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Dynamics to Entracte
[opera_libre.git] / instruments / piano.ly
blob5973d81efe4e2ef94f74276abbb4eaed88fdfe14
1 %------------------------------------------------------------------%
2 % Opéra Libre -- piano.ly %
3 % %
4 % (c) Valentin Villenave, 2008 %
5 % %
6 %------------------------------------------------------------------%
7
8 \include "italiano.ly"
9
10 Piano = {
11 \set PianoStaff.instrumentName = \markup { \hcenter-in #27.5 "Piano"}
12 \set PianoStaff.shortInstrumentName = "Pno."
13 \set PianoStaff.midiInstrument = "acoustic grand"
14 }
15
16 ProloguePiano = {
17 \PianoDeuxMains
18 \relative { \Piano
19 \partial 4 r4 R2.*3 R1
20 mi2\rfz \laissezVibrer r4 \clef bass mi,4--\laissezVibrer|
21 r4 mi2->\laissezVibrer | r8 \tt {mi,32( fa mi' mi fa} red'4)\laissezVibrer|
22 r4 r8 \t {mi,,16 mi' mi} | mi'2.\laissezVibrer |
23 R2*2 | %%FIXME: \laissezVibrer isn't printed.
24 << \makeClusters { \ind #"dans les cordes" sol,16 la si do re2 } \\
25 {\hideNotes s4 re2 \laissezVibrer \unHideNotes} >>
26 R2*2 |
27 << \makeClusters { \simile sol,16 la si do mi2 } \\
28 {\hideNotes s4 mi2 \laissezVibrer \unHideNotes} >>
29 R2*2 |<la, re sol>2\f r4 | R2*2 |
30 << {\voiceTwo <si re mi>2\f\laissezVibrer} \\
31 {\voiceFour r8 \voiceOne \st {<sid, dod>8 <sid dod> <sid dod>}}>>
32 \st {<sid dod> <sid dod> <sid dod> <sid dod>
33 <sid dod> <sid dod> <sid dod> <sid dod>
34 <sid dod> <sid dod> <sid dod> <sid dod>
35 <sid dod> <sid dod> <sid dod> <sid dod>
36 <dod re> <dod re> <dod re> <dod re>
37 <dod re> <dod re> <dod re>\> <dod re>
38 <re mib> <re mib> <red mi>\mf <red mi>
39 <red mi> <red mi> <red mi> <red mi>
40 <red mi>\> <red mi> <red mi> <red mi>}
41 r8\mp <mi fa>-. <mi fa>4-- |
42 <mi fa>8-. <mi fa>4-- <mi fa>8-. <mi fa>4-- \clef treble |
43
44 %%% Tempo giusto %%%
45 re'8\p r re-.\p re-. s2*2 R2*3 s2*2
46 \pl <re re'>4 re''4-- r2 | R2.*2 \clef bass |
47 <sib,,,sib'>2.-- <dod dod'>-- <mi mi'>-- \clef treble |
48 <lab lab'>2-- <mi' do'>8( <sol la>) |
49 <la fa'>(\< <do mib>) <do lab'>( <mib fa>) <mib si'>( <fa lab>) |
50 <re re'>4\f r8 <mi sold re'>4.->~ <mi sold re'>4 r8 <re fad si re>4.-> |
51 \ttt {re'16(\ff la fa re do si)} \ttt {fad'( dod la fad mib reb}
52 \ttt {do) sol'( re sib \mg sol fa} \tttt {mi re si la sold fad red) \md} |
53 s4 \t{<dod''' re>8\> dod, <dod'' re>} | <dod,,re dod'>2\pp\laissezVibrer
54 R2-\fermataMarkup
55
56 %%% Solo ténor %%%
57 R1*2 R2. R1 R2. r2 sol\p~|
58 sol~ sol~ sol R2 R2.*6
59 <sol lab sol'>2.\arpeggio \laissezVibrer R2.*4 R4.
60
61 %%% Andantino %%%
62 \st {
63 <lab sol'>8\pp \mg sol, \md r |
64 <lab'sol'> \mg sol, \md r |
65 <lab'sol'> <lab'sol'lab> r | <sib dob sib'> r <si do si'> |
66 <lab,sol'> \mg sol, \md r |
67 <lab'sol'> \mg sol, \md r |
68 <lab'sol'> \mg sol, \md r |
69 <lab'sol'> \mg sol, \md r |
70 <lab'sol'> <lab'sol'lab> r | R4.*3
71 r4 <lab, sol'>8 r <si? sol' lab> r |
72 R4. <mi do'>8 r4 | R4. <mi do'>8 r4 |
73 R4. <re sib'>8 r4 R4. <re sib'>8 r4 |
74 R4. <do sold'>8 r4 R4. <dod la'>8} r4 |
75 R4.*2 s4.*2 |
76 <la' re>4.\laissezVibrer s4.*3 |
77 <mi' la>4.\laissezVibrer s4.*3 |
78
79 %%% A tempo %%%
80 \ottava #1
81 re''32\f \> re, re re,\! \ottava #0 s8 r R4.
82 \ottava #1 re''32\> re, re re,\! \ottava #0 s8 r8 R4.*2
83 <reb, lab'>4.--\mf\laissezVibrer R4.*2
84 \pl {\st {<sol lab dod>16\fp[ <sol lab dod> sol \mg
85 <lab, dod re> <lab dod re> <lab dod re>]} \md }
86 {<lab'' re lab'>8\noBeam <sol, lab dod>16 s8.}
87 \st {\stemDown <sol lab dod>16 <sol lab dod> <sol lab dod> \mg
88 \stemUp <lab,dod re> <lab dod re> <lab dod re> \md |
89 \stemDown <sol'lab dod> <sol lab dod> <sol lab dod> \mg
90 \stemUp <lab,dod re> <lab dod re> <lab dod re> \md |
91 \stemDown <sol'lab dod>\< <sol lab dod> \mg \stemUp <lab, dod re> <lab dod re>
92 \md \stemDown <sol' lab dod> \mg \stemUp <lab, dod re>\! \md |
93 \stemDown <lad' si mi> <lad si mi> <lad si mi> \mg
94 \stemUp <lad, si fa'> <lad si fa'> <lad si fa'> \md |
95 \stemDown <lad' si mi> <lad si mi> <lad si mi> \mg
96 \stemUp <lad, si fa'> <lad si fa'> <lad si fa'> \md |
97 \stemDown <lad' si mi> <lad si mi> <lad si mi> \mg
98 \stemUp <lad, si fa'> <lad si fa'> <lad si fa'> \md |
99 \stemDown <lad' si mi> <lad si mi> <lad si mi> \mg
100 \stemUp <lad, si fa'> <lad si fa'> <lad si fa'> \md |
101 \stemDown <lad' si mi> <lad si mi> <lad si mi> \mg
102 \stemUp <lad, si fa'> <lad si fa'> <lad si fa'> \md |
103 \stemDown <lad' si mi> <lad si mi> \mg \stemUp <lad, si fa'> <lad si fa'>
104 \md \stemDown <lad' si mi> \mg \stemUp <lad, si fa'> \md \stemDown |
105 <fa'' sib re>8-- <si,! fa' sib>16( \mg \stemUp <sold, mi'> \md \stemDown
106 <si' fa'> \mg \stemUp <si,, sold'>
107 \md \stemDown <mi' si'> \mg \stemUp dod, \md \stemDown
108 <si''! fa' sib> \mg \stemUp <si, mi sold>
109 \md \stemDown <fa'' sib re>8) |
110 <si re mi fa>8-- <re, sol si>16( <reb, lab'> <re' sol> \mg \stemUp
111 <fa,, reb'> \md \stemDown <lab' re>
112 \mg \stemUp sib,, \md \stemDown <lab'' re sol>
113 \mg \stemUp <lab, reb fa> \md \stemDown <re' sol si>8) |
114 <mi sold si dod re>16--(\> <sib, fa'> <si' mi sold> \mg \stemUp <re,, sib'>
115 \md \stemDown <fa' si mi>8) | <dod' re mi sol>16--(
116 \mg \stemUp <fa,, si> \md \stemDown
117 <sold' re'> \mg \stemUp <sib,, fa'>
118 \md \stemDown <si' sold'>8) |
119 <fa' solb lab dob>16-- \mg \stemUp <mib, lab>
120 \md \stemDown <re' mib fa lab>-- \mg \stemUp
121 <si, mi> \md \stemDown <si' do re fa>8--\! } | R4.*9 R8*5 R2.*3
122
123 %%% Adagio %%%
124 \cmb #"p" #"très clair" <sib' fa' dod'>1\laissezVibrer R1*3 R1.
125 \makeClusters { \ind #"dans les cordes" sol,16 la si do re2.} r2 |
126 <la' re fa sib>1\laissezVibrer R1*2 R1.
127 \makeClusters { \simile sol,16 la si do mi2. } r2 |
128 <dod' mi do'!>2-- <la do sold'>--\laissezVibrer R1 R2. |
129
130 %%% Valse %%%
131 \ottava #1
132 r4 \det {<fa'' lab reb>2\ppp | r4 <sib, mib solb>2 \ottava #0
133 r4 <mi, la do>2 | r4 <sib mib solb>2 | r4 <sold dod mi>2 |
134 r4 <sol sib mib>2 | r4 <fa lab reb> r <mib lab dob> } |
135 \mg \stemUp r8 \slurUp re,8\p( mib sib' si \md fad'
136 \stemNeutral sol8\< re' mib sib')\! | R2.*2
137 \stemUp \t {r8 mi(\pp mib} \t {lab, sol do,} \t {si mi, mib} \mg
138 \t {lab, sol do,)} \md \slurNeutral \stemNeutral |
139 \det {r2 \pl <do' fa lab>2\ppp <dod' mi la> |
140 r4 \pl <sib, reb solb>2 <la' re fa>2 |
141 r4 <sold dod mi>2 r4 <fad la re>2 | r4 <fa lab reb>2 |
142 r4 <dod fad la>2 r4 <sib reb solb> r <la do fa>} |
143 R1 \stemUp \ind #"non legato" re16\mp \< mib fa lab sib si dod mi fad sol la do |
144 \stemDown <re, re'>8->\fp \stemUp \mg re,,-. \md \stemNeutral r4 |
145 R2*6 r4 s R2*15
146 \st {<fad' si mi>8\p r r4 <mi la re>8 r r4 <reb lab'>8 r r4 |
147 R2*3 sib8-> r r4 <fa mi'>8-> r mi''' r } |
148 }
149 \relative {
150 \partial 4 r4 R2.*3 R1
151 \det {<mi,, mi'>2\rfz\laissezVibrer r4 <mi, mi'>4\laissezVibrer r4 <mi mi'>2\laissezVibrer |
152 r4 <mi mi'>\laissezVibrer | r4 <mi mi'>\laissezVibrer mi'4 mi,2\laissezVibrer |R2*2 |
153 r4 <mi mi'>2\laissezVibrer | R2*2
154 r4 <mi mi'>2\laissezVibrer | R2 r4 <re' re'> |
155 <dod dod'>2-> r4 } | R2*2
156 <dod, dod'>2->-- r8 <sol' sol'>-. | r dod-. r <sol sol'>-. |
157 dod4-- <dod, dod'>-- <sol' sol'>8-. dod--|
158 R2 <sol sol'>4-- dod-- <sib sib'>8-. dod--~| dod <sol sol'>-. dod4-- |
159 <dod, dod'>4-- <sol' sol'>8-. <dod dod'>4-- <sib sib'>8-. |
160 r <dod dod'>4-- <sol sol'>8-. |
161 <sib sib'>2--~<sib sib'>4 r2 |
162
163 %%% Tempo giusto %%%
164 <re re'>8->-. r r4 |
165 re'8-. \md re'-. \mg re,-. \md re'-. \mg |
166 re,16(\< mib' \md re mib) re'->(\> mib, re \mg mib,) |
167 \st {re,8\p re' re, re' | re, re' re, re' | re, re' re, re'} |
168 <dod,dod'>16\pp\< <dod'dod'> <fa, fa'> <fa' fa'>
169 <si, si'> \md <si' si'> \mg <mi, mi'> \md <mi' mi'> \mg |
170 <fad, fad'> \md <fad' fad'> \mg <sol, sol'> \md <sol' sol'>
171 <la, la'> <la' la'> <do, do'> <do' do'>\! \mg |
172 R2. <lab,,lab'>2.--\mf( <re, re'>4) r2 |
173 \ottava #-1
174 <fad, fad'>2.-- <mib mib'>-- <do do'>-- |
175 \ottava #0
176 <sib' sib'>2-- <sol sol'>4--~ <sol sol'> <mi mi'>2-- |
177 <re re'>2->--\laissezVibrer <re'' fa sib re>4->~
178 <re fa sib re> <re mib fa lab do re>2-> |
179 <dod,,dod'>1*1/2->--\laissezVibrer s2
180 \t {\stemDown dod'2*1/4\laissezVibrer \stemUp <dod''re>8 dod,}
181 \stemNeutral s4 R2 R2-\fermataMarkup
182
183 %%% Solo ténor %%%
184 R1*2 R2. R1 R2. R1
185 sol,2~ sol~ sol <sol fa'>2(~ <sol mib'>2.)
186 <sol do>( <sol sib>2 <sol la>4~ <sol la> <sol lab>2)~
187 <sol lab>2. <sol lab> <sol lab'>\arpeggio R2.*4 R4.
188 s4.*2 R4.*2 s4.*4 R4.*3 r8 sol'(\mp lab-.) |
189 \acciaccatura la16 sib8-.\> r \acciaccatura fad16 sol8-. |
190 r fa-.\! r |
191 \st { mi8 r4 sol8 r4 |
192 mi8 r4 sol8 r4 |
193 red8 r4 fad8 r4 |
194 red8 r4 fad8 r4 |
195 mi8 r4 mi8 r4 | re8 r4 re8 r4 } |
196 \pl {do4.\pp\laissezVibrer R4. \oneVoice R4.*2}
197 {r8 <mi'sol>8( <fa sib>
198 <sol reb'> <sib do> <sib mib> \md
199 <dod fad> <red sold> <fad la>
200 <red sol> <fad la> <sold si>) \mg}
201 \pl {do,,,4.\laissezVibrer \oneVoice R4.*3}
202 {r8 <mi' la>( <fad do'> \md
203 <la re> <do fa> <re sol>
204 <fa lab> <sol sib> <lab reb>
205 <sib mib> <dod mi> <red fad>) \mg}
206 \pl {do,,,4.\laissezVibrer \oneVoice R4.*3}
207 {r8 <sol'' do>( <la re> \md
208 <do mib> <re fa> <mib lab>
209 <fa sib> <sold si> <lad dod>
210 <si mi> <dod fad> <mi sol>) \mg}
211
212 %%% A tempo %%%
213
214 %% FIXME: Issue #705
215 \stemUp re,,,8->-. \md \stemDown re''-. \mg \stemDown re,-. \stemNeutral
216 <sold, sold'>(\< <si si'> <dod dod'>) |
217 \stemUp re,->-.\! \md \stemDown re''-. \mg \stemDown re,-. \stemNeutral
218 <sold, sold'>(\< <si si'> <dod dod'> |
219 re fa sol <lab, reb lab'>4.)\!\laissezVibrer R4.*2
220 s4.*10
221 \stemDown <si, si'>4.*1/3\f\laissezVibrer s4 s4.
