {si( fad si} | \t {fad si fad} si4) r |
494 r \t {mib,8\mp( sol mib} \t {sol mib sol)} \t {mib\<( sol mib)} \t {sol( mib sol}
495 mib4~\!) mib2 r4 |
496 r \t {mib8\mp( sol mib} \t {sol mib sol)} \t {mib\(( sol mib)} \t {sol( si sol)\)}
497 \clef tenor \t {si( mib si} | \t {sol\<) mib'( si)} sol'4--\! r \clef bass |
498 r8 \pizz si,,\mp\< mi la mib sol\! | r4 r8 do,\< fa sib\! \clef tenor |
499 r mi-> r4 la-> | R1 \clef bass
501 r4 \arco \ten <si,,? fa'>2~\mp <si fa'> <si fa'>4~-- <si fa'>2 r4 |
502 r <si fa'>2~-- <si fa'> <si fa'>4~-- <si fa'>2 r4 |
503 r \ten mib2~--\mp mib\> re4~--\! re r2 |
504 r4 mib2~-- mib\> re4~\! re r2 |
505 r4 <mib sol>2~--\mf <mib sol> <re fad>4~---> <re fad>2 r4 |
507 \repeat tremolo 8 {re32\mf sol}
508 \repeat tremolo 8 {re sol}
509 \repeat tremolo 4 {red fad} red4 fa2--\f |
510 la,2.:32~ la:~ la:~ la2 r4 |
511 \pizz <la la'>\mp r2 R2.*4 |
512 \arco sib2.~\pp sib~ sib~ sib~ sib2 r4 |
513 sib2.~\pp sib~ sib~ sib2 r4 |
514 la2.\p\fermata
518 InterludeTroisVioloncelleDeux = { \VioloncelleDeux
519 \relative {
520 r8 \pizz re,\pp r re r re r re | r re r re r re |
521 r4 \arco \ten re2.~\pp re2 r4 R1 R2. R1 R2.
522 <sol,dod>4\downbow\p <sol dod>\downbow <sol dod>\downbow <sol dod>8-.( <lab re>-.) |
523 <sol dod>4\downbow <sol dod>\downbow <sol dod>8-.( <lab re>-.) |
524 \simile <sol dod>4 <sol dod> <sol dod>8 <lab re> |
525 <sol dod>4 <sol dod> |
526 r8 <mi re'>\f r <mi re'> r <mi dod'> |
527 r <mi re'> r <mi dod'> |
528 r <mi red'> r <sold mi'> |
529 r <sol mi'>\ff r <si sol'> |
530 sol16:32\mf mi: sol: lab: si: lab: si: do: |
531 mib:\< do: mib: mi: sol: mi: sol: lab: \clef tenor
532 si4--->\! mi---> sol8\sffz r r4 |
536 ActeUnSceneQuatreVioloncelleDeux = { \VioloncelleDeux
537 \relative {
538 \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2
539 R2. sol4--\mf fa-- mi8-. la,-. r4 R2-\fermataMarkup
540 R1 R2. R1*2 R1. R1*2 R1. R1*2
542 %%% Agitato %%%
543 r4 la8--\mf( re--) sol--( re--) | la-. r r2 |
544 <do,sol'>2.:32\fpp <do sol'>8-.-> r r2 | r4 sib''8\mf fa4 fad8 |
545 re2~\< re4\glissando fa2.\! mi2.:32\pp\< la8-.->\mp r r4 mib16\<( do) sol( mi) |
546 re4--\f r2 | re'8--\f si'-- mi16-- mi,\< mi mi la8--\! la,-- | re4---> r2 |
547 re8-- dod'-- fad16-- fad,\< fad fad si8--\! la,-- | re4 r8 r-.\mp\upbow fad,-. si-. |
548 mib,4-- r8 reb4--\downbow sol8-. | do4-- r8 fa\upbow la,-. re-. |
549 fad,4-- r8 la4--\downbow mib'8-. | lab4-- r8 la-. reb,-. solb-. |
550 sib,4-- r8 sib4--\downbow\< sib8-- | mi4->\! r8 mi,-. \t {mi\< mi mi} |
551 mi4--\f\downbow mi--\downbow mi--\downbow | r8 sib'4--\<\upbow mi-- sib'8-. |
