instruments/percu.ly

   1 %------------------------------------------------------------------%
   2 % Opéra Libre -- percu.ly                                          %
   3 %                                                                  %
   4 % (c) Valentin Villenave, 2008                                     %
   5 %                                                                  %
   6 %------------------------------------------------------------------%
   7
   8 \include "italiano.ly"
   9
  10 Percus = {
  11   \set DrumStaff.instrumentName = \markup { \hcenter-in #27.5 "Percussions  "}
  12   \set DrumStaff.shortInstrumentName = "Perc.  "
  13   \override DrumStaff.VerticalAxisGroup #'minimum-Y-extent = #'(-4 . 4)
  14   \set drumStyleTable = #percussion-style
  15 }
  16
  17 Marimba = {
  18   \set Staff.instrumentName = \markup { \hcenter-in #27.5 "Marimba  "}
  19   \set Staff.shortInstrumentName = "Mar.  "
  20   \set Staff.midiInstrument = "marimba"
  21 }
  22
  23 GrandMarimba = {
  24   \set PianoStaff.instrumentName = \markup { \hcenter-in #27.5 "Marimba  "}
  25   \set PianoStaff.shortInstrumentName = "Mar.  "
  26   \set PianoStaff.midiInstrument = "marimba"
  27 }
  28
  29 Vibraphone = {
  30   \set Staff.instrumentName = \markup { \hcenter-in #27.5 "Vibraphone  "}
  31   \set Staff.shortInstrumentName = "Vib.  "
  32   \set Staff.midiInstrument = "vibraphone"
  33   \clef treble
  34 }
  35
  36 GrandVibraphone = {
  37   \set PianoStaff.instrumentName = \markup { \hcenter-in #27.5 "Vibraphone  "}
  38   \set PianoStaff.shortInstrumentName = "Vib.  "
  39   \set PianoStaff.midiInstrument = "vibraphone"
  40   \clef treble
  41 }
  42
  43 Timbales = {
  44   \set Staff.instrumentName = \markup { \hcenter-in #27.5 "Timbales  "}
  45   \set Staff.shortInstrumentName = "Timp..  "
  46   \set Staff.midiInstrument = "timpani"
  47   \clef bass
  48 }
  49
  50 ProloguePercus = <<
  51   \new PianoStaff { \GrandMarimba
  52     \PercuDeuxMains
  53     \relative {
  54       \ind #"bag. dures" <mi'' fa>4-.->\mp r r8 mi-.-> r4 | r8 mi r4 r16 mi8. |
  55       mi8 mi \t { mi mi mi } \tt {mi16\< mi mi mi mi} | mi4-.->\mf r4 r2 |
  56       R2*2 R2. R2*2 R2. R2*2 R2. R2*2 R2. R2*2 R2. R2*2
  57       r4 \ind #"bag.dure" re\mf re | re \stemDown re8 \gauche \stemUp sol,,,, |
  58       \droite \stemDown re''''4 re8 \gauche \stemUp dod,,,
  59       \droite \stemDown re''' \gauche \stemUp dod,,, \droite \stemNeutral |
  60       re'''4 re re re re re re re\> sold, re\!
  61       R2*2-\markup "Prenez la bag. de timbale" R2.
  62
  63       %%% Tempo Giusto %%%
  64       R2*8 R2.*10 R1 R2-\markup "Allez au Vibraphone" \GrandVibraphone
  65       <re, dod'>2\p\laissezVibrer R2-\fermataMarkup
  66
  67       %%% Più lento %%%
  68       R1*2 R2. R1 R2. R1
  69
  70       %%% Adagio %%%
  71       R2*4 R2.*6
  72       <lab sol'>2.\pp\laissezVibrer R2.
  73       \ind #"senza Ped." <lab sol'>4 r2 <lab sol'>4 r2
  74       <dob sib'>4 r <do si'> |
  75       R4.
  76
  77       %%% Andantino %%%
  78       R4.*25 R4.*12 \GrandMarimba
  79       r4-\markup "Allez au Marimba"
  80       r32 solb''\< lab sib |
  81
  82       %%% A tempo %%%
  83       re8->\f r4 | r4 r32 solb,\< lab sib |
  84       re8->\f r4 | R4.*2 \stemDown <lab re>8->\mf \gauche \stemUp re,,
  85       \droite \stemDown <fa' sib> <re' sol>-> \gauche \stemUp
  86       lab,, \droite \stemDown <fa'' sib> <re' sol>->\< \gauche \stemUp
  87       re,,, \droite \stemDown <fa'' sib> \stemNeutral |
  88       <re' lab'>16->\fp lab <dod re> re, <dod' re> lab, |
  89       <dod' re>-.-> lab <dod re> re, <dod' re> lab, |
  90       <dod' re>-.-> lab <dod re> re, <dod' re> lab, |
  91       <dod' re>-.->\< lab <dod re> re, <dod' re> lab, |
  92       \ottava #1
  93       <mi'' fa>-.->\mp si <mi fa> fa, <mi' fa> si, |
  94       <mi' fa>-.-> si <mi fa> fa, <mi' fa> si, |
  95       <mi' fa>-.-> si <mi fa> fa, <mi' fa> si, |
  96       <mi' fa>-.-> si <mi fa> fa, <mi' fa> si, |
  97       <mi' fa>-.-> si <mi fa> fa, <mi' fa> si, |
  98       <mi' fa>-.->\< si <mi fa> fa, <mi' fa> si, |
  99       <fa'' sol>-.->\mf re <fa sol> sold, <fa' sol> re, |
 100       <fa' sol>-.-> re <fa sol> sold, <fa' sol> re, |
 101       <sol' si>-.-> dod, <sol' si> si, <sol' si> sol, |
 102       <sol' si>-.-> dod, <sol' si> si, <sol' si> sol, |
 103       <sold' si>-.->\> dod, <sold' si> si, <sold' si> sold, |
 104       <mi' sol> sold, <mi' sol> sol, <dod mi> mi, |
 105       \ottava #0
 106       <sold si>\p dod, <sold' si> si, <sold' si>\> sold, |
 107       sol' fad, sol' fad,\! r8 |
 108       R4.*8 R2*5/4 R2.*3
 109
 110       %%% Adagio %%%
 111       <fa'? dod'>2*2\pp\laissezVibrer
 112       R1*3 R1.
 113       r1 mi4--\pp\> r | <re sib'>2*2--\!\laissezVibrer
 114       R1*2 R1.
 115       r1 red4--\pp r | <mi do'>2--\pp\> <do sold'>--\!\laissezVibrer
 116       R1 R2.
 117
 118       %%% Valse %%%
 119       r4 <la' dod>8\pp( <lab, fa'> <do' lab'>4) |
 120       r4 <si red>8( <si, sol'> <sib' solb'>4) |
 121       r4 <fa la>8( <lab, reb> <mi' do'>4) |
 122       r4 <si re>8( <mib, sol> <sib' solb'>4) |
 123       r4 <reb solb>( <do mi>) | r <sib mib>\>( la) |
 124       <lab mib'>( reb) | mib( <lab, dob>) |
 125       sol\ppp mib' si sol' r | R2.*2
 126       mi4\pp sold, do, mi,
 127       r2 <dod' la'>4\p( mi) |
 128       r <la fa'>( dod) | r mi( lab,) |
 129       r <fad re'>( la) | r reb8\>( fa, lab4) |
 130       r sib( <re, fa>) | r solb\ppp( <do, fa>) r | R1 R2.
 131
 132       %%% Vivo al fine %%%
 133       R2*23
 134
 135       %%% Recitativo %%%
 136       R2*7 r4 mi''->\pp
 137     }
 138     \relative {
 139       \partial 4 r4 R2.*3 R1 R2*2 R2. R2*2 R2. R2*2 R2. R2*2 R2. R2*2
 140
 141       %%% Entrée du Baryton 1 %%%
 142       R2. R2*2 R2. s2_\markup { \indic "(bag. de timbale)" } s2. R2
 143       r8 sol, dod4 sib8 dod |
 144       r8 sol dod4 dod' r2 | re4 sold, sib,2:32 R2.
 145
 146       %%% Tempo Giusto %%%
 147       R2*8 R2.*10 R1 R2^\markup "Allez au Vibraphone"
 148       \GrandVibraphone \clef treble
 149       dod'2\laissezVibrer R2-\fermataMarkup
 150
 151       %%% Più lento %%%
 152       R1*2 R2. R1 R2. R1
 153
 154       %%% Adagio %%%
 155       R2*4 R2.*6
 156       sol2.\laissezVibrer R2.*4
 157       R4.
 158
 159       %%% Andantino %%%
 160       R4.*25 R4.*13 \clef bass
 161
 162       %%% A tempo %%%
 163       R4. sold,32 sold sold sold sold4 |
 164       R4. sold32--\mp sold sold sold sold sold sold16
 165       re'32-- re re re | re\< re re16
 166       sold32-- sold sold sold sold sold sold16\! |
 167       s4.*3 R4.*26 R2*5/4
 168       R2.*3-\markup "Allez au Vibraphone" \GrandVibraphone
 169       \clef treble
 170
 171       %%% Adagio %%%
 172       <la fad'>2*2\laissezVibrer |
 173       R1*3 R1.*2
 174       <la fa'>2*2--\laissezVibrer |
 175       R1*2 R1.*2
 176       <la fa'>2-- <sol? mi'>--\laissezVibrer
 177       R1 R2.
 178
 179       %%% Valse %%%
 180       la4-- r2 | R2.*3
 181       r4 la8( <fa' lab>) s4 |
 182       r4 sol,8( <re' fad> si re) |
 183       sib( re fa4) |
 184       mi8( sol mib do) | sol2*3/2\laissezVibrer s2
 185       R2.*2 R1
 186       \clef bass do,2\laissezVibrer \clef treble
 187       do'8( fa) s4 |
 188       r4 fad,8( re' fa4) |
 189       r4 do8( reb fa4) |
 190       r4 sib,8( reb fa4) |
 191       r4 la,( do) | r4 sold8( dod la4) |
 192       r4 reb8( la) | R2 R1 R2.
 193
 194       %%% Vivo al fine %%%
 195       R2*23 \clef bass
 196
 197       %%% Recitativo %%%
 198       R2*7-\markup "Allez au Marimba" \GrandMarimba
 199       r4 mi,->
 200     }
 201   }
 202   \new DrumStaff { \Percus
 203     \new  DrumVoice \drummode {
 204       \partial 4 r4 R2.*3 R1
 205       \ind #"Tam-tam" cb2\mf \laissezVibrer | R2 |
 206       R2. R2*2 cb2.\mf \laissezVibrer R2*2
 207       r4 cb2\mf \laissezVibrer R2*2
 208       r4 cb2\mf \laissezVibrer R2*2
 209
 210       %%% Entrée du Baryton 1 %%%
 211       R2. R2*2 R2. R2 R2. R2 R2. R2 R2. R2*2 R2.
 212
 213       %%% Tempo Giusto %%%
 214       R2*8 R2.*10
 215       \set  drumStyleTable = #drums-style
 216       r4 \ind #"Cymb. suspendue" hh4:32~\mp \< hh2:32~ hh4\!\laissezVibrer r
 217       R2*2
 218
 219       %%% Più lento %%%
 220       R1*2 R2. R1 R2. R1
 221
 222       %%% Adagio %%%
 223       R2*4 R2.*4
 224       r4 r8 \ind #"Cymb." hh\pp \t {hh hh hh~} hh2\laissezVibrer s4
 225       R2.*5 R4.
 226
 227       %%% Andantino %%%
 228       \ind #"Tambour" bd8\pp \ind #"Cymb. (sur la cloche)" hh r |
 229       bd hh r bd hh4:32~ hh4:32 hh8 |
 230       bd r4 | bd8 hh r bd hh r bd hh r bd bd4:32\< hh8\mp r4 | R4.*2
 231       r16 bd32\> bd bd8 r | bd r bd |
 232       hh4\pp r8 | R4. hh4 r8 | r hh r hh4 r8 | R4.
