1 ;;;; This file is part of LilyPond, the GNU music typesetter.
3 ;;;; Copyright (C) 1998--2010 Han-Wen Nienhuys <hanwen@xs4all.nl>
4 ;;;; Jan Nieuwenhuizen <janneke@gnu.org>
6 ;;;; LilyPond is free software: you can redistribute it and/or modify
7 ;;;; it under the terms of the GNU General Public License as published by
8 ;;;; the Free Software Foundation, either version 3 of the License, or
9 ;;;; (at your option) any later version.
11 ;;;; LilyPond is distributed in the hope that it will be useful,
12 ;;;; but WITHOUT ANY WARRANTY; without even the implied warranty of
13 ;;;; MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
14 ;;;; GNU General Public License for more details.
16 ;;;; You should have received a copy of the GNU General Public License
17 ;;;; along with LilyPond. If not, see <http://www.gnu.org/licenses/>.
20 (define-public all-translation-properties '())
22 (define (translator-property-description symbol type? description)
26 (string? description)))
27 (throw 'init-format-error))
30 (if (not (equal? #f (object-property symbol 'translation-doc)))
31 (ly:error (_ "symbol ~S redefined" symbol)))
33 (set-object-property! symbol 'translation-type? type?)
34 (set-object-property! symbol 'translation-doc description)
35 (set! all-translation-properties (cons symbol all-translation-properties))
39 (define-public all-user-translation-properties
42 (apply translator-property-description x))
47 (aDueText ,markup? "Text to print at a unisono passage.")
48 (alignAboveContext ,string? "Where to insert newly created context in
50 (alignBassFigureAccidentals ,boolean? "If true, then the accidentals
51 are aligned in bass figure context.")
52 (alignBelowContext ,string? "Where to insert newly created context in
54 (associatedVoice ,string? "Name of the @code{Voice} that has the
55 melody for this @code{Lyrics} line.")
56 (autoAccidentals ,list? "List of different ways to typeset an
59 For determining when to print an accidental, several different rules
60 are tried. The rule that gives the highest number of accidentals is
63 Each entry in the list is either a symbol or a procedure.
68 The symbol is the name of the context in which the following rules are to be
69 applied. For example, if @var{context} is @rinternals{Score} then all
70 staves share accidentals, and if @var{context} is @rinternals{Staff} then
71 all voices in the same staff share accidentals, but staves do not.
74 The procedure represents an accidental rule to be applied to the previously
77 The procedure takes the following arguments:
82 The current context to which the rule should be applied.
85 The pitch of the note to be evaluated.
88 The current bar number.
91 The current measure position.
95 The procedure returns a pair of booleans. The first states whether an extra
96 natural should be added. The second states whether an accidental should be
97 printed. @code{(#t . #f)} does not make sense.
100 (autoBeamCheck ,procedure? "A procedure taking three
101 arguments, @var{context}, @var{dir} [start/stop (-1 or 1)], and
102 @var{test} [shortest note in the beam]. A non-@code{#f} return value
103 starts or stops the auto beam.")
104 (autoBeaming ,boolean? "If set to true then beams are generated
106 (autoCautionaries ,list? "List similar to @code{autoAccidentals},
107 but it controls cautionary accidentals rather than normal ones. Both
108 lists are tried, and the one giving the most accidentals wins. In
109 case of draw, a normal accidental is typeset.")
110 (automaticBars ,boolean? "If set to false then bar lines will not
111 be printed automatically; they must be explicitly created with a
112 @code{\\bar} command. Unlike the @code{\\cadenzaOn} keyword, measures
113 are still counted. Bar line generation will resume according to that
114 count if this property is unset.")
117 (barAlways ,boolean? "If set to true a bar line is drawn after
119 (barCheckSynchronize ,boolean? "If true then reset
120 @code{measurePosition} when finding a bar check.")
121 (barNumberVisibility ,procedure? "A Procedure that takes an
122 integer and returns whether the corresponding bar number should be
124 (bassFigureFormatFunction ,procedure? "A procedure that is
125 called to produce the formatting for a @code{BassFigure} grob. It
126 takes a list of @code{BassFigureEvent}s, a context, and the grob to
128 (bassStaffProperties ,list? "An alist of property settings to
129 apply for the down staff of @code{PianoStaff}. Used by
130 @code{\\autochange}.")
131 (beamSettings ,list? "Specifies when automatically generated
132 beams should begin and end, as well as beam subdivision behavior.
