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1 % Do not edit this file; it is automatically
2 % generated from Documentation/snippets/new
3 % This file is in the public domain.
4 %% Note: this file works from version 2.12.0
5 \version "2.13.20"
6 #(set-global-staff-size 15)
7 \paper {
8 ragged-right = ##f
9 line-width = 16\cm
10 indent = 1.5\cm
13 \layout {
14 \context {
15 \Score
16 \override PaperColumn #'keep-inside-line = ##t
17 \override NonMusicalPaperColumn #'keep-inside-line = ##t
21 % NR 2.7.3 Figured bass
24 \header {
25 lsrtags = "headwords"
26 texidoc = ""
27 doctitle = "headword"
28 } % begin verbatim
31 % Arcangelo Corelli, 12 Sonate da Camera, Op. 2
32 % Sonata II, Allemanda
33 % measures 1 - 88
34 % Coded by Neil Puttock; modified by Carl Sorensen
36 extendOn = \bassFigureExtendersOn
37 extendOff = \bassFigureExtendersOff
39 \score {
41 \new StaffGroup <<
43 \new GrandStaff <<
45 \new Staff = "violinoI" {
46 \set Staff.instrumentName = \markup {
47 \line { Violino I. }
49 \time 4/4
50 \mark \markup { \italic Adagio. }
51 \partial 8
52 r16 a'16 |
53 a'8. [ d''16 d''8. e''16 ] cis''8 a'4 a''16 bes''16 |
54 cis''8 d''16 ( e'' ) e''8. d''16 d''4 r8 d''16 e''16 |
55 f''8 f''4 g''16 ( f''16 ) e''8 e''4 f''16 ( e''16 ) |
56 d''8. d''16 g''16 ( f''16 ) e''16 ( d''16 ) cis''8
57 cis''4 cis''16 cis''16 |
58 d''8 d''8 c''8. c''16 c''8 ( b'4 ) b'16 b'16 |
59 c''8 c''8 bes'8. bes'16 bes'8 ( a'4 ) a''16 a''16 |
60 a''8 g''8 g''8. g''16 g''8 ( f''8 ) r8 f''8 |
63 \new Staff = "violinoII" {
64 \set Staff.instrumentName = \markup {
65 \line { Violino II. }
67 \time 4/4
68 \partial 8
69 r16 f'16 |
70 f'8. g'16 g'4 a'4 r8 d''16 d''16 |
71 e''8 a'8 cis''8. d''16 d''4 r8 f''16 g''16 |
72 a''8 a''8 d''8. d''16 g'8 g'8 c''8. c''16 |
73 f'8. f''16 bes''16 ( a''16 ) g''16 ( f''16 ) e''8 e''4 e''16 e''16 |
74 a'8 fis''8 g''8 a''8 d''8 d''4 d''16 d''16 |
75 g'8 e''8 f''8 g''8 c''8 c''4 cis''16 cis''16 |
76 d''8 d''8 e''8. e''16 e''8 a'8 r8 d''8 |
81 \new Staff = "violone" {
82 \set Staff.instrumentName = \markup {
83 \center-column {
84 Violone,
85 \line { e Cembalo. }
88 \time 4/4
89 \clef bass
90 \partial 8
91 r16 d16 |
92 d4 bes,4 a,4 f4 |
93 g8 f16 g16 a8 a,8 d4 d'4 ~ |
94 d'8 c'8 b4 c'8 c'16 bes16 a4 |
95 bes8 bes16 a16 g4 a8 a,4 a16 g16 |
96 fis8 d8 e8 fis8 g8 g,4 g16 f16 |
97 e8 c8 d8 e8 f8 f,4 a,8 |
98 b,4 cis4 d4 r8 d'8 |
101 \new FiguredBass \figuremode {
102 \set figuredBassAlterationDirection = #RIGHT
103 \set figuredBassPlusDirection = #RIGHT
104 \override BassFigureAlignment #'stacking-dir = #DOWN
105 s8 |
106 s4 <6>4 <_+>4 <6>4 |
107 <6 4\+ 2>8 <6>8 <_+> s8 s2 |
108 <5>8 <6 4>8 <6 5>4 s4 <5>8 <6>8 |
109 s4 <6 5 _-> <_+>2 |
110 <6>8 <_+>8 <6>8 <6 5>8 <5 4>8 \extendOn <5 _!>8 \extendOff s4 |
111 <6>4 <6->8 <6 5->8 <5 4->8 \extendOn <5 3>4 \extendOff <5 _+>8 |
112 <7>8 <6>8 <5>4 <9 4>8 <8 3>8 s4 |
117 \layout {
118 \context {
119 \Score
120 \override RehearsalMark #'break-align-symbols = #'(time-signature)
121 \override RehearsalMark #'self-alignment-X = #LEFT
122 \override TimeSignature #'break-align-anchor-alignment = #LEFT