 233       hh4 hh8 hh4 r8 |
 234       r16 hh\> \t {hh hh hh} hh8 | hh4\! r8 R4.*2 |
 235       \ind #"bag. douces, sur le bord"
 236       hh4.:32~\ppp \< hh:~ hh:~\pp \> hh4\! r8 |
 237       hh4.:32~\ppp \< hh:~ hh4\! hh8 r hh r hh4. | R4.*3
 238
 239       %%% A tempo %%%
 240       R4.*27
 241       \ind #"Cymb." hh4\mp r8 |
 242       \ind #"Tambour" bd16 bd bd8 r |
 243       r8 hh4 | bd16 bd bd bd r8 |
 244       bd4-- bd8 | bd32-> bd8.. r8 |
 245       hh4.:32~\pp \< hh4.:32~ hh8\mf \t {bd16\f bd bd} |
 246       bd8-- r16 bd bd bd bd8 r4 |
 247       R2.*2
 248
 249       %%% Adagio %%%
 250       R1*4 R1.*2 R1*3 R1.*2 R1*2 R2.
 251
 252       %%% Valse %%%
 253       R2.*6 R2*2 R2. R2 R2.*2 R1*2 R2.*5 R2*2 R1 R2.
 254
 255       %%% Vivo al fine %%%
 256       R2*23
 257
 258       %%% Recitativo %%%
 259       R2*8
 260     }
 261   }
 262   \new Staff { \Timbales
 263     \relative{
 264       \partial 4 r4 R2.*3 | R1 | r8 mi,,\p\< \t {mi mi mi} |
 265       mi4\mp\> \tt {mi16 mi mi mi mi} | mi2.:32\p\< mi2:32\sfz \> mi4\! r |
 266       R2.
 267       r4 mi-- r mi-- r2 \t {mi8\< mi mi\!} | mi4--\mp mi-- r mi |
 268       r4 r8 mi \t {mi\< mi mi} | mi4\mp mi-- r mi8.-- \t {dod'32\< dod dod}
 269
 270       %%% Entrée du Baryton 1 %%%
 271       dod4--\f r2 | r8 dod-- r4 | r8 dod-- r16 r32 dod dod8-- |
 272       dod4---> r2 R2 R2. R2 R2. R2 R2. R2*2
 273       r2 r8 \t {re16\< re re} |
 274
 275       %%% Tempo Giusto %%%
 276       re8.\f re16\p re4-- r8 r16 r32 re re4-- |
 277       r8 re-. re8.-- re16 re4-- r |
 278       \t {r4 sold,8} r16 re'8-- sold,16 |
 279       \tt {r8 re'-.( re-. sold,-. re'-.} | r8 sold,) r4 |
 280       re'2:32\mf\< |re4\f r8 re\mp re re | sold,2.:32--\< |
 281       re'4\f r8 re\mp re re | sib4-- r2 | sib32-> sib8.. r2 |
 282       sib4-- r sib-- |
 283       sib4---> r8 r16 sib sib4-- |
 284       sib4---> r8 sib \t {sib\< sib sib} |
 285       re4\f r re r re re re4 r r2 | R2*3
 286
 287       %%% Più lento %%%
 288       R1*2 R2. R1 R2. R1
 289
 290       %%% Adagio %%%
 291       R2*4 R2.*11 R4.
 292
 293       %%% Andantino %%%
 294       R4.*25 R4.*13
 295
 296       %%% A tempo %%%
 297       R4.*34 R2*5/4 R2.*3
 298
 299       %%% Adagio %%%
 300       R1*2 r2 r8 mi,\pp \t {mi-- mi mi} |
 301       mi4-- mi-- r2 r4 mi-- r2 mi4-- r | mi-- r r1 |
 302       R1 r2 r8 mi \t {mi-- mi mi} mi4-- mi-- r mi-- |
 303       mi-- mi-- r2 mi4-- r | mi-- r r1 |
 304       R1 r2 r4 mi mi r2 |
 305
 306       %%% Valse %%%
 307       R2.*6 R2*2 R2. R2 R2.*2 R1*2 R2.*5 R2*2 R1
 308       r2 r8 r16 \t {re'32 re re} |
 309
 310       %%% Vivo al fine %%%
 311       re8.\fp re16 re4-- | r8 r16 r32 re re4-- |
 312       r8 re16 re re8-- re-- | r4 re-- |
 313       r8 r16 r32 re re4-- | re re |
 314       r re-- re-- r re8.-- re16 re4 |
 315       r8 r16 r32 re re4-- | r8 re16 re re4-- |
 316       r re r re r re r re r re re r re r re r |
 317       R2*4
 318
 319       %%% Recitativo %%%
 320       R2*8
 321     }
 322   }
 323 >>
 324
 325 ActeUnSceneUnPercus = <<
 326   \new Staff { \Marimba
 327     \relative {
 328             R2*2 R2. R2*2 R2.
 329       R2*2 R2. R2*2 R2.
 330       R2*2 R2. R2*2 R2.
 331       R1 R2. R1 R2.
 332       R1 R2. R1 R2.
 333       R1 R2. R1 R2.*8 R1 R2.
 334
 335       %%% Ad libitum %%%
 336       R1 R2.*2 R1 R2.*2
 337
 338       %%% Agitato %%%
 339       R1*6 R1. R1*2 R1. R1*3 R1.
 340       R1*2 R1.*3 R1 R1.*4
 341
 342       %%% Allegro non troppo %%%
 343       R1 R2. R1*5
 344       R2. R1 R2. R1 R2. R1
 345       R2. R1*3 \clef bass |
 346       \pl {sol,16[ re'] s8} {sol8 <re' la'>16 sol,} \clef treble
 347       <sib'' do> re,, la' <sib' do> sol,, re' <sib' do> la
 348       <sib' do> re,, la' <sib' do> | R1
 349       sol,,16 re' <sib' do> la <sib' do> re,, la' <sib' do>
 350       sol,, re' la' <sib' do> | R2.
 351       <sib, do>4 <sib' do> <sib,, do> | R1
 352       <sib do>8 <sib' do>16 do, <do' reb> reb, <reb' mib> mib, r2\fermata | R1
 353       <sib do>8 <reb' mib>16 mib, <mib' fa> fa, <fa' solb> solb, r2\fermata | R1
 354       <sib,do>16 <fa'' solb> solb, <solb' lab> lab, <lab' si> si, <re! si' re!>
 355       <mi! re' mi!>16 <mi re' mi> r8 r4\fermata |
 356
 357       %%% Moderato %%%
 358       R1*2-\markup "Allez au Vibraphone" R2.*2 \Vibraphone
 359       r4 r8 do, <sib' do>2\laissezVibrer | R2.
 360       r8 <sib, do>2..\laissezVibrer | R2. \clef bass
 361       \t {r8 do, sib'} \clef treble do sib'4 <do sib'>4. |
 362       mib,,2*1/4\laissezVibrer <do'' sib'>8~ <do sib'>16 <sol fa'>8 re16 la'4 |
 363       mib,2. r4 |
 364       fa2*1/4\laissezVibrer <do'' sib'>8 sib16 mib8 lab,16 reb, fa, do' sol' |
 365       <sib do>4\laissezVibrer fa,2.\laissezVibrer |
 366       do'16 sib' <do sib'>8~ <do sib'>16 <sib' do>4.. |
 367       <mib,,, fa>8 <sib'' do>2.. |
 368       r16 do'32 sib, do'16 do,, sib' <sib' do>4.. |
 369       r8 sib,,16 do sib sib do sib do sib do sib' do, sib' do sib |
 370       sib do sib, do sib' do, do' sib sib do sib' do |
 371       sib, do sib' do, sib' do sib, do, |
 372       <mi, fad>8 r r2 R1 R2*4
 373
 374       %%% Allegro marcato %%%
 375       \Marimba R1*34
 376       R1. R1*2 \ottava #1
 377       \ind #"(bag. dures)"
