Documentation/essay/engravingbib.bib

   1 % This file cannot be named "engraving.bib" due to a conflict
   2 % with the existing engraving.itely file.  -gp
   3
   4 %
   5 % TITLE=The engraving bibliography
   6 % AUTHOR=Han-Wen Nienhuys
   7 %
   8
   9
  10 @Book{banter,
  11   author =      {Harald Banter},
  12   title =       {Akkord Lexikon},
  13   publisher =   {Schott's S\"ohne},
  14   year =        {1987},
  15   isbn =        {ISBN 3-7957-2095-8},
  16   note =        {Comprehensive overview of commonly used
  17   chords.  Suggests (and uses) a unification for all different kinds
  18   of chord names.},
  19   address =     {Mainz, Germany},
  20 }
  21
  22
  23
  24 @Book{rastall,
  25   author =       {Richard Rastall},
  26   ALTeditor =    {},
  27   title =        {The Notation of Western Music: an
  28   Introduction},
  29   publisher =    {J. M. Dent \& Sons London},
  30   year =         {1983},
  31   note = {Interesting account of the evolution and origin of common notation starting from neumes, and ending with modern innovations HWN},
  32 }
  33
  34
  35 @Book{ignatzek95:_jazzm_klavier,
  36   author =       {Klaus Ignatzek},
  37   title =        {Die Jazzmethode f\"ur Klavier 1},
  38   publisher =    {Schott},
  39   year =         1995,
  40   note =         {This book contains a system for denoting chords that is used in LilyPond.}
  41 }
  42
  43 @Book{mcgrain,
  44   author =       {Mark Mc Grain},
  45   title =        {Music notation},
  46   year =         1991,
  47   publisher={Hal Leonard Publishing Corporation},
  48 isbn ={0793508479},
  49 note={HWN writes: `Book' edition of lecture notes from XXX school of
  50 music.  The book looks like it is xeroxed from bad printouts.  The
  51 content has nothing you won't find in other books like [read] or
  52 [heussenstamm].   }
  53 }
  54
  55 @Book{ross,
  56   author =       {Ted Ross},
  57   title =        {Teach yourself the art of music engraving and processing},
  58   publisher =    {Hansen House},
  59   year =         1987,
  60 annote =         {This is about engraving, i.e.  professional typesetting.  It contains
  61   directions on good typesetting, but the sections on reproduction
  62   technicalities, how to use pens and history are interesting.
  63   Especially the section on Music Typewriters is amusing HWN},
  64   address =      {Miami, Florida},
  65 }
  66
  67 @Book {read78,
  68   note = {Sound (boring) review of the various hairy rhythmic notations used by avant-garde composers HWN},
  69   year =  {1978},
  70   title = {Modern Rhythmic Notation},
  71   author = {Gardner Read},
  72   publisher = {Indiana University Press},
  73 }
  74
  75 @Book {read-notation,
  76   note = {This is as close to the ``standard''
  77   reference work for music notation issues as one is likely to get.},
  78
  79   title = {Music Notation: a Manual of Modern Practice},
  80   author = {Gardner Read},
  81   totalentry = {(2nd edition)},
  82   year = 1979,
  83   publisher ={Taplinger Publishing},
  84   address ={New York},
  85 }
  86
  87 @Book {weaner93,
  88   year =  {1993},
  89   title = {Standard Music Notation Practice},
  90   author = {Maxwell Weaner and Walter Boelke},
  91   totalentry = {revised edition by Arnold Broido and Daniel Dorff.},
  92   publisher = {Music Publisher's Association of the United States Inc},
  93   address = {New York}
  94 }
  95
  96
  97 @Book {wanske,
  98
  99   annote = {I. A very thorough overview of engraving practices of various
 100   craftsmen. It includes detailed specs of characters, dimensions
 101   etc. II. a thorough overview of a anonymous (by now antiquated)
 102   automated system. EDV Means e(lektronischen) D(aten)v(erarbeitung),
 103   electronic data processing HWN.},
 104
 105   year =  {1988},
 106   title = {Musiknotation --- Von der Syntax des
 107     Notenstichs zum EDV-gesteuerten Notensatz},
 108   author = {Helene Wanske},
 109   publisher = {Schott-Verlag},
 110   address = {Mainz},
 111   isbn = {ISBN 3-7957-2886-x},
