instruments/percu.ly

   1 %------------------------------------------------------------------%
   2 % Opéra Libre -- percu.ly                                          %
   3 %                                                                  %
   4 % (c) Valentin Villenave, 2008                                     %
   5 %                                                                  %
   6 %------------------------------------------------------------------%
   7
   8 \include "italiano.ly"
   9
  10 Percus = {
  11   \set DrumStaff.instrumentName = \markup { \hcenter-in #27.5 "Percussions  "}
  12   \set DrumStaff.shortInstrumentName = "Perc.  "
  13   \override DrumStaff.VerticalAxisGroup #'minimum-Y-extent = #'(-4 . 4)
  14   \set drumStyleTable = #percussion-style
  15 }
  16
  17 Marimba = {
  18   \set Staff.instrumentName = \markup { \hcenter-in #27.5 "Marimba  "}
  19   \set Staff.shortInstrumentName = "Mar.  "
  20   \set Staff.midiInstrument = "marimba"
  21 }
  22
  23 GrandMarimba = {
  24   \set PianoStaff.instrumentName = \markup { \hcenter-in #27.5 "Marimba  "}
  25   \set PianoStaff.shortInstrumentName = "Mar.  "
  26   \set PianoStaff.midiInstrument = "marimba"
  27 }
  28
  29 Vibraphone = {
  30   \set Staff.instrumentName = \markup { \hcenter-in #27.5 "Vibraphone  "}
  31   \set Staff.shortInstrumentName = "Vib.  "
  32   \set Staff.midiInstrument = "vibraphone"
  33   \clef treble
  34 }
  35
  36 GrandVibraphone = {
  37   \set PianoStaff.instrumentName = \markup { \hcenter-in #27.5 "Vibraphone  "}
  38   \set PianoStaff.shortInstrumentName = "Vib.  "
  39   \set PianoStaff.midiInstrument = "vibraphone"
  40   \clef treble
  41 }
  42
  43 Timbales = {
  44   \set Staff.instrumentName = \markup { \hcenter-in #27.5 "Timbales  "}
  45   \set Staff.shortInstrumentName = "Timp.  "
  46   \set Staff.midiInstrument = "timpani"
  47   \clef bass
  48 }
  49
  50 ProloguePercus = <<
  51   \new PianoStaff {
  52     \PercuDeuxMains
  53     \relative { \GrandMarimba
  54       \ind #"bag. dures" <mi'' fa>4-.->\mp r r8 mi-.-> r4 | r8 mi r4 r16 mi8. |
  55       mi8 mi \t { mi mi mi } \tt {mi16\< mi mi mi mi} | mi4-.->\mf r4 r2 |
  56       R2*2 R2. R2*2 R2. R2*2 R2. R2*2 R2. R2*2 R2. R2*2
  57       r4 \ind #"bag.dure" re\mf re | re \stemDown re8 \gauche \stemUp sol,,,, |
  58       \droite \stemDown re''''4 re8 \gauche \stemUp dod,,,
  59       \droite \stemDown re''' \gauche \stemUp dod,,, \droite \stemNeutral |
  60       re'''4 re re re re re re re\> sold, re\!
  61       R2*2-\markup "Prenez la bag. de timbale" R2.
  62
  63       %%% Tempo Giusto %%%
  64       R2*8 R2.*10 R1 R2-\markup "Allez au Vibraphone" \GrandVibraphone
  65       <dod, re dod'>2\p\laissezVibrer R2-\fermataMarkup
  66
  67       %%% Più lento %%%
  68       R1*2 R2. R1 R2. R1
  69
  70       %%% Adagio %%%
  71       R2*4 R2.*6
  72       <sol lab sol'>2.\pp\laissezVibrer R2.
  73       \ind #"senza Ped." <lab sol'>4 r2 <lab sol'>4 r2
  74       <dob sib'>4 r <do si'> |
  75       R4.
  76
  77       %%% Andantino %%%
  78       R4.*25 R4.*12 \GrandMarimba
  79       r4-\markup "Allez au Marimba"
  80       r32 solb''\< lab sib |
  81
  82       %%% A tempo %%%
  83       re8->\f r4 | r4 r32 solb,\< lab sib |
  84       re8->\f r4 | R4.*2 \stemDown <lab re>8->\mf \gauche \stemUp re,,
  85       \droite \stemDown <fa' sib> <re' sol>-> \gauche \stemUp
  86       lab,, \droite \stemDown <fa'' sib> <re' sol>->\< \gauche \stemUp
  87       re,,, \droite \stemDown <fa'' sib> \stemNeutral |
  88       <re' lab'>16->\fp lab <dod re> re, <dod' re> lab, |
  89       <dod' re>-.-> lab <dod re> re, <dod' re> lab, |
  90       <dod' re>-.-> lab <dod re> re, <dod' re> lab, |
  91       <dod' re>-.->\< lab <dod re> re, <dod' re> lab, |
  92       \ottava #1
  93       <mi'' fa>-.->\mp si <mi fa> fa, <mi' fa> si, |
  94       <mi' fa>-.-> si <mi fa> fa, <mi' fa> si, |
  95       <mi' fa>-.-> si <mi fa> fa, <mi' fa> si, |
  96       <mi' fa>-.-> si <mi fa> fa, <mi' fa> si, |
  97       <mi' fa>-.-> si <mi fa> fa, <mi' fa> si, |
  98       <mi' fa>-.->\< si <mi fa> fa, <mi' fa> si, |
  99       <fa'' sol>-.->\mf re <fa sol> sold, <fa' sol> re, |
 100       <fa' sol>-.-> re <fa sol> sold, <fa' sol> re, |
 101       <sol' si>-.-> dod, <sol' si> si, <sol' si> sol, |
 102       <sol' si>-.-> dod, <sol' si> si, <sol' si> sol, |
 103       <sold' si>-.->\> dod, <sold' si> si, <sold' si> sold, |
 104       <mi' sol> sold, <mi' sol> sol, <dod mi> mi, |
 105       \ottava #0
 106       <sold si>\p dod, <sold' si> si, <sold' si>\> sold, |
 107       sol' fad, sol' fad,\! r8 |
 108       R4.*8 R2*5/4 R2.*3
 109
 110       %%% Adagio %%%
 111       <fa'? dod'>2*2\pp\laissezVibrer
 112       R1*3 R1.
 113       r1 mi4--\pp\> r | <re sib'>2*2--\!\laissezVibrer
 114       R1*2 R1.
 115       r1 red4--\pp r | <mi do'>2--\pp\> <do sold'>--\!\laissezVibrer
 116       R1 R2.
 117
 118       %%% Valse %%%
 119       r4 <la' dod>8\pp( <lab, fa'> <do' lab'>4) |
 120       r4 <si red>8( <si, sol'> <sib' solb'>4) |
 121       r4 <fa la>8( <lab, reb> <mi' do'>4) |
 122       r4 <si re>8( <mib, sol> <sib' solb'>4) |
 123       r4 <reb solb>( <do mi>) | r <sib mib>\>( la) |
 124       <lab mib'>( reb) | mib( <lab, dob>) |
 125       sol\ppp mib' si sol' r | R2.*2
 126       mi4\pp sold, do, mi,
 127       r2 <dod' la'>4\p( mi) |
 128       r <la fa'>( dod) | r mi( lab,) |
 129       r <fad re'>( la) | r reb8\>( fa, lab4) |
 130       r sib( <re, fa>) | r solb\ppp( <do, fa>) r | R1 R2.
 131
 132       %%% Vivo al fine %%%
 133       R2*23
 134
 135       %%% Recitativo %%%
 136       R2*7 r4 mi''->\pp
 137     }
 138     \relative {
 139       \partial 4 r4 R2.*3 R1 R2*2 R2. R2*2 R2. R2*2 R2. R2*2 R2. R2*2
 140
 141       %%% Entrée du Baryton 1 %%%
 142       R2. R2*2 R2. s2_\markup { \indic "bag. de timbale" } s2. R2
 143       r8 sol, dod4 sib8 dod |
 144       r8 sol dod4 dod' r2 | re4 sold, sib,2:32 R2.
 145
 146       %%% Tempo Giusto %%%
 147       R2*8 R2.*10 R1 R2*2
 148       \GrandVibraphone \clef treble
 149       R2-\fermataMarkup
 150
 151       %%% Più lento %%%
 152       R1*2 R2. R1 R2. R1
 153
 154       %%% Adagio %%%
 155       R2*4 R2.*11
 156       R4.
 157
 158       %%% Andantino %%%
 159       R4.*25 R4.*13 \clef bass
 160
 161       %%% A tempo %%%
 162       R4. sold32 sold sold sold sold4 |
 163       R4. sold32--\mp sold sold sold sold sold sold16
 164       re'32-- re re re | re\< re re16
 165       sold32-- sold sold sold sold sold sold16\! |
 166       s4.*3 R4.*26 R2*5/4
 167       R2.*3-\markup "Allez au Vibraphone" \GrandVibraphone
 168       \clef treble
 169
 170       %%% Adagio %%%
 171       <la fad'>2*2\laissezVibrer |
 172       R1*3 R1.*2
 173       <la fa'>2*2--\laissezVibrer |
 174       R1*2 R1.*2
 175       <la fa'>2-- <sol? mi'>--\laissezVibrer
 176       R1 R2.
 177
 178       %%% Valse %%%
 179       la4-- r2 | R2.*3
 180       r4 la8( <fa' lab>) s4 |
 181       r4 sol,8( <re' fad> si re) |
 182       sib( re fa4) |
 183       mi8( sol mib do) | sol2*3/2\laissezVibrer s2
 184       R2.*2 R1
 185       \clef bass do,2\laissezVibrer \clef treble
 186       do'8( fa) s4 |
 187       r4 fad,8( re' fa4) |
 188       r4 do8( reb fa4) |
 189       r4 sib,8( reb fa4) |
 190       r4 la,( do) | r4 sold8( dod la4) |
 191       r4 reb8( la) | R2 R1 R2.
 192
 193       %%% Vivo al fine %%%
 194       R2*23 \clef bass
 195
 196       %%% Recitativo %%%
 197       R2*7-\markup "Allez au Marimba" \GrandMarimba
 198       r4 mi,->
 199     }
 200   }
 201   \new DrumStaff { \Percus
 202     \new  DrumVoice \drummode {
 203       \partial 4 r4 R2.*3 R1
 204       \ind #"Tam-tam (bag. de timbales, lourdes)" cb2\mf \laissezVibrer | R2 |
 205       R2. R2*2 cb2.\mf \laissezVibrer R2*2
 206       r4 cb2\mf \laissezVibrer R2*2
 207       r4 cb2\mf \laissezVibrer R2*2
 208
 209       %%% Entrée du Baryton 1 %%%
 210       R2. R2*2 R2. R2 R2. R2 R2. R2 R2. R2*2 R2.
 211
 212       %%% Tempo Giusto %%%
 213       R2*8 R2.*10
 214       \set  drumStyleTable = #drums-style
 215       r4 \ind #"Cymb. suspendue" hh4:32~\mp \< hh2:32~ hh4\!\laissezVibrer r
 216       R2*2
 217
 218       %%% Più lento %%%
 219       R1*2 R2. R1 R2. R1
 220
 221       %%% Adagio %%%
 222       R2*4 R2.*4
 223       r4 r8 \ind #"Cymb." hh\pp \t {hh hh hh~} hh2\laissezVibrer s4
 224       R2.*5 R4.
 225
 226       %%% Andantino %%%
 227       \ind #"Tambour" bd8\pp \ind #"Cymb. (sur le dôme)" hh r |
 228       bd hh r bd hh4:32~ hh4:32 hh8 |
 229       bd r4 | bd8 hh r bd hh r bd hh r bd bd4:32\< hh8\mp r4 | R4.*2
 230       r16 bd32\> bd bd8 r | bd r bd |
 231       hh4\pp r8 | R4. hh4 r8 | r hh r hh4 r8 | R4.
 232       hh4 hh8 hh4 r8 |
 233       r16 hh\> \t {hh hh hh} hh8 | hh4\! r8 R4.*2 |
 234       \ind #"bag. douces, sur le bord"
