Encoding consistency
[opera_libre.git] / instruments / alto2.ly
blob43b9fdd2343d673395aa58cb484e85c478a79fef
1 %------------------------------------------------------------------%
2 % Opéra Libre -- alto2.ly %
3 % %
4 % (c) Valentin Villenave, 2008, 2009 %
5 %------------------------------------------------------------------%
7 \include "italiano.ly"
9 AltoDeux = {
10 #(make-instrument-name 'viola-two "viola" 25)
11 \clef alto
14 PrologueAltoDeux = { \AltoDeux
15 \relative {
17 %%% Introduction %%%
18 \partial 4 r4 R2.*3 R1
19 \ten mi,2~\f| mi4 r | r16 \ind #"sul ponti." red8.:32\mf
20 red8 r r4 |
21 red'2~ \startTrillSpan red4 \stopTrillSpan r |
22 \ind #"pos.nat" mi,2.~\mp mi2~ mi |
23 mi2.:32~\p mi2:32 mi2:32
24 dod2. | <do! sol'>4 <do sol'>~| <do sol'>8\< sol' \t {sol--( sol-- fa--)}|
26 %%% Entrée du baryton 2 %%%
27 mi16\fp mi mi mi mi mi mi mi mi mi mi mi |
28 mi mi mi mi mi mi mi mi |
29 mi\< mi mi mi mi mi mi mi |
30 mi4.\f r8 sid-> sid-. |
31 r sid-> sid-. r | r sid-> sid-. r sid-> r |
32 r sid-. sid-. sid-. | dod-> dod-. r dod-> dod-. r | r dod-.-> r4 |
33 red8->\mf red-. r red-> red-. r | red-> red-. r red-. |
34 mi2~--\p mi2 r4 |
36 %%% Tempo giusto %%%
37 <re' re>8\sfz r re,16\p re re re |
38 re re re re re re re re |
39 re re re re re re re re |
40 re re re re re re re re |
41 re re re re re re re re |
42 mib mib mib mib fa8 r \clef treble |
43 la16\<( dod la re mi) re( fad re) |
44 mib( sol mib fa) la( fa do' lab) |
45 re4\f r2 \clef alto |
46 r16 mi,,\<( sol sib) do( sol sib do) mib( do mib fad) |
47 re4\f r2 |
48 r16 fad,\mp fad fad fad4:32 r4 |
49 r16 mib mib mib mib4:32 r4 |
50 r16 do do do do4:32 r4 | \clef treble
51 r16 lab' lab lab lab lab lab lab si si si si |
52 mi(\< dod mi sol) la( sol la do) mib( do mib fa) |
53 re4\f r \clef alto re,,4~---> | re re2---> |
54 \ten dod1~---> dod4 r R2 R2-\fermataMarkup
56 %%% Solo ténor %%%
57 R1*2 R2. R1 R2. R1
58 R2*4 R2.*6 lab'2.~\pp lab |
59 R2.*3 \clef treble r4\fermata \pizz sol''8\p |
61 %%% Andantino %%%
62 sol, r sol' sol, r4 |
63 sol8 r sol r sib, sib' |
64 sol r sol' sol, r sol' |
65 sol, r sol' sol, r sol' |
66 sol, r sol r sol sol, |
67 lab' lab, r sol' sol, r \clef alto
68 %%FIXME: grace synchronization bug
69 \acciaccatura s16 sol8 r4 | R4.
70 r4 si8\p r red, r |
71 r4 si'8 r red, r |
72 r4 si'8 r fad r |
73 r4 si8 r fad r |
74 r sold r r do r r sib r |
75 \arco solb\>( mib reb) | \ten do4.~\pp do~ do4 r8 |
76 solb'( mib reb) | do4.~ do~ do4 r8 |
77 solb'( mib reb) | do4.~ do4 r8 |
78 fad4\< mib8~ mib dod4 |
80 %%% A tempo %%%
81 \t {re16\sfp re' re} re'8 r |
82 sold,,4:32\mp \t {sold16-> sol-> fa->} |
83 \t {re\sfp re' re} re'8 r |
84 sold,,4:32~ sold16 r |
85 re8:32\< fa: sol: <lab reb>4.~\f <lab reb>~
86 <lab reb>8 r16 <lab reb> \t {<lab reb>-> <lab reb> <lab reb>} |
87 re,8\sfz r16 lab'-.\mf lab-. lab-. |
88 sol'8-.-> r16 lab,-. lab-. lab-. | sol'8-.-> r16 lab,-. lab-. lab-. |
89 sol'8-.-> r16 lab,-. lab-. lab-. | si'8-.-> \clef treble r16 fa-. fa-. fa-. |
90 mi'8-.-> r16 fa,-. fa-. fa-. | mi'8-.-> r16 fa,-. fa-. fa-. |
91 mi'8-.-> r16 fa,-. fa-. fa-. | mi'8-.-> r16 fa,-. fa-. fa-. |
92 mi'-> la,? do?\< mib fad la | fa8->\f r16 si,,\< si si |
93 mi'8\! r16 si,\< si si | mi'8\! r16 sold,,\< sold sold |
94 mi''8\! r16 sold,,\< sold sold | mi''8\! r16 re,-. re-. re-. \clef alto |
95 r8 r16 la-.\mf la-. la-. | r8 r16 dod,-.\mp dod-. dod-. |
96 si'8\f\> sib lab | \ten fa4.~\p fa~ fa8 r4 | R4.*3
97 \t {re16\pp re re} \t {mi mi mi} \t {fa fa fa} |
98 \t {mi mi mi} \t {fa fa fa} \t {sol sol sol}|
99 \t {sib\< sib sib} \t {do do do} \t {reb reb reb}
100 \t {mib mib mib} \t {mi mi mi} |
101 mi8\ff \clef treble r16 mi' mi mi mi8-> r16 mi mi mi |
102 re8-> r16 si-.\mf si-. si-. r8 r16 sold-.\> sold-. sold-.\! \clef alto |
103 re8 r16 \pizz sold, r2 |
105 %%% Adagio %%%
106 R1*4 R1. \arco \ind #"flaut." mi1:32\pp\> mi4\! r |
107 R1*3 R1. \simile red1:32\pp( mi4) r |
108 R1*2 r8 do~\mp( \t {do mi si')} \t {la\>( mi' re)} |
110 %%% Valse %%%
111 sol,2.~\pp sol4~ \t {sol8 si\<( sib)} dod( mi) |
112 sold( si\!) r2 \clef treble | re2.\pp( la4 fad) mi( do') r2 |
113 do4\<( sold\!) si\<( mib,\!) | sol4 \clef alto mib,8\p( re) sol( fad) \clef treble |
114 mib'( re) \t {si'\<( sib fad'\!)} |
115 r si,\pp( sib) r r sib( lab) r r lab( fa) r |
116 mi4 \ttt {si'16\<( do si do si do} si4\!) r |
117 R1 R2. \clef alto |
118 \pizz do,,4\mp r2 | fad4 r2 | do4 r2 | fad4 r2 |
119 mi4 r sol r |
120 \arco <do, la'>4->\mf <do la'>8.-> <do la'>16 <do la'>8-.
