Dynamics to Entracte
[opera_libre.git] / instruments / violon3.ly
blob1d6b40fae8286a35339fd55710ee24d462c7bafc
1 %------------------------------------------------------------------%
2 % Opéra Libre -- violon3.ly %
3 % %
4 % (c) Valentin Villenave, 2008 %
5 % %
6 %------------------------------------------------------------------%
8 \include "italiano.ly"
10 ViolonTrois = {
11 #(make-instrument-name 'violin-three "violin" 23.5)
14 PrologueViolonTrois = { \ViolonTrois
15 \relative {
16 %%% Introduction %%%
18 \partial 4 r4 R2. la'''2.~\pp\<\upbow la2.~
19 la2:16~\f\> la4:32~ la8\! r
20 \ten mi,,2~\f| mi4 r | mi2.~| mi4 r | mi2\f\> mi2.~\mp| mi4 r R2 |
21 <sol,? re'>2.~| <sol re'>4 r | R2 sib2.~|
22 si!4 mi8--\<( mi--) \t {mi--( mi-- mi--)} \tt {mi16--( mi-- mi-- mi-- mi--)} |
24 %%% Entrée du baryton 2 %%%
25 re2--->\f r4 | re16\mf re re re re re re re
26 re\< re re re re re re re | fad4.--->\f r8 sid,-.-> r |
27 r sid-.-> r4 | r8 sid-.-> r4 sid8-.-> r |
28 r4 sid\upbow \glissando | dod8-> r r dod-.-> r4| r8 dod-.-> r4 |
29 red8-.->\mf r r4 red8-.-> r | r red4.\upbow\> mi2~--\p mi r4 |
31 %%% Tempo giusto %%%
32 re16->\p re re re re re re re |
33 re re re re re re re re |
34 re re re re re re re re |
35 re re re re re re re re |
36 re re re re re re re re |
37 mib mib mib mib mib mib mib mib |
38 fa8 r r4 | R2
39 <re re'>4\f\downbow re\downbow re\downbow |
40 lab2-- r4 | <re re'>4.\downbow re\upbow |
41 sib2.:32\mp\downbow dod: mi: |
42 reb4.\< mi | sol8 la4 do8 mib4 |
43 <re, re'>4\f r8 <re re'>4-> re'8-. |
44 <re, re'>4-> re'8-. <re, re'>4-> re'8-. |
45 <re, re'>2.---> r4 | R2*2 R2-\fermataMarkup
47 %%% Solo ténor %%%
48 R1*2 R2. R1 R2. R1
49 R2*4 R2.*11
50 r4\fermata \pizz sol'8\p |
52 %%% Andantino %%%
53 <sol,,sol'> r sol'' <sol,, sol'> r sol'' |
54 sol,, sol''-> sol, lab'-> r sib-> |
55 <sol,, sol'> r sol'' <sol,, sol'> r sol'' |
56 <sol,, sol'> r sol'' <sol,, sol'> r sol'' |
57 sol,, sol'' sol, r4 lab8 r4 sol8 |
58 r4 lab,8 sol r4 | R4.*12
59 \arco fa'16\>( la sib dod) fa8 |
60 \ten <mi sol>4.~\pp <mi sol>~ <mi sol>~ <mi sol>8 r lab,16( sib) |
61 reb( mi8) <fad si>8.~ | <fad si>4.~ <fad si>~ <fad si>8 r r16 red |
62 mi8 <fad la>4~ <fad la>4.~ <fad la> r16 sold,\<( si mi) sol( la\!) |
64 %%% A tempo %%%
65 re 8\sfz\> \t {re,16( lad fad} re8-.\!) | sold,4~--\mf sold16 r |
66 re'''8-.\sfz \t {re,16( la sol} re8-.) | sold,4~--\mf sold16 r |
67 si16 mi lab\< reb fa sib |
68 fa8->\f r16 fa fa fa fa8-> r16 fa fa fa |
69 fa8-> r16 fa fa fa |
70 sold8-> r4 | \pizz re,8->\mf r dod re-- r4 |
71 re8-> r dod fa-- r4 | si8-> r4 |
72 si8-> r4 | \arco si8-.->\mf r4 |
73 mi8-.-> r \ind #"jeté" mi32 mi16. | r8 mi-.-> r |
74 sol8\f r16 sold,\< sold sold sol'8\! r16 sold,\< sold sold |
75 sol'8\! r16 fa,\< fa fa sol'8\! r16 fa,\< fa fa |
76 dod''8\! r16 sol,-. sol-. sol-. | r8 r16 mib-.\mf mib-. mib-. |
77 r8 r16 sol,-.\mp sol-. sol-. | R4.
78 \ten sol!4.~ sol~ sol8 r4 | R4.*4
79 \t {sol16\ppp sol sol} \t {sib sib sib} \t {do do do} |
80 \t {reb\< reb reb} \t {mib mib mib} \t {solb solb solb}
81 \t {lab lab lab} \t {la la la} |
82 la'8\ff r16 do do do do8-> r16 do do do |
83 dod8-> r16 sol-.\mf sol-. sol-. r8 r16 mi-.\< mi-. mi-. |
84 si-.\p fad-. mi'-. sold,-. sold-. sid,-. r8 r4 |
86 %%% Adagio %%%
87 %% FIXME: Issue #318
88 R1*4 R1. \stemDown \repeat tremolo 16 {\ind #"flaut." mi32\pp( fa)} \stemNeutral mi4 r |
89 R1*3 R1. \repeat tremolo 16 {\simile mi32\pp( red} mi4) r |
90 R1*2 mi4.\mp si'8-- la--( re--) |
92 %%% Valse %%%
93 si2.~\pp si4 r2 R2. |
94 \pizz sol,4\mp red' sol | dod, fa r |
95 sol, si red r lad r si sol
96 \arco \ttt {lad16\pp( si lad si lad si}
97 \ttt {lad si lad si lad si)} |
98 \ttt {lad( si lad si lad si}
99 \ttt {lad\> si lad si lad si)} |
100 r8 sol''\pp( fad) r r fad( mi) r r re( dod) r |
101 mi4 \ttt {sol16\>( lab sol lab sol lab} sol4\!) r | R1 R2.
102 r4 \pizz sold,,\mp do sib fad' r |
103 r sold, do sib re r | r la r sold |
104 \arco <la fad'>8.->\mf <la fad'>16 <la fad'>8-.
105 <la fad'>~-> <la fad'>16 <la fad'> <la fad'>8-.