222 <sib sib'>4.*1/3\f\laissezVibrer s4 s4.*4 \stemNeutral
223 si'8--\mf sib-- lab-- | fa-- r4 | R4.*7 R8*5 R2.*3
224
225 %%% Adagio %%%
226 \det {<fad' re'>1\laissezVibrer R1*3 R1.*2
227 <fad dod'>1\laissezVibrer R1*2 R1.*2
228 <sold fa'>2 <fa dod' mi>2\laissezVibrer R1 R2. \clef treble
229
230 %%% Valse %%%
231 r4 <mi'' la do>2 r4 <si re sol>2 |
232 r4 <fa lab reb>2 | r4 <si, re sol>2 |
233 r4 <la do fa>2 \clef bass r4 <fad si re>2 |
234 r4 <fad la re> r <mi sol do> } |
235 \stemDown \slurDown \t {sol,,8( re' sol} \t {sib sol sib}
236 \t {mib sib mib} \stemNeutral \t {fad mib fad} si4) | R2.*2
237 \md \stemDown re'8( sol, mi \mg si lab mib do-- sol--) \slurNeutral |
238 \det { \stemNeutral do,2*2\laissezVibrer s2. r4 <la'' do fa>2 |
239 r4 <fa sib reb>2 r4 <mi la do>2 |
240 r4 <re fa sib>2 r4 <la re fa> r <sold dod mi> } |
241 R1 \stemDown re'16 mib sol la
242 sib \md do mib fa solb lab si dod \mg s4
243 \st { \stemNeutral re,,,8 re' | re, re' re, re' |
244 re, re' re, re' | re, re' re, re' |
245 re, re' re, re' | re, re' re, re' |
246 re, re' re, re' | re, re' \md re'\> \mg re, |
247 re,\! r r4 | R2*14
248 <re' sol do>8 r r4 <mi la re>8 r r4 <sol mib'>8 r r4 |
249 R2*3 <sib, dob>8-> r r4 | <mi, re'>8-> r mi, r } |
250 }
251 }
252
253 ActeUnSceneUnPiano = {
254 \PianoDeuxMains
255 \relative { \Piano \clef bass
256 \cmb #"p" #"sombre" do,8( do \t {do\> do do} do4--\! do--)\laissezVibrer s2. |
257 r8 do\<( \t {do\> do do} do4--\! do--)\laissezVibrer s2. |
258 r8 do\<( \t {do\> do do} do4--\! do--)\laissezVibrer s2. |
259 r8 \simile do( \t {do do do} do4 do)\laissezVibrer s2. |
260 r8 do( \t {do do do} do4 do)\laissezVibrer s2. |
261 r8 do( \t {do do do} do4 do)\laissezVibrer s2. \clef treble |
262 <la'' mib' si'>1\pp\arpeggio \laissezVibrer |
263 <la, mib' si'>2.\arpeggio \laissezVibrer |
264 <do' solb' mi'>1\arpeggio \laissezVibrer |
265 <mi, sol red' fad>2.\arpeggio \laissezVibrer \clef bass |
266 r8 <do,do'>\mp( \t {<do do'> <do do'> <do do'>} <do do'>4 <do do'>)\laissezVibrer s2. |
267 r8 <do do'>( \t {<do do'> <do do'> <do do'>} <do do'>4 <do do'>)\laissezVibrer \clef treble |
268 r4 <do' fa lab>2\arpeggio |
269 s4 \pl <sib re lab'>\arpeggio <fa'' do'>\arpeggio
270 s \pl <sib,, re lab'>\arpeggio <fa'' do'>\arpeggio
271 \pl {s <sib,, re lab'> s} {<do' do'>--\pp <do do'>8( <do do'> \t {<do do'> <do do'> <do do'>)}} |
272 <do do'>4 <re, fad dod'>\arpeggio s \pl <re fad dod'>\arpeggio <sold' mi'>\arpeggio s2. |
273 R2.*7
274 \det {<do, do'>4\fmolto <do do'>8 <do do'> \t {<do do'> <do do'> <do do'>} <do do'>4~} |
275 <do do'>2. |
276
277 %%% Ad libitum %%%
278 \cmb #"p" #"très clair"
279 <lab do>16[( <fa mib'>) r <lab do>-.] <mi fad'>2.--~ <mi fad'>2*3/2\laissezVibrer
280 R2. \clef bass | r2 <solb, sib>16[( <mib reb'>) r <solb sib>-.] <mi mi'>4--~ |
281 <mi mi'>2*3/2\laissezVibrer | r2 <lab, do>16[\ffsubito <fa mib'> r <lab do>] |
282
283 %%% Agitato %%%
284 <fad fad'>2\sfz r |
285 R1 r4 <do' fa si>->\sfz r <do fa si>->\sfz | R1*3
286 <do re>2--\mf <do re>4-- <do re>-- \t {<do re>\> <do re> <do re>}
287 <do re>1--\p\laissezVibrer R1 |
288 re2--\mf re4-- re-- \t {re\> re re}
289 <do re>1--\p\laissezVibrer R1*2 |
290 re2-- re4-- re-- \t {re--\> re-- re--}
291 <sib re>1--\!\laissezVibrer s2
292 \t {do4--( lab'-- mib--)} |
293 <do si'>2-- r4 <do si'>2.-- | r4 <do si'> <do si'>2.-- r4 |
294 r <do si'>--( <fa mi'>-- <lab sol'>-- \clef treble <mi' red'>2--) |
295 r4 <sol do lab'>2.-- | r4 <mib' la re>2.-- r2 |
296 s1 s2\> <sib fa' reb'>1\pp r2 R1. |
297
298 %%% Allegro non troppo %%%
299 R1 R2. R1*5 R2. R1 R2. R1 R2. R1
300 \ottava #1
301 r16\f <reb' fa>( <do si'>16.-.) <sol' sib>32( <mi re'>2)\laissezVibrer s1
302 \ottava #0
303 R1*4 R2.*3 R1*6
304
305 %%% Moderato %%%
306 R1*2 R2.*2 R1 R2. R1 R2. R1 s2. s1 s2. s1
307 \ind #"molto legato" sib,,16 do sib'-- sib, do fa-- \mg fa, \md sib
308 do \mg mib, \md sib' do |
309 sib do sib'-- do, fa do'-- sib, do
310 fa-- sib, do \mg mib, \md sib' \mg fa \md sib do |
311 sib do sib'-- do, fa sib do-- mib, fa-- sib, do fa |
312 sib, do-- reb do mib do fa-- sib, do fa sib do-- sib, do fa-- sib, |
313 do sib'-- sib, do do'-- do, sib'-- sib, do'-- do, sib' sib, |
314 do sib'-- do, sib' do-- sib, do sib'
315 <sib, do>8->\mp r r2 | R1 \clef bass
316 s2*2 r8 <sib, do>--( <la' dod>-- \clef treble <sib do sib' do>--)
317 \pl <sold' re'>2--\laissezVibrer <sold' re'>--\laissezVibrer |
318
319 %%% Allegro marcato %%%
320 \ottava #1 <fad' mi' fa!>4-.\mf <mib, mi'! fa>-.
321 <fad' mi' fa>-. <mib, mi' fa>-. |
322 <fad' mi' fa>-. <mib, mi' fa>-.
323 \ottava #0 <fad, mi' fa>-. s | R1*3
324 \ottava #1 <fad''do' fa!>4-.\mf <si, dod sol'>-.
325 <fad' do' fa>-. <si, dod sol'>-. |
326 <fad' do' fa> <si, dod sol'>-. \ottava #0 <sib, re lab'>-. s | R1*2
327 r2 r4 <sib, mib sol>-.--\p
328 <fad' si>2--( <sib, mib sol>8) r <sib mib sol>4-.-- |
329 <fad' si>2--( <sib, mib sol>8) r r4 | R1 r2 r4 <sib mib sol>-.-- |
330 <fad' si>2--( <sib, mib sol>8) r <sib mib sol>4-.--
331 <fad' si>2--( <sib, mib sol>8) r r4 |
332 R1*4 r2 r8 \ottava #1 \pl {do'16\pp la'?} {\t {do( fa lab)}}
333 <mi reb'>4-. |
334 r2 r8 \pl {do,16 la'?} {\t {do( fa lab)}} <mi reb'>4-. | \ottava #0 R1 \clef treble |
335
336 %%% Agitato %%%
337 <re,,, do' re>2.--\f r4 |
338 R1*3 \clef treble |
339 \st {sib'''8->\p fa do mib-> sib fa fa'-> do |
340 sib'-> fa do mib-> sib fa mib'-> sib |
341 la'-> re, sol, fa'-> sib, mib, sol'-> do, |
342 sib'-> mib, lab, mib'-> sib fa sol'-> do, |
343 sib'-> mib, lab, si'-> fad dod sol'-> re |
344 lab'-> mib sib fa sib mib lab-> mib |
345 lab-> mib sib fa sib mib-> lab-> reb-> }| solb-> r r4 r1 |
346 R1*3 R2. R2*5 R1*4
347 }
348 \relative {
349 <do,,, do'>2--\ppp\laissezVibrer s2 fad2.--\laissezVibrer |
350 <do do'>2--\laissezVibrer s2 fad2.--\laissezVibrer |
351 <do do'>2--\laissezVibrer s2 fad2.--\laissezVibrer |
352 <do do'>2--\laissezVibrer s2 fad2.--\laissezVibrer |
353 <do do'>2--\laissezVibrer s2 fad2.--\laissezVibrer |
354 <do do'>2--\laissezVibrer s2 fad2.--\laissezVibrer |
355 \pl {<fa fa'>2 fa2\laissezVibrer}
356 {s8 \ind #"en dehors" do''( \t {do do do} do4-- do)\laissezVibrer} fa,2. |
357 \pl {fa,2 fa2\laissezVibrer}
358 {s8 do''( \t {do do do} do4 do)\laissezVibrer} fa,2. |
359 <reb, reb'>2\p reb2\laissezVibrer <reb' lab'>2.-- |
360 reb,2-- reb2--\laissezVibrer<reb'-- lab'>2. |
361 \pl <do sol'>4\arpeggio <mi' sib' re>\arpeggio s
362 \pl <do,sol'>\arpeggio <mi' sib' re>\arpeggio s |
363 <do, sol' mi'> s <sol' mi' sib'> |
364 \pl <do,sol'>\arpeggio <mi' sib' re>\arpeggio s
365 \pl <do,sol'>\arpeggio <mi' sib' re>\arpeggio s |
366 \pl <do,sol'>\arpeggio <mi' sib' re>\arpeggio
367 <do, do'>8\mp(\< <do do'> \t {<do do'> <do do'> <do do'>} |
368 do4\!) r2 R2.*6
369 \det {<do do'>4 <do do'>8 <do do'> \t {<do do'> <do do'> <do do'>} <do do'>4 |
370 r8 <do do'>\mf\> \t {<do do'> <do do'> <do do'>} <do do'>4\!} |
371
372 %%% Ad libitum %%%
373 <solb'' sib>16[( <mib reb'>) r <solb sib>-.] <do, re'>2.--~ <do re'>2*3/2\laissezVibrer |
374 r4 do8\p( do \t {do do do} do2) r4 do,--\pp | do8 do \t {do do do} do4 |
375 do8\< do \t {do do do} do16 do do do |
376
377 %%% Agitato %%%
378 <re, re'>2*2\!\laissezVibrer R1 |
379 r4 <do' fa si>-> r <do fa si>-> | R1*3
380 <re, re'>2*3\laissezVibrer R1*2 |
381 <re re'>2*3\laissezVibrer R1*3
382 re'2*3\laissezVibrer
383 re2*2 \ottava #-1
384 \t {sib,8( mib fad} \t {si re sol)} s2 \ottava #0
385 mib2*3--\laissezVibrer R1.*2
386 mib8( mib') r4 r2 | \t {mib,8( fa' mi'!)} r4 r1 |
387 \pl {mi,,,2*3\laissezVibrer }
388 {\t {mi'4--\mf( si' sol'} \t {si, sol' \md mi'} \t {sol mi' si')}} \mg
389 R1.*2
390
391 %%% Allegro non troppo %%%
392 R1 R2. R1*5 R2. R1 R2. R1 R2. R1
393 <sol,,,, sol'>2*3/2->--\laissezVibrer s1 R1*4 R2.*3 R1*6
394
395 %%% Moderato %%%
396 R1*2 R2.*2 R1 R2. R1 R2. R1
397 mib'16\mp\( mib' \md sib'( do) la-. fa'4..--\)\laissezVibrer |
398 \mg r16 mib,( \md sib' do) \mg mib,( \md sib' do4.)
399 \mg r16 mib,( \md sib' do) | \mg fa,,( fa' \md sib do~
400 do4) sib16( fa' \mg fa, \md sib |
401 do \mg fa, \md <sib do>2..) \mg |
402 <mib,, mib'>4 <fa fa'>2*1/8 s16 s8 s4 |
403 <mib mib'>8. <fa fa'>16~ <fa fa'>2*1/4 s8 s2 |
404 <solb solb'>8. <lab lab'>16~ <lab lab'>2 |
405 <solb solb'>4 <lab lab'>~ <lab lab'>16 <solb solb'>8. <lab lab'>8. <mib mib'>16~ |
406 <mib mib'>8. <fa fa'>16~ <fa fa'>8 <solb solb'>~ <solb solb'>16 <lab lab'>8.~ |
407 <lab lab'>4 r |
408 \ind #"strict" <si, si'>16-- si'-. <do, do'>-- do'-.
409 <si, si'>-- si'-. <re, re'>-- re'-.
410 \simile <si, si'> si' <red, red'> red' |
411 <si, si'> si' <fa, fa'> <fa' fa'>
412 <solb, solb'> <solb' solb'> <fa, fa'> <fa' fa'>
413 <la, la'>\< <la' la'> <lab, lab'> <lab' lab'>
414 <sib, sib'> <sib' sib'> <sol, sol'> <sol' sol'> |
415 \md \stemDown <sib' do>-.\mf si,-.
416 \mg \stemUp <si,! sib' do>-. \md \stemDown si'-.
417 <sib' do>-. \simile si, \mg \stemUp <si,! sib' do> \md \stemDown si' |
418 <sib' do> si, \mg \stemUp <si,! sib' do> \md \stemDown si'
419 <sib' do> si, \mg \stemUp <si,! sib' do> \md \stemDown si' \mg |
420 <si,, si'>2\sfz\laissezVibrer s2 |
421
422 %%% Allegro marcato %%%
423 <si' lad'>4-. \pl { \t {si'8\ff si si}} do'4-. <si,, do'>-. \pl si' lad' |
424 <si,,lad'>4-. \pl { \t {si'8\ff si si}} do'4-. <si,, do'>
425 \pl <si, si'> <sib'' do mi fa>\sffz |
426 \ottava #-1
427 r si,,\sfz r si\sfz r8 si-. \t {si-- si si} si-> r r4
428 \ottava #0 | R1
429 <si' lad'>4-. \t {<do' re>8\ff <do re> <do re>} <do re>4 si,-.-. |
430 <si lad'> \t {<do' re>8\ff <do re> <do re>} <do re>4
431 \pl <si,, si'> <sib'' do mi fa>\sffz |
432 \ottava #-1
433 r si,,\sfz r si\sfz r8 si-. \t {si-- si si} si-> r r4 |
434 \ottava #0
435 r2 r4 <do'' fa>-.-- <mi sold dod>2--( <do fa>8) r <do fa>4-.-- |
436 <mi sold dod>2--( <do fa>8) r r4 |
437 \ottava #-1
438 r si,,-.\pp r si-. r si-. si-.
439 \ottava #0 <do'' fa>-.-- |
440 <mi sold dod>2--( <do fa>8) r <do fa>4-.--
441 <mi sold dod>2--( <do fa>8) r r4 |
442 R1*7
443
444 %%% Agitato %%%
445 <re,, re'>2.-- r4 | R1*3
446 \st {sol'''8-> re la do-> sol re re'-> la |
447 sol'-> re la do-> sol re do'-> sol |
448 sol'-> do, fa, mi'?-> la, re, fa'-> sib, |
449 sol'-> do, fa, do'-> sol re mib'-> lab, |
450 sol'-> do, fa, mi'-> la, re, mib'-> sib |
451 fa'-> do sol re sol do fa-> do
452 fa-> do sol re sol do-> \clef treble fa-> sib->} |
453 mib-> r r4 r1 | R1*3 R2. R2*5 R1*4
454 }
455 }
456
457 ActeUnSceneUnBisPiano = {
458 \PianoDeuxMains
459 \relative { \Piano
460 R2.*6
461 \stemUp \mg
462 \ttt { \slurUp lab,16( sib reb mi sol do } \md
463 \ttt { mib fa lab si dod mi} \ottava #1
464 \t { sol la do} re32 mib sold la) \slurNeutral \stemNeutral
465 <re, re'>4\f \ottava #0 r8 re,,->--~re4 r |
466 R2. <re' re'>4\f <re, re'> \mg <re, re'>2 \md |
467 R2.
468 <do'' fa la re>4\sf\arpeggio \laissezVibrer <si do re fa la>2-- |
469 \pl <fa solb lab>-- <dob' mib lab>-- <lab reb sol>4--\laissezVibrer |
470 r4 <mid si' fad'>2--\laissezVibrer R2.*2 |
471 \ottava #1 \pl {<si' sol'>8\ppp <si sol'>4-- <si sol'>8 <si sol'>4--~ <si sol'>4.}
472 {<mi' re'?>8 <mi re'>4-- <mi re'>8\> <mi re'>4--~ <mi re'>8 <mi re'>4\!--}
473 \ottava #0 r8\fermata r4 | R2.
474 \ottava #1 \pl {<si, sol'>8\ppp <si sol'>4-- <si sol'>8 <si sol'>4--~ <si sol'>2~<si sol'>8}
475 {<mi' re'>8 <mi re'>4-- <mi re'>8 <mi re'>4--~ <mi re'>4 <mi re'>4.--}
476 \ottava #0 r8\fermata r4 | R1 R2 \clef bass
477
478 %%% Largo %%%
479 do,,,8\pp do \t {do do do} do4-- do~ | do2\laissezVibrer R2.