121 <do la'>~-> <do la'>16 <do la'> <do la'>8-. |
122 <do la'>8.-> <do la'>16 <do la'>8 <do la'>~->\<
123 <do la'>16 <do la'> <do la'>8-. |
125 %%% Vivo al fine %%%
126 re16\fp re re re re re re re |
127 re re re re re re re re |
128 re re re re re re re re |
129 re re re re re re re re |
130 re re re re sol sol sol sol |
131 lab lab lab lab lab lab lab lab |
132 sib sib sib sib sib sib sib sib |
133 re,re re re re re re re |
134 re re re re re re re re |
135 re re re re re re re re |
136 re re re re re re re re |
137 re re re re re re re re |
138 re\> re re re re re re re |
139 re\mp re re re re re re re |
140 re re re re re re re re |
141 re re re re re re re re |
142 re re re re r4 |
143 re16 re re re r4 |
144 re8-. re-. r4 |
145 re8-. re-. r4 |
146 R2*10 r4 \pizz mi\mp |
150 ActeUnSceneUnAltoDeux = { \AltoDeux
151 \relative {
152 R2*2 R2. R2*2 R2.
153 r4 do,--\< re8( fad la do) mi\p\>( do do la) re,4 |
154 do8\<( fad la do) mi( fad si do) fad\>( do si fad) la,( mi) |
155 do4\<( fa8 solb) sib( do mib solb) lab\>( do solb mib solb,4) |
156 solb8\<( sib do mib) solb( lab do reb) solb( reb) lab( mib) do( sib) |
157 do,8--(\ppsubito fa16 la mib'4) la,8-- \t {mib'16( si' fad')} fad4 |
158 do,,16( fa la mib') la,8-- \t {mib'16( si' fad')} fad8 r |
159 \simile la,, \t {sol'16 do fad} fad4 la,,8 mi'16 sol do4 |
160 mi,8 \t {sol16 do fad} fad4 la,,16 mi' \t {sol do fad} |
161 la,,8\ppsempre do16 fa lab4 do,8 \t {fa16 lab mi'} mi4 |
162 la,,16 mi do' fa lab do, \t {fa lab mi'} mi4 |
163 \t {fa,16 lab mi'} mi8 \t {fa,16 lab mi'} mi8
164 \t {fa,16 lab mi'} mi8 \t {fa,16 lab mi'} mi8 |
165 \ttt {mi16( lab, fa do fa lab}
166 \ttt {mi' lab, fa do fa lab}
167 \ttt {mi' lab, fa do fa lab)} |
168 \ttt {mi,\p( sib' re lab' re, sib}
169 \ttt {mi, sib' re lab' re, sib}
170 \ttt {mi, sib' re lab' re, sib}
171 \ttt {mi, sib' re lab' re, sib)} |
172 \ttt {mi,( sib' re lab' re, sib}
173 \ttt {mi, sib' re lab' re, sib}
174 \ttt {mi, sib' re lab' re, sib)} |
175 mi,( sib' re sib) mi,( sib' re sib)
176 mi,( sib' re sib) mi,( sib' re sib) |
177 mi,( sib' re sib) mi,( sib' re sib)
178 mi,( sib' re sib) |
179 <do, do'>4\f\downbow <do do'>\downbow <do do'>\downbow |
180 \simile <do si'> <do si'> <do si'> |
181 <do sib'> <do sib'> \t {fa8( sol sib)} |
182 fad16\mp fad fad fad fad fad fad fad fad fad fad fad |
183 fad fad fad fad fad fad fad fad fad fad fad fad |
184 fad fad fad fad fad fad fad fad fad fad fad fad |
185 fad fad fad fad sol sol sol sol la la la la |
186 \ten <do, do'>1~\fmolto <do do'>2 r4 |
188 %%% Ad libitum %%%
189 r2 <do mi'>~\pp \ten <do mi'>2.~ <do mi'>~ <do mi'>4 r r2 | do2.~ do4 r2 |
191 %%% Agitato %%%
192 re16\fp re re re re re re re re re re re re re re re |
193 re2:16 re: re: re: re: re: re: re: re: re: |
194 re: re: re: re: re: re: re: |
195 re: re: re: re: re: re: re: re: re: re: re: re: |
196 re: re: re:\< re:\! |
197 mib2.---> r4 r8 \st {fab16\mf fab mib4 |
198 r8 mib r4 r16 fab mib8 r4 r8 mib r4 |
199 r4 r8 fab16 fab mib4 r r2 |
200 r4 r8 fab16 fab mib4 r |
201 r4 fab16 fab mib8 fab16 fab mib8} r4 r2 |
202 \ten sol1.\f R1.*2 \clef treble |
204 %%% Allegro non troppo %%%
205 \ind #"staccato leggiero" sib'16\pp sib sib sib sib sib sib sib sib sib sib sib sib sib sib sib |
206 sib sib sib sib sib sib sib sib sib sib sib sib | sib8 r r4 r2 |
207 sib16 sib sib sib sib sib sib sib sib sib sib sib sib sib sib sib |
208 sib8 r r4 r2 |
209 sib8-. mib-. sib-. mib-. \simile sib mib sib mib | do mib do mib do mib do mib |
210 reb\p mib reb mib reb mib | reb mib reb mib reb mib reb mib |
211 re\mp mi re mi re mi | re mi re mi re mi re mi |
212 mi\mf\< fad mi fad mi fad | mi fad mi fad mi fad mi fad\! \clef alto |
213 r4 sib,,8\f( mi4.) | r8 mi,8~\mf mi2. |
214 sol4 r r2 | r2 \ttt {red16( mi) fad( la si do)} r4 |
215 <sol re' la'>4\mf re'8 sol, re' sol, re' sol, | R1
216 re'8\mf sol, re' sol, re' sol, | R2.*2 R1*2 |
217 \st {do16\pp sib r8 do16 sib r8 do16 sib r8 do16 sib r8 | R1
218 do16 sib r8 do16 sib r8 do16 sib r8 do16 sib r8 | R1
220 %%% Moderato %%%
221 do16\ppsempre sib r8 do16 sib r8 do16 sib} r8 \simile do16 sib r8 |
222 do16 sib r8 do16 sib r8 do16 sib r8 do16 sib r8 |
223 do16 sib r8 do16 sib r8 do16 sib r8 |
224 do16 sib r8 do16 sib r8 do16 sib r8 |
225 do16 sib r8 do16 sib r8 do16 sib r8 do16 sib r8 |
226 do16 sib r8 do16 sib r8 do16 sib r8 |
227 do16 sib r8 do16 sib r8 do16 sib r8 do16 sib r8 |
228 do16 sib r8 do16 sib r8 do16 sib r8 |
229 do16 sib r8 do16 sib r8 do16 sib r8 do16 sib r8 |
230 do16 sib r8 do16 sib r8 do16 sib r8 |
231 do16 sib r8 do16 sib r8 do16 sib r8 do16 sib r8 |
232 do16 sib r8 do16 sib r8 do16 sib r8 |
233 do16 sib r8 do16 sib r8 do16 sib r8 do16 sib r8 |
234 do16 sib r8 do16 sib r8 do16 sib r8 |
235 do16 sib r8 do16 sib r8 do16 sib r8 do16 sib r8 |
236 do16 sib r8 do16 sib r8 do16 sib r8 |
237 do16 sib r8 do16 sib r8 do16 sib r8 do16 sib r8 |
238 do16 sib r8 do16 sib r8 do16 sib r8 |
239 do16 sib r8 do16 sib r8 |
240 do16-.\p[ sib-. r sib-.] do16-.[ sib-. r sib-.] \simile do16[ sib r sib] |
241 do16[ sib r sib] do16[ sib r sib] do16\<[ sib r sib] do16[ sib r sib] |
242 do16\mf sib r8 do16 sib r8 | do16 sib r8 do16 sib r8 | R2*2
244 %%% Allegro marcato %%%
245 \acc {<do, la' sold' re'>4\sfz la'\mp <do, la'> la' |
246 <do, la' sold' re'>4\sfz la' <do, la'>} r |
247 \st {dod\p dod mib mib} <mib la>2--->( do8) r r4 | R1
248 \acc {<mi! la! mib' lab>4\sfz la\mp do, la' |
249 <mi! la! mib' lab>4\sfz la do,} r |
250 \st {fad\p fad fa fa} re2--->( <mi la>8) r r4 | R1
251 r4 mi\mp\>( do8\!) r r4 | r mi\>( do8\!) r r4 | R1
252 mib2\>( re8\!) r r4 |
253 r mi\mp\>( do8\!) r r4 | r mi\>( do8\!) r r4 | R1
254 red2\>( fa8\!) r r4 | R1
255 r2 r4 \pizz sib\p lab( fa mib) r |
256 re( do re) r r la'\> sold fad\! |
258 %%% Agitato %%%
259 \arco re8-.\mf re-. re-. re-. \simile re2:8 | re: re: re: re: |
260 re8-.\f( fa-.) sib16( do reb mib) solb4-> r |
261 \st {sib8\sfz re,\pp sol do sol re sol do |
262 sol re do fa sib fa do fa |
263 sib fa do fa do sol do fa |
264 do sol do fa do sol sib mib |
265 lab re, lab re lab' re, lab re |
266 sib mib lab mib reb sol, reb' sol |
267 <do,, sib'> fa sib mib lab fa,-> sib-> mib->} |
268 lab8->\sfz r r4 r1 | R1*2
269 \ind #"staccato leggiero" la8\pp do la do la do la do |
270 sol sib sol sib sol sib fa la fa la |
271 mi\p fad mi fad sold,16 sold sold sold sold sold sold sold |
272 sold\< sold sold sold sold8-.->\! r | R2 R1*4
276 ActeUnSceneUnBisAltoDeux = { \AltoDeux
277 \relative {
278 R2.*5
279 \ttt {re,16\p( dod mi fa mi sol)} lab8-- r
280 \ttt {re16( dod mi fa mi sol)} |lab8-- r
281 \st {sold16 fa sold lad sold\< lad} si-- dod-- |
283 %%% Piu vivo %%%
284 re4\sfz\downbow re,\downbow re,2\downbow | mib\downbow r4 |
285 re''4\f\downbow r8 re,,~\downbow re2 | dod'2\downbow r4 |
286 si'4.--->\ff si---> | fa---> <dod mi>---> |
287 <sold fa'>--->\< <fa fa'>---> | <fa fa'>2.--->\!