106 <fad' re'>8.-> <fad re'>16 |
107 <fad re'>8-. <fad re'>~->\< <fad re'>8. <fad re'>16 <fad re'>4-> |
109 %%% Vivo al fine %%%
110 <re re'>4->\sfz r |
111 r8 re16-.\mf re-. re8-> r |
112 r re16-. re-. re8-> r | R2
113 re16( mib) re( mib) re( mib) re( mib) |
114 re( fa) re( fa) re( fa) re( fa) |
115 re\< re re re re re re re |
116 re\f\> re la la la la si si |
117 la8\mp r r4 | R2*21
118 r4 \pizz mi'\mp |
122 ActeUnSceneUnViolonTrois = { \ViolonTrois
123 \relative {
124 R2*2 R2. R2*2 R2.
125 R2*2 \ind #"flaut." sol'4.\pp r8 r4 |
126 R2*2 <la, re>4. r8 r4 |
127 R2*2 <sold' dod>4. r8 r4 |
128 R2*2 <do reb>4.--\mp r8 r4 |
129 mib,16\pp( la, mib' si'~ si fad'--) \t {si,( mib, la,)}
130 mib'( la, mib' si'~ si fad'--) \t {si,( mib, la,)} |
131 \simile mib' la, mib' si'~ si fad' \t {si, mib, la,} mib' la, mib' si' |
132 mi, la, mi' do'~ do red \t {do mi, la,}
133 mi' la, mi' do'~ do red \t {do mi, la,} |
134 mi' la, mi' do'~ do red \t {do mi, la,} mi' la, mi' do' |
135 \ttt {do,\ppsempre lab' mi' mi lab, do,}
136 \ttt {do lab' mi' mi lab, do,}
137 \ttt {do lab' mi' mi lab, do,}
138 \ttt {do lab' mi' mi lab, do,} |
139 \ttt {do lab' mi' mi lab, do,}
140 \ttt {do lab' mi' mi lab, do,} do8 r |
141 \ttt {fa16 reb' la' la reb, fa,}
142 \ttt {fa reb' la' la reb, fa,}
143 \ttt {fa reb' la' la reb, fa,}
144 \ttt {fa reb' la' la reb, fa,} |
145 \ttt {fa reb' la' la reb, fa,}
146 \ttt {fa reb' la' la reb, fa,} fa8 r |
147 \ttt {sib,16\mp( re lab' fa' lab, re,}
148 \ttt {sib re lab' fa' lab, re,}
149 \ttt {sib re lab' fa' lab, re,}
150 \ttt {sib re lab' fa' lab, re,)} |
151 \ttt {sib( re lab' fa' lab, re,}
152 \ttt {sib re lab' fa' lab, re,}
153 \ttt {sib re lab' fa' lab, re,)} |
154 \ttt {\simile re solb reb' sib' reb, solb,}
155 \ttt {re solb reb' sib' reb, solb,}
156 \ttt {re solb reb' sib' reb, solb,}
157 \ttt {re solb reb' sib' reb, solb,} |
158 \ttt {re\<( solb reb' sib' reb, solb,)}
159 \ttt {re( solb reb' sib' reb, solb,)}
160 \ttt {re( solb reb' sib' reb, solb,)} |
161 <do do'>4\f\downbow <do do'>\downbow <do do'>\downbow |
162 reb8-- mib-- fad-- sold-- la-- si--
163 \t {mib,16\fp\< mib mib} \t {fad fad fad} \t {sold sold sold}
164 \t {la la la} \t {si si si} \t {re re re\!} |
165 <fad, fad'>4\downbow <fad fad'>\downbow <fad fad'>\downbow |
166 sol8-- la-- do-- re-- red-- mid-- |
167 \t {la,16\< la la} \t {do do do} \t {re re re}
168 \t {red red red} \t {mid mid mid} \t {sold sold sold\!} |
169 <fad, mid'>4\downbow <fad do'>8-- re'-- \t {red16\< red red} \t {mid mid mid} |
170 \ten <do, do'>1~\fmolto <do do'>2 r4 |
172 %%% Ad libitum %%%
173 R1 R2.*2 R1 R2.*2
175 %%% Agitato %%%
176 \ten re,1~\ff re~ re2 r | R1 sold,4\f\upbow si2 sold4 si2 re4-> r |
177 r4 \ind #"secco" dod8-.\mf dod-. re4-. r r2 | R1*2
178 r4 la8-. la-. sib4-. r r2 | R1*3
179 r4 dod---> r1 | R1*2 R1.*3
180 r4 r8 \st {mi16 mi red4 r |
181 r4 mi16 mi red8 mi16 mi red8} r4 r2 |
182 \ten mi1.\f R1.*2
184 %%% Allegro non troppo %%%
185 \pizz sib'4\mf r r2 | R2. R1
186 \arco sib8-.\pp do-. sib-. do-. sib-. do-. sib-. do-. | R1
187 sib8-. sib-. sib-. sib-. \simile sib sib sib sib |
188 sib sib sib sib sib sib sib sib |
189 sib sib sib sib sib sib |
190 sib sib sib sib sib sib sib sib |
191 sib\mp sib sib sib sib sib |
192 sib sib sib sib sib sib sib sib |
193 sib\mf\< sib sib sib sib sib |
194 sib sib sib sib sib sib sib sib\! |
195 r4 mi,8\f\<( dod'4.\!) | r8 re,\mf( dod2.) |
196 sol2:32~\mp\< sol2~\mf\> sol2.\p r4 |
197 <sol re'>8\mf <sol re' la'> <sol re'> <sol re' la'>
198 <sol re'> <sol re' la'> <sol re'> <sol re' la'> R1
199 <sol re'>8\mf <sol re' la'> <sol re'> <sol re' la'>
200 <sol re'> <sol re' la'> R2.*2
201 R1*6
203 %%% Moderato %%%
204 do8--\p[ r16 do-.] do8-- r do--[ r16 do-.] do8--[ r16 do-.] |
205 do8--[ r16 \simile do] do8 r do[ r16 do] do8 r |
206 do8[ r16 do] sib-.[ do-. r do] sib8--[ r16 do-.] |
207 sib8--[ r16 \simile do] sib8[ r16 do] sib8[ r16 do] |
208 sib8[ r16 do] sib8[ r16 do] do8[ r16 do] do8[ r16 do] |
209 sib8[ r16 do] sib8[ r16 do] sib8[ r16 do] |
210 sib8[ r16 do] do8[ r16 do] sib8[ r16 do] sib8[ r16 do] |
211 sib8[ r16 do] sib8[ r16 do] sib8[ r16 do] |
212 do8[ r16 do] do8[ r16 do] sib8[ r16 do] sib8[ r16 do] |
213 sib8[ r16 do\pp] sib8 do16-. sib-. r8 do16-. sib-. |
214 r8 \simile do16 sib r do sib8 r16 do sib8 r16 do sib8 |
215 do16 sib r8 sib16 do sib8 r16 do sib8 |
216 do16 sib r8 do16 sib r8 do16[ sib r do] sib8[ r16 do] |
217 sib8[ r16 do] sib8 do16 sib r8 r16 do |
218 sib8[ r16 sib] r8 do16 sib r8 do16 sib r8 sib |
219 r16 do\ppsempre sib8 r8 do16 sib r do sib8 |
220 r16 do sib8 r16 do sib8 do16 sib r8 do16 sib r8 |
221 do16[ sib r do] sib8[ r16 do] sib8[ r16 do] |
222 sib8 do16 sib r8 do16 do | sib8\sfz r r2 |
223 \repeat tremolo 16 {sib32\pp\< do} |
224 sib8->\f r16 do32-. do-. sib8-> r16 \simile do32 do |
225 sib8 r16 do32 do sib16 r \t {do16 do sib} | R2*2
227 %%% Allegro marcato %%%
228 \acc {<dod sold' sol'! red'>4\sfz dod\mp <dod sold'> dod |
229 <dod sold' sol'! red'>4\sfz dod <dod sold'>} r |
230 \st {do!\p do sol sol} <la re>2--->( mi'8) r r4 | R1
231 \acc {<mib lab re sol>4\sfz do?\mp <si? fa'> do |
232 <mib lab re sol>\sfz do <si fa'>} r |
233 \st {sol'\p sol fad fad} <mi si'>2--->( sol8) r r4 | R1
234 r4 dod,\mp\>( sib8\!) r r4 | r dod\>( sib8\!) r r4 |
235 \st {sib\p sib la la} lab2\>( sol8\!) r r4 |
236 r dod\mp\>( sib8\!) r r4 r dod\>( sib8\!) r r4 |
237 \st {sib\p sib lab lab} sold2\>( sib8\!) r r4 | R1
238 r2 r4 \pizz fa'\p mib( re do) r mib( re do) r |
239 r do\> si la\! |
241 %%% Agitato %%%
242 \arco <do re>2.\f r4 | R1*2
243 re2-- fad8-.\<( la) re16( mi fa sol) |
244 \st {sib8\sfz re,,\pp mib'-> do mib-> <la,, sol'> <la sol'> fa''-> |
245 do do mib-> sol, mib'-> do re, fa'-> |
246 sol, mib'-> sol, mib'-> do re, fa'-> sol, |
247 do mib-> sol, do fa-> sol, fa'-> do |
248 fa-> sol, do fa-> lab, do fa-> sol, |
249 fa'-> sol, do fa-> sol, fa sol sib-> |
250 sol sib mib-> reb mib sol-> mib-> lab->} |
251 sol->\sfz r r4 r1 | R1*2
252 \ind #"staccato leggiero" mib16\pp mib fa fa mib mib fa fa mib mib fa fa mib mib fa fa |
253 do do mi mi do do mi mi do do mi mi |
254 sol sol re re sol sol re re |
255 do\p do do do do do do do |
256 sol sol sol sol re re re re |
257 re\< re re re re8-.->\! r | R2 R1*4
261 ActeUnSceneUnBisViolonTrois = { \ViolonTrois
262 \relative {
263 R2.*5
264 r4 \ttt {lab16\p( sol sib si lad dod) } re8-- r |
265 \st {sol16 lab sol sib si dod si mi fad\< sol} la-- do-- |
267 %%% Piu vivo %%%
268 re4\sfz\downbow re,\downbow re,2\downbow | R2.