552 lab16\!( sib lab sib) re( mib re mib) sib( re) sib( re) |
553 lab( sib lab sib) re( mib re mib) sib8-- sib,-- |
554 mi4--\downbow mi--\downbow sib8-. mi~-> | mi4 mi,-- re~---> | re fa2---> |
555 dod2~\sfp dod8 r r4 | R2. dod2.\downbow r4 |
556 R2. dod2\downbow R2. dod2\downbow R2.
557 dod'4--( sol--) | dod2\upbow\> sol4--\! |
559 %%% Placando assai %%%
560 dod2.--\p(\upbow dod4--) sol2.-- r4 | dod2.--(\upbow dod4--) sol2.-- r4 |
561 dod,2(\<\upbow re mib) \ten mi2.~--\p mi2. r4 |
563 %%% Andante a piacere %%%
564 \pizz fa4\mp r r2 r reb4 r |
565 fa r r2 r reb4 r |
566 \arco \ten fa1~\mp fa2 reb fa1~ fa2 reb |
567 sol2.\mf r4 r8 dod,4--\upbow sol'-- dod,8-. |
568 sol'2.---> r4 r8 dod,4--\upbow sol'-- sol8-. |
569 dod,8-.\sfz r r4 r2 | R1*6 R2*3 R2.*2
571 %%% Poco a poco piu mosso %%%
572 \pizz sol'4\mp r sol\< fad\! r2 la4 r2 sol4 r2 |
574 %%% A tempo %%%
575 \arco
576 <do,do'>4--->\f r8 fad4-> do'-> fad,8-. |
577 <do do'>4---> r8 fad4-> do'-> fad,8-. |
578 <do do'>4-> <do do'>-> r8 fad-.-> r4 |
580 \pizz la8\mp sold16 red dod8 do'16 sol fa8 mi'16 si |
581 la4-> r4 r2 | r4 la8\mf mi sol4 | dod,8 sold' si4 fa8 dod mib'4 |
582 la,4-> r2 | r16 re,8.-> r4 r2 |
583 r8 r16 \arco dod''~\f\<( dod8 red~ red16) fad-.-> sib,-.-> mib,-.-> |
584 sol,2~--->\!( sol8 sol--) \t {sol-> sol-> sol->} | sol2---> r8 dod4.-> |
585 <re,sol>2---> r4 | sol4\downbow\< sol\downbow sol\downbow | fa2--\ff\downbow fa4-- |
586 fa~---> \t {fa8 fa4~--->} \t {fa4 fa8~--->} fa4 |
587 r fa~--->( fa8 mib-.) \t {mib-> mib-> fad->} |
589 re2.--->\ff r8 re'-. r | sold,2--\f si4~--\<( si8 dod4--) |
590 re2--\! r8 re-. r | la4.-- sib8~--\<( sib8. do16~-- do4) |
591 mib2--\! r8 mib-. r| si2~\mf si8 do~--\<( do16 re8.--) |
592 fa2~--\! fa4 r8 | fa,2~--\mf fa |
593 R2 R4. \ind #"détaché" re16\p fa sib dod fad\< sib, dod fad la dod, fad la |
594 re4->\fp re,-- re-- re-- \simile <re mi> <re mi> <re mi> <re mi> |
595 <re mi> <re mi> <re mi> <re mi> |
596 <re sol>\CaV <re sol>\CaV <re sol>\CaV <re sol>\CaV |
597 <re do'> re re re | re,8 re re' re re, re re' re |
598 re, re re' re re, re re' re, |
599 re'16 re re, re re' re re' re re, re re, re re' re re, re |
600 re8 re' re, re' re' re, re,4 | re re8 re re4 r | R1*2 R2 R2.*2 R2 R1
602 %%% Piu lento %%%
603 r2 \ten sib''4~\pp sib2 r4 R2.