 112 }
 113
 114
 115 @Book {hader48,
 116   year =  {1948},
 117   title = {Aus der Werkstatt eines Notenstechers},
 118   author = {Karl Hader},
 119   publisher = {Waldheim--Eberle Verlag},
 120   address ={Vienna},
 121
 122   note = {Hader was a chief-engraver in a Viennese engraving
 123 workshop. This beautiful booklet was intended as an introduction for
 124 laymen on the art of engraving.  It contains a step by step, in-depth
 125 explanation of how to cut and stamp music into zinc plates.  It also
 126 contains a few compactly formulated rules on musical orthography. Out
 127 of print. }
 128
 129
 130 }
 131
 132 @Book{gamble23:_music_engrav,
 133   author =       {William Gamble},
 134   title =        {Music Engraving and printing.  Historical and Technical Treatise},
 135   publisher =    {Sir Isaac Pitman & Sons, ltd.},
 136   year =         1923,
 137   note = {This patriotic book was an attempt to promote and help
 138   British music engravers.  It is somewhat similar to Hader's
 139   book [hader48] in scope and style, but Gamble focuses more on
 140   technical details (Which French punch cutters are worth buying from,
 141   etc.), and does not treat typographical details, such as optical
 142   illusions.  It is available as reprint from Da Capo Press, New York
 143   (1971).}
 144 }
 145
 146
 147 @Booklet {mpa96,
 148   note = {Pamphlet explaining a few  fine points in music font design HWN},
 149   year =  {1996},
 150   title = {Standard music notation specifications for computer programming.},
 151   month =  {December},
 152   author ={mpa},
 153   publisher = {MPA},
 154 }
 155
 156
 157 @Book {donato63,
 158   year =  {1963},
 159   author = {Anthony Donato},
 160   title ={Preparing Music Manuscript},
 161   address ={Englewood Cliffs, NJ},
 162   publisher={Prentice-Hall},
 163 }
 164
 165
 166 @Book {Karkoshka72,
 167   year =  {1972},
 168   title = {Notation in New Music; a critical guide to interpretation and realisation},
 169   author = {Erdhard Karkoshka},
 170   translator={Ruth Koenig},
 171   publisher={Praeger Publishers},
 172   address={New York},
 173   note ={(Out of print)},
 174 }
 175
 176
 177 @Book {Roemer84,
 178   year =  {1984},
 179   title = {The Art of Music Copying},
 180   author = {Clinton Roemer},
 181   publisher={Roerick music co.},
 182   address= {Sherman Oaks (CA)},
 183
 184   note ={Out of print. Heussenstamm writes: an instructional manual
 185     which specializes in methods used in the commercial field. },
 186   edition={2nd},
 187 }
 188
 189
 190 @Book {Rosecrans79,
 191   year =  {1979},
 192   title = {Music Notation Primer},
 193   author = {Glen Rosecrans},
 194   publisher={Passantino},
 195   address={New York},
 196   note={Heussenstamm writes: Limited in scope, similar to [Roemer84]}
 197 }
 198
 199 @Book {donemus1982,
 200   year =  {1982},
 201   title = {Uitgeven van muziek},
 202 subtitle = {Handleiding voor componisten en copiisten},
 203   author = {Donemus},
 204   publisher= {Donemus Amsterdam},
 205
 206   note = {Manual on copying for composers and copyists at the Dutch
 207  publishing house Donemus. Besides general comments on copying, it
 208  also contains a lot of hands-on advice for making performance
 209  material for modern pieces.}
 210
 211 }
 212
 213
 214 @Book{vinci,
 215 author={Vinci, Albert C.},
 216 title={Fundamentals of Traditional Music Notation},
 217 publisher={Kent State University Press},
 218 year={1989}
 219 }
 220
 221 @Book{schirmer90,
 222   author={{G. Schirmer, Inc.}},
 223   title={The G. Schirmer Manual of Style and Usage},
 224   address={New York},
 225   publisher={The G. Schirmer Publications Department},
 226   year={2001},
 227 note={This is the style guide for Schirmer publications. This manual
 228 specifically focuses on preparing print for publication by
 229 Schirmer. It discusses many details that are not in other, normal
 230 notation books. It also gives a good idea of what is necessary to bring
 231 printouts to publication quality.