288 R2. r4 <re'sol\harmonic re''>2~\p <re sol\harmonic re''>4. r8\fermata r4 |
289 R2. r4 <re sol\harmonic re''>2~ <re sol\harmonic re''>~
290 <re sol\harmonic re''>8 r\fermata r4 | R1 R2
292 %%% Largo %%%
293 R2*3 R2.
294 r4 \ind #"espr." mib,\p mi2. |
295 fa2~\p\> fa4\! r2 |
296 mi2.\< mib4--\mp r r2 |
297 R1 R2. R2 R1 R2.*2 R2*2 R2. R2*3 R2. R1 R2.
298 r4 sib'\mf\downbow \ten <mib, sib'>2~ <mib sib'>
299 <fad la>2.\mp r2 <fad la>4-.\downbow |
300 <mi sold>2.\downbow
302 %%% Adagio %%%
303 R1*14
304 r2 mi'~\pp mi1
305 <mi la>~\pp <mi la>~<mi la>~<mi la>~<mi la>~
306 <mi la>~<mi la>~<mi la>~<mi la>~<mi la>~
307 <mi la>4 r <mi la>--( <mi la>-- |
308 <mi la>-- <mi la>--) r2 |
309 r4 <mi la>--( <mi la>-- <mi la>-- |
310 <mi la>--) r r2 | R1*3
311 R2 \pizz <dod lad'>4\mp <la re> <lab re> r |
312 r \arco <mi si'>\f\downbow
316 InterludeUnAltoDeux = { \AltoDeux
317 \relative {
318 R1. R1*3 R1. R1 R1.*2 R1*2
319 la1\mf la2~ la1( si2 do1~) do4 r2 R2 R2. |
320 <sib do>1~--->\f <sib do>2 r2 | <sib do>1---> r4 sol'-- \clef treble |
321 re'16\f( mi re si\> la si sold8\!) r4 r8 mi | red'2. mi4( fad1--->) sol,2 |
322 fad'2 r \clef alto | <sol,, mi'>2.--->\ff\> <fa' sol>2.~\p <fa sol>4 r2 |
323 R2.*3 solb,2.~\pp solb~ solb~ solb~ solb2 r4 |
324 mib2.~ mib~ mib~ mib R2.*2
328 ActeUnSceneDeuxAltoDeux = { \AltoDeux
329 \relative {
330 %%% Air de la Soprano2 %%%
332 R2.*2 r4 sold'8\p\(( la sold mi) re( mi) sold( la sold mi) re\>( mi) sold4~--\!\) |
333 sold2 r4 | R2. |
334 sold8\mp( la sold mi) re( mi) sold( la sold mi) re( mi) sold4-- sold8( la |
335 sold mi) re( mi) sold( la | sold mi) re( mi) sold4-- |
336 sold8( la sold mi) re( mi) sold( la sold mi) re( mi) sold4-- sold8( la |
337 sold mi) re( mi) sold( la | sold mi) re( mi) sold4~-- |
338 sold1~ sold2 r2 | R2.*2 | R1*2 R2.*2 |
339 re4-.\pp la'-. sold8-.( mi re4-.) | mi8-.( re mi4) la8( re sold, mi) |
340 re( mi) sold4-. r | R2.|
341 sold8\p( la sold mi) re( mi) sold( la |
342 sold mi) re( mi) sold4-. sold8( la |
343 sold mi) re( mi) sold( la | sold mi) re( mi) sold4-. |
344 la,8\pp( si la fa mi fa la si |
345 la fa mi fa la4) la8( si |
346 la fa mi fa la si |
347 la fa mi fa la4) |
348 mi-.\mf si'-. la8( fa) mi4-. |
349 la8( fa) re'->( si) r si-. sol'4-> |
350 si,-. mi8( re) fa4~--->| fa2 r4 | \clef treble
351 \ten <lab lab'>1~\f <lab lab'>2. r4 |
352 <lab lab'>---> r <lab lab'>---> | r <lab lab'>---> r |
353 \ten <lab lab'>1~--->| <lab lab'>4 r \clef alto lab,( sol) |
354 do2.~| do2 r4 | R1*2 R2.*2 |
355 \flaut sold8\pp( la sold mi re mi sold la | sold mi re mi sold4) sold8( la|
356 sold mi re mi sold la | sold mi re mi sold4) |
357 sold8( la sold mi re4) sold8( la | sold mi re mi sold4) sold8( la |
358 sold mi re4) sold8( la | sold mi re mi sold4) |
359 sold8( la sold mi re4) sold8( la | sold mi re mi sold4) sold8( la |
360 sold mi re4) sold8( la | sold mi re mi~) mi4~|
361 mi1~ mi~ mi2.~ mi~ | mi1~ mi~ mi2.~ mi2 r4|
362 \repeat unfold 3 {R1*2 R2.*2}|
363 R1 R1-\fermataMarkup |
365 %%% Récitatif %%%
367 R2.*2 R1 R2.*3 R1 R2.*2 |
368 r4 r8 sol4--\mp\downbow mi8~--\downbow| mi2.~| mi8 mi~ \t {mi mi mi}
369 mi4:32\< | mi8\sfz r r2 | R2| r4 r8 la4.\p\>\upbow |
370 mib1~\! mib~ | mib2.~ mib~ mib~ mib2 r4 | R2. R1 |
372 %%% Duo %%%
374 \pizz <re sib'>4\mp\arpeggUp
375 \simile <re sib'> <re sib'>
376 \repeat unfold 13 <re sib'> r8 \arco <re sib'>\>( |
377 <mi do'>-.\!) r \pizz <mi do'>4\mp
378 \repeat unfold 4 <mi do'> r8 \arco <mi do'>\>( |
379 <sol mib'>-.\!) r \pizz <sol mib'>4 <sol mib'> r8 \arco <sol mib'>\>( |
380 <fa reb'>8-.\!) r \pizz <fa reb'>4 <fa reb'> | <fa reb'> r | R2
381 \arco lab8--\mf
382 lab-- lab-- lab-- \simile lab lab
383 \repeat unfold 22 lab |
384 sib-.\psubito sib-. sib-. sib-. \simile sib sib
385 \repeat unfold 8 sib |
386 <dod mi>\mf\< \repeat unfold 7 <dod mi>|
387 mib,2.~\! \ten mib~ mib4 r2 R1 |
389 %%% Piu vivo %%%
390 \ten <sol sol'>2.~\f <sol sol'>1 |
391 \st {sol8\p sol' sol, fad' sol, mi'} |
392 dod\< sol do sol sib sol |
393 <sol sol'>2.\ff r4 |
394 dod,4-> dod16\downbow dod dod dod dod dod dod dod |
395 sol'2.-- r4 |
396 dod16 dod dod dod dod dod dod dod dod4-- |
397 sol4-> sol2-- r4 |
398 dod,8.-> dod16~-> dod4 r |
399 r \pizz do'8\f la fa dod |
400 sol'4-> si8 red, fad do |
401 sol'4-> sol8 lab la sib |
402 si4-> re8 la fad dod |
403 sib'4-> sib8 si do dod |
404 re4-> \arco \tt {\arco re16( do la sol fad} \tt {si sib lab fa mib} |
405 re4) \pizz re'8 fa, si sold |
406 re4-> \arco \tt {re'16( si la sold fad}\tt {do' sib sol fa mi} |
407 re4->) \pizz re'8 fad, sib sib|
408 re,4->\arco \tt {re'16( dod si sold fad} \tt {do' sib la sol mi } |
409 re4->) \pizz re'8 la fad sold |
410 dod,4-> \arco \tt {dod'16( si sold fad fa} \tt {sib la sol mi re} |
411 dod4->) r2 |
413 %%% Poco allargando %%%
414 <sib' re>1:16\ff <sib re>2:16 <si re>:
417 %%% Tempo giusto %%%
418 r8 \pizz <re, sib'>\mf r <re sib'> r <re sib'> r <re sib'> |
419 r <re sib'> r <re sib'> r <re sib'> r <re sib'> |
420 r <dod la'> r <dod la'> r <dod la'> r <dod la'> |
421 r <red si'> r <red si'> r <red si'> r <red si'> |
422 r <sol si> <sol si>4 r2 |
423 r16 \arco reb''\fp\<( do sib lab sol fa re reb do sib lab) |
424 \ten <re, sol>1~\f <re sol>2. r4 |
425 \ind #"détaché" do16\mp\< mib solb lab si re mi sol \clef treble sib do mib solb |
426 lab4.\! r8 |
427 <sold, fad'>2~ <sold fad'>~ <sold fad'> r4 \clef alto |
428 re,16\mf\< fad sold si do, mib fad sold si re mi sol |
429 la8->\! \t {si,16\mf( la si)} \ttt {re->( si la) si( la si)} |
430 \ttt {re->( si la) si( la si)} \ttt {re->( si la) si( la si)} |
431 \ttt {sol( la sol) mi'->( sol, la)} \ttt {sol( la sol) mi'->( sol, la)} |
432 \ttt {sol( la sol) mi'->( sol, la)} \ttt {sol( la sol) mi'->( sol, la)} |
433 \ttt {sol->( si re) si->( re mi)} sol8-> la-> |
434 \ttt {la,16\f( re la') la( re, la)} \ttt {la( re la') la( re, la)} |
435 \ttt {la( re la') la( re, la)} \ttt {la( re la') la( re, la)}
436 <la re la'>4\glissando la''8-.-> r r2 |
438 %%% Largo assai %%%
439 r4 sib,,2.\p( | la4.) r8 la4( | lab4.) r8 lab4( sol4.) r8 r4 | r sol-- |
440 \ten solb2.~\pp solb2. r4 | r2 \pizz fa4 mi mib r re r re r r2 |
444 InterludeDeuxAltoDeux = { \AltoDeux
445 \relative {
446 R1 R2. R2 R2. R2 R2. R2
447 \pizz mib4\mf si fad' sol, |
448 mib' si fa? sib |
449 re,8\psubito sol re'4 |
450 re,8 sol re'4 |
451 re,8 sol re'4 |
452 dod,8 la' mi'4 |
453 r8 mi, r sib' | r do, r fad |
454 r mi r sib' | r do, r fad |
455 r mi\< do' lab' mi'4->\! r |
456 r8 \arco mi,,\mp( si' dod re2) |
457 r8 mi,( si' dod re2) |
458 r8 mi,( si' dod \ten re2~) |
459 re r | R2.
460 r8 do,( la' si mi2) |
461 r8 do,( la'4) r | R2. fa2.--\pp r4 R2. fa4-- r |
465 ActeUnSceneTroisAltoDeux = { \AltoDeux
466 \relative {
467 R2.*4 <mi, red'>2.:32~\mp <mi red'>:~<mi red'>:\< <mi red'>4->\! r2 |
468 r4 \pizz fad\mf r r red r r8 dod-> r re fa4 |
469 \arco <do la'>2.\fp R2.
470 mib2.\p re2.:32 mib2.\mp |
471 <fa mi'>2.:32~\mf <fa mi'>:~\< <fa mi'>4\! r \pizz re\mf dod r2 |
472 r \arco re4\mp( dod2.) r2 re4\>( dod2\!) r4 |
474 %%% Lamento %%%
475 R1.*6 R1*5/4*5
476 <sol'fad'>2\mp\> <solb fa'>4\upbow\! r |
477 \simile <sol fad'>2 <solb fa'>4 r |
478 <sol fad'>2 <solb fa'>4 r |
479 <mib re'>2\< <mi red'>4\mf r |
480 <do sib' sol'>4--->\f <sib' sol'>8-> <sib sol'> \t {<sib sol'>-> <sib sol'><sib sol'>}
481 <do, sib'sol'>4---> <sib' sol'>8-> <sib sol'> \t {<sib sol'>-> <sib sol'> <sib sol'>}
482 <do, si'!>4---> <do si'>8->\ff <do si'>-> r4 |
483 R2*2
485 %%% Tempo I %%%
486 \pizz mib4\mp do r fad mib r r mib r | R2.
487 \arco fad2.:32\sfp sol2.:32 <mib do'>: <mib re'>: solb:
488 \repeat tremolo 12 {do32\< si} do4-.->\sfz r2 | R2.
489 \pizz fa,4\mp r re r2 mib4 |
491 %%% Tempo II %%%
492 R1.*2
493 r2 r4 \arco mib2.~\pp mib1.~ mib2. r4 r2 |
494 sib'1.:32\pppp <sib la'>2.:\mp <sib la'>4->\sffz r |
495 R1 R2. R2
499 ActeUnSceneTroisBisAltoDeux = { \AltoDeux
500 \relative {
501 R1*3 r4 mi,2--\pp r4 R1*2 r4 reb2--\CaV r4 R1 |
502 r2 <mi do'>4--\p <si' fa'>-- <fad fad'>-- r r2 |
503 R1*14
504 fad1~\pp fad2. r4 |
505 r \pizz mib'\p r mib |
506 r mib r mib |
507 r mib r mib |
508 r mib r mib |
509 r mib r mib |
510 r mib r mib |
511 r <sol, mib'>\arpeggUp r <sol mib'>\arpeggUp |
512 r \simile <mi! sol mib'> r <mi sol mib'> |
513 r16 mib' re'-> mib, r do si'-> do,
514 r do si'-> do, r sib la'-> sib,|
515 \t {fad'8->\> sib, mib} \t {sol, do mi,} sol dod,\! |
516 r4 \arco fad2\p fad4\< | mi2(\> fad~)\! fad1
517 R1*3
518 <la re>1\p <la re>2-- <la re>-- <la re>-- <mi la>-- |
519 \pizz <fad fad'>4-> r r2 | R1*6
520 r4 \arco mib\mp\upbow r2 |
521 r4 mib\upbow r2 |
522 mib4\upbow r mib\upbow r |
523 r4 reb'2\pp r4 |
524 lab2\p( sol solb fa mi mib) |
525 fad1~\pp fad~ fad4 r mi!2~\> mi fad~\! fad4 r r2 |
526 R1*7
530 ActeUnSceneTroisTerAltoDeux = { \AltoDeux
531 \relative {
532 R2*3 R2. R2*2 R2.
533 \pizz <re re'>4\f r2
534 R2. r2 \arco mib,4~\p mib4 r2 \clef treble |
535 \ind #"staccato leggiero" sib''16\p sib sib sib la la la la fad fad fad fad |
536 fa fa fa fa re re re re dod dod dod dod |
537 si' si si si lad lad lad lad sol sol sol sol fad fad fad fad |
538 do' do do do do do do do dod\< dod dod dod dod dod dod dod |
539 re8->\! r r4 r \pizz sol8->\mp lab-> |
540 r16 sol r8 sib-> r sold-> la-> r16 sold r8 |
541 la sold-> la-> r16 sold r8 si-> r la |
542 sib-> r16 la r8 do si lad-> si-> r16 lad |
543 r8 dod-> do\< re dod mib |
544 <re, re'>4->\! r2 R2.
