ly/bagpipe.ly

   1 %{
   2   Bagpipe music settings for LilyPond.
   3   This file builds on work by Andrew McNabb (http://www.mcnabbs.org/andrew/)
   4
   5   Substantial changes and additions made by
   6   Sven Axelsson, the Murray Pipes & Drums of Gothenburg
   7   (http://www.murrays.nu)
   8
   9   $Id: bagpipe.ly,v 1.12 2006/03/16 14:39:46 hanwen Exp $
  10 %}
  11
  12 \version "2.12.0"
  13
  14 % Notes of the scale of the Great Highland Bagpipe. Extra high notes for bombarde.
  15 % Flat notes used mainly in some modern music.
  16
  17 pitchnamesBagpipe = #`(
  18   (G . ,(ly:make-pitch 0 4 NATURAL))
  19   (a . ,(ly:make-pitch 0 5 NATURAL))
  20   (b . ,(ly:make-pitch 0 6 NATURAL))
  21   (c . ,(ly:make-pitch 1 0 SHARP))
  22   (cflat . ,(ly:make-pitch 1 0 FLAT))
  23   (d . ,(ly:make-pitch 1 1 NATURAL))
  24   (e . ,(ly:make-pitch 1 2 NATURAL))
  25   (f . ,(ly:make-pitch 1 3 SHARP))
  26   (fflat . ,(ly:make-pitch 1 3 FLAT))
  27   (g . ,(ly:make-pitch 1 4 NATURAL))
  28   (gflat . ,(ly:make-pitch 1 4 FLAT))
  29   (A . ,(ly:make-pitch 1 5 NATURAL))
  30   (B . ,(ly:make-pitch 1 6 NATURAL))
  31   (C . ,(ly:make-pitch 2 0 SHARP))
  32 )
  33 pitchnames = \pitchnamesBagpipe
  34 #(ly:parser-set-note-names parser pitchnames)
  35
  36 % Bagpipe music is written in something like D major. If we use
  37 % flattened notes, the flat should be shown on all instances.
  38
  39 hideKeySignature = {
  40   % We normally don't want to show the key signature.
  41   \override Staff.KeySignature  #'stencil = ##f
  42   \set Staff.extraNatural = ##f
  43   \key d \major
  44   #(set-accidental-style 'forget)
  45 }
  46 showKeySignature = {
  47   % Show the key signature e.g. for BMW compatibility.
  48   \override Staff.KeySignature  #'stencil = #ly:key-signature-interface::print
  49   \set Staff.extraNatural = ##f
  50   \key d \major
  51   #(set-accidental-style 'forget)
  52 }
  53
  54 % Layout tweaks.
  55
  56 \layout {
  57   \context {
  58     \Voice
  59     % All stems go down.
  60     \override Stem #'direction = #DOWN
  61     % All slurs and ties are on top.
  62     \override Slur #'direction = #UP
  63     \override Tie #'direction = #UP
  64   }
  65 }
  66
  67 % Some common timing tweaks.
  68
  69 % Sets the autobeamer to span quarter notes only. Use for fast music.
  70 % TODO: Needs more tweaking
  71 quarterBeaming = {
  72   \overrideBeamSettings #'Staff #'(4 . 4) #'end
  73     #'((* . (1 1 1 1)) ; could omit this and use beatLength
  74        ((1 . 32) . (4 4 4 4 4 4 4 4)))
  75   \overrideBeamSettings #'Staff #'(2 . 4) #'end
  76     #'((* . (1 1))
  77        ((1 . 32) . (4 4 4 4)))
  78 }
  79 halfBeaming = {
  80   \overrideBeamSettings #'Staff #'(2 . 2) #'end
  81     #'((* . (1 1))) % could omit this and use beatLength
  82 }
  83 % Reels are in allabreve time with half note beaming.
  84 reelTime = {
  85   \time 2/2
  86   \halfBeaming
  87 }
  88 % 4/4 marches are written with numerical time signature and with quarter beaming.
  89 marchTime = {
  90   \time 4/4
  91   \override Staff.TimeSignature #'style = #'()
  92   \quarterBeaming
  93 }
  94
  95 % Single grace notes
  96 grG = { \grace { \small G32 } }
  97 gra = { \grace { \small a32 } }
  98 grb = { \grace { \small b32 } }
  99 grc = { \grace { \small c32 } }
 100 grd = { \grace { \small d32 } }
 101 gre = { \grace { \small e32 } }
 102 grf = { \grace { \small f32 } }
 103 grg = { \grace { \small g32 } }
 104 grA = { \grace { \small A32 } }
 105
 106 % Doublings
 107 dblG = { \grace { \small g32[ G d] } }
 108 dbla = { \grace { \small g32[ a d] } }
 109 dblb = { \grace { \small g32[ b d] } }
 110 dblc = { \grace { \small g32[ c d] } }
 111 dbld = { \grace { \small g32[ d e] } }
 112 dble = { \grace { \small g32[ e f] } }
 113 dblf = { \grace { \small g32[ f g] } }
 114 % These are the same as the half doublings.