 378       mib'''16 fa, sib fa mib' fa, sib fa
 379       mib' fa, sib fa mib' fa, sib fa |
 380       fa' sol, do sol fa' sol, do sol fa' sol, do sol |
 381       sol' la, re la sol' la, re la |
 382       lab' sib, mib sib lab' sib, mib sib |
 383       sib' do, fa do sib' do, fa do |
 384       si' dod, fad dod si'8 r
 385       \ottava #0
 386       R2 R1*4
 387     }
 388   }
 389   \new DrumStaff { \Percus
 390     \drummode {
 391       R2*2 R2. R2*2 R2.
 392       R2*2 R2. R2*2 R2.
 393       R2*2 R2. R2*2 R2.
 394       R1 R2. R1 R2.
 395       R1 R2. R1 R2.
 396       R1 R2. R1 R2.*8 R1 R2.
 397
 398       %%% Ad libitum %%%
 399       R1 R2.*2 R1 R2.*2
 400
 401       %%% Agitato %%%
 402       R1*6 R1. R1*2 R1. R1*3 R1.
 403       R1*2 R1.*3 R1 R1.*4
 404
 405       %%% Allegro non troppo %%%
 406       R1 R2. R1*5
 407       R2. R1 R2. R1 R2. R1
 408       R2. R1*5 R2.*3 R1*6
 409
 410       %%% Moderato %%%
 411       R1*2 R2.*2 R1 R2. R1
 412       R2. R1 R2. R1 R2. R1 R2.
 413       R1 R2. R1 R2. R2 R2.
 414       r2 r4 r8 \ind #"Tambour (bag. fagot)" sn32 sn sn sn |
 415       sn4 r8 \t {sn16 sn sn} sn4 r | R2*2
 416       \set drumStyleTable = #drums-style
 417
 418       %%% Allegro marcato %%%
 419       \ind #"Tambour" bd4 \ind #"Cymb. susp. (sur la cloche)" hh bd \t {bd8 bd bd} |
 420       bd4 hh bd r | R1 r8 r16 bd32 bd bd8. bd16 bd4 r |
 421       bd2:32 bd4 \t {bd8 bd bd} | bd4 hh bd \t {bd8 bd bd} |
 422       bd4 hh bd r | R1 r8 r16 bd32 bd bd8. bd16 bd4 r | R1
 423       r8 bd \t {bd bd bd} bd4 r |
 424       r8 bd \t {bd bd bd} bd4 hh | R1
 425       r8 bd \t {bd bd bd} bd4 r |
 426       r8 bd \t {bd bd bd} bd4 r |
 427       \t {r8 r16 bd bd8} \t {bd bd bd} bd4 hh | R1*4
 428       r2 r4 hh | r2 r4 hh | R1
 429
 430       %%% Agitato %%%
 431       R1*11 R1. R1*2 R1 R2. R2*5 R1*4
 432     }
 433   }
 434   \new Staff { \Timbales
 435     \relative {
 436       do,2:32\ppp( do4) r R2. do2:32( do4) r R2. |
 437       do2:32( do4) r fad,-- r2 |
 438       do'2:32( do4 r fad,) r2 |
 439       do'2:32\p( do4) r fad, r2 |
 440       do'4 r do r fad,2:32\<( fad4\>) |
 441       <fa do'>8--\ppsempre \t {fa16\>( fa fa} fa4) r2 |
 442       <fa do'>4.--\pp <fa do'>8 \t {<fa do'>( <fa do'> <fa do'>)} |
 443       <fa do'>8-- \t {fa16\>( fa fa} fa4\!) r2 |
 444       <fa do'>4.-- do'8 \t {do\<( do do)} |
 445       reb8--\p \t {reb16\>( reb reb} reb4) r2 |
 446       <lab reb>4.--\pp <lab reb>8 \t {<lab reb>\<( <lab reb> <lab reb>)} |
 447       <lab reb>\> \t {reb16( reb reb} reb4\!) r2 |
 448       <lab reb>4.--\p reb8 \t {reb\<( reb reb} |
 449       do4--\p) r do--( sol-- do--) r sol |
 450       do-- \t {do8\<( do do} do4--\!) sol-- do-- r do--\< |
 451       do8\mf do16 do32 do do8 do do do |
 452       do8 do16 do32 do do8 do do do |
 453       do8 do16 do32 do do8 do do do |
 454       fad,16 fad fad fad fad fad fad fad fad fad fad fad |
 455       fad fad fad fad fad fad fad fad fad fad fad fad |
 456       fad8 fad16 fad r fad fad8 fad16 fad8 fad16 |
 457       r4 r8 fad-- \t {fad--\< fad-- fad--} |
 458       do'8\f do16 do32 do \t {do8-> do-> do->} do-> do-- do8.-> do32 do |
 459       do8-> do-- \t {do-- do do} \tt {do16\< do do do do} |
 460
 461       %%% Ad libitum %%%
 462       R1 R2.*2 R1 R2.*2
 463
 464       %%% Agitato %%%
 465       re16->\fp re4.. r2 | r4 re \t {re\<( re re} |
 466       re->\!) r r2 | re4-- re \t {re\<( re re} re->\!) r r2 |
 467       r2 r4 r8 re16\< re |
 468       re4->\! r re\mp re \t {re\<( re re} re4->\!) r r2 | R1
 469       re4 r re re \t {re re re} re4 r r2 | R1*2
 470       re4 r re re \t {re re re} re4 r r2 | re1:16\glissando |
 471       mib4 r mib mib \t {mib mib mib} |
 472       mib4 r mib mib \t {mib mib mib} |
 473       mib4 r mib mib \t {mib mib mib} |
 474       mib8. mib32 mib mib8 mib r2 |
 475       r4 \t {mib8 mib mib} mib mib r4 mib2:16\glissando |
 476       mi4 r r1 | R1.*2
 477
 478       %%% Allegro non troppo %%%
 479       R1 R2. R1*5 R2. R1 R2. R1 R2.
 480       r2 r4 r8 sol,32 sol sol sol |
 481       sol8 sol r2 | r2 r4 r8 \t {sol16 sol sol} |
 482       sol4 r r2 R1*3 | R2.*3 R1*6
 483
 484       %%% Moderato %%%
 485       R1*2 R2.*2 R1 R2. R1 R2. R1 R2. R1 R2. R1 R2.
 486       R1 R2. R1 R2. R2 R2. R1
 487       R2*4
 488
 489       %%% Allegro marcato %%%
 490       R1*22 r2 r4 r8 r16 re'32 re |
 491
 492       %%% Agitato %%%
 493       re4 re r re r re r re r re r re |
 494       re re re8 re re16 re re re | re4 r r2 | R1*6
 495       R1. R1*3 R2. R2*5 R1*4
 496     }
 497   }
 498 >>
 499
 500 ActeUnSceneUnBisPercus = <<
 501   \new Staff { \Vibraphone
 502     \relative {
 503       R2.*7 R1 R2. R1 R2.*10 R1*2 R2
 504       R2*3 R2. R2 R2. R2 R2.*2
 505       R1*2 R2. R2 R1 R2.*2 R2*2
 506       R2. R2*3 R2. R1 R2. R2*3
 507       R2.*3 %% TODO: add pedal indications
 508       r4 <mi si'> <mi si'> <mi si'> |
 509       \repeat unfold 124 <mi si'>
 510       <mi si'>\fermata \laissezVibrer r r2 | R2*4
 511     }
 512   }
 513   \new DrumStaff { \Percus
 514     \new DrumVoice \drummode {
 515       R2.*7 R1 R2. R1 R2.*10 R1*2 R2
 516       R2*3 R2. R2 R2. R2 R2.*2
 517       r2 r4 \ind #"Tambour" \ind #"(bag. fagot)"  sn |
 518       sn32 sn8.. r4 r8.. sn32 sn8.. sn32 |
 519       sn4 r2 R2 R1
 520       R2.*2 R2*2
 521       r2  r8 \t {sn16 sn sn} |
 522       sn4 r8 \t {sn16 sn sn} |
 523       sn32 sn8.. r4 |
 524       r8 sn r4 |
 525       r8 sn16. sn32 sn4 r |
 526       r2 r8 sn32 sn sn sn sn sn sn sn sn8 |
 527       R2. R2*3 R2.*3
 528       R1*33 R2*4
 529     }
 530   }
 531   \new Staff { \Timbales
 532     \relative {
 533       dod,2.:32 dod: dod: dod: dod: dod2:32~ dod8 r |
 534       r re4 re8 \t { re re sold,} |
 535
 536       %%% Piu vivo %%%
 537       re'4 r r2 | sold,2.:32 | re'4 r r2 | sold,2.:32 |
 538       <sol re'>4 r8 \t {sol16 sol sol} sol4  |
 539       r sol32 sol8.. r4 | \t {sol16 sol sol~} sol8 r4 reb' |
 540       sol, r2 |
 541       sol8  reb'~reb4~ reb4:32 reb4\laissezVibrer r2 R2.-\fermataMarkup
 542       sol,8 reb'~reb4~ reb4:32 reb4\laissezVibrer r2 R1-\fermataMarkup
 543       R1 R2
 544
 545       %%% Largo %%%
 546       R2*3 R2. R2 R2. R2 R2.*2
 547       R1*2 R2. R2 R1
 548       R2.*2 R2*2 R2.
 549       R2*3 R2. R1 R2.
 550       R2*3 R2.*3
 551       R1*33 R2*4
 552     }
 553   }
 554 >>
 555
 556 InterludeUnPercus = \new PianoStaff {
 557   \GrandMarimba
 558   \PercuDeuxMains
 559   \relative {
 560     r8 <red fad>\p r <red fad>
 561     r <red fad> r <red fad>
 562     r <red fad> r4 | R1*2
 563     r8 <mib sol> r <mib sol>
 564     r <mib sol> r <mib sol> |
 565     R1. r8 <mi! sol> r <mi sol> r2 |
 566     \gauche sold,8-- \droite <mi' sold> r <mi sold>
 567     r <mi sold> r <mi sold>
 568     r <mi sold> r <mi sold> |
 569     \gauche mi,8-- \droite <mi' sold> r <mi sold>
 570     r <mi sold> r <mi sold>
 571     r <mi sold> r <mi sold> |
 572     r <mi sold> r <mi sold>
 573     r4 <mi la> | R1
 574     s1.*2 r8 <sold, mi'> s2\p r8 mi' |
 575     r <mi sold> r <mi sold> r4 | R2 R2. |
 576     r16\p \gauche sol, \droite <fad' fad'>-> sol fad
 577     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite
 578     r \gauche sol \droite <fad' fad'>-> sol fad
 579     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite |
 580     r \gauche sol \droite <fad' fad'>-> sol fad
 581     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite
 582     r \gauche sib \droite <la' la'>-> sib %% FIXME: ugly beam slope!
 583     \stemDown la \stemNeutral <sib, sib'> <la' la'>-> \gauche sib, \droite |
 584     r \gauche sol \droite <fad' fad'>-> sol fad
 585     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite
 586     r \gauche sol \droite <fad' fad'>-> sol fad
 587     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite
 588     r \gauche re \droite <dod' dod'>-> \gauche re \droite <dod dod'> \gauche
 589     <re, re'> \droite <dod' dod'>-> \gauche re, \droite |
 590     r \gauche sol \droite <fad' fad'>-> sol fad
 591     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite
 592     r \gauche sol \droite <fad' fad'>-> sol fad
 593     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite |
 594     r \gauche sol \droite <fad' fad'>-> sol fad
 595     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite
 596     r <re' re'> <dod' dod'>-> <re, re'> dod' <re, re'> <dod' dod'>-> <re, re'> |
 597     fad' <sol,, sol'> <fad'' fad'>-> <sol,, sol'>
 598     fad'' <sol,, sol'> <fad'' fad'>-> <sol,, sol'>
 599     fad'' <sol,, sol'> <fad'' fad'>-> <sol,, sol'>
 600     fad'' <sol,, sol'> <fad'' fad'>-> <sol,, sol'>
 601     fad'' <sol,, sol'> <fad'' fad'>-> <sol,, sol'>
 602     fad'' <sol,, sol'> <fad'' fad'>-> <sol,, sol'> |
 603     <fad' fad'>32\f \gauche <sol,, sol'> \droite <fad'' fad'> \gauche <sol,, sol'> \droite
 604     <fad' fad'> \gauche <sol, sol'> \droite <fad' fad'> \gauche <sol, sol'> \droite
 605     <fad'' fad'> \gauche <sol,, sol'> \droite <fad'' fad'> \gauche <sol,, sol'> \droite
 606     <fad' fad'> \gauche <sol, sol'> \droite <fad' fad'> \gauche <sol, sol'> \droite
 607     <dod'' dod'> \gauche <sol,, sol'> \droite <dod'' dod'> \gauche <sol,, sol'> \droite
 608     <dod' dod'> \gauche <sol sol'> \droite <dod dod'> \gauche <sol sol'> \droite
 609     <dod' dod'> \gauche <sol,, sol'> \droite <dod'' dod'> \gauche <sol,, sol'> \droite
 610     <dod' dod'> \gauche <sol sol'> \droite <dod dod'> \gauche <sol sol'> |
 611     fad,16\< <la re> \droite sib' \gauche <la re> \droite
 612     <sib' sib'>32-> \> <la re> <sib sib'> <la re> <sib sib'> <la re> <sib sib'> <la re>
 613     <sib sib'>8\! r | <re, sib'>4\arpeggio \p \laissezVibrer s2 R2.*13
 614     r8 <red fad>\p r <red fad> r4 | r8 <re sold> r2 |
 615   }
 616   \relative { \clef bass
 617     R1. R1*3 R1. R1 s2 r1 s2 r1 r2 mi,4 fa' | R1 |
 618     la,,16-- mi' \droite <la mi'>8 r <la mi'>
 619     \gauche mi8-- \droite <la mi'>16 \gauche mi
 620     la,-- mi' \droite <la mi'>8 r <la mi'>
 621     \gauche mi-- \droite <la mi'> \gauche |
 622     la,16-- mi' \droite <la mi'>8  \gauche mi \droite <la mi'>
 623     r8 <la mi'>16 \gauche mi la,8-- \droite <la' mi'>
 624     \gauche r16 mi \droite <la mi'>8 r <la mi'> \gauche |
 625     la,-- mi' r16 mi \droite <sold mi'>8 \gauche
 626     r8 <mi sold> r4 | R2. R2 R2.
