instruments/violoncelle2.ly

   1 %------------------------------------------------------------------%
   2 % Opéra Libre -- violoncelle2.ly                                   %
   3 %                                                                  %
   4 % (c) Valentin Villenave, 2008                                     %
   5 %                                                                  %
   6 %------------------------------------------------------------------%
   7
   8 \include "italiano.ly"
   9
  10 VioloncelleDeux = {
  11   \set Staff.instrumentName = \markup { \hcenter-in #25 "Violoncelle 2  "}
  12   \set Staff.shortInstrumentName = "Vlc. 2  "
  13   \set Staff.midiInstrument = "cello"
  14   \clef bass
  15 }
  16
  17 PrologueVioloncelleDeux = { \VioloncelleDeux
  18   \relative {
  19
  20     %%% Introduction %%%
  21     \partial 4 r4 R2.*2 \clef treble sib''2.\p\<\upbow ~ sib1\glissando
  22     mi,,2\f\downbow \clef bass |r8 mi,,-- \t {mi--( mi-- mi--)} mi2.~ | mi2 r8 mi--
  23     \t {mi8--( mi-- mi--)} mi2.~\mp mi2~mi~mi2.~mi2~mi~ mi2.~mi4 mi~mi8 mi\<
  24     \t {re--( re-- re--)}|
  25     dod4--->\f r2 | \t { \pizz dod4--\mf re-- mi--\<} \t {sol-- sib-- do--} |
  26     \arco dod2--->\f r8 sol-. r dod-. r sol | dod4---> dod---> sol8-. dod~--->|
  27     dod4 r | sol-- dod-- sib8-. dod~--| dod sol-. dod4-- | dod-- sol8-. dod-. r sib-. |
  28     r dod4\>( sol8) | sib2~--\p sib2 r4 |
  29
  30     %%% Tempo giusto %%%
  31     re,8\sfz re'--\p re-- re,-- re-- re'-- re-- re,-- |
  32     re-- re'-- re'-- re,-- re, re mib re | fa re lab' fa |
  33     sib lab si dod | dod, r r4 | R2
  34     re4--\f re'8-. re-. re-. re-. | lab2-- r4 |
  35     re,4-- r8 re'-. re-. re-. | fad,2.\mp mib do |
  36     sib'2\< sol4~ sol mi2 | \ten re2.~\f re4 r8 sol'--\ff mi-- re-- |
  37     \ten dod1~---> dod4 r R2 R2-\fermataMarkup |
  38
  39     %%% Solo ténor %%%
  40     R1*2 R2. R1 R2. R1
  41     R2*2 lab4\p( si fa2) mib2( fad4) do2.~ do2 r4 |
  42     R2.*2 r2 lab'4\p( sol'2.) R2.
  43     lab4-.\p sol,\leftpizz r |
  44     lab'-. sol,\leftpizz r | R2. R4.
  45
  46     %%% Andantino %%%
  47     \pizz sol8\p r4 | sol8 r4 | R4.*2
  48     sol8 r4 | sol8 r4 |
  49     sol8 r4 | sol8 r4 |
  50     sol'8 r4 \clef treble |
  51     %%FIXME: grace synchronization bug
  52     \acciaccatura s16 red''8 r4 \clef bass |
  53     r8 sol,, sol, | R4.*14
  54     \arco solb8\>( mib reb) \ten do4.~\pp do~ do4 r8 |
  55     solb'8( mib reb) | do4.~ do~ do4 r8 |
  56     solb'8( mib reb) | do4.~ do4 r8 |
  57     fad4\< mib8~ mib dod4 |
  58
  59     %%% A tempo %%%
  60     re8\sfz r4 | sold8--\mf( si-- dod--) |
  61     re8\sfz r4 | sold,8\mf( si dod) re( fa sol) |
  62     lab4-- r8 | lab,4--->\f fa8~---> fa mib4---> |
  63     \ten re4.~---> re~ re4 r8 |
  64     mib4( re8) \ten fa4.~ fa~ fa4 r8 |
  65     fa'4.\mf re\< do si4.~\fmolto si4 r8 |
  66     \ten sib4.~ sib~ sib~ sib4 r8 | R4.
  67     si8--\f\>( sib-- lab--) |
  68     fa4.:32~\mp fa4.:32
  69     fa16:32\p solb:\< lab: si: dod: re: |
  70     mi:\mf\> re: dod: si: lab: solb: |
  71     fa:\mp\< lab: sib: si: dod: mi:  |
  72     fad:\f\> mi: dod: si: sib: lab: |
  73     \t {fad16\pp fad fad} \t {sold sold sold} \t {la la la} |
  74     si8 r4 | fa16\< fa fa fa fa fad fad fad fad fad |
  75     re4--\f mib-- re-- | fa8.--( lab--) fa8--\>( mib-- re--) | do2\mf r4 |
  76
  77     %%% Adagio %%%
  78     R1*2 r2 r8 mi-- \t {mi--( mi-- mi--)} |
  79     mi1~\p mi1. \repeat tremolo 16 {mi32\pp\>( fa} mi4\!) r |
  80     R1 r2 r4 \pizz la |
  81     \arco mi1~\p mi1.~ \repeat tremolo 16 {mi32\pp\>( fad} mi4\!) r |
  82     R1 r2 r8 sold \t {sold-- sold sold} |
  83     sib2.\p
  84
  85     %%% Valse %%%
  86     sol2.~\pp sol4 r dod~-- | dod2 r4 |
  87     sol2-- r4 | dod2-- r4 | sol2-- r4 |
  88     sib4-- r mi,-- r | sol2.~-- sol4 r \clef tenor |
  89     r8 sold''\pp( fa) r r fa( mib) r r mib( re) r |
  90     mi4 \ttt {red16\>( mi red mi red mi} red4\!) r \clef bass |
  91     r4 do,,2--\pp r4 | fad2-- r4 | do2-- r4 | fad2-- r4 |
  92     do2-- r4 | fad2-- r4 | mi-- r sol-- r |
  93     <do, si'>2\mf <do si'>4-> <do si'>8-. <do si'>~-> |
  94     <do si'> <do si'>-. <do si' mi la>4->\< <do si' mi la>-> |
  95
  96     %%% Vivo al fine %%%
  97     <re re'>8\sfz re'-. <do re>-. <do re>-. |
