Updates to Corrina, Suze, Love-0.
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6 <head>
7 <title>Suze (The Cough Song)</title>
8 <link rel="stylesheet" type="text/css" href="../css/general.css" />
9 </head>
11 <body>
13 <h1 class="songtitle">Suze (The Cough Song)</h1>
16 <p>One of Dylan's attempts at an instrumental.<br />
17 Recorded Oct 24, 1963 and released on <a class="recordlink" href="index.htm">The Bootleg Series 1-3</a>
18 (1991)<br />
19 Tabbed by Eyolf &Oslash;strem</p>
21 <div class="preamble">
22 <p>
23 The trick in this song is to let the chords begin on the last 8th note
24 of the previous bar, and to emphasise this note wherever it figures as
25 a melody tone, such as in the first measure.
26 </p>
27 <p>
28 Many of the things that are written in as hammer-ons or pull-offs in
29 the tab, are really just the almost inevitable result of changing
30 chords at breakneck speed. Don&rsquo;t bother too much about it; if
31 you are able to play it at the correct speed, the effects will come
32 out in any case.
33 </p>
35 <p>Capo 4th fret</p>
37 </div><pre class="tab">
39 : . . .
41 |---------------0-|
42 |-1---------------|
43 |-----------0-----|
44 |-----2-------2---|
45 |-3---------------|
46 |---------3-------|
47 </pre>
48 <pre class="tab">
49 C F C
51 : . . . : . . . : . . . : . . .
52 ||-----------------|-0---------------|-----------------|---------------0-|
53 ||-----1-----------|-------1---------|-------1---------|-----1-----------|
54 ||-----------------|-----------------|---0h2-----0h2---|-----------0-----|
55 ||-----2-------2---|-----2-------2---|-----3-------3---|-----2-------2---|
56 ||-3---------------|-3---------------|-----------------|-3---------------|
57 ||---------3-------|---------3-------|-1-------1-------|---------3-------|
58 </pre>
59 <pre class="tab">
60 D7/f# G C
61 > >
62 : . . . : . . . : . . . : . . .
63 |---------------0-|-----------------|-----------------|---------------0-|
64 |-----1-----------|-----1-----------|-------1---------|-----0-----------|
65 |-----------0-----|-----------------|---0h2-----2-----|-----------0-----|
66 |-----2-------2---|-----2-------2---|-----0-------0---|-----0-------0---|
67 |-3---------------|-3---------------|-----------------|-----------------|
68 |---------3-------|---------3-------|-2-------2-------|-3-------3-------|
69 </pre>
70 <pre class="tab">
71 C F D7/f# C/g
73 : . . . : . . . : . . . : . . .
74 |---------------0-|-----------------|-----------------|-----------------|
75 |-----1-----------|-----1-----------|-------1---------|-----1---------1-|
76 |-----------0-----|-----------------|---0h2-----2-----|-----------0-----|
77 |-----2-------2---|-----2-------2---|-----3-------3---|-----0-------0---|
78 |-3---------------|-3---------------|-----------------|-----------------|
79 |---------3-------|---------3-------|-1-------1-------|-2-------2-------|
80 </pre>
81 <pre class="tab">
82 C/g G Am /g F G
84 : . . . : . . . : . . .
85 |-----------------|-----------------|---------------0-||
86 |-------0---------|---1-----------1-|-------1p0-------|| The pull-off is
87 |---0-------0---0-|h2---------0-----|---2-------0-----|| just the inevi-
88 |-----2-------0---|-----2-------2---|-----3-------0---|| table consequence
89 |-----------------|-0---------------|-----------------|| of the chord change
90 |-3-------3-------|---------3-------|-1-------3-------||
91 </pre>
92 <pre class="tab">
93 C G C
94 : . . . : . . . : . . . : . . .
95 ||---------------0-|-----------------|-------1---------|---------------0-|
96 ||-----1-----------|-----1-----------|---------------1-|-----1-----------|
97 ||-----------0-----|-----------------|---0-------0-----|-----------0-----|
98 ||-----2-------2---|-----2-------2---|-----0-------0---|-----2-------2---|
99 ||-3---------------|-3---------------|-----------------|-3---------------|
100 ||---------3-------|---------3-------|-3-------3-------|---------3-------|
101 </pre>
102 <pre class="tab">
103 D7/f# G
104 : . . . : . . . : . . . : . . .