 627     s1*2 s1. s1 s2 r2 R1. s1 s4 r2 |
 628     <dod si'?>4\arpeggio \laissezVibrer s2 | R2.*15
 629   }
 630 }
 631
 632 ActeUnSceneDeuxPercus = <<
 633   \new Staff \relative {\Marimba \clef bass
 634     %%% Air de la Soprano2 %%%
 635
 636     R2.*2 R1*2 R2.*2 re,4 la' sold8 mi re4 mi8 re la' sold r mi sold4 |
 637     mi4 re8 la' sold4 la8 sold mi re r la'|
 638     re,8 mi sold4 la re,8 la' | r re, mi sold la4 sold8 re | mi4 sold la8 mi |
 639     r sold la re, mi4\laissezVibrer| R1 | r2 r4 fad | si2\laissezVibrer r4 | R2. |
 640     re,4 si' sold8 fad re4 | fad8 re si' sold r fad sold4 |
 641     fad re8 si' sold4 | si8 sold fad re r4 | R1*2 R2.*2 | \clef treble
 642     \pl re4\laissezVibrer re'' <la' re> sold8 mi re4 | mi8 re'16 re,, la''8 sold
 643     \pl re,,4 {r8 mi''} <sold re'>4 |
 644     mi8 re'16 re,, re'8 la' \pl {r re,,,} sold''4 | la8 sold mi <re, re'> r4 |
 645     \pl sol,\laissezVibrer {fa''8 sol!} <si sol'>4 do8 sol,, fa'' do' |
 646     r <fa, sol'> sol si do16 sol,, sol sol <si'' sol'>8 fa |
 647     sol sol,, <si'' sol'>4 do8 sol | r si <do sol'> fa, sol sol,, |
 648     <do'' sol'>4 si8 sol fa8 sol,,16 re' <do'' sol'>4 |
 649     si8 sol fa8 sol,,16 re' <do'' sol'>8 do, <si si'> <sol sol'> |
 650     <fa fa'>4 r2 R2. | R1*2 R2.*2 R1*2 | R2.*2 R1*2 |
 651     \clef bass dod,4 fad2\laissezVibrer | R2. | sold,1:32\laissezVibrer |
 652
 653     %%% Vibraphone %%%
 654     R1 R2.*2-\markup "Allez au Vibraphone" \Vibraphone |
 655     <re'' la'>1\laissezVibrer  r2 r4 <re la'>\laissezVibrer | R2.*2 |
 656     <re la'>1\laissezVibrer r2 r4 <re la'>\laissezVibrer R2.*2 |
 657     <<{ <sold dod>1\laissezVibrer} \\ {re2 la'}>> | sold4 mi re2\laissezVibrer | R2.*2 |
 658     <<{ <sold dod>2.} \\ {mi4 re la'}>> <sold la>4~ |<sold la>1\laissezVibrer |
 659     R2. r4 mi2 | <re sold dod>1\laissezVibrer | R1 | R2.*2 |
 660     <re mi sold>1\laissezVibrer | R1 | R2.*2 R1*2 |
 661     R2.*2 | R1 r2 <la' la'>2\fermata \laissezVibrer |
 662
 663     %%% Recitativo %%%
 664     R2.*2 R1 R2.*3 R1 R2.*6 R2 R2. R1*2 R2.*5 R1
 665     %%% Tempo giusto %%%
 666     R2. R1 R2. R1 R2. R1 R2. R1 R2. R2*2 R2. R1*2 R2.*2 R1*2 R2.*3 R1
 667     %%% Più vivo %%%
 668     R2. R1 R2.*2 R1 R2. R1 R2. R1 R2.*14 R1*3
 669     %%% Tempo giusto %%%
 670     R1*5 R2. R1*2 R2. R2*3 R2.*2 R2*6 R2.*2
 671     %%% Largo assai %%%
 672     R1 R2.*3 R2 R2. R1*4
 673   }
 674   \new DrumStaff \new DrumVoice \drummode { \Percus
 675     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 676     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 677     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 678     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 679     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 680     R2.*2 R1*2
 681
 682     %%% Recitativo %%%
 683     R2.*2 R1 R2.*3 R1 R2.*4 |
 684     \ind #"Tambour" sn4 sn2:32
 685     \ind #"sur le bord" ss4 s2 |
 686     R2 R2. R1*2 R2.*5 R1
 687
 688     %%% Tempo giusto %%%
 689     R2. R1 R2. R1 R2. R1 R2. R1 R2. R2*2
 690     R2. R1*2 R2.*2 R1*2 R2.*3 R1
 691
 692     %%% Più vivo %%%
 693     R2. R1 R2.*2 R1 R2. R1 R2. R1 R2.*14 R1*3
 694     %%% Tempo giusto %%%
 695     R1*5 R2.
 696     r4 \ind #"Cymb. susp. (bag. douces)" cb4:32 cb4:32~ cb4 |
 697     r4 cb4:32 cb4:32~ cb4 | R2. R2
 698     r4 cb4:32 cb4:32~ cb8 r |
 699     r4 cb4:32 cb8 r | R2.
 700     r8 cb8:32 cb4 |
 701     r8 cb8:32 cb4 |
 702     r8 cb8:32 r4 | r8 cb r4 | R2
 703     r8 cb r cb |
 704     r cb r cb \t {cb cb \ind #"étouffer" cb:32} |
 705     R2.
 706
 707     %%% Largo assai %%%
 708     R1 R2.*3 R2 R2. R1*4
 709   }
 710   \new Staff \relative { \Timbales
 711     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 712     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 713     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 714     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 715     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 716     R2.*2 R1*2
 717
 718     %%% Recitativo %%%
 719     R2.*2 R1 R2.*3 R1 R2.*6 |
 720     R2 R2. R1*2 R2.*5 R1
 721
 722     %%% Tempo giusto %%%
 723     R2. R1 R2. R1 R2. R1 R2. R1 R2. R2*2
 724     R2. R1*2 R2.*2 R1*2 R2.*3 R1 |
 725
 726     %%% Più vivo %%%
 727     sol,4 r2 R1 | sol4 r8 sol r4 | sol4 sol2:32 |
 728     sol4 r8 sol sol32 sol8.. r4 | dod4 r8 dod \t {dod dod dod} |
 729     sol4 r8 sol r4 sol | dod4 r8 dod dod dod |
 730     sol4 sol8 sol r2 | dod4 r dod |
 731     sol sol sol sol r2 | sol4 sol sol si r2 |
 732     sib4 sib sib re r2 | re4 re8 re re re | re4 r2 |
 733     re8 re16 re re8 re re re | re4 r2 |
 734     re4 re re dod r2 | dod4 dod dod |
 735     fa,1:32~ fa4 r r2 R1 |
 736
 737     %%% Tempo giusto %%%
 738     R1*5 R2. R1*2 R2. R2*3 R2.*2 R2*6 R2.*2
 739     %%% Largo assai %%%
 740     R1 R2.*3 R2 R2. R1*4
 741   }
 742 >>
 743
 744 InterludeDeuxPercus = \new PianoStaff {
 745   \GrandMarimba
 746   \PercuDeuxMains
 747   \relative {
 748     r8 <red fad>\p r <red fad> r <red fad> r <red fad> |
 749     r <red fad> r <red fad> r <red fad> r <red fad> r <red fad> |
 750     R2. R2 r4 r8 <mib sol> r <mib sol> | R2
 751     lad'8-.--\p si, <mib, sol>4 \gauche <mib, sol>-- \droite <mib' sol> |
 752     fad'8-.-- si, <mib, sol>4 \gauche <mib, sol>-- \droite <mib' sol> |
 753     <sol' mi'!>-.-- <mi,! sol>-.-- <reb' sib'>-.-- <mi, sol>-.-- <mi' sol>-.-- <mi, sol>-.-- |
 754     <sib' reb>-.-- <mi, sol>-.-- R2*6
 755     \gauche <la,, mi'>4--\p \droite <mi'' sold> r <mi sold> |
 756     \gauche <la,, mi'>-- \droite <mi'' sold> r <mi sold> |
 757     \gauche <la,, mi'>-- \droite <mi'' sold> r <mi sold> |
 758     r <mi sold> r2 | R2.
 759     \gauche <fa,, do'>4-- \droite <mi'' sold>
 760     \gauche la, \droite <mi' sold>
 761     \gauche <fa,, do'>-- \droite <mi'' sold> r R2.
 762     \gauche dod,8( la' \droite <mi' sold>4) r2 | R2.