  98     <re mib>-. <re mib>-. <la re>-. <la re>-. |
  99     <re mib> <re mib> <do re> <do re> |
 100     <re mib> <re mib> <la re> <la re> |
 101     <re mib> <re mib> <re mib> <re mib> |
 102     <re mi> <re mi> <re mi> <re mi> |
 103     <re sol> <re sol> <re sol> <re sol> |
 104     <re la'> re re re |
 105     <re mib> <re mib> <do re> <do re> |
 106     <re mib> <re mib> <la re> <la re> |
 107     <re mib> <re mib> <do re> <do re> |
 108     <re mib> <re mib> <la re> <la re> |
 109     <re mib>\> <re mib> <do re> <do re> |
 110     <re mib>\mp <re mib> <la re> <la re> |
 111     <re mib> <re mib> <do re> <do re> |
 112     <re mib>\> <re mib> <la re> <la re> |
 113     <re mib>-.\p <re mib>-. r4 |
 114     <re mib>8-. <re mib>-. r4 |
 115     re8-. re-. r4 re8-. re-. r4 | re8-. r r4 \pizz re r |
 116     re, r | R2*7 r4 mi\mp
 117   }
 118 }
 119
 120 ActeUnSceneUnVioloncelleDeux = { \VioloncelleDeux
 121   \relative {
 122     do,,2--\pp( do'--)\CaV fad,2-- r4 |
 123     do2--( do'--)\CaV fad,4--( fad2--) |
 124     <do sol'>2~-- <do sol'> fad4.--( fad8~--) fad4 |
 125     <do sol'>2~ <do sol'> fad2--( fad4--) |
 126     <do do'>2-- do' fad,8 fad~-- fad2 |
 127     <do do'>2-- <do do'>-- fad2~--\mp\< fad8 fad |
 128     fa2\ppsubito do'16( fa, do' la'~ la mib') \t {la,( do, fa,)} |
 129     fa4-- \simile do'16 fa, do' la' mib' la, do, fa, |
 130     do' fa, do' la'~ la mi'! \t {la, do, fa,} fa2 |
 131     do'16 fa, do' la' sol' mi \t {la, do, fa,} \t {fa8 fa fa} |
 132     lab2\ppsempre mi'16( lab, mi' la do8) \t {la16( mi lab,)} |
 133     lab4 mi'16( lab, mi' la do) la( mi lab,) |
 134     reb,( lab' mi' la \ttt {do) la( mi lab,) mi'( la}
 135     do) la( mi lab,) reb,( lab' \t {mi' la do)} |
 136     \t {lab,8--\<( mi'-- lab,--)} reb,4-- reb-- |
 137     do16\p( sol' mi' sib') \t {re8( sib mi,)}
 138     \t {sol,( mi' sib')} re16( sib mi, sol,) |
 139     do, sol' mi' sib' \t {re8 sib mi,} \t {sol, do, sol'} |
 140     \ttt {do,16( sol' mi' sib' mi, sol,}
 141     \ttt {do, sol' mi' sib' mi, sol,}
 142     \ttt {do, sol' mi' sib' mi, sol,}
 143     \ttt {do, sol' mi' sib' mi, sol,)} |
 144     \ttt {do,( sol' mi' sib' mi, sol,}
 145     \ttt {do, sol' mi' sib' mi, sol,}
 146     \ttt {do, sol' mi' sib' mi, sol,)} |
 147     do,4\downbow do\downbow do\downbow | \t {mib8-- fad--( sold--)} \t {la-- si--( re--)} \t {mi fa sol} |
 148     <do,, sol' re' sib'>4\downbow do\downbow do\downbow | fad fad \t {fad8( sold fad)} |
 149     <fad si>4 fad fad8--( fad--) |
 150     \t {do-- re( mib)} \t {fa-- lab( sib)} \t {si-- dod( mi)}
 151     <lad, fad'>4\downbow \t {<fad si>8-- dod'-- mi--} \t {fad,-- la-- sol--} |
 152     \ten <do, do'>1~\fmolto <do do'>2 r4 |
 153
 154     %%% Ad libitum %%%
 155     R1 R2. \ten do2.~\pp do4 r r2 | do2.~ do4 r2 |
 156
 157     %%% Agitato %%%
 158     \st {re8\fp re mib mib re re mib mib} |
 159     \simile re4:8 mib: re: mib: re: mib: re: mib: |
 160     re: mib: re: mib: re: mib: re: mib: |
 161     re: mib: re: mib: |
 162     re: mib: re: mib: re: mib: |
 163     re: mib: re: mib: re: mib: re: mib: |
 164     re: mib: re: mib: re: mib: |
 165     re: mib: re: mib: re: mib: re: mib: re: mib: re: mib: |
 166     re: mib: re: mib: re: mib: |
 167     re: mib: re: mib: re: mib: re: mib: |
 168     mib8\mp\upbow( fab) \ind #"serioso" mib\upbow( fab) mib\upbow( fab) mib\upbow( fab) \simile mib fab mib fab |
 169     mib fab mib fab mib fab mib fab mib fab mib fab |
 170     mib fab mib fab mib fab mib fab mib fab mib fab |
 171     mib fab mib fab mib fab mib fab |
 172     mib\< fab mib fab mib fab mib fab mib fab mib fab |
 173     \ten mi1.\f R1.*2
 174
 175     %%% Allegro non troppo %%%
 176     \pizz sib''4\mf r r2 | R2. sib4 mi, r \t { \arco mi8--\mp\<\upbow( si-- dod--\!)} |
 177     sib8-.-> r r4 r2 | \pizz sib'4\mf mi, r \t { \arco mi8--\upbow( dod-- si--)} |
 178     sib8-.-> r r4 r2 R1 R2.
 179     \pizz sib'4 r r2 | R2. sib4 r r2 | sib4\< sib sib sib\! r r2 |
 180     \arco sol,2.\ff( sib4) r r2 |
 181     r2 \ttt {sol16\< lab sib dod red mi} \ttt {fad\> mi red dod sib lab} |
 182     \ttt {sib\< dod red mi fad la} \ttt {si\> la fad mi red dod} sib8\! r r4 |
 183     R1 \clef tenor |
 184     re'8\pp\CaV re\CaV re\CaV re\CaV re\CaV re\CaV re\CaV re\CaV | R2.