269 re''4\f\downbow r8 re,,~\downbow re2 | R2.
270 <do' la'>4->\ff <do la'>8-- <do la'>4-> <do la'>8-- |
271 <si sold'>4-> <si sold'>8-- <lab sol'>4-> <lab sol'>8-- |
272 si4-> si8-- <mi dod'>4-> <mi dod'>8-- | <mi dod'>2.--->
273 R2. r4 sib,2~--\p sib4. r8\fermata r4 |
274 R2. r4 sib2~-- sib~ sib8 r\fermata r4 | R1 R2
276 %%% Largo %%%
277 R2*3 R2. R2 R2.
278 lab2~\p\> lab4\! r2 |
279 <sol mib'>2\< sol4 lab4--\mp r r2 |
280 R1 R2. R2
281 r2 r8 si4.\pp\upbow |
282 \ten la2.~ la2 r4 |
283 <sol mi'>2--\mp\> sib~\pp sib4 r2 |
284 R2*3 R2. R1 R2.
285 r4 <sib re>\mf\downbow \ten <sib mib>2~\downbow <sib mib>
286 <la red>2.\mp r2 <la red>4-.\downbow |
287 <sold mi'>2.\downbow
289 %%% Adagio %%%
290 R1*33 R2*4
294 InterludeUnViolonTrois = { \ViolonTrois
295 \relative {
296 R1. R1*3 R1. R1 R1.*2 R1
297 r2 re8\mf( mi \t {fa la sold} |
298 si1.~) si1~ si4\> la~ la sold2.~\p sold4 r2 |
299 R2 r4 \ttt {r16 re\p( mi fa la sold}
300 \ttt {si\< sold la si mi sol} |
301 fa1~--->\f) fa2 r8 fa4( sol8) |
302 fad'1~---> fad4 r | sib,1~---> sib4 r8 dod,( sib'2) |
303 sol1---> fad2 | sol \ttt {fad16( sol la sib mib reb} fad8) r |
304 <mib, la>2.--->\ff\> |<mib lab>2.~\p <mib lab>4 r2 | R2.*3
305 sib,2.~\pp sib~ sib~ sib~ sib2 r4 |
306 sib2.~ sib~ sib~ sib \pizz fad'4 r sol r sold r |
310 ActeUnSceneDeuxViolonTrois = { \ViolonTrois
311 \relative {
312 %%% Air de la Soprano2 %%%
314 R2.*2 R1*2 R2. |
315 sold'8\p( la sold mi) re( mi) | sold( la sold mi) re( mi) sold4-- |
316 sold8( la sold mi) re( mi-.) sold( la sold mi) re( mi) sold4-- |
317 R2.| la,4-.\mp re-. mi8( re la4-.) | re8( la mi' re)-. r re mi4-. |
318 re-. la8( mi' re4)-. | la'8( sold mi re)-. r la'-. |
319 R1*2 | R2.*2 |
320 sold8\pp\(( la sold mi) re( mi) sold( la |
321 sold mi) re( mi) sold4-.\) sold8\(( la |
322 sold mi) re( mi) sold( la | sold mi) re( mi) sold4-.\) |
323 R1 | re4-.\pp la'-. sold8( mi re4-.) |
324 mi8( re la' sold)-. r la( | sold mi) re( mi) sold4-. |
325 r4 <re sol\harmonic>-.-> r2 |
326 r8 <re sol\harmonic>-.-> r2 <re sol\harmonic>4-.-> |
327 r8 <re sol\harmonic>-.-> r4 <re sol\harmonic>-.-> |
328 r4 r8 <re sol\harmonic>-.-> r4 |
329 r <sol' do\harmonic>-.-> r2 r8 <sol do\harmonic>-.-> r2 <sol do\harmonic>4-.-> |
330 r8 <sol do\harmonic>-.-> r4 <sol do\harmonic>-.-> |
331 r4 r8 <sol do\harmonic>-.-> r4 |
332 r4 <sol,, do\harmonic>-.-> r2 | la4-.\mf re8->( si) r la-. si4-> |
333 re4-. sol8( fa) do'4-> | fa,8( sol) si-> do-> r4 |
334 sol,->\ff do-> re8( fa) re( do) |
335 sol( do) re( fa) re( do) sol( do) | re2.~| re4 r2 |
336 \ind #"détaché" lab'8 sib re mib fa, lab sib re |
337 re, fa re do sol2~\>| sol2.~\!| sol2 r4 |
338 R1*2 R2.*2 R1*2 R2.*2 |
339 <re' la'!>1~\ppp\CaV <re la'>~\CaV |
340 <re la'>2.~\CaV <re la'>~\CaV|
341 <re la'>1~\CaV <re la'>~\CaV |
342 <re la'>2.~\CaV <re la'>2\CaV r4|
343 \flaut sold8\ppp( la sold mi re mi sold la |
344 sold mi re mi sold4) sold8( la |
345 sold mi re mi sold la |
346 sold mi re mi sold4) |
347 sold8( la sold mi re mi sold la |
348 sold mi re mi sold4) sold8( la |
349 sold mi re mi sold la |
350 sold mi re mi sold4) |
351 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1 R1-\fermataMarkup |
353 %%% Récitatif %%%
355 R2.*2 R1 R2.*3 R1 R2.*2 |
356 r4 r8 fad4--\downbow\mp mib8~\downbow| mib2.~|
357 mib8 mib~ \t {mib mib mib} \repeat tremolo 8 mib32\< |
358 mib8\sfz r8 r2 | R2 | R2.| R1*2| R2.*5| R1|
360 %%% Duo %%%
362 r8 \pizz <sib re>\mp\arpeggUp
363 r8 \simile <sib re> r8 <sib re>
364 \repeat unfold 13 {r8 <sib re>} <sib re>4 |
365 \repeat unfold 7 {r8 <do mi>} |
366 \repeat unfold 3 {r8 <red fad>} <red fad>4 |
367 \repeat unfold 4 {r8 <dod fad>} r4 | R2
368 \arco re8--\mf
369 re-- re-- re-- \simile re re
370 \repeat unfold 22 re
371 sold-.\psubito sold-. sold-. sold-. \simile sold sold
372 \repeat unfold 8 sold
373 red'\mf\< \repeat unfold 7 red
374 do\! do re'! sol, do, re' |
375 sol, do, re' sol, do, do |
376 R2. R1 |
378 %%% Piu vivo %%%
379 \ten <sol, sol'>2.~\f <sol sol'>1
380 sol4:16 lab: sib: reb:\< mi: fad:
381 <sol,sol'>4\ff <sol sol'>8-.\downbow \st {<sol sol'> <sol sol'> <sol sol'> <sol sol'> <sol sol'>} |