480 r8 do \t {do do do~ } do2.\laissezVibrer R2
481 r8 do \t {do do do~ } do4~ do2.\laissezVibrer \clef treble
482 r2 r4 <dob' lab' sib>-.\mp | <sib sol'>2-- r4 <dob lab' sib>-. |
483 <sib sol'>2-- r4 |
484 R2 <dob sib'>2\p\arpeggio r R2.*2 R2*2
485 r2 r8 <la sib'>-.\mp <lab sol'>4-- r8 <la sib'>-. | <lab sol'>2--
486 r8 <sol sib re sol>-.\mf r4 |
487 r8 <la do mi sol>-. <do mi? sol sib>-. r r4 |
488 r2 r8 <lab reb sol>-.(\< <reb fa sib>-. <mi sol lab sib reb>-.)\! |
489 R2.
490 r4 <sib re>--\mp <mib, sib' mib>2\>\arpeggio
491 <sib' mib sib'>8-.\arpeggio r r4 |
492 <fad la red>2.\!\arpeggio
493 r2 <fad la red>4-- <mi sold mi'>2-- r4 |
494
495 %%% Adagio %%%
496 r4 <mi' si'>2.\p\laissezVibrer R1 <mi si'>1\laissezVibrer |
497 r2 r4 <mi si'>4\laissezVibrer R1 r2 <mi si'>\p\laissezVibrer |
498 R1 r4 <mi si'>2.\laissezVibrer R1 <mi si'>1\laissezVibrer |
499 r2 r4 <re la'>\laissezVibrer r2 r8 <re la'>4.\laissezVibrer |
500 r2 <re la'>\laissezVibrer r4 r8 <re la'>~<re la'>2\laissezVibrer |
501 r4 <re la'>2.\laissezVibrer r8 <re la'>~<re la'>2 r4 |
502 <re la'>4\p <re la'>8( <mi sol> <do si'>4) <do si'>8( <mi sol> |
503 <re la'>4) <re la'>8( <mi sol> <do si'>4) \simile <do si'>8 <mi sol> |
504 <re la'>4 <re la'>8 <mi sol> <do si'>4 <do si'>8 <mi sol> |
505 <re la'>4 <re la'>8 <mi sol> <do si'>4 <do si'>8 <mi sol> |
506 <re la'>4 <re la'>8 <mi sol> <do si'>4 <do si'>8 <mi sol> |
507 <re la'>4 \pl { <re la'>8\psempre <mi sol> <do si'>4 <do si'>8 <mi sol>
508 <re la'>4 <re la'>8 <mi sol> <do si'>4 <do si'>8 <mi sol>
509 <re la'>4 re re8 mi do4 do8 mi re4 do <do si'>8 <mi sol>
510 <re la'>4 <re la'>8 <mi sol> <do si'>4 <do si'>8 <mi sol>
511 <re la'>4 <re la'>8 <mi sol>}
512 {mi'4 re re mi mi re re mi <la, mi'>8 <sol fad'> <si re>4 <si re>8 <sol fad'>
513 <la mi'>4 <la mi'>8 <sol fad'> <si re>4 mi mi8 re fad4 fad8 re mi4 mi8 re fad4}
514 <do, si'>4 <do si'> | <do si'> <do si'> <si' fad'> <si fad'> |
515 <si mi> <do, si'> <do si'> <do si'> |
516 <do si'> \pl {<sol' si> <sol si> <sol si>}
517 {fad' fad8 re mi4 } |
518 R1 r2 r4 <si fad'>--\pp | <re fad dod'>4--\fermata r r2 |
519 R2 \ind #"secco" <dod, si'>8-.\p r <re si'>8-. r <re si'>-. r r4 \clef bass
520 r4 <mi, si'>->--\f
521 }
522 \relative {
523 \ottava #-1
524 <dod,,, sold' dod>2.\ppp\laissezVibrer
525 \ottava #0
526 \loco <dod' dod'>2.-- dod4--\pp dod8 dod \t {dod dod dod} |
527 \ottava #-1
528 <dod, dod'>2.--
529 \pl {fa4 dod}
530 {\ttt {r16\p lad'( si dod mi sold} fa4) }
531 \ottava #0
532 \pl {fa4 dod}
533 {\ttt {r16 lad'( si dod mi sold} fa4) }
534 r2 |
535 \stemDown
536 \ttt { \slurDown lab,,16( sib reb mi sol do }
537 \ttt { mib fa lab si dod mi} \md
538 \ttt { sol la do re mib sold) \slurNeutral } \mg \stemNeutral
539 <re,,, re'>4 r8 re->--~re4 r |
540 <fad, fad'>2-- r4 |
541 re' r s2 |
542 \pl {sib4-- reb16( sib lab8->)~ lab4}
543 {sib'-- reb16(\< sib lab8)->\!~lab4}
544 <sol, sol'>2.\arpeggio \laissezVibrer s2 <lad'' si dod mi>4--\laissezVibrer
545 r4 <re, mib fa lab do>2--\laissezVibrer R2.
546 r8 <reb,reb'>8\pp~ <reb reb'>2~ <reb reb'>2.\laissezVibrer R2.
547 r8 <reb reb'>8\pp~ <reb reb'>2~ <reb reb'>2.\laissezVibrer R1*2 R2
548
549 %%% Largo %%%
550 <do, do'>2\ppp~ <do do'>~ <do do'>\laissezVibrer R2.
551 r8 do' \t {do do do} do4 do2\laissezVibrer R2
552 r8 do \t {do do do} do4~do2.\laissezVibrer
553 r2 r4 <fad sol'>-. | <reb do'>2-- r4 <fad sol'>-. |
554 <reb do'>2-- r4 |
555 <lab lab'>2\p~ <lab lab'> r2 |
556 R2.*2 R2*2
557 r2 r8 <solb' lab fa'>-. <reb sib'>4-- r8 <solb lab fa'>-. <reb sib'>2-- |
558 r8 reb-. r4 | r8 la'-. <mib mib'>-. r r4 |
559 r2 r8 sib-.( mi!-. si'-.) | R2.
560 r4 sib-- <sol>2\arpeggio ~ sol
561 <fad>2.\arpeggio r2 si4-- mi,2-- r4 |
562
563 %%% Adagio %%%
564 R1*5 r2 sol\laissezVibrer
565 r4 r8 <dod, dod'>8~ <dod dod'>2\laissezVibrer |
566 r4 <sol sol'>2.\laissezVibrer r8 <dod dod'>~<dod dod'>2.\laissezVibrer |
567 <sol sol'>1\laissezVibrer r2 r4 <sib sib'>\laissezVibrer |
568 r2 r8 <sol sol'>4. | r2 <sib sib'>2\laissezVibrer |
569 r4 r8 <sol sol'>~ <sol sol'>2\laissezVibrer |
570 r2 <sol sol'>~ <sol sol'>4 r r2 |
571 <mi mi'>1~ <mi mi'>2. <mi mi'>4~<mi mi'>1~<mi mi'>2 r |
572 R1*7 r2 <fa''? do'>4 <fa do'> | <sol do> r r2 |
573 r4 \pl {fa4 fa8 la sol4 } {<do mi> <do mi> <do mi>} |
574 R1 r2 r4 <do mi>-- <fa,? do'? mi>--\fermata r r2 |
575 R2 re8-. r sold,-. r fa-. r r4 | r <dod sold'>->-- |
576 }
577 }
578
579 InterludeUnPiano = {
580 \PianoDeuxMains
581 \relative { \Piano
582 R1. R1*3 R1. R1 R1.*2 R1*2 R1.*2 R1 R2. R2 R2.
583 <fa' sol sib do fad>1\laissezVibrer \mf
584 r4 r8 \ind #"en dehors" mi,32->(\ff fa16.)~ fa4 r |
585 r8 <mi mi'>32->( fa16.)~ fa2 <sol, mi' sol>16(\f <sib fa' sib>8.)~ <sib fa' sib>2 |
586 r2 <sol mi' sol>8\mf ( <sib fa' sib>4.)~ |
587 <sib fa' sib>8 <mi sol>32( <fa sib>) <do sol' do>16->~ <do sol' do>4
588 \clef bass r8 <mi, si' mi>16\>( <fa re' fa>)~ <fa re' fa>8 r |
589 <re sol re'>2\p <sol mi' sol>( <sib fa' sib>4) r | R1 \clef treble
590 <fa sol mi'>4---> <sold' red' la'>---> \ottava #1 <la' red sib'>---> |
591 \ind #"très clair" fad'16\pp ( sol fad re do re fad sol fad re do re |
592 fad4) fad16( sol fad re do re fad sol |
593 fad4) \ottava #0 r2 R2.*3
594 fad16( sol fad re do re fad sol fad re do re |
595 fad4) r2 | R2.*2
596 fad16( sol fad mi dod mi fad sol fad mi dod mi |
597 fad4) r2 R2.*4
598 }
599 \relative {
600 R1. R1*3 R1. R1 R1.*2 R1*2 R1.*2 R1 R2. R2 R2.
601 <sol,, sol'>1\laissezVibrer r4 r8 mi''32->( fa16.)~ fa8 do,-- sib-- dod-- |
602 <sol sol' re'>1\arpeggio r8 <dod dod'>4.-- |
603 sol'8 <sol, sol'>-- sol' <sol, sol'>--
604 sol' <sol, sol'>-- sol' <sol, sol'>-- |
605 sol' <sol, sol'>-- sol' <sol, sol'>--
606 sol' <dod, dod'>-- dod'-- <dod, dod'>-- |
607 <sol sol'>16 sol' <sol, sol'> sol'
608 <sol, sol'> sol' <sol, sol'> sol'
609 <sol, sol'> sol' <sol, sol'> sol'
610 <sol, sol'> sol' <sol, sol'> sol'
611 <sol, sol'> sol' <sol, sol'> sol'
612 <sol, sol'> sol' <sol, sol'> sol' |
613 <sol, sol'> sol' <sol, sol'> sol'
614 <sol, sol'> sol' <sol, sol'> sol'
615 <dod, dod'> dod' <dod, dod'> dod'
616 <dod, dod'> dod' <dod, dod'> dod' |
617 <fad,, fad'>8-- <fad fad'>-- <fad fad'>--\> <fad fad'>-- <fad fad'>-- <fad fad'>-- |
618 <sol sol'>2--\! r4 | R2.*15
619 }
620 }
621
622 ActeUnSceneDeuxPiano = {
623 \PianoDeuxMains
624 \relative { \Piano
625 %%% Air de la Soprano2 %%%
626
627 \repeat unfold 6 {R2.*2 R1*2} R2. | \clef bass
628 dod,8\p( re fad sold) fad( re) | dod1--\mp~ dod~ |
629 dod2 r4 | re-. fad8( sold fad4-.) |
630 mi8(\pp fa la si la fa) mi( fa |
631 la si la4) fa8( la si re | si4) \clef treble la8( si re fa |
632 re4) fa8( sol si do) |
633 \ottava #1 si''8\pp( do si sol fa sol si4) |
634 si8( do si sol) fa( sol si do) |
635 si( do si sol) fa( sol | fa re) si( re la4) |
636 \ottava #0
637 <lab, lab'>1--\mf ~ <lab lab'>2. r4 | R2.*2 R1*2 |
638 R2. lab8(\> re, do lab) s4 \clef bass |
639 r4\pp <re, sold>2.\arpeggio \laissezVibrer R1 |
640 R2. \clef treble |
641 r4 r8 \ottava #1 \st {fa''''!(\ppp sol,!4) | \ottava #0
642 r4 r8 \ottava #1 fa'( do sol) sold( re) |
643 do'( sol re sold la,4) \ottava #0 r | R2.*2 |
644 r4 \ottava #1 fa'' \ottava #0 r2 R1 | R2.*2 |
645 r8 \ottava #1 fa( do sol) fad'( si, mi,4) |
646 \ottava #0 R1 | R2. |
647 r8 \ottava #1 fa'!( do sol lad'4) |
648 red,4} \ottava #0 r r2 |
649
650 %FIXME: line breaks make the "15ma" text move to the left.
651 r2 \ottava #2
652 sol!4-. do-. | si8( sol fa4-.) si8( do |
653 si sol fa sol si4-.) |
654 sol4-. fa8( do' si4-.) do8( si |
655 sol fa sol si-.) r do( fa, sol |
656 si4-.) do-. fa,-. | si8( sol fa sol si4-.) |
657 si8( do si sol) fa( sol si do |
658 si sol) fa( sol) si4-. si8( do |
659 si sol) fa( sol si do | si sol) fa( sol) si4-. |
660 si8( do si sol fa4-.) si8( do |
661 si sol fa sol si4-.) si8( do |
662 si sol fa4-.) si8( do |
663 si sol fa sol si4-.) |
664 si8(\> do si sol fa4-.) si8( do |
665 si sol fa sol si4-.)\! r |
666 \ind #"quasi niente" si8( do si sol fa4)\laissezVibrer
667 \ottava #0 | R2. R1 | r2
668 \ottava #1 <si,, dod lad'>2--\pp\fermata \ottava #0 |
669
670 %%% Récitatif %%%
671 R2.*2 R1 R2.*3 R1 R2.*5
672 <sol, lab mib'>8->-.\sf r r2 \clef bass
673 r8 \t {sold,,16(\mf la si} re8-.) r |
674 R2. R1*2 R2.*5 R1
675
676 %%% Duo %%%
677 <re sib' re>8-.\pp
678 \repeat unfold 32 <re sib' re>-.
679 <re sib' re>( <mi do' mi>-.)
680 \repeat unfold 12 <mi do' mi>-.
681 <mi do' mi>( <sol red' fad>-.)
682 \repeat unfold 7 <sol red' fad>-.
683 \repeat unfold 8 <fa reb' solb>-. r4 \clef treble |
684 R2
685 \repeat unfold 12 { r8 <si fa' sol>-.}
686 <si fa' sol>-. r <si fa' sol>-. <si fa' sol>-. \clef bass |
687 r4 \det {<mi, fad lad> <fad lad dod>
688 <si, mi> <fad' lad dod> \clef treble
689 <dod' mi sold> <mi lad red> |
690 <fad, lad mi'>\< <lad dod sold'> <mi' lad red> <sold mi' lad> |
691 <do sol' re'>\mf \clef bass <mib,, sib'> <sib' fa'> |
692 <lab, mib'>\> \clef treble <sib' fa' do'> <fa' do' sol'> |
693 <si fad' sol re'>\pp\arpeggio }
694 <fad' si>8-. <fad si>-. <red fad>-. <red fad>-. |
695 <lad red>-. <lad red>-. r4 r2 \clef bass |
696
697 %%% Piu vivo %%%
698 r4 sol,,16(\mp lab sol sib) lab( sib lab reb) |
699 sib( reb sib mib) reb( mib reb mi)
700 red( mi red fad) mi( fad mi la) |
701 fad(\< la fad si) la( si la do)
702 si( do si re) \clef treble |
703 do( re do fa) re( fa re sol) fa( sol fa lab) \clef bass |
704 \mg \dynamicUp <sol,,, sol'>8(\mf \dynamicNeutral
705 \md sol') \mg <re' sol>-. \md
706 <fa sib reb mib>->~ <fa sib reb mib>2 |
707 dod2-- dod4--
708 \mg sol,8( re') \md sol-. \mg <re' sol>-.
709 \md <fa sib reb mi!>2-> |
710 dod2.--
711 \mg sol,8( re') \md lab'( sol) \mg <re' sol>-. \md
712 <sol sib dod fad>4.-> |
713 dod,4-- r2 \clef treble | R2.
714 \mg sol,8( re') la'-. \md <la' re mi sold>4.->\laissezVibrer R2.
715 \mg si,,8( fad') dod'-.\md <la' re mi sold>4.->\laissezVibrer R2.
716 \mg <re,,, re'>8.(\fsempre re''16) \md <si' mi>8-.
717 <re sold la>4.->\laissezVibrer R2.*2
718 r8 <re' mi re' mi>-.->\mf r2 | R2.*2 \clef bass
719 r4 r8 <re,, sold dod>->-.\mp r4 | R2.
720 \pl {fa2 s2} <sib re fa>1\arpeggio\fmolto
721 <sib re>1\arpeggio \clef treble
722 <si' re mi>2--->\p\laissezVibrer r \clef bass |
723
724 %%% Tempo giusto %%%
725 <re,, sib' re>8-.\p
726 \repeat unfold 14 <re sib' re>-.
727 <re sib' re>( <mi do' mi>-.)
728 \repeat unfold 6 <mi do' mi>-.
729 <mi do' mi>( <red si' red>-.)
730 \repeat unfold 7 <red si' red>-.
731 <sol si>-. <sol si>-. <sol si>-. <sol si>-. \clef treble
732 \t {r si(\< si'} \t {la la' do)} |
733 <dod, dod'>2->--\f r4 \clef bass |
734 r8\mf <si,, re>( lad' <si, re>) \clef treble
735 r <fa''' si>( mi' <fa, si>) \clef bass |
736 r <si,,,re>( lad' <si, re>) \clef treble
737 r <fa''' si>( mi' <fa, si>) | R2.