 185     re8\pp\CaV re\CaV re\CaV re\CaV re\CaV re\CaV | R2. \clef treble
 186     \pizz la'4\p la la la R1 la4 la la la R1 |
 187     \arco \st {fa16 fa r8 fa16 fa r8 fa16 fa r8 fa16 fa} r8 | R1 \clef bass
 188
 189     %%% Moderato %%%
 190     la,,4.\mp sib8~ sib2 | la4. sib8~ sib2 |
 191     la8. sib16~ sib4. la8 | do2.~ do2 r |
 192     la8. sib16~ sib4~ sib16 la8. | do1~ |
 193     do2 la4 | do2 r4 \t {la8--\<\upbow( do-- sib--)} |
 194     \ten mib2.~\mf mib2 r | \ten fa2.~\p fa2 r | mib4\mp( fa2) |
 195     mib8.( fa16~) fa2~ \t {fa8 mib--\<( fa--)} |
 196     solb8.\mf( lab16~) lab2 | solb4-- lab4~-- lab16 solb8.-- lab-- mib16~---> |
 197     mib8.\< fa16~---> fa8 solb~---> solb16 lab8.~--->\! | lab8 fa,->\f solb-> lab-> |
 198     si8\sfz r r2 | R1 R2*4
 199
 200     %%% Allegro marcato %%%
 201     <sib do>4 <sib do>16 <sib do> <sib do> <sib do> <sib do>4 r |
 202     <sib do>4 <sib do>16 <sib do> <sib do> <sib do> <sib do>4 r |
 203     re, re re re mi2 re8 r r4 | R1
 204     <fa sib mi la>4 <sib dod>16 <sib dod> <sib dod> <sib dod> <sib dod>4 r |
 205     <fa sib mi la>4 <sib dod>16 <sib dod> <sib dod> <sib dod> <sib dod>4 r |
 206     re re sib sib <sol re' la'>2 fad8 r r4 | R1*3
 207     do'4 do si si sib2 la8 r r4 | R1*2
 208     do4 do sib sib si2 sol8 r r4 | R1
 209     r2 r4 \pizz re' do la sol r fad mi dod r r sib' la sol |
 210
 211     %%% Agitato %%%
 212     \arco re'8 fa sib fa re16 fa lab sib reb sib lab fa |
 213     re8 sol sib sol re16 la' sib do mib do sib la |
 214     re,8 sol sib sol re16 si'dod red mi red dod si |
 215     re, re re re re re re re re re re re re re re re |
 216     <la re>8 re <re la'> re <la re> re <re la'> re |
 217     <re re> re <sol la> re <re re> re <sol la> re |
 218     <re re> re <sol re'> re <re re> re <sol re'> re |
 219     <re sol> re <do' fa> re, <re sol> re <do' fa> re, |
 220     <re sol> re <do' fa> re, <re sol> re <do' fa> re, |
 221     <sol, re'> re' \clef treble <fa' do'> \clef bass re,
 222     <sol, re'> re' \clef treble <fa' do'> \clef bass re, |
 223     re \clef treble <fa' do'> \clef bass re, \clef treble <solb' reb'> \clef bass
 224     re, \clef treble <lab'' mib'> \clef bass re,, \clef treble <la'' mi'> \clef bass |
 225     <mi, la>8 r r4 r1 | R1*2
 226
 227     R1 R2. R2 \clef treble la'16\CaV la\CaV la\CaV la\CaV la\CaV la\CaV la\CaV la\CaV |
 228     fad fad fad fad fad fad fad fad | fad fad fad fad fad8 r \clef bass | R2 R1*4
 229   }
 230 }
 231
 232 ActeUnSceneUnBisVioloncelleDeux = { \VioloncelleDeux
 233   \relative {
 234     dod,,2.:32
 235     dod8 \t {dod16 dod dod} dod8 \t {dod16 dod dod} dod8 \t {dod16 dod dod} |
 236     dod8 \t {dod16 dod dod} dod8 \t {dod16 dod dod} dod8 \t {dod16 dod dod} |
 237     dod8 \t {dod16 dod dod} dod8 \t {dod16 dod dod} dod8 \t {dod16 dod dod} |
 238     dod8 \t {dod16 dod dod} dod8 \t {dod16 dod dod} dod8 r |
 239     dod16 re mi sib' sol la sib mi dod re mi sol, |
 240     \t {lab16 lab lab} lab8 \t {fa16 fa fa} fa8 \t {mib16 mib mib} mib8 |
 241
 242     %%% Piu vivo %%%
 243     re4 r r8 do' sol la | fad2 \t {sol8 la do} |
 244     re4 r r8 mib, lab fa| sib4. lab |
 245     sol2.~sol2 r4 |
 246     <mib' fa>4. <re sib'> | re2. |
 247     R2. r4 <la'mi'\harmonic mi'>2~ <la mi'\harmonic mi'>4. r8\fermata r4 |
 248     R2. r4 <la mi'\harmonic mi'>2~<la mi'\harmonic mi'>~
 249     <la mi'\harmonic mi'>8 r\fermata r4 | r2 r4 fad, sol la |
 250
 251     %%% Largo %%%
 252     do,2 do'~ do
 253     lab2.~ <do, lab'>2~<do sol'>2.~
 254     <do la'>2~ <do la'>4 r2 |
 255     <do si'>2 <do si'>4 |
 256     <do mib'>4 r r2 |
 257     R1 R2. R2 r2 r8 lab'4. |
 258     sib2.~ sib2 r4 |
 259     re2 mib~ mib r4 |
 260     R2*3 R2. R1 R2.
 261     r4 sib8 lab | sol2~sol fad2. |
 262     r2 si4 mi,2. |
 263
 264     %%% Adagio %%%
 265     R1*9
 266     r2 r4 r8 <do mi\harmonic mi''>~ |
 267     <do mi\harmonic mi''>1~ <do mi\harmonic mi''>~ |
 268     <do mi\harmonic mi''>~<do mi\harmonic mi''>~
 269     <do mi\harmonic mi''>2. r8 sol'~\CaV |
 270     sol4 sol fa sold |
 271     mi1~mi~mi~mi2 r | R1*8
 272     r4 <do''mi> <do mi> <do mi> |
 273     <do mi> r r2 |
 274     R1*3
 275     R2 \pizz <re, sold>4 <sold, red'> <fa reb'> r
 276     r \arco <dod sold'>
 277   }
 278 }
 279
 280 InterludeUnVioloncelleDeux = { \VioloncelleDeux
 281   \relative {
 282     R1. R1*3 R1. R1 R1.*2 R1*2
 283     la1\mf la2~ la1( si2 do1~) do4 r2 |
 284     R2 \ttt {r16 fa\p( mi re la si}
 285     \ttt {sold la sold fad\< dod red}
 286     \ttt {do fad red dod sib do)} |
 287     sol8--->\f\leftpizz <sol sol'>\downbow
 288     sol\leftpizz <sol sol'>\downbow
 289     sol\leftpizz <sol sol'>\downbow
 290     sol\leftpizz <sol sol'>\downbow |
 291     sol\leftpizz <sol sol'>\downbow
 292     sol\leftpizz <sol sol'>\downbow
 293     sol\leftpizz <do, sol'>-- sol'-- dod,-- |
 294     sol'\f\leftpizz <sol sol'>\downbow
 295     sol\leftpizz <sol sol'>\downbow
 296     sol\leftpizz <sol sol'>\downbow
 297     sol\leftpizz <sol sol'>\downbow
 298     sol\leftpizz <dod, sol'>\downbow
 299     sol'\leftpizz <dod, sol'>\downbow |
 300     \arco sol'-- <sol sol'>-- sol-- <sol sol'>--
 301     sol-- <sol sol'>-- sol-- <sol sol'>-- |
 302     sol <sol sol'> sol <sol sol'> sol <dod, sol'> dod <dod sol'> |
 303     sol' <sol fad'> sol <sol fad'>
 304     sol <sol fad'> sol <sol fad'>
 305     sol <sol fad'> sol <sol fad'> |
 306     sol <sol fad'> sol <sol fad'> sol <dod, sol'> sol' <dod, sol'> |
 307     fad2.--->\ff\> sol2\p r4 | R2.*4
 308     si2.~\pp si~ si~ si~ si8 sib4( lab) si8( |
 309     sol'2.~) sol~ sol~ sol R2.*2
 310   }
 311 }
 312
 313 ActeUnSceneDeuxVioloncelleDeux = { \VioloncelleDeux
 314   \relative {
 315     %%% Air de la Soprano2 %%%