382 dod2-> r4 |
383 \st {<sol sol'>8 <sol sol'> <sol sol'> <sol sol'> <sol sol'> <sol sol'> <sol sol'>4} |
384 dod2-> r4 |
385 sol4->\downbow sol->\downbow \t {mi'--( re-- fa--)} |
386 dod2 \tt {sib16( la lab sib si)} |
387 sol4-> r2 |
388 \pizz sol4\f sol sol sol r2 |
389 si4 si si | sib-> r2 |
390 \arco re4-.-> r8 re-. r16 re re8-. |
391 re4-> \pizz sib8 mib mi la |
392 \arco <re, re'>4-> \pizz sib8 mib fad si |
393 \arco <re, re'>4-> \pizz sib8 mib sold dod |
394 \arco <re, re'>4-> \pizz sib8 fad' mi sold |
395 \arco <re re'>4 \pizz do8 fa fad si |
396 \arco <mi, mi' mi>4-> \pizz red8 sold si mi |
397 \arco <sol,, sol' sol'>4-> \tt {mi'16\< fa sol sib do} \tt {dod re mi sol la} |
399 %%% Poco allargando %%%
400 <re, sib'>2.\ff re4~ | re4. <sol, mi'>8 ~ <sol mi'>2\> si\!( la4) r |
401 %%% Tempo giusto %%%
402 \st {re,16->\fp re dod dod sib sib dod dod re-> re dod dod sib sib dod dod |
403 re-> re sib sib re-> re sib sib re-> re sib sib re-> re sib sib |
404 fa'-> fa mi mi do do mi mi fa-> fa mi mi do do mi mi |
405 fad-> fad re re sib sib re re fad-> fad re re fad-> fad re re |
406 sol-> sol mi mi si-> si mi mi sol-> sol si->\< si la-> la do-> do} |
407 dod2\f r4 |
408 \ten <sol, fa' sib\harmonic fa''>1~\f <sol fa' sib\harmonic fa''>~ <sol fa' sib\harmonic fa''>4 r2
410 <fa' sib\harmonic fa''>2~ <fa sib\harmonic fa''>~ <fa sib\harmonic fa''>2.~
411 <fa sib\harmonic fa''>8 r \ind #"détaché" dod16\mf\< mi fad la si re mi sol |
412 <re, re' mi>4--->\f <re re' mi>---> <sol la mi'>---> <sol la mi'>---> |
413 <re re' mi>---> <re re' mi>---> <sol la mi'>---> <sol la mi'>---> |
414 <la la'>8-> \ind #"détaché" mi16\< sol si re mi sol |
415 <re, sol' la>4--->\ff <re sol' la>---> <sol la mi'>---> <sol la mi'>---> <sol' la>--->
416 \pizz <fa sol>8 r r2 |
418 %%% Largo assai %%%
419 R1 R2.*3 R2
420 %%%FIX ME!%%%
421 \arco \ten sib,,2.~\pp sib2. r4 |
422 r2 \pizz fa'4 mi | mib r la, r | re r r2 |
426 InterludeDeuxViolonTrois = { \ViolonTrois
427 \relative {
428 R1 R2. R2 R2. R2 R2. R2
429 \pizz sol4--\mf \t {re'8 mib sib'} |
430 si,4-- \t {re8 fad si} |
431 sol,4-- \t {re'8 mib sib'} |
432 re,4-- \t {mi8\< la dod} |
433 re4--\psubito \t {sol,,8 re' la'} |
434 mi'4 \t {sol,,8\< re' la'} |
435 mi'4 \t {la,8 re sol} | do4--->\fp lab, |
436 <do sib'> <mib, si'> |
437 <re sib'> <reb la'> |
438 <do lab'> <si sol'> |
439 <sib solb'> <la fa'> |
440 <lab mi'> mi'' mi'-> r |
441 \arco \ten si,,1~\p si~ si~ si2 r | R2.
442 \ten la1~ la2 r4 | R2. si2.--\pp r4 R2. la4-- r |
446 ActeUnSceneTroisViolonTrois = { \ViolonTrois
447 \relative {
448 R2.*5 <sib la'>2.:32~\mp <sib la'>:\< <sib la'>4->\! r2 |
449 r4 \pizz si\mf r | r sol r r8 sib-> r dob sib4 |
450 \arco la2.\fp R2.*2 sold2.\p <la sold'>2.\mp |
451 <si lad'>2.:32~\mf <si lad'>:~\< <si lad'>4\! r \pizz sol\mf sib r2 |
452 R2.*4
454 %%% Lamento %%%
455 R1.*6 R1*5/4*5 R1*4
456 \arco <sib sol' mib'>4--->\f <sol' mib'>8-> <sol mib'> \t {<sol mib'>-> <sol mib'> <sol mib'>}
457 <sib, sol' mib'>4---> <sol' mib'>8-> <sol mib'> \t {<sol mib'>-> <sol mib'> <sol mib'>}|
458 <sib la'>16->\< <sib la'> <sib la'> <sib la'> \t {<sib la'>->\! <sib la'>-> <sib la'>->} <sib la'>8->\sffz r4 |
459 R2*2
461 %%% Tempo I %%%
462 \pizz la,4\mp si r do la r |
463 R2.*6 \arco fa'2.:32\sfp
464 \repeat tremolo 12 {re32\< fa} lab4-.->\sfz r2 |
465 R2. \pizz sib,4\mp r sold r2 la4 |
467 %%% Tempo II %%%
468 R1.*3 r2 sol1~\upbow\p\< sol2.\! r4 r2 |
469 r2 r4 la'2.:32\ppp <la sold'>2.:\mp <la sold'>4->\sffz r | R1 R2. R2
473 ActeUnSceneTroisBisViolonTrois = { \ViolonTrois
474 \relative {
475 R1*8 r2 red4--\p mid-- fad4-- r r2 |
476 R1*20
477 sol,1\pp sol2-- sol-- sol-- sol-- sol-- sol-- |
478 la'4\mf( si8) r fad4( la8) r | do,8\>( mib16) r sib8( do16) r sol8( sib16\!) r |
479 R1*16
480 r2 r4 r8 \pizz si\p |
481 r si r4 r r8 si |
482 R1*3
483 r2 \arco <sold mi'>\mp( <sol mib'> re' | fad4) r r2 |
484 R1*4
485 dod1\p\> \ten la~\pp la~ la~ la~ la~ la\fermata
489 ActeUnSceneTroisTerViolonTrois = { \ViolonTrois
490 \relative {
491 R2*3 R2. R2*2 R2.
492 \pizz <re re'>4\f r2
493 R2. \arco si2.~\p si4 r2 |
494 \pizz <sib sib'>4 r2 R2.