133 See @ruser{Setting automatic beam
134 behavior} for more information.")
135 (beatLength ,ly:moment? "The length of one beat in this time
139 (chordChanges ,boolean? "Only show changes in chords scheme?")
140 (chordNameExceptions ,list? "An alist of chord exceptions.
141 Contains @code{(@var{chord} . @var{markup})} entries.")
142 (chordNameExceptionsFull ,list? "An alist of full chord
143 exceptions. Contains @code{(@var{chord} . @var{markup})} entries.")
144 (chordNameExceptionsPartial ,list? "An alist of partial chord
145 exceptions. Contains @code{(@var{chord} . (@var{prefix-markup}
146 @var{suffix-markup}))} entries.")
147 (chordNameFunction ,procedure? "The function that converts lists
148 of pitches to chord names.")
149 (chordNameLowercaseMinor ,boolean? "Downcase roots of minor chords?")
150 (chordNameSeparator ,markup? "The markup object used to
151 separate parts of a chord name.")
152 (chordNoteNamer ,procedure? "A function that converts from a pitch
153 object to a text markup. Used for single pitches.")
154 (chordPrefixSpacer ,number? "The space added between the root
155 symbol and the prefix of a chord name.")
156 (chordRootNamer ,procedure? "A function that converts from a pitch
157 object to a text markup. Used for chords.")
158 (clefGlyph ,string? "Name of the symbol within the music font.")
159 (clefOctavation ,integer? "Add this much extra octavation.
160 Values of 7 and -7 are common.")
161 (clefPosition ,number? "Where should the center of the clef
162 symbol go, measured in half staff spaces from the center of the
164 (completionBusy ,boolean? "Whether a completion-note head is playing.")
165 (connectArpeggios ,boolean? "If set, connect arpeggios across
167 (countPercentRepeats ,boolean? "If set, produce counters for
169 (createKeyOnClefChange ,boolean? "Print a key signature whenever
170 the clef is changed.")
171 (createSpacing ,boolean? "Create @code{StaffSpacing} objects?
172 Should be set for staves.")
173 (crescendoSpanner ,symbol? "The type of spanner to be used for
174 crescendi. Available values are @samp{hairpin} and @samp{text}. If unset,
175 a hairpin crescendo is used.")
176 (crescendoText ,markup? "The text to print at start of non-hairpin
177 crescendo, i.e., @samp{cresc.}.")
178 (currentBarNumber ,integer? "Contains the current barnumber.
179 This property is incremented at every bar line.")
182 (decrescendoSpanner ,symbol? "The type of spanner to be used for
183 decrescendi. Available values are @samp{hairpin} and @samp{text}. If
184 unset, a hairpin decrescendo is used.")
185 (decrescendoText ,markup? "The text to print at start of
186 non-hairpin decrescendo, i.e., @samp{dim.}.")
187 (defaultBarType ,string? "Set the default type of bar line. See
188 @code{whichBar} for information on available bar types.
190 This variable is read by @rinternals{Timing_translator} at
191 @rinternals{Score} level.")
192 (doubleRepeatType ,string? "Set the default bar line for double
194 (doubleSlurs ,boolean? "If set, two slurs are created for every
195 slurred note, one above and one below the chord.")
196 (drumPitchTable ,hash-table? "A table mapping percussion
197 instruments (symbols) to pitches.")
198 (drumStyleTable ,hash-table? "A hash table which maps drums to
199 layout settings. Predefined values: @samp{drums-style},
200 @samp{timbales-style}, @samp{congas-style}, @samp{bongos-style}, and
201 @samp{percussion-style}.
203 The layout style is a hash table, containing the drum-pitches (e.g.,
204 the symbol @samp{hihat}) as keys, and a list
205 @code{(@var{notehead-style} @var{script} @var{vertical-position})} as
209 (explicitClefVisibility ,vector? "@samp{break-visibility}
210 function for clef changes.")
211 (explicitKeySignatureVisibility ,vector? "@samp{break-visibility}
212 function for explicit key changes. @samp{\\override} of the
213 @code{break-visibility} property will set the visibility for normal
214 (i.e., at the start of the line) key signatures.")
215 (extendersOverRests ,boolean? "Whether to continue extenders as
217 (extraNatural ,boolean? "Whether to typeset an extra natural sign
218 before accidentals changing from a non-natural to another
222 (figuredBassAlterationDirection ,ly:dir? "Where to put alterations
223 relative to the main figure.")