 235       hh4.:32~\ppp \< hh:~ hh:~\pp \> hh4\! r8 |
 236       hh4.:32~\ppp \< hh:~ hh4\! hh8 r hh r hh4. | R4.*3
 237
 238       %%% A tempo %%%
 239       R4.*27
 240       \ind #"Cymb." hh4\mp r8 |
 241       \ind #"Tambour" bd16 bd bd8 r |
 242       r8 hh4 | bd16 bd bd bd r8 |
 243       bd4-- bd8 | bd32-> bd8.. r8 |
 244       hh4.:32~\pp \< hh4.:32~ hh8\mf \t {bd16\f bd bd} |
 245       bd8-- r16 bd bd bd bd8 r4 |
 246       R2.*2
 247
 248       %%% Adagio %%%
 249       R1*4 R1.*2 R1*3 R1.*2 R1*2 R2.
 250
 251       %%% Valse %%%
 252       R2.*6 R2*2 R2. R2 R2.*2 R1*2 R2.*5 R2*2 R1 R2.
 253
 254       %%% Vivo al fine %%%
 255       R2*23
 256
 257       %%% Recitativo %%%
 258       R2*8
 259     }
 260   }
 261   \new Staff { \Timbales
 262     \relative{
 263       \partial 4 r4 R2.*3 | R1 | r8 mi,,\p\< \t {mi mi mi} |
 264       mi4\mp\> \tt {mi16 mi mi mi mi} | mi2.:32\p\< mi2:32\sfz \> mi4\! r |
 265       R2.
 266       r4 mi-- r mi-- r2 \t {mi8\< mi mi\!} | mi4--\mp mi-- r mi |
 267       r4 r8 mi \t {mi\< mi mi} | mi4\mp mi-- r mi8.-- \t {dod'32\< dod dod}
 268
 269       %%% Entrée du Baryton 1 %%%
 270       dod4--\f r2 | r8 dod-- r4 | r8 dod-- r16 r32 dod dod8-- |
 271       dod4---> r2 R2 R2. R2 R2. R2 R2. R2*2
 272       r2 r8 \t {re16\< re re} |
 273
 274       %%% Tempo Giusto %%%
 275       re8.\f re16\p re4-- r8 r16 r32 re re4-- |
 276       r8 re-. re8.-- re16 re4-- r |
 277       \t {r4 sold,8} r16 re'8-- sold,16 |
 278       \tt {r8 re'-.( re-. sold,-. re'-.} | r8 sold,) r4 |
 279       re'2:32\mf\< |re4\f r8 re\mp re re | sold,2.:32--\< |
 280       re'4\f r8 re\mp re re | sib4-- r2 | sib32-> sib8.. r2 |
 281       sib4-- r sib-- |
 282       sib4---> r8 r16 sib sib4-- |
 283       sib4---> r8 sib \t {sib\< sib sib} |
 284       re4\f r re r re re re4 r r2 | R2*3
 285
 286       %%% Più lento %%%
 287       R1*2 R2. R1 R2. R1
 288
 289       %%% Adagio %%%
 290       R2*4 R2.*11 R4.
 291
 292       %%% Andantino %%%
 293       R4.*25 R4.*13
 294
 295       %%% A tempo %%%
 296       R4.*34 R2*5/4 R2.*3
 297
 298       %%% Adagio %%%
 299       R1*2 r2 r8 mi,\pp \t {mi-- mi mi} |
 300       mi4-- mi-- r2 r4 mi-- r2 mi4-- r | mi-- r r1 |
 301       R1 r2 r8 mi \t {mi-- mi mi} mi4-- mi-- r mi-- |
 302       mi-- mi-- r2 mi4-- r | mi-- r r1 |
 303       R1 r2 r4 mi mi r2 |
 304
 305       %%% Valse %%%
 306       R2.*6 R2*2 R2. R2 R2.*2 R1*2 R2.*5 R2*2 R1
 307       r2 r8 r16 \t {re'32 re re} |
 308
 309       %%% Vivo al fine %%%
 310       re8.\fp re16 re4-- | r8 r16 r32 re re4-- |
 311       r8 re16 re re8-- re-- | r4 re-- |
 312       r8 r16 r32 re re4-- | re re |
 313       r re-- re-- r re8.-- re16 re4 |
 314       r8 r16 r32 re re4-- | r8 re16 re re4-- |
 315       r re r re r re r re r re re r re r re r |
 316       R2*4
 317
 318       %%% Recitativo %%%
 319       R2*8
 320     }
 321   }
 322 >>
 323
 324 ActeUnSceneUnPercus = <<
 325   \new Staff { \Marimba
 326     \relative {
 327             R2*2 R2. R2*2 R2.
 328       R2*2 R2. R2*2 R2.
 329       R2*2 R2. R2*2 R2.
 330       R1 R2. R1 R2.
 331       R1 R2. R1 R2.
 332       R1 R2. R1 R2.*8 R1 R2.
 333
 334       %%% Ad libitum %%%
 335       R1 R2.*2 R1 R2.*2
 336
 337       %%% Agitato %%%
 338       R1*6 R1. R1*2 R1. R1*3 R1.
 339       R1*2 R1.*3 R1 R1.*4
 340
 341       %%% Allegro non troppo %%%
 342       R1 R2. R1*5
 343       R2. R1 R2. R1 R2. R1
 344       R2. R1*3 \clef bass |
 345       \pl {sol,16\mf\<[ re'] s8 s4\!} {sol8 <re' la'>16 sol, \clef treble
 346       \oneVoice <sib'' do>-> re,, la' <sib' do>->} sol,,\< re' <sib' do>-- la
 347       <sib' do>->\! re,, la' <sib' do>-> | R1
 348       sol,,16\< re' <sib' do>-- la <sib' do>->\! re,, la' <sib' do>->
 349       sol,,\< re' la' <sib' do>->\! | R2.
 350       <sib, do>4--\> <sib' do>-- <sib,, do>--\! | R1
 351       <sib do>8\p\< <sib' do>16 do, <do' reb> reb, <reb' mib> mib,\! r2\fermata | R1
 352       <sib do>8\p\< <reb' mib>16 mib, <mib' fa> fa, <fa' solb> solb,\! r2\fermata | R1
 353       <sib,do>16\mf <fa'' solb> solb, <solb' lab> lab, <lab' si> si, <re! si' re!>
 354       <mi! re' mi!>16 <mi re' mi>\f r8 r4\fermata |
 355
 356       %%% Moderato %%%
 357       R1*2-\markup "Allez au Vibraphone" \Vibraphone R2.*2
 358       r4 r8 do,\p <sib' do>2\laissezVibrer | R2.
 359       r8 <sib, do>2..\laissezVibrer | R2. \clef bass
 360       \t {r8 do,( sib'} \clef treble do-. sib'4--) <do sib'>4.-- |
 361       mib,,2*1/4\mp\laissezVibrer <do'' sib'>8~-- <do sib'>16 <sol fa'>8-- re16( la'4) |
 362       mib,2.-- r4 |
 363       fa2*1/4--\laissezVibrer <do'' sib'>8( sib16 mib8 lab,16 reb,\> fa, do' sol' |
 364       <sib do>4\!)\laissezVibrer fa,2.--\laissezVibrer |
 365       do'16 sib' <do sib'>8~-- <do sib'>16 <sib' do>4..-> |
 366       <mib,,, fa>8-. <sib'' do>2..-- |
 367       r16 do'32 sib, do'16 do,,-. sib'-. <sib' do>4..-> |
 368       r8 \ind #"con Ped." sib,,16\pp do( sib) sib do( sib) do sib( do sib') do,( sib' do) sib |
 369       sib( do) sib,( do sib') do, do' sib sib( do) sib'( do) |
 370       sib,( do sib') do,( sib' do) sib,( do,) |
 371       <mi, fad>8-> r r2 R1 R2*4
 372
 373       %%% Allegro marcato %%%
 374       \Marimba R1*34
 375       R1. R1*2 \ottava #1
 376       \ind #"(bag. dures)"
 377       mib'''16\pp fa, sib fa mib' fa, sib fa
 378       mib' fa, sib fa mib' fa, sib fa |
 379       fa' sol, do sol fa' sol, do sol fa' sol, do sol |
 380       sol' la, re la sol' la, re la |
 381       lab' sib, mib sib lab' sib, mib sib |
 382       sib' do, fa do sib' do, fa do |
 383       si'\< dod, fad dod si'8->\! r
 384       \ottava #0
 385       R2 R1*4
 386     }
 387   }
 388   \new DrumStaff { \Percus
 389     \drummode {
 390       R2*2 R2. R2*2 R2.
 391       R2*2 R2. R2*2 R2.
 392       R2*2 R2. R2*2 R2.
 393       R1 R2. R1 R2.
 394       R1 R2. R1 R2.
 395       R1 R2. R1 R2.*8 R1 R2.
 396
 397       %%% Ad libitum %%%
 398       R1 R2.*2 R1 R2.*2
 399
 400       %%% Agitato %%%
 401       R1*6 R1. R1*2 R1. R1*3 R1.
 402       R1*2 R1.*3 R1 R1.*4
 403
 404       %%% Allegro non troppo %%%
 405       R1 R2. R1*5
 406       R2. R1 R2. R1 R2. R1
 407       R2. R1*5 R2.*3 R1*6
 408
 409       %%% Moderato %%%
 410       R1*2 R2.*2 R1 R2. R1
 411       R2. R1 R2. R1 R2. R1 R2.
 412       R1 R2. R1 R2. R2 R2.
 413       r2 r4 r8 \ind #"Tambour (bag. fagot)" sn32\< sn sn sn |
 414       sn4\mp r8 \t {sn16\< sn sn} sn4\! r | R2*2
 415       \set drumStyleTable = #drums-style
 416
 417       %%% Allegro marcato %%%
 418       \ind #"Tambour" bd4--\mf \ind #"Cymb. susp. (sur la cloche)" hh-> bd \t {bd8\<( bd bd} |
 419       bd4--\!) hh-> bd r | R1 r8 r16 bd32\mp bd bd8.-- bd16 bd4-- r |
 420       bd2:32\pp\< bd4->\! \t {bd8\< bd bd} | bd4\mf hh-> bd \t {bd8( bd bd} |