545 \longHairpins {
546 \arco re2. ~\p\CaV
547 re~\CaV re~\CaV re~\CaV re~\CaV re~\CaV re~\CaV re4\CaV r2
548 re2.~\p\CaV re~\CaV re8\CaV r \ordin re4.~\pp\< re8\>\glissando
549 re'2.~\! re8 r re,4.~\p\< re8\>\glissando
550 <re re'>4\! r2 \clef alto |
551 r4 \ten re,,2~\p re r4 |
554 r \t {sol8\pp( sib sol} \t {sib sol sib)} \t {sol( sib sol} \t {sib sol sib)}
555 \t {fad( si fad} \t {si fad si} fad4) r |
556 r \t {sol8( sib sol} \t {sib sol sib)} \t {sib( sol sib} \t {sol sib sol)}
557 \t {fad( si fad} \t {si fad si} fad4) r |
558 r <sol sib>2~\mp <sol sib>\> <fad si>4~\! <fad si>2 r4 |
559 r <sol sib>2~ <sol sib> <fad si>4~-- <fad si>2 r4 |
560 r \t {re'8\mf\>\(( si) si(} \t {sol) sol( mib)\!\)} \t {sol\<\(( si) si(} \t {re)\) re( fad~)} fad4~\! fad2 r4 |
561 r \t {re8\mf\>\(( si) si(} \t {sol) sol( mib)\!\)} \t {re'\>\(( si) si(} \t {sol\!) re'( si)\)}
562 \t {sol'\>\(( mib) mib(} \t {re)\<\) si'( sol)} re'4--\! \clef treble
563 r16 \pizz mi8.\mp |
564 fa4-> mi8-> fa-> r16 mi8. | fa4-> fad8-> sol-> r16 fad8. |
565 sol8 fad-> sol-> r16 fad r8 lab-> | sol4-> r r2 \clef alto |
567 r4 \arco \t {fa,,8( sib fa} \t {sib fa sib)} \t {fa( sib fa}
568 \t {sib fa sib)} \t {fa( sib fa} \t {sib fa sib} fa4) r |
569 r \t {fa8( sib fa} \t {sib fa sib)} \t {fa( sib fa}
570 \t {sib fa sib)} \t {fa( sib fa} \t {sib fa sib} fa4) r |
571 r \t {sol8\p( sib sol} \t {sib sol sib)} \t {sol( sib sol} \t {sib sol sib)}
572 \t {si( fad si} \t {fad\> si fad\!)} r2 |
573 r4 \t {sol8( sib sol} \t {sib sol sib)} \t {sol( sib sol} \t {sib sol sib)}
574 \t {si( fad si} \t {fad\> si fad\!)} r2 |
575 r4 \t {sol8\mp( sib sol} \t {sib sol sib)} \t {sol( sib sol} \t {sib sol sib)}
576 \t {fad( si fad} \t {si fad si} fad4) r |
577 r4 \repeat tremolo 8 {sib32\mf re}
578 \repeat tremolo 8 {sib re}
579 \repeat tremolo 4 {si red} | si4 r2 |
580 r8 fad'\f( sol) re( mib) sib( si) fad'( sol) re( mib) sib( |
581 si) fad'4--\>( re--) sib8~--( sib fad4-- sol--) sib8~--\mp sib2 r4 |
582 R2.*4
583 fa2.~\pp fa sol~ sol~ sol2 r4 |
584 fa2.~\pp fa~fa~fa2 r4 |
585 mi2.\p\fermata
589 InterludeTroisAltoDeux = { \AltoDeux
590 \relative {
591 r8 \pizz re,\pp r re r re dod'-> re, |
592 r re r re dod'-> re, |
593 r re r4 r2 | R2. R1 R2. \arco
594 \ten <mi do'>1~\pp <mi do'>2 r4 |
595 r8 mi---.\mp r mi---. r mi---. r mi---. | r mi---. r mi---. r mi---. |
596 <lad fad'>8-. <lad fad'>4-- <lad fad'>-- <lad fad'>8-. |
597 <lad fad'>8-. <lad fad'>4--( <lad fad'>8-.) |
598 <si sol'>16\f <si sol'> <sold mi'> <sold mi'>
599 <si sol'> <si sol'> <sold mi'> <sold mi'>
600 <si sol'> <si sol'> <do lab'> <do lab'> |
601 <si sol'> <si sol'> <sold mi'> <sold mi'>
602 <si sol'> <si sol'> <do lab'> <do lab'> \clef treble
603 <re sib'> <re sib'> <si sol'> <si sol'>
604 <re sib'> <re sib'> <red si'> <red si'> |
605 <fad re'>\< <fad re'> <red si'> <red si'>
606 <fad re'> <fad re'> <sol mib'>8\! \clef alto
607 sol,16:32\mf mi: sol: lab: si: lab: si: do: |
608 mib:\< do: mib: mi: sol: mi: sol: lab: | si4--->\! r \clef treble
609 dod8\sffz r r4 |
613 ActeUnSceneQuatreAltoDeux = { \AltoDeux
614 \relative {
615 \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2
616 r2 r16 do\< sib la sib4--\mf sold-- la8-. la-. r4 R2-\fermataMarkup
617 R1 R2. R1*2 R1. R1*2 R1. R1*2
619 %%% Agitato %%%
620 re,2.:32\fpp sol: sol8 r do,--\mf sol'-- re'-- sol,-- |
621 do,-.-> r r2 r2 r16 si'\< si si si2~--\mf\< si4\glissando mib2.\! re4-- r2 |
622 re,16\upbow\p( mi sol la) sib( la sib do) mib\<( do mib fa) |
623 re4.--->\f re,8-. \t {re re re} re4-- re-- re-- |
624 re4.---> re8-. \t {re re re} re4-- re-- re-- |
625 re8\< re re re re re |
626 re2.:32\psubito mi?: re: |
627 re8\< re re re re re |
628 re->\! r re16( mi re mi) sol( la sol la) |
629 re8->\f r r mi,-. \t {mi-> mi mi} mi-> mi-- mi-> mi-- mi-> mi-- |
630 r sib'4--\upbow mi,-- sib'8-. | mi,-> mi-- mi-> mi-- \t {mi->\< mi mi} |
631 r\! sib'4--\upbow mi,-- sib'8-. | mi4--\downbow mi--\downbow sib-- |
632 re,16->\<( mi sold la) re4->\! mi,16->\<( la re mi) sold4->\! la,16->\<( re mi sold) la4->\! |
633 re8-.-> re,,8\mp \ind #"leggiero" re2.:8|
634 \dwnb {re4 re re | re2.:8 r4 |
635 re4 re re | re2:8 |
636 re4 re re | re2:8 |
637 re4 re re | re2:8} |
638 re2\upbow\> re4--\! |
640 %%% Placando assai %%%
641 sol2.--\p(\upbow dod,4--) sol'2.-- r4 |
642 sol2.--(\upbow dod,4--) sol'2.-- r4 |
643 dod,2\upbow\<( re mib) \ten mi2.~--\p mi r4 |
644 \t {r mib--\upbow\mp( mib--} \t {mib-- mib-- mib--)} \t {mib--( mib-- mib--)} \t {mi--( mi-- mi--)} |
645 \t {r mib--\upbow( mib--} \t {mib-- mib-- mib--)} \t {mib--( mib-- mib--)} \t {mi--( mi-- mi--)} |
646 \t {r \simile mib mib} \t {mib mib mib} \t {mib mib mib} \t {mib mib mib} |
647 \t {r mib mib} \t {mib mib mib} \t {mib mib mib} \t {mib mib mib} |
648 \t {r do--\mf do--} \t {do-- do-- do--} \t {re--\< re-- re--} mib8-- mib-- |
649 \t {r4\! <fa si>--\f <fa si>--} \t {<fa si>-- <fa si>-- <fa si>--}
650 \t {<fa si>\< <fa si> <fa si>} <fa dod'>8 <fa dod'>\! |
651 R1*4 r2 \longHairpins {lad~\p lad4 lad\< sold2\>( lad2.\!)} r4 |
652 R2*3 R2.*2
654 \pizz do,4\mp r mib\< mi\! r2 fa4 r2 fad4 r2 |
656 %%% A tempo %%%
657 \arco
658 <mib la>2--->\f <mib la>4-- <mib la>-- <sold si>-- <sold si>2---> <sold si>4--
659 <si re>-> <si re>-> <si re>-> r |
660 \repeat tremolo 16 {la32\fp sib}
661 \repeat tremolo 12 {la sib}
662 \repeat tremolo 16 {la sib}
663 \repeat tremolo 12 {la sib}
664 la8 r r4 r2 |
665 \repeat tremolo 12 {la32\pp si}
666 \repeat tremolo 16 {la si}
667 la8 r16 re16:32~\mp\< re8:32 mi8:32~ mi16:32 sol8.:32 |
668 <mi sib'>2--->\f( <mi sib'>4--) <mi sib'>-- <mi sib'>4.---> <mi sib'>8~-- <mi sib'>4 r |
669 mi2---> r4 mi2---> r4 <si sold'>2--->\ff <si sold'>4-- |
670 \st {sold'8-> si, si sold' sold-> si, sold'-> si, |
671 sold'-> si, si sold' sol-> si, sol'-> si,}|
672 \ten <re, si'>2.~\ff <re si'>8 r4 |
673 sold16\mf\upbow( lad) lad( sold) sold( lad) lad( sold) sold( lad) lad( sold) |