495 <mib sol>4 r r2 <mi sold>4 r <fa la> r |
496 <re re'>-> r r2 R1*3 R2. |
498 %%% Poco meno %%%
499 \arco
500 <re sol\harmonic re''>2.:32 ~\pp
501 <re sol\harmonic re''>: ~
502 <re sol\harmonic re''>: ~
503 <re sol\harmonic re''>: ~
504 <re sol\harmonic re''>: ~
505 <re sol\harmonic re''>: ~
506 <re sol\harmonic re''>: ~
507 <re sol\harmonic re''>: ~
508 <re sol\harmonic re''>: ~
509 <re sol\harmonic re''>: ~
510 <re sol\harmonic re''>4
511 \ordin re''2:32~\p re2.: ~ re:~ re: ~ re4: ~ si: sib:
512 re,2.:32~\CaV re8\CaV r r2 | R2.*13
514 r4 <sol,, fad'>2--\mp <sol fad'>--\< <sol fad'>4~--\! <sol fad'>2 r4 |
515 r <sol fad'>2--\mp\< <sol fad'>-- <si! sib'>4~--\! <si sib'>2 r4 |
516 R2.*3 R1 R2.
517 r4 si?2~--\mp\>( si4 sib2\!) | R2.
518 r4 \t {sib8\p( mi sib} \t {mi sib mi)} \t {sib( mi sib} \t {mi sib mi} sib4) |
519 r \ten <sib sol'>2~--\mp <sib sol'>\> <re fad>4~--\! <re fad> r2 |
520 r4 <sib sol'>2~-- <sib sol'>\> <re fad>4~\! <re fad> r2 |
521 r4 <sib sol'>2~--\mp <sib sol'> <fad'fad>4~---> <fad fad>2 r4 |
522 r \t {sol8\mf\>\(( re) re(} \t {sib) sib( sol)\!\)} \t {sib'\>\(( sol) sol(}
523 \t {re) re( sib)\!\)} \t {si'\>\(( fad) fad(} \t {red) red( si)\!\)}
524 \t {red'\<( si fad)} \t {sol'( re sib)\!} |
525 r mib\f( re) si( sib) sol fad'-- mib( re) si( sib) sol |
526 fad'-- mib( re) si( sib) sol( fad) mib4--\>( sib--) sol8~--\mp sol2 r4 |
527 R2.*4
529 la'4\p( sol fa mi) fa8( mi fa sol) la4( mi2~) mi2.~ mi2 r4 |
530 R2.*5
534 InterludeTroisViolonTrois = { \ViolonTrois
535 \relative {
536 R1 R2. R1 R2. R1 R2. R1 R2.
537 <lad fad'>16-.\pp <lad fad'>8--( <lad fad'>-- <lad fad'>--) <lad fad'>--(
538 <lad fad'>-- <lad fad'>--) <la fa'>--( <si sol'>16-.) |
539 <lad fad'>-. <lad fad'>8--( <lad fad'>-- <lad fad'>--)
540 <la fa'>-- <sol red'>--( <lad fad'>16-.) |
541 \simile <fad'do'>\p <fad do'>8 <fad do'> <fad do'>
542 <la fa'> <sol mib'> <lad fad'>16 |
543 <fad do'> <fad do'>8 <fad do'> <fad do'> <fad do'>16 |
544 <sold mi'>\mf <sold mi'>8 <sold mi'> <sold mi'>
545 <sold mi'> <fad re'> <la fa'>16 |
546 <sold mi'> <sold mi'>8 <sold mi'> <sold mi'> <sold mi'>16 |
547 <si sol'>\f <si sol'>8 <si sol'>16 <si sol'> <si sol'>8 <si sol'>16 |
548 <si sol'>\ff <si sol'>8 <si sol'>16 <si sol'> <si sol'>8 <si sol'>16 |
549 R2*2
550 \tt {sol,16\f\< si sib re dod} fa32( mi) lab( sol) si( sib) re( dod) |
551 la'8\sffz r r4 |
555 ActeUnSceneQuatreViolonTrois = { \ViolonTrois
556 \relative {
557 \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2
558 R2. re4--\mf si-- si8---. dod---. r4 R2-\fermataMarkup
559 R1 R2. R1*2 R1. R1*2 R1. R1*2
561 %%% Agitato %%%
562 do2.:32\fpp re: <re la'>: <re la'>8-.-> r la'--\mf( mi'--) si'--( mi,--) | la, r r2 |
563 R2.*2 re,2.:32\<\pp re8-.->\mp r sib16( do mib fa) fad\<( sold si dod) |
564 re8--\f sol-- do-- re,-- sol16-- la,\< la la | re4--->\! r2 |
565 re8-- sold-- dod-- red,-- sold16-- la,\< la la | re4--->\! r2 |
566 re,4-> r16 la\mp\< la la re8\! r |
567 <re mib>4-- r8 <re mib>-. \t {<re mib> <re mib> <re mib>} |
568 \dwnb {<re mi>4-- <re mi>-- <re mi>-- |
569 <re fad>--} r8 <re fad>-. \t {<re fad> <re fad> <re fad>} |
570 <re la'>4 <re la'> <re la'> | <re la'> r8 <re la'>-- r <la' mi'>-> |
571 dod--\f( re--) dod--( la--) sol-- la-- | dod--( re--) dod--( la--) sol-- la-- |
572 dod--( re--) dod--( la--) sol-- sib-- | re--( mib--) re--( sib--) lab-- sib-- |
573 re--( mib--) re--( si!--) la!-- si-- | red-- mi-- la-> red,--(
574 mi--) la-> |
575 sold16->\ff( la sold mi) re->( mi sold la) sold->( mi) re( mi) |
576 sold->( la sold mi) re->( mi sold la) sold->\<( mi) re( mi) |
577 la8->\! r r4 r2 | \dwnb {<la,, re>4\mp <la re> <la re> <la re>2. r4 |
578 <la re>4 <la re> <la re> <la re>2 <la re>4 <la re> <la re> |
579 <sib mib>2 <sib mib>4 <sib mib> <sib mib> |
580 <si mi>2} <si mi>\upbow\> <si mi>4--\! |
581 \t {r4 si--\mp( si--} si2~-- \ten si2.) r4 |
582 \t {r4 si--( si--} si2~-- \ten si2.) r4 |
583 \t {si--\>( si-- si--)} \t {sib--( sib-- sib--)} \t {la--( la-- la--)} |
584 \t {sold--\p( sold-- sold--} sold~-- \ten sold2.) r4 |
586 %%% Andante a piacere %%%
587 \t {r4 dod--\mp\upbow( dod--} \t {dod-- dod-- dod--)} \t {re--( re-- re--)} \t {mib--( mib-- mib--)} |
588 \t {r4 dod--\upbow( dod--} \t {dod-- dod-- dod--)} \t {re--( re-- re--)} \t {mib--( mib-- mib--)} |