 421       bd4) hh-> bd r | R1 r8 r16 bd32 bd bd8. bd16 bd4 r | R1
 422       r8 bd\p \t {bd--\> bd bd} bd4\! r |
 423       r8 bd \t {bd--\> bd bd} bd4 hh\pp | R1
 424       r8 bd \t {bd--\> bd bd} bd4\! r |
 425       r8 bd \t {bd--\> bd bd} bd4\! r |
 426       \t {r8 r16 bd\< bd8} \t {bd--\> bd bd} bd4 hh\pp | R1*4
 427       r2 r4 hh\pp | r2 r4 hh | R1
 428
 429       %%% Agitato %%%
 430       R1*11 R1. R1*2 R1 R2. R2*5 R1*4
 431     }
 432   }
 433   \new Staff { \Timbales
 434     \relative {
 435       do,2:32\ppp( do4) r R2. do2:32( do4) r R2. |
 436       do2:32( do4) r fad,-- r2 |
 437       do'2:32( do4 r fad,) r2 |
 438       do'2:32\p( do4) r fad, r2 |
 439       do'4 r do r fad,2:32\<( fad4\>) |
 440       <fa do'>8--\ppsempre \t {fa16\>( fa fa} fa4)\! r2 |
 441       <fa do'>4.--\pp <fa do'>8 \t {<fa do'>( <fa do'> <fa do'>)} |
 442       <fa do'>8-- \t {fa16\>( fa fa} fa4\!) r2 |
 443       <fa do'>4.-- do'8 \t {do\<( do do)} |
 444       reb8--\p \t {reb16\>( reb reb} reb4)\! r2 |
 445       <lab reb>4.--\pp <lab reb>8 \t {<lab reb>\<( <lab reb> <lab reb>)} |
 446       <lab reb>\> \t {reb16( reb reb} reb4\!) r2 |
 447       <lab reb>4.--\p reb8 \t {reb\<( reb reb} |
 448       do4--\p) r do--( sol-- do--) r sol |
 449       do-- \t {do8\<( do do} do4--\!) sol-- do-- r do--\< |
 450       do8\mf do16 do32 do do8 do do do |
 451       do8 do16 do32 do do8 do do do |
 452       do8 do16 do32 do do8 do do do |
 453       fad,16 fad fad fad fad fad fad fad fad fad fad fad |
 454       fad fad fad fad fad fad fad fad fad fad fad fad |
 455       fad8 fad16 fad r fad fad8 fad16 fad8 fad16 |
 456       r4 r8 fad-- \t {fad--\< fad-- fad--} |
 457       do'8\f do16 do32 do \t {do8-> do-> do->} do-> do-- do8.-> do32 do |
 458       do8-> do-- \t {do-- do do} \tt {do16\< do do do do\!} |
 459
 460       %%% Ad libitum %%%
 461       R1 R2.*2 R1 R2.*2
 462
 463       %%% Agitato %%%
 464       re16->\fp re4.. r2 | r4 re \t {re\<( re re} |
 465       re->\!) r r2 | re4-- re \t {re\<( re re} re->\!) r r2 |
 466       r2 r4 r8 re16\< re |
 467       re4->\! r re\mp re \t {re\<( re re} re4->\!) r r2 | R1
 468       re4 r re re \t {re\<( re re} re4\!) r r2 | R1*2
 469       re4 r re re \t {re\<( re re} re4\!) r r2 | re1:16\fpp \glissando \<|
 470       mib4->\mf r mib\pp mib \t {mib-- mib mib} |
 471       mib4-- r mib mib \t {mib-- mib mib} |
 472       mib4-- r mib mib \t {mib-- mib mib} |
 473       mib8.--\< mib32 mib mib8\> mib\! r2 |
 474       r4 \t {mib8 mib mib} mib mib r4 mib2:16\<\glissando |
 475       mi4\mf r r1 | R1.*2
 476
 477       %%% Allegro non troppo %%%
 478       R1 R2. R1*5 R2. R1 R2. R1 R2.
 479       r2 r4 r8 sol,32\< sol sol sol |
 480       sol8->\f sol r2 | r2 r4 r8 \t {sol16\< sol sol} |
 481       sol4--->\! r r2 R1*3 | R2.*3 R1*6
 482
 483       %%% Moderato %%%
 484       R1*2 R2.*2 R1 R2. R1 R2. R1 R2. R1 R2. R1 R2.
 485       R1 R2. R1 R2. R2 R2. R1
 486       R2*4
 487
 488       %%% Allegro marcato %%%
 489       R1*22 r2 r4 r8 r16 re'32\< re |
 490
 491       %%% Agitato %%%
 492       re4->\sfp re-- r re-- r re-- r re-- r re-- r re-- |
 493       re\fp\< re re8 re re16 re re re | re4\sfz r r2 | R1*6
 494       R1. R1*3 R2. R2*5 R1*4
 495     }
 496   }
 497 >>
 498
 499 ActeUnSceneUnBisPercus = <<
 500   \new Staff { \Vibraphone
 501     \relative {
 502       R2.*7 R1 R2. R1 R2.*10 R1*2 R2
 503       R2*3 R2. R2 R2. R2 R2.*2
 504       R1*2 R2. R2 R1 R2.*2 R2*2
 505       R2. R2*3 R2. R1 R2. R2*3
 506       R2.*3 %% TODO: add pedal indications
 507       r4 \ind #"con Ped." <mi si'>--\pp( <mi si'>-- <mi si'>-- |
 508       <mi si'>-- <mi si'>-- <mi si'>-- <mi si'>--) |
 509       \simile <mi si'> <mi si'> <mi si'> <mi si'> |
 510       \repeat unfold 116 <mi si'>
 511       <mi si'>\fermata \laissezVibrer r r2 | R2*4
 512     }
 513   }
 514   \new DrumStaff { \Percus
 515     \new DrumVoice \drummode {
 516       R2.*7 R1 R2. R1 R2.*10 R1*2 R2
 517       R2*3 R2. R2 R2. R2 R2.*2
 518       r2 r4 \ind #"Tambour" \ind #"(bag. fagot)"  sn\mp |
 519       sn32---> sn8.. r4 r8.. sn32 sn8..-- sn32 |
 520       sn4---> r2 R2 R1
 521       R2.*2 R2*2
 522       r2  r8 \t {sn16\< sn sn} |
 523       sn4--->\mf r8 \t {sn16\< sn sn} |
 524       sn32->\! sn8.. r4 |
 525       r8 sn->\f r4 |
 526       r8 sn16.-> sn32 sn4-> r |
 527       r2 r8 sn32-> sn sn sn sn-> sn sn sn sn8-> |
 528       R2. R2*3 R2.*3
 529       R1*33 R2*4
 530     }
 531   }
 532   \new Staff { \Timbales
 533     \relative {
 534       dod,2.:32\ppp dod: dod: dod:\< dod: dod2:32~\p dod8 r |
 535       r re4--\mp re8-. \t { re--\<( re-- sold,--} |
 536
 537       %%% Piu vivo %%%
 538       re'4\f) r r2 | sold,2.:32\pp\< | re'4\f r r2 | sold,2.:32\pp\< |
 539       <sol re'>4\f r8 \t {sol16 sol sol} sol4->  |
 540       r sol32-> sol8.. r4 | \t {sol16-> sol sol~} sol8-- r4 reb'-- |
 541       sol,-- r2 |
 542       sol8\mf  reb'~ reb4~\> reb4:32 reb4\!\laissezVibrer r2 R2.-\fermataMarkup
 543       sol,8\mp\> reb'~reb4~ reb4:32 reb4\!\laissezVibrer r2 R1-\fermataMarkup
 544       R1 R2
 545
 546       %%% Largo %%%
 547       R2*3 R2. R2 R2. R2 R2.*2
 548       R1*2 R2. R2 R1
 549       R2.*2 R2*2 R2.
 550       R2*3 R2. R1 R2.
 551       R2*3 R2.*3
 552       R1*33 R2*4
 553     }
 554   }
 555 >>
 556
 557 InterludeUnPercus = \new PianoStaff {
 558   \PercuDeuxMains
 559   \relative { \GrandMarimba
 560     r8 <red fad>\p r <red fad>
 561     r <red fad> r <red fad>
 562     r <red fad> r4 | R1*2
 563     r8 <mib sol> r <mib sol>
 564     r <mib sol> r <mib sol> |
 565     R1. r8 <mi! sol> r <mi sol> r2 |
 566     \gauche sold,8-- \droite <mi' sold> r <mi sold>
 567     r <mi sold> r <mi sold>
 568     r <mi sold> r <mi sold> |
 569     \gauche mi,8-- \droite <mi' sold> r <mi sold>
 570     r <mi sold> r <mi sold>
 571     r <mi sold> r <mi sold> |
 572     r <mi sold> r <mi sold>
 573     r4 <mi la> | R1
 574     s1.*2 r8 <sold, mi'> s2\p r8 mi' |
 575     r <mi sold> r <mi sold> r4 | R2 R2. |
 576     r16\p \gauche sol, \droite <fad' fad'>-> sol fad
 577     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite
 578     r \gauche sol \droite <fad' fad'>-> sol fad
 579     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite |
 580     r \gauche sol \droite <fad' fad'>-> sol fad
 581     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite
 582     r \gauche sib \droite <la' la'>-> sib %% FIXME: ugly beam slope!
 583     \stemDown la \stemNeutral <sib, sib'> <la' la'>-> \gauche sib, \droite |
 584     r \gauche sol \droite <fad' fad'>-> sol fad
 585     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite
 586     r \gauche sol \droite <fad' fad'>-> sol fad
 587     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite
 588     r \gauche re \droite <dod' dod'>-> \gauche re \droite <dod dod'> \gauche
 589     <re, re'> \droite <dod' dod'>-> \gauche re, \droite |
 590     r \gauche sol \droite <fad' fad'>-> sol fad
 591     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite
 592     r \gauche sol \droite <fad' fad'>-> sol fad
 593     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite |
 594     r \gauche sol \droite <fad' fad'>-> sol fad
 595     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite
 596     r <re' re'> <dod' dod'>-> <re, re'> dod' <re, re'> <dod' dod'>-> <re, re'> |
 597     fad' <sol,, sol'> <fad'' fad'>-> <sol,, sol'>
 598     fad'' <sol,, sol'> <fad'' fad'>-> <sol,, sol'>
 599     fad'' <sol,, sol'> <fad'' fad'>-> <sol,, sol'>
 600     fad'' <sol,, sol'> <fad'' fad'>-> <sol,, sol'>
 601     fad'' <sol,, sol'> <fad'' fad'>-> <sol,, sol'>
 602     fad'' <sol,, sol'> <fad'' fad'>-> <sol,, sol'> |
 603     <fad' fad'>32\f \gauche <sol,, sol'> \droite <fad'' fad'> \gauche <sol,, sol'> \droite
 604     <fad' fad'> \gauche <sol, sol'> \droite <fad' fad'> \gauche <sol, sol'> \droite
 605     <fad'' fad'> \gauche <sol,, sol'> \droite <fad'' fad'> \gauche <sol,, sol'> \droite
 606     <fad' fad'> \gauche <sol, sol'> \droite <fad' fad'> \gauche <sol, sol'> \droite
 607     <dod'' dod'> \gauche <sol,, sol'> \droite <dod'' dod'> \gauche <sol,, sol'> \droite
 608     <dod' dod'> \gauche <sol sol'> \droite <dod dod'> \gauche <sol sol'> \droite
 609     <dod' dod'> \gauche <sol,, sol'> \droite <dod'' dod'> \gauche <sol,, sol'> \droite
 610     <dod' dod'> \gauche <sol sol'> \droite <dod dod'> \gauche <sol sol'> |
 611     fad,16\< <la re> \droite sib' \gauche <la re> \droite
 612     <sib' sib'>32-> \> <la re> <sib sib'> <la re> <sib sib'> <la re> <sib sib'> <la re>
 613     <sib sib'>8\! r | <re, sib'>4\arpeggio \p \laissezVibrer s2 R2.*13
 614     r8 <red fad>\p r <red fad> r4 | r8 <re sold> r2 |
 615   }
 616   \relative { \clef bass
 617     R1. R1*3 R1. R1 s2 r1 s2 r1 r2 mi,4 fa' | R1 |
 618     la,,16-- mi' \droite <la mi'>8 r <la mi'>
 619     \gauche mi8-- \droite <la mi'>16 \gauche mi
 620     la,-- mi' \droite <la mi'>8 r <la mi'>
 621     \gauche mi-- \droite <la mi'> \gauche |
 622     la,16-- mi' \droite <la mi'>8  \gauche mi \droite <la mi'>
 623     r8 <la mi'>16 \gauche mi la,8-- \droite <la' mi'>
 624     \gauche r16 mi \droite <la mi'>8 r <la mi'> \gauche |
 625     la,-- mi' r16 mi \droite <sold mi'>8 \gauche
 626     r8 <mi sold> r4 | R2. R2 R2.
 627     s1*2 s1. s1 s2 r2 R1. s1 s4 r2 |
 628     <dod si'?>4\arpeggio \laissezVibrer s2 | R2.*15
 629   }
 630 }
 631
 632 ActeUnSceneDeuxPercus = <<
 633   \new Staff \relative {\Marimba \clef bass
 634     %%% Air de la Soprano2 %%%
 635
 636     R2.*2 R1*2 R2.*2 \ind #"bag. douces" re,4-.\pp la'-. sold8( mi re4) mi8( re la' sold) r mi( sold4) |
 637     mi4 re8( la' sold4) la8( sold mi re) r la'|
 638     re,8( mi sold4) la re,8( la') | r re,( mi sold la4) sold8( re | mi4) sold la8( mi) |
 639     r sold( la re, mi4)\laissezVibrer| R1 | r2 r4 fad | si2\laissezVibrer r4 | R2. |
 640     re,4 si' sold8( fad re4) | fad8\p( re si' sold) r fad( sold4) |
 641     fad re8 si' sold4 | si8 sold fad re r4 | R1*2 R2.*2 | \clef treble
 642     \pl re4\p\laissezVibrer re'' <la' re>-> sold8( mi re4-.) | mi8 re'16-> re,, la''8 sold
 643     \pl re,,4 {r8 mi''} <sold re'>4-> |
 644     mi8 re'16-> re,, re'8 la' \pl {r re,,,} sold''4 | la8 sold mi <re, re'> r4 |
 645     \pl sol,--\mp\laissezVibrer {fa''8 sol!} <si sol'>4-> do8 sol,,-- fa'' do' |
 646     r <fa, sol'>-> sol si do16 sol,, sol sol <si'' sol'>8-> fa |
 647     sol sol,,-- <si'' sol'>4-> do8 sol | r si <do sol'>-> fa, sol sol,,-- |
 648     <do'' sol'>4-> si8 sol fa8 sol,,16-- re' <do'' sol'>4-> |
 649     si8 sol fa8 sol,,16-- re' <do'' sol'>8-> do, <si si'>-> <sol sol'>-> |
 650     <fa fa'>4-> r2 R2. | R1*2 R2.*2 R1*2 | R2.*2 R1*2 |
 651     \clef bass dod,4\mp fad2\laissezVibrer | R2. | sold,1:32\p\laissezVibrer |
 652
 653     %%% Vibraphone %%%
 654     R1 R2.*2-\markup "Allez au Vibraphone" \Vibraphone |
 655     <re'' la'>1\pp\laissezVibrer  r2 r4 <re la'>\laissezVibrer | R2.*2 |
 656     <re la'>1\laissezVibrer r2 r4 <re la'>\laissezVibrer R2.*2 |
 657     <<{ <sold dod>1\laissezVibrer} \\ {re2 la'}>> | sold4 mi re2\laissezVibrer | R2.*2 |
 658     <<{ <sold dod>2.} \\ {mi4 re la'}>> <sold la>4~ |<sold la>1\laissezVibrer |
 659     R2. r4 mi2 | <re sold dod>1\laissezVibrer | R1 | R2.*2 |
 660     <re mi sold>1\laissezVibrer | R1 | R2.*2 R1*2 |
 661     R2.*2 | R1 r2 <la' la'>2\pp\fermata \laissezVibrer |
 662
 663     %%% Recitativo %%%
 664     R2.*2 R1 R2.*3 R1 R2.*6 R2 R2. R1*2 R2.*5 R1
 665     %%% Tempo giusto %%%
 666     R2. R1 R2. R1 R2. R1 R2. R1 R2. R2*2 R2. R1*2 R2.*2 R1*2 R2.*3 R1
 667     %%% Più vivo %%%
 668     R2. R1 R2.*2 R1 R2. R1 R2. R1 R2.*14 R1*3
 669     %%% Tempo giusto %%%
 670     R1*5 R2. R1*2 R2. R2*3 R2.*2 R2*6 R2.*2
 671     %%% Largo assai %%%
 672     R1 R2.*3 R2 R2. R1*4
 673   }
 674   \new DrumStaff \new DrumVoice \drummode { \Percus
 675     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 676     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 677     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 678     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 679     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 680     R2.*2 R1*2
 681
 682     %%% Recitativo %%%
 683     R2.*2 R1 R2.*3 R1 R2.*4 |
 684     \ind #"Tambour" sn4 sn2:32
 685     \ind #"sur le bord" ss4 s2 |
 686     R2 R2. R1*2 R2.*5 R1
 687
 688     %%% Tempo giusto %%%
 689     R2. R1 R2. R1 R2. R1 R2. R1 R2. R2*2
 690     R2. R1*2 R2.*2 R1*2 R2.*3 R1
 691
 692     %%% Più vivo %%%
 693     R2. R1 R2.*2 R1 R2. R1 R2. R1 R2.*14 R1*3
 694     %%% Tempo giusto %%%
 695     R1*5 R2.
 696     r4 \ind #"Cymb. susp. (bag. douces)" cb4:32 cb4:32~ cb4 |
 697     r4 cb4:32 cb4:32~ cb4 | R2. R2
 698     r4 cb4:32 cb4:32~ cb8 r |
 699     r4 cb4:32 cb8 r | R2.
 700     r8 cb8:32 cb4 |
 701     r8 cb8:32 cb4 |
 702     r8 cb8:32 r4 | r8 cb r4 | R2
 703     r8 cb r cb |
 704     r cb r cb \t {cb cb \ind #"étouffer" cb:32} |
 705     R2.
 706
 707     %%% Largo assai %%%
 708     R1 R2.*3 R2 R2. R1*4
 709   }
 710   \new Staff \relative { \Timbales
 711     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 712     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 713     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 714     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 715     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 716     R2.*2 R1*2
 717
 718     %%% Recitativo %%%
 719     R2.*2 R1 R2.*3 R1 R2.*6 |
 720     R2 R2. R1*2 R2.*5 R1
 721
 722     %%% Tempo giusto %%%
 723     R2. R1 R2. R1 R2. R1 R2. R1 R2. R2*2
 724     R2. R1*2 R2.*2 R1*2 R2.*3 R1 |
 725
 726     %%% Più vivo %%%
 727     sol,4\f r2 R1 | sol4 r8 sol r4 | sol4 sol2:32\fp\< |
 728     sol4\f r8 sol sol32-> sol8.. r4 | dod4-> r8 dod \t {dod-- dod dod} |
 729     sol4-> r8 sol r4 sol | dod4-- r8 dod dod dod |
 730     sol4-> sol8 sol r2 | dod4-- r dod |
 731     sol-- sol-- sol-- sol-- r2 | sol4-- sol-- sol-- si-- r2 |
 732     sib4-- sib-- sib-- re-- r2 | re4-- \simile re8 re re re | re4 r2 |
 733     re8 re16 re re8 re re re | re4 r2 |
 734     re4 re re dod r2 | dod4 dod dod |
 735     fa,1:32~ fa4 r r2 R1 |
 736
 737     %%% Tempo giusto %%%
 738     R1*5 R2. R1*2 R2. R2*3 R2.*2 R2*6 R2.*2
 739     %%% Largo assai %%%
 740     R1 R2.*3 R2 R2. R1*4
 741   }
 742 >>
 743
 744 InterludeDeuxPercus = \new PianoStaff {
 745   \PercuDeuxMains
 746   \relative { \GrandMarimba
 747     r8 <red fad>\p r <red fad> r <red fad> r <red fad> |
 748     r <red fad> r <red fad> r <red fad> r <red fad> r <red fad> |
 749     R2. R2 r4 r8 <mib sol> r <mib sol> | R2
 750     lad'8-.--\p si, <mib, sol>4 \gauche <mib, sol>-- \droite <mib' sol> |
 751     fad'8-.-- si, <mib, sol>4 \gauche <mib, sol>-- \droite <mib' sol> |
 752     <sol' mi'!>-.-- <mi,! sol>-.-- <reb' sib'>-.-- <mi, sol>-.-- <mi' sol>-.-- <mi, sol>-.-- |
 753     <sib' reb>-.-- <mi, sol>-.-- R2*6
 754     \gauche <la,, mi'>4--\p \droite <mi'' sold> r <mi sold> |
 755     \gauche <la,, mi'>-- \droite <mi'' sold> r <mi sold> |
 756     \gauche <la,, mi'>-- \droite <mi'' sold> r <mi sold> |
 757     r <mi sold> r2 | R2.