738 <lab, lab'>2\mp\arpeggio \clef bass |
739 r8 <re,, sold>(\mf dod' <re, sold>) \clef treble
740 \ottava #1 r <do''' fa>( <si' mi> <do, fa>)
741 \clef bass \ottava #0 r <re,,, sold>( dod' <re, sold>)
742 \clef treble \ottava #1
743 r <do''' fa>( <si' mi>2.) \ottava #0
744 \tt {la,,,16(\f mi' si' re mi} \stemUp <si la'>4--) |
745 <la si'>4-- <la si'>-- \stemNeutral |
746 \tt {la'16( sol, la re mi} \stemUp <si la'>4--) |
747 <la si'>-- <la si'>-- <si la'>-- s
748 <mi re'>8-- \t {la,16( re sol} <mi re'>4--) |
749 <re mi'>-- <re mi'>-- <mi re'>-- R2.
750 R1 R2.*3 R2 R2. R1*4
751 }
752 \relative {
753 %%% Air de la Soprano2 %%%
754
755 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2. r2 mi,4--\mp~ |
756 mi1~ mi2 r4 fad8(\< sold) | si2.\!~|si2 r4|
757 R1*2 | re,4-.\mp si'-. sold8( fad |
758 re4-.) sold8( fad re dod) |
759 sold1-- | re'8( fad sold4-.) re8( dod) sold4--~ |
760 sold2.| R2. | dod,1--~ dod~ | dod2 r4 |
761 re-. fad8( sold) fad( re) |
762 <dod dod'>1~ <dod dod'>~ | <dod dod'>2 r4 | R2.|
763 << {\voiceTwo <mi mi'>1--\mp~\laissezVibrer s1
764 <dod dod'>2.~ <dod dod'>2 }\\
765 { \voiceOne r2 \clef treble fa''8( sol si do
766 si sol) fa( sol si4) r4 \clef bass
767 r4 la,8( si re4) si8( re fa sol) } >> r4
768 <sol,,,! sol'!>1--~ <sol sol'>2. r4 | R2.*2 |
769 <sol sol'>1--\mf~ <sol sol'>2. r4 |
770 R2. << {s2 sol''8( re) s1 s1
771 dod8( re) fad2--~ fad r4 s1 s2.} \\
772 {R2. <sold,, sold'>1--~ <sold sold'>~
773 <sold sold'>2.~ <sold sold'>~
774 <sold sold'>1~ <sold sold'>2.}>> r4
775 R2.*2 R1*2 R2.*2 R1*2 R2.*2 \clef treble
776 <re''' la'>1\pp\laissezVibrer r2 \ottava #1
777 sol''!4-. do-. | si8( sol fa4-.) si8( do |
778 si sol fa sol si4-.) |
779 sol4-. fa8( do' si4-.) do8( si |
780 sol fa sol si-.) r do( fa, sol |
781 si4-.) do-. fa,-. | si8( sol fa4-.) si8( fa) | sol1--~|
782 sol2. \ottava #0 r4 | R2.*2 |
783 R1*2 |R2.*2 | R1*2 | R2.*2 |
784 R1 r2 <la,,! do!>2--\fermata \clef bass |
785
786 %%% Récitatif %%%
787 r4 r8 mi,4.\mp dod2.\laissezVibrer R1 R2.
788 r4 r8 reb4. sib2.\laissezVibrer R1 R2.*2
789 r4 r8 mib4 lab,8~ lab2.\laissezVibrer R2.
790 <lab mi'>8-.-> r r2 |
791 r8 \t {sold,16( la si} re8-.) r |
792 R2.
793 sol!1\pp\laissezVibrer R1 R2.*5 R1
794
795 %%% Duo %%%
796 \repeat unfold 17 <re sib'>4-.--
797 \repeat unfold 7 <reb lab'>-.--
798 \repeat unfold 4 <si lad'>-.--
799 \repeat unfold 4 <sib la'>-.-- r
800 R2 \det {reb'4\mp reb lab reb lab fa lab reb lab fa reb |
801 reb' r8 lab r4 |
802 <mi, mi'> <mi' si'> si' |
803 <mi,, mi'> <si'' mi> <mi fad> <lad dod> |
804 <mi, si'> <si' mi fad> <mi, si'> <si' fad' dod'> |
805 <reb,, reb'> <reb' lab'> <lab' mib'> |
806 <reb,, reb'> <reb' lab' mib'> <lab' mib' sib'> |
807 <mib' sib' dob solb'>\arpeggio }\clef treble
808 <sib'' mib>8-. <sib mib>-. <sol sib>-. <sol sib>-.
809 <re sol>-. <re sol>-. r4 r2 \clef bass |
810
811 %%% Piu vivo %%%
812 r4 sol,,,16( lab sol sib) lab( sib lab reb) |
813 sib( reb sib mib) reb( mib reb mi)
814 red( mi red fad) mi( fad mi la) |
815 fad( la fad si) la( si la do) si( do si re) |
816 do( re do fa) re( fa re sol) fa( sol fa lab) |
817 s1 dod,,2.-- s1 dod4-- dod2-- |
818 s1 dod4-- r2 | R2.
819 s2. R2. s2. R2. s2. R2.*5
820 %FIXME: keep this staff alive
821 r4 r8 <re mi>->-. r4 | R2.
822 \pl <fa, fa'>1*1/2->--\arpeggio <sib' re>2\arpeggio fad'(
823 sol\arpeggio lab)\laissezVibrer R1 |
824
825 %%% Tempo giusto %%%
826 \repeat unfold 8 <re,, sib'>4-.--
827 \repeat unfold 4 <dod la'>-.--
828 \repeat unfold 4 <si red si'>-.-- |
829 <si sol'>-.-- r8 <sib sib'>4->--\f
830 <lab lab'>->-- <si si'>8->-. |
831 <sol sol'>2->-- r4 |
832 <sol sol'>2--~ <sol sol'>8 sol'\f \t {sol sol sol} |
833 <sol,sol'>2--~ <sol sol'>8 sol' \t {sol sol sol} |
834 <sol,sol'>8-- r r2 | r4 \t {re''8( si dod) } |
835 <sold,sold'>2--~ <sold sold'>8 sold'\f \t {sold sold sold} |
836 <sold,sold'>4--~ <sold sold'>8 sold' \t {sold sold sold} |
837 <sold,sold'>8 r r <sold sold'>--( <fad fad'>-- <la la'>--) |
838 \pl <fa fa'>2->--\laissezVibrer
839 {s4 \stemUp \ttt {mi''16( la re \stemDown \md sol si mi)} }
840 \mg \stemUp \ttt {si,,( mi la re \stemDown \md sol mi')}
841 \mg \stemUp \ttt {sol,,,(re'la' \stemDown \md mi' si' sol')}
842 \mg \stemNeutral \pl <fa,,,, fa'>2->--\laissezVibrer
843 {s4 \clef treble \stemUp
844 \ttt {re'''16( mi fa sol \stemDown \md si mi) \mg \clef bass } }
845 \stemUp \ttt {sol,,( do re \stemDown \md la' si mi)}
846 \stemUp \mg \ttt {do,,( sol' re' \stemDown \md la' mi' si') \mg}
847 fa,,,32( la si mi \md sol la do re) \mg \clef treble \stemNeutral
848 mi( fa sol la \md si re mi la) \mg \clef bass |
849 \pl <fad,,,, fad'>2->--\laissezVibrer
850 {s4 \stemDown \clef treble
851 \ttt {sol''16( re' la' \md mi' fad si) } }
852 \mg \ttt {fad,,( si mi \md la re sol) }
853 \mg \clef bass \ttt {fad,,,( mib' sib' \md fa' do' sol')}
854 \mg \clef treble \ttt {fa,( si mi \md \ottava #1
855 sib' mib la) } \ottava #0 \mg R2.
856 R1 R2.*3 R2 R2. R1*4
857 }
858 }
859
860 InterludeDeuxPiano = {
861 \PianoDeuxMains
862 \relative { \Piano
863 R1 R2. R2 R2. R2 R2. R2
864 R2*13 r4 \acciaccatura red'16 <mi, mi'>4\p
865 <si re>1~ <si re>~ <si re>~ <si re>4 r r2 | R2.
866 <la re>1~ <la re>2 r4 | R2.
867 <fa si re mi>2-- r | R2. <fa sold mi'>4-- r |
868 }
869 \relative {
870 R1 R2. R2 R2. R2 R2. R2
871 %R2*6 la2 R2*7 %%%%%% TEST whether both staves appear or not.
872 R2*14
873 \pl {<la, mi'>1~ <la mi'>~ <la mi'>~ <la mi'>4 }
874 {s2 mi''4-.--\laissezVibrer mi,-.--\laissezVibrer
875 s2 mi'4-.--\laissezVibrer mi,-.--\laissezVibrer
876 s2 mi'4-.--\laissezVibrer mi,-.--\laissezVibrer s } r r2 | R2.
877 \pl {<fa, do'>1~ <fa do'>2}
878 {s2 mi''4-.--\laissezVibrer mi,-.--\laissezVibrer s2} r4 |
879 R2. <dod, la'>2-- r | R2. <dod la'>4-- r |
880 }
881 }
882
883 ActeUnSceneTroisPiano = {
884 \PianoDeuxMains
885 \relative { \Piano
886 R2.*20 \clef bass sol2.~\mp sol4 r sol8\> sol sol2.~\! sol4 r8 sol \t {sol\> sol sol} |
887
888 %%% Lamento %%%
889 sol1.\!\laissezVibrer r1 r4 sol4~\p sol1 la2~-- la1~ la8 la\> \t {la la la~} la1\! r2 |
890 sib,8\mp sib \t {sib--\> sib-- sib~--} sib4\! r r2 |
891 \simile dob8 dob \t {dob dob dob~} dob4 r2 |
892 r8 sib \t {sib sib sib~} sib4 r2 |
893 r8 dob \t {dob dob dob~} dob4 r2 |
894 r8 sib \t {sib sib sib~} sib4 r2 |
895 r8 dob \t {dob dob dob~} dob4 r2 |
896 r8 mi,\mf \t {mi mi mi~ } mi4 r |
897 r8 mi \t {mi mi mi~ } mi4 r |
898 r8 mi \t {mi mi mi~ } mi4 r |
899 r8 mi \t {mi mi mi~ } mi4 r |
900 <do'do'>4.\f <do do'> <do do'>4-- <do do'>-- <do do'>-- <do do'>4.---> r8 r4 | R2*2
901
902 %%% Tempo I %%%
903 R2.*14
904
905 %%% Tempo II %%%
906 R1. r8 do,\mp \t {do do do} do4-- do2.--\laissezVibrer | R1.*4 R1*5/4
907 <si'' red sold>1\pp\arpeggio \laissezVibrer R2. r4 <mid, lad mid'>--
908 }
909 \relative {
910 do,,8.--\mp do16~-- do8 do\< do do | do2.--\! |
911 do8.-- do16~-- do8 do\< do do | do2.--\!\laissezVibrer
912 R2.*7
913 si8.\p si16~ si8 si\> si si | sib2.\pp |
914 si8. si16~ si8 si\> si si | sib2.\! |
915 si8.-- si16~-- si8 si\> si si | \ottava #-1 <re, dod'>2.\p\laissezVibrer \ottava #0
916 R2.*7
917
918 %%% Lamento %%%
919 R1.*5 sib'2\pp( re4) r r2 reb( fa4) r2 sib,( reb4) r2 re( fa4) r2 sib, reb4 r2 mib si4 r2|
920 \ottava #-1
921 mi,2\p r mi r mi r mi r <reb reb'>4. <reb reb'> <reb reb'>4-- <reb reb'>-- <reb reb'>--|
922 <reb reb'>4.---> \ottava #0 r8 r4 | R2*2
923
924 %%% Tempo I %%%
925 R2.*3
926 r4 mi'--\pp r r mi-- r r mi-- r \ottava #-1 |
927 <mi,mi'>--\mp <mi mi'>-- r <mi mi'>-- <mi mi'>-- r
928 <mi mi'>\< <mi mi'> <mi mi'>\!
929 \ottava #0 R2.*5
930
931 %%% Tempo II %%%
932 R1. \ottava #-1 do1.\pp\laissezVibrer \ottava #0 R1.*4 R1*5/4
933 <do' sol' mi'>1\arpeggio \laissezVibrer R2.
934 r4 <si fad' si>--
935 }
936 }
937
938 ActeUnSceneTroisBisPiano = {
939 \PianoDeuxMains
940 \relative { \Piano
941 R1*3 \cmb #"p" #"très clair" <do fad>8 <red la'>~ <red la'>2 r4 |
942 R1*2 <mi, la red>8 <sol do fad>~<sol do fad>2 r4 |
943 R1 r2 <do mib>4-- <si fa'>-- | \ten <fad fad'>1~ <fad fad'>~ <fad fad'>2. r4 |
944 R1*8 r2 r4 dod'--\mp | <mi sol>-- r r2 |
945 r2 \t {r16 <lad, dod mi>8--\p <lad dod mi>-- <lad dod mi>16-.}
946 \t {r16 <lad dod mi>8-- <lad dod mi>-- <lad dod mi>16-.} |
947 \t {r16 <sold lad dod mi>8-- <sold lad dod mi>-- <sold lad dod mi>16-.}
948 \t {r16 <sold lad dod mi>8-- <sold lad dod mi>-- <sold lad dod mi>16-.}
949 \t {r16 <dod mi sol la>8-- <dod mi sol la>-- <dod mi sol la>16-.}
950 \t {r16 <mi sol la do>8-- <mi sol la do>-- <mi sol la do>16-. } |
951 <fad,fad'>1~\ppsubito <fad fad'> R1
952 <sol red' fad>\pp\arpeggio %%% Tomb Raider II !!!
953 <sol fad'>2-- <sol fad'>-- <sib do fad>-- <sib do fad>-- <sib do fad>-- <sib do fad>-- |
954 <sib do fad>-- <sib do fad>-- <sib do fad>-- <sib do fad>-- <sib do fad>-- <sib do fad>--\>|
955 <sib fad' la>2.\!\arpeggio r4 R2. R1*2
956 \tt {fad16\ppp( sol la do re)}\tt {fad,( sol la do re)}\tt {fad,( sol la do re)}\tt {\simile fad, sol la do re}
957 \tt {fad, sol la do re} \tt {fad, sol la do re} \tt {fad, sol la do re} \tt {fad, sol la do re}
958 \tt {fad, sol la do re} \tt {fad, sol la do re} \tt {fad, sol la do re} \tt {fad, sol la do re}
959 \tt {fad, sol la do re} fad, sol la do re fad, sol la do re fad, sol |
960 la do re fad, sol la do re \t {fad,8( sol la} \t {do re) fad,(} |
961 \t {sol la do} \t {re) fad,( sol} \t {la do re)} fad,( sol |
962 la do re) fad,( sol la do re) | <fad, fad'>1~\mp <fad fad'>~ <fad fad'>~ <fad fad'>2. r4 |
963 R1*6 \cmb #"p" #"très clair" <sib mi la>8 <reb mi sol do>~ <reb mi sol do>2 r4 |
964 do2~\p do8 do\< \t {do\> do do} do4\! do2.\laissezVibrer | R1*9
965 <sol' dod fad>2*2/1\mp\laissezVibrer <sol dod fad>2*2/1\laissezVibrer
966 <sol dod fad>2*2/1\laissezVibrer R1
967 }
968 \relative {
969 R1*3 <dod, la'>8 <sib mi sol>~<sib mi sol>2 r4 |
970 R1*2 \pl re,2. {sib'8 <sold dod>~<sold dod>2} r4 |
971 R1 r2 <lad mi>4-- sold-- \ten <fad, fad'>1~ <fad fad'>~ <fad fad'>2. r4 |
972 R1*8 r2 r4 sib''-- <fa lab>-- r r2 |
973 R1 \t {<si,, si'>8--( <fa' fa'>-- <re re'>--)} \t {<si si'>--( <fa' fa'>-- <re re'>--)}
974 \t {<si si'>--( <la la'>-- <fa' fa'>--)} \t {<re re'>--( <si si'>-- <la la'>--)} |