674 sold( lad) lad( sold) sold( lad) | si2~--\ff si8 r4 |
675 fa16\mf( sol) sol( fa) fa( sol) sol( fa) |
676 fa( sol) sol( fa) fa( sol) sol( la) | sib2~--\f sib8 r4 |
677 sold16\mp( lad) lad( sold) sold( lad) lad( sold) |
678 sold( lad) lad( sold) sold( lad) lad( sold) |
679 sold( si) si( sold) sold( si) si( sold) |
680 sold( si) si( sold) sold( si) |
681 si\<( sold) sold( si) si( sold) sold( si) |
682 fad( sold) sold( fad) fad( sold) sold( fad) |
683 R2\! R4.
684 r4 \ind #"détaché" fad16\p\< la re fa sib re, fa la |
686 re8->\fp \st {re, re, re re re re re} |
687 \simile re re re re re re re re |
688 re re re re re re re re |
689 re re re' re re, re re' re |
690 re, re re' re re, re re' re |
691 \cresc sol,16 sol sol sol sol sol sol sol sol sol sol sol sol sol sol sol |
692 sol sol sol sol sol sol sol sol la-> la la la la la la la |
693 la la la la do do-> do do do do do do do do do do |
694 re->\f re re, re re' re re re re,\> re re re re' re re re | re,4--\! r r2 |
695 R1*2 R2 R2.*2 R2 R1 |
696 \pizz re4\mp r2 R2.*2 re4 r2 R2. re4 r2 R2. re4 r2 R2. re4 r2 R2.*2 |
697 re4 r2 R2. re4 r2 re4 r2 R2.*2 re4 r2 r4 sib'\mp\> r r re,\! r |
698 R1. R1 R1. R1 R1. R1 R1. R1
699 \arco \ten dod'1.\mp( do2.) r4 | R1.*5 R1 R1.
700 \ten do,1\pp~ do1. do4-.->\ffsubito r r2 R1.*5 R1 R1. R1
704 EntracteAltoDeux = { \AltoDeux
705 \relative {
706 R2*9
707 <re, re'>4\sfz r r2 R1*6
708 re16->\mf re re re re4 r8 re16-> re re re re8-. |
709 re16-> re re re re4-- r2 |
710 re16\mp\< re re re re re re re re re lab' lab re, re si'? si |
711 re,4:16\fp re': re,: re': |
712 re,: re': re, re': |
713 re,: re': re, re': |
714 re,: re': re, re': |
715 re,: re': re, re': |
716 re,: re': re, re': |
717 re,2:16 re'2:16 re,: re: |
718 re4 r r2 | R1*2
719 \ten re1~\mp re2. r4 | R1*2
720 \ten re1~\p re2. r4 | sol--(\upbow lab--\< la-- sib--) si->\f r r <re, sol>-.->\mp r <re sold>-.-> r mib-.-> |
721 re4:16\fp re': re,: re': |
722 re,: re': re,: re': |
723 re,: re': re,: re': |
724 re,: re': re,: re': |
725 re,: re': re,: re': |
726 re,: re': re,: re': |
727 re,: re': re,: re': |
728 re,4--->\mf re-- re-- re-- re re re |
729 re2:8 re: |
731 %%% Fugato %%%
732 red1~\ff red~\> red2.~\mp red~ red2~ |
733 red1~ red2.~ red~ <red sol>1~ <red sol>~ <red sol>2.~ red~
734 red1~ red~ red2.~ red~ red1~ red2. r4 |
735 do2:8\p do4: do2: do4: <do sol'>2:8 <do sol'>: <do sol'>: <do sol'>:
736 <do sol' re'>4--\mf <sol' re' la'>-- <do, sol' re'>-- <sol' re' la'>--
737 <do, sol' re'>-- <sol' re' la'>-- |
738 <sol re'>4:8 <re' la'>: <sol, re'>: <re' la'>: |
740 %%% Stretto %%%
741 re2:16\f re: | re: re: |
742 re4-- <dod re>2\sffz r4 \clef treble |
743 r4 r8 \pizz fad'\mp sold,4-- r \clef alto |
744 mi-- sol-- r mi-- |
745 \arco mi2:8\fp mi8 fad-> fad4:8 |
746 mi:-> mi8 fad-> fad2:8 |
747 si,2:8->\mp si: | lad: lad:\< |
748 <sib re>4-.->\! r r2 | R1*3
750 %%% Noir %%%
751 R2.-\fermataMarkup \pizz red4\mp r2 | R2. red4 r2 R2. R2 |
752 red4 r2 r4 red, r2 | r4 red r | R2 mi4\mp r r2 |
753 R1*4 R1.*4 R1 R2.-\fermataMarkup
755 R2. r4 \arco la2~\p la2.~ la~ la~ la~ la~ la2 r4 | R2.-\fermataMarkup
757 %%% Poco più %%%
758 la2.~\pp la~ la~ la2 r4 | R2.-\fermataMarkup |
760 %%% Andantino %%%
761 R1 R2 R1 R2 R1 R2 R1 R2. \clef treble
763 %%% Largo non troppo %%%
764 \ind #"à la corde" la'4\mp( sol) fa( mi) fa8\<( mi) fa( sol) |
765 la4\!( sol) fa( mi) fa8\<( mi) fa( sol) |
766 \simile la4\! sol fa mi fa8 mi fa sol |
767 la4 sol fa mi r2 |
768 la'4\mf( sol) fa( mi) fa8\<( mi) fa( sol) |
769 la4\!( sol) fa( mi) fa8\<( mi) fa( sol) |
770 \simile la4\! sol fa mi fa8 mi fa sol |
771 la4 sol fa mi r2 \clef alto |
772 \ten <la,, la'>1.-- \det {<sol re' re'>1 <sol re'>2 |
773 <sol sol' do>1 <do, sol' sol'>2 |
774 <dod sol' mi'>->\mp <la' mi'>-> dod, |
775 <re la' fa'>-> re' re, |
776 <re sol re'>-> <si' fa'>-> <re, sol>-> |
777 <do sol' mi'>-> do' do,} |
778 \accdet { \cresc <re re'> <re re'> <re re'> |
779 <red red'> <red red'> <red red'> |
780 <mi mi'>\f r1 | <mi mi'>2} r | R1 R2. R2
784 ActeDeuxSceneUnAltoDeux = { \AltoDeux
785 \relative { \clef treble
786 \ttt {
787 <la' re\harmonic la''>16[\ppleggiero <la re\harmonic la''>
788 <la re\harmonic la''> <la re\harmonic la''>
789 <la re\harmonic la''> <la re\harmonic la''>]
791 \ttt { \simile la''16 la la la la la }
792 \repeat unfold 20 { \ttt { la[ la la la la la] } }
793 \ttt { \ind #"senza cresc." la[ la la la la la] }
794 \repeat unfold 47 { \ttt { la[ la la la la la] } }
795 la4-- r \ttt { la,8\pp[ la16 la la la] } |
796 \ttt { \cresc la[ la la la la la] }
797 \repeat unfold 5 { \ttt { re,[ re re re re re] } }
798 \ttt { re\f[ re re re re re] }
799 \ttt { re[ re re re re re] }|
801 %%% Entrée de la Soprano Deux %%%
802 R2.*2 r4 \ttt {<sol,mi'>8\f <sold mi'>16 <sold mi'> <sold mi'> <sold mi'>}
803 <sold mi'>8 r r4 \clef alto |
804 r4 r8 \t {<sib,lab'>8\f <sib lab'>16}
805 \ttt {<sib lab'>8 <sib lab'>16 <sib lab'> <sib lab'> <sib lab'>} |
806 R1 R2. R2 R2. R1
808 %%% Andantino %%%
809 R1*2 R2.*4 R2
810 r4 \pizz si\mp mi, r si' lad8-- fad mi4 fad8-- mi si' lad |
811 r2 fad4 mi r si'8 lad fad4 r r8 fad4. |
812 \arco mi2--\p r4 | R2
813 \pizz fad4 r2 | R1 R2. R1 R2. R1
814 r4 sol\mp mi8 do R1 r4 \arco mib--\p r mib-- r mib-- r | R2.