 316
 317     R2.*2 | R1*2| R2.*2 | R1*2 | R2.*2|
 318     re,8 mi sold4 la re,8 la' |
 319     r re, mi sold la4 sold8 re |
 320     mi4 sold la8 mi | r sold la re, mi4~|
 321     mi1~ mi2 r2 | R2.*2 | R1*2 | R2.*2 | R1*2 | R2.*2|
 322     dod,1~ dod~| dod2 r4 | R2.|
 323     dod1~ dod~| dod2 r4| r dod r |
 324     mi1~ mi2. r4 | dod2.~ dod2 r4 |
 325     sol'1~  sol~ | sol2 r4 |
 326     sol re' do8 lab | sol2. r4|
 327     sol re' do8 lab sol4 | lab8 sol do re r4| R2. |
 328     sold1~ sold~| sold2.~ sold~   |
 329     sold1~ sold2. r4 | R2.*2 R1*2 R2.*2 R1*2 R2.*2 |
 330     \clef treble re'1~\CaV re~ re2.~ re~ re1~ re~ re2.~ re2 r4|
 331     R1*2 R2.*2 R1*2 R2.*2| R1*2 R2.*2 R1|
 332     R1-\fermataMarkup \clef bass |
 333
 334     %%% Récitatif %%%
 335
 336     R2.*2 R1| R2.*3 | R1 R2.*2 r4 r8 mib,4 lab,8~| lab2.~|
 337     lab8 lab~ \t {lab lab lab} lab4:32 |
 338     lab8 r r2 | R2 R2. R1*2 | R2.*4 re,2.~ re2. r4 |
 339
 340     %%% Duo %%%
 341
 342     \pizz <re sib'>4
 343     \repeat unfold 15 <re sib'> r8 \arco <re sib'> |
 344     <reb lab'> r \pizz <reb lab'>4
 345     \repeat unfold 5 <reb lab'>
 346     \repeat unfold 3 <sib' sol'> r8 \arco <sib sol'> |
 347     <la fa'>8 r \pizz <la fa>4 <la fa'> | <la fa'> r |
 348     \arco sol lab8 sib |
 349     reb4 dob sib | dob sib lab sib |
 350     dob sib lab fa | dob' r8 sib r4 |
 351     si!8 si lad lad si si |
 352     lad lad si si lad lad si si |si1
 353     lab2.~ lab~ lab4 r2 R1 |
 354
 355     %%% Piu vivo %%%
 356     <sol sol'>4 sol16 sol sol sol lab lab lab lab |
 357     sib sib sib sib reb reb reb reb mib mib mib mib mi mi mi mi |
 358     fad fad fad fad la la la la si si si si |
 359     do4 re, dod, |
 360     sol'2 sol4 sol | dod,4. dod8 dod dod |
 361     sol'2 r8 sol sol sol | dod,4. dod8 \t {dod dod dod} |
 362     sol'4 sol2 r4 |
 363     dod,4 r8 sib' lab si |
 364     sol4 sol sol |
 365     sol \tt {si'16 sold fad red dod} \tt {fad red dod do sib} |
 366     sol4 r sol |
 367     si \tt {re'16 dod si sold fad} \tt {sold fad fa mib do} |
 368     sib4 r sib |
 369     re r2 | re4 re re | re r2 | re4 re re | re r2 | re4 re re |
 370     dod r2 | dod4 dod dod | fa,1~ fa2 r4 si~ | si8 do4. dod2 |
 371
 372     %%% Tempo giusto %%%
 373     <re, sib'>4 <re sib'> <re sib'> <re sib'> |
 374     <re sib'> <re sib'> <re sib'> <re sib'> |
 375     <dod la'> <dod la'> <dod la'> <dod la'> |
 376     <red si'> <red si'> <red si'> <red si'> |
 377     \pizz sol r8 \arco sib4 lab si8 |
 378     <sol sol'>2 r4 | \repeat unfold 32 sol16
 379     sol8 r r2 |
 380     r4 \t {re'8 si dod} |
 381     \repeat unfold 28 sold16
 382     sold8 r r sold fad la |
 383     fa2 fa4. fa8
 384     <fa fa'>2 | <fa fa'> |
 385     r8 la sol sib |
 386     fad4. fad8 | fad4. fad8 <fad re'>4\glissando \clef tenor |
 387     <fad'' la>8 r r2 |
 388
 389     %%% Largo assai %%%
 390     R1 R2.*3 R2
 391     solb2.~ solb2. r4 |
 392     r2 \pizz fa'4 mi | mib r sib r | re, r r2 |
 393   }
 394 }
 395
 396 InterludeDeuxVioloncelleDeux = { \VioloncelleDeux
 397   \relative {
 398     R1 R2. R2 R2. R2 R2. R2
 399     \pizz \t {si,8\mf fad' sol} mib'4-- |
 400     \t {re,8 sol sib} mib4-- |
 401     \t {si,8 fad' sol} mib'4-- |
 402     \t {sib,8 mib sol} do4-- |
 403     \t {sol,8\psubito re' la'} mi'4 |
 404     \t {sol,,8 re' la'} mi'4 |
 405     \t {sol,,8 re' la'} mi'4 |
 406     \t {mi,8 la do} fa4 |
 407     do,8 lab' si, sol' sib, solb' la, fa' |
 408     do lab' si,\< sol' sib, solb' la, fa' |
 409     do4\mf mi'-> R2 |
 410     \arco \ten la,,1~\p la~ la~ la2 r | R2.
 411     \ten fa1~ fa2 r4 | R2. dod2.\pp r4 R2. dod4-- r |
 412   }
 413 }
 414
 415 ActeUnSceneTroisVioloncelleDeux = { \VioloncelleDeux
 416   \relative {
 417     do,,2.:32~do: <do si'>2.:32~<do si'>:~<do si'>:~<do si'>:~<do si'>: <do si'>4 r2 |
 418     r4 \pizz la' r r fad r r8 mi r fa lab4 |
 419     \arco sib2. mib,2.:32 <sib'la'>2. mib,2.:32
 420     mi2. fad2.:32~fad:~fad4 r \pizz reb mi r2 |
 421     r2 \arco sib'4 la2. r2 sib4 la2 r4 |
 422
 423     %%% Lamento %%%
 424     r2 r4 \pizz re si dod | sib2 r1 | R1.*3
 425     \arco sib2 re4 r r2 | reb fa4 r2 |
 426     la,2 solb4 r2 | lab fa4 r2 | la! solb4 r2 | la sib4 r2 |
 427     <mi, red'>2 <sol fad'>4 r |
 428     <lab sol'>2 <sol fad'>4 r |
 429     <mi  red'>2 <sol fad'>4 r |
 430     <mi  red'>2 <fa   mi'>4 r |
 431     <reb do'>2 <reb do'>4 <reb do'>4. <reb do'>8 <reb do'> <reb do'> |
 432     <reb do'>4 <reb do'>8 <reb do'> r4 | R2*2
 433
 434     %%% Tempo I %%%
 435     \pizz mi4 sol r mi sib' r r mi, r |
 436     \arco la2.:32 la2. sold la lad si~ si4 r8 mi, \t {mi mi mi} |
 437     dod'4 r2 R2. \pizz si4 r mib, r2 solb4 |
 438
 439     %%% Tempo II %%%
 440     r2 r4 mib reb mi | \arco do1.~ <do sol'>~<do sol'>~
 441     <do sol'>2 r4 si'2.:32~si1.:32~<do si'>2.:32 <do si'>4 r |
 442     R1 R2. R2
 443   }
 444 }
 445
 446 ActeUnSceneTroisBisVioloncelleDeux = { \VioloncelleDeux
 447   \relative {
 448     R1*3 r4 sib,2\CaV r4 | R1*2 r4 re,2 r4 R1 |
 449     r2 lad'4 sold fad r r2 | R1*6
 450     fad1~fad~fad~fad~fad2. r4 | R1*8
 451     si1~si si2 si si si si si do, do do2. R1*7
 452     fa4 re8 r fa4 re8 r
 453     fa4 re8 r fa4 re |
 454     fad1~fad~fad~fad~fad~fad~fad2. r4 | R1*3
 455     r4 <sol do\harmonic sol''>2 r4 |
 456     si2 sib la1 lab2 sol fad1~fad~fad4 r r2 |
 457     R1*2 do'1 lad~lad~lad~lad~lad~lad\fermata
 458   }
 459 }
 460
 461 ActeUnSceneTroisTerVioloncelleDeux = { \VioloncelleDeux
 462   \relative {
 463     R2*3 R2. R2*2 R2. \clef treble
 464     \repeat unfold 36 re'16
 465     re re fad re dod dod fa do do red mi si |
 466     sib8 r r2 | R2. \clef bass |
 467     mib,,,2. r4 mi2 fa |
 468     re'8 r r4 r2 | R1*3 R2.