 763     r4 <mi sold>-- |
 764   }
 765   \relative {
 766     \clef bass r2 r4 <lab, re sol>-- |
 767     r2 <fa mi'>4-- | R2 R2. R2 R2. R2
 768     R2 s2 R2 s2 R2*10 s1*4 R2.
 769     s1 s2. R2. s1 R2. r4 <fa' la>-- |
 770   }
 771 }
 772
 773 ActeUnSceneTroisPercus = <<
 774   \new DrumStaff { \Percus
 775     \new DrumVoice \drummode {
 776       \ind #"Tambour" \ind #"(bag. fagot)" sn2.:32~sn8 \t {sn16 sn sn} sn2:32~ sn2.:
 777       sn8 \t {sn16 sn sn} sn8 \t{sn16 sn sn} sn4:32 sn8 sn4 sn8 sn4 |
 778       sn8 \t {sn16 sn sn} sn8 sn4 sn8 sn2.:32 R2.*4 |
 779       sn4:32 sn4 r |
 780       r8 \t {sn16 sn sn} sn4 r |
 781       r8 \t {sn16 sn sn} sn4 sn4:32 |
 782       sn8. sn16 r sn sn8 r \t {sn16 sn sn} |
 783       sn4 sn32 sn8.. r8 \t {sn16 sn sn} |
 784       sn2.:32~ sn: |
 785       R2.*6 R1.*6 R1*5/4*5 R1*4 R2.*3 R2*2
 786
 787       R2.*3 sn4:32 r8 sn \t {sn sn sn} |
 788       sn4:32 r8 sn \t {sn sn sn} |
 789       sn4 r8 sn \t {sn sn sn} |
 790       sn4 r8 sn \t {sn sn sn} |
 791       sn32 sn8.. r8 sn \t {sn sn sn} |
 792       \t {sn16 sn sn} sn8 r sn \t {sn sn sn} |
 793       sn2.:32 R2.*4
 794       R1.*6 R1*5/4 R1 R2. R2
 795     }
 796   }
 797   \new Staff { \Timbales
 798     \relative { R2.*24
 799       r2 r4 si, si si |
 800       sib2:32 sib4 r r2 |
 801       si!2:32 sib4 r r2 |
 802       sib2:32 sib4 r r2 |
 803       si!2:32 sib4 r r2 |
 804       sib2:32 sib4 r r2 |
 805       si!2:32 sib4   r2 |
 806       sib4:32 \t {sib8 sib sib} sib4 sib r |
 807       si4:32 \t {si8 si si} si4 si r |
 808       sib4:32 \t {sib8 sib sib} sib4 sib r |
 809       si4:32 \t {si8 si si} si4 si r |
 810       mi,8 mi\t {mi mi mi} mi4:32 mi8 r |
 811       mi8 mi \t {mi mi mi} mi4:32 mi8 r |
 812       mi8 mi \t {mi mi mi} mi4:32 mi8 r |
 813       mi8 mi \t {mi mi mi} mi4:32 mi8 r |
 814       <mi dod'> <mi dod'> \t {<mi dod'> dod' mi,} \pl mi4:32 {dod'8. dod32 dod} |
 815       <mi,dod'>8<mi dod'> \t {<mi dod'> dod' mi,} \pl mi4:32 {dod'8. dod32 dod} |
 816       <mi,dod'>8. dod'16 <mi, dod'>4 r R2*2
 817       R2.*14
 818       r2 r4 do' do do do1.:32~do:~do:~do8 do \t {do do do} do1:32~do1\laissezVibrer r2|
 819       R1*5/4 R1 R2. R2
 820     }
 821   }
 822 >>
 823
 824
 825 ActeUnSceneTroisBisPercus = {
 826   \new GrandStaff \GrandMarimba \PercuDeuxMains
 827    \relative {
 828      r8<red fad> r <red fad> r <red fad> r <red fad> |
 829      r <red fad> r <red fad> r <red fad> r <red fad> |
 830      r <red fad> r <red fad> r <red fad> r <red fad> | R1 r2
 831      r8<red fad> r <red fad>
 832      r <red fad> r <red fad> r <red fad> r <red fad> | R1 r2
 833      r8<red fad> r <red fad>
 834      r <red fad> r <red fad> r2 R1*12
 835      r8<mi sol> r <mi sol> r <mi sol> r <mi sol> |
 836      r <mi sol> r <mi sol> r <mi sol> r <mi sol> |
 837      r <mi sol> r <mi sol> r <mi sol> r <mi sol> | R1*2
 838      r8<red fad> r <red fad> r <red fad> r <red fad> |
 839      r <red fad> r <red fad> r <red fad> r <red fad> |
 840      r <red fad> r <red fad> r <red fad> r <red fad> |
 841      r <red fad> r <red fad> r <red fad> r <red fad> |
 842      r <red fad> r <red fad> r <red fad> r <red fad> |
 843      r <red fad> r <red fad> r <red fad> r <red fad> |
 844      r <red fad> r <red fad> r <red fad> r <red fad> |
 845      \ttt {r16 fad \gauche sol, \droite red' \gauche mi, si}
 846      \tt {sold sol' mi sib' do} red4 \droite r8 <red fad> |
 847      \t {r16 \gauche <mi, sol> \droite <red' fad>} <re' fa>8
 848      r <re fa>
 849      r32 \gauche <sold,,, si> <sol' sib> <do mib> \droite <si' re>8 r <si re> |
 850      r16 \t {sib,32 mib do} la'8 r16 \gauche \t {sol,32 do sib} \droite fad'8 s4 |
 851      R1*3
 852      r8 <do re> r <do re> r2 r8 <do re> r <do re> r2 |
 853      r8 <do re> r <do re> r <do re> r <do re> |
 854      r <fa lab> r <fa lab> r <fa lab> r <fa lab> |
 855      <la,do><fa'lab> r <fa lab> r <fa lab> r <fa lab> |
 856      \gauche \t {<dod,mi>16 \droite <la' do> \gauche <dod,mi>} \droite <fa' lab>8
 857      r <fa lab> r <fa lab> r <fa lab> |
 858      R1*7
 859      r4 r8 <do fa> r <do fa> r4 |
 860      r4 r8 <do fa> r <do fa> r4 |
 861      r8 <do fa> r <do fa> r <do fa> r <do fa> | R1*16
 862    }
 863    \relative {
 864      R1
 865      r8 la r la r la r la |
 866      r  la r la r la r la |
 867      R1
 868      r2 r8 <sol la> r <sol la> |
 869      r <sol la> r <sol la> r <sol la> r <sol la> |
 870      R1
 871      r2 r8 <mi sol> r <mi sol> |
 872      r <mi sol> r <mi sol> r2  |
 873      R1*12
 874      r8 <fa lab> r <fa lab> r <fa lab> r <fa lab> |
 875      fa,<fa'lab> r <fa lab> r <fa lab>16 si, r8 <fa'lab> |
 876      r <fa lab> r <fa lab>32 fa,16 si32 r8 <fa'lab> r <fa lab> |
 877      R1*3
 878      r8 sol r sol r sol r sol |
 879      r <mi sol> r <mi sol> r <mi sol> r <mi sol> |
 880      r <mi sol> r <mi sol> si<mi sol> r <mi sol> |
 881      r <mi sol> si<mi sol> r <mi sol> r <mi sol> |
 882      r16 <mi sol> r8 r r16 <mi sol> r8 <mi sol> r <mi sol> |
 883      sold,<mi'sol>r<mi sol>r <mi sol> r <mi sol> |
 884      s1*2 s2 \t {r16 si sold} sol'8 |
 885      R1*5
 886      r8 la r la r la r la |
 887      r <la do> r <la do> r <la do> r <la do> |
 888      <dod, mi> <la' do> r <la do> r16 <la do> r8 r <la do> |
 889      s8 r16 <la do> r <dod, mi> r8 r r16 <la'do> r8 <la do> |
 890      R1*7
 891      r4 r8 <la si> r <la si> r4 |
 892      r4 r8 <la si> r <la si> r4 |
 893      r8<la si> r <la si> r <la si> r <la si> | R1*16
 894    }
 895 }
 896
 897 ActeUnSceneTroisTerPercus = <<
 898   \new Staff { \Vibraphone
 899     \relative {
 900       R2*3 R2. R2*2 R2.*2 r2
 901       \pl {s4\sustainOn sol'~ fad~ mib~ <mib fad sol>}
 902       {si'4~ si2.~ si4} r2\sustainOff
 903       sib4\laissezVibrer \sustainOn la\laissezVibrer fad\laissezVibrer
 904       fa re dod \pl {mib2\sustainOn s mi\sustainOn fa\sustainOn}
 905       {si!4 sib sol fad do' si reb do}
 906       <re, re'>8\sustainOff r r4 r2 | R1*3 R2.*9
 907       r8 si'\sustainOn sib sol fad mib re'2.\laissezVibrer s2.*2
 908       r4 si\sustainOn sib sol fad mib re'2.\laissezVibrer s2.\sustainOff
 909       R2.*23 R1 R2.*18
 910       \t {r4 \ind #"con Ped." dob'8} \t {sib mib, re} \t {mib sib' dob} \t {sib sol fad}
 911       \t {sol sib dob} sib16 dob sib dob |
 912       sib4.\sustainOn fa dob solb do,!2 r4\sustainOff R2.*14
 913     }
 914   }
 915   \new Staff { \Marimba
 916     \relative {
 917       R2*3 R2. R2*2 R2.*7 R1*3
 918       r2 r8 r16 mi'32 fa mi'4 |
 919       \t {r16 la mi} mib, sib' r4 r8
 920       <mib,,, re'> r4 |
 921       r32 re''' fad,8 <fad,, sol'>16 r
 922       <mib re'> <fad sol'>8 \ottava #1
 923       si'''32 fad sib fa sol re fad dod
 924       \ottava #0
 925       \t {mi,8 sold, \clef bass do,,}
 926       r8 <dod re'> r <red mi'> \clef treble
 927       \tt {r16 <sold sol'!> la sold' re} |
 928       \pl re,4 re'' r2 |
 929
 930       %%% Poco meno %%%
 931
 932       R2.*17 \clef bass
 933       fa,,,2.:32~fa4 r2 | R2.
 934       fa2.:~ fa4 r2 | R2.
 935       dod'2.:~ dod4 r2 | R2.
 936       dod2.:~ dod4 r2 | R2.
 937       la2.:~ la4 r2 \clef treble
 938       r16 <dod'' dod'> \t {r fa' dod} fa,32 dod do'8. <mi, mi'>8 r \clef bass |
 939       la,,,2.:32~ la4 r2 | R2. \clef treble
 940       r32 do'' dod'8. r8 fa32 mi, dod' dod, do'8 <la,, sold'> |
 941       r8 \t {dod'16 mi dod'} \clef bass r8 <la,, sold'>
 942       <do, si'>16 <la' sold'> \clef treble fa'''8 |
 943       r <la,,, sold'> \ottava #1 r16 red'' \t {re, fad' fa,}
 944       lad32 la, dod' do, lab''16 <sib, sib'> |
 945       <sol sol'>4 \ottava #0 r8 <do,, si'>16 <la' sold'>
 946       r <sib, la'> <lab' sol'>8 \clef bass
 947       <si,, lad'>16 <solb' fa'>8. |
 948       fad,2.:32~ fad4 r2 | r8 si mi fa sold la |
 949       fad,2.:32~fad4 r2 | r8 sib si red mi sol|
 950       fa,!2.:32~fa4  r2 \clef treble |
 951       r4 r8 <lab''' fa'> r16 <reb, do'> r8 \clef bass |
 952       fa,,,2.:32~ fa4 r2 \clef treble |
 953       r4 r16 fa'''' mi,8 \t {do'16 dod la} sold'8 \clef bass |
 954       dod,,,,2.\laissezVibrer R2. \clef treble |
 955       r16 fa''' mi,8 r16 la,8 si16 \t {sold' re si'} fa8 |
 956       <re' mi>16 <re mi> r8 r2 | R2.*17
 957       <mi, red'>8 r r2 R2.*3
 958     }
 959   }
 960 >>
 961
 962
 963 InterludeTroisPercus = { \Timbales
 964   \relative {
 965     r8 <sol,mi'> r <sol mi'> r2 |
 966     r8 <sol mi'> r <sol mi'> r4 |
 967     <sol mi'>8 sol <sol mi'> sol <sol mi'> sol sol16 sol32 sol sol8 |
 968     <sol mi'>8 sol <sol mi'> sol sol16 sol sol8 |
 969     <sol mi'>8 sol <sol mi'> sol <sol mi'> sol sol16 sol32 sol sol8 |
 970     <sol mi'>8 sol <sol mi'> sol sol16 sol sol8 |
 971     <sol mi'> sol <sol mi'> sol <sol mi'> sol <sol mi'> <sol mi'> |
 972     <sol mi'> sol <sol mi'> sol <sol mi'> <sol mi'> |
 973     sol16 sol mi' mi sol, sol mi' mi sol, sol mi' mi sol,32 sol sol sol sol8 |