815 r4 mi? r mi r mi r |
816 <mi la>1~\pp <mi la>2. <mi la>2( <la re>)
817 <mi la>2.~<mi la>2 <la re> <mi la>2.~ <mi la>2. r4 |
818 \ten <mi la>2.~ <mi la>1~ <mi la>2 r4 | R1
820 %%% Entrée de la Contralto %%%
821 \pizz fad4\mp r2 | R1
822 fa4 r2 R1 fad4 r fad r fa r mib |
823 r \arco <do'fad>--\p r \det {<do fad> r <do fad>} r | \simile do r do |
824 r <la re> r <la re> r <la re> r |
825 <la re> <la re> r <la re> r <la re> r r <la re> r <la re>\mp |
826 r8 \pizz la4\mp do re,8 | r4 lab' do re, | r8 la'4 do re,8 | r4 lab' do re, |
827 r8 la'4 do re,8 | r lab'4 do re,8 | r sol r2 |
828 r8 la4\mp do re,8 | r lab'4 do re,8 | r la'4 do re,8 | r lab'4 do8 reb,4 |
829 r4 la' r8 do | r4 \arco do--\mf r \det {do r do-. | mib,2 r4 la | r do r |
830 r si\pp r si r sib} r | R1
831 r8 \pizz la4\mp do re,8 | r lab'4 lab8 do4 re, | r8 la'4 do re,8 |
832 r4 \arco \ten sol2.~\p sol2. r4 lab\mp\>( sol) fa |
833 re2.~\pp re1~ re4 r2 R2 | R1 R2. R1 R2. R1 R2. R1
837 ActeDeuxSceneUnBisAltoDeux = { \AltoDeux
838 \relative {
839 \pizz mi,4\mf r r2 | R2. R2
841 %%% Presto Agitato %%%
842 R1*5/4*2
843 \arco \ind #"sul tasto" <red'sol?>1*5/4~\pp <red sol>~ <red sol>2. r2 |
844 <mi,la>1*5/4~ <mi la>~ <mi la>2. r2 |
845 R1*5/4*7
846 \repeat tremolo 8 { \simile re'16*5/4\p mi}
847 \repeat tremolo 8 { re mi}
848 \repeat tremolo 8 { re mi}
849 re4 r re8\mp( mi re sib) la( sib) |
850 re4-- r2 re8( sib la sib) |
851 re4-- r2 \ordin re8-.\mf \st {re re re} |
852 \accdet {<sol,la>4\sfz r2 <sol la>4\sfz r |
853 <sol la>\sfz r <sol la>\sfz r2 |
854 <sol la>4\sfz r r8 <sol la>\sfz r2 |
855 <fa sol>4\sfz} r1 | R1*5/4*8
856 \ind #"détaché" fa?8\mp re? fa re fa re fa-> solb fa re |
857 fa re fa re fa re fa-> solb fa re |
858 \simile fa re fa re fa re fa solb fa re |
859 fa re fa re fa re fa solb fa re |
860 fa\< re fa re fa re fa solb fa re |
861 \accdet {<dod sol'>4\sfz r2 <dod sol'>4\sfz r |
862 <dod sol'>\sfz r <dod sol'>\sfz r2 |
863 <dod sol'>4\sfz r r8 <dod sol'>\sfz r2 |
864 <sib'la'>4\sfz} r1 | R1*5/4
865 <fad dod'>4->\sffz r1 | R1*5/4-\fermataMarkup
867 %%% Boum %%%
868 R1*5/4*12
869 \repeat tremolo 16 {lad32\< si} \tt {lad16( si lad la sol)} |
870 \ind #"à la corde" <mib lab mi'!>2.--->\f \accdet {<fa sib re>2 <mib lab mi'!> <fa sib re>2. |
871 r4 <mib lab mi'!>2. <fa sib re>4~\<} <fa sib re>2 \accdet {<mib lab mi'!>2. |
872 \ten <mib lab re>1*5/4\! <mib lab>2 <mib lab re>2.} |
873 <si' mi>2.\> si2\! | \ten <reb, sib'>1*5/4~--->\f <reb sib'>2. <reb sib'>2---> |
874 \ten <mib lab mi'!>1*5/4~ <mib lab mi'> |
875 r4 \accdet {<lab mi'>2\< <lab mi'>} |
876 <fa re'>1*5/4~\ff <fa re'>2. r2 | R1*5/4*5
878 %%% Moderato assai %%%
879 R1*7/4*7 R2. R1 R2. R2
880 r4 si2--\p \pizz red,4 \arco do'2~--\upbow do4 \det {si2 do4. si~} |
881 si2 r4 | \pizz fad \arco si2~-- si4 do2~-- do r4 | do,\leftpizz r2 |
882 \ten mib1*7/4~\p mib4 r2 r1 | R1*7/4
883 r8 \pizz fa\p\< fad dod' re4\! |
884 r8 dod,\< re la' sib4\! | r8 \simile fa fad dod' re4 |
885 r8 fad, la re fa4 | r8 fa, fad dod' re4 |
886 r8 mib, lab si mi4 | r8 fa, solb sib reb4 |
887 \arco \small solb,4( \normalsize fa1*6/4)~\mf fa1 r2 r4 |
888 R1*7/4*2 \repeat volta 2 {\det {re1\mf mi2. re mi1 R1*7/4}
889 \meno mi1} r2 r4 | R1*7/4 |
891 %%% Presto subito %%%
892 \tt {\ind #"détaché" red8\mf\upbow red red red fad} \tt {red red red red fad} \tt {red red red red fad} |
893 \tt {red red red red fad} \tt {red red red red fad} \tt {red fad red red fad} |
894 \tt {red fad red red fad} \tt {red fad red red fad} \tt {red fad red red fad} |
895 \tt {red fad red red fad} \tt {red fad red red fad} \tt {red fad red red fad} |
896 \tt {red fad red red fad} \tt {red fad red red fad} \tt {red fad red red fad} |
897 re4-- r2 \st {re'8\p do lab fad fa mib re4} r2 |
898 re'8-- \st {do la fad fa mib re4} r2 |
899 re'8-- \st {do la fad fa mib} re4-- r \st {fa8 lab} sib4-- \pizz sol8\mp re' sol,4 r |
900 sold8 mi' sold,4 <sold mi'>\arpeggUp |
901 la8 mi' la,4 <la mi' la>\arpeggUp |
902 do8 fa do4 red,8 si' red,4 red8 sold red4 |
903 r8 red\< sold dod fad si mi\! |
904 r4 r8 \arco la,,--\< \det {sib sib si si} |
905 \accdet {<dod, do'! sol'>4\ff <dod do' sol'>8.} <dod do'>16-.
906 <dod do'!>8.---> \st {<dod do'>16 <dod do'>8} |
907 \accdet {<dod la' mi'>2 r4 |
908 <dod do' sol'> <dod do' sol'>8.} <dod do'>16
909 <dod do'>8.---> \st {<dod do'>16 <dod do'>8} |
910 <do sol' mib' sib'>2---> r4 |
911 <dod lad'>8-.-> <dod lad'>8.---> \st {<dod lad'>16 <dod lad'>8 <dod lad'>} |
912 \accdet {<mib do'>4 <mib do'>8.} <mib do'>16-. \accdet {<mi do'>8.\< <sol mi' si'>} |
913 <la mi' la>4\sffz r2 | re4\mf( mi si sold) r \stdet {sol\downbow sib si do} |
914 r8 \det {mib,\mp\downbow( mib mib mib mib) | mi\<( mi sol sol lab lab\!) |
915 r mi?( mi mi mi mi) mib(\< mib lab lab sol sol\!)} |
916 r mib mib mib mib mib \det {mi\<( mi sol sol lab lab\!) |
917 r sib\upbow( sib sib) si( si) r re( re re) mib( mib)} |
918 fad4 \det {mib8 re si sib | <mi, dod'>2.\mp} R2. R2 R4. R2 R1*5/8 R2.
920 %%% Tempo I %%%
921 fad'16->\mf( sol fad mib) re( mib fad mib) re( si) la( sol) la( sol) la( sol) |
922 \accdet {<mib sib'>4\sfz r2 <mib sib'>4\sfz r | <mib sib'>\sfz r <mib sib'>\sfz r2 |
923 <mib sib'>4\sfz r r8 <mib sib'>\sfz} r2 | <do si'>4->\sffz r1\fermata |
924 R1*5/4*3
925 \ten lab'1*5/4~\pp lab2. r2 | R1*5/4*2
926 \ten sol1*5/4~ sol2. r2 | R1*5/4*3
927 sol'8(\p mi sol mi sol mi sol mi sol mi) |
928 sol( mi sol mi sol mi sol mi sol mi) |
929 sol( mi sol mi sol mi sol mi sol mi) |
930 \simile sol mi sol mi sol mi sol mi sol mi |
931 sol mi sol mi sol mi sol mi sol mi |
932 sol mi sol mi sol mi sol mi sol mi |
933 sol mi sol mi sol mi sol mi sol mi |
934 sol mi sol mi sol mi sol mi sol mi |
935 sol( mi sol mi sol) r r2 |
939 ActeDeuxSceneDeuxAltoDeux = { \AltoDeux
940 \relative {
941 \pizz sold'4\mp sold la r r2 | sold4 sold la r r2 | R1.
942 sold4 sold la r sold sold | la4 r r1 | R1. R1*2 R2.
943 \arco re,,8->\f r r16 re8-- fa16 r fad8.-- | re8---> re16 re re re re re re8 r |
944 <la're sold>--\fmolto <la re sold>-- <sib re la'>4---> re,8--\mf mib-- |
945 <la re sold>--\f <la re sold>-- <sib re la'>4---> re,8--\mf fad-- |
946 \ten re1.~-- re1 r2 |
947 R1. R1*2 R2.
948 <re lab'>16->\f <re lab'> <re lab'>8 <re lab'>-- re--
949 r \acc {<re lab'> r re16 red | r mi\upbow dod re do mib} \clef treble |
950 r8 \det {sold'\mf sold la} r4 \st {dod,,16\p dod dod dod} |
951 r8 \det {sold''\mf sold la} r4 \st {dod,,16\p dod re8} \clef treble |
952 r8 \det {sold'\mf sold red'} r4 mid,,16 mid fad8 |
953 r8 \det {si' si red} r4 si,16\mp si <dod fad red'>8-- |
954 \cresc <red' lad'> <fad,,dod'>16 <fad dod'> <fad dod'>8 <red''lad'>-- \clef alto
955 <fad,,dod'>16 <fad dod'> <fad dod'>8 dod'-- fad,-- |
956 \st {dod'16\f dod dod dod dod dod dod dod
957 dod dod dod dod dod dod dod dod} |
959 R2. R1. R1*2
960 r16 \ind #"espr." do,(\pdolce fa la do4) r | r16 do,( sol' sib do4) r |
961 r16 do,( fa la do4) r | r16 do,( fa sold si4) |
962 r16 re,( sold si re4) r16 do,\upbow( la' do) |
963 r16 do,( mi la do4) r | r16 sol( sib re do4) r |
964 \pizz do,\mp do' R4.