 469
 470     %%% Poco meno %%%
 471     <re sol\harmonic re''>2.:32~
 472     <re sol\harmonic re''>: ~
 473     <re sol\harmonic re''>: ~
 474     <re sol\harmonic re''>: ~
 475     <re sol\harmonic re''>: ~
 476     <re sol\harmonic re''>: ~
 477     <re sol\harmonic re''>: ~
 478     <re sol\harmonic re''>: ~
 479     <re sol\harmonic re''>: ~
 480     <re sol\harmonic re''>: ~
 481     <re sol\harmonic re''>: ~
 482     <re sol\harmonic re''>: ~
 483     <re sol\harmonic re''>: ~
 484     <re sol\harmonic re''>4 r2 \clef treble
 485     r8 si'' sib sol fad mib\glissando |
 486     mib' re fad, sol si sib re, mib sol fad sib, si \clef bass |
 487     mib,2 r4 |
 488
 489     r mib2~mib re4~ re2 r4 |
 490     r mib2~mib re4~ re2 r4 |
 491     r \t {sib'8 sol sib} \t {sol sib sol} \t {sib sol sib} \t {sol sib sol}
 492     \t {si fad si} | \t {fad si fad} si4 r |
 493     r \t {sib8 sol sib} \t {sol sib sol} \t {sib sol sib} \t {sol sib sol}
 494     \t {si fad si} | \t {fad si fad} si4 r |
 495     r \t {mib,8 sol mib} \t {sol mib sol} \t {mib sol mib} \t {sol mib sol}
 496     mib4~ mib2 r4 |
 497     r \t {mib8 sol mib} \t {sol mib sol} \t {mib sol mib} \t {sol si sol}
 498     \clef tenor \t {si mib si} | \t {sol mib' si} sol'4 r \clef bass |
 499     r8 \pizz si,, mi la mib sol | r4 r8 do, fa sib \clef tenor |
 500     r mi r4 la | R1 \clef bass
 501
 502     r4 \arco <si,,? fa'>2~<si fa'> <si fa'>4~<si fa'>2 r4 |
 503     r <si fa'>2~<si fa'> <si fa'>4~<si fa'>2 r4 |
 504     r mib2~mib re4~re r2 |
 505     r4 mib2~mib re4~re r2 |
 506     r4 <mib sol>2~<mib sol> <re fad>4~<re fad>2 r4 |
 507     r4
 508     \repeat tremolo 8 {re32 sol}
 509     \repeat tremolo 8 {re sol}
 510     \repeat tremolo 4 {red fad} red4 fa2 |
 511     la,2.:32~la:~la:~la2 r4 |
 512     \pizz <la la'> r2 R2.*4 |
 513     \arco sib2.~sib~sib~sib~sib2 r4 |
 514     sib2.~sib~sib~sib2 r4 |
 515     la2.\fermata
 516   }
 517 }
 518
 519 InterludeTroisVioloncelleDeux = { \VioloncelleDeux
 520   \relative {
 521     r8 \pizz re, r re r re r re | r re r re r re |
 522     r4 \arco re2.~ re2 r4 R1 R2. R1 R2.