975 <fad fad'>1~ fad'8 fad\pp \t {fad fad fad} fad2
976 R1
977 <si>1\arpeggio si2-- si-- <si sol'>-- <si sol'>-- <si sol'>-- <si sol'>-- |
978 <si sol'>-- <si sol'>-- <si sol'>-- <si sol'>-- <sold mi'>-- <sold mi'>-- |
979 <do, sold' mi'>2.\arpeggio r4 | R2. R1*2
980 R1*7
981 <fad, fad'>1~ fad'4~ fad8 fad\pp \t {fad fad fad} fad4~ fad1~ fad2. r4 |
982 R1*6 \cmb #"p" #"très clair" <la re fa>8 <fad si sold'>~<fad si sold'>2 r4 | R1*11
983 <fad' do'>2*2/1\laissezVibrer <fad do'>2*2/1\laissezVibrer
984 <fad do'>2*2/1\laissezVibrer R1
985 }
986 }
987
988 ActeUnSceneTroisTerPiano = {
989 \PianoDeuxMains
990 \relative { \Piano
991 R2*3 R2. R2*2 R2.
992 <re re'>8-.->\p r r2 R2.*2 |
993 <si fad' sol re'>2\p\arpeggio r4 |
994 <sib sib'>8-.-> r r2 | R2. R1*2
995 r4 r8 r16 \ottava #1
996 \st {
997 \pl {sol'''\p <fad, fad'>8 <lab lab'>16 <mi mi'><sol, sol'> re''}
998 {<sol sol'>16 fad <fa fa'> lab mi sol, <re' re'>} r8 |
999 r4 r16 <si si'> <la la'> <mi mi'> r <red red'> r <fa fa'> r4 |
1000 r8 r16 \pl {mib la, fa' mi'8} {mib16 la fa <mi mi'>8} r
1001 <si si'>16 <do do'> <sib sib'>8 r |
1002 r16 <solb solb'> <fa fa'>8 r <do' do'>16 <reb reb'> <si si'>8 r16 <fa fa'>
1003 r \stemDown <sol, sol'>\noBeam \stemUp <fad'' fad'>8\noBeam \stemNeutral |
1004 r8 <dod dod'>16 <re re'> <do do'>8 <re re'>16 <mib mib'> r
1005 <la, la'>\< <red red'> <mi mi'>} | re'2.\mp\laissezVibrer
1006 \ottava #0
1007 R2.*8
1008 <re,,, mib re'>2.\p\arpeggio \laissezVibrer | R2.*4
1009 <re mib re'>2.\arpeggio \laissezVibrer R2.*17
1010 \ottava #1
1011 \st {\pl {fa''16\p dod do8} {<fa fa'>16 dod' do8} r16
1012 \pl {do, fa dod} {do' <fa, fa'> dod'} \ottava #0 r4 |
1013 R2.*2 r2 r8 r16 \ottava #1 <do, do'>\p
1014 \pl {fa,, dod' mi do' mi <dod, dod'>}
1015 {fa' dod mi8 <mi mi'>16 dod} r8 r4 |
1016 r16 <sol' sol'> r <dod, dod'> r16
1017 \pl {<dod, dod'> sol' s} {s sol' <red red'>} r4|
1018 \pl {sol,16 s s <dod, dod'> sol' s s fad'}
1019 {sol <red red'> \oneVoice r \voiceOne s sol <red red'> \oneVoice r \voiceOne fad' }
1020 <fa, fa'> <mi mi'> r8 |
1021 \pl sol,-> sol''-> } \ottava #0 r r4 r2 |
1022 R2.*8
1023 r2 \ottava #1 <mi, fa'>8-.\pp r16 <la sold'>-. \ottava #0 |
1024 R2.*2
1025 r4 r8 \ottava #1 \st {mi'16\p <dod, dod'> do'8 <sold sold'>16 <si si'> \ottava #0 |
1026 R2.*2
1027 r8 r16 \ottava #1 dod do,8 <si sold' si> r16 <re si' re> r8 <re mi re' mi>16 <re mi re' mi>}
1028 \ottava #0 r8 r4
1029 \mg <sol,,, sib re>-- \md <sol' sib re>-- \mg <sib, re sol>-- \md <fad' si red>-- |
1030 \mg <si, red fad>-- \md <sol' si red fad>--\<( <sib re sol>--\!) |
1031 R2.*19
1032 }
1033 \relative {
1034 R2*3 R2. R2*2 R2.*4
1035 <mib, sib'>2\arpeggio r4 | R2.*2 R1*6 R2.
1036 re,2.\laissezVibrer R2.*2 re2.\laissezVibrer R2. re\laissezVibrer R2.*2
1037 re2.\laissezVibrer R2.*2 re2.\laissezVibrer R2.*5
1038 r8 sold\p( la do dod mi | fa,2.)\laissezVibrer R2.
1039 r8 sold( la do dod mi | fa,2.)\laissezVibrer R2.
1040 r8 sold( la do la sold| dod,2.)\laissezVibrer R2.
1041 r8 mi( fa sold la do | dod,2.)\laissezVibrer R2.
1042 r8 mi( fa sold fa mi | <la, la'>2.)\laissezVibrer R2.*2
1043 <la la'>2.\laissezVibrer R2.*5 R1
1044 fad'2.\mp\laissezVibrer R2.*2 fad2.\laissezVibrer R2.*2
1045 \ind #"poco più" <fa, fa'>2.--\laissezVibrer R2. r4 <dod' dod'>2-- |
1046 <fa, fa'>2.--\mf\laissezVibrer R2. r4 <la la'>2-- |
1047 \ottava #-1
1048 <dod, dod'>2.--\mf\laissezVibrer R2. r4 <la' la'>2-- |
1049 <dod, dod'>2.*1/3--\laissezVibrer \ottava #0 s2 s2. s4
1050 \pl {fa''!8 fa,4.--->} {<sib' re>4-- <si red fad>--} |
1051 \ottava #-1
1052 <la,,, la'>2.--->\f\laissezVibrer \ottava #0 R2.*18
1053 }
1054 }
1055
1056 InterludeTroisPiano = {
1057 \PianoDeuxMains
1058 \relative { \Piano
1059 r2 r4 <do reb>8-.\pp r |
1060 r2 <do reb>8-. r | R1 R2. \clef bass
1061 <do,mib si'>8-.\pp <do mib si'>4-- <do mib si'>--
1062 <do mib si'>-- <do mib si'>8-. |
1063 <do mib si'>-. <do mib si'>4-- <do mib si'>-- <do mib si'>8-. |
1064 \simile <mi! sol do mib> <mi sol do mib>4 <mi sol do mib>
1065 <mi sol do mib> <mi sol do mib>8 |
1066 <mi sol do mib> <mi sol do mib>4 <mi sol do mib> <fa lab reb mi>8 |
1067 <mi sol do mib>\ppsempre <mi sol do mib>4 <mi sol do mib>
1068 <mi sol do mib> <mi sol do mib>8 |
1069 <mi sol do mib> <mi sol do mib>4 <mi sol do mib> <mi sol do mib>8 |
1070 <fa si>( <re sold>) <fa si>( <re sold>) <fa si>( <reb do'>) |
1071 <fa si> <re sold> <fa si> <re sold> \clef treble |
1072 <lab' si dod re sol>4\mp <lab si dod re sol> <lab si dod re sol> |
1073 <lab si dod re sol> <lab si dod re sol> |
1074 <si re fad sol sib> <si re fad sol sib> |
1075 <si re fad sol sib> <si re fad sol sib> \clef bass |
1076 \stemDown \ind #"staccato" sol16\f \stemUp \mg sol,, sol' \stemDown \md mi' \stemUp \mg mi,, mi'
1077 \stemDown \md mi' \stemUp \mg sold, |
1078 \stemDown \md sold' \stemUp \mg mi, mi' \stemDown \md do' \stemUp \mg sold,
1079 \stemDown \md sold' \stemUp \mg mi \stemDown \md mi' \clef treble | \stemNeutral s4
1080 r16 re'\< sib' dod | <fad, lad dod fa!>8->\! r r4 |
1081 }
1082 \relative {
1083 r2 r4 re,8-. r |
1084 r2 re8-. r | R1 R2.
1085 <mi, sol>4-- <mi sol>-- <mi sol>-- <mi sol>-- |
1086 <mi sol>-- <mi sol>-- <mi sol>-- |
1087 <mi si'> <mi si'> <mi si'> <mi si'> |
1088 <mi si'> <mi si'> <mi si'> |
1089 <mi si'> <mi si'> <mi si'> <mi si'> |
1090 <mi si'> <mi si'> <mi si'> |
1091 r8 <mi sol>-. r <mi sol>-. r <mi sol>-. |
1092 r <mi sol> r <mi sol> |
1093 r <mi sol mi'> r <mi sol mi'> r <mi sol mi'> |
1094 r <mi sol mi'> r <mi sol mi'> |
1095 r <mi sol mi'> r <mi sol mi'> r <mi sol mi'> r <mi sol mi'> |
1096 s2 s2 si'16 \md si' \mg sol \md sol' \mg \clef treble
1097 re sib' dod8 \clef bass |
1098 <la,, la'>8-> r r4 |
1099 }
1100 }
1101
1102 ActeUnSceneQuatrePiano = {
1103 \PianoDeuxMains
1104 \relative { \Piano
1105 \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
1106 s2 R1 R2. <la'do re>2--\pp( <la do re>--) <la do re>--( <la do re>--)
1107 <sol la do re>--( <sol la do re>-- <sol la do re>--) |
1108 <do re>4--( <la do>--) r <la do>-- | <do re>--( <la do>--) r <la do>-- |
1109 <la do re>--(\psempre <sol la do>--) <la do re>--( <sol la do>--) <la do re>--( <sol la do>--) |
1110 <la do re>--( <sol la do>--) <la do re>--( <sol la do>--) |
1111 <la do re>--( <sol la do>-- <re sol la>-- <do re>--) |
1112
1113 %%% Agitato %%%
1114 R2.*5
1115 <si mi>2.--\mp <mib sol>-- <do sol'>4-- r2 |
1116 R2.*10
1117 r2 la'32(\fsubito sib re mi la8-.->) \clef bass |
1118 r8 <red,,, mi'>-. \clef treble \ttt {r16 la'''( re, mi la, si}
1119 mi,8-.->) \mg \t {mi,16\< mi mi\!} \md | R2.
1120 \ttt {r16 re'( la' mi' la, re} la'4-.->) r8 \mg \t {mi,,16\< mi mi\!} \md |
1121 r16 <mib' lab re>-.-> r8 r2 | s2. R2.
1122 s2. <re' mi la>4-> s2 |
1123 <mi' la>2--->\laissezVibrer s2 |
1124 R2. R1 R2. R2 R2. R2 R2. R2 R2.
1125 R1*5 R2 R2. R1 |
1126
1127 %%% Andante a piacere %%%
1128 r2\p <la,,, dod>~ <la dod> r |
1129 r <la dod>~ <la dod> r |
1130 r <si fa'>~ <si fa'> r |
1131 r <si fa'>~ <si fa'> r |
1132 r4 <mib la dod>~ \t {<mib la dod> <mib la dod> <mib la dod>~} |
1133 <mib la dod>8 <mi sold re'> <mi sold re'>\< <mi sold re'>~
1134 \t {<mi sold re'> <mi la red> <mi la red>\!} |
1135 r4 <lab re fad>~\t {<lab re fad> <lab re fad> <lab re fad>~} |
1136 <lab re fad>8 <sib mi sold> <sib mi sold>\< <sib mi sold>
1137 \t {<sib mib la> <sib mib la> <sib mib la>\!} |
1138 R1*7 r4 <re,sol si>---.\p <mib fad la re>2--\laissezVibrer s2 R2.*6
1139
1140 %%% A tempo %%%
1141 r8 <mi sol do>~\mp\<\t {<mi sol do><mi sol do><mi sol do>}
1142 \t {<fa sib reb><fa sib reb><fa sib reb>}
1143 \t {<sol do mib><sol do mib><sol do mib>\!} |
1144 r <sib reb solb>~\<\t {<sib reb solb><sib reb solb><sib reb solb>}
1145 \t {<do mib lab><do mib lab><do mib lab>}
1146 \t {<dod fad la><dod fad la><dod fad la>} |
1147 \t {<red sold la><red sold la><red sold la>}
1148 \t {<fad la><fad la><fad la>} \t {<sold la><sold la><sold la>\!} r4 |
1149 <la,,sib sol' la>2\mp\laissezVibrer s2 |
1150 R2. R1 R2. R1 R2. R1 R2.
1151 r8 \stemUp <dod'fa la dod>~\mf\<
1152 \t {<dod fa la dod><dod fa la dod><dod fa la dod>~}
1153 <dod fa la dod>16 <dod fa la dod><dod fa la dod><dod fa la dod>\>~
1154 \t {<dod fa la dod>8 <dod fa la dod> <dod fa la dod>\!} \stemNeutral |
1155 r8 \stemUp <dod fa la dod>~\<
1156 \t {<dod fa la dod><dod fa la dod><dod fa la dod>~}
1157 <dod fa la dod>16 <dod fa la dod><dod fa la dod><dod fa la dod>~\>
1158 \t {<dod fa la dod>8 <dod fa la dod> <dod fa la dod>\!} \stemNeutral |
1159 \t {r4 \stemUp <dod fa la dod>\< <dod fa la dod>} <dod fa la dod>8 <dod fa la dod> |
1160 <dod fa la dod>\><dod fa la dod>
1161 \t {<dod fa la dod>4<dod fa la dod><dod fa la dod>\!} \stemNeutral |
1162 r4\f \stemUp <red sol si red>2---> \stemNeutral |
1163 r8 \stemUp <red sol si red>8~---> <red sol si red>2. |
1164 <red sol si red>2---> \stemNeutral r8 \stemUp
1165 <fa sold si fa'>~ \t {<fa sold si fa'><fa fa'> <fa fa'>} |
1166
1167 <re re'>4-.->\ff r2 | R4.
1168 r8 \st {<sold,, lad>\mf <sold lad> <sold lad> r <sold lad> |
1169 <sold lad> r <sold lad>} | <re'' re'>-> r r4 R4.
1170 r8 \st {<sol,,do fa> <sol do fa> r |
1171 <sol do fa> <sol do fa> <sol do fa> <sol do fa>} |
1172 <re''sold re'mi>-> r r4 | R4. \clef bass |
1173 \st {<re,,mi sold lad dod>8\mp <re mi sold lad dod> <re mi sold lad dod> r |
1174 <re mi sold lad dod> r <mi sold lad dod> <mi sold lad dod> \clef treble |
1175 <si're mi> <si re mi> <la re mi> <la re mi> |
1176 <si re mi> <si re mi> <la re mi> |
1177 <si re mi fa> <si re mi fa> <la re mi sol> <la re mi sol> |
1178 <si! re mi sib'>\< <si re mi sib'> <la re mi sol> <la re mi sol>} |
1179
1180 R2\! R4. r2 r8 \t {sold''16( si dod} |
1181 <re, re'>8-.\fp) \st {re, re re re re re re} |
1182 \simile re re re re re re re re |
1183 <re mib> <re mib> <re mib> <re mib> <do mib> <do mib> <do mib> <do mib> |
1184 <do fa> <do fa> <do fa> <do fa> <sib fa'> <sib fa'> <sib fa'> <sib fa'> |
1185 <la sib fad'> <la sib fad'> <la sib fad'> <la sib fad'>
1186 <la sib fad'> <la sib fad'> <la sib fad'> <la sib fad'> |
1187 <la sib fad'>-> <la sib fad'> <la sib fad'> <sol la do mib fad>->
1188 <sol la do mib fad> <sol la do mib fad> <sol la do mib fad>-> <sol la do mib fad>|
1189 r <sol la do mib lab>-. <sol la do mib lab>4-> <do mib fad si>-> r8 <mib fad si>-> |
1190 r <mib solb lab reb>-> r4 <mib fa lab reb>-> \clef bass
1191 <red, mi lab reb>-- \clef treble |
1192 <re'! re'!>4-> s4 s2 | R1*2 \clef bass |
1193
1194 \st {<re,sib' re>8\pp <re sib' re> <re sib' re> <re sib' re>
1195 <re sib' re> <re sib' re> <re sib' re> <re sib' re>|
1196 R2
1197 <re sib' re>8 <re sib' re> <re sib' re> <re sib' re>
1198 <re sib' re> <re sib' re> |
1199 R2.
1200 <re sib' re>8 <re sib' re> <re sib' re> <re sib' re>} |
1201 R1 \clef treble
1202
1203 %%% Piu lento %%%
1204 R2.*3 r4 fa'--\pp sib,-- <fa' solb sib>2.--\arpeggio \laissezVibrer |
1205 R2. r4 fa-- \mg re,-- \md
1206 <dob' fa solb sib>2.--\arpeggio \laissezVibrer |
1207 R2. r4 <re fa>-- <sib do!>-- |
1208 s4. <re fa solb sib>4.\arpeggio \laissezVibrer |
1209 R2.*2 re'8( sib la fad mi re)\laissezVibrer |
1210 <fad la sib re>2.\arpeggio \laissezVibrer |
1211 <solb sib>4-- <reb fa>-- <lab do>-- | s2.