224 (figuredBassCenterContinuations ,boolean? "Whether to vertically
225 center pairs of extender lines. This does not work with three or more
227 (figuredBassFormatter ,procedure? "A routine generating a markup
229 (figuredBassPlusDirection ,ly:dir? "Where to put plus signs
230 relative to the main figure.")
231 (fingeringOrientations ,list? "A list of symbols, containing
232 @samp{left}, @samp{right}, @samp{up} and/or @samp{down}. This list
233 determines where fingerings are put relative to the chord being
235 (firstClef ,boolean? "If true, create a new clef when starting a
237 (followVoice ,boolean? "If set, note heads are tracked across
238 staff switches by a thin line.")
239 (fontSize ,number? "The relative size of all grobs in a context.")
240 (forbidBreak ,boolean? "If set to @code{##t}, prevent a line break
242 (forceClef ,boolean? "Show clef symbol, even if it has not
243 changed. Only active for the first clef after the property is set, not
244 for the full staff.")
245 (fretLabels ,list? "A list of strings or Scheme-formatted markups
246 containing, in the correct order, the labels to be used for lettered
247 frets in tablature.")
250 (gridInterval ,ly:moment? "Interval for which to generate
254 (harmonicAccidentals ,boolean? "If set, harmonic notes in chords
256 (harmonicDots ,boolean? "If set, harmonic notes in dotted chords get
258 (highStringOne ,boolean? "Whether the first string is the string
259 with highest pitch on the instrument. This used by the automatic
260 string selector for tablature notation.")
263 (ignoreBarChecks ,boolean? "Ignore bar checks.")
264 (ignoreFiguredBassRest ,boolean? "Don't swallow rest events.")
265 (ignoreMelismata ,boolean? "Ignore melismata for this
266 @rinternals{Lyrics} line.")
267 (implicitBassFigures ,list? "A list of bass figures that are not
268 printed as numbers, but only as extender lines.")
269 (implicitTimeSignatureVisibility ,vector? "break visibility for
270 the default time signature.")
271 (includeGraceNotes ,boolean? "Do not ignore grace notes for
272 @rinternals{Lyrics}.")
273 (instrumentCueName ,markup? "The name to print if another
274 instrument is to be taken.")
275 (instrumentEqualizer ,procedure? "A function taking a string
276 (instrument name), and returning a @code{(@var{min} . @var{max})} pair
277 of numbers for the loudness range of the instrument.")
278 (instrumentName ,markup? "The name to print left of a staff. The
279 @code{instrumentName} property labels the staff in the first system, and
280 the @code{shortInstrumentName} property labels following lines.")
281 ;; the definition is reversed wrt traditional transposition
282 ;; otherwise \transpose { \transposition .. } won't work
283 (instrumentTransposition ,ly:pitch? "Define the transposition of
284 the instrument. Its value is the pitch that sounds like middle@tie{}C.
285 This is used to transpose the MIDI output, and @code{\\quote}s.")
286 (internalBarNumber ,integer? "Contains the current barnumber.
287 This property is used for internal timekeeping, among others by the
288 @code{Accidental_engraver}.")
291 (keepAliveInterfaces ,list? "A list of symbols, signifying grob
292 interfaces that are worth keeping a staff with @code{remove-empty} set
294 (keyAlterationOrder ,list? "An alist that defines in what order
295 alterations should be printed. The format is @code{(@var{step}
296 . @var{alter})}, where @var{step} is a number from 0 to@tie{}6 and
297 @var{alter} from -2 (sharp) to 2 (flat).")
298 (keySignature ,list? "The current key signature. This is an alist
299 containing @code{(@var{step} . @var{alter})} or @code{((@var{octave} .
300 @var{step}) . @var{alter})}, where @var{step} is a number in the range
301 0 to@tie{}6 and @var{alter} a fraction, denoting alteration. For
302 alterations, use symbols, e.g. @code{keySignature = #`((6 . ,FLAT))}.")
305 (lyricMelismaAlignment ,ly:dir? "Alignment to use for a melisma syllable.")
308 (majorSevenSymbol ,markup? "How should the major 7th be formatted
310 (markFormatter ,procedure? "A procedure taking as arguments the
311 context and the rehearsal mark. It should return the formatted mark as
313 (maximumFretStretch ,number? "Don't allocate frets further than
314 this from specified frets.")
