Fix text occuring directly in <body> tag in three files
[dc-seal.git] / 41_lat / mississippi.htm
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1 <?xml version="1.0" encoding="utf-8"?>
2 <!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
3 "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
4 <html lang="en" xml:lang="en" xmlns="http://www.w3.org/1999/xhtml">
5 <head>
6 <title>Mississippi</title>
7 <link rel="stylesheet" type="text/css" href="../css/general.css" />
8 </head>
9 <body>
10 <h1 class="songtitle">Mississippi</h1>
11 <p>Words and music Bob Dylan<br />
12 Released on <a class="recordlink" href="index.htm">Love And Theft</a> (2001)<br />
13 Tabbed by Eyolf &Oslash;strem</p>
14 <hr />
15 <p>A rare instance of a Dylan song with an ascending bass line (but there are others &ndash; &ldquo;Like A Rolling Stone&rdquo; is one).</p>
16 <p>The G at the end of the verses is probably best played G7sus4 (3x301x). G11 (3x3211) is another possibility.<br />
17 The F chords in the verses could be played Fmaj7 (133210)<br />
18 Use G=320033 for the bridge section &ndash; just hold the -33 on the lighter strings and play the ascent in the bass. <br />
19 The &ldquo;/d&rdquo; in that passage (&ldquo;Don't even have anything&rdquo;) contains an <em>f</em>; a possibility is to switch to G7sus4/d (x53533) here &ndash; or just leave out the <em>f</em>.</p>
20 <hr />
21 <pre class="tab">
22 Intro (actually played one octave higher):
24 C /d /e /f G C
25 : . . . : . . .
26 |---------------------------------|---------------------------------|
27 |-----1-------1-------1-------1---|-3---3-------5-------------------|
28 |---0---0---0---0---0---0---0---0-|-5---4-------5-------------------|
29 |---------0-------2-------3-------|-5---5-------5-------------------|
30 |-3-------------------------------|-------------3-------------------|
31 |---------------------------------|---------------------------------|
32 </pre>
33 <pre class="verse">
34 C Csus4 C Csus4
35 Every step of the way, we walk the line.
36 C Csus4 C F
37 Your days are numbered, so are mine.
38 C F C F
39 Time is piling up, we struggle and we scrape.
40 C /d /e /f G C
41 We're all boxed in, nowhere to escape.
43 City's just a jungle, more games to play.
44 Trapped in the heart of it, trying to get away.
45 I was raised in the country, I been working in the town.
46 I been in trouble ever since I set my suitcase down.
48 G /a /b /c
49 Got nothing for you, I had nothing before
50 /d /e F G
51 Don't even have anything for myself anymore
52 G /a /b /c
53 Sky full of fire, pain pouring down
54 /d /e F G
55 Nothing you can sell me, I'll see you around.
57 All my powers of expression, I thought so sublime,
58 Could never do you justice in reason or rhyme
59 Only one thing I did wrong,
60 Stayed in Mississippi a day too long
62 Well, the devil's in the alley, mule's in the stall
63 Say anything you want to, I have heard it all
64 I was thinking about the things that Rosie said
65 I was dreaming I was sleeping in Rosie's bed
66 Walking through the leaves falling from the trees
67 Feeling like a stranger nobody sees.
68 So many things that we never will undo
69 I know you're sorry, I'm sorry too.
70 Some people will offer you their hand and some won't
71 Last night I knew you, tonight I don't
72 I need something strong to distract my mind
73 I'm gonna look at you 'til my eyes go blind
74 Well, I got here following the southern star
75 I crossed that river just to be where you are
76 Only one thing I did wrong
77 Stayed in Mississippi a day too long.
79 Well, my ship's been split to splinters and it's sinking fast.
80 I'm drowning in the poison, got no future, got no past.
81 But my heart is not weary, it's light and it's free.
82 I got nothing but affection for those who've sailed with me.
83 Everybody moving, if they ain't already there.
84 Everybody got to move somewhere
85 Stick with me baby, stick with me anyhow,
86 Things should start to get interesting right about now
87 My clothes are wet, tight on my skin
88 Not as tight as the corner that I painted myself in
89 I know that fortune is waiting to be kind
90 So give me your hand and say you'll be mine *)
91 Now the emptiness is endless, cold as the clay
92 You can always come back, but you can't come back all the way
93 Only one thing I did wrong
94 Stayed in Mississippi a day too long
95 </pre>
96 <hr />
97 <p class="footnotes">*) In the light of the reference to Othello and Desdemona in <a href="po_boy.htm" class="songlink">Po' Boy</a>, the following exchange from <em>Measure for Measure</em> is interesting (submitted by Mike Conley): </p>
98 <p class="quote footnotes"><em>Duke Vincentio [to Isabella]</em>:<br />
99 If he be like your brother, for his sake<br />
100 Is he pardon'd; and, for your lovely sake,<br />
101 Give me your hand and say you will be mine. (Act V, Scene I, 484&ndash;486)
102 </p>
103 </body>
104 </html>