1212 <reb fa solb sib>2.\arpeggio \laissezVibrer | R2.*3
1213 R1. R1 R1. R1 R1. R1 R1. R1 R1. R1 R1.*5
1214 R1 R1. R1 R1. R1 R1.*5 R1 R1. r2 <dod mi la>4--\mf r |
1215 }
1216 \relative {
1217 \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
1218 s2^\markup { \score { \new ChordNames
1219 \chordmode { la:7 } \layout {indent = 0 }}}
1220 R1 R2. R1*2 R1. \clef treble <sol'la>2--( <sol la>--) <sol la>--( <sol la>--) |
1221 <si, red fad>--( <si red fad>-- <si red fad>--) <si red fad>--( <si red fad>--) \clef bass |
1222 <mib, sol sib>2.-- r4 |
1223
1224 %%% Agitato %%%
1225 <la, re sol la>8-.->\pp r r2 | R2.*3
1226 r2 fad'8( dod) | <la re sol>2.-- <do fa sib>-- <mi la re>4-- r
1227 <sold,,sold'>~--\mf| <sold sold'> <dod dod'>-- <si si'>-- |
1228 <re re'>-- r2 | <re re'>4-- <re re'>-- <re re'>-- |
1229 <re re'>-- r2 | <re re'>4-- <re re'>-- <re re'>-- | <re re'>-- <re re'>-- <re re'>-- |
1230 <mib mib'>-- r2 | <do do'>4--\p <do do'>-- <do do'>-- | <fad fad'>-- r2 |
1231 <lab lab'>4-- <lab lab'>-- <lab lab'>-- | <sib, sib'>-- r8 <sib sib'>4-- <sib sib'>8-. |
1232 mi8-. mi'-. r4 r8 s | mi,4-> mi-> mi-> | mi-- r r8 s | mi4-> r2 \clef treble |
1233 \ttt { mib''16( lab sib re \md mib la} re4-.->) \mg r \clef bass |
1234 mi,,,,-- mi-- <sib sib'>8-. mi-> |
1235 \tt {mi'16--( si' \md la re mi} sold4--) \mg
1236 \ttt {re16--( \md \stemDown mi sold la re \mg \stemUp <la, mi'>)} |
1237 r4 \clef treble \tt {la16--( re mi la \md \stemDown mi'}
1238 \tttt {<la re> \mg \stemUp la, re mi sold \md \stemDown la re) \mg \clef bass} |
1239 \stemNeutral dod,,,,2--->\laissezVibrer s |
1240 R2. R1 R2. R2 R2. R2 R2. R2 R2.
1241 R1*5 R2 R2. R1
1242
1243 %%% Andante a piacere %%%
1244 fa2( <sib mib>~<sib mib> reb,8) r r4 |
1245 fa2 <sib mib>~<sib mib> reb,8 r r4 |
1246 <fa, fa'>2 <lab'mib'>~<lab mib'> reb,8 r r4 |
1247 <fa, fa'>2 <lab'mib'>~<lab mib'> reb,8 r r4 |
1248 <sol, sol'>1*1/4--->\mp\laissezVibrer <dod' fad lad>4~
1249 \t {<dod fad lad> <dod fad lad> <dod fad lad>~} |
1250 <dod fad lad>8 <dod mid si'> <dod mid si'> <dod mid si'>~
1251 \t {<dod mid si'> <dod fad do'!> <dod fad do'>} |
1252 <sol, sol'>1*1/4--->\laissezVibrer <fa''si mib>4~
1253 \t {<fa si mib> <fa si mib> <fa si mib>~} |
1254 <fa si mib>8 <fa si solb'> <fa si solb'> <fa si solb'>
1255 \t {<fa dod' sol'> <fa dod' sol'> <fa dod' sol'>} |
1256 R1*7 r4 <fa la>-.--\p <do mi sib'>2--\laissezVibrer s2 R2.*6
1257
1258 %%% A tempo %%%
1259 <do,do'>1*1/8\f\laissezVibrer <red' sold si>8~
1260 \t {<red sold si> <red sold si> <red sold si>}
1261 \t {<fad la re> <fad la re> <fad la re>}
1262 \t {<sold si mi> <sold si mi> <sold si mi>}
1263 <do,,do'>1*1/8\laissezVibrer \clef treble <la''re fa>8~
1264 \t {<la re fa> <la re fa> <la re fa>}
1265 \t {<si mi sol> <si mi sol> <si mi sol>}
1266 \t {<re fa sib> <re fa sib> <re fa sib>} |
1267 \t {<mi sol do> <mi sol do> <mi sol do>}
1268 \t {<fa sib reb> <fa sib reb> <fa sib reb>}
1269 \t {<sol do mib> <sol do mib> <sol do mib>} r4 | R1 \clef bass |
1270 \st {la,,16 fad sold red dod sib' do sol fa re mi' si | la8} r r4 r2 |
1271 r4 \st {la8\ppsempre mi sol re | dod sold' si fad fa do mib' sib | la} r r2 |
1272 R1 R2.
1273 <sol,sol'>1*1/8\f\laissezVibrer \md \stemDown <dod''mi sol sib>8~
1274 \t {<dod mi sol sib> <dod mi sol sib> <dod mi sol sib>~}
1275 <dod mi sol sib>16 <dod mi sol sib> <dod mi sol sib> <dod mi sol sib>~
1276 \t {<dod mi sol sib>8 <dod mi sol sib> <dod mi sol sib> \mg \stemNeutral } |
1277 <sol,,sol'>1*1/8\laissezVibrer \md \stemDown <dod''mi sol sib>8~
1278 \t {<dod mi sol sib> <dod mi sol sib> <dod mi sol sib>~}
1279 <dod mi sol sib>16 <dod mi sol sib> <dod mi sol sib> <dod mi sol sib>~
1280 \t {<dod mi sol sib>8 <dod mi sol sib> <dod mi sol sib> \mg \stemNeutral } |
1281 \noTuplet
1282 \t {<sol,,sol'>2*1/2\laissezVibrer
1283 \md \stemDown <dod''mi sol sib>4<dod mi sol sib>}
1284 <dod mi sol sib>8 <dod mi sol sib> |
1285 <dod mi sol sib> <dod mi sol sib> \t {<dod mi sol sib>4
1286 <dod mi sol sib> <dod mi sol sib> \mg \stemNeutral }
1287 <fa,,,fa'>2*1/2\laissezVibrer \md \stemDown <si'' re sold>2 \mg \stemNeutral |
1288 <fa,, fa'>1*1/8\laissezVibrer \md \stemDown <si'' re sold>8~
1289 <si re sold>2. <si re sold>2 \mg \stemNeutral r8 <mib,,,mib'>4*1/2--->(
1290 \md \stemDown <si''' re sold si>4*1/2 \mg \stemNeutral fad,,8) |
1291 <re re'>4-.-> r2 |
1292 R4.
1293
1294 <sold sold'>4-> r <si si'>-> | r8 <dod dod'>-> r |
1295 <re re'>-> r r4 | R4.
1296 <la la'>4-> r8 <sib sib'>-> | r8 r16 <do do'>-> r4 |
1297 <mib mib'>8-> r r4 R4. <si si'>4-> r8 \ottava #-1 <si, si'>-> \ottava #0 |
1298 r <do' do'>-> r16 <re re'>-> r8 | fa2~--\p fa4 r8 r <fa, fa'>-> r4 |
1299 r8 <fa fa'>-> r <fa fa'>-> |
1300 R2 R4. R2.
1301
1302 \st{<re' re'>4 re re re} re re re re |
1303 re re re re re re re re re re re re |
1304 <re re'> <re re'> <re re'> <re re'> |
1305 <re re'> r8 <re re'>-. r re'-. <sol la do>4---> |
1306 <re,re'>-- \st {re'8 <sol la do> r <re re'> r <re,re'> |
1307 r <re re'> <re' re'> re re, <re' re'>-> re, re'} | re,4-- r r2 | R1
1308
1309 <re sib'>4--\pp <re sib'>-- <re sib'>-- <re sib'>-- R2
1310 <re sib'>4-- <re sib'>-- <re sib'>-- R2.
1311 <re sib'>4-- <re sib'>-- R1
1312
1313 %%% Piu lento %%%
1314 R2.*4 <fa' solb sib dob>2.--\arpeggio \laissezVibrer |
1315 R2. r2 s4 <re, mib dod'>2.--\arpeggio \laissezVibrer |
1316 R2.*2 <re' sol>4.-- <fad sol sib do>\arpeggio \laissezVibrer |
1317 R2.*5 <mib sol>4-- re2~-- <re sol lab do>2.\arpeggio \laissezVibrer |
1318 R2.*3
1319
1320 \st {la8\p r sib mib r sold, fad si r mi re, sol | la4-> r r2 |
1321 la8 fad sold red r sib' do sol r re mi' r | la,4-> r r2 |
1322 la8 r re mi r si fad sold r mib sib' r | la4->} r r2 |
1323 R1. R1 R1. R1
1324 \st {la8 r sib mib r sold, fad si r mi re, sol |
1325 la r re mi r si fad sold r mib sib' r |
1326 la fad sold red r sib' do sol r re mi' r |
1327 la, si mi r fa, sol r sib r mib, lab r |
1328 la do sib mib r si fad sold r re mi' r |
1329 la,4--} r r2 | R1.
1330 \pl {do,1\pp~do1.} {r4 do' \t {do do do} do-- do--~do1} |
1331 R1
1332 \st {la8 r sold red r sib' do sol r re mi' si |
1333 la r mi' re, r sol do sib r mib, lab r |
1334 la do sib mib r sold, fad si r mi re, r |
1335 la' sol re' r dod si r sold r mib sib' r |
1336 la fad sold red r sol do sib r mi re, r |
1337 la'4->} r r2 | R1. r2 <re, la' fa'>4-- r |
1338 }
1339 }
1340
1341 EntractePiano = {
1342 \PianoDeuxMains
1343 \relative { \Piano
1344 R2*9
1345 R1*12
1346 r4 \st {<lab'' sol'>8\p <lab sol'> <sol lab'>4 r R1
1347 r4 <lab reb sol> r <lab reb sol> |
1348 r <lab sol'>8 <lab sol'> <sol lab'>4 r R1*2
1349 r2 re8\p( la mi si)} R1 |
1350 r2 r4 \pl {sib16( dod fad la)} {sib\<( dod fad la)} |
1351 <re, re'>4--\! r r2 | R1
1352 r8 r16 \pl {re\p( la8.) re16( la4-.)} {sold'16( dod8.) sold16( dod4-.)} r |
1353 r2 r8 r16 \pl {re,( la4-.)} {sold'16( dod4-.)} R1
1354 \ottava #1 r8 r16 \pl {reb( lab4-.)} {sol'!16( do!4-.)} r2 |
1355 R1*3 r4 <re, dod'>-.\p <dod re'>-. \ottava #0 r R1
1356 r2 r4 \loco <sib,, re fad>-- |
1357 r <si red sol>-- r <do mi sold>--
1358 r <dod fa la >-- r <re fad sib>-- |
1359 r <mib sol si>-- r <mi sold do>-- |
1360 r <fa la dod>-- r <fad re'>8( sib) |
1361 <re re'>4-> r r2 R2. R1 \clef bass |
1362
1363 %%% Fugato %%%
1364 <red,, mi re'>1\f\laissezVibrer s1 R2.*2 R2
1365 R1 R2.*2 R1*2 R2.*2 R1 \clef treble
1366 \ottava #2 <si'''' lad'>1\pp <lad si'>2. <si lad'>
1367 <lad si'>1~ <lad si'>2 \ottava #0 r |
1368 R2.*2 R1*2 \loco fad,,4.--\p sol~-- sol2 r4 |
1369 r2 r4 <re' dod'>8-.\f <re dod'>-.
1370
1371 %%% Stretto %%%
1372 <re re'>4-> r r2 | R1 \clef bass |
1373 \st {<re,,sib' re>8\pp <re sib' re> <re sib' re> <re sib' re>
1374 <re sib' re> <re sib' re> <re sib' re> <re sib' re>} |
1375 \simile <mi do' mi> <mi do' mi> <mi do' mi> <mi do' mi>
1376 <mid dod' mid> <mid dod' mid> <mid dod' mid> <mid dod' mid> \clef treble |
1377 <sol mi' sol> <sol mi' sol> <sol mi' sol> <sol mi' sol>
1378 <sol mi' sol> <sol mi' sol> <sol mi' sol> <sol mi' sol> |
1379 <sold mi' sold>-> <sold mi' sold> <sold mi' sold> <sold mi' sold>
1380 <sold mi' sold> <lad fad' lad>-> <lad fad' lad> <lad fad' lad> |
1381 <sold mi' sold>-> <sold mi' sold> <sold mi' sold> <lad fad' lad>
1382 <lad fad' lad> <lad fad' lad> <lad fad' lad> <lad fad' lad> |
1383 <si sol' si> <si sol' si> <si sol' si> <si sol' si>
1384 <si sol' si> <si sol' si> <si sol' si> <si sol' si> |
1385 <dod lad' dod> <dod lad' dod> <dod lad' dod> <dod lad' dod>
1386 <dod lad' dod> <dod lad' dod> <dod lad' dod> <dod lad' dod> |
1387 <re sib' re>4 r r2 |
1388 r4 <re re'>--\p r <re re'>-- r <re re'>-- r2 | R1
1389
1390 %%% Noir %%%
1391 R2.-\fermataMarkup R2.*4 R2 R2. R1 R2. R2
1392 R1*5 R1.*4 R1 R2.-\fermataMarkup R2.*8 R2.-\fermataMarkup
1393
1394 %%% Poco più %%%
1395 R2.*4 R2.-\fermataMarkup
1396
1397 %%% Andantino %%%
1398 R1 R2 R1 R2 R1 R2 R1 R2.
1399
1400 %%% Largo non troppo %%%
1401 <la'mi'>4\mp( <mi do'> <la mi'> <mi do'> <la mi'> <mi do'>) |
1402 <la mi'>( <mi si'> <la mi'> <mi si'> <la mi'> <mi si'>) |
1403 \simile <la mi'> <mi la> <la mi'> <mi la> <la mi'> <mi la> |
1404 <la mi'> <fa la> <la re> <fa la> <sold do> <mi sold> |
1405 <la mi'> <mi do'> <la mi'> <mi do'> <la mi'> <mi do'> |
1406 <sol re'>\mpsempre <re do'> <fa re'> <re do'> <fa re'> <re sol> |
1407 <sol mi'> <mi do'> <sol mi'> <mi do'> <sol mi'> <mi do'> |
1408 <fa re'> <re la'> <fa re'> <re la'> <fa re'> <re si'> |
1409 <la'mi'> <mi do'> <la mi'> <mi do'> <la mi'> <mi do'> |
1410 <sol re'> <re sol> <sol re'> <re sol> <sol re'> <re sol> |
1411 <sol mi'> <mi sol> <sol mi'> <mi sol> <sol mi'> <mi sol> |
1412 <la mi'> <mi la> <la mi'> <mi la> <la mi'> <mi la> |
1413 <sol mi'> <mi sol> <fa re'> <re fa> <fa re'> <re fa> |
1414 <fa re'> <re fa> <fa re'> <re fa> <fa re'> <re fa> |
1415 <mi re'> <re mi> <mi do'> <do mi> <mi do'> <do mi> |
1416 \cresc <fa do'> <do fa> <fa si> <si, fa'> <fa' la> <la, fa'> |
1417 <do la'> <la do> <si sol'?> <sold si> \clef bass <la do fa> <fa la do> |
1418 <mi la do mi>2--\f r1 <mi la si mi>2-- r | R1 R2. R2
1419 }
1420 \relative {
1421 sold,,2*1/4\pp\laissezVibrer
1422 sold'8-- \t {sold-- sold-- sold--}
1423 sold2--\laissezVibrer |
1424 \simile sold,2*1/4\laissezVibrer
1425 sold'8 \t {sold sold sold}
1426 sold2\laissezVibrer |
1427 sold,2*1/4\laissezVibrer
1428 sold'8 \t {sold sold sold}
1429 sold2\laissezVibrer |
1430 r8 <sold,sold'>
1431 \t {<sold sold'><sold sold'><sold sold'>} |
1432 <sold sold'>2 sold2*1/4\laissezVibrer
1433 <sold' sold'>8
1434 \t {<sold sold'><sold sold'><sold sold'>} |
1435
1436 %%% Vivo subito %%%
1437 <re re'>4 r r2 | R1*11 \clef treble
1438 r4 \st {<la'' sold'>8 <la sold'> <sold la'>4 r R1
1439 r4 <la'? re?> r <la re> |
1440 r <la, sold'>8 <la sold'> <sold la'>4} r R1*3 \clef bass
1441 fad8-.( dod-.) sold2.-- R1 |
1442 r4 <re re'>-- r2 R1*8 \clef treble
1443 r4 <re'' dod'>-. <dod re'>-. r R1 \clef bass
1444 r2 sold,4--\p r | fad-- r mib'-- r fa-- r do-- r sib-- r sol-- r la-- r mi-- r |