315 (measureLength ,ly:moment? "Length of one measure in the current
317 (measurePosition ,ly:moment? "How much of the current measure have
318 we had. This can be set manually to create incomplete measures.")
319 (melismaBusyProperties ,list? "A list of properties (symbols) to
320 determine whether a melisma is playing. Setting this property will
321 influence how lyrics are aligned to notes. For example, if set to
322 @code{#'(melismaBusy beamMelismaBusy)}, only manual melismata and
323 manual beams are considered. Possible values include
324 @code{melismaBusy}, @code{slurMelismaBusy}, @code{tieMelismaBusy}, and
325 @code{beamMelismaBusy}.")
326 (metronomeMarkFormatter ,procedure? "How to produce a metronome
327 markup. Called with four arguments: text, duration, count and context.")
328 (middleCClefPosition ,number? "The position of the middle C,
329 as determined only by the clef. This can be calculated by looking at
330 @code{clefPosition} and @code{clefGlyph}.")
331 (middleCOffset ,number? "The offset of
332 middle C from the position given by @code{middleCClefPosition} This
333 is used for ottava brackets.")
334 (middleCPosition ,number? "The place of the middle C, measured in
335 half staff-spaces. Usually determined by looking at
336 @code{middleCClefPosition} and @code{middleCOffset}.")
337 (midiInstrument ,string? "Name of the MIDI instrument to use.")
338 (midiMaximumVolume ,number? "Analogous to
339 @code{midiMinimumVolume}.")
340 (midiMinimumVolume ,number? "Set the minimum loudness for MIDI.
341 Ranges from 0 to@tie{}1.")
342 (minimumFret ,number? "The tablature auto string-selecting
343 mechanism selects the highest string with a fret at least
344 @code{minimumFret}.")
345 (minimumPageTurnLength ,ly:moment? "Minimum length of a rest for a
346 page turn to be allowed.")
347 (minimumRepeatLengthForPageTurn ,ly:moment? "Minimum length of a
348 repeated section for a page turn to be allowed within that section.")
351 (noChordSymbol ,markup? "Markup to be displayed for rests in a
352 ChordNames context.")
353 (noteToFretFunction ,procedure? "Convert list of notes and list of
354 defined strings to full list of strings and fret numbers.
355 Parameters: The context, a list of note events, a list of
356 tabstring events, and the fretboard grob if a fretboard is desired.")
359 (ottavation ,markup? "If set, the text for an ottava spanner.
360 Changing this creates a new text spanner.")
361 (output ,ly:music-output? "The output produced by a score-level
362 translator during music interpretation.")
365 (pedalSostenutoStrings ,list? "See @code{pedalSustainStrings}.")
366 (pedalSostenutoStyle ,symbol? "See @code{pedalSustainStyle}.")
367 (pedalSustainStrings ,list? "A list of strings to print for
368 sustain-pedal. Format is @code{(@var{up} @var{updown} @var{down})},
369 where each of the three is the string to print when this is done with
371 (pedalSustainStyle ,symbol? "A symbol that indicates how to print
372 sustain pedals: @code{text}, @code{bracket} or @code{mixed} (both).")
373 (pedalUnaCordaStrings ,list? "See @code{pedalSustainStrings}.")
374 (pedalUnaCordaStyle ,symbol? "See @code{pedalSustainStyle}.")
375 (predefinedDiagramTable ,hash-table? "The hash table of predefined
376 fret diagrams to use in FretBoards.")
377 (printKeyCancellation ,boolean? "Print restoration alterations
378 before a key signature change.")
379 (printOctaveNames ,boolean? "Print octave marks for the
380 @code{NoteNames} context.")
381 (printPartCombineTexts ,boolean? "Set @q{Solo} and @q{A due} texts
382 in the part combiner?")
383 (proportionalNotationDuration ,ly:moment? "Global override for
384 shortest-playing duration. This is used for switching on proportional
388 (rehearsalMark ,integer? "The last rehearsal mark printed.")
389 (repeatCommands ,list? "This property is a list of commands
390 of the form @code{(list 'volta @var{x})}, where @var{x} is a string or
391 @code{#f}. @code{'end-repeat} is also accepted as a command.")
392 (repeatCountVisibility ,procedure? "A procedure taking as
393 arguments an integer and context, returning whether the corresponding
394 percent repeat number should be printed when @code{countPercentRepeats}
396 (restNumberThreshold ,number? "If a multimeasure rest has more
397 measures than this, a number is printed.")