589 \t {r4 \simile fa fa} \t {fa fa fa} \t {fad fad fad} \t {sol sol sol} |
590 \t {r4 fa fa} \t {fa fa fa} \t {fad fad fad} \t {sol sol sol} |
591 \t {r <red la'>--\mf <red la'>--} \t {<red la'>-- <red la'>-- <red la'>--} |
592 \t {<mi sold>--\< <mi sold>-- <mi sold>--} <mi la>8-- <mi la>-- |
593 \t {r4\! <lab re>--\f <lab re>--} \t {<lab re>-- <lab re>-- <lab re>--} |
594 \t {<sib mi>\< <sib mi> <sib mi>} <sol mib'>8 <sol mib'>\! |
595 R1*7 R2*3 R2.*2
596 \pizz si,4\mp r lab\< do\! r2 sib4 r2 re4 r2 |
598 %%% A tempo %%%
599 \arco
600 <si re>2--->\f <si re>4-- <si re>-- |
601 <re mi>-- <re mi>2---> <re mi>4-- |
602 <re sol>-> <re sol>-> <re sol>-> r |
603 R1 R2. R1 R2.
604 la1:32\fpp <si red>2.--\mf <dod re>2-- sib4-- do-- | dod2-- r4 |
605 <dod' la'>2--->\f( <dod la'>4--) <dod la'>-- <dod la'>4.---> <dod la'>8~-- <dod la'>4 r8 la16\<( dod) |
606 fa2\! \t {fa,8\<( la dod)} fa2--->\! \t {sol,8\<( si red)} |
607 sol8.--->\ff sol16 sol8-. sol4-> sol8-. | sol8.---> sol16 sol8-. sol4-> sol8~-> sol4 |
608 <si, sold'>~--->\t{<si sold'>8<si sold'>4~--->}\t{<si sold'> <si sold'>8~--->}<si sold'>r|
609 si,16\upbow\f( dod) dod( si) si( dod) dod( si) si( dod) dod( si) |
610 si( dod) dod( si) si( dod) | \ten sol2.~-- sol8 r4 |
611 si16\upbow\f( dod) dod( si) si( dod) dod( si) | si( dod) dod( si) si( dod) |
612 sol2~-- sol4. r8 |
613 re'16\upbow\f( mi) mi( re) re( mi) mi( re) | re( mi) mi( re) re( mi) |
614 re2~--\mf re4 r |
615 mi16\mp( re) re( mi) mi( re) re( mi) | mi( re) re( mi) mi( re) |
616 re\<( mi) mi( re) re( mi) mi( re) re( mi) mi( re) re( mi) mi( re) |
617 R2\! R4. r2 \ind #"détaché" sib'16\p\< dod fad la |
619 re4->\f r r \simile dod16 do sib do, |
620 re,4->\CaV re16\pleggiero re re re re re re re re re re re |
621 re re re re re re re re re re re re re re re re |
622 re re re re re re re re re re re re re re re re |
623 re re re re re re re re re re re re re re re re |
624 \cresc do-> do do do do do do do do do do do do do do do |
625 do do do do do do do do mib-> mib mib mib mib mib mib mib |
626 mib mib mib mib fa?-> fa fa fa fa fa fa fa fa fa fa fa |
627 re8->\f re re4 re'\> re,8 re\! | R1*3 R2 R2.*2 R2 R1
629 %%% Piu lento %%%
630 R2.*11
631 r4 \flaut sib2~ sib r4 |
632 r4 sib2~ sib r4 |
633 r4 sib2~ sib r4 | R2.
634 r4 \ordin sib2~ sib r4 | R2.