 758     \gauche <fa,, do'>4-- \droite <mi'' sold>
 759     \gauche la, \droite <mi' sold>
 760     \gauche <fa,, do'>-- \droite <mi'' sold> r R2.
 761     \gauche dod,8( la' \droite <mi' sold>4) r2 | R2.
 762     r4 <mi sold>-- |
 763   }
 764   \relative {
 765     \clef bass r2 r4 <lab, re sol>-- |
 766     r2 <fa mi'>4-- | R2 R2. R2 R2. R2
 767     R2 s2 R2 s2 R2*10 s1*4 R2.
 768     s1 s2. R2. s1 R2. r4 <fa' la>-- |
 769   }
 770 }
 771
 772 ActeUnSceneTroisPercus = <<
 773   \new DrumStaff { \Percus
 774     \new DrumVoice \drummode {
 775       \ind #"Tambour" \ind #"(bag. fagot)" sn2.:32~\mp\> sn8\! \t {sn16\mf sn sn} sn2:32~\> sn2.:
 776       sn8\! \t {sn16\mf sn sn} sn8 \t{sn16 sn sn} sn4:32\> sn8\! sn4-- sn8-. sn4-- |
 777       sn8->\mf \t {sn16 sn sn} sn8-- sn4 sn8--\> sn2.:32 R2.*4\! |
 778       sn4:32\mp sn4 r |
 779       r8 \t {sn16 sn sn} sn4-- r |
 780       r8 \t {sn16 sn sn} sn4-- sn4:32\> |
 781       sn8.--\! sn16 r sn sn8-> r \t {sn16\< sn sn} |
 782       sn4->\! sn32-> sn8.. r8 \t {sn16\< sn sn} |
 783       sn2.:32~\mp\< sn: |
 784       R2.*6\! R1.*6 R1*5/4*5 R1*4 R2.*3 R2*2
 785
 786       R2.*3 sn4:32--\p r8 sn \t {sn sn sn} |
 787       sn4:32 r8 sn \t {sn sn sn} |
 788       sn4 r8 sn \t {sn sn sn} |
 789       sn4 r8 sn \t {sn sn sn} |
 790       sn32-> sn8.. r8 sn \t {sn sn sn} |
 791       \t {sn16-> sn sn} sn8\< r sn \t {sn sn sn} |
 792       sn2.:32\fp\< R2.*4\!
 793       R1.*6 R1*5/4 R1 R2. R2
 794     }
 795   }
 796   \new Staff { \Timbales
 797     \relative { R2.*24
 798       r2 r4 si,--\ppp si-- si-- |
 799       sib2:32\> sib4\! r r2 |
 800       si!2:32\> si4\! r r2 |
 801       sib2:32\> sib4\! r r2 |
 802       si!2:32\> si4\! r r2 |
 803       \simile sib2:32 sib4 r r2 |
 804       si!2:32 si4   r2 |
 805       sib4:32\> \t {sib8 sib sib} sib4--\! sib-- r |
 806       si4:32 \t {si8 si si} si4-- si-- r |
 807       sib4:32 \t {sib8 sib sib} sib4-- sib-- r |
 808       si4:32 \t {si8 si si} si4 si r |
 809       mi,8\p mi\t {mi\< mi mi} mi4:32\> mi8\! r |
 810       mi8 mi \t {mi\< mi mi} mi4:32\> mi8\! r |
 811       mi8 mi \t {mi\< mi mi} mi4:32\> mi8\! r |
 812       mi8 mi \t {mi\< mi mi} mi4:32\! mi8 r |
 813       <mi dod'>\f <mi dod'> \t {<mi dod'> dod' mi,} \pl mi4:32 {dod'8.\< dod32 dod\!} |
 814       <mi,dod'>8-- <mi dod'>-- \t {<mi dod'>-- dod' mi,} \pl mi4:32 {dod'8.\< dod32 dod\!} |
 815       <mi,dod'>8.\sfz dod'16 <mi, dod'>4-> r R2*2
 816       R2.*14
 817       r2 r4 do'\ppp do do do1.:32~ do:~ do:~ do8 do--\> \t {do-- do-- do--} do1:32~ do1\!\laissezVibrer r2|
 818       R1*5/4 R1 R2. R2
 819     }
 820   }
 821 >>
 822
 823
 824 ActeUnSceneTroisBisPercus = {
 825   \new GrandStaff \GrandMarimba \PercuDeuxMains
 826    \relative {
 827      r8<red fad>\p r <red fad> r <red fad> r <red fad> |
 828      r <red fad> r <red fad> r <red fad> r <red fad> |
 829      r <red fad> r <red fad> r <red fad> r <red fad> | R1 r2
 830      r8<red fad> r <red fad>
 831      r <red fad> r <red fad> r <red fad> r <red fad> | R1 r2
 832      r8<red fad> r <red fad>
 833      r <red fad> r <red fad> r2 R1*12
 834      r8<mi sol>\p r <mi sol> r <mi sol> r <mi sol> |
 835      r <mi sol> r <mi sol> r <mi sol> r <mi sol> |
 836      r <mi sol> r <mi sol> r <mi sol>\< r <mi sol>\! | R1*2
 837      r8<red fad>\p r <red fad> r <red fad> r <red fad> |
 838      r <red fad> r <red fad> r <red fad> r <red fad> |
 839      r <red fad> r <red fad> r <red fad> r <red fad> |
 840      r <red fad> r <red fad> r <red fad> r <red fad> |
 841      r <red fad> r <red fad> r <red fad> r <red fad> |
 842      r <red fad> r <red fad> r <red fad> r <red fad> |
 843      r <red fad> r <red fad> r <red fad> r <red fad> |
 844      \ttt {r16 fad\mf( \gauche sol, \droite red' \gauche mi, si)}
 845      \tt {sold( sol' mi sib' do} red4--) \droite r8 <red fad> |
 846      \t {r16 \gauche <mi, sol>\<( \droite <red' fad>} <re' fa>8\!)
 847      r <re fa>
 848      r32 \gauche <sold,,, si>( <sol' sib> <do mib>) \droite <si' re>8-- r <si re> |
 849      r16 \t {sib,32\mp( mib do} la'8--) r16 \gauche \t {sol,32( do sib} \droite fad'8--) s4 |
 850      R1*3
 851      r8 <do re>\p r <do re> r2 r8 <do re> r <do re> r2 |
 852      r8 <do re> r <do re> r <do re> r <do re> |
 853      r <fa lab> r <fa lab> r <fa lab> r <fa lab> |
 854      <la,do>-- <fa'lab> r <fa lab> r <fa lab> r <fa lab> |
 855      \gauche \t {<dod,mi>16-- \droite <la' do> \gauche <dod,mi>} \droite <fa' lab>8
 856      r <fa lab> r <fa lab> r <fa lab> |
 857      R1*7
 858      r4 r8 <do fa>\p r <do fa> r4 |
 859      r4 r8 <do fa> r <do fa> r4 |
 860      r8 <do fa> r <do fa> r <do fa> r <do fa> | R1*16
 861    }
 862    \relative {
 863      R1
 864      r8 la r la r la r la |
 865      r  la r la r la r la |
 866      R1
 867      r2 r8 <sol la> r <sol la> |
 868      r <sol la> r <sol la> r <sol la> r <sol la> |
 869      R1
 870      r2 r8 <mi sol> r <mi sol> |
 871      r <mi sol> r <mi sol> r2  |
 872      R1*12
 873      r8 <fa lab> r <fa lab> r <fa lab> r <fa lab> |
 874      fa,--\mp <fa'lab> r <fa lab> r <fa lab>16( si,) r8 <fa'lab> |
 875      r <fa lab> r <fa lab>32( fa,16) si32-. r8 <fa'lab> r <fa lab> |
 876      R1*3
 877      r8 sol r sol r sol r sol |
 878      r <mi sol> r <mi sol> r <mi sol> r <mi sol> |
 879      r <mi sol> r <mi sol> si-- <mi sol> r <mi sol> |
 880      r <mi sol> si-- <mi sol> r <mi sol> r <mi sol> |
 881      r16 <mi sol> r8 r r16 <mi sol> r8 <mi sol> r <mi sol> |
 882      sold,-- <mi'sol>r<mi sol>r <mi sol> r <mi sol> |
 883      s1*2 s2 \t {r16 si sold} sol'8 |
 884      R1*5
 885      r8 la r la r la r la |
 886      r <la do> r <la do> r <la do> r <la do> |
 887      <dod, mi>-- <la' do> r <la do> r16 <la do> r8 r <la do> |
 888      s8 r16 <la do> r <dod, mi> r8 r r16 <la'do> r8 <la do> |
 889      R1*7
 890      r4 r8 <la si>\p r <la si> r4 |
 891      r4 r8 <la si> r <la si> r4 |
 892      r8<la si> r <la si> r <la si> r <la si> | R1*16
 893    }
 894 }
 895
 896 ActeUnSceneTroisTerPercus = <<
 897   \new Staff { \Vibraphone
 898     \relative {
 899       R2*3 R2. R2*2 R2.*2 r2
 900       \pl {s4\sustainOn sol'~ fad~ mib~ <mib fad sol>}
 901       {si'4~\p si2.~ si4} r2\sustainOff
 902       sib4(\laissezVibrer \sustainOn la\laissezVibrer fad\laissezVibrer
 903       fa re dod) \pl {mib2\sustainOn s mi\sustainOn fa\sustainOn}
 904       {si!4( sib sol fad) do'( si) reb( do)}
 905       <re, re'>8--\sustainOff r r4 r2 | R1*3 R2.*9
 906       r8 si'\pp\sustainOn sib sol fad mib re'2.\laissezVibrer s2.*2
 907       r4 si\sustainOn sib sol fad mib re'2.\laissezVibrer s2.\sustainOff
 908       R2.*23 R1 R2.*18
 909       \t {r4 \ind #"con Ped." dob'8\mp} \t {sib( mib, re)} \t {mib( sib' dob} \t {sib sol fad)}
 910       \t {sol\<( sib dob} sib16 dob sib dob |
 911       sib4.\mf)\sustainOn fa-- dob--\> solb-- do,!2--\! r4\sustainOff R2.*14
 912     }
 913   }
 914   \new Staff { \Marimba
 915     \relative {
 916       R2*3 R2. R2*2 R2.*7 R1*3
 917       r2 r8 r16 mi'32\mf fa mi'4-> |
 918       \t {r16 la-> mi} mib,( sib') r4 r8
 919       <mib,,, re'>--\mp r4 |
 920       r32 re'''->\f fad,8 <fad,, sol'>16--\mp r
 921       <mib re'> <fad sol'>8-- \ottava #1
 922       si'''32->\f\>( fad sib fa sol re fad dod
 923       \ottava #0
 924       \t {mi,8-. sold,-. \clef bass do,,-.\!)}
 925       r8 <dod re'>--\mp r <red mi'>-- \clef treble
 926       \tt {r16 <sold sol'!>\< la sold' re\!} |
 927       \pl re,4-> re''-> r2 |
 928
 929       %%% Poco meno %%%
 930
 931       R2.*17 \clef bass
 932       fa,,,2.:32~\pp fa4 r2 | R2.
 933       fa2.:~ fa4 r2 | R2.
 934       dod'2.:~ dod4 r2 | R2.
 935       dod2.:~ dod4 r2 | R2.