604 r2 \simile sib4~sib2 r4 |
605 r2 sib4~sib2 r4 |
606 r2 sib4~sib2 r4 |
607 r2 sib4~sib2 r4 R2.
608 r2 sib4~sib2 r4 |
609 r2 sib4~sib2 r4 |
610 r2 sib4~sib2 r4 R2.
611 r4 \pizz sib,\mp\> r r re,\! r |
613 %%% Stesso tempo %%%
614 la'4\f r r fad' r r | la,-> r r2 |
615 la4 r8 red r2 fa4 r | la,-> r r2 |
616 la4 r8 mi' r4 fad, r8 mib' r4 | la,-> r r2 |
617 R1. R1
618 \arco \ten la1.\mp~ la2. r4 |
619 \pizz la4->\mp sib8 mib, fa4 fad8 si dod4 re,8 sol |
620 la4-> re,8 mi dod'4 fad,8 sold fa'4 sib,8 do |
621 la4-> sold8 red dod4 do'8 sol fa4 mi'8 si |
622 la4-> mi'8 re fa,4 do8 sib' reb4 lab8 solb|
623 la4-> sib8 mib, reb4 fad8 sold fa4 mi8\< si'|
624 la4->\! r r2 | R1. \arco \ten do,1\pp~ do1.
625 do4-.->\ffsubito r \pizz sib'\mp reb |
626 la4-> sold8 red dod4 do8 sol' fa4 mi'8 si |
627 la4-> mi'8 re fa4 do8 sib reb,4 lab'8 solb |
628 la4-> sib8 mib fa4 fad8 si, dod,4 re8 sol |
629 la4-> re,8 mi dod'4 fad,8 sold fa4 sib8 do |
630 la4-> sold8 red' fa4 do,8 sib' reb4 re,8\< sol |
631 la4->\! r r2 | R1. R1
635 EntracteVioloncelleDeux = { \VioloncelleDeux
636 \relative {
637 \ten sold,2~\pp sold~ sold sold~ sold sold sold~ sold4 sold~|
638 sold4 sold8-- \t {sold16\< fa sol} |
639 re4\sfz re''4:16\pleggiero re2:16 |
640 re: re: re: re: re: re: re: re: re: re: |
641 re: re: re: re: re: re: re: re: re4 r r2 | R1*10
642 re,16->\mf re re re re4 r8 re16-> re re re re8-. |
643 re16-> re re re re4-- r re,16-> re re re | re4-> r r2 |
644 \pizz mib4\mp mi8 la si4 do,8 fa fad4 r r2 |
645 r4 sol8 sib lab reb r4 | R1
646 \arco re16->\mf re re re re4 r8 re16-> re re re re8-. |
647 re16-> re re re re4-- r2 |
648 re,4:8\fp re': re,: re': |
649 re,: re': re,: re': |
650 re,: re': re,: re': |
651 re,: re': re,: re': |
652 re,: re': re,: re': |
653 re,: re': re,: re': |
654 re,: re': re,: re': |
655 re,4--->\mf re-- re-- re-- \simile re re re |
656 re re re re |
658 %%% Fugato %%%
659 mi2:8\f mi: mi:\> mi: mi:\mp mi4: mi2: mi4: mi2: |
660 mi: mi: mi: mi4: mi2: mi4: mi2: mi: mi: mi: mi2: mi4: mi2: mi4: |
661 mi2: mi: mi: mi: mi: mi4: mi2: mi4: mi2: mi: mi: mi: |
662 mi: mi4: mi2: mi4: fa?2: fa: fad: fad:
663 <sol re'>4:8\mp <re' la'>: <sol, re'>: <re' la'>: <sol, re'>: <re' la'> |
664 mib,2:8 mib:
666 %%% Stretto %%%
667 re'2:16\f re: re: re: re4-- r \harmo {\ten <sol, mi'\harmonic >2~\p <sol mi'\harmonic >2.} si'2