635 R1. R1 R1. R1 R1. R1 R1. R1 R1. R1 R1.*5
636 R1 R1. R1 R1.
637 R1 R1.*5 R1 R1. R1
641 EntracteViolonTrois = { \ViolonTrois
642 \relative {
643 R2*9
644 R1*2 r4 \st {la8\mf la sold4} r R1*7
645 r4 \jet re''32\mp re8.. re32 re8.. r4 |
646 re32 re8.. re32 re8.. r4 re32 re8.. |
647 r4 re32 re8.. r4 re32 re8.. |
648 r4 re32 re8.. re32 re8.. r4 | R1*2
649 re,16->\mf re re re re4 r8 re16\> re re re re8-. |
650 re16-> re re re re4-- r2 |
651 re2:16\pleggiero re: re: re: re: re: re: re: re: re: |
652 re4-- r r2 | \pizz sold4\mf r r8 fad r sold |
653 R1 \arco sold,4.--\mp( la8~-- la4) si-- |
654 do-- \t {reb8\<( do dod)} re( mib) re( red) |
655 mi4->\f r r <re la'>-.->\mp r <re mib>-.-> r <re mi>-.-> <re re>-.-> r r2 |
656 la16->\mf la la la la4 r8 la16-> la la la la8-. |
657 sib-> \pizz mib''\mp sol,4-- r8 si mib,4-- |
658 r8 fad sib, re fad, mi''-> sold,4-- |
659 r8 do mi,4-- r8 sol si, mib |
660 sol,4-- r \arco la,8-.\mf la-. sold4-. |
661 r8 la-. la-. sold-. r4 la8(\upbow sold-.) | re'4---> r r2 |
662 re16->\f re re re re8 re16-> re re re re8-. |
663 re16-> re re re re8-. re16-> re re re re8-. re16->\< re re re |
665 %%% Fugato %%%
666 re1~\ff re~\> re2.~\mp re~ re2~ re1~ <re fa'>2.~ <re fa'>~
667 <re fa'>1~ <re fa>~ <re fa'>2.~ <re fa'>4 r2 |
668 r dod'~\pp dod1~ dod2.~ dod~ dod1~ dod2. r4 |
669 <la mi'>2.~ <la mi'>~ <la mi'>2 <re, la'>~--\mp |
670 <re la'>8 <la' mi'>4. <re, la'> <la' mi'>8~ |
671 <la mi'>2.~ <la mi'> | fad'2~\mf fad8 r <dod dod'>-.\f <dod dod'>-. |
673 %%% Stretto %%%
674 <re re'>4-> re,-> r re-> |
675 re16-> re re re re4 r8 re16-> re re re re8 |
676 re16-> re re re \ten <dod re>2.~\sffz <dod re> r4 |
677 r4 \pizz sol''--\mp re-- r |
678 mi,-> r r8 fad-> r4 mi-> r8 fad-> r2 |
679 \arco sol2:8->\mp sol: lad: lad:\< |
680 <re, sib'>4-.->\! r r2 | R1*3
682 %%% Noir %%%
683 R2.-\fermataMarkup \pizz fad4\mp r2 R2. fad4 r2 R2. R2
684 fad4 r2 r4 red r2 r4 red fad8-> red-> R2 |
685 red4\mp r r2 | R1*4 R1.*4 R1 R2.-\fermataMarkup
686 R2.*8 R2.-\fermataMarkup
687 R2.*4 R2.-\fermataMarkup
688 R1 R2 R1 R2 R1 R2 R1 R2.
690 %%% Largo non troppo %%%
691 \arco <la' la'>2->\mf \accdet {<la la'> <la la'> |
692 <la la'> <la la'> <la la'> |
693 <si si'> <si si'> <si si'> |
694 <do do'> <do do'> <do do'> |
695 <mi do'> <mi do'> <mi do'> |
696 <re do'> <re si'> <re la'> |
697 \cresc <do sol'> <do do'> <do si'> |
698 <do la'> <fa re'> <re si'> |
699 <mi do'> <mi do'> <mi do'> |
700 <si fa'>\f( <si sol'>) <si lab'> |
701 <do sol'>\>( <do sol'>\!) <mi do'> |
702 <la, sib'>\mp <la la'> <la sol'> |
703 <la sol'> <la fa'> <la fa'> |
704 <si fa'> <si sol'> <si lab'> |
705 <do lab'> <do sol'> <do sol'> |
706 \cresc <re, la' fa'> <la' fa'> <la fa'> |
707 <la la'> <sol sol'> <fa fa'>} |
708 <la la'>4->\ff mi-> r1 | <la la'>4-> mi-> r2 |
709 R1 R2. R2
713 ActeDeuxSceneUnViolonTrois = { \ViolonTrois
714 \relative {
715 la''2.~\CaV la2.~\CaV la2.~\CaV la4\CaV r2
716 R2 R2.*2 R2 si2.~ si2.~ si2.~ si4 r |
717 R2. R2 | r4 r8 fad~ fad4~| fad2.~| fad2 |
718 sib2.~| sib2.~| sib2.~| sib4 r |
719 <re,, sol\harmonic re''~>2. \simile re''2~ re2.~ re2.~ re4 r |
720 \ttt { re8[ re16 re re re] } \ttt { re16[ re re re re re] }
721 \ttt { re16[ re re re re re] } |
722 \repeat unfold 3 { \ttt { si16[ si si si si si] } } |
723 \repeat unfold 5 { \ttt { si16[ si si si si si] } }
725 %%% Entrée de la Soprano Deux %%%
726 R2.*2 r4 \ttt {re16[ re re re re re] } \t {re re re} r8 r4 |
727 r4 r8 \t {mi,16 mi mi} \ttt {mi mi mi mi mi mi} | R1 R2. R2 R2. R1
729 %%% Andantino %%%
730 R1*2 R2.*4 R2
731 R2.*5 R1 R2. R2
732 r4 re, r re r re r | re r re |
733 r re r re | r re r | re r re r |
734 r <do re> r | r <do re> r <do re> | r sib r | sib r sib r |
735 r sold r | r la r la | r la r |
736 r la r la r la r | la r la r | la r la |
737 r la r la | r la r | la2. r4 |
738 si2.~ si2. r4 |
740 %%% Entrée de la Contralto %%%
741 r2 <la re>4 | r <la re> r <la re> | r <la re> r | <la re> r <la re> r |
742 r <la re> r | <la re> r <la re> r | r <la re> r | <la re> r <la re> r |
743 r8 \pizz la r la r la | r do r do r fad r fad | r re r do r la |
744 r la r la r la r la r2 r8 la |
745 r la r la r re r re | r la r la r la | r la r la r4 \arco si |
746 r2 \pizz do4 | r4 r8 do r2 | r2 do4 | r4 r8 do r4 r8 do |
747 r4 do do sol do fa sib re r |
748 r4 r8 do, r4 | r4 r8 si r4 |
749 r4 r8 do r4 | r4 r8 si r4 |
750 r8 \arco si4 do8 re4 fa2.~ fa2 r4 | R1 R2.
751 R1 R2. R1 r4 mib r r do r do | r mib r r do r do | R2. R1
752 re2.~\CaV re1~\CaV re4\CaV r2 R2 | R1 R2. R1 R2. R1 R2. R1
756 ActeDeuxSceneUnBisViolonTrois = { \ViolonTrois
757 \relative {
758 \pizz mi4 r r2 R2. R2
760 %%% Presto agitato %%%
761 R1*5/4*2
762 \repeat tremolo 8 {\arco \ind #"sul tasto"mi16*5/4 sol}
763 \repeat tremolo 8 {mi sol}
764 \repeat tremolo 8 {mi sol}
765 \repeat tremolo 8 {mi sol} mi2. r2 |
766 \repeat tremolo 8 {sol16*5/4 mi}
767 \repeat tremolo 8 {sol mi} sol2. r2 |
768 \repeat tremolo 8 {mi16*5/4 sol}
769 \repeat tremolo 8 {mi sol} mi2. r2 |
770 \repeat tremolo 8 {sol16*5/4 mi}
771 \repeat tremolo 8 {sol mi}
772 sol4 r re sol8 la sol la |
773 sol4 r re sol8 la sol la |
774 sol4 r re sol8 la sol la |
775 sol4 r2 re4 la8 sib |
776 re mi re4 r2 re4 |
777 la8 sib re4 r \ordin re8 re re re |
778 mib4 re8 re re re mib4 re8 re |
779 mib4 re8 re mib4 re8 re re re |
780 mib re re re re mib re re re re | re4 r1 |
781 R1*5/4*11
782 mi8 dod mi fa mi dod mi dod mi dod |
783 mi dod mi fa mi dod mi dod mi dod |
784 fa4 mi8 mi mi mi fa4 mi8 mi |
785 fa4 mi8 mi fa4 mi8 mi mi mi |
786 fa mi mi mi mi fa mi mi mi mi | mi4 r1 | R1*5/4
787 dod4 r1 | R1*5/4-\fermataMarkup
789 %%% Boum %%%
790 r2 r4 \flaut mi2\upbow r2 mi\upbow r4 | R1*5/4
791 r2 r4 \simile mi2 r mi r4 |
792 r2 r4 mi2 r mi r4 | R1*5/4
793 r2 r4 mi2 r mi r4 |
794 \repeat tremolo 16 {mi32*5/4 sol} |
795 \repeat tremolo 16 {mi32*5/4 red}
796 \repeat tremolo 16 {mi32 red} mi4 |
797 <sol sib mib>2. <fab lab reb>2 <sol sib mib> <fab lab reb>2. |
798 r4 <sol sib mib>2. <fab lab reb>4~ <fab lab reb>2 <sol sib mib>2. |
799 <sib mib lab>2. <fab sib mib>2 <sib mib lab> <fab sib mib>2. |
800 r4 <sib mib lab>2. r4 |
801 <lab reb fa>2. <sib mib>2 <lab reb fa> <sib mib>2 <lab fa'>4 |
802 <sib lab'>2. <lab fa'>2 <sib lab'> <lab fa'>2. |
803 r4 <sib lab'>2 fa'4 lab |
804 <fab, reb' sib'>1*5/4~ <reb' sib'>2. r2 | R1*5/4*5
806 %%% Moderato assai %%%
807 r2 r4 mi,1~mi1*7/4~ mi~ mi~ mi~ mi~ mi2. r1 |
808 R2. R1 R2. R2
809 \t {mi8 sol mi} \t {sol mi sol} mi4 R2. |
810 \t {mi8 sol mi} \t {sol mi sol} mi4 R2. |
811 \t {mi8 sol mi} \t {sol mi sol} mi4 R2. |
812 \t {mi8 sol mi} \t {sol mi sol} mi4 R2. |
813 mi2.