 936       la2.:~ la4 r2 \clef treble
 937       r16 <dod'' dod'>->\mp \t {r fa'( dod} fa,32 dod) do'8.-- <mi, mi'>8-.-> r \clef bass |
 938       la,,,2.:32~ la4 r2 | R2. \clef treble
 939       r32 do''->\mf dod'8. r8 fa32->( mi, dod' dod, do'8) <la,, sold'>-- |
 940       r8 \t {dod'16( mi dod')} \clef bass r8 <la,, sold'>--
 941       <do, si'>16-> <la' sold'>-- \clef treble fa'''8-> |
 942       r <la,,, sold'>-- \ottava #1 r16 red''-> \t {re,\< fad'-> fa,}
 943       lad32-> la, dod'-> do, lab''16-> <sib, sib'>-> |
 944       <sol sol'>4->\f \ottava #0 r8 <do,, si'>16\>( <la' sold'>)
 945       r <sib, la'>( <lab' sol'>8) \clef bass
 946       <si,, lad'>16( <solb' fa'>8.) |
 947       fad,2.:32~\pp fad4 r2 | r8 si( mi fa sold la |
 948       fad,2.:32~) fad4 r2 | r8 sib( si red mi sol)|
 949       fa,!2.:32~ fa4  r2 \clef treble |
 950       r4 r8 <lab''' fa'>-.\mp r16 <reb, do'>-. r8 \clef bass |
 951       fa,,,2.:32~\pp fa4 r2 \clef treble |
 952       r4 r16 fa''''( mi,8) \t {do'16( dod la)} sold'8-> \clef bass |
 953       dod,,,,2.\laissezVibrer R2. \clef treble |
 954       r16 fa'''( mi,8) r16 la,8-- si16( \t {sold' re si')} fa8-> |
 955       <re' mi>16-> <re mi>-> r8 r2 | R2.*17
 956       <mi, red'>8--\p r r2 R2.*3
 957     }
 958   }
 959 >>
 960
 961
 962 InterludeTroisPercus = { \Timbales
 963   \relative {
 964     r8 \st {<sol,mi'>\p r <sol mi'> r2 |
 965     r8 <sol mi'> r <sol mi'> r4 |
 966     <sol mi'>8\pp sol <sol mi'> sol <sol mi'> sol} sol16\< sol32 sol \st {sol8\! |
 967     <sol mi'>8 sol <sol mi'> sol} sol16\< sol sol8-.\! |
 968     \simile <sol mi'>8 sol <sol mi'> sol <sol mi'> sol sol16 sol32 sol sol8 |
 969     <sol mi'>8 sol <sol mi'> sol sol16 sol sol8 |
 970     <sol mi'> sol <sol mi'> sol <sol mi'> sol <sol mi'> <sol mi'> |
 971     <sol mi'> sol <sol mi'> sol <sol mi'> <sol mi'> |
 972     sol16\ppsempre sol mi' mi sol, sol mi' mi sol, sol mi' mi sol,32\< sol sol sol sol8\! |
 973     sol16 sol mi' mi sol, sol mi' mi sol,32\< sol sol sol sol16\! sol |
 974     sol8 mi'16 mi r8 mi16 mi r8 mi32\< mi mi mi |
 975     mi8\! mi16 mi r8 mi32\< mi mi mi |
 976     mi,8\! <mi mi'>-- r <mi mi'>-- r <mi mi'>16-- mi |
 977     <mi mi'>16\< mi32 mi <mi mi'>8--\! r <mi mi'>-- |
 978     mi16 mi <mi mi'>8-- mi16 mi <mi mi'>8-- |
 979     mi16 mi <mi mi'> mi <mi mi'> mi <mi mi'> mi |
 980     mi2:32~ mi:~ mi2: mi'4 r |
 981   }
 982 }
 983
 984 ActeUnSceneQuatrePercus = <<
 985   \new Staff { \Vibraphone
 986     \relative {
 987       \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
 988       R2-\fermataMarkup
 989       R1 R2. \t {\ind #"con Ped." la'2\p la4~} \t {la la2} |
 990       \t {la la4~} \t {la la2} |
 991       \t {sol sol4~} \t {sol sol2} \t {sol sol4} |
 992       \t {fad2 fad4~} \t {fad fad2} |
 993       \t {fad fad4~} \t {fad fad2} |
 994       \t {<si,red fad> <si red fad>4~} \t {<si red fad> <si red fad>2}
 995       \t {<si red fad> <si red fad>4~} \t {<si red fad> <si red fad>2}
 996       <si red fad>2 \t {<sol sib mib> <sol sib mib>4~} <sol sib mib>2
 997       re4-. r2 | R2.*26
 998       R1 R2. R1 R2. R2 R2. R2 R2. R2 R2.
 999       R1*5 R2 R2. R1*10 R2. R1 R2. R1*7 R2*3 R2.*6
1000       R1*4 R2. R1 R2.
1001       R1 R2. R1 R2. R1*2
1002       R2.*3 R1*2
1003
1004       R2. R4. R2. R4. R2 R4. R2*3 R4. R2*3 R4. R2*3 R4. R2.
1005       R1*12 R2 R2.*2 R2 R1
1006
1007       %%% Piu lento %%%
1008       re4\p \laissezVibrer <sib' dob sib'>2-- <sib dob sib'>--\>
1009       <sib dob sib'>4--\!\laissezVibrer R2.
1010       re,4\laissezVibrer \simile <sib' dob sib'>2 <sib dob sib'>\> <sib dob sib'>4\! |
1011       re,4\laissezVibrer <sib' dob sib'>2 <sib dob sib'>\> <sib dob sib'>4\! |
1012       re,4\laissezVibrer <sib' dob sib'>2 <sib dob sib'>\> <sib dob sib'>4\! |
1013       re,4\laissezVibrer <sib' do! sib'>2 <sib do sib'>\>
1014       <sib dob sib'>4\!\laissezVibrer R2.
1015       re,4\laissezVibrer <sib' do sib'>2 <sib re sib'> <sib re sib'>4 |
1016       re,4\laissezVibrer <sib' re sib'>2
1017       re,4\laissezVibrer <sib' mib sib'>2 <sib mib sib'> <sib mib sib'>4 |
1018       r <sib mib sib'>2 |
1019       re,4\laissezVibrer <sib' mi! sib'>2\laissezVibrer | R2.*2
1020       R1. R1 R1. R1 R1. R1 R1. R1 R1. R1 R1.*5 R1 R1. R1 R1. R1 R1.*5 R1 R1. R1
1021     }
1022   }
1023   \new DrumStaff { \Percus
1024     \drummode {
1025       \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
1026       R2-\fermataMarkup
1027       R1 R2. R1*2 R1. R1*2 R1. R1*2
1028       R2.*27
1029       R1 R2. R1 R2. R2 R2. R2 R2. R2 R2.
1030       R1*5 R2 R2. R1*10 R2. R1 R2. R1*7 R2*3 R2.*6 R1*3
1031       \ind #"Crécelle" hh4:32\mp\> hh4\! r8 hh-.-> r4 |
1032       hh4:32\> hh4\! r | r8 hh8:32-- r4 r8 hh8:32-- r8 hh8-. |
1033       hh4:32--\> hh8-.\! hh4:32--\> hh8-.\! | hh8:32--\> hh8\! r16 hh8.-. r2 |
1034       r8 hh8:32-- r2 | r16 hh8.-. r4 r16 hh8.-. \t {hh8-- hh-- hh--} |
1035       hh8:32\> hh8\! r2 | R1*2
1036       R2.*3 R1*2
1037       R2. R4. R2. R4. R2 R4. R2*3 R4. R2*3 R4. R2*3 R4. R2.
1038       R1*12 \ind #"Crécelle" hh4:32\mp r4 | R2. r4 hh4:32 r4 | R2 r2 hh4:32\> hh8\! r |
1039
1040       %%% Piu lento %%%
1041       R2.*21
1042       R1. r2 \ind #"Crécelle" hh4:32\mf r4 | R1. r4 hh2:32\> hh4\! | R1.
1043       r4 r8 r16 \ind #"Tambour" \ind #"(bag. fagot)" sn sn4-> r |
1044       R1. R1 R1. R1 sn4-> r r2 r4 r8 sn16\< sn |
1045       sn4->\! r r2 r4 r8 \t {sn16\< sn sn} |
1046       sn4->\! r r2 r8 sn16\< sn sn8 sn |
1047       sn4->\! r r2 r8 sn sn sn | sn--\> sn sn4\! r1 |
1048       sn4-> r8 \t {sn16\< sn sn} sn4\f r | R1. R1 R1.
1049       sn32-> sn8.. r4 r r8 r16 sn |
1050       sn4-> r r2 r4 sn16\< sn sn sn |
1051       sn4->\! r r2 r4 sn8\< sn |
1052       sn4->\! r r2 r8 sn16 sn sn4-> |
1053       sn4-> r r2 r8 sn\< sn sn | sn\> sn sn4\! r sn\> sn sn |
1054       sn4\! r8 r16 sn sn4-> r |
1055       r2 r4 sn-> sn-> r |
1056       r2 \ind #"Crécelle" hh4:32\mf hh4-- |
1057     }
1058   }
1059   \new Staff { \Timbales
1060     \relative {
1061       \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
1062       R2-\fermataMarkup
1063       R1 R2. R1*2 R1. R1*2 R1. R1*2
1064
1065       %%% Agitato %%%
1066       R2.*8
1067       re,4\p r re4:32\< re4->\! r2 |
1068       re8-. re-. re-. re-. re4:32--\< re4->\! r2 |
1069       re8-. re-. re-. re-. re4:32--\< re4->\! r2 |
1070       mib4-.->\p r2 R2.*4
1071       mi32->\f mi8.. r2 mi4-> r2 |
1072       r8 sib32-> sib16. r8 mi-- r sib-. |
1073       mi8-> \t {mi16\< mi mi} mi4\! r |
1074       r8 sib4-- mi-- sib8-. | mi4-> mi32-> mi8.. sib8-. mi-> |
1075       R2. re2.:32\mf\<\glissando |
1076       dod4\sfz r r r8 r16 sol32\f sol | sol4-> r2 |
1077       dod8->\> \t {dod16 dod dod} dod8 \t {dod16 dod dod} dod4--\! r |
1078       r8 sol4--\mf dod-- sol8-. | dod8-> \t {dod16 dod dod} dod4-. |
1079       r8 sol4-- dod-- sol8-. | \tt {dod16\> dod dod dod dod} dod4-. |
1080       r8 dod-.\! r2 | r8 dod4--\> sol8-. | dod--\mp \t {dod16 dod dod} dod4-. r |
1081
1082       %%% Placando assai %%%
1083       dod2--\p r4 dod | sol2:32~\> sol4\! r |
1084       dod2-- r4 dod | sol2:32~\> sol4\! r |
1085       R1 R2 R2. R1
1086
1087       %%% Andante a piacere %%%
1088       fa1:32~--\pp fa2 dod'-- |
1089       fa,1:32~-- fa2 dod'-- |
1090       fa,1:32~-- fa2 dod'-- | fa, r r dod'-- |
1091       sol2~\mp sol2:32~\< sol8\! dod4-- sol-- dod8-. |
1092       sol2~-> sol2:32~\< sol8\! \t {dod16 dod dod} dod8-. sol~-> sol16. sol32 sol8-. |
1093       dod8-> r r4 r2 |
1094       sol1:32~\ppp sol:~sol2.:32~sol4 |
1095       r8 sol \t {sol sol sol} sol2:32~sol1:32~sol2 r |
1096       R2*3 R2.*6
1097
1098       %%% A tempo %%%
1099       r16 do32\f do do8 r8 fad,4\< do' fad,8-. |
1100       r16 do'32 do do8->\! r4 \tt {r16 do\< do fad, do'} \t {fad,8-- do'-- fad,--} |
1101       do'8--->\! \t {do16 do do} do4-> r2 |
1102       R1 R2. R1 R2. R1 R2. R1
1103
1104       r2 fad,4:32\mp\<\glissando sol4--\! r r2 |
1105       sol32-> sol8.. r4 r8 \t {dod16\< dod dod\>} dod4\! |
1106       \t {sol16->\> sol sol} sol8\!\laissezVibrer r2 |
1107       sol4\mf sol2:32\<\glissando fa4\f r2 |
1108       fa4---> r8 r16 fa fa4-> r |
1109       fa--\mf r r dod'4:32\<\glissando re4\f r2 |
1110       r16 r32 re re4-> |
1111       sold,8->\> \t {sold16 sold sold} sold4\! r8 sold-. |
1112       r4 sold32-> sold16. | re'32-> re re8. r4 |
1113       r16 r32 re re4-> |
1114       la8->\> la32 la16.\! r4 | R2
1115       mib'4-- mib r4 r8 |
1116       si4-- r R2 |
1117       r8 r16 fa32\mf fa fa4-> | R4.
1118       fa4--\p fa8\< fa \t {fa fa fa} \tt {fa16 fa fa fa fa} |
1119       R2\! R4.
1120       re'2.:32\pp\< re4\f r8 r16 re32 re re4-> r |
1121       re16-> re re8 r4 re-- r r re\> re re |
1122       re8\mp re16 re re4-> re re8 \t {re16 re re} |
1123       re4-> r r re8\< re16 re re4->\! r r re8\< re16 re |
1124       re4->\! r r re re-> r r re re-> r r2 | R1*3
1125       R2  R2.*2 R2 R1
1126       R2.*21
1127       R1. R1 R1. R1 R1. R1 R1. R1 R1. R1 R1.*5
1128       R1 R1. R1 R1. R1 R1.*5 R1 R1. R1
1129     }
1130   }
1131 >>
1132
1133
1134 EntractePercus = <<
1135   \new Staff { \Marimba
1136     \relative {
1137       R2*9
1138       R1*38 R2. R1
1139       R1*2 R2.*2 R2 R1 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2
1140       R1*14
1141       R2.-\fermataMarkup
1142       r8 <red fad>\p r <red fad> r <red fad>
1143       r <red fad> r <red fad> r <red fad>
1144       r <red fad> r <red fad> r <red fad>
1145       r <red fad> r <red fad> r4 | R2
1146       r8 <red fad> r <red fad> r <red fad> |
1147       r4 r8 <red fad> r <red fad> r <red fad> |
1148       r4 r8 <red fad> r <red fad> R2
1149       r8 \pl <mi, sol>\psempre <red' fad> r \pl <mi, sol> <red' fad>
1150       r \pl <mi, sol> <red' fad>  r \pl <mi, sol> <red' fad> |
1151       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1152       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1153       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1154       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1155       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1156       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1157       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1158       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1159       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1160       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1161       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1162       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1163       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1164       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1165       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1166       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1167       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1168       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1169       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1170       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1171       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1172       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1173       R2.-\fermataMarkup R2.*14
1174       R1 R2 R1 R2 R1 R2 R1 R2.
1175       R1.*18 R1*2 R2. R2
1176     }
1177   }
1178   \new DrumStaff { \Percus
1179     \drummode {
1180       R2*9
1181       R1*14
1182       r4 \ind #"Tambour (bag. de timbale, sur le manche)"