 115 dblg = { \grace { \small g32[ f] } }
 116 dblA = { \grace { \small A32[ g] } }
 117
 118 % Half doublings
 119 hdblG = { \grace { \small G32[ d] } }
 120 hdbla = { \grace { \small a32[ d] } }
 121 hdblb = { \grace { \small b32[ d] } }
 122 hdblc = { \grace { \small c32[ d] } }
 123 hdbld = { \grace { \small d32[ e] } }
 124 hdble = { \grace { \small e32[ f] } }
 125 hdblf = { \grace { \small f32[ g] } }
 126 hdblg = { \grace { \small g32[ f] } }
 127 hdblA = { \grace { \small A32[ g] } }
 128
 129 % Thumb doublings
 130 tdblG = { \grace { \small A32[ G d] } }
 131 tdbla = { \grace { \small A32[ a d] } }
 132 tdblb = { \grace { \small A32[ b d] } }
 133 tdblc = { \grace { \small A32[ c d] } }
 134 tdbld = { \grace { \small A32[ d e] } }
 135 tdble = { \grace { \small A32[ e f] } }
 136 tdblf = { \grace { \small A32[ f g] } }
 137 tdblg = { \grace { \small A32[ g f] } }
 138
 139 % Shakes
 140 % A few of these can't really be played and are here only for consistency.
 141 shakea = { \grace { \small g32[ a d a G] } }
 142 shakeb = { \grace { \small g32[ b d b G] } }
 143 shakec = { \grace { \small g32[ c d c G] } }
 144 shaked = { \grace { \small g32[ d e d G] } }
 145 shakee = { \grace { \small g32[ e f e a] } }
 146 shakef = { \grace { \small g32[ f g f a] } }
 147 shakeg = { \grace { \small A32[ f g a] } }
 148 shakeA = { \grace { \small A32[ g A a] } }
 149
 150 % Half shakes
 151 hshakea = { \grace { \small a32[ d a G] } }
 152 hshakeb = { \grace { \small b32[ d b G] } }
 153 hshakec = { \grace { \small c32[ d c G] } }
 154 hshaked = { \grace { \small d32[ e d G] } }
 155 hshakee = { \grace { \small e32[ f e a] } }
 156 hshakef = { \grace { \small f32[ g f a] } }
 157 hshakeg = { \grace { \small g32[ f g a] } }
 158 hshakeA = { \grace { \small A32[ g A a] } }
 159
 160 % Thumb shakes
 161 tshakea = { \grace { \small A32[ a d a G] } }
 162 tshakeb = { \grace { \small A32[ b d b G] } }
 163 tshakec = { \grace { \small A32[ c d c G] } }
 164 tshaked = { \grace { \small A32[ d e d G] } }
 165 tshakee = { \grace { \small A32[ e f e a] } }
 166 tshakef = { \grace { \small A32[ f g f a] } }
 167 tshakeg = { \grace { \small A32[ f g a] } }
 168 tshakeA = { \grace { \small A32[ g A a] } }
 169
 170 % Slurs
 171 % A few of these can't really be played and are here only for consistency.