 523     <sol,dod>4 <sol dod> <sol dod> <sol dod>8 <lab re> |
 524     <sol dod>4 <sol dod> <sol dod>8 <lab re> |
 525     <sol dod>4 <sol dod> <sol dod>8 <lab re> |
 526     <sol dod>4 <sol dod> |
 527     r8 <mi re'> r <mi re'> r <mi dod'> |
 528     r <mi re'> r <mi dod'> |
 529     r <mi red'> r <sold mi'> |
 530     r <sol mi'> r <si sol'> |
 531     sol16:32 mi: sol: lab: si: lab: si: do: |
 532     mib: do: mib: mi: sol: mi: sol: lab: \clef tenor
 533     si4 mi sol8 r r4 |
 534   }
 535 }
 536
 537 ActeUnSceneQuatreVioloncelleDeux = { \VioloncelleDeux
 538   \relative {
 539     \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2
 540     R2. sol4 fa mi8 la, r4 R2-\fermataMarkup
 541     R1 R2. R1*2 R1. R1*2 R1. R1*2
 542
 543     %%% Agitato %%%
 544     r4 la8 re sol re | la r r2 |
 545     <do,sol'>2.:32 <do sol'>8 r r2 | r4 sib''8 fa4 fad8 |
 546     re2~re4\glissando fa2. mi2.:32 la8 r r4 mib16 do sol mi |
 547     re4 r2 | re'8 si' mi16 mi, mi mi la8 la, | re4 r2 |
 548     re8 dod' fad16 fad, fad fad si8 la, | re4 r8 re fad, si |
 549     mib,4 r8 reb4 sol8 | do4 r8 fa la, re |
 550     fad,4 r8 la4 mib'8 | lab4 r8 la reb, solb |
 551     sib,4 r8 sib4 sib8 | mi4 r8 mi, \t {mi mi mi} |
 552     mi4 mi mi | r8 sib'4 mi sib'8 |
 553     lab16 sib lab sib re mib re mib sib re sib re |
 554     lab sib lab sib re mib re mib sib8 sib, |
 555     mi4 mi sib8 mi~ | mi4 mi, re~ | re fa2 |
 556     dod2~dod8 r r4 | R2. dod2. r4 |
 557     R2. dod2 R2. dod2 R2.
 558     dod'4 sol | dod2 sol4 |
 559
 560     %%% Placando assai %%%
 561     dod2. dod4 sol2. r4 | dod2. dod4 sol2. r4 |
 562     dod,2 re mib mi2.~mi2. r4 |
 563
 564     %%% Andante a piacere %%%
 565     \pizz fa4 r r2 r reb4 r |
 566     fa r r2 r reb4 r |
 567     \arco fa1~ fa2 reb fa1~ fa2 reb |
 568     sol2. r4 r8 dod,4 sol' dod,8 |
 569     sol'2. r4 r8 dod,4 sol' sol8 |
 570     dod,8 r r4 r2 | R1*6 R2*3 R2.*2
 571
 572     %%% Poco a poco piu mosso %%%
 573     \pizz sol'4 r sol fad r2 la4 r2 sol4 r2 |
 574
 575     %%% A tempo %%%
 576     \arco
 577     <do,do'>4 r8 fad4 do' fad,8 |
 578     <do do'>4 r8 fad4 do' fad,8 |
 579     <do do'>4 <do do'> r8 fad r4 |
 580     R1
 581     \pizz la8 sold16 red dod8 do'16 sol fa8 mi'16 si |
 582     la4 r4 r2 | r4 la8 mi sol4 | dod,8 sold' si4 fa8 dod mib'4 |
 583     la,4 r2 | r16 re,8. r4 r2 |
 584     r8 r16 \arco dod''~ dod8 red~ red16 fad sib, mib, |
 585     sol,2~ sol8 sol \t {sol sol sol} | sol2 r8 dod4. |
 586     <re,sol>2 r4 | sol4 sol sol | fa2 fa4 |
 587     fa~ \t {fa8 fa4~} \t {fa4 fa8~} fa4 |
 588     r fa~fa8 mib \t {mib mib fad} |
 589
 590     re2. r8 re' r | sold,2 si4~si8 dod4 |
 591     re2  r8 re r | la4. sib8~ sib8. do16~do4 |
 592     mib2 r8 mib r| si2~ si8 do~ do16 re8. |
 593     fa2~ fa4 r8  | fa,2~ fa |
 594     R2 R4. re16 fa sib dod fad sib, dod fad la dod, fad la |
 595     re4 re, re re <re mi> <re mi> <re mi> <re mi> |
 596     <re mi> <re mi> <re mi> <re mi> |
 597     <re sol>\CaV <re sol>\CaV <re sol>\CaV <re sol>\CaV |
 598     <re do'> re re re | re,8 re re' re re, re re' re |
 599     re, re re' re re, re re' re, |
 600     re'16 re re, re re' re re' re re, re re, re re' re re, re |
 601     re8 re' re, re' re' re, re,4 | re re8 re re4 r | R1*2 R2 R2.*2 R2 R1
 602
 603     %%% Piu lento %%%
 604     r2 sib''4~sib2 r4 R2.
 605     r2 sib4~sib2 r4 |
 606     r2 sib4~sib2 r4 |
 607     r2 sib4~sib2 r4 |
 608     r2 sib4~sib2 r4  R2.
 609     r2 sib4~sib2 r4 |
 610     r2 sib4~sib2 r4 |
 611     r2 sib4~sib2 r4  R2.
 612     r4 \pizz sib, r r re, r |
 613
 614     %%% Stesso tempo %%%
 615     la'4 r r fad' r r | la, r r2 |
 616     la4 r8 red r2 fa4 r | la, r r2 |
 617     la4 r8 mi' r4 fad, r8 mib' r4 | la, r r2 |
 618     R1. R1
 619     \arco la1.~ la2. r4 |
 620     \pizz la4 sib8 mib, fa4 fad8 si dod4 re,8 sol |
 621     la4 re,8 mi dod'4 fad,8 sold fa'4 sib,8 do |
 622     la4 sold8 red dod4 do'8 sol fa4 mi'8 si |
 623     la4 mi'8 re fa,4 do8 sib' reb4 lab8 solb|
 624     la4 sib8 mib, reb4 fad8 sold fa4 mi8 si'|
 625     la4 r r2 | R1. \arco do,1~ do1. do4 r \pizz sib' reb |
 626     la4 sold8 red dod4 do8 sol' fa4 mi'8 si |
 627     la4 mi'8 re fa4 do8 sib reb,4 lab'8 solb |
 628     la4 sib8 mib fa4 fad8 si, dod,4 re8 sol |
 629     la4 re,8 mi dod'4 fad,8 sold fa4 sib8 do |
 630     la4 sold8 red' fa4 do,8 sib' reb4 re,8 sol |
 631     la4 r r2 | R1. R1
 632   }
 633 }
 634
 635 EntracteVioloncelleDeux = { \VioloncelleDeux
 636   \relative {
 637     sold,2~sold~sold sold~sold sold sold~sold4 sold~|
 638     sold4 sold8 \t {sold16 fa sol} |
 639   }
 640 }
 641
 642 ActeDeuxSceneUnVioloncelleDeux = { \VioloncelleDeux
 643   \relative { \clef tenor
 644     \pizz la4 r r | la r8 la r4 | la la la |
 645     la r2 | R2 | R2.*2 | R2 |
 646     r4 << \arco s2 \\
 647     \repeat tremolo 4 { sold16 lad16 } >> |
 648     \repeat tremolo 6 { sold16 lad16 } |
 649     \repeat tremolo 6 { sold16 lad16 } | si4 r |
 650     R2. R2 R2.*2 R2 |
 651     r4 \repeat tremolo 4 { do16 red16 } |
 652     \repeat tremolo 6 { do16 red16 } |
 653     \repeat tremolo 2 { do16 red16 }
 654     \repeat tremolo 4 { si16 do } | sold4 r |
 655     R2. R2 R2.*2 R2 | R2. | R2. |
 656     \ttt { mi'8[ mi16 mi mi mi] }
 657     \repeat unfold 4 { \ttt { re[ re re re re re] } } |
 658
 659     %%% Entrée de la Soprano Deux %%%
 660     R2.*2 r4 \ttt {fad16 fad fad fad fad fad} \t {fad fad fad} r8 r4 |
 661     r4 r8 \clef treble \t {lab16 lab lab} \ttt {lab lab lab lab lab lab} \clef bass |
 662     R1 R2. R2 R2. R1
 663
 664     %%% Andantino %%%
 665     \pizz sib,,4 fa' r2 R1 R2. mi4 si' r R2. mi,4 si' lad R2
 666     R2. si,4 fad' r mid8 dod si4 r |
 667     r4 \arco <la mi'\harmonic mi'>2~ <la mi'\harmonic mi'>2.~
 668     <la mi'\harmonic mi'>1~ <la mi'\harmonic mi'>2 r4 | r \pizz si'8 mi, |
 669     fad,4 r2 R1 R2. R1 R2. R1
 670     sib4 fa' r | \arco sib,2. r4 R2. R1 sib2 r4 R1 R2.