1183       sn\mp r sn | r sn8\> sn16 sn sn4\! r |
1184       R1*9
1185       sn32->\mp sn sn8. r4 r8 sn\< \t {sn sn sn} sn4--\! r r2 |
1186       R1*11 R2. R1
1187       R1*2 R2.*2 R2 R1 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2
1188       R1*14
1189       \ind #"Crécelle" hh4:32\>\fermata~ hh4\! r\fermata |
1190       R2.*4 R2 R2. R1 R2. hh8:32 r8 r4 | R1*5 R1.*4 R1
1191       hh4:32~\> hh4\! r\fermata R2.*8 hh4:32-- r2\fermata |
1192       R2.*4 R2.-\fermataMarkup R1 R2 R1 R2 R1 R2 R1 R2.
1193       R1.*18 R1*2 R2. R2
1194     }
1195   }
1196   \new Staff { \Timbales
1197     \relative{
1198       R2*9 |
1199       re,4\mf re-> r re-> r re-> r2 | R1*5
1200       re4 re-> r re-> r re-> r2 | R1*7
1201       re4 re r re r re r2 | R1*3
1202       re4 re-> r re-> r re-> r2 | R1*5
1203       re8.\mf re32 re re4-> r re32-> re8.. |
1204       r4 re-> r re8-> re re4-> r r2 | R1*6
1205       re8.-> re32 re re4-> r re-> r8 re16 re re4-> r |
1206       r8 re16 re re8-> re\< \t {re re re} re->\! re32\< re re re |
1207
1208       %%% Fugato %%%
1209       red4->\ff mi,-> r mi-> r8 mi\< \t {mi mi mi} mi4->\! r |
1210       r8 mi\mf\< \t {mi mi mi} mi4\! | R2. r4 \tt {mi16\mp\< mi mi mi mi} |
1211       mi4\! r r8 mi\< \t {mi mi mi} mi4\! r2 |
1212       r8 mi\p\< \t {mi mi mi} mi4\! mi-- r r2 |
1213       mi8\< mi \t {mi\> mi mi} mi4\! r |
1214       mi-- mi-- r mi8\< mi \t {mi\> mi mi} mi4\! |
1215       r mi-- mi-- r mi8\< mi \t {mi\> mi mi} mi4\! r |
1216       mi-- mi-- mi-- mi\< mi8 mi \t {mi mi mi} mi2:8\mp mi: mi: mi: |
1217       mi: mi4: mi2: mi4:
1218       \t {fa8 fa fa} \t {fa fa fa} \t {fa fa fa} \t {fa fa fa} |
1219       \t {fad fad fad} \t {fad fad fad} \t {fad fad fad} \t {fad fad fad} |
1220       \t {sol\mp sol sol} \t {sol sol sol} \t {sol sol sol} |
1221       \t {sol\< sol sol} \t {sol sol sol} \t {sol sol sol} |
1222       sold16\mf sold sold sold sold4 sold16-> sold sold sold sold8 \t {re'16\< re re} |
1223
1224       %%% Stretto %%%
1225       re4\f re32-> re8.. r8 r16 re32 re re4-> |
1226       r8 re\< \t {re re re} re4\! r8 re |
1227       re4-> r r2 R1*10
1228       %%% Noir %%%
1229       R2.-\fermataMarkup R2.*4 R2 R2. R1 R2. R2
1230       R1*5 R1.*4 R1 R2.-\fermataMarkup R2.*8 R2.-\fermataMarkup
1231
1232       %%% Poco più %%%
1233       R2.*4 R2.-\fermataMarkup
1234
1235       %%% Andantino %%%
1236       la4--\pp la4:32~\> la4\! r mi-- r |
1237       la4-- la4:32~\> la4\! r mi-- r |
1238       la4-- la4:32~\> la4\! r mi-- r |
1239       la4-- la4:32~\> la4\! r R2. |
1240
1241       %%% Largo non troppo %%%
1242       la4\p\< \ttt {la16 la la la la la} la4--\! la-- la2-- |
1243       \simile la4 \ttt {la16 la la la la la} la4 la la2 |
1244       la4 \ttt {la16 la la la la la} la4 la la2 |
1245       la la r |
1246       la4 \ttt {la16 la la la la la} la4 la la2 |
1247       la4 \ttt {la16 la la la la la} la4 la la2 |
1248       la4 \ttt {la16 la la la la la} la4 la la2 |
1249       la4 \t {la8 la la} la2 r |
1250       la4\mp\< \ttt {la16 la la la la la} la4--\! \ttt {la16\< la la la la la} la4->\! la |
1251       \simile la4 \ttt {la16 la la la la la} la4 \ttt {la16 la la la la la} la4 la |
1252       la4 \ttt {la16 la la la la la} la4 \ttt {la16 la la la la la} la4 la |
1253       la4 \ttt {la16 la la la la la} la4 \ttt {la16 la la la la la} la8 la la la |
1254       la4 \ttt {la16 la la la la la} la4 la la2 |
1255       la4 r8 \t {la16 la la} la4 la la2 |
1256       la4\> la8 la la4 la la2\! |
1257       la8\p\< la \t {la la la} la\! la \t {la\< la la} la4--\! la |
1258       la8\< la \t {la la la} la4--\! la16\< la la la la8 la \ttt {la16 la la la la la} |
1259       mi4--\f\< \ttt {mi16 mi mi mi mi mi} mi4-- mi--\! mi2-> |
1260       mi4-- \ttt {mi16\< mi mi mi mi mi} mi2->\! |
1261       r mi4--\ff mi-- r8 mi~ mi2:32\< mi4\sffz r |
1262     }
1263   }
1264 >>
1265
1266 ActeDeuxSceneUnPercus = <<
1267   \new Staff \relative {\Vibraphone
1268     R2.*4 R2 R2.*2 R2
1269     \st {mi,8\mp(\sustainOn do' sol' mib'\> lab si\laissezVibrer\!)} R2.*2
1270     \sustainOff R2 R2. R2 R2.*2 R2
1271     \st {mi,,,8(\sustainOn si' do sol'\> lab mib'\laissezVibrer\!)} R2.*2
1272     \sustainOff R2 R2. R2 R2.*2 R2
1273     <re la'>4--\p\sustainOn mi,-- <re la'>-- |
1274     \t {mi,8( <re' la'> mi)} \t {<re' la'>( mi, <re la'>)}
1275     \t {mi,\<( <re' la'> mi} <re'la'>2*3/2\!)\laissezVibrer R2 \sustainOff
1276     R2.*2 R1 R2. R1 R2. R2 R2. R1
1277
1278     %%% Andantino %%%
1279
1280     %%FIXME: complete. As soon as I have *nothing* else to do.
1281   }
1282   \new PianoStaff {
1283     \PercuDeuxMains
1284     \relative { \GrandMarimba
1285       R2.*4 R2 R2.*2 R2 R2.*3 R2 |
1286       R2. R2 R2.*2 R2 R2.*3 R2 |
1287       R2. R2 R2.*2 R2 R2.*3 R2 |
1288       R2.*2 R1 R2. R1 R2. R2 R2. R1
1289
1290       %%% Andantino %%%
1291       r4 \det {<re mi> r <re mi>} |
1292       r \simile <re mi> r <re mi> |
1293       r <re mi> r |
1294       r <re mi> r |
1295       <re mi> r <re mi> |
1296       r <re mi> r | <re mi> r |
1297       r <re mi> r |
1298       r <re mi> r |
1299       <re mi> r <re mi> |
1300       r <re mi> r |
1301       <re mi> r <re mi> |
1302       r <re mi> r <re mi> |
1303       r <re mi> r |
1304       r <re mi> |
1305       r <mi sold> r |
1306       <mi sold> r <mi sold> r |
1307       <mi sold> r <mi sold> |
1308       r <mi sold> r <mi sold> |
1309       r <mi sold> r |
1310       <mi sold> r <mi sold> r |
1311       s2. R1 R2. R1 R2. R1 R2.
1312       R1 R2. R1 R2. R1 R2. R1
1313       R2. R1
1314       <re mi>4\pp r <re mi> |
1315       r <re mi> r <re mi> |
1316       r <re mi> r |
1317       <re mi> r <re mi> r |
1318       r <re mi> r |
1319       <re mi> r <re mi> r |
1320       r <re mi> r |
1321       <re mi> r <re mi> r |
1322       s2. s1 s2.
1323       s1 s2. s1
1324       s4 <re mi> r |
1325       r <re mi> r <re mi> |
1326       s2. s1 s2. s1 s2.*7 R2.
1327       s4 <do re> r <do re> r <do re> |
1328       R1 s4 <do re> r |
1329       R1 R2. R1
1330       r4\mp <mib solb> <mib solb> |
1331       r <do fa> <do fa> r |
1332       r <mib solb> <mib solb> |
1333       r <do fa>\> r <do fa> |
1334       r <do fa>\pp r | R1
1335       R2. R1 R2. R2 R1 R2. R1 R2. R1 R2. R1
1336     }
1337     \relative {
1338       R2.*4 R2 R2.*2 R2 R2.*3 R2 |
1339       R2. R2 R2.*2 R2 R2.*3 R2 |
1340       R2. R2 R2.*2 R2 R2.*3 R2 |
1341       R2.*2 R1 R2. R1 R2. R2 R2. R1
1342
1343       %%% Andantino %%%
1344       sib,2*2\p\laissezVibrer R1
1345       r4 sib r | mi,2*3/2\laissezVibrer R2.*2 R2
1346       r4 sib' r | mi,2*3/2\laissezVibrer R2.*3 R1 R2. r4 do' |
1347       fad,\mp <la're> r | <la re> r <la re> r |
1348       <la re> r <la re> | r <la re> r <la re> |
1349       fad, <la're> r | <la re> r <la re> r |
1350       sib,8( sib') fa( fa,) mi'( do) | sib2:32--~\> sib4\! r |
1351       fad2.:32--~\p\> fad4\! r r2 | sib4 r2 |
1352       fad2:32--~ fad4 r | R2.
1353       R1 R2. R1 R2. R1 R2. R1
1354       fad2.:32--~\mp\> fad4\! r r2 |
1355       <sold'la>4-- r <sold la>-- |
1356       mi--\p <sold la> si,-- <sold'la> |
1357       fad,-- <sold'la> r |
1358       <sold la> sol-- <sold la> do,-- |
1359       fa,!-- <sold'la> r |
1360       <sold la> mi-- <sold la> si,-- |
1361       fad-- <sold'la> r |
1362       <sold la> r <sold la> r |
1363       do,8\p( la' \droite <re sol>) \gauche
1364       do,\<( la' \droite <re sol>) | <fad do'>\!( <re sol>) \gauche
1365       do,( la' \droite <re sol>) \gauche
1366       do,( la' \droite <do re>) \gauche |
1367       do,\>( fad si \droite mi) \gauche
1368       do,( fad) | do\!( sol' \droite re' <mi la>) \gauche
1369       si( \droite <mi la>) \gauche fad,( \droite <si mi>) \gauche |
1370       dod,\<( la' \droite <la're>) \gauche
1371       dod,,( la' \droite <si'mi>) |
1372       fad\!( <la re>) \gauche dod,,( si' \droite <mi la>) \gauche
1373       dod,\>( si' \droite <mi la>) \gauche |
1374       do,(\! la') s4 r4 | la4 r la r |
1375       fad8--\mf( la \droite <do re> \gauche la \droite <do re> \gauche la) |
1376       fa--( lab \droite <do re> \gauche lab \droite <do re>4) \gauche r |
1377       fad,8--( la\droite <do re> \gauche la \droite <do re> \gauche la) |
1378       fa--( lab \droite <do re> \gauche lab \droite <do re>4) \gauche r |
1379       <fad,,fad'>8--( la' \droite <do re> \gauche la \droite <do re>4) \gauche |
1380       sol,8--\<( re' \droite <do'fa>) \gauche sol,( re' \droite <fa' sib>) \gauche |
1381       re,( do' \droite <sib'mib>) \gauche re,( \droite <mib' lab>4\f) \gauche |
1382       sib,,8\mf( la' \droite <do fa> \gauche la \droite <do fa> \gauche la) |
1383       si,( lab' \droite <si mi> \gauche lab \droite <si mi>4) \gauche |
1384       sib,8( la' \droite <do fa> \gauche la \droite <do fa> \gauche la) |
1385       si,( lab' \droite <si mi> \gauche lab \droite <si mi>4) \gauche |
1386       R2.
1387       mib,8\f( la) s4 r8 la-. s4 r8 mib-. s4 | r2 r4 <la si>--\mf |
1388       mib-- s r |
1389       re--\p <si'dod> r <si dod> |
1390       re,-- <sib'do> r | R1
1391       lab2*3/2\laissezVibrer la\laissezVibrer r4 |
1392       lab2*3/2\laissezVibrer <sol, sol'>2\laissezVibrer r | R2. R1
1393       R2. R1 R2. R2 R1 R2. R1 R2. R1 R2. R1
1394     }
1395   }
1396 >>
1397
1398
1399 ActeDeuxSceneUnBisPercus = <<
1400   \new Staff { \Marimba
1401     \relative {
1402       r8 <mi sold>\p r <mi sold> r <mi sold> r4 |
1403       r8 <mi sol> r <mi sol> r4 |
1404       R2-\markup "Allez au Vibraphone" \Vibraphone
1405       <mi sol>1*5/4\p\laissezVibrer R1*5/4*43 R1*5/4-\fermataMarkup
1406       R1*5/4*32
1407
1408       %%% Moderato assai %%%
1409       \ind #"bag. douces"
1410       <do si'>1*7/4\pp\laissezVibrer s1*7/4
1411       <do si'>1 <si do'>2. <do si'>\> <si do'>1\!\laissezVibrer
1412       s1*7/4 <do si'>2 <si do'>2. <do si'>2 |
1413       <si do'>2. <sib dod'>1\> <la re'>2.\!\laissezVibrer s1 R2. R2 |
1414       <si do'>2.\pp\laissezVibrer r4 <do si'>2\laissezVibrer r2 <si do'>4\laissezVibrer |
1415       s2. <do si'>2.\laissezVibrer r4 <si do'>2\laissezVibrer s2. R2. |
1416       <sib dod'>2. | <la re'>1*7/4\laissezVibrer R1*7/4*2
1417       R2.*7 R1*7/4*4 \repeat volta 2 R1*7/4*3
1418       R1*7/4*2-\markup "Allez au Marimba" \Marimba \clef bass |
1419
1420       %%% Presto subito %%%
1421       \tt {fa,8->\f( mib' solb) do,( mib)} \tt {fa,->( mib' solb) do,( mib)}
1422       \tt {lab,->( mib' solb) do,( mib)} | \tt {fa,->( mib' solb) do,( mib)}
1423       \tt {lab,->( mib' solb) do,( solb')} \tt {do,->( sib' reb) solb,( sib)} |
1424       \tt {do,->( sib' reb) solb,( sib)} \tt {mib,->( sib' reb) solb,( sib)}
1425       \tt {do,->( sib' reb) solb,( reb')} | \tt {fad,->( mi' sol) dod,( mi)}
1426       \tt {red,->( mi' sol) dod,( mi)} \tt {fad,->( mi' sol) sib,( sol')} \clef treble |
1427       \tt {mi->\<( re' fa) sol,( lab')} \tt {mi,->( fa' lab) mi,( fa')} \clef bass
1428       \tt {fad,,->( mi' sol) red,( mi')} |
1429
1430       %%% Tempo giusto %%%
1431       re,,4\! r2 R2.*6 R2*2 R2.*4 R2 R4.