400 (shapeNoteStyles ,vector? "Vector of symbols, listing style for
401 each note head relative to the tonic (qv.) of the scale.")
402 (shortInstrumentName ,markup? "See @code{instrumentName}.")
403 (shortVocalName ,markup? "Name of a vocal line, short version.")
404 (skipBars ,boolean? "If set to true, then skip the empty bars
405 that are produced by multimeasure notes and rests. These bars will
406 not appear on the printed output. If not set (the default),
407 multimeasure notes and rests expand into their full length, printing
408 the appropriate number of empty bars so that synchronization with other
414 \\set Score.skipBars= ##t
418 (skipTypesetting ,boolean? "If true, no typesetting is done,
419 speeding up the interpretation phase. Useful for debugging large
421 (soloIIText ,markup? "The text for the start of a solo for
422 voice @q{two} when part-combining.")
423 (soloText ,markup? "The text for the start of a solo when
425 (squashedPosition ,integer? "Vertical position of squashing for
426 @rinternals{Pitch_squash_engraver}.")
427 (staffLineLayoutFunction ,procedure? "Layout of staff lines,
428 @code{traditional}, or @code{semitone}.")
429 (stanza ,markup? "Stanza @q{number} to print before the start of a
430 verse. Use in @code{Lyrics} context.")
431 (stemLeftBeamCount ,integer? "Specify the number of beams to draw
432 on the left side of the next note. Overrides automatic beaming. The
433 value is only used once, and then it is erased.")
434 (stemRightBeamCount ,integer? "See @code{stemLeftBeamCount}.")
435 (stringNumberOrientations ,list? "See
436 @code{fingeringOrientations}.")
437 (stringOneTopmost ,boolean? "Whether the first string is
438 printed on the top line of the tablature.")
439 (stringTunings ,list? "The tablature strings tuning. It is a list
440 of the pitch (in semitones) of each string (starting with the lower
442 (strokeFingerOrientations ,list? "See
443 @code{fingeringOrientations}.")
444 (subdivideBeams ,boolean? "If set, multiple beams will be
445 subdivided at beat positions by only drawing one beam over the beat.")
446 (suggestAccidentals ,boolean? "If set, accidentals are typeset as
447 cautionary suggestions over the note.")
448 (systemStartDelimiter ,symbol? "Which grob to make for the start
449 of the system/staff? Set to @code{SystemStartBrace},
450 @code{SystemStartBracket} or @code{SystemStartBar}.")
451 (systemStartDelimiterHierarchy ,pair? "A nested list, indicating
452 the nesting of a start delimiters.")
455 (tablatureFormat ,procedure? "A function formatting a tablature
456 note head. Called with three arguments: context, string number and,
457 fret number. It returns the text as a markup.")
458 (tabStaffLineLayoutFunction ,procedure? "A function determining the
459 staff position of a tablature note head. Called with two arguments:
460 the context and the string.")
461 (tempoHideNote ,boolean? "Hide the note=count in tempo marks.")
462 (tempoText ,markup? "Text for tempo marks.")
463 (tempoUnitCount ,number? "Count for specifying tempo.")
464 (tempoUnitDuration ,ly:duration? "Unit for specifying tempo.")
465 (tempoWholesPerMinute ,ly:moment? "The tempo in whole notes per
467 (tieWaitForNote ,boolean? "If true, tied notes do not have to
468 follow each other directly. This can be used for writing out
470 (timeSignatureFraction ,number-pair? "A pair of numbers,
471 signifying the time signature. For example, @code{#'(4 . 4)} is a
472 4/4 time signature.")
473 (timing ,boolean? "Keep administration of measure length,
474 position, bar number, etc.? Switch off for cadenzas.")
475 (tonic ,ly:pitch? "The tonic of the current scale.")
476 (topLevelAlignment ,boolean? "If true, the @var{Vertical_align_engraver}
477 will create a @var{VerticalAlignment}; otherwise, it will create a
479 (trebleStaffProperties ,list? "An alist of property settings to
480 apply for the up staff of @code{PianoStaff}. Used by
481 @code{\\autochange}.")
482 (tremoloFlags ,integer? "The number of tremolo flags to add if no
483 number is specified.")
484 (tupletFullLength ,boolean? "If set, the tuplet is printed up to
485 the start of the next note.")