105 |---------------0-|-----------------|-----------------|---------------0-|
106 |----(1)----------|-----1-----------|-------1---------|-----0-----------|
107 |-----------0-----|-----------------|---0h2-----2-----|-----------0-----|
108 |-----2-------2---|-----2-------2---|-----0-------0---|-----0-------0---|
109 |-3---------------|-3---------------|-----------------|-----------------|
110 |---------3-------|---------3-------|-2-------2-------|-3-------3-------|
111 </pre>
112 <pre class="tab">
113 C F D7/f#
114 : . . . : . . . : . . . : . . .
115 |---------------0-|-----------------|-----------------|-----------------|
116 |-----1-----------|-----1-----------|-------1---------|-----1---------1-|
117 |-----------0-----|-------------0---|---0h2-----2-----|-----------0-----|
118 |-----2-------2---|-----2-------2---|-----3-------3---|-----0-------0(2)|
119 |-3---------------|-3---------------|-----------------|-----------------|
120 |---------3-------|---------3-------|-1-------1-------|-2-------2-------|
121 </pre>
122 <pre class="tab">
123 C/g G Am /g F G C
124 : . . . : . . . : . . . : . . .
125 |-----------------|-----------------|-----------------|-----------------||
126 |-------0-------0-|h1-1-------------|-------1p0-----1-|-----1---------0-||
127 |---0-------0-----|-----------------|---2-------0-----|-----------0-----||
128 |-----2-------0---|-----2-------2---|-----3-------0---|-----2-------2---||
129 |-----------------|-0---------------|-----------------|-3---------------||
130 |-3-------3-------|---------3-------|-1-------3-------|---------3-------||
131 </pre>
132 <pre class="tab">
133 G G/e G7/f C
134 : . . . : . . . : . . . : . . .
135 |-----------------|-------------------|-----------------|------------------|
136 |-----------------|----------------0h1|-----1-----------|-----1----------0-|
137 |---0-------------|---0---------------|-----------0-----|-----------0------|
138 |-----0--h2---2h3-|-----2-------2p0---|-----2-------2---|-----2-------2p1--|
139 |-----------------|-------------------|-3---------------|-3----------------|
140 |-3-------3-------|-3-------3---------|---------3-------|---------3--------|
141 </pre>
142 <pre class="tab">
143 A D7/f#
144 : . . . : . . . : . . . : . . .
145 |-----------------|-----------------|-----------------|-----------------|
146 |h2---------------|-----------------|-------1-------1-|-------1-------1-|
147 |---2-------2-----|---2-------------|---2-------2-----|---2-------2-----|
148 |-----2-------2---|-----2---2---2---|-----0-------0---|-----0-------0---|
149 |-0-------0-------|-0---------------|-----------------|-----------------|
150 |-----------------|(0---------------|-2-------2-------|-2-------2-------|
151 </pre>
152 <pre class="tab">
153 F G7
154 : . . . : . . . : . . . : . . .
155 |-----------------|-----------------|---------------1-|-----1---------3-|
156 |-------1-------1-|-------1-------0-|-----0-----------|-----------------|
157 |---2-------2-----|---2-------2-----|-----------0-----|-----------0-----|
158 |-----3-------3---|-----3-------3---|-----0-------0---|-----0-------0---|
159 |-----------------|-----------------|-----------------|-----------------|
160 |-1-------1-------|-1-------1-------|-3-------3-------|-3-------3-------|
161 </pre>
162 <pre class="tab">
163 : . . . : . . . :
164 |-----3---------3-|-----------------||-----
165 |-----------------|---------------1-||----- etc. from
166 |-----------0-----|-----------3-----||----- the beginning
167 |-----0-------0---|-----0-------0h2-||-----
168 |-----------------|-----------------||-3---
169 |-3-------3-------|-3-------3-------||-----
170 </pre>
171 </body></html>