1432       R2*3 R4. R2. R2 R4. R2. R1*5/8 R2 R4. R2.*15 R2 R4. R2 R1*5/8 R2.
1433
1434       %%% Tempo I %%%
1435       R1 R1*5/4*3 R1*5/4-\fermataMarkup
1436       R1*5/4-\markup "Allez au Vibraphone" \Vibraphone
1437       <do'' si'>2.\pp <si do'>2 <do si'> <si do'>2.\laissezVibrer R1*5/4*2
1438       <do si'>2. <si do'>2 <do si'> <si do'>2.\laissezVibrer R1*5/4*14
1439     }
1440   }
1441   \new DrumStaff { \Percus
1442     \drummode {
1443       \set  drumStyleTable = #drums-style
1444       R1 R2. R2 R1*5/4*2
1445       \ind #"Tambour (au centre et sur le tour)" <sn hh>4\mp sn sn8 hh sn4 sn |
1446       \plperc sn4 hh sn sn8 hh sn4 sn |
1447       \plperc sn4 hh sn sn8 hh sn4 sn |
1448       \plperc sn4 hh sn sn8 hh sn4 sn |
1449       \plperc sn4 hh sn sn8 hh sn4 sn |
1450       \plperc sn4 hh sn sn8 hh sn4 sn |
1451       \plperc sn4 hh sn sn8 hh sn4 sn |
1452       \plperc sn4 hh sn sn8 hh sn4 sn |
1453       \plperc sn4 hh sn sn8 hh sn4 sn |
1454       \plperc {\ind #"senza cresc." sn4} hh sn sn8 hh sn8 sn sn sn |
1455       \plperc sn4 hh r2 r4 sn |
1456       \plperc sn4 hh sn r sn sn |
1457       \plperc sn4 hh hh hh hh hh |
1458       \plperc sn4 hh-> r2 r4 \t {sn8 sn sn} |
1459       sn4-> r2 r4 \t {sn8 sn sn} |
1460       sn4-> r r8 sn r sn\< sn sn |
1461       \plperc sn4\mp hh hh hh8 sn hh4 hh |
1462       \plperc sn4 hh hh hh8 sn hh4 hh |
1463       \plperc sn4 hh hh hh8 sn hh4 hh8 sn16 sn |
1464       hh4-> r r8 sn16 sn hh4-> r8 sn16 sn |
1465       hh4-> r8 sn16 sn hh4-> r r8 sn16 sn |
1466       hh-> sn sn sn sn sn sn sn sn sn hh-> sn sn\< sn sn sn sn sn sn sn |
1467       hh4->\! r1 | R1*5/4*3
1468       sn8->\pp sn sn sn sn sn sn sn sn sn |
1469       hh-> sn sn sn sn sn sn sn sn sn |
1470       hh-> sn sn sn sn hh-> sn sn sn sn |
1471       \simile hh sn sn sn sn sn sn sn sn sn |
1472       hh sn sn sn sn sn sn sn sn sn |
1473       hh sn sn sn sn hh sn sn sn sn |
1474       hh sn sn sn sn hh sn sn sn sn |
1475       hh sn sn sn sn hh sn sn sn sn |
1476       hh sn sn sn sn sn sn sn sn sn |
1477       hh\< sn sn sn sn sn sn sn sn sn |
1478       hh4\f r r8 sn16 sn hh4 r8 sn16 sn |
1479       hh4 r8 sn16 sn hh4 r r8 sn16 sn |
1480       hh sn sn sn sn sn sn sn sn sn hh sn sn sn sn sn sn sn sn sn |
1481       hh4 r1 | R1*5/4
1482
1483       %%% Boum %%%
1484       \ind #"Tam-Tam" cb2\laissezVibrer r2 r4 | R1*5/4-\fermataMarkup |
1485       R1*5/4*13 \ind #"Tam-Tam" cb4\f\laissezVibrer r1 R1*5/4 |
1486       cb4\laissezVibrer r1 R1*5/4 |
1487       r4 cb\< \t {cb8 cb cb} cb4\!\laissezVibrer r |
1488       cb4->\laissezVibrer r1 R1*5/4 |
1489       r4 cb\< \t {cb8 cb cb} cb4\!\laissezVibrer r |
1490       cb4->\laissezVibrer r1 |
1491       r4 cb8\< cb cb2 cb8 cb |
1492       cb4->\!\laissezVibrer r1 | r4 \det {cb\mf cb cb cb} |
1493       cb8\< cb cb cb cb cb cb cb \t {cb cb cb} |
1494       cb4->\!\laissezVibrer r1 | R1*5/4*5
1495
1496       %%% Moderato assai %%%
1497       R1*7/4*7 R2. R1 R2. R2
1498       R2.*9 R1*7/4*3 R2.*7 R1*7/4*4
1499       \repeat volta 2 R1*7/4*3 R1*7/4*2
1500
1501       %%% Presto subito %%%
1502       R1.*5
1503
1504       %%% Tempo giusto %%%
1505       R2.*7 R2*2 R2.*4 R2 R4. R2*2
1506       r4 \ind #"Cymb." hh4:32~\< hh4.:32~\> hh4\! r2 |
1507       r4 hh4:32~\< hh4.:32~\> hh4\! r2 | R1*5/8
1508       r4 hh-- r8 hh4-- | R2.*4
1509       r4 \ind #"sur le bord" hh2:32~\pp\> hh4\! r2 |
1510       r4 hh2:32~\> hh4\! r2 | r4 hh2:32~\> hh4\! r2 |
1511       r4 hh4:32~\> hh4\! | r hh4:32~\> hh4\! R2.
1512       r8 hh32\> hh hh hh hh2\! R2.-\markup \indic "étouffer"
1513       R2 R4. R2 R1*5/8 R2.
1514
1515       %%% Tempo I %%%
1516       r2 r4 \ind #"Tambour" sn16\< sn sn sn |
1517       hh4->\! r r8 sn16 sn hh4-> r8 sn16 sn |
1518       hh4-> r8 sn16 sn hh4-> r r8 sn16 sn |
1519       hh4-> r1 | \ind #"Tam-Tam" cb2->\f\laissezVibrer r2 r4\fermata |
1520       R1*5/4*21
1521     }
1522   }
1523   \new Staff { \Timbales
1524     \relative {
1525       R1 R2. R2 R1*5/4*44 R1*5/4-\fermataMarkup
1526
1527       %%% Boum %%%
1528       R1*5/4*32
1529
1530       %%% Moderato assai %%%
1531       R1*7/4*7 R2. R1 R2. R2
1532       R2.*9 R1*7/4*3 R2.*7 R1*7/4*4
1533       \repeat volta 2 R1*7/4*3 R1*7/4*2
1534
1535       %%% Presto subito %%%
1536       R1.*5
1537
1538       %%% Tempo giusto %%%
1539       R2.*7 R2*2 R2.*4 R2 R4. R2 r4 r8 \t {mib,16\< mib mib} |
1540       mib4\sfz r R4. r2 r8 \t {mib16\< mib mib} |
1541       mib4\sfz r R4. r2 r8 \t {mib16 mib mib} |
1542       mib4 mib8 mib mib |
1543       la,4-> r la4-> \t {la16\< la la} |
1544       la4\ff r8 la32-> la16. r4 |
1545       \det {la la la} sold4-> r16 sold32 sold sold8-> r4 |
1546       \det {sold\> sold sold |
1547       sol4\mp r2 | R2. sol4 r2 R2. sol4} r2 r2 r8 sol16\< sol |
1548       sol4\! r r8 \t {sol16\< sol sol} |
1549       sol4\! r2 r4 sol2:32\<\glissando sold2.\psubito\laissezVibrer
1550       R2. R2 R4. R2 R1*5/8 R2.
1551
1552       %%% Tempo I %%%
1553       R1 R1*5/4*3 R1*5/4-\fermataMarkup |
1554       R1*5/4*21
1555     }
1556   }
1557 >>
1558
1559 ActeDeuxSceneDeuxPercus = <<
1560   \new Staff { \Marimba
1561     \relative {
1562       sold'4\p( <mi sold> <fa la>) r r2 |
1563       sold4( <mi sold> <fa la>) r r2 |
1564       R1.
1565       <mi sold>4( <mi sold> <fa la>) r sold-- r |
1566       la-- r r1 | R1.-\markup "Allez au Vibraphone" \Vibraphone
1567       R1*2 R2.*5 R1.*3 R1*2
1568       R2. R1 R4. R1*6 R2. R1. R1
1569       r2 r4 \pl {la\pp fa'\laissezVibrer} {do\glissando do'\laissezVibrer}
1570       \ind #"senza Ped." r2 |
1571       do4 r \pl {la,\> fa'\!\laissezVibrer} {do\glissando do'\laissezVibrer} r2 |
1572       \det {re,4 do' | r si r | mi,,,\laissezVibrer mi'\laissezVibrer mi'\laissezVibrer} |
1573       r2 r8 \hideNote sol8\glissando do4*1/2 \hideNote mi,8\glissando la4 | R4.
1574       R1*5 R2*6 R1 R2. R1. R1 R1.*2 R2. R1
1575
1576       la,2.\p\laissezVibrer \sustainOn r8 sol4.\laissezVibrer r2 |
1577       fa2.\laissezVibrer r8 mi4.\laissezVibrer r2 | fa4 mi fa |
1578       sol la2.\laissezVibrer R2.
1579       R1 <la, la'>2.\laissezVibrer R1 <sib la'>2.\laissezVibrer
1580       <mib la>1\laissezVibrer <sold la>2.\laissezVibrer R1
1581       <la, la'>2.\laissezVibrer R1 R2. R1 R2. R1 R2.
1582       R2*3 R2. R1*3
1583       R1*5/8*14 R1*9 R2. R2 R1*2
1584       la'4\pp sol fa mi2 r4 |
1585       <solb, la! fa' lab>2.--\laissezVibrer R2.*4
1586
1587       R2*2 R2.*2 R2*25
1588       <la' la'>2.\p\laissezVibrer \sustainOn R2.*6
1589       \pl {<fa do'>4--\pp do'-- fa,-- <fa do'>2*3/2--}
1590       {la'8( sol) fa( mi) fa16( mi fa sol) la8( mi8*5)\laissezVibrer }|
1591       R2.
1592       \pl {<la, do>4--\pp do-- la-- <la do>2.-- <sol re'>-- <la do>2--}
1593       {la'8( sol) fa( mi) fa16( mi fa sol) la8( sol) fa( mi) fa16( mi fa sol)
1594       sib8( sol) fa( mi) fa16( mi fa sol) la8( mi8*3) } r4 | R2.*2
1595     }
1596   }
1597   \new DrumStaff { \Percus
1598     \drummode {
1599       R1.*6 R1*2 R2.*5 r1 \ind #"Crécelle" hh2:32~\mf\> hh4\! r r1 R1. R1*2
1600       R2. R1 R4.
1601       R1*5 r4 \ind #"Crécelle" hh2.:32-- R2. R1. R1*2
1602       R2.*3 R2 R2.*3 R2 R4. R1*5 R2*6 R1
1603       r4 \ind #"Crécelle" hh2:32 R1. R1 R1.*2 R2.