 974     sol16 sol mi' mi sol, sol mi' mi sol,32 sol sol sol sol16 sol |
 975     sol8 mi'16 mi r8 mi16 mi r8 mi32 mi mi mi |
 976     mi8 mi16 mi r8 mi32 mi mi mi |
 977     mi,8 <mi mi'> r <mi mi'> r <mi mi'>16 mi |
 978     <mi mi'>16 mi32 mi <mi mi'>8 r <mi mi'> |
 979     mi16 mi <mi mi'>8 mi16 mi <mi mi'>8 |
 980     mi16 mi <mi mi'> mi <mi mi'> mi <mi mi'> mi |
 981     mi2:32~ mi:~ mi2: mi'4 r |
 982   }
 983 }
 984
 985 ActeUnSceneQuatrePercus = <<
 986   \new Staff { \Vibraphone
 987     \relative {
 988       \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
 989       R2-\fermataMarkup
 990       R1 R2. \t {la'2 la4~} \t {la la2} |
 991       \t {la la4~} \t {la la2} |
 992       \t {sol sol4~} \t {sol sol2} \t {sol sol4} |
 993       \t {fad2 fad4~} \t {fad fad2} |
 994       \t {fad fad4~} \t {fad fad2} |
 995       \t {<si,red fad> <si red fad>4~} \t {<si red fad> <si red fad>2}
 996       \t {<si red fad> <si red fad>4~} \t {<si red fad> <si red fad>2}
 997       <si red fad>2 \t {<sol sib mib> <sol sib mib>4~} <sol sib mib>2
 998       re4 r2 | R2.*26
 999       R1 R2. R1 R2. R2 R2. R2 R2. R2 R2.
1000       R1*5 R2 R2. R1*10 R2. R1 R2. R1*7 R2*3 R2.*6
1001       R1*4 R2. R1 R2.
1002       R1 R2. R1 R2. R1*2
1003       R2.*3 R1*2
1004
1005       R2. R4. R2. R4. R2 R4. R2*3 R4. R2*3 R4. R2*3 R4. R2.
1006       R1*12 R2 R2.*2 R2 R1
1007
1008       %%% Piu lento %%%
1009       re4 \laissezVibrer <sib' dob sib'>2 <sib dob sib'>
1010       <sib dob sib'>4\laissezVibrer R2.
1011       re,4\laissezVibrer <sib' dob sib'>2 <sib dob sib'> <sib dob sib'>4 |
1012       re,4\laissezVibrer <sib' dob sib'>2 <sib dob sib'> <sib dob sib'>4 |
1013       re,4\laissezVibrer <sib' dob sib'>2 <sib dob sib'> <sib dob sib'>4 |
1014       re,4\laissezVibrer <sib' do! sib'>2 <sib do sib'>
1015       <sib dob sib'>4\laissezVibrer R2.
1016       re,4\laissezVibrer <sib' do sib'>2 <sib re sib'> <sib re sib'>4 |
1017       re,4\laissezVibrer <sib' re sib'>2
1018       re,4\laissezVibrer <sib' mib sib'>2 <sib mib sib'> <sib mib sib'>4 |
1019       r <sib mib sib'>2 |
1020       re,4\laissezVibrer <sib' mi! sib'>2\laissezVibrer | R2.*2
1021       R1. R1 R1. R1 R1. R1 R1. R1 R1. R1 R1.*5 R1 R1. R1 R1. R1 R1.*5 R1 R1. R1
1022
1023     }
1024   }
1025   \new DrumStaff { \Percus
1026     \drummode {
1027       \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
1028       R2-\fermataMarkup
1029       R1 R2. R1*2 R1. R1*2 R1. R1*2
1030       R2.*27
1031       R1 R2. R1 R2. R2 R2. R2 R2. R2 R2.
1032       R1*5 R2 R2. R1*10 R2. R1 R2. R1*7 R2*3 R2.*6 R1*3
1033       \ind #"Crécelle" hh4:32 hh4 r8 hh r4 |
1034       hh4:32 hh4 r | r8 hh8:32 r4 r8 hh8:32 r8 hh8 |
1035       hh4:32 hh8 hh4:32 hh8 | hh8:32 hh8 r16 hh8. r2 |
1036       r8 hh8:32 r2 | r16 hh8. r4 r16 hh8. \t {hh8 hh hh} |
1037       hh8:32 hh8 r2 | R1*2
1038       R2.*3 R1*2
1039       R2. R4. R2. R4. R2 R4. R2*3 R4. R2*3 R4. R2*3 R4. R2.
1040       R1*12 hh4:32 r4 | R2. r4 hh4:32 r4 | R2 r2 hh4:32 hh8 r |
1041
1042       %%% Piu lento %%%
1043       R2.*21
1044       R1. r2 hh4:32 r4 | R1. r4 hh2:32 hh4 | R1.
1045       r4 r8 r16 \ind #"Tambour" \ind #"(bag. fagot)" sn sn4 r |
1046       R1. R1 R1. R1 sn4 r r2 r4 r8 sn16 sn |
1047       sn4 r r2 r4 r8 \t {sn16 sn sn} |
1048       sn4 r r2 r8 sn16 sn sn8 sn |
1049       sn4 r r2 r8 sn sn sn | sn sn sn4 r1 |
1050       sn4 r8 \t {sn16 sn sn} sn4 r | R1. R1 R1.
1051       sn32 sn8.. r4 r r8 r16 sn |
1052       sn4 r r2 r4 sn16 sn sn sn |
1053       sn4 r r2 r4 sn8 sn |
1054       sn4 r r2 r8 sn16 sn sn4 |
1055       sn4 r r2 r8 sn sn sn | sn sn sn4 r sn sn sn |
1056       sn4 r8 r16 sn sn4 r |
1057       r2 r4 sn sn r |
1058       r2 \ind #"Crécelle" hh4:32 hh4 |
1059     }
1060   }
1061   \new Staff { \Timbales
1062     \relative {
1063       \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
1064       R2-\fermataMarkup
1065       R1 R2. R1*2 R1. R1*2 R1. R1*2
1066
1067       %%% Agitato %%%
1068       R2.*8
1069       re,4 r re4:32 re4 r2 |
1070       re8 re re re re4:32 re4 r2 |
1071       re8 re re re re4:32 re4 r2 |
1072       mib4 r2 R2.*4
1073       mi32 mi8.. r2 mi4 r2 |
1074       r8 sib32 sib16. r8 mi r sib |
1075       mi8 \t {mi16 mi mi} mi4 r |
1076       r8 sib4 mi sib8 | mi4 mi32 mi8.. sib8 mi |
1077       R2. re2.:32\glissando |
1078       dod4 r r r8 r16 sol32 sol | sol4 r2 |
1079       dod8 \t {dod16 dod dod} dod8 \t {dod16 dod dod} dod4 r |
1080       r8 sol4 dod sol8 | dod8 \t {dod16 dod dod} dod4 |
1081       r8 sol4 dod sol8 | \tt {dod16 dod dod dod dod} dod4 |
1082       r8 dod r2 | r8 dod4 sol8 | dod \t {dod16 dod dod} dod4 r |
1083
1084       %%% Placando assai %%%
1085       dod2 r4 dod | sol2:32~ sol4 r |
1086       dod2 r4 dod | sol2:32~ sol4 r |
1087       R1 R2 R2. R1
1088
1089       %%% Andante a piacere %%%
1090       fa1:32~ fa2 dod' |
1091       fa,1:32~fa2 dod' |
1092       fa,1:32~fa2 dod' | fa, r r dod' |
1093       sol2~sol2:32~sol8 dod4 sol dod8 |
1094       sol2~sol2:32~sol8 \t {dod16 dod dod} dod8 sol~sol16. sol32 sol8 |
1095       dod8 r r4 r2 |
1096       sol1:32~sol:~sol2.:32~sol4 |
1097       r8 sol \t {sol sol sol} sol2:32~sol1:32~sol2 r |
1098       R2*3 R2.*6
1099
1100       %%% A tempo %%%
1101       r16 do32 do do8 r8 fad,4 do' fad,8 |
1102       r16 do'32 do do8 r4 \tt {r16 do do fad, do'} \t {fad,8 do' fad,} |
1103       do'8 \t {do16 do do} do4 r2 |
1104       R1 R2. R1 R2. R1 R2. R1
1105
1106       r2 fad,4:32\glissando sol4 r r2 |
1107       sol32 sol8.. r4 r8 \t {dod16 dod dod} dod4 |
1108       \t {sol16 sol sol} sol8\laissezVibrer r2 |
1109       sol4 sol2:32\glissando fa4 r2 |
1110       fa4 r8 r16 fa fa4 r |
1111       fa r r dod'4:32\glissando re4 r2 |
1112       r16 r32 re re4 |
1113       sold,8 \t {sold16 sold sold} sold4 r8 sold |
1114       r4 sold32 sold16. | re'32 re re8. r4 |
1115       r16 r32 re re4 |
1116       la8 la32 la16. r4 | R2
1117       mib'4 mib r4 r8 |
1118       si4 r R2 |
1119       r8 r16 fa32 fa fa4 | R4.
1120       fa4 fa8 fa \t {fa fa fa} \tt {fa16 fa fa fa fa} |
1121       R2 R4.
1122       re'2.:32 re4 r8 r16 re32 re re4 r |
1123       re16 re re8 r4 re r r re re re |
1124       re8 re16 re re4 re re8 \t {re16 re re} |
1125       re4 r r re8 re16 re re4 r r re8 re16 re |
1126       re4 r r re re r r re re r r2 | R1*3
1127       R2  R2.*2 R2 R1
1128       R2.*21
1129       R1. R1 R1. R1 R1. R1 R1. R1 R1. R1 R1.*5
1130       R1 R1. R1 R1. R1 R1.*5 R1 R1. R1
1131     }
1132   }
1133 >>
1134
1135
1136 EntractePercus = {
1137 }
1138
1139 ActeDeuxSceneUnPercus = <<
1140   \new Staff \relative {\Vibraphone
1141     R2.*4 R2 R2.*2 R2
1142     mi,8\sustainOn do' sol' mib' lab si\laissezVibrer R2.*2
1143     \sustainOff R2 R2. R2 R2.*2 R2
1144     mi,,,8\sustainOn si' do sol' lab mib'\laissezVibrer R2.*2
1145     \sustainOff R2 R2. R2 R2.*2 R2
1146     <re la'>4\sustainOn mi, <re la'> |
1147     \t {mi,8 <re' la'> mi} \t {<re' la'> mi, <re la'>}
1148     \t {mi, <re' la'> mi} <re'la'>2*3/2\laissezVibrer R2 \sustainOff
1149     R2.*2 R1 R2. R1 R2. R2 R2. R1
1150
1151     %%% Andantino %%%
1152
1153     %%FIXME: complete. As soon as I have *nothing* else to do.