965 r8 \arco <re mi>--\f \det {<re mi> <re mi>} r4 \st {sold,16\mf sold la8} |
966 r \det {<re mi>\f <re mi> <re mi>} r4 \st {re,16\mf re mi8} |
967 r \det {<la re?>\f <la re> <sol fa'>} r4 \det {sol16\mf sol} la8 \clef treble |
968 r \det {<sib la'>\f <sib la'> <do si'>} r4 \st {si16 si do8} |
969 r \det {<mi mi'> <mi mi'> <re re'>} r4 \clef alto \pizz <fa, si> |
970 \arco fad8-.\pleggiero \st {fad16 fad fad8 fad16 fad |
971 fad8 fad16 fad fad8 fad16 fad |
972 fad8 mi16 mi fad8 mi16 mi | fad4 r |
973 mi16 mi mi mi mi mi mi mi |
974 mi mi mi mi mi mi mi mi} | \ten <red si'>1~\mf <red si'>2 r4 |
976 R1. R1 R1.
977 \t {sib'8\pp( re sib} \t {re sib re} \t {sib re sib}
978 \t {re sib re} \t {sib re sib} \t {re sib re} | si2) r4 R1 |
979 \pizz <la'la>4\mp r2 | R1 R2. R1 R2. R1
980 \arco mib4\pp( reb dob | sib4) r r2 | R2. R1
981 sib4\p( do! re! mib4) r mi\>( fad | sold\!) r2 | R1
982 \pl {la,4_\leftpizz s2 s1 s2. s1 s2. s1 s2. }
983 {la'2.:32~\pp \oneVoice la1:~la2.:~la1:~la2.:~la1:~la2.:\<} |
984 <la,la'>4--\! r R2 \clef treble fad'8\f fa \ind #"détaché" la16 sol lab sib |
985 do8 si red16 dod re mi fad8 fa | la4---> r r2 \clef alto |
986 fa,,16\mf\< re mib fa lab fad sol la do4\! r | la1:16
988 <la sold'>4--->\f reb8\upbow\< mi fa | \acc {la\! la sold r4 |
989 <la, sold'>--} la8\< re mib | \acc {la\! la sold r4 |
990 <la, sold'>--} mib8\< mib re | \dwnb {<mib re'>4\! <mib re'> r8 |
991 <re la' mib'>4} r r8 |
992 <la'sold'la>4---> r \st {mib'8 | mib re} r4 r8 |
993 \dwnb {<mib,re'>4 <mib re'> r8 | <re la' mib'>4} r r8 |
994 \acc {la'8 la sold} r4 | r8 \accdet {mi'4 mi | sold,} r r8 |
996 R1*2 <do, la'>4->\sffz r r2 |
997 r4 \pizz red\mp dod r | r fa mib r | R1
998 \repeat tremolo 16 { \arco mi32\p fa}
999 \repeat tremolo 8 { mi fa}
1000 \repeat tremolo 8 { re fad}
1001 \repeat tremolo 16 { re\< fad}
1002 <dod' red>4\sfz r2 | r8 \pizz fa,\mp r4 |
1003 R1*2 R2.*4 r4 la r r sol r R2. |
1005 r16 \arco do-.\pleggiero \st {mi do r si red si |
1006 r sib re sib r la dod la} |
1007 r \simile lab do lab r sol si sol r solb sib solb |
1008 r la do la r sold si sold r sol sib sol |
1009 r fad la fad r fa lab fa |
1010 r mi sol mi r red fad red |
1011 \st {dod8\p r sol' r do, r fad r | fa r mi} r |
1012 \pizz <re sib'>4\mp <re sib'>8 \arco sold'16-.\mf sold-. |
1013 <sib, re la'>8-- r \pizz <re, sib'>4\mp |
1014 <re sib'>8 \arco sold'16-.\mf sold-. <sib, re la'>8-- r |
1015 \pizz <re, sib'>8 \arco sold'16-.\mf \st {sold la8 fad16 fad} |
1016 sol8-- \st {do,,16\pleggiero mi r8 red16 red |
1017 r8 re16 re r8 dod16 dod |
1018 r do do lab' r sol si sol |
1019 r solb sib solb r fa la fa | R2
1020 r8 dod16\pp dod do8} r | R2
1021 \pizz <re sib'>4\mp <re sib'>8 \arco sold'16-.\mf sold-. |
1022 la8-- r16 re,,( mi8) r16 mi( | re8) si'!16-. si-. lad8-- r |
1023 R2*2 \pizz re,4\mp r dod r mib r R2 |
1025 \arco \ind #"flautando sul tasto"
1026 la2.:32~\pp la:~ la:~ la:~ la:~ la:~ la2 r4 |
1027 R2.*2 r16 \st {<sib mi>\p r <sib mi> r <sib mi> r <sib mi> r4 |
1028 R2.*4 r16 <fa dod'>\pp r <fa dod'> r <fa dod'> r <fa dod'> r4 |
1029 r r16 fa r dod'} r4 |
1033 ActeDeuxSceneTroisAltoDeux = { \AltoDeux
1034 \relative {
1035 %%% Larghetto %%%
1036 R4.*6
1037 sold'16\pp sold la( dod,) sold' sold |
1038 la( dod,) sold' sold la( dod,) |
1039 sold'8 r4 | R4.
1040 \simile sold16 sold la dod, sold' sold |
1041 la dod, sold' sold la dod, |
1042 sold'8 r4 | R4.
1043 sold16 sold la dod, sold' sold |
1044 la dod, sold' sold la dod, |
1045 sold'8 r4 | R4.
1046 sold16 sold la do,! sold' sold |
1047 la do, sold' sold la do, |
1048 sold'8 r4 | R4.
1049 sold16 sold la do, sold' sold |
1050 la do, sold' sold la do, |
1051 sold'8 r4 | R4.
1052 sold16 sold la do, sold' sold |
1053 la do, sold' sold la do, |
1054 sold'8 r4 | R4.
1055 \st {sold16->\mf sold la8 r |
1056 r sold sold la-> r4 |
1057 la16-> la sib8 sold16 sold |
1058 la8->} r4 |
1059 \ten <do,, la'>4.~--\p <do la'>4 r8 |
1060 \st {sold''16->\mf sold la8 r |
1061 r sold sold la->} r4 |
1062 \ten <sib, re>4.~\p <sib re>4 r8 |
1063 \st {sold'16\mf sold la8 r |
1064 r sold sold la8-> r4 |
1065 sold16-> sold la8} r |
1066 \ten dod,4.~\p dod4 r8 |
1067 r4 \st {sold'16\mf sold la8-> r4 |
1068 sold16-> sold la8} r |
1069 \pizz <re,, sib'>4\p\arpeggUp <re sib'>\arpeggUp <re sib'>8\arpeggUp
1070 \arco sold'16\mf sold <re la'>8---> sol16 sol <sib, lab'>8---> r |
1071 \pizz <re, sib'>4\p\arpeggUp <re sib'>\arpeggUp <mi do'>8\arpeggUp
1072 \arco sold'16\mf sold la8---> fad16 fad sib8---> r |
1073 r \st {sold16\mf sold la8->} r |
1074 \pizz <mi, do' sold'>\p\arpeggUp sold' <mi, do' la'>4\arpeggUp |
1075 \arco sold'16-.\mf sold-. la8-.-> |
1076 r \pizz <mid, dod'>\p\arpeggUp \arco sold'->\mf sold-> la-> r |
1077 \pizz <mid, dod'>\p\arpeggUp <mid dod'>\arpeggUp r \arco sold'16-.\mf \st {sold la8-> fad16 fad sol8->} r |
1078 \pizz <fa, do'>4\p\arpeggUp <fa do'>\arpeggUp R4
1079 mi4 mi mi r8 |
1080 mib4 mib mib R4 |
1081 <fa do'>4\pp\arpeggUp <fa do'>\arpeggUp <fa do'>8 <fa do'> |
1082 \arco sold'16-.\mf \st {sold la8 r r sold sold la-> r4 |
1083 r8 sold sold la-> r4 |
1084 sold16-> sold la8 r |
1085 r sold16 sold la8 |
1086 sib-> r4 | r8 sold16 sold la8 |
1087 sib-> r4 | r8 lad16 lad si8 |
1088 do->} r4 | r8 la-- la-- sib-- r4 |
1089 \ten fa,4~\mp fa~ fa~ fa8 r |
1090 \pizz mib16\mp sib' r sib |
1091 mib, sib' r sib |
1092 mib, sib' r sib |
1093 re, sib' r sib re, sib' r sib |
1094 dod,8-> r | R4
1095 re16\mf sib' r sib dod,8-> r R4 |
1096 re16\mp sib' r sib dod,8
1097 \arco sold''16\mf sold la8---> r |
1098 \pizz <mi, do'>8 \arco sold'16 sold la8---> r |
1099 \ten <do,, sol' re'>4~<sol' re'>~<sol re'>8 r |
1100 r \pizz <sol la>\mp r <sol la> r <sol la> |
1101 r <sol re'> r <sol re'> r <sol re'> |
1102 R2.-\fermataMarkup R2.*6
1104 %%% Interlude %%%
1105 r8 \st {\arco la16\pp la sib8 r |
1106 do16 do dod8 r red16 red} |
1107 fa,2~\p fa~ fa4 r16 \st {si\ppleggiero do si |
1108 r si do si r do si8 |
1109 do16 si r do si8 do16 si} |
1110 r \simile si do si si si do si |
1111 si si do si si si do si |
1112 r mib-.\< re8-- fad16-. fa8-- la16-. sold8-- do16-. si-. \clef treble |
1113 si\mp si do( do,) si' si do( do,) |
1114 red' red mi( mi,) red' red mi( mi,) |
1115 \simile si' si do do, red' red mi mi, |
1116 red' red mi mi, do' do dod dod, |
1117 do' do dod dod, la' la sib sib, |
1118 do' do dod dod, si' si do do, |
1119 red' red mi fad, sol red' red mi fad, sol |
1120 fad\mp fad sol sol, fad' fad sol sol, |
1121 lad' lad si si, lad' lad si si, |
1122 fad' fad sol sol, fad' fad sol sol, |
1123 lad' lad si si, lad' lad si si, |
1124 fad' fad sol sol, fad' fad sol sol, |
1125 lad' lad si si, lad' lad si si, |
1126 fad' fad sol sol, lad' lad si si, |
1127 dod' dod re re, dod' dod re re, |
1128 lad' lad si si, lad' lad si si, |
1129 dod' dod re re, dod' dod re re, |
1130 lad'\< lad si si, dod' dod re re, |
1131 mi'\mf mi fa fa, mi' mi fa fa, |
1132 dod' dod re re, fad fad sol sol, |
1133 lad'\< lad si si, dod' dod re re, |
1134 mi'\! mi fa fa, mi' mi fa fa, |
1135 dod' dod re re, dod' dod re re, |
1136 mi'\< mi fa fa, mi' mi fa fa, la'->\! la-> |
1138 %%% Quatuor %%%
1139 la8-> \clef alto \pizz la,,\mp sold sib |
1140 fad4-- r8 | r la sold si fa4-- r8 |
1141 r fad sol sol\leftpizz |
1142 \arco \ind #"jeté" <mib re'>32\mf <mib re'>16. r16 <mib re'>32 <mib re'> r8 |
1143 <mib re'>32 <mib re'>16. <mib re'>32 <mib re'>16. r8 |
1144 re2--\f r4\fermata
1145 r8 \pizz la'\p sold4 r | R2.*5 R2*2 R2.