 671     fad1 fad2.~ fa2. r4 | fad2.~ fad1 fa2.~ fa2. r4 |
 672     fad2.~ fad2. r4 |
 673
 674     %%% Entrée de la Contralto %%%
 675     R2. R1 fad2.~ fad4 r r2 |
 676     fa2.~ fa4 r r2 | fad2. fa2 mib |
 677     do4\thumbpizz \pizz sol' mi'8 fad | la4 fad8 la re4 si,8 fad |
 678     do4 mi'8 fad la4 |
 679     r8 fad, do4 r2 | r4 r8 dod r sold' | fad si r fad' dod si' r4 |
 680     r \arco do,,2 reb mib |
 681     fad4\thumbpizz r2 | \pizz fa4 r r2 | fad4 r2 | fa4 r r2 |
 682     fad8 fad' r2 | sol,4 re'8 fa do'4 | re r \arco fa,, |
 683     sib r2 | si4 r2 | sib4 r2 | si4 r2 | mi4 r2 |
 684     <do,fa\harmonic do''>2.~ <do fa\harmonic do''>2.~
 685     <do fa\harmonic do''>2 r | mib'2. |
 686     re1~ re4 r2 | R1 \pizz lab4 r2 | la4 r r2 | lab4 r2 |
 687     \arco sol1~ sol2. r4 lab sol fa |
 688     re2.~ re1~ re4 r2 R2 |
 689     R1 R2. R1 R2. R1 R2. R1
 690   }
 691 }
 692
 693 ActeDeuxSceneUnBisVioloncelleDeux = { \VioloncelleDeux
 694   \relative {
 695     R1 R2. R2
 696
 697     %%% Presto agitato %%%
 698     <mi,,\harmonic do'\harmonic mi' sol>1*5/4~
 699     \simile <mi''sol>~\CaV <mi sol>~\CaV
 700     <mi sol>~\CaV <mi sol>2.\CaV r2 |
 701     R1*5/4 \clef treble |
 702     <lab sol'>1*5/4~ <lab sol'>2. r2 \clef bass |
 703     R1*5/4*7
 704     sib,,1*5/4~ sib~ sib2. r2 |
 705     dod,2 re mi4 sol1*5/4~ sol2. r2 |
 706     <do're>4 r2 <do re>4 r | <do re> r <do re> r2 |
 707     <do re>4 r r8 <do re> r2 | sold,4 r1 |
 708     R1*5/4*6
 709     fad8 sol fad red fad red fad red fad red |
 710     fad sol fad red fad red fad red fad red |
 711     fad sol fad red fad red fad red fad red |
 712     fad sol fad red fad red fad red fad red |
 713     fad sol fad red fad red fad red fad red |
 714     fad sol fad red fad red fad red fad red |
 715     fad sol fad red fad red fad red fad red |
 716     <re sol>4 r2 <re sol>4 r | <re sol> r <re sol> r2 |
 717     <re sol>4 r r8 <re sol> r2 | <solb fa'>4 r1 |
 718     R1*5/4 <fa re'>4 r1 | R1*5/4-\fermataMarkup |
 719
 720     %%% Boum %%%
 721     <mi\harmonic do'\harmonic mi' sol>1*5/4~
 722     <mi'' sol>~\CaV <mi sol>~\CaV
 723     <mi sol>~\CaV <mi sol>~\CaV
 724     <mi sol>~\CaV <mi sol>~\CaV
 725     <mi sol>~\CaV <mi sol>~\CaV
 726     <mi sol>2.\CaV r2 |
 727     R1*5/4*2 \repeat tremolo 16 {si32 re} si4 |
 728     <mib, dob'>2. <fa re'>2 <mib dob'> <fa re'>2. |
 729     r4 <mib dob'>2. <fa re'>4~ <fa re'>2 <mib dob'>2. |
 730     <mi,! sib' mib>1*5/4 <mib' si'!>2 <mi,! sib' mib>2. |
 731     r4 <sib' mib>1 <lab fa'>1*5/4~ <lab fa'>2. <lab fa'>2 |
 732     <sol mib'>1*5/4~ <sol mib'> | r4 <sol mib'>2 <lab fa'>4 <sol mib'> |
 733     <mi! reb'>1*5/4~ <mi reb'>2. r2 | R1*5/4*5
 734
 735     %%% Moderato assai %%%
 736     R1*7/4*4 <fa\harmonic si\harmonic do' si'>1 r2 r4 |
 737     R1*7/4 r4 <mi\harmonic do'\harmonic mi' sol>1. \clef treble |
 738     sol''8\CaV mi\CaV sol\CaV mi\CaV sol\CaV mi\CaV |
 739     sol\CaV mi\CaV sol\CaV mi\CaV sol\CaV mi\CaV sol\CaV mi\CaV |
 740     sol\CaV mi\CaV sol\CaV mi\CaV sol\CaV mi\CaV |
 741     sol\CaV mi\CaV sol\CaV mi\CaV \clef bass |
 742     r4 \pizz do,8 sol' sold4 | r8 sold si mi sol4 |
 743     r8 si,, do sol' sold4 | r8 do, red sold si4 |
 744     r8 si, do sol' sold4 | r8 la, do sol' sib4 |
 745     r8 red, mi sol si4 | r8 red, sold si mi4 |
 746     r8 mi, sol la sib4 \clef treble |
 747     \arco sol'8 la sol la sol la sol la sol la sol la sol la |
 748     sol4 r2 r1 | R1*7/4 \clef bass |
 749     \pizz sib,,4 r2 fad4 r2 sib4 r2 |
 750     dod4 r2 sib4 r2 do4 r2 re4 r2 |
 751     \arco sol,1*7/4~ sol4 r2 r1 |
 752     R1*7/4 <mi\harmonic do'\harmonic mi' sol>1*7/4~
 753     \repeat volta 2 {<mi'' sol>~\CaV <mi sol>~\CaV <mi sol>~\CaV }
 754     <mi sol>1\CaV r2 r4 | R1*7/4
 755
 756     %%% Presto subito %%%
 757     \tt {re,,8\upbow re fa re re} \tt {re re fa re re} \tt {re re fa re re} |
 758     \tt {re re fa re re} \tt {re re fa re re} \tt {fa re fa re re} |
 759     \tt {fa re fa re re} \tt {fa re fa re re} \tt {fa re fa re re} |
 760     \tt {fa re fa re re} \tt {fa re fa re dod} \tt {fa re fa re dod} |
 761     \tt {fa re fa re dod} \tt {fa re fa re dod} \tt {fa re fa re dod} |
 762
 763     %%% Tempo giusto %%%
 764     r4 \pizz <fa mib'>\arpeggUp <fad' mi'>\arpeggUp |
 765     r <fa, mib'>\arpeggUp <fad' mi'>\arpeggUp |
 766     r <fa, mib'>\arpeggUp <fad' mi'>\arpeggUp |
 767     r <fa, mib'>\arpeggUp <fad' mi'>\arpeggUp |
 768     r <fa, mib'>\arpeggUp <fad' mi'>\arpeggUp |
 769     r <fa, mib'>\arpeggUp r <sib mib>\arpeggUp r <sib mib>\arpeggUp |
 770     si8 fad'8 si,4 | si8 fad' si,4 |
 771     dod8 la' dod,4 <dod la'>\arpeggUp |
 772     re8 la' re,4 <dod re la'>\arpeggUp |
 773     fa8 do' fa,4 red | \arco sold, fad la |
 774     fa2~ fa8 r4 | mi2~ mi4 r |
 775     <mi dod'>4 <mi dod'>8. <mi dod'>16 |
 776     <mi dod'>8. <mi dod'>16 <mi dod'>8 |
 777     <fad dod' la'>2 r4 |
 778     <mi dod'>4 <mi dod'>8. <mi dod'>16 |
 779     <mi dod'>8. <mi dod'>16 <mi dod'>8 |
 780     <do sib' sol'>2 r4 |
 781     <mib reb'>8 <mib reb'>8. <mib reb'>16 <mib reb'>8 <mib reb'> |
 782     <la mib'>4 <la mib'>8. <la mib'>16 |
 783     <la mi'>8. <la sol'> |
 784     <la la' la>4 \pizz sib8 mib, fa4 |
 785     r dod8 mi re4 | sold8 fad sol4 do8 la | si4 mi,8 dod red4 |
 786     \arco sol2.~ sol2 r4 | sol2.~ sol2 r4 | sol2.~ sol2 r4 |
 787     sol2 r4 sol2 r4 r si2 sold2. R2. R2 R4. R2 R1*5/8 R2.