1154   }
1155   \new PianoStaff {\PercuDeuxMains
1156     \relative {\GrandMarimba
1157       R2.*4 R2 R2.*2 R2 R2.*3 R2 |
1158       R2. R2 R2.*2 R2 R2.*3 R2 |
1159       R2. R2 R2.*2 R2 R2.*3 R2 |
1160       R2.*2 R1 R2. R1 R2. R2 R2. R1
1161
1162       %%% Andantino %%%
1163       r4<re mi> r <re mi> |
1164       r <re mi> r <re mi> |
1165       r <re mi> r |
1166       r <re mi> r |
1167       <re mi> r <re mi> |
1168       r <re mi> r | <re mi> r |
1169       r <re mi> r |
1170       r <re mi> r |
1171       <re mi> r <re mi> |
1172       r <re mi> r |
1173       <re mi> r <re mi> |
1174       r <re mi> r <re mi> |
1175       r <re mi> r |
1176       r <re mi> |
1177       r <mi sold> r |
1178       <mi sold> r <mi sold> r |
1179       <mi sold> r <mi sold> |
1180       r <mi sold> r <mi sold> |
1181       r <mi sold> r |
1182       <mi sold> r <mi sold> r |
1183       s2. R1 R2. R1 R2. R1 R2.
1184       R1 R2. R1 R2. R1 R2. R1
1185       R2. R1
1186       <re mi>4 r <re mi> |
1187       r <re mi> r <re mi> |
1188       r <re mi> r |
1189       <re mi> r <re mi> r |
1190       r <re mi> r |
1191       <re mi> r <re mi> r |
1192       r <re mi> r |
1193       <re mi> r <re mi> r |
1194       s2. s1 s2.
1195       s1 s2. s1
1196       s4 <re mi> r |
1197       r <re mi> r <re mi> |
1198       s2. s1 s2. s1 s2.*7 R2.
1199       s4 <do re> r <do re> r <do re> |
1200       R1 s4 <do re> r |
1201       R1 R2. R1
1202       r4 <mib solb> <mib solb> |
1203       r <do fa> <do fa> r |
1204       r <mib solb> <mib solb> |
1205       r <do fa> r <do fa> |
1206       r <do fa> r | R1
1207       R2. R1 R2. R2 R1 R2. R1 R2. R1 R2. R1
1208     }
1209     \relative {
1210       R2.*4 R2 R2.*2 R2 R2.*3 R2 |
1211       R2. R2 R2.*2 R2 R2.*3 R2 |
1212       R2. R2 R2.*2 R2 R2.*3 R2 |
1213       R2.*2 R1 R2. R1 R2. R2 R2. R1
1214
1215       %%% Andantino %%%
1216       sib,2*2\laissezVibrer R1
1217       r4 sib r | mi,2*3/2\laissezVibrer R2.*2 R2
1218       r4 sib' r | mi,2*3/2\laissezVibrer R2.*3 R1 R2. r4 do' |
1219       fad, <la're> r | <la re> r <la re> r |
1220       <la re> r <la re> | r <la re> r <la re> |
1221       fad, <la're> r | <la re> r <la re> r |
1222       sib,8 sib' fa fa, mi' do | sib2:32~ sib4 r |
1223       fad2.:32~ fad4 r r2 | sib4 r2 |
1224       fad2:32~ fad4 r | R2.
1225       R1 R2. R1 R2. R1 R2. R1
1226       fad2.:32~ fad4 r r2 |
1227       <sold'la>4 r <sold la> |
1228       mi <sold la> si, <sold'la> |
1229       fad, <sold'la> r |
1230       <sold la> sol <sold la> do, |
1231       fa,! <sold'la> r |
1232       <sold la> mi <sold la> si, |
1233       fad <sold'la> r |
1234       <sold la> r <sold la> r |
1235       do,8 la' \droite <re sol> \gauche
1236       do, la' \droite <re sol> | <fad do'> <re sol> \gauche
1237       do, la' \droite <re sol> \gauche
1238       do, la' \droite <do re> \gauche |
1239       do, fad si \droite mi \gauche
1240       do, fad | do sol' \droite re' <mi la> \gauche
1241       si \droite <mi la> \gauche fad, \droite <si mi> \gauche |
1242       dod, la' \droite <la're> \gauche
1243       dod,,la' \droite <si'mi> |
1244       fad <la re> \gauche dod,,si' \droite <mi la> \gauche
1245       dod, si' \droite <mi la> \gauche |
1246       do, la' s4 r4 | la4 r la r |
1247       fad8 la \droite <do re> \gauche la \droite <do re> \gauche la |
1248       fa lab \droite <do re> \gauche lab \droite <do re>4 \gauche r |
1249       fad,8 la\droite <do re> \gauche la \droite <do re> \gauche la |
1250       fa lab \droite <do re> \gauche lab \droite <do re>4 \gauche r |
1251       <fad,,fad'>8 la' \droite <do re> \gauche la \droite <do re>4 \gauche |
1252       sol,8 re' \droite <do'fa> \gauche sol, re' \droite <fa' sib> \gauche |
1253       re, do' \droite <sib'mib> \gauche re, \droite <mib' lab>4 \gauche |
1254       sib,,8 la' \droite <do fa> \gauche la \droite <do fa> \gauche la |
1255       si, lab' \droite <si mi> \gauche lab \droite <si mi>4 \gauche |
1256       sib,8 la' \droite <do fa> \gauche la \droite <do fa> \gauche la |
1257       si, lab' \droite <si mi> \gauche lab \droite <si mi>4 \gauche |
1258       R2.
1259       mib,8 la s4 r8 la s4 r8 mib s4 | r2 r4 <la si> |
1260       mib s r |
1261       re <si'dod> r <si dod> |
1262       re,<sib'do> r | R1
1263       lab2*3/2\laissezVibrer la\laissezVibrer r4 |
1264       lab2*3/2\laissezVibrer <sol, sol'>2\laissezVibrer r | R2. R1
1265       R2. R1 R2. R2 R1 R2. R1 R2. R1 R2. R1
1266     }
1267   }
1268 >>
1269
1270
1271 ActeDeuxSceneUnBisPercus = <<
1272   \new Staff { \Marimba
1273     \relative {
1274       r8 <mi sold> r <mi sold> r <mi sold> r4 |
1275       r8 <mi sol> r <mi sol> r4 |
1276       R2-\markup "Allez au Vibraphone" \Vibraphone
1277       <mi sol>1*5/4\laissezVibrer R1*5/4*43 R1*5/4-\fermataMarkup
1278       R1*5/4*32
1279
1280       %%% Moderato assai %%%
1281       \ind #"bag. douces"
1282       <do si'>1*7/4\laissezVibrer s1*7/4
1283       <do si'>1 <si do'>2. <do si'> <si do'>1\laissezVibrer
1284       s1*7/4 <do si'>2 <si do'>2. <do si'>2 |
1285       <si do'>2. <sib dod'>1 <la re'>2.\laissezVibrer s1 R2. R2 |
1286       <si do'>2.\laissezVibrer r4 <do si'>2\laissezVibrer r2 <si do'>4\laissezVibrer |
1287       s2. <do si'>2.\laissezVibrer r4 <si do'>2\laissezVibrer s2. R2. |
1288       <sib dod'>2. | <la re'>1*7/4\laissezVibrer R1*7/4*2
1289       R2.*7 R1*7/4*4 \repeat volta 2 R1*7/4*3
1290       R1*7/4*2-\markup "Allez au Marimba" \Marimba \clef bass |
1291
1292       %%% Presto subito %%%
1293       \tt {fa,8 mib' solb do, mib} \tt {fa, mib' solb do, mib}
1294       \tt {lab, mib' solb do, mib} | \tt {fa, mib' solb do, mib}
1295       \tt {lab, mib' solb do, solb'} \tt {do, sib' reb solb, sib} |
1296       \tt {do, sib' reb solb, sib} \tt {mib, sib' reb solb, sib}
1297       \tt {do, sib' reb solb, reb'} | \tt {fad, mi' sol dod, mi}
1298       \tt {red, mi' sol dod, mi} \tt {fad, mi' sol sib, sol'} \clef treble |
1299       \tt {mi re' fa sol, lab'} \tt {mi, fa' lab mi, fa'} \clef bass
1300       \tt {fad,, mi' sol red, mi'} |
1301
1302       %%% Tempo giusto %%%
1303       \pl \parenthesize re,,4 fa r2 R2.*6 R2*2 R2.*4 R2 R4.
1304       R2*3 R4. R2. R2 R4. R2. R1*5/8 R2 R4. R2.*15 R2 R4. R2 R1*5/8 R2.
1305
1306       %%% Tempo I %%%
1307       R1 R1*5/4*3 R1*5/4-\fermataMarkup
1308       R1*5/4-\markup "Allez au Vibraphone" \Vibraphone
1309       <do'' si'>2. <si do'>2 <do si'> <si do'>2.\laissezVibrer R1*5/4*2
1310       <do si'>2. <si do'>2 <do si'> <si do'>2.\laissezVibrer R1*5/4*14
1311     }
1312   }
1313   \new DrumStaff { \Percus
1314     \drummode {
1315       \set  drumStyleTable = #drums-style
1316       R1 R2. R2 R1*5/4*2
1317       \ind #"Tambour (au centre et sur le tour)" <sn hh>4 sn sn8 hh sn4 sn |
1318       \plperc sn4 hh sn sn8 hh sn4 sn |
1319       \plperc sn4 hh sn sn8 hh sn4 sn |
1320       \plperc sn4 hh sn sn8 hh sn4 sn |
1321       \plperc sn4 hh sn sn8 hh sn4 sn |
1322       \plperc sn4 hh sn sn8 hh sn4 sn |
1323       \plperc sn4 hh sn sn8 hh sn4 sn |
1324       \plperc sn4 hh sn sn8 hh sn4 sn |
1325       \plperc sn4 hh sn sn8 hh sn4 sn |
1326       \plperc sn4 hh sn sn8 hh sn8 sn sn sn |
1327       \plperc sn4 hh r2 r4 sn |
1328       \plperc sn4 hh sn r sn sn |
1329       \plperc sn4 hh hh hh hh hh |
1330       \plperc sn4 hh r2 r4 \t {sn8 sn sn} |
1331       sn4 r2 r4 \t {sn8 sn sn} |
1332       sn4 r r8 sn r sn sn sn |
1333       \plperc sn4 hh hh hh8 sn hh4 hh |
1334       \plperc sn4 hh hh hh8 sn hh4 hh |
1335       \plperc sn4 hh hh hh8 sn hh4 hh8 sn16 sn |
1336       hh4 r r8 sn16 sn hh4 r8 sn16 sn |
1337       hh4 r8 sn16 sn hh4 r r8 sn16 sn |
1338       hh sn sn sn sn sn sn sn sn sn hh sn sn sn sn sn sn sn sn sn |
1339       hh4 r1 | R1*5/4*3
1340       sn8 sn sn sn sn sn sn sn sn sn |
1341       hh sn sn sn sn sn sn sn sn sn |
1342       hh sn sn sn sn hh sn sn sn sn |
1343       hh sn sn sn sn sn sn sn sn sn |
1344       hh sn sn sn sn sn sn sn sn sn |
1345       hh sn sn sn sn hh sn sn sn sn |
1346       hh sn sn sn sn hh sn sn sn sn |
1347       hh sn sn sn sn hh sn sn sn sn |
1348       hh sn sn sn sn sn sn sn sn sn |
1349       hh sn sn sn sn sn sn sn sn sn |
1350       hh4 r r8 sn16 sn hh4 r8 sn16 sn |
1351       hh4 r8 sn16 sn hh4 r r8 sn16 sn |
1352       hh sn sn sn sn sn sn sn sn sn hh sn sn sn sn sn sn sn sn sn |
1353       hh4 r1 | R1*5/4
1354
1355       %%% Boum %%%
1356       \ind #"Tam-Tam" cb2\laissezVibrer r2 r4 | R1*5/4-\fermataMarkup |
1357       R1*5/4*13 \ind #"Tam-Tam" cb4\laissezVibrer r1 R1*5/4 |
1358       cb4\laissezVibrer r1 R1*5/4 |
1359       r4 cb \t {cb8 cb cb} cb4\laissezVibrer r |
1360       cb4\laissezVibrer r1 R1*5/4 |
1361       r4 cb \t {cb8 cb cb} cb4\laissezVibrer r |
1362       cb4\laissezVibrer r1 |
1363       r4 cb8 cb cb2 cb8 cb |
1364       cb4\laissezVibrer r1 | r4 cb cb cb cb |
1365       cb8 cb cb cb cb cb cb cb \t {cb cb cb} |
1366       cb4\laissezVibrer r1 | R1*5/4*5
1367
1368       %%% Moderato assai %%%
1369       R1*7/4*7 R2. R1 R2. R2
1370       R2.*9 R1*7/4*3 R2.*7 R1*7/4*4
1371       \repeat volta 2 R1*7/4*3 R1*7/4*2
1372
1373       %%% Presto subito %%%
1374       R1.*5
1375
1376       %%% Tempo giusto %%%
1377       R2.*7 R2*2 R2.*4 R2 R4. R2*2
1378       r4 \ind #"Cymb." hh4:32~ hh4.:32~ hh4 r2 |
1379       r4 hh4:32~ hh4.:32~ hh4 r2 | R1*5/8
1380       r4 hh r8 hh4 | R2.*4
1381       r4 \ind #"sur le bord" hh2:32~ hh4 r2 |
1382       r4 hh2:32~ hh4 r2 | r4 hh2:32~ hh4 r2 |
1383       r4 hh4:32~ hh4 | r hh4:32~ hh4 R2.