668 r4 \pizz mi,--\mp sol-- r mi-- |
669 \arco sold,--\mp sold-- sol-- sol-- sold-- sold-- sol-- sol--
670 <fa re'>-- <fa re'>-- <fa re'>-- <fa re'>-- |
671 <mi si'> <mi si'> <mi si'> <mi si'> |
672 <re sib'>-.-> r r2 R1*3 |
674 %%% Noir %%%
675 R2.-\fermataMarkup R2.*4 R2 R2. R1 R2. R2
676 R1*5 R1.*4 R1 R2.-\fermataMarkup \clef treble
678 r2 \arco la'''4~\pp\CaV la2.~\CaV la~\CaV la~\CaV la~\CaV
679 la~\CaV la~\CaV la2\CaV r4 | R2.-\fermataMarkup \clef bass
681 %%% Poco più %%%
682 R2.*4 R2.-\fermataMarkup
684 %%% Andantino %%%
685 R1 R2 R1 R2 R1 R2 R1 R2.
687 %%% Largo non troppo %%%
688 \det {la,,2\mf la la si si si do do do re re re |
689 la <la la' la>-> la si <si la' la>-> si |
690 do <do sol' la>-> do re <re re la'>->} r \clef treble |
691 \ind #"à la corde" la''4\f( sol) fa( mi) fa8\<( mi) fa( sol) |
692 la4\!( sol) fa( mi) fa8\<( mi) fa( sol) |
693 la4\> sol fa mi fa8 mi fa sol |
694 la4\mf sol fa mi fa8 mi fa sol |
695 la\mp( la') sol( sol,) fa( fa') mi( mi,) fa( mi) fa( sol) |
696 \simile la la' sol sol, fa fa' mi mi, fa mi fa sol |
697 la la' sol sol, fa fa' mi mi, fa mi fa sol |
698 la\< la' sol4 fa,8 fa' mi4 fa8 mi fa sol |
699 la4\f sol fa mi fa8\< mi fa sol |
700 la4->\! mi-> r1 \clef bass |
701 <mi,,, si' re la'>4-> mi'-> r2 R1 R2. R2
705 ActeDeuxSceneUnVioloncelleDeux = { \VioloncelleDeux
706 \relative { \clef tenor
707 \pizz la4\mp r r | la r8 la r4 | la la la |
708 la r2 | R2 | R2.*2 | R2 |
709 r4 << \arco s2 \\
710 \repeat tremolo 4 { sold16\pp\< lad16 } >> |
711 \repeat tremolo 6 { sold16\mf lad16 } |
712 \repeat tremolo 6 { sold16\> lad16 } | si4--\! r |
713 R2. R2 R2.*2 R2 |
714 r4 \repeat tremolo 4 { do16\pp\< red16 } |
715 \repeat tremolo 6 { do16\mf red16 } |
716 \repeat tremolo 2 { do16\> red16 }
717 \repeat tremolo 4 { si16 do } | sold4\! r |
718 R2. R2 R2.*2 R2 | R2. | R2. |
719 \ttt { mi'8\p[ \cresc mi16 mi mi mi] }
720 \repeat unfold 2 { \ttt { re[ re re re re re] } }
721 \ttt { re\f[ re re re re re] }
722 \ttt { re[ re re re re re] }|
724 %%% Entrée de la Soprano Deux %%%
725 R2.*2 r4 \ttt {fad16\f fad fad fad fad fad} \t {fad fad fad} r8 r4 |
726 r4 r8 \clef treble \t {lab16\f lab lab} \ttt {lab lab lab lab lab lab} \clef bass |
727 R1 R2. R2 R2. R1
729 %%% Andantino %%%
730 \pizz sib,,4\p fa' r2 R1 R2. mi4\mp si' r R2. mi,4 si' lad R2
731 R2. si,4 fad' r mid8-- dod si4 r |
732 r4 \arco <la mi'\harmonic mi'>2~\p <la mi'\harmonic mi'>2.~
733 <la mi'\harmonic mi'>1~ <la mi'\harmonic mi'>2 r4 | r \pizz si'8\mp mi, |
734 fad,4 r2 R1 R2. R1 R2. R1
735 sib4\mp fa' r | \arco sib,2.\p r4 R2. R1 sib2 r4 R1 R2.