814 la,1*7/4~ la4 r2 r1 | R1*7/4
815 \t {mi'8 sol mi} \t {sol mi sol} mi4 R2. |
816 \t {mi8 sol mi} \t {sol mi sol} mi4 R2. |
817 \t {mi8 sol mi} \t {sol mi sol} mi4 R2. |
818 \t {mi8 sol mi} \t {sol mi sol} mi4 |
819 re8 re mi mi sol sol la la re, re mi mi sol sol |
820 la la re,16 mi re8 mi sol la sol mi re16 mi re8 mi sol la |
821 re, mi sol la re, mi sol la sol re16 mi re8 re mi re | mi1 r2 r4 |
822 \repeat volta 2 { dod1 sib2. dod sib1 R1*7/4 }
823 sib1 r2 r4 | R1*7/4
825 %%% Presto subito %%%
826 \tt {mi8\upbow mi mi sol mi} \tt {mi mi mi sol mi} \tt {mi mi mi sol mi} |
827 \tt {mi mi mi sol mi} \tt {mi mi mi sol mi} \tt {sol mi mi sol mi} |
828 \tt {sol mi mi sol mi} \tt {sol mi mi sol mi} \tt {sol mi mi sol mi} |
829 \tt {sol mi mi sol mi} \tt {mi sol red mi sol} \tt {mi sol red mi sol} |
830 \tt {mi sol red mi sol} \tt {mi sol red mi sol} \tt {mi sol red mi sol} |
832 %%% Tempo giusto %%%
833 mi4 r2 | \jet <mi sol>32 <mi sol>8.. r4 <fa lab>8 r |
834 \simile <mi sol>32 <mi sol>8.. r2 |
835 <mi sol>32 <mi sol>8.. r2 | <mi sol>32 <mi sol>8.. r2 |
836 <mi sol>32 <mi sol>8.. r4 <fa lab>8 r |
837 <mi sol>32 <mi sol>8.. r2 |
838 <fad la>32 <fad la>8.. r4 <re la'>8 <re la'> <sol sib> <sol sib> |
839 <re si'>4 r2 | \jet <dod si'>32 <dod si'>8.. r2 |
840 <fa do'>32 <fa do'>8.. r2 |
841 <red dod'>32 <red dod'>8.. r4 lab'\glissando |
842 sol r \jet fad32 fad8.. r8 sold32 sold8.. r8 sold la la sib sib |
843 <mib, do' sib'>8. <do' sib'>16 <do sib'>8 <mib, do' sib'>~ |
844 <mib do' sib'>16 <do' sib'>16 <do sib'>8 <do sib'> |
845 <do sib'>2 r4 |
846 <mib, do' sib'>8. <do' sib'>16 <do sib'>8 <mib, do' sib'>~ |
847 <mib do' sib'>16 <do' sib'>16 <do sib'>8 <do sib'> |
848 <la sol'>2 r4 |
849 <do la' mi'>8. <do la'>16 <do la'>8 <do la' mi'>4 |
850 <mi mi'>8. mi16 mi8 <dod lad' red>~ |
851 <dod lad' red>16 <lad' red> <lad red>8 <lad red> |
852 <mi mi'>4 r8 \pizz red r4 |
853 r \arco fa8\glissando si, r4 |
854 r \pizz sib' r8 \arco dod\glissando | re, r r2 |
855 r8 si, si si si si do do mib mib mi mi |
856 r si si si si si do do mib mib mi mi |
857 r do do do do do si si mi mi mib mib |
858 r fad fad fad sol sol r lad lad lad si si |
859 re fad,:16 sol: lad: si: re: |
860 <re lad'>2. R2. R2 R4. R2 R1*5/8 R2.
862 %%% Tempo I %%%
863 r4 r8 sol,16 la sol mi re mi sol la sol la |
864 <solb fa'>4 r2 <solb fa'>4 r <solb fa'> r <solb fa'> r2 |
865 <solb fa'>4 r r8 <solb fa'> r2 | <si, lad'>4 r1\fermata |
866 R1*5/4
867 \flaut mi1*5/4~ mi~ mi~ mi~ mi~ mi~ |
868 mi~ mi2. r2 | R1*5/4*5
869 <re la'>1*5/4~\CaV <re la'>2.\CaV r2 |
870 R1*5/4 <re la'>1*5/4~\CaV <re la'>~\CaV <re la'>~\CaV <re la'>2.\CaV r2 |
874 ActeDeuxSceneDeuxViolonTrois = { \ViolonTrois
875 \relative {
876 R1.*6 R1*2 R2.
877 r16 sol sol8 sol16 sol8 sol16 sol8 sol16 sol |
878 r16 red'red red red8 red16 red r red red red |
879 dod8 dod16 dod r16 red red red red8 red16 red |
880 r16 dod dod dod re re mib mib la,8 la16 la |
881 do1.~ do1 r2 |
882 R1. R1*2 R2.
884 r16 sol sol8 sol16 sol8 sol16 sol8 sol16 sol r sol sol sol |
885 r sold sold r sold sold |
886 r la la la la la la la la la la la si si si si |
887 r si si si si si si si si si la la la la la la |
888 r si si si si si si si si si si si si si si si |
889 si si si si si si si si si si dod dod dod dod dod dod |
890 dod dod red'red sold,sold mid'mid sold,sold lad'lad red,red mid mid |
891 mib mib fa'fa sib,sib mib,mib mib'mib sib sib fa fa mib mib |
893 R2. R1. R1*2
894 r4 la,,2 r4 sib2 r4 la2 r4 si |
895 <sold re'>2 do4 <la mi'>2 lab4 |
896 sol4~ sol16 mi' sib' re do8 r |
897 la4 mi | R4. |
899 r16 la, si si la la si si la la si si la la si si |
900 la la si si la la si si la la si si la la si si |
901 do do do do do do do do do do do do do do do do |
902 <do la'> <do la'> <do la'> <do la'> <do la'> <do la'> <do la'> <do la'>
903 <do la'> do do do do do do do |
904 <do fa> <do fa> <do fa> <do fa> <do fa> <do fa> <do fa> <do fa>
905 <do fa> <do fa> <do fa> <do fa> fa fa fa fa |
906 sold sold lad lad sold sold lad lad |
907 sold sold lad lad sold sold lad lad |
908 sold sold lad lad sold sold lad lad |
909 sold sold lad lad sold sold lad lad |
910 sold sold lad lad sold sold lad lad |
911 sold sold lad lad sold sold lad lad |
912 si si do do si si do do
913 si si do do si si do do |
914 si8 do si do si4 |
916 R1. R1 R1.
917 la4 sol fa mi fa8 mi fa sol | la4 mi r | R1
918 \pizz la,4 r2 r8 sol'4. r2 | fa4 r2 r8 mi4. r2 |
919 fa4 mi fa sol la r2 | R2.
920 fa4 mi fa sol la4 r2 | mi4 r r2 | R2. R1 R2. R1
921 <la, la'\leftpizz>4 r2 R1 R2. R1
922 r2 \arco <fa' la>4 | <mi la> <fa la> <sol la> <la la> |
923 r4 <fa la>16 mi fa sol <la la>4 |
925 fa16 mi fa sol la8 la dod16 do reb mib fa8 fa |
926 <la, la'>4 r | R2. <la, la'>4 r r2 |
927 r2 do16 la sib do mib dod re mi | sol8 r sib r re r fa r |
928 <sold, la la'>4 fa8 do' reb | sold sold la r4 |
929 <sold, la la'>4 mib8 sold la | sold' sold la r4 |
930 <sold, la>4 sold,8 sold sold | <la sold'>4 <la sold'> r8 |
931 <sold re' la'>4 r r8 | <sold' la la'>4 r re'8 |
932 re mib r4 r8 | <la,,sold'>4 <la sold'> r8 | <sold re'la'>4 r r8 |
933 sold'8 sold la r4 | r8 sold4 sold | la r r8 |
935 R1*2 dod,4 r r2 |
936 r4 \pizz re si r r si sold r |
937 r2 \arco sold2 |
938 mi'1:32~ mi: dod: |
939 si'4 r2 | r8 \pizz dod, r4 | R1*2 R2.*4
940 r4 sold' r r sold r R2. |
942 la4 r R2 | R2.
943 \arco la'4 sol fa mi2 mi8 red mi fad |
944 sold2~ sold4 r r sib,16 la sib do |
945 re8 r r16 \pizz sib, re\leftpizz sib |
946 r sib re\leftpizz sib r sib re\leftpizz sib |
947 r sib re\leftpizz sib r sib re\leftpizz sib |
948 r sib re\leftpizz sib r8 r16 \arco sib |
949 do do mi do r si red si r sib re sib r la dod la |
950 r lab do lab r8 si16 sol | r8 sib16 sib r8 la16 la |
951 R2 r8 mi'16 mi fa8 r | R2
952 re16\leftpizz \pizz sib re\leftpizz sib re\leftpizz sib re\leftpizz sib |
953 re\leftpizz sib re\leftpizz sib sold8 \arco mi'16 mi |
954 re8 re16 re mib8 r | R2*2
955 \pizz sib4 r dod r mib r | R2 R2.*16