1445 r <re re'>-> r2 R2. R1
1446
1447 %%% Fugato %%%
1448 <mi, mi'>1\f\laissezVibrer s1 R2.*2 R2
1449 R1 R2. <mi' red'>2.\pp <red mi'>2 <mi red'> <red mi'>2. r4 | R2.*2 R1 \clef treble
1450 <lad''' si'>1 <si lad'>2. <lad si'> <si lad'>1~ <si lad'>2 r |
1451 R2.*2 R1*2 \clef bass
1452 sol,4.-- fad~-- fad2 r4 | r2 r4 <re, mib'>8-. <re mib'>-. |
1453
1454 %%% Stretto %%%
1455 <re re'>4-> <re, re'>-- r <re re'>-- r <re re'>-- r2 |
1456 <re' sib'>4-- <re sib'>-- <re sib'>-- <re sib'>-- |
1457 \simile <reb lab'> <reb lab'> <si sold'> <si sold'> |
1458 <sib fa'> <sib fa'> <sib fa'> <sib fa'> |
1459 \ottava #-1
1460 <sold mi'> <sold mi'> <sol re'> <sol re'> |
1461 <sold mi'> <sold mi'> <sol re'> <sol re'> |
1462 <fa re'> <fa re'> <fa re'> <fa re'> |
1463 <mi si'> <mi si'> <mi si'> <mi si'> |
1464 <re sib' re> \ottava #0 r r2 |
1465 r4 \loco re'-- r re-- r re-- r2 | R1
1466
1467 %%% Noir %%%
1468 R2.-\fermataMarkup R2.*4 R2 R2. R1 R2. R2
1469 R1*5 R1.*4 R1 R2.-\fermataMarkup R2.*8 R2.-\fermataMarkup
1470
1471 %%% Poco più %%%
1472 R2.*4 R2.-\fermataMarkup
1473
1474 %%% Andantino %%%
1475 R1 R2 R1 R2 R1 R2 R1 R2.
1476
1477 %%% Largo non troppo %%%
1478 \det {<la la'>2 <la' la'> <la, la'> <si si'> <si' si'> <si, si'>
1479 <do do'> <do' do'> <do, do'> <re re'> <re' re'> <re, re'> |
1480 <la la'> <la' la'> <la, la'> <si si'> <si' si'> <si, si'>
1481 <do do'> <do' do'> <do, do'> <re re'> <re' re'> <re, re'> |
1482 \pl {la la la si si si do do do dod dod dod re re re sol, sol sol do do do re, re re red red red mi}
1483 {la'4 la la la la la si si si si si si do do do do do do
1484 dod dod dod dod dod dod re re re re re re sol, sol sol sol sol sol do do do do do do
1485 \ottava #-1
1486 re, re re re re re red red red red red red mi mi} r1
1487 \pl mi,2 {mi'4 mi}} r2 R1 R2. \pl mi,4-. <red' mi>-. \ottava #0 r |
1488 }
1489 }
1490
1491 ActeDeuxSceneUnPiano = {
1492 \PianoDeuxMains
1493 \relative { \Piano
1494 R2.*4 R2 R2.*2 R2 \clef bass r8
1495 <sol lab sib dob re>\arpeggio ~
1496 <sol lab sib dob re>2\laissezVibrer R2.*2 R2 |
1497 R2. R2 R2.*2 R2 |
1498 r8 <sol lab si do mib>\arpeggio ~
1499 <sol lab si do mib>2\laissezVibrer |
1500 R2.*2 R2 | R2. R2 | R2.*2 | R2 | R2.*3 R2 \clef treble
1501
1502 %%% Entrée de la Soprano Deux %%%
1503 r2 r8 <la' si> | r4 <re, mi la>8 r r4 |
1504 r <la' re mi>8 r r2 |
1505 r4 r8 <re mi la> r4 | R1
1506 <la, mib' lab>2.\arpeggio ~ <la mib' lab>2 |
1507 <sold re' sib'>2*3/2\laissezVibrer R1
1508
1509 %%% Andantino %%%
1510 <re'mi la>2*2\laissezVibrer R1 R2.
1511 <re la'>2*3/2\laissezVibrer R2.*2 R2
1512 R2.*5 R1 R2. R2
1513 <si re la'>2*3/2\laissezVibrer R1 R2. R1
1514 <si re la'>2*3/2\laissezVibrer R1
1515 r4 <do re sol> r R1 |
1516 r4 <re fa> r | <re fa> r <re fa> r |
1517 r <la re mi> r | r <la re> r <la re> | r <la re> r |
1518 <re la'>2*2\laissezVibrer R2. R1 R2. R1 R2. R1
1519 r8 sold, dod <fad si> <mi' la re>4\laissezVibrer | R1
1520
1521 %%% Entrée de la Contralto %%%
1522 <re, sold>2*3/2\laissezVibrer R1
1523 <la re mi sold>2*3/2\laissezVibrer R1 |
1524 R2. R1 R2. R1 <la re>2*3/2\laissezVibrer R1 R2. |
1525 R1 <la re mi>4 r8 <la re mi>4.\laissezVibrer | R1 R2. R1 |
1526 r4 <do re> r | r8 <do re>4. r8 <do re>4. |
1527 r4 <do re> r | r8 <do re>4. r8 <do re>4. |
1528 r4 <do re sol> r | r <do re> r | <fa sib mib> r2 |
1529 r4 <do fa> <do fa> | r <si mi> <si mi> |
1530 r <do fa> <do fa> | r <si mi> r R2.
1531 <do fa sib>2*3/2\laissezVibrer R2. R1 R2.
1532 <dod fad>2*2\laissezVibrer R2. R1
1533 r4 <mib solb> <mib solb> | r <do fa> r8 <do fa>4. |
1534 r4 <mib solb> <mib solb> | r2 <do fa sib>2\laissezVibrer R2. R1
1535 <re la'>2*3/2\laissezVibrer R1 R2. R2
1536 <la re fad>2*2\arpeggio \laissezVibrer R2. R1 R2. R1 R2. R1
1537 }
1538 \relative {
1539 R2.*4 R2 R2.*2 R2 mi,,2.\laissezVibrer R2.*2 R2 |
1540 R2. R2 R2.*2 R2 | mi2.\laissezVibrer | R2.*2 R2 |
1541 R2. R2 | R2.*2 | R2 | R2.*3 R2 \clef treble
1542
1543 %%% Entrée de la Soprano Deux %%%
1544 r2 r8 <dod''mi> | r4 <fad,si>8 r r4 |
1545 r <dod'fad sold>8 r r2 | r4 r8 <mib lab sib> r4 |
1546 R1 \clef bass <fa,, mi'>2.\arpeggio ~ <fa mi'>2 |
1547 <mi red'>2*3/2\laissezVibrer R1
1548
1549 %%% Andantino %%%
1550 sib'2*2\laissezVibrer R1 R2.
1551 <mi si'!>2*3/2\laissezVibrer R2.*2 R2
1552 R2.*5 R1 R2. R2
1553 <fad,dod'mi>2*3/2\laissezVibrer R1 R2.
1554 do'4 sol' fad r | <fad,dod'mi>2*3/2\laissezVibrer R1
1555 r4 <sib fa'> r R1
1556 r4 <mib lab sib> r | <mib lab sib> r <mib lab sib> r |
1557 r sib r | r <si mi> r <si mi> | r <si mi> r |
1558 R1 R2. R1 R2. R1 R2. R1
1559 fad2*3/2\laissezVibrer R1
1560 <sold'dod>2*3/2\laissezVibrer R1
1561 fad,2*3/2\laissezVibrer R1
1562 R2. R1 R2. R1 do2*3/2\laissezVibrer R1 R2.
1563 R1 dod2*3/2\laissezVibrer R1 R2. R1
1564 fad4 r fad' | fa, r fa' r | fad, r fad' | fa, r fa' r |
1565 fad, r fad' | sol,2.~ sol4 r2 |
1566 sib4 r2 | si4 r2 | sib4 r2 | si4 r2 |
1567 R2. mib2*3/2\laissezVibrer R2. R1 R2.
1568 <re si'>2*2\laissezVibrer R2. R1
1569 lab4 r lab' | la, r la' r | lab, r lab' |
1570 sol,2*2\laissezVibrer R2. R1
1571 re2*3/2\laissezVibrer R1 R2. R2
1572 <sib' fa' sold>2*2 \arpeggio \laissezVibrer
1573 R2. R1 R2. R1 R2. R1
1574 }
1575 }
1576
1577 ActeDeuxSceneUnBisPiano = {
1578 \PianoDeuxMains
1579 \relative { \Piano
1580 R1 R2. R2 R1*5/4*6 \clef bass |
1581 r1 mi,,4 <red sold> r r2 mi4 |
1582 <red sold> r sol <mi si'> r |
1583 r2 mi4 <red sold> sol | <mi si'> r sib' r <sib re> |
1584 <la fad'> r <re fa> <dod la'> r | <mid fad dod'> r1 |
1585 R1*5/4*8 \clef treble <sol la mib' fad>4 r2 <sol la mib' fad>4 r |
1586 <sol la mib' fad> r <sol la mib' fad> r2 |
1587 <sol la mib' fad>4 r r8 <sol la mib' fad> r2 | <re' do'>4 r1 |
1588 R1*5/4*6 <lab re fa sol lab>1*5/4\laissezVibrer \arpeggio
1589 R1*5/4*11 \clef bass <re, fad dod'>4 r1 | R1*5/4-\fermataMarkup
1590
1591 %%% Boum %%%
1592 R1*5/4*13 | \clef treble
1593 <sol' sib mib>8 \mg <mib, lab dob> \md
1594 <sol' sib mib> \mg <mib, lab dob> \md
1595 <sol' sib mib> \mg <mib, lab dob> \md
1596 <fab' lab reb> \mg <fa, sib re> \md
1597 <fab' lab reb> \mg <fa, sib re> \md
1598 <sol' sib mib> \mg <mib, lab dob> \md
1599 <sol' sib mib> \mg <mib, lab dob> \md
1600 <fab' lab reb> \mg <fa, sib re> \md
1601 <fab' lab reb> \mg <fa, sib re> \md
1602 <fab' lab reb> \mg <fa, sib re> \md |
1603 <sol' sib mib> \mg <mib, lab dob> \md
1604 <sol' sib mib> \mg <mib, lab dob> \md
1605 <sol' sib mib> \mg <mib, lab dob> \md
1606 <sol' sib mib> \mg <mib, lab dob> \md
1607 <fab' lab reb> \mg <fa, sib re> \md |
1608 <fab' lab reb> \mg <fa, sib re> \md
1609 <fab' lab reb> \mg <fa, sib re> \md
1610 <sol' sib mib> \mg <mib, lab dob> \md
1611 <sol' sib mib> \mg <mib, lab dob> \md
1612 <sol' sib mib> \mg <mib, lab dob> \md |
1613 <sib'' mib lab> \mg <mi,,,, mi'>2*1/4\laissezVibrer \md
1614 <sib'''' mib lab>8 \mg <sib,, mib lab> \md
1615 <sib'' mib lab> \mg <sib,, mib lab> \md
1616 <sib'' mib lab> \mg <sib,, mib lab> \md
1617 <sib'' mib lab> \mg <sib,, mib lab> \md |
1618 <sib'' mib lab> \mg <sib,, mib lab> \md
1619 <sib'' mib lab> \mg <sib,, mib lab> \md
1620 <sib'' mib lab> \mg <sib,, mib lab> \md
1621 <sib'' mib lab> \mg <sib,, mib lab> \md
1622 <sib'' mib lab> \mg <sib,, mib lab> \md |
1623 <sib'' mib> \mg <mib,, lab> \md
1624 <sib'' mib> \mg <mib,, lab> \md
1625 <sib'' mib> \mg <mib,, lab> \md
1626 <sib'' mib> \mg <mib,, lab> \md
1627 <sib'' mib> \mg <mib,, lab> \md |
1628 <reb'' fa sib> \mg \stemDown <mi,,,, mi'>2*1/4\laissezVibrer \stemNeutral \md
1629 <reb'''' fa sib>8 \mg <lab,, reb fa> \md
1630 <reb'' fa sib> \mg <lab,, reb fa> \md
1631 <sib'' mib lab> \mg <sib,, mib lab> \md
1632 <sib'' mib lab> \mg <sib,, mib lab> \md |
1633 <reb'' fa sib> \mg <lab,, reb fa> \md
1634 <reb'' fa sib> \mg <lab,, reb fa> \md
1635 <sib'' mib lab> \mg <sib,, mib lab> \md
1636 <sib'' mib lab> \mg <sib,, mib lab> \md
1637 <reb'' fa sib> \mg <lab,, reb fa> \md
1638 <mib''' lab dob> \mg \stemDown <mi,,,,! mi'!>2*1/4\laissezVibrer \stemNeutral \md
1639 <mib'''' lab dob>8 \mg <sol,,, sib mib> \md
1640 <mib''' lab dob> \mg <sol,,, sib mib> \md
1641 <reb''' fa sib> \mg <lab,, reb fa> \md
1642 <reb'' fa sib> \mg <lab,, reb fa> \md |
1643 <mib''' lab dob> \mg <sol,,, sib mib> \md
1644 <mib''' lab dob> \mg <sol,,, sib mib> \md
1645 <reb''' fa sib> \mg <lab,, reb fa> \md
1646 <reb'' fa sib> \mg <lab,, reb fa> \md
1647 <reb'' fa sib> \mg <lab,, reb fa> \md |
1648 <mib''' lab dob> \mg <sol,,, sib mib> \md
1649 <mib''' lab dob> \mg <sol,,, sib mib> \md
1650 <mib''' lab dob> \mg <sol,,, sib mib> \md
1651 <reb''' fa sib> \mg <lab,, reb fa> \md
1652 <mib''' lab dob> \mg <sol,,, sib mib> \md |
1653 <fa''' sib re> \mg \stemDown <mi,,,, mi'>4*1/2\laissezVibrer \stemNeutral \md
1654 <fa'''' sib re>8 \mg <sold,,, dod> \md
1655 <fa''' sib re> \mg \stemDown <mi,,,, mi'>2*1/4\laissezVibrer \stemNeutral \md
1656 <fa'''' sib re>8 \mg <sold,,, dod> \md
1657 <fa''' sib re> \mg <dod,, sold'> \md |
1658 <fa'' sib> \mg mi,,, \md
1659 <fa''' sib> \mg <dod,, sold'> \md
1660 fa'' \mg <sold,, dod> \md <dod sold'>2\laissezVibrer |
1661 r1 <red sold>4\laissezVibrer | R1*5/4
1662 <dod sold'>1*5/4\laissezVibrer | r4 <dod sold'>1\laissezVibrer |
1663 r2 <dod lad'>2.\laissezVibrer |
1664
1665 %%% Moderato assai %%%
1666 R1*7/4*7 \clef bass
1667 r4 \acciaccatura do,8 reb4 \acciaccatura sold8 la4 | R1
1668 r4 \acciaccatura fad8 sol4 \acciaccatura re'8 mib4 | R2
1669 r4 \acciaccatura si,8 do4 \acciaccatura sol'8 lab4 |
1670 r <si do sol'>2\arpeggio |
1671 r4 \acciaccatura si,8 do4 \acciaccatura sol'8 lab4 |
1672 r <red, sold si>2\arpeggio |
1673 r4 \acciaccatura si8 do4 \acciaccatura sol'8 lab4 |
1674 r \acciaccatura fad8 sol4 \acciaccatura la8 sib4 |
1675 r \acciaccatura red,8 mi4 \acciaccatura si'8 do4 |
1676 r <sol lab mi'>2\arpeggio | R2. \clef treble |
1677 <re' la' re>1\arpeggio \laissezVibrer r2 r4 | R1*7/4*2 \clef bass |
1678 r4 \acciaccatura fa,8 solb4 \acciaccatura dod8 re4 |
1679 r <dod, re la'>\arpeggio r |
1680 r \acciaccatura fa8 solb4 \acciaccatura dod8 re4 |
1681 r <la re fa>\arpeggio r |
1682 r \acciaccatura fa8 solb4 \acciaccatura dod8 re4 |
1683 r \acciaccatura lad8 si4 \acciaccatura red8 mi4 |
1684 r \acciaccatura la,8 sib4 \acciaccatura fa'8 fad4 |
1685 R1*7/4*4 \clef treble |
1686 \repeat volta 2 { <dod mi la>1 <sib re sol?>2.