736 fad1\pp\upbow fa2.~ fa2. r4 | fad2.~\upbow fad1 fa2.~ fa2. r4 |
737 fad2.~\downbow fad2. r4 |
739 %%% Entrée de la Contralto %%%
740 R2. R1 fad2.~\p fad4 r r2 |
741 fa2.~ fa4 r r2 | fad2.\upbow\< fa2\! mib( |
742 do4)\thumbpizz \pizz sol'\mp\< mi'8 fad | la4 fad8 la re4\> si,8 fad |
743 do4\! mi'8 fad la4 |
744 r8 fad, do4-- r2 | r4 r8 dod r sold'\< | fad si r fad' dod si'\! r4 |
745 r \arco do,,2\upbow\mp\< reb mib( |
746 fad4)\!\thumbpizz r2 | \pizz fa4\mp r r2 | fad4 r2 | fa4 r r2 |
747 fad8 fad' r2 | sol,4\< re'8 fa do'4 | re\! r \arco fa,,--\mf |
748 sib-- r2 | si4-- r2 | sib4-- r2 | si4-- r2 | mi4-- r2 |
749 \ten <fa,\harmonic do''>2.~\mf <fa\harmonic do''>2.~
750 <fa\harmonic do''>2 r | mib'2.\>( |
751 \ten re1~\pp) re4 r2 | R1 \pizz lab4\mp r2 | la4 r r2 | lab4 r2 |
752 \arco \ten sol1~\p sol2. r4 lab\mp\>( sol) fa |
753 re2.~\pp re1~ re4 r2 R2 |
754 R1 R2. R1 R2. R1 R2. R1
758 ActeDeuxSceneUnBisVioloncelleDeux = { \VioloncelleDeux
759 \relative {
760 R1 R2. R2
762 %%% Presto agitato %%%
763 <mi,,\harmonic do'\harmonic mi' sol>1*5/4~
764 \simile <mi''sol>~\CaV <mi sol>~\CaV
765 <mi sol>~\CaV <mi sol>2.\CaV r2 |
766 R1*5/4 \clef treble |
767 <lab sol'>1*5/4~ <lab sol'>2. r2 \clef bass |
768 R1*5/4*7
769 sib,,1*5/4~ sib~ sib2. r2 |
770 dod,2 re mi4 sol1*5/4~ sol2. r2 |
771 <do're>4 r2 <do re>4 r | <do re> r <do re> r2 |
772 <do re>4 r r8 <do re> r2 | sold,4 r1 |
773 R1*5/4*6
774 fad8 sol fad red fad red fad red fad red |
775 fad sol fad red fad red fad red fad red |
776 fad sol fad red fad red fad red fad red |
777 fad sol fad red fad red fad red fad red |
778 fad sol fad red fad red fad red fad red |
779 fad sol fad red fad red fad red fad red |
780 fad sol fad red fad red fad red fad red |
781 <re sol>4 r2 <re sol>4 r | <re sol> r <re sol> r2 |
782 <re sol>4 r r8 <re sol> r2 | <solb fa'>4 r1 |
783 R1*5/4 <fa re'>4 r1 | R1*5/4-\fermataMarkup |
785 %%% Boum %%%
786 <mi\harmonic do'\harmonic mi' sol>1*5/4~
787 <mi'' sol>~\CaV <mi sol>~\CaV
788 <mi sol>~\CaV <mi sol>~\CaV
789 <mi sol>~\CaV <mi sol>~\CaV
790 <mi sol>~\CaV <mi sol>~\CaV
791 <mi sol>2.\CaV r2 |
792 R1*5/4*2 \repeat tremolo 16 {si32 re} si4 |
793 <mib, dob'>2. <fa re'>2 <mib dob'> <fa re'>2. |
794 r4 <mib dob'>2. <fa re'>4~ <fa re'>2 <mib dob'>2. |
795 <mi,! sib' mib>1*5/4 <mib' si'!>2 <mi,! sib' mib>2. |
796 r4 <sib' mib>1 <lab fa'>1*5/4~ <lab fa'>2. <lab fa'>2 |
797 <sol mib'>1*5/4~ <sol mib'> | r4 <sol mib'>2 <lab fa'>4 <sol mib'> |
798 <mi! reb'>1*5/4~ <mi reb'>2. r2 | R1*5/4*5