1147 %%% Air baryton 1 %%%
1148 \flaut <do,sib'>2~\pp <do sib'>~ do r4 |
1149 <do sib'>2~ <do sib'>~ do r4 |
1150 \t {re'8 mi re} \t {mi re mi} |
1151 \t {re( mi re} \t {mi re mi} |
1152 re2) r4 |
1153 re16( mi re sib lab sib) re( mi re sib lab sib) re( mi re sib) |
1154 lab( sib re mi) sib( re mi lab) re,\<( mi) lab-- lab-- |
1155 la4--\! r16 dod,,8--\mp sol'16-. | dod,4-- r8 |
1156 r sol'-- r16 dod,-. r8 | mi4-- r8 |
1157 do!\mp re( la' sol) | do4 r |
1158 re,8 la'( sol) do r4 \clef treble |
1159 sold''16->\mf sold-> la8-> r4 \clef alto |
1160 r8 sol,,-- r16 dod,8.-- | sol'2---> r4 \clef treble |
1161 \st {sold''16\f sold la la sold sold la la sold sold la la sold sold la la \clef alto |
1162 sol, sol sol sol re re si si si si si si |
1163 fa fa mi mi mi mi fa fa} |
1165 %%% Doppio tempo %%%
1166 re2:16\f re: re: re: re: re: re4-- r |
1167 sold2.~\p sold~ sold2 r4 |
1168 \st {re4\p la'} sold8( mi) | re4-. mi8( re) la'-. sold~-- |
1169 sold2.~ sold2 r4 |
1170 r8 mi'( re) r r re-> r2 |
1171 r4 <la re>~-- <la re> r \clef treble \det {sold'8\mp sold la4 r |
1172 r2 sol8 sol sold4 r r2 sold8 sold la4} r |
1173 r fa2:16\p mib: la2: la4: | sol: mi: sib': sold: re: |
1175 %%% Climax %%%
1176 re4-> r R4. |
1177 \ind #"détaché" re''16-> dod si sold \st {mi8 si \clef alto |
1178 fa si,} sib16 la sol mi | re8-> r r4 | R4. \clef treble |
1179 \st {re'''8 si} sold16 fad re si |
1180 \st {la8 re,} \clef alto sib16 sol fa mi |
1181 re8-> r r4 | R2 \clef treble
1182 re''4\ff r8 sib16\> sib sib fa fa fa |
1183 do2--\! r4 |
1184 re''4---> re,16 la sold fad re4 \clef alto sold,16 fad mi mib |
1186 %%% Soprano 2 %%%
1187 re8-> r r2 | R1
1188 r8 re-.-> r4 \st {re8\p re |
1189 red red r red red r dod dod |
1190 re4-- r8 re r re r re r re re r re\< re |
1191 do\! do r do r do | r do r do do r do do |
1192 dod dod r dod r dod r dod r dod r dod r dod} |
1193 R2. R1 R2. R1 R2. R1
1194 <re sold>4-- \st {<re sold>8 <re sold> r4 |
1195 sold'8->\mp sold la4 r2 | r4 sol sol | sold4->} r r2 |
1196 \pizz sold,8 fad la fa' r4 r2 r4 \arco lad,( |
1197 si) r2 \clef treble |
1198 re4-.\mf la'-. sold8( mi) re4-. mi8( re) la'( sold) r mi-. |
1199 sold4-- r r2 | <re' si'>4-- sold8( mi) re4-- |
1200 <sol,\harmonic la'\harmonic>-> r r2 \clef alto |
1201 r4 r8 mi,-.\p r mi-. |
1202 R1 R2.
1204 %%% Soprano 1 %%%
1205 \st {sib'8\pp sib r sib r sib r sib sib sib r sib r sib |
1206 sib sib r sib r sib r sib do\p do r do r do |
1207 do do r do r do r do dod dod r dod r dod |
1208 r dod r dod r dod r dod} |
1209 R2. R1 R2. R1 R2. R1 R2.
1210 \st {sold'8->\mf sold la4 r2 | r4 fad fad sol->} r r2 |
1211 R2. R1 R2. R1
1212 r2 \st {mi8\p mi} | mi( mi,) mi' mi mi( sold,) sol' sol |
1213 lab( lab,) mi' mi fa( fa,) \simile sold' sol la la, sold' sold la la, \clef treble |
1214 mi'\< fa la, do' dod dod, |
1216 %%% Duo %%%
1217 mi'4--\! r r2 \clef alto |
1218 sold,8\mf( la sold mi) re( mi) sold4~-- |
1219 sold1~ sold2. r4 |
1220 fad8( sold fad re) dod( re) fad4~-- |
1221 fad2 dod~-- dod4 r |
1222 \det {la la sold2} |
1224 %%% Baryton 2 %%%
1225 re'8--->\fsubito \t {si16( do dod)} re8---> \t {sold,16( si dod)} re8---> fad,32( sold si dod) |
1226 \accdet {re4\downbow re\downbow re\downbow} |
1227 mib8---> \t {do16( dod re)} mib8---> \t {la,16( do re)} \ttt {mib-> sol,( la do re mib)} |
1228 \accdet {fa4 fa r \clef treble |
1229 <re' re'>\downbow <re re'>\downbow <re re'>\downbow <re re'>\downbow} r2 |
1230 \simile <lab lab'>4 <lab lab'> <lab lab'> <lab lab'> r2 \clef alto |
1231 re,4->\mf \tt {re16( fad, la si do} re4->) |
1232 \tt {mib16( fad, lad si re} mib4->) \tt {re,16( fad sol si red} |
1233 \acc {mi8\f) r16 fa r8 mi r16 fa8--} dod16-. |
1234 mi8-> r16 dod\< mi fa | lab4->\! r2 |
1235 \st {sold8\f sold} la4-> \st {sol8 sol} | sold4-> r2 |
1236 \st {<fad, mi'>8\mf r16 <sol fa'> r8 <lab mi'> r16 <la fa'> r8 |
1237 <sib mi> fa'16 dod do mi r8 fa16 dod} r8 |
1238 \ind #"détaché" solb'16 mib re fa mi mib solb re sol mib lab fa |
1239 mi sol solb fa lab mi sol fa fad\< sold la si |
1240 \accdet {<re, re'>4\f <re re'> <re re'> <re re'> r2 |
1241 <re re'>4 <re re'> <re re'> <re re'>} r8 \acc {<do, do'> <mib mib'> <fad fad'> |
1243 %%% Boum %%%
1244 <sol la>4\sffz} r2 R2.*2
1245 r8 mi--(\mp\downbow mi-- mi-- mi-- mi--) |
1246 mib--(\< mib-- lab-- lab-- sol-- sol--)\! |
1247 r lab--( lab-- lab-- lab-- lab--) |
1248 la--(\< la-- do-- do-- dod-- dod--)\! |
1249 r \simile re re re re re |
1250 dod dod fad fad fa fa |
1251 r fa fa fa fa fa |
1252 mi mi lab lab la la \clef treble |
1253 r \ind #"à la corde"
1254 si(\mp sol si sol si) |
1255 sold( si do mib do mi) \clef alto |
1256 r re,,-- mib( sol) fad( sol) |
1257 si( fad) mi( lab) sol4-- |
1259 %%% Contralto %%%
1260 re'4->-- \pizz re,\mp re re re
1261 r re->\sfz r8 <fad re'>\mp\arpeggUp |
1262 r <fad re'>\arpeggUp r <fad re'>\arpeggUp |
1263 r \simile <fad re'> r <fad re'> |
1264 r <fad re'> r <fad re'> |
1265 r <fad re'> r <fad re'> |
1266 r <mib lab> r <mib lab> |
1267 r <mib lab> r <mib lab> |
1268 r4 \arco fa8->\mf fa-> fad4-> r | R2. R2*3
1269 r4 \pizz do8\p do dod4-.-- r | R2
1270 \arco sold''8->-.\mf sold-. la4-. r |
1271 r sol8-. sol-. sold4-. |
1272 sold8-.-> sold-. la4-. r |
1273 r fad8-. fad-. sol4-. |
1275 %%% Grand ensemble %%%
1276 dod,,1~\psubito dod sol'1~ sol2 dod,~ |
1277 dod sol'~ sol sold4-- r \clef treble |
1278 si'8\mp si do( do,) si' si do( do,) |
1279 red' red mi( mi,) red' red mi( mi,) |
1280 \simile si' si do do, si' si do do, |
1281 re' re mib mib, re' re mib mib, |
1282 dod' dod re re, si' si do do, |
1283 lad' lad si si, sold' sold la la, |
1284 \ind #"détaché"
1285 fa'\mp fa mi mi fa fa mi mi |
1286 la la sold sold la la sold sold |
1287 fad fad mid mid fad fad fa fa |
1288 sib\mf sib la la sib sib la la |
1289 dod dod sid sid dod dod sid sid |
1290 dod\f dod re( re,) dod' dod re( re,) |
1291 mid' mid fad( fad,) mid' mid fad( fad,) |
1292 \simile dod' dod re re, dod' dod re re, |
1293 mid' mid fad fad, mid' mid fad fad, |
1294 mi'\fmolto mi fa fa, mi' mi fa fa, |
1295 red' red mi mi, sold' sold la la, |
1296 sold' sold la la, sold' sold la la, |
1297 <sold la'>-> r r2 |
1299 %%% Chute %%%
1300 <solb sib>2.\ff\glissando la'2.:32\sfp~ la2:\< sold4:
1301 mi:\mp\> re: la: \clef alto sold: re2:\! re4-- r R2*2
1303 %%% Andante al fine %%%
1304 R2.*12
1305 \ind #"sul tasto, con sord."
1306 mi2:16\pp mi4:16 |
1307 mi2:16 mi4:16 |
1308 mi2:16 mi4:16 |
1309 mi2:16 mi4:16 |
1310 mi2:16 mi4:16 |
1311 mi2:16 mi4:16 |
1312 mi2:16 mi4:16 |
1313 mi2:16 mi4:16 |
1314 mi4 r2 | R2.*11
1315 \ind #"trem. sul tasto (senza sord.)" mi2.:32\pp mi: mi2: mi4-- |
1316 mi,2.\p~ mi2 r4 |
1317 mi2.-- \clef treble |
1318 r8 do''-- \tt {red16\< sold fad si la} red4->\!\upbow
1319 \ind #"ample" <mi,, mi'>8--->\ff\< <mi mi'>--->
1320 \t {<mi mi'>---> <mi mi'>-. <mi mi'>-.}
1321 \tt {<mi mi'>16---> <mi mi'>-> <mi mi'>-> <mi mi'>-> <mi mi'>->\!}