Documentation/snippets/fretted-headword.ly

   1 % Do not edit this file; it is automatically
   2 % generated from Documentation/snippets/new
   3 % This file is in the public domain.
   4 %% Note: this file works from version 2.13.29
   5 % INSPIRATIONAL HEADER FOR LILYPOND DOCUMENTATION fretted-strings %
   6 % Passage from Johann Kaspar Mertz "Opern Revue, Op. 8, no. 17"   %
   7 % on melodies from Bellini's "Norma"                              %
   8 %*****************************************************************%
   9
  10 \version "2.13.29"
  11
  12 #(set-global-staff-size 15)
  13 \paper {
  14   line-width = 17\cm
  15   indent = 0\cm
  16 }
  17
  18 \header {
  19   lsrtags = "headwords"
  20   texidoc = ""
  21   doctitle = "headword"
  22 } % begin verbatim
  23
  24
  25
  26 \layout {
  27   \context {
  28     \Score
  29     \remove "Bar_number_engraver"
  30     \override PaperColumn #'keep-inside-line = ##t
  31     \override NonMusicalPaperColumn #'keep-inside-line = ##t
  32   }
  33 }
  34
  35 %%%% shortcuts
  36 % fingering orientations
  37 sfol = \set fingeringOrientations = #'(left)
  38 sfor = \set fingeringOrientations = #'(right)
  39 sfod = \set fingeringOrientations = #'(down)
  40 sfou = \set fingeringOrientations = #'(up)
  41
  42 % string number orientations
  43 ssnol = \set stringNumberOrientations = #'(left)  %(down right up)
  44 ssnou = \set stringNumberOrientations = #'(up)
  45 ssnod = \set stringNumberOrientations = #'(down)
  46 ssnor = \set stringNumberOrientations = #'(right)
  47
  48 % define fingering offset
  49 FO = #(define-music-function (parser location offsetX offsetY) (number? number?)
  50 #{
  51   \once \override Voice.Fingering #'extra-offset = #(cons $offsetX $offsetY)
  52 #})
  53
  54 % markups
  55 rit = \markup \center-align { \bold { \italic { " rit." } } }
  56 dimin = \markup \center-align { \italic { " dim." } }
  57 andantino = \markup \left-align { \italic { \bold { \fontsize #2.5 { "Andantino" } } } }
  58 benmarcato = \markup { \italic { \bold { "il canto ben marcato" } } }
  59 pdolce = #(make-dynamic-script (markup #:line (#:dynamic "p" #:normal-text #:italic "dol.")))
  60
  61 %%% THE MUSIC %%%
  62
  63 melody = \relative c {
  64   \clef "treble_8"
  65   \key d \major
  66   \time 4/4
  67   \voiceOne
  68   \sfol
  69   e,32 a' c e
  70   e, a c e
  71   e,, a' c e
  72   e, a c e
  73   f4\rest <e'-4>4-> | % m. 1
  74
  75   e,,,32 gis' b e
  76   e, gis b e
  77   e,, gis' b e
  78   e, gis b e
  79   f4\rest \FO #'0.4 #'0.5 <gis-1 e'-4>4 | % m. 2
  80
  81   d4\rest <b e>-> d4\rest^\rit <b e>4-> | % m. 3
  82   <gis b e>1 | % m. 4
  83
  84   \bar "||"
  85   \key a \minor
  86   R1 % m. 5
  87
  88   e'4^\benmarcato e8. d16-4
  89   d4-4 \times 2/3 { \sfou \FO #'-0.3 #'0.6 <c-2>4 b8 } | % end of m. 6
  90
  91   \FO #'-0.3 #'0.3
  92   <a-3>4 \times 2/3 { c4 b8 } a4 e'8. e16 | % m. 7
  93
  94   \FO #'-0.3 #'0.3
  95   <g-4>4 \times 2/3 { \sfol \FO #'0.3 #'0.0 <f-1>4 e8 } e4  % beg of m. 8
  96   \times 2/3 { \sfou <d-4>4 c8 } | % end of m. 8
  97
  98   b4 \times 2/3 { d4-4 c8 } \sfou \FO #'-1.7 #'-1.5 <b-0>4 e | % end of m. 9
  99
 100   e4 e8. d16-4 d4 \times 2/3 { c4 b8 } | % m. 10
 101
 102   \times 2/3 { a4 a8 b4 c8 } % beg of m. 11
 103   \sfou \FO #'-0.3 #'0.3
 104   <d-4>4^\< \times 2/3 { e4 <d f>8\! } | % end of m. 11
 105 }
 106
 107 bass = \relative c {
 108   \key d \major
 109   \time 4/4
 110   \voiceTwo
 111
 112   e,8\fp[ e'] e,[ e'] e, \sfol <c''-1> <a'-2> c, | % m. 1
 113
 114   e,,8\fp[ e'] e,[ e'] e, \sfod \FO #'0.2 #'-0.2 <b''-1>  % beg m. 2
 115   \sfol \FO #'0.3 #'0.0 <e-1> b | % end m. 2
 116
 117   e,,8 e' gis e e, e' gis_\dimin e | % m. 3
 118
 119   e,1 | % m. 4
 120
 121   %% new section starts here in A minor
 122   \set Score.beamExceptions = #'()
 123   \once \override TextScript #'staff-padding = #1.7
 124   \times 2/3 { a8\p^\andantino e' a c a e a, e' a c a e } | % m. 5
 125
 126   \times 2/3 { a,8\pdolce e' a c a e } % beg m. 6
 127   \times 2/3 { e,8 \sfou <e'-3> <gis-1> c gis e } | % end m. 6
 128
 129   \times 2/3 { a,8 <e'-2> a c e, b' a, e' a c a e } | % m. 7
 130
 131   \times 2/3 { f,8 f' a \sfol \FO #'0.3 #'-0.5 <d-4> a f fis, d' a' d a d, } | % m. 8
 132
 133   \times 2/3 { <g,-3>8 d' g d' g, d % beg m. 9
 134     \sfod \FO #'0.0 #'-2.0 <gis,-4> \sfou <e'-2> <gis-1> b gis e } | % end m. 9
 135
 136   \times 2/3 { a,8 e' a c a e e, e' gis c gis e } | % m. 10
 137
 138   \times 2/3 { a,8 e' a b a e f, f' a d a f } | % m. 11
 139 }
 140
 141 \score {
 142   \new Staff = "guitar" <<
 143     \context Voice = "upper" { \melody }
 144     \context Voice = "lower" { \bass }
 145   >>
 146   \layout {
 147     \context {
 148       \Score
 149       \override Fingering #'staff-padding = #'()
 150       \override TupletNumber #'stencil = ##f
 151       \override TupletBracket #'bracket-visibility = ##f
 152     }
 153   }
 154   \midi { }
 155 }