800 %%% Moderato assai %%%
801 R1*7/4*4 <fa\harmonic si\harmonic do' si'>1 r2 r4 |
802 R1*7/4 r4 <mi\harmonic do'\harmonic mi' sol>1. \clef treble |
803 sol''8\CaV mi\CaV sol\CaV mi\CaV sol\CaV mi\CaV |
804 sol\CaV mi\CaV sol\CaV mi\CaV sol\CaV mi\CaV sol\CaV mi\CaV |
805 sol\CaV mi\CaV sol\CaV mi\CaV sol\CaV mi\CaV |
806 sol\CaV mi\CaV sol\CaV mi\CaV \clef bass |
807 r4 \pizz do,8 sol' sold4 | r8 sold si mi sol4 |
808 r8 si,, do sol' sold4 | r8 do, red sold si4 |
809 r8 si, do sol' sold4 | r8 la, do sol' sib4 |
810 r8 red, mi sol si4 | r8 red, sold si mi4 |
811 r8 mi, sol la sib4 \clef treble |
812 \arco sol'8 la sol la sol la sol la sol la sol la sol la |
813 sol4 r2 r1 | R1*7/4 \clef bass |
814 \pizz sib,,4 r2 fad4 r2 sib4 r2 |
815 dod4 r2 sib4 r2 do4 r2 re4 r2 |
816 \arco sol,1*7/4~ sol4 r2 r1 |
817 R1*7/4 <mi\harmonic do'\harmonic mi' sol>1*7/4~
818 \repeat volta 2 {<mi'' sol>~\CaV <mi sol>~\CaV <mi sol>~\CaV }
819 <mi sol>1\CaV r2 r4 | R1*7/4
821 %%% Presto subito %%%
822 \tt {re,,8\upbow re fa re re} \tt {re re fa re re} \tt {re re fa re re} |
823 \tt {re re fa re re} \tt {re re fa re re} \tt {fa re fa re re} |
824 \tt {fa re fa re re} \tt {fa re fa re re} \tt {fa re fa re re} |
825 \tt {fa re fa re re} \tt {fa re fa re dod} \tt {fa re fa re dod} |
826 \tt {fa re fa re dod} \tt {fa re fa re dod} \tt {fa re fa re dod} |
828 %%% Tempo giusto %%%
829 r4 \pizz <fa mib'>\arpeggUp <fad' mi'>\arpeggUp |
830 r <fa, mib'>\arpeggUp <fad' mi'>\arpeggUp |
831 r <fa, mib'>\arpeggUp <fad' mi'>\arpeggUp |
832 r <fa, mib'>\arpeggUp <fad' mi'>\arpeggUp |
833 r <fa, mib'>\arpeggUp <fad' mi'>\arpeggUp |
834 r <fa, mib'>\arpeggUp r <sib mib>\arpeggUp r <sib mib>\arpeggUp |
835 si8 fad'8 si,4 | si8 fad' si,4 |
836 dod8 la' dod,4 <dod la'>\arpeggUp |
837 re8 la' re,4 <dod re la'>\arpeggUp |
838 fa8 do' fa,4 red | \arco sold, fad la |
839 fa2~ fa8 r4 | mi2~ mi4 r |
840 <mi dod'>4 <mi dod'>8. <mi dod'>16 |
841 <mi dod'>8. <mi dod'>16 <mi dod'>8 |
842 <fad dod' la'>2 r4 |
843 <mi dod'>4 <mi dod'>8. <mi dod'>16 |
844 <mi dod'>8. <mi dod'>16 <mi dod'>8 |
845 <do sib' sol'>2 r4 |
846 <mib reb'>8 <mib reb'>8. <mib reb'>16 <mib reb'>8 <mib reb'> |
847 <la mib'>4 <la mib'>8. <la mib'>16 |
848 <la mi'>8. <la sol'> |
849 <la la' la>4 \pizz sib8 mib, fa4 |
850 r dod8 mi re4 | sold8 fad sol4 do8 la | si4 mi,8 dod red4 |
851 \arco sol2.~ sol2 r4 | sol2.~ sol2 r4 | sol2.~ sol2 r4 |
852 sol2 r4 sol2 r4 r si2 sold2. R2. R2 R4. R2 R1*5/8 R2.