486 (tupletFullLengthNote ,boolean? "If set, end at the next note,
487 otherwise end on the matter (time signatures, etc.) before the note.")
488 (tupletSpannerDuration ,ly:moment? "Normally, a tuplet bracket is
489 as wide as the @code{\\times} expression that gave rise to it. By
490 setting this property, you can make brackets last shorter.
494 \\set tupletSpannerDuration = #(ly:make-moment 1 4)
495 \\times 2/3 @{ c8 c c c c c @}
500 (useBassFigureExtenders ,boolean? "Whether to use extender lines
501 for repeated bass figures.")
503 (verticallySpacedContexts ,list? "List of symbols, containing
504 context names whose vertical axis groups should be taken into account
505 for vertical spacing of systems.")
506 (vocalName ,markup? "Name of a vocal line.")
507 (voltaSpannerDuration ,ly:moment? "This specifies the maximum
508 duration to use for the brackets printed for @code{\\alternative}.
509 This can be used to shrink the length of brackets in the situation
510 where one alternative is very large.")
513 (whichBar ,string? "This property is read to determine what type
514 of bar line to create.
519 \\set Staff.whichBar = \"|:\"
523 This will create a start-repeat bar in this staff only. Valid values
524 are described in @rinternals{bar-line-interface}.")
528 (define-public all-internal-translation-properties
531 (set-object-property! (car x) 'internal-translation #t)
532 (apply translator-property-description x))
536 (associatedVoiceContext ,ly:context? "The context object of the
537 @code{Voice} that has the melody for this @code{Lyrics}.")
540 (barCheckLastFail ,ly:moment? "Where in the measure did the last
542 (beamMelismaBusy ,boolean? "Signal if a beam is present.")
543 (busyGrobs ,list? "A queue of @code{(@var{end-moment} .
544 @var{GROB})} cons cells. This is for internal (C++) use only. This
545 property contains the grobs which are still busy (e.g. note heads,
549 (currentCommandColumn ,ly:grob? "Grob that is X-parent to all
550 current breakable (clef, key signature, etc.) items.")
551 (currentMusicalColumn ,ly:grob? "Grob that is X-parent to all
552 non-breakable items (note heads, lyrics, etc.).")
555 (dynamicAbsoluteVolumeFunction ,procedure? "A procedure that takes
556 one argument, the text value of a dynamic event, and returns the absolute
557 volume of that dynamic event.")
560 (finalizations ,list? "A list of expressions to evaluate before
561 proceeding to next time step. This is an internal variable.")
564 (graceSettings ,list? "Overrides for grace notes. This property
565 should be manipulated through the @code{add-grace-property} function.")
568 (hasStaffSpacing ,boolean? "True if the current
569 @code{CommandColumn} contains items that will affect spacing.")
572 (lastKeySignature ,list? "Last key signature before a key
574 (localKeySignature ,list? "The key signature at this point in the
575 measure. The format is the same as for @code{keySignature}, but can
576 also contain @code{((@var{octave} . @var{name}) . (@var{alter}
577 @var{barnumber} . @var{measureposition}))} pairs.")
580 (melismaBusy ,boolean? "Signifies whether a melisma is active.
581 This can be used to signal melismas on top of those automatically
585 (quotedCueEventTypes ,list? "A list of symbols, representing the
586 event types that should be duplicated for @code{\\cueDuring} commands.")
587 (quotedEventTypes ,list? "A list of symbols, representing the
588 event types that should be duplicated for @code{\\quoteDuring} commands.
589 This is also a fallback for @code{\\cueDuring} if @code{quotedCueEventTypes}
593 (rootSystem ,ly:grob? "The System object.")
596 (scriptDefinitions ,list? "The description of scripts. This is
597 used by the @code{Script_engraver} for typesetting note-superscripts
598 and subscripts. See @file{scm/script.scm} for more information.")
599 (slurMelismaBusy ,boolean? "Signal if a slur is present.")
600 (stavesFound ,grob-list? "A list of all staff-symbols found.")
603 (tieMelismaBusy ,boolean? "Signal whether a tie is present.")
606 (define-public all-translation-properties
607 (append all-user-translation-properties
608 all-internal-translation-properties))
610 ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;
612 (define-public default-melisma-properties
613 '(melismaBusy slurMelismaBusy tieMelismaBusy beamMelismaBusy completionBusy))