 788
 789     %%% Tempo I %%%
 790     \pizz mib8 sib' r4 fad'8 si r4 |
 791     \arco sib4 la8 la la la sib4 la8 la |
 792     sib4 la8 la sib4 la8 la la la |
 793     sib la la la la sib la la la la | la4 r1\fermata |
 794     R1*5/4*2
 795     <fa,\harmonic si\harmonic do' si'>2. r2 | R1*5/4*2
 796     <fa\harmonic si\harmonic do' si'>1*5/4~\CaV <do'' si'>2.\CaV r2 |
 797     R1*5/4
 798     <mi,,\harmonic do'\harmonic mi' sol>1*5/4~
 799     <mi'' sol>~\CaV <mi sol>~\CaV <mi sol>2. r2 |
 800     R1*5/4*9
 801   }
 802 }
 803
 804 ActeDeuxSceneDeuxVioloncelleDeux = { \VioloncelleDeux
 805   \relative {
 806     R1.*4 \clef treble la'1.~\CaV la4\CaV r r1 | R1*2 \clef bass
 807     re,2.~\CaV re8 r r16 re,,8 fa16 r16 fad8. |
 808     re4 re16 mib fa lab sib8 re, |
 809     \ttt {re16 mib fa lab sib si } dod8 mib, \ttt {fa16 lab sib si dod mi}|
 810     fad8 lab, \ttt {sib16 si dod mi fad sol } la8 si, |
 811     re,1.~ re1 r2 |
 812
 813     R1. R1*2 si'2.~ si8 r r16 si8 re16 r16 red8. r4 |
 814     r16 mi, dod re do mib |
 815     si'4 r8 r16 dod dod re sold, sold sold4 |
 816     r8 dod16 dod re8 sold, dod16 dod re8 <sol, re'>16 <sol re'> <re' la'> <re la'> |
 817     r8 si16 si si si si si fad'8 si, si16 si si si |
 818     r8 si16 si si si si si <fad' dod'>8 si, si16 si si si |
 819     si si si si si8 fad' si, fad' si,16 si si si |
 820     si si si si si8 fad' si,4 la8 do |
 821
 822     sold2.~ sold1 r2 | R1*2
 823     \pizz fa4 r2 | fa4 r2 | fa4 r2 | fa4 r |
 824     fa r red \arco mi2.~ mi2 r4 |
 825     \pizz do4 r |
 826
 827     r16 \arco la' fad sol fa lab |
 828     mi4 r8 <la re>16 <la re> <la re> <la re> sol8 <sol re'>16 <sol re'> <re'la'> <re la'> |
 829     mi,8 <si' re>16 <si re> <re la'> <re la'> sol, sol
 830     <re' la'> <re la'> sold, sold <re' la'> <re la'> <re la'> <re la'> |
 831     mi8 <la re>16 <la re> <la re>8 mi, <re' sol> mi, <re' la'>16 <re la'> <re la'> <re la'> |
 832     mi,8 <re' sib'>16 <re sib'> <re do'>8 mi, <re' la'> mi, <la re>16 <la re> <la re> <la re> |
 833     mi8 <fa' la>16 <fa la> <fa si>8 mi, <fa' do'> r16 la, fad sol fa lab |
 834     <mi si'>4 r8 dod <mi si'>4 dod8 do |
 835     <mi si'>4 r8 mi | r16 sib' la do dod sol fa lab |
 836     mi4 r \t {mi re fa} | dod1~ dod2 r4 |
 837
 838     R1. R1 R1. <sol' re'>1.~ <sol re'>2 r4 | R1 \clef treble
 839     la''2.:32~\CaV la1:~\CaV la2.:~\CaV la1:~\CaV la2.:~\CaV la1:~\CaV la2.:~\CaV
 840     la1:~\CaV la2.:~\CaV la1:~\CaV la2.:~\CaV la1:~\CaV la2.:~\CaV la1:~\CaV
 841     la4 r2 R1 R2. \clef tenor r2 r4 \pizz <fa, mi'>8 <fa mi'> |
 842     <mib re'>4 r <fad mi'>8 <fad mi'> | <mi! re'>4 r r2 | R2. \clef bass
 843
 844     <la,la'>16 <la la'> <la' la> <la la> <la la> <la la> <la, la'> <la la'> |
 845     la2:16
 846     <la la'>16 <la la'> <la' la> <la la> <la la> <la la> <la, la'> <la la'> |
 847     la2:16 la4 |
 848     mib16 do reb mib fad8 fa sib16 sol lab sib reb8 do |
 849     fa mib lab sol do4 la4:16 |
 850     la,1:16 |
 851
 852     <la sold'>4 la'8 sold la | sold sold la r4 |
 853     sold,8 sold la r4 | sold'8 sold la r4 |
 854     <la, sold'>4 r r8 | la4 la r8 | sold4 r r8 |
 855     <la sold' la>4 r re8 | re mib r4 r8 |
 856     <sold, re'>4 <sold re'> r8 | <la re>4 r r8 |
 857     dod dod do r4 | r8 fa4 fa | sol, r r8 |
 858
 859     R1*2 lad4 r r2 | r4 \pizz mi sol r | r fad mi r |
 860     R1 \arco red2 \repeat tremolo 8 {red32 mi} |
 861     \repeat tremolo 16 {mib fa} |
 862     \repeat tremolo 16 {mib fa} |
 863     <re' dod'>4 r2 | r8 \pizz sold, r4 |
 864     R1*2 R2.*4
 865     r4 dod' r | r la r | R2. |
 866
 867     \arco la8 r mib r sold r re r |
 868     dod r sol' r <do, do'> r |
 869     fa' r si, r mi r |
 870     mib, r la r | re, r sold r \clef tenor |
 871     r16 mi'' sold mi r mib sol mib |
 872     r re fad re r reb fa reb |
 873     r do mi do r si red si |
 874     sib8 \clef bass \pizz <re, sib'>\arpeggUp r <re sib'>\arpeggUp |
 875     r \simile <re sib'> r <re sib'> |
 876     r <re sib'> r <re sib'> |
 877     r <re sib'> r <re sib'> |
 878     \arco dod, \pizz dod' \arco sol, r |
 879     do, r fad r | si r fa r | sib r mi, r |
 880     R2 r8 la16 la sold8 r | R2
 881     r8 \pizz <re' sib'> r <re sib'> |
 882     r <re sib'> r sold | <sib, re>4 r |
 883     R2*2 re,4 r dod r mib r | R2 \clef treble
 884
 885     la''2. sol fa mi fa4. mi fa sol la4 mi r |
 886     R2.*9
 887   }
 888 }