854 %%% Tempo I %%%
855 \pizz mib8 sib' r4 fad'8 si r4 |
856 \arco sib4 la8 la la la sib4 la8 la |
857 sib4 la8 la sib4 la8 la la la |
858 sib la la la la sib la la la la | la4 r1\fermata |
859 R1*5/4*2
860 <fa,\harmonic si\harmonic do' si'>2. r2 | R1*5/4*2
861 <fa\harmonic si\harmonic do' si'>1*5/4~\CaV <do'' si'>2.\CaV r2 |
862 R1*5/4
863 <mi,,\harmonic do'\harmonic mi' sol>1*5/4~
864 <mi'' sol>~\CaV <mi sol>~\CaV <mi sol>2. r2 |
865 R1*5/4*9
869 ActeDeuxSceneDeuxVioloncelleDeux = { \VioloncelleDeux
870 \relative {
871 R1.*4 \clef treble la'1.~\CaV la4\CaV r r1 | R1*2 \clef bass
872 re,2.~\CaV re8 r r16 re,,8 fa16 r16 fad8. |
873 re4 re16 mib fa lab sib8 re, |
874 \ttt {re16 mib fa lab sib si } dod8 mib, \ttt {fa16 lab sib si dod mi}|
875 fad8 lab, \ttt {sib16 si dod mi fad sol } la8 si, |
876 re,1.~ re1 r2 |
878 R1. R1*2 si'2.~ si8 r r16 si8 re16 r16 red8. r4 |
879 r16 mi, dod re do mib |
880 si'4 r8 r16 dod dod re sold, sold sold4 |
881 r8 dod16 dod re8 sold, dod16 dod re8 <sol, re'>16 <sol re'> <re' la'> <re la'> |
882 r8 si16 si si si si si fad'8 si, si16 si si si |
883 r8 si16 si si si si si <fad' dod'>8 si, si16 si si si |
884 si si si si si8 fad' si, fad' si,16 si si si |
885 si si si si si8 fad' si,4 la8 do |
887 sold2.~ sold1 r2 | R1*2
888 \pizz fa4 r2 | fa4 r2 | fa4 r2 | fa4 r |
889 fa r red \arco mi2.~ mi2 r4 |
890 \pizz do4 r |
892 r16 \arco la' fad sol fa lab |
893 mi4 r8 <la re>16 <la re> <la re> <la re> sol8 <sol re'>16 <sol re'> <re'la'> <re la'> |
894 mi,8 <si' re>16 <si re> <re la'> <re la'> sol, sol
895 <re' la'> <re la'> sold, sold <re' la'> <re la'> <re la'> <re la'> |
896 mi8 <la re>16 <la re> <la re>8 mi, <re' sol> mi, <re' la'>16 <re la'> <re la'> <re la'> |
897 mi,8 <re' sib'>16 <re sib'> <re do'>8 mi, <re' la'> mi, <la re>16 <la re> <la re> <la re> |
898 mi8 <fa' la>16 <fa la> <fa si>8 mi, <fa' do'> r16 la, fad sol fa lab |
899 <mi si'>4 r8 dod <mi si'>4 dod8 do |
900 <mi si'>4 r8 mi | r16 sib' la do dod sol fa lab |
901 mi4 r \t {mi re fa} | dod1~ dod2 r4 |
903 R1. R1 R1. <sol' re'>1.~ <sol re'>2 r4 | R1 \clef treble