1687 <dod mi la> <sib re sol>1 R1*7/4 }
1688 <sib re sol>1*7/4\arpeggio \laissezVibrer R1*7/4
1689
1690 %%% Presto subito %%%
1691 \tt {<mi sol>8 \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1692 \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1693 \tt {<mi' sol> \mg <red, fad> <red fad> <re, fa> <red' fad> \md } |
1694 \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1695 \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1696 \tt {<mi' sol> \mg <red, fad> <red fad> <re, fa> <red' fad> \md } |
1697 \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1698 \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1699 \tt {<mi' sol> \mg <red, fad> <red fad> <re, fa> <red' fad> \md } |
1700 \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1701 \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1702 \tt {<mi' sol> \mg <red, fad> <red fad> <re, fa> <red' fad> \md } |
1703 \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1704 \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1705 \tt {<mi' sol> \mg <red, fad> <red fad> <re, fa> <red' fad> \md } |
1706
1707 %%% Tempo giusto %%%
1708 <mi' sol>4 r <mi sol>8 fad, | <mi' sol>4 r <fa lab> |
1709 <mi sol> r <mi sol>8 fad, | <mi' sol>4 r <mi sol>8 fad, |
1710 <mi' sol>4 r <mi sol>8 fad, | <mi' sol>4 r <fa lab> |
1711 <mi sol> r8 fad, <fa' lab>4 | <re la'>4 r sol,8 re' la' sib |
1712 <mi, si'>4 r8 dod <fad si> dod | <sold' si>4 r <la do>8 re, |
1713 <fa do'>4 r <la do> <lad dod>8 red, r4 <si' re> <do mib> r R4. |
1714 r8 <lab re sol>~ \t {<lab re sol> <lab re sol> <lab re sol>} |
1715 \t {<la red sold> <la red sold> <la red sold>}
1716 \t {<sib mi la> <sib mi la> <sib mi la>} |
1717 <sol do sib'>4 <re' re'>8 <fad fad'> <re re'> <fa fa'> <dod dod'> |
1718 <fad, fad'> r r2 |
1719 r4 <re' re'>8 <fad fad'> <dod dod'> <fa fa'> <re re'> |
1720 <fad, fad'> r r2 | r8 <re' re'> <red red'> <mi mi'> <fa fa'> |
1721 <fad fad'> \t {la16 do sib} mib8 \t {fa,16 lab solb} |
1722 si8 dod,16 mi re sol |
1723 <la, la'>4 r2 | R2.*3 \clef bass
1724 r8 mib, sol do mi, lab | mib' lab, si mi, sol sib |
1725 mib mi, sol do mib, si' | sol' mib, sol do sol' si, |
1726 mib mi, lab sol do si \clef treble | mi mib sol lab si do |
1727 r4 \t {si,8 mib sol} \t {re fad sib} |
1728 \t {sib, re fad} \t {si, mib sol} \t {fad, sib re} |
1729 \t {mib sol si} \t {do mi sold} \t {la dod fa} |
1730 <la, la'>2.\laissezVibrer R2. R2 R4. R2 R1*5/8 R2.
1731
1732 %%% Tempo I %%%
1733 R1
1734 <solb, fa'>4 r2 <solb fa'>4 r <solb fa'> r <solb fa'> r2 |
1735 <solb fa'>4 r r8 <solb fa'> r2 \clef bass | <lab,, do>4 r1\fermata
1736 R1*5/4*21
1737 }
1738 \relative { \clef bass
1739 R1 R2. R2 R1*5/4*6
1740 r1 \ottava #-1 si,,4 <sol? do> r r2 si4 |
1741 <sol do> r do <sold red'> r |
1742 r2 si4 <sol do> do <sold red'> \ottava #0
1743 r \loco la' r <fa la> <dod sib'> r <sib' dod> <fa re'> r |
1744 <re la' sib> r1 | R1*5/4*8
1745 <re do'>4 r2 <re do'>4 r <re do'> r <re do'> r2 |
1746 <re do'>4 r r8 <re do'> r2 | <sold si fa' sol!>4 r1 |
1747 R1*5/4*3
1748 do1*5/4 re fa2~ fa8 sol~ sol2 |
1749 <do, fa>1*5/4\laissezVibrer \arpeggio R1*5/4*11
1750 \ottava #-1 <mi,, fa'>4 \ottava #0 r1 | R1*5/4-\fermataMarkup
1751
1752 %%% Boum %%%
1753 R1*5/4*13
1754 s1*5/4*14
1755 R1*5/4*5
1756
1757 %%% Moderato assai %%%
1758 R1*7/4*7
1759 fa'4 r2 R1 si4 r2 R2 |
1760 mi,4 r2 red'4 r2 | mi,4 r2 sol4 r2 |
1761 mi4 r2 | fad4 r2 sol4 r2 | la4 r2 r4 do2 |
1762 <fa, mib'>1\arpeggio r2 r4 R1*7/4*2 |
1763 sib4 r2 fad4 r2 | sib4 r2 dod4 r2 |
1764 sib4 r2 do4 r2 re4 r2 |
1765 R1*7/4*4 |
1766 \repeat volta 2 {<la re fa>1 <si? mi sold>2.
1767 <la re fa> <si mi sold>1 R1*7/4}
1768 <si mi sold>1*7/4\arpeggio R1*7/4
1769
1770 %%% Presto subito %%%
1771 s1.*5
1772 re,4 mib' fa, | re mib' fa, | re mib' fa, |
1773 re mib' fa, | re mib' fa, | re mib' fa, |
1774 mib' sib si' | mi,, si' R2 |
1775 <fad dod'>4 sold' r | <fad, dod'> <si la'> r |
1776 <sold fad'> re' red | <sold, fad'> fad la | fa4 r R4. |
1777 <mi' la red>4~ \t {<mi la red>8 <mi la red> <mi la red>}
1778 \t {<fa sib mi> <fa sib mi> <fa sib mi>}
1779 \t {<fad si mid> <fad si mid> <fad si mid>} |
1780 <mib,, mib'>2\laissezVibrer R4. R2. |
1781 <mib mib'>2\laissezVibrer R4. R2. |
1782 <mib mib'>2*5/4\laissezVibrer |
1783 <la la'>2\laissezVibrer R4. <la' la'>4 r2 | R2.*3
1784 <sol, sol'>2.\laissezVibrer s
1785 <sol sol'>\laissezVibrer s |
1786 <sol sol'>\laissezVibrer s |
1787 <sol sol'>\laissezVibrer s s |
1788 <sold sold'>2.\laissezVibrer R2. R2 R4. R2 R1*5/8 R2.
1789
1790 %%% Tempo I %%%
1791 R1
1792 <lab' sol'>4 r2 <lab sol'>4 r <lab sol'> r <lab sol'> r2 |
1793 <lab sol'>4 r r8 <lab sol'> r2 | \ottava #-1
1794 <re,, sol dod>4 r1\fermata |
1795 R1*5/4*21
1796 }
1797 }
1798
1799 ActeDeuxSceneDeuxPiano = {
1800 \PianoDeuxMains
1801 \relative { \Piano
1802 R1.*6 R1*2 R2. \clef bass |
1803 \mg <re,, re'>16 \md <re' sol lab dod> <re sol lab dod> \mg <fa, fa'>
1804 \md <re' sol lab dod> \mg <re, re'> \md <re' sol lab dod> \mg <fa, fa'>
1805 \md <re' sol lab dod> \mg <fad, fad'> \md <re' sol lab dod> <re sol lab dod> |
1806 <fa la sib mi>8. <fa la sib mi>16 r8 <fa la sib mi>16 <fa la sib mi> r <fa la sib mi> <fa la sib mi>8 |
1807 r16 <re sol lab dod>8 <fa la sib mi>16 r <re sol lab dod> <fa la sib mi>8 r16 <fa la sib mi> r8 |
1808 R2. R1.*3 | R1*2 R2. |
1809 \mg <si,, si'>16 \md <re' sol lab dod> <re sol lab dod> \mg <re, re'>
1810 \md <re' sol lab dod> \mg <si, si'> \md <re' sol lab dod> \mg <re, re'>
1811 \md <re' sol lab dod> \mg <red, red'> \md <re' sol lab dod> <re sol lab dod>
1812 <re sol lab dod> \mg <si, si'> \md re' \mg <red, red'> \md |
1813 r mi' dod re do mib |
1814 si8 si16 si \mg si, \md si' si \mg si, \md si' si
1815 \mg sold, \md si' si \mg sold \md si si |
1816 \mg si, \md si' si si si si \mg sold, \md si'
1817 si \mg sol, \md si' si si \mg sol \md si si |
1818 \mg si, \md si' si si \mg lad \md si \mg si, \md si'
1819 si \mg si, \md si' si si \mg lad \md si si |
1820 \mg si, \md si' si \mg si, \md si' si \mg si, \md si'
1821 r8 \mg si,16 \md si' si si \mg lad \md si |
1822 \mg si, \md si' si \mg <fad'dod'> \md si, si \mg si, \md si'
1823 \mg <fad'dod'> \md si, \mg si, \md si' si \mg <dod'sold'> \md si, si |
1824 \mg si, \md si' si \mg si, \md si' si \mg si, \md si' r2 |
1825 R2. R1. R1*2 R2.*3 R2 R2.*3 R2
1826 r16 la'16 fad sol fa lab |
1827 mi mi mi \mg sol, \md mi' \mg mi, \md mi' mi
1828 \mg mi, \md mi' \mg sol, \md mi' \mg mi, sol \md mi' mi |
1829 \mg mi, \md mi' mi \mg sol, \md mi' \mg mi, sol \md mi'
1830 \mg mi, \md mi' \mg sold, \md mi' mi \mg mi' \md mi, mi |
1831 \mg mi, \md mi' mi \mg sol, \md mi' \mg mi, \md mi' mi
1832 \mg mi, \md mi' mi \mg sol, \md mi' \mg sold, \md mi' mi |
1833 \mg mi, \md mi' mi \mg la, \md mi' \mg mi, \md mi' \mg la,
1834 \md mi' mi \mg re \md mi \mg la, mi \md mi' mi |
1835 \mg mi, \md mi' \mg la, re \md mi mi <re sol do>8 r8 r16 la' fad sol fa lab |
1836 mi8 \clef treble <si' dod sold'> %% FIXME Issue #400
1837 <si dod sold'> r | r <dod red lad'> <dod red lad'> r |
1838 r <fad si dod> <fad si dod> r | r <si dod mi> <si dod mi> r |
1839 r <lad si fad'> <lad si fad'> r |
1840 r32 sold mi sold fadd lad fadd lad sold si sold si lad dod mi sold |
1841 si2*2\laissezVibrer R2.
1842 R1. R1 R1.
1843 <la,, sib re la'>1*3/2\laissezVibrer \arpeggio R2. R1
1844 R2. R1 R2. R1 R2. R1 R2.
1845 R1 R2. R1 R2. R1 R2. R1
1846 R2. R1 R2. R1 R2. R1 R2.
1847 <la' la'>4 la8 \mg la, \md dod' \mg dod, \md fa' \mg fa, |
1848 \md <la la'>4 la8 \mg la, \md do'! \mg do,! \md mib' \mg mib,
1849 \md fad' \mg fad, \md | <la la'>4 s s2 s1*2 |
1850 <sold' la'>8 r2 | r4 r8 <la,, re mib sold> r |
1851 <la re mib sold> r r4 <mib' re' mib>8 |
1852 <re' mib> r4 <mib, sold la re>8 r | R2*5/4
1853 <la, re sold>4 r r8 | R2*5/4
1854 r4 r8 <la re mib sold> r | r4 <re mib>8 r4 |
1855 <la re sold>4 r r8 | R2*5/4*4
1856 R1*2 \clef bass <do,! la' dod>4 r r2 \clef treble |
1857 r4 <re' dod'> <si lad'> r | r <si lad'> <lab sol'> r | R1
1858 mi'1\laissezVibrer s1*2 <si' sold'>4 r2 |
1859 r8*1/2 s8. r4 | R1*2 R2.*4
1860 r8 r16 <sold dod> <fa mi'>8 r r4 |
1861 r8 r16 <sold red'> <fa! fad'>8 r r4 | R2.
1862 R2*2 R2.*2 R2*5 \clef bass
1863 <re, sib' re>16 <re sib' re> <re sib' re> <re sib' re>
1864 <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1865 <re sib' re> <re sib' re> <re sib' re> <re sib' re>
1866 <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1867 <re sib' re> <re sib' re> <re sib' re> <re sib' re>
1868 <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1869 <re sib' re> <re sib' re> <re sib' re> <re sib' re>
1870 <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1871 <mi do' mi>8 r r4 R2*4 \clef treble r8 <dod' mi sold> <do fa la> r |
1872 R2 \clef bass |
1873 <re, sib' re>16 <re sib' re> <re sib' re> <re sib' re>
1874 <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1875 <re sib' re> <re sib' re> <re sib' re> <re sib' re>
1876 <mi sold mi'> <mi sold mi'> <mi sold mi'> <mi sold mi'> |
1877 <re sib' re>8 \clef treble <re' fad> <mib sol> r | R2*6
1878 R2.*7 \ottava #1 |
1879 <dod'' fad dod'>4 <red sold red'> r8 <si lad'> |
1880 <dod fad dod'>4 <sold red' sold> \ottava #0 r | R2.
1881 \ottava #1
1882 <dod sold' dod>4 <sol' dod sol'> <dod, sol'? dod> |
1883 <red sold red'> <lad' red lad'> r <dod, sol' dod> <sold' dod sold'> r |
1884 <dod, sold' dod> <la' fa' la> \ottava #0 r R2.*2 |
1885 }
1886 \relative {
1887 R1.*6 R1*2 R2.
1888 s2. <re,, re'>8 mib re fa re lab' |
1889 fa sib lab si dod mi fa mi sol sib dod4 | R1.*3
1890 R1*2 R2.
1891 s1 r16 mi,, dod re do mib |
1892 si4 s2. | s1*4 s2 r2 |
1893 R2. R1. R1*2 R2.*3 R2 R2.*3 R2
1894 r16 la'16 fad sol fa lab |
1895 mi8 s8 s4 s2 s1*3 s2 r8 r16 la fad sol fa lab mi8 r r dod |
1896 mi r dod do | mi r r dod mi r dod do mi4 r8 mi mi r r4 |
1897 <dod dod'>2*2\laissezVibrer R2.
1898 R1. R1 R1.
1899 <sol' re'>1*3/2\laissezVibrer \arpeggio R2. R1
1900 R2. R1 R2. R1 R2. R1 R2.
1901 R1 R2. R1 R2. R1 R2. R1
1902 R2. R1 R2. R1 R2. R1 R2.
1903 <la la'>4 s s2 |
1904 <la la'>4 s s2. |
1905 <la la'>8 mib sol \md fad' sib \mg sib, re \md dod' |
1906 fa \mg fa, la \md sold' do \mg do, mi \md mib' |
1907 sol sol, si sib' re re, fad fa' \mg |
1908 <la,,,,, sold'>8 r2 | r4 r8 <la' sold'> r |
1909 <la sold'>8 r r4 <la, sold'>8 | <sold'' la> r2 | R2*5/4
1910 <sold,, mib' la>4 r r8 | R2*5/4
1911 r4 r8 <la' sold'> r | r4 <re mib>8 r4 |
1912 <re, sold mib'>4 r r8 | R2*5/4*4
1913 R1*2 <si lad'>4 r r2 |
1914 r4 <mi red'> <sol fad'> r | r <reb do'> <mi red'> r | R1
1915 r8 <mi mi'> \t {<mi mi'> <mi mi'> <mi mi'>} <mi mi'>4 <mi mi'>~ |
1916 <mi mi'>8 <mi mi'> \t {<mi mi'> <mi mi'> <mi mi'>} <mi mi'>4 <mi mi'>~ |
1917 <mi mi'>8 <mi mi'> \t {<mi mi'> <mi mi'> <mi mi'>} <mi mi'>2 |
1918 <re' dod'>4 r2 |
1919 r16 r32 \stemUp <sold, si fa'>[ \md \stemDown <dod' mib re'>8] \stemNeutral \mg r4 |
1920 R1*2 R2.*4 r8 r16 <dod, fad> <sib la'>8 r r4 |
1921 r8 r16 <la mi'> <fad sol'>8 r r4 | R2.
1922 R2*2 R2.*2 R2*5 <re sib'>8 <re sib'> <re sib'> <re sib'> |
1923 <re sib'> <re sib'> <re sib'> <re sib'> |
1924 <re sib'> <re sib'> <re sib'> <re sib'> |
1925 <re sib'> <re sib'> <re sib'> <re sib'> |
1926 <dod sold'> r r4 | R2*4
1927 r8 la' sold r | R2
1928 <re sib'>8 <re sib'> <re sib'> <re sib'> |
1929 <re sib'> <re sib'> sold sold | <re sib' re> <sol' si> <fad lad> r |
1930 R2*6
1931 R2.*7 \clef treble
1932 \pl {<fa'! do'!>2. <fa! do'>2} {fad'4 sold r fad s } r4 |
1933 R2.
1934 \pl {<la, do mi>2. <la do mi> <sib re sol> <la do mi>2 }
1935 {sold'4 <sold dod> sold sold <sold red'> r4 |
1936 s4 dod r4 sold <dod fa>} r4 | R2.*2
1937 }
1938 }
Opera Libre is a free-licensed contemporary music score, created using the GNU LilyPond music software.