 232 It can be ordered from the rental department.
 233
 234
 235 }
 236 }
 237
 238
 239 @Book {Stone80,
 240   year =  {1980},
 241   title = {Music Notation in the Twentieth Century},
 242   author = {Kurt Stone},
 243   publisher= {Norton},
 244   address={New York},
 245   note ={Heussenstamm writes: The most important book on notation in recent years. },
 246
 247 }
 248 @Book {Heussenstamm87,
 249   year =  {1987},
 250   title = {The Norton Manual of Music Notation},
 251   author = {George Heussenstamm},
 252   address= {New York},
 253   publisher={Norton},
 254   note={Hands-on instruction book for copying (ie. handwriting) music.  Fairly complete. HWN}
 255 }
 256
 257
 258 @Book {gerou96,
 259   note = {A cheap, concise, alphabetically ordered list of typesetting and music (notation) issues with a rather simplistic attitude but in most  cases "good-enough" answers JCN},
 260   year =  {1996},
 261   title = {Essential Dictionary of Music Notation},
 262   author = {Tom Gerou and Linda Lusk},
 263   publisher = {Alfred Publishing},
 264   address ={Van Nuys CA},
 265   isbn ={ISBN 0-88284-768-6},
 266 }
 267
 268
 269 @Book {chlapik87,
 270   note = {An clearly written book for the casually interested
 271   reader. It shows some of the conventions and difficulties in
 272   printing music HWN},
 273
 274   year =  {1987},
 275   title = {Die Praxis des Notengraphikers},
 276   author = {Herbert Chlapik},
 277   publisher = {Doblinger},
 278   isbn ={ISBN 3-9000 035-96-2},
 279 }
 280
 281
 282
 283 @Book {barksdale57,
 284         author = {Barksdale, A},
 285         year = {1957},
 286         title = {The Printed Note: 500 Years of Music Printing and Engraving},
 287         address={Toledo, Ohio},
 288         month = {January},
 289         note={`The exhibition "The Printed Note" attempts to show the various processes used since the second of the 15th century for reproducing music mechanically ... '. The illustration mostly feature ancient music},
 290         publisher={The Toledo Museum of Art},
 291 }
 292
 293
 294 @Book {wolf19,
 295         author = {Wolf, Johannes},
 296         year = {1919},
 297         title = {Handbuch der Notationskunde},
 298         address={Leipzig},
 299         publisher={Breitkopf & Hartel},
 300         note= {Very thorough treatment (in two volumes) of the history of music notation},
 301 }
 302
 303 @Book {rosenthal67,
 304         author = {Rosenthal, Carl A},
 305         year = {1967},
 306         title = {A Practical Guide to Music Notation},
 307         address={New York},
 308         publisher={MCA Music},
 309         note={Heussenstamm writes: Informative in terms of traditional notation.  Does not concern score preparation}
 310 }
 311
 312
 313 @Book {Boehm61,
 314         author = {Boehm, Laszlo},
 315         year = {1961},
 316         title={Modern Music Notation},
 317         address={New York},
 318         publisher={G. Schirmer, Inc.},
 319         note ={Heussenstamm writes: A handy compact reference book in basic notation. }
 320 }
 321 @Book{button20:_system_music_notat,
 322   author =       {Button, H. Elliot},
 323   title =        {System in Musical Notation},
 324   publisher =    {Novello and co.},
 325   year =         1920,
 326   address =      {London}
 327 }
 328
 329 @Book{johnson46:_how,
 330   author =       {Johnson, Harold},
 331   title =        {How to write music manuscript},
 332   publisher =    {Carl Fischer, Inc.},
 333   year =         1946,
 334   address =      {New York}
 335 }
 336
 337
 338
 339 @Book{tyboni94:_noter_handb_i_tradit_noter,
 340   author =       {B\"orje Tyboni},
 341   title =        {Noter Handbok I Traditionell Notering},
 342   publisher =    {Gehrmans Musikf\"orlag},
 343   year =         1994,
 344   address =      {Stockholm},
 345   note =         {Swedish book on music notation.}
 346 }
 347
 348 @Book{jaschinski00:_notat,
 349   editor =       {Andreas Jaschinski},
 350   title =        {Notation},
 351   publisher =    {Bärenreiter Verlag},
 352   year =         2000,
 353   number =       {BVK1625},
 354
 355   annote = {Articles from "Musik in Geschichte und Gegenwart"
 356 pertaining to notation.  Both "alternative" notation and ancient
 357 notation is treated in depth, while "common" notation is not.  }
 358 }
 359
 360