904 la''2.:32~\CaV la1:~\CaV la2.:~\CaV la1:~\CaV la2.:~\CaV la1:~\CaV la2.:~\CaV
905 la1:~\CaV la2.:~\CaV la1:~\CaV la2.:~\CaV la1:~\CaV la2.:~\CaV la1:~\CaV
906 la4 r2 R1 R2. \clef tenor r2 r4 \pizz <fa, mi'>8 <fa mi'> |
907 <mib re'>4 r <fad mi'>8 <fad mi'> | <mi! re'>4 r r2 | R2. \clef bass
909 <la,la'>16 <la la'> <la' la> <la la> <la la> <la la> <la, la'> <la la'> |
910 la2:16
911 <la la'>16 <la la'> <la' la> <la la> <la la> <la la> <la, la'> <la la'> |
912 la2:16 la4 |
913 mib16 do reb mib fad8 fa sib16 sol lab sib reb8 do |
914 fa mib lab sol do4 la4:16 |
915 la,1:16 |
917 <la sold'>4 la'8 sold la | sold sold la r4 |
918 sold,8 sold la r4 | sold'8 sold la r4 |
919 <la, sold'>4 r r8 | la4 la r8 | sold4 r r8 |
920 <la sold' la>4 r re8 | re mib r4 r8 |
921 <sold, re'>4 <sold re'> r8 | <la re>4 r r8 |
922 dod dod do r4 | r8 fa4 fa | sol, r r8 |
924 R1*2 lad4 r r2 | r4 \pizz mi sol r | r fad mi r |
925 R1 \arco red2 \repeat tremolo 8 {red32 mi} |
926 \repeat tremolo 16 {mib fa} |
927 \repeat tremolo 16 {mib fa} |
928 <re' dod'>4 r2 | r8 \pizz sold, r4 |
929 R1*2 R2.*4
930 r4 dod' r | r la r | R2. |
932 \arco la8 r mib r sold r re r |
933 dod r sol' r <do, do'> r |
934 fa' r si, r mi r |
935 mib, r la r | re, r sold r \clef tenor |
936 r16 mi'' sold mi r mib sol mib |
937 r re fad re r reb fa reb |
938 r do mi do r si red si |
939 sib8 \clef bass \pizz <re, sib'>\arpeggUp r <re sib'>\arpeggUp |
940 r \simile <re sib'> r <re sib'> |
941 r <re sib'> r <re sib'> |
942 r <re sib'> r <re sib'> |
943 \arco dod, \pizz dod' \arco sol, r |
944 do, r fad r | si r fa r | sib r mi, r |
945 R2 r8 la16 la sold8 r | R2
946 r8 \pizz <re' sib'> r <re sib'> |
947 r <re sib'> r sold | <sib, re>4 r |
948 R2*2 re,4 r dod r mib r | R2 \clef treble
950 la''2. sol fa mi fa4. mi fa sol la4 mi r |
951 R2.*9
955 ActeDeuxSceneTroisVioloncelleDeux = { \VioloncelleDeux
956 \relative {
957 %%% Larghetto %%%
958 R4.*9
959 la,4.~ la~ la4 r8 R4. |
960 dod4.~ dod~ dod8 r4 |
961 fa,4.~ fa~ fa~ fa4 r8 | R4.*3
962 la4.~ la4 r8 | R4.*2
963 do4.~ do8 r4 | mi4 r8 |