1384       r8 hh32 hh hh hh hh2 R2.-\markup \indic "étouffer"
1385       R2 R4. R2 R1*5/8 R2.
1386
1387       %%% Tempo I %%%
1388       r2 r4 \ind #"Tambour" sn16 sn sn sn |
1389       hh4 r r8 sn16 sn hh4 r8 sn16 sn |
1390       hh4 r8 sn16 sn hh4 r r8 sn16 sn |
1391       hh4 r1 | \ind #"Tam-Tam" cb2\laissezVibrer r2 r4\fermata |
1392       R1*5/4*21
1393     }
1394   }
1395   \new Staff { \Timbales
1396     \relative {
1397       R1 R2. R2 R1*5/4*44 R1*5/4-\fermataMarkup
1398
1399       %%% Boum %%%
1400       R1*5/4*32
1401
1402       %%% Moderato assai %%%
1403       R1*7/4*7 R2. R1 R2. R2
1404       R2.*9 R1*7/4*3 R2.*7 R1*7/4*4
1405       \repeat volta 2 R1*7/4*3 R1*7/4*2
1406
1407       %%% Presto subito %%%
1408       R1.*5
1409
1410       %%% Tempo giusto %%%
1411       R2.*7 R2*2 R2.*4 R2 R4. R2 r4 r8 \t {mib,16 mib mib} |
1412       mib4 r R4. r2 r8 \t {mib16 mib mib} |
1413       mib4 r R4. r2 r8 \t {mib16 mib mib} |
1414       mib4 mib8 mib mib |
1415       la,4 r la4 \t {la16 la la} |
1416       la4 r8 la32 la16. r4 |
1417       la la la sold4 r16 sold32 sold sold8 r4 |
1418       sold sold sold |
1419       sol4 r2 | R2. sol4 r2 R2. sol4 r2 r2 r8 sol16 sol |
1420       sol4 r r8 \t {sol16 sol sol} |
1421       sol4 r2 r4 sol2:32\glissando sold2.\laissezVibrer
1422       R2. R2 R4. R2 R1*5/8 R2.
1423
1424       %%% Tempo I %%%
1425       R1 R1*5/4*3 R1*5/4-\fermataMarkup |
1426       R1*5/4*21
1427     }
1428   }
1429 >>
1430
1431 ActeDeuxSceneDeuxPercus = <<
1432   \new Staff { \Marimba
1433     \relative {
1434       sold'4 <mi sold> <fa la> r r2 |
1435       sold4 <mi sold> <fa la> r r2 |
1436       R1.
1437       <mi sold>4 <mi sold> <fa la> r sold r |
1438       la r r1 | R1.-\markup "Allez au Vibraphone" \Vibraphone
1439       R1*2 R2.*5 R1.*3 R1*2
1440       R2. R1 R4. R1*6 R2. R1. R1
1441       r2 r4 \pl {la fa'\laissezVibrer} {do\glissando do'\laissezVibrer}
1442       \ind #"senza Ped." r2 |
1443       do4 r \pl {la, fa'\laissezVibrer} {do\glissando do'\laissezVibrer} r2 |
1444       re,4 do' | r si r | mi,,,\laissezVibrer mi'\laissezVibrer mi'\laissezVibrer |
1445       r2 r8 \hideNote sol8\glissando do4*1/2 \hideNote mi,8\glissando la4 | R4.
1446       R1*5 R2*6 R1 R2. R1. R1 R1.*2 R2. R1
1447
1448       la,2.\laissezVibrer \sustainOn r8 sol4.\laissezVibrer r2 |
1449       fa2.\laissezVibrer r8 mi4.\laissezVibrer r2 | fa4 mi fa |
1450       sol la2.\laissezVibrer R2.
1451       R1 <la, la'>2.\laissezVibrer R1 <sib la'>2.\laissezVibrer
1452       <mib la>1\laissezVibrer <sold la>2.\laissezVibrer R1
1453       <la, la'>2.\laissezVibrer R1 R2. R1 R2. R1 R2.
1454       R2*3 R2. R1*3
1455       R1*5/8*14 R1*9 R2. R2 R1*2
1456       la'4 sol fa mi2 r4 |
1457       <solb, la! fa' lab>2.\laissezVibrer R2.*4
1458
1459       R2*2 R2.*2 R2*25
1460       <la' la'>2.\laissezVibrer \sustainOn R2.*6
1461       \pl {<fa do'>4 do' fa, <fa do'>2*3/2}
1462       {la'8 sol fa mi fa16 mi fa sol la8 mi8*5\laissezVibrer }|
1463       R2.
1464       \pl {<la, do>4 do la <la do>2. <sol re'> <la do>2}
1465       {la'8 sol fa mi fa16 mi fa sol la8 sol fa mi fa16 mi fa sol
1466       sib8 sol fa mi fa16 mi fa sol la8 mi8*3 } r4 | R2.*2
1467     }
1468   }
1469   \new DrumStaff { \Percus
1470     \drummode {
1471       R1.*6 R1*2 R2.*5 r1 \ind #"Crécelle" hh2:32~ hh4 r r1 R1. R1*2
1472       R2. R1 R4.
1473       R1*5 r4 \ind #"Crécelle" hh2.:32 R2. R1. R1*2
1474       R2.*3 R2 R2.*3 R2 R4. R1*5 R2*6 R1
1475       r4 \ind #"Crécelle" hh2:32 R1. R1 R1.*2 R2.
1476       r2 hh4:32 hh4 |
1477
1478       R2. R1 R2. R1 R2. R1 R2. R1 R2. R1 R2. R1 R2. R1
1479       R2. R1 R2. R1 R2. R1 R2.
1480
1481       R2*2 R2 R2. R1*3
1482       r4 \ind #"Tambour" \ind #"(bag. fagot)"  sn8 sn sn sn4 r8 sn sn |
1483       sn4 sn8 sn sn sn4 r8 sn sn | sn4 sn8 sn16 sn sn sn |
1484       sn4 sn r16 sn32 sn | sn4 r r8 |
1485       sn4 r8 sn sn | sn4 sn8 sn sn | sn4 sn r16 sn32 sn | sn4 r r8 |
1486       sn sn sn4 r8 | r sn sn sn sn | sn4 r r8 |
1487       R1 r2 r4 r8 \t {sn16 sn sn} | sn4 r r2 |
1488       R1*6 R2. R2 R1*2 R2.*7
1489
1490       R2*2 R2.*2 R2*25 R2.*16
1491     }
1492   }
1493   \new Staff { \Timbales
1494     \relative {
1495       R1.*6 R1*2 r2 r8 r16 re,32 re |
1496       re4 re8 re r \t {re16 re re} |
1497       re8 re re16 re r8 re32 re re8. |
1498       re16 re re re re8 \t {re16 re re} re8 re |
1499       sold,8. re'16 r sold, re'8 r16 re8 sold,16 |
1500       re'2:32~ re4 r r2 | R1.*2 R1*2
1501       r2 r8 \t {si16 si si} |
1502       si4 si8 si32 si16. r16 si si si r8 \t {si16 si si} |
1503       sold4 r8 | si4 r r8 sold r4 | si4 r r2 |
1504       si4 r8 si r si r4 | si32 si8.. r8 si r si r r16 si32 si |
1505       si4 r8 si r si r4 | si r8 si r si r4 |
1506       sold2.:32~ sold4 r r1 |
1507       R1*2 R2.*3 R2 R2.*3 R2 R4.
1508
1509       mi4 r r mi'8 mi16. mi,32 |
1510       mi4 r r mi'16. mi32 mi8 |
1511       mi,4 r8 mi r mi mi' mi16. mi,32 |
1512       mi4  r8 mi r mi mi'16. mi32 mi8 |
1513       mi,4 r8 mi r mi mi'16 mi mi8 |
1514       mi,8 mi'16. mi32 mi4 |
1515       mi,8 mi'16. mi32 mi16 mi mi8 |
1516       mi,8 mi'16. mi32 mi4 |
1517       mi,8 mi'16. mi32 mi16 mi mi32 mi mi mi |
1518       mi,8 mi'16. mi32 mi4 |
1519       r4 re | dod1:32~ dod4 r2 |
1520       dod4 r r2 r4 dod | sol1:32 | dod4 r r2 r4 dod |
1521       sol1.:32~ sol4 r2 | R1
1522
1523       R2. R1 R2. R1 R2. R1 R2. R1 R2. R1 R2. R1 R2. R1
1524       R2. R1 R2. R1 R2. R1 r2 r8 r16 \t {la32 la la} |
1525       la4 r r r8 \t {la16 la la} la4 r r2 r8 \t {la16 la la} |
1526       la1:32~ la:~ la2 r8 la \t {la la la} |
1527       la4 r r8 | R1*5/8*13 R1*6
1528       mi2:32~ mi8 mi \t {mi mi mi} |
1529       mi2:32~ mi8 mi \t {mi mi mi} |
1530       mi2:32~ mi8 mi \t {mi mi mi} |
1531       mi4 r2 | R2 R1*2 R2.*7
1532
1533       R2*2 R2.*2 R2*25 R2.*16
1534     }
1535   }
1536 >>
1537