 172 slura = { \grace { \small g32[ a G] } }
 173 slurb = { \grace { \small g32[ b G] } }
 174 slurc = { \grace { \small g32[ c G] } }
 175 slurd = { \grace { \small g32[ d G] } }
 176 slure = { \grace { \small g32[ e a] } }
 177 slurf = { \grace { \small g32[ f a] } }
 178 slurg = { \grace { \small A32[ f a] } }
 179 slurA = { \grace { \small f32[ a] } }
 180
 181 % Half slurs
 182 hslura = { \grace { \small a32[ G] } }
 183 hslurb = { \grace { \small b32[ G] } }
 184 hslurc = { \grace { \small c32[ G] } }
 185 hslurd = { \grace { \small d32[ G] } }
 186 hslure = { \grace { \small e32[ a] } }
 187 hslurf = { \grace { \small f32[ a] } }
 188 hslurg = { \grace { \small g32[ a] } }
 189 hslurA = { \grace { \small A32[ a] } }
 190
 191 % Thumb slurs
 192 tslura = { \grace { \small A32[ a G] } }
 193 tslurb = { \grace { \small A32[ b G] } }
 194 tslurc = { \grace { \small A32[ c G] } }
 195 tslurd = { \grace { \small A32[ d a] } }
 196 tslure = { \grace { \small A32[ e a] } }
 197 tslurf = { \grace { \small A32[ f a] } }
 198 tslurg = { \grace { \small A32[ f a] } }
 199 tslurA = { \grace { \small f32[ a] } }
 200
 201 % Catches
 202 catcha = { \grace { \small a32[ G d G] } }
 203 catchb = { \grace { \small b32[ G d G] } }
 204 catchc = { \grace { \small c32[ G d G] } }
 205 catchd = { \grace { \small d32[ G b G] } }
 206 catche = { \grace { \small e32[ G d G] } }
 207
 208 % G-grace catches
 209 gcatcha = { \grace { \small g32[ a G d G] } }
 210 gcatchb = { \grace { \small g32[ b G d G] } }
 211 gcatchc = { \grace { \small g32[ c G d G] } }
 212 gcatchd = { \grace { \small g32[ d G b G] } }
 213 gcatche = { \grace { \small g32[ e G d G] } }
 214
 215 % Thumb catches
 216 tcatcha = { \grace { \small A32[ a G d G] } }
 217 tcatchb = { \grace { \small A32[ b G d G] } }
 218 tcatchc = { \grace { \small A32[ c G d G] } }
 219 tcatchd = { \grace { \small A32[ d G b G] } }
 220 tcatche = { \grace { \small A32[ e G d G] } }
 221
 222 % Throws
 223 thrwd     = { \grace { \small G32[ d c] } }
 224 Gthrwd    = { \grace { \small d32[ c] } }
 225 gripthrwd = { \grace { \small G32[ d G c] } }
 226 thrwf     = { \grace { \small f32[ e g e] } }
 227
 228 % Birls
 229 birl  = { \grace { \small a32[ G a G] } }
 230 wbirl = { \grace { \small G32[ a G] } }
 231 gbirl = { \grace { \small g32[ a G a G] } }
 232 dbirl = { \grace { \small d32[ a G a G] } }
 233
 234 % Grips
 235 grip  = { \grace { \small G32[ d G] } }
 236 dgrip = { \grace { \small G32[ b G] } }
 237 egrip = { \grace { \small G32[ e G] } }
 238
 239 % Taorluaths
 240 taor    = { \grace { \small G32[ d G e] } }
 241 dtaor   = { \grace { \small G32[ b G e] } }
 242 Gtaor   = { \grace { \small d32[ G e] } }
 243 taoramb = { \grace { \small G32[ d G b e] } }
 244 taoramc = { \grace { \small G32[ d G c e] } }
 245 taoramd = { \grace { \small G32[ d G c d e] } }
 246
 247 % Crunluaths
 248 crun    = { \grace { \small G32[ d G e a f a ] } }
 249 dcrun   = { \grace { \small G32[ b G e a f a ] } }
 250 Gcrun   = { \grace { \small d32[ G e G f a ] } }
 251 crunamb = { \grace { \small G32[ d G b e b f b ] } }
 252 crunamc = { \grace { \small G32[ d G c e c f c ] } }
 253 crunamd = { \grace { \small G32[ d G c d e d f d ] } }
 254
 255 % Special piobaireachd notations
 256 grGcad  = { \grace { \small G16 } }
 257 gracad  = { \grace { \small a16 } }
 258 cad     = { \grace { \small g32[ e8 d32] } }
 259 hcad    = { \grace { \small g32[ e8] } }
 260 dre     = { \grace { \small e32[ a f a] } }
 261 % This is the same as thrwf
 262 dare    = { \grace { \small f32[ e g e] } }
 263 bari    = { \grace { \small e32[ G f G] } }
 264 dari    = { \grace { \small f32[ e g e f e] } }
 265 pthrwd  = { \grace { \small G16[ d32 c] } }
 266 darodo  = { \grace { \small G32[ d G c G] } }
 267 Gdarodo = { \grace { \small d32[ G c G] } }
 268 % Non-gracenote piobaireachd markup.
 269 trebling = \markup {
 270   \override #'(baseline-skip . 0.3)
 271   \column {
 272     \musicglyph #"scripts.tenuto"
 273     \musicglyph #"scripts.tenuto"
 274     \musicglyph #"scripts.tenuto"
 275   }
 276 }
 277 % Abbreviated notation common in piobaireachd scores.
 278 % TODO: Make sure these are put on a fixed Y-position.
 279 txtaor = \markup { "T" }
 280 txcrun = \markup { "C" }
 281 txtaorcrun = \markup { \column { "T" "C" } }
 282 % TODO: These characters should be shown upside down.
 283 % Use a postscript markup command for this.
 284 txtaoram = \markup { "T" }
 285 txcrunam = \markup { "C" }
 286 txtaorcrunam = \markup { \column { "T" "C" } }