1604       r2 hh4:32 hh4 |
1605
1606       R2. R1 R2. R1 R2. R1 R2. R1 R2. R1 R2. R1 R2. R1
1607       R2. R1 R2. R1 R2. R1 R2.
1608
1609       R2*2 R2 R2. R1*3
1610       r4 \ind #"Tambour" \ind #"(bag. fagot)"  sn8\mf sn sn sn4-> r8 sn sn |
1611       sn4-> sn8 sn sn sn4-> r8 sn sn | sn4-> sn8\< sn16 sn sn sn |
1612       \acc {sn4\! sn} r16 sn32 sn | sn4-> r r8 |
1613       sn4-> r8 sn sn | sn4-> sn8 sn sn | sn4-> sn r16 sn32 sn | sn4-> r r8 |
1614       sn sn sn4 r8 | r sn\< sn sn sn | sn4->\! r r8 |
1615       R1 r2 r4 r8 \t {sn16\< sn sn} | sn4->\! r r2 |
1616       R1*6 R2. R2 R1*2 R2.*7
1617
1618       R2*2 R2.*2 R2*25 R2.*16
1619     }
1620   }
1621   \new Staff { \Timbales
1622     \relative {
1623       R1.*6 R1*2 r2 r8 r16 re,32\< re |
1624       re4\mf re8---. re---. r \t {re16\< re re} |
1625       re8\! re re16-> re-> r8 re32 re re8.-> |
1626       re16 re re re re8 \t {re16 re re} re8 re |
1627       sold,8. re'16 r sold, re'8 r16 re8 sold,16 |
1628       re'2:32~ re4 r r2 | R1.*2 R1*2
1629       r2 r8 \t {si16\< si si} |
1630       si4\mf si8 si32-> si16. r16 si si si r8 \t {si16\< si si} |
1631       sold4->\! r8 | si4--\mp r r8 sold r4 | si4 r r2 |
1632       si4\p r8 si r si r4 | si32-> si8.. r8 si r si r r16 si32 si |
1633       \cresc si4-> r8 si-- r si-- r4 | si-> r8 si-- r si-- r4 |
1634       sold2.:32~\fp\> sold4\! r r1 |
1635       R1*2 R2.*3 R2 R2.*3 R2 R4.
1636
1637       mi4->\f r r \st {mi'8\mf mi16.} mi,32 |
1638       mi4-> r r mi'16.\< mi32 mi8 |
1639       mi,4->\! r8 mi-> r mi-> mi'\< mi16. mi,32 |
1640       mi4->\! r8 mi-> r mi-> mi'16.\< mi32 mi8 |
1641       mi,4->\! r8 mi r mi mi'16\< mi mi8->\! |
1642       mi,8\psubito mi'16. mi32 mi4 |
1643       mi,8 mi'16. mi32 mi16 mi mi8 |
1644       mi,8 mi'16. mi32 mi4 |
1645       mi,8 mi'16. mi32 mi16 mi mi32 mi mi mi |
1646       mi,8 mi'16. mi32 mi4 |
1647       r4 re | dod1:32~\fp dod4 r2 |
1648       dod4\p r r2 r4 dod | sol1:32 | dod4 r r2 r4 dod |
1649       sol1.:32~ sol4 r2 | R1
1650
1651       R2. R1 R2. R1 R2. R1 R2. R1 R2. R1 R2. R1 R2. R1
1652       R2. R1 R2. R1 R2. R1 r2 r8 r16 \t {la32\< la la} |
1653       la4\f r r r8 \t {la16\< la la} la4\! r r2 r8 \t {la16\< la la} |
1654       la1:32~\fp la:~ la2 r8 la\< \t {la la la} |
1655       la4->\f r r8 | R1*5/8*13 R1*6
1656       mi2:32~\fp mi8 mi\< \t {mi mi mi} |
1657       mi2:32~\fp mi8 mi\< \t {mi mi mi} |
1658       mi2:32~\fp\< mi8 mi \t {mi mi mi} |
1659       mi4->\f r2 | R2 R1*2 R2.*7
1660
1661       R2*2 R2.*2 R2*25 R2.*16
1662     }
1663   }
1664 >>
1665
1666 ActeDeuxSceneTroisPercus = <<
1667   \PercuDeuxMains
1668   \relative { \GrandVibraphone
1669     %%% Larghetto %%%
1670     R4.*3 \ind #"con Ped." dod8\pp sold' la\laissezVibrer
1671     R4.*3 dod,8 sold' la\laissezVibrer |
1672     R4. \gauche fa,8( \droite la mi' | <sold la>4.)\laissezVibrer
1673     R4.*2 \gauche fad,8( \droite fad dod' | <sold' la>4.)\laissezVibrer
1674     R4. <la, mi'>4.--\laissezVibrer
1675     R4.*6 mi'4.\laissezVibrer |
1676     R4.*3 <la, mi'>4.\laissezVibrer
1677     R4. mi'4.\laissezVibrer |
1678     R4.*5 \gauche fa,8( \droite <do' sol'> re |
1679     <mi la>4.)\laissezVibrer |
1680     R4.*3 \gauche do,8( \droite <re' la'>) \gauche sol,( |
1681     \droite <mi' fad>4.)\laissezVibrer R4.*4
1682     si16\pp\< \gauche mi, \droite fad' \gauche mi, \droite dod' \gauche mi, |
1683     \droite sold'\> \gauche fad, \droite red' dod <sold' lad>8\! \laissezVibrer |
1684     s4. R4.*2
1685     R4*27 R4. R4*7
1686     R4.*14 R4*28 R2.-\fermataMarkup R2.
1687     re'2.\p\laissezVibrer R2.
1688     <mib, re'>2.\laissezVibrer R2.
1689     <mib re'>2.\laissezVibrer
1690
1691     %%% Interlude %%%
1692     R2*2 mib'8-.\ppp sib4-- mi,8-. |
1693     si4-- \gauche fa-- \droite |
1694     re'''8-. la4.-- | r8 si fad4-- |
1695     si16( fad sold8) red4-- |
1696     r mib8( sib)
1697     \gauche \t { r8 mib,( sib)} \droite lab'(
1698     \gauche fa,) \droite |
1699     fad''-. dod4-. si'8-. \tt {fad16\<(
1700     \gauche fa,, \droite mib' dod' si')} |
1701     mi4--\p\laissezVibrer r |
1702     mi16\pp\>( si) re( mi,) do'( la,) si'( mib,,) |
1703     fa'8--\! do-- fad,8.-- \gauche fad,16~ |
1704     fad2 fa16( do) si'( fad fa do) dod'( sold |
1705     sol re) \droite sol'( re \gauche dod sold) \droite dod'( sold |
1706     sol re) dod''( sol,) sold'( re) \pl {lad-.\< sid-. dod8-.} {lad'16-. sid-. dod-. sid-.} |
1707     dod4---.\! r4 | R2*15 R2*5/4
1708
1709     %%% Quatuor %%%
1710     R2 R4. R2 R4. R2 R4.*2
1711     R2.*7 R2*2 R2.
1712     R2*2 R2. R2*2 R2.
1713     R2*2 R2. R2*2 R2.
1714     R2 R4. R2 R4.
1715     R2*2 R2. R2*2 R2.
1716     R1 R2. R2
1717
1718     %%% Doppio Tempo %%%
1719     R2*7 R2.*7
1720     R2 R2. R2 R2.
1721     R2 R2. R2 R2.
1722     R2 R2. R2 R2.
1723     R2 R2.
1724
1725     %%% Climax %%%
1726     R2 R4. R2*3 R4.
1727     R2*4 R4.*2 R2. R1
1728
1729     R2.\GrandMarimba R1 R2. R1 R2. R1 R2. R1
1730     R2. R1
1731     \gauche sib,,,8\p( \droite mi') \gauche fa,( \droite sol')
1732     \gauche r sib,,-. | \droite mi'( \gauche fa,) \droite sol'(
1733     \gauche fa,,) \droite r mi''-. \gauche sib,( \droite mi') |
1734     \gauche fad,( \droite la') \gauche si,,( \droite mi' la) \gauche fad,,-. |
1735     \droite r mi''-. la( \gauche si,,) \droite mi'( la) \gauche fad,4-- |
1736     sib,8( \droite mi') \gauche fa,( \droite sol') r4 |
1737     R1 R2. R1 R2. R1 R2. R1
1738     R2. R1 R2. R1 R2.
1739     \gauche sib,,8\p( \droite mi') \gauche fa,( \droite sol') r4 r8 mi( |
1740     sol4) \gauche fa,8( \droite mi') r4 | R1 r2 mi8( sold) |
1741
1742     %%% Soprano 2 %%
1743     <re sib'>4-- r r2 | R2. R1 R2. R1
1744     R2. R1
1745     \gauche sib,8\p( \droite mi') \gauche fa,( \droite sol') \gauche r8 sib,,-. |
1746     \droite mi'( \gauche fa,) \droite sol'( \gauche fa,) r sib, \droite do'( \gauche fa,) |
1747     \droite sol'( \gauche sib,,) \droite sol''( re' la'4) |
1748     \gauche sib,,,8( \droite mi') \gauche fa,( \droite <re'' la'>)
1749     r2 | s2. R1 | R2. R1 R2.
1750     mi,8( sol) r4 r2 | R2. s2 r2 |
1751     r4 r8 mi r4 | R1 R2. R1 R2. R1 R2.
1752
1753     %%% Duo %%%
1754     R1*6 R2*3
1755
1756     %%% Baryton 2 %%%
1757     R2.*11\GrandVibraphone R4.
1758     R2.*14
1759     re''4 re re re2*3/2\laissezVibrer |
1760     \gauche r8 sib,, \droite \t {la' solb fa'} re16 dod'8. |
1761     re4 re re re2*3/2\laissezVibrer |
1762     \gauche r16 lab,, \droite mib' sib'
1763     \t {dod,8 fad si} \tt {fa16 do' sol' mi la} |
1764     re4 re re re2*3/2\laissezVibrer |
1765     \gauche \t {r8 do,,, si'~} \t {si \droite la' fad'~}
1766     fad16 \gauche lab,, \droite sol' fa' |
1767     re'4 re re re2*3/2\laissezVibrer
1768     \tt {mi,,16 sold sol si dod,} fa mi' mi, sold'
1769     \t {sol,8 si sib'} |
1770     \pl re,4 re' r |
1771     R2*11R2. R2*6 R2.*4
1772
1773     %%% Ensemble %%%
1774     R1 r4 mi,, sold la sib1 R1*3
1775     \gauche r8 mi,, si' do \droite sol' lab
1776     mib' si | sib'4 r8 <sib, si'!>~
1777     \t {<sib si'>4 si,! sib'} lab'1
1778     s1 R1 r2 s2 <la,! lab'>1 |
1779     r4 la8 sold do4 la | sold' r r
1780     \pl {<mi, la> <re si'>} {<re' sol> <mi sold>} r r2 |
1781     R1 s1*2 re,8 sib' la' re,, sold' sold la re,, |
1782     si' \gauche fa, mi' \droite re' si'4 \t {do,8 \gauche lab, reb \droite} |
1783     r2 <si' dod'>4 <dod si'> |
1784     <red la'> <mi sold> \pl {red red8 dod} {la' mi la si} |
1785     <si, dod'>4 reb'8 do reb mib fa4 | R2.
1786
1787     %%% Chute %%%
1788     R2.*5 R2*3
1789
1790     %%% Andante al fine %%%
1791     R2.*6 <do,, si'>2.~ <do si'>4. <si do'>~ <si do'>4 <do si'>2\laissezVibrer |
1792     R2.*5 <dod si'>2. <do si'>\laissezVibrer R2.*24
1793   }
1794   \relative {
1795     %%% Larghetto %%%
1796     R4.*9
1797     s4. R4.*3 s4. R4.*2
1798     fa,!4.--\laissezVibrer R4.*6 |
1799     la4.\laissezVibrer R4.*3 |
1800     fa4.\laissezVibrer R4. |
1801     la4.\laissezVibrer |
1802     R4.*5 s4. R4.*4 s4. R4.*5 s4.*2 R4.*3
1803     R4*27 R4. R4*7
1804     R4.*14 R4*28
1805
1806     R2.*6 mi!2.\laissezVibrer
1807
1808     %%% Interlude %%%
1809     R2*3 s2 r4 si'\laissezVibrer |
1810     r4 r8 fa\laissezVibrer |
1811     r8 r16 si~ si4 fa2\laissezVibrer s2 |
1812     r4 fa4 s | r8 fad4.\laissezVibrer R2 r4 s |
1813     s2*3 R2*5/4
1814     sol4-- r | R2*15 R1*5/8
1815
1816     %%% Quatuor %%%
1817     R2 R4. R2 R4. R2 R4.*2
1818
1819     %%% Baryton 1 %%%
1820     R2.*7 R2*2 R2.
1821     R2*2 R2. R2*2 R2.
1822     R2*2 R2. R2*2 R2.
1823     R2 R4. R2 R4.
1824     R2*2 R2. R2*2 R2.
1825     R1 R2. R2
1826
1827     %%% Doppio Tempo %%%
1828     R2*7 R2.*7
1829     R2 R2. R2 R2.
1830     R2 R2. R2 R2.
1831     R2 R2. R2 R2.
1832     R2 R2.
1833
1834     %%% Climax %%%
1835     R2 R4. R2*3 R4.
1836     R2*4 R4.*2 R2. R1
1837
1838     %%% Soprano 2 %%%
1839     R2. R1 R2. R1 R2. R1 R2. R1
1840     R2. R1
1841     s2. s1 s2. s1 s2 r4 |
1842     R1 R2. R1 R2. R1 R2. R1 R2. R1 R2. R1 R2.
1843     s2 mi8( do) sib4 r8 sib-. s4 sib8( mi) |
1844     sold,4-- r r2 | r8 sold mi'( sold) s4 |
1845
1846     %%% Soprano 1 %%%
1847     re4-- r r2 | R2. R1 R2. R1
1848     R2. R1
1849     s2. s1 s2. s2 r8 sib( fa'4) |
1850     sib,8( fa' \droite do') \gauche sib,( fa'4) |
1851     r8 sib,-- r4 fa'-- r | sib,-- r2 | R1 R2.
1852     sib4 r r2 | R2.
1853     sib8( \droite sol'') \gauche fa,4-- r2 |
1854     r4 r8 fa r4 | R1
1855     sib,8 fa' sib,4 r | R1 R2. R1 R2.
1856
1857     %%% Duo %%%
1858     R1*6 R2*3
1859
1860     %%% Baryton 2 %%%
1861     R2.*11 R4.
1862     R2.*16
1863     s4 r2 R2.*2
1864     s4 r2 R2.*2
1865     s2. R2. r4 \tt {mi16 sold sol si sib} re4 |
1866     R2.
1867     R2*12 R2. R2*6 R2.*4
1868
1869     %%% Ensemble %%%
1870     \t {r4 fa, la} sold8 do si red~ red1 R1*4
1871     s1 R1 r4 re,2. re4 sold \droite re' sold \gauche |
1872     re, si' sold8 fad re4 |
1873     dod8 re sold la \t {\droite re4 lab' \gauche sib,}|
1874     r2 r8 sol si sib | re4 r r2 | R1*3
1875     re,8 la' \droite mi' \gauche re,
1876     \droite sold' \gauche re, la' \droite mi' |
1877     \gauche la, re \droite sold
1878     \gauche la, \droite do' \gauche la, re \droite do' \gauche R1 s1
1879     re,,1\laissezVibrer s1 R1 R2.
1880
1881     %%% Chute %%%
1882     R2.*5 R2*3
1883
1884     %%% Andante al fine %%%
1885     R2.*40
1886
1887   }
1888   \new DrumStaff \drummode {
1889     %%% Larghetto %%%
1890     R4.*51
1891     R4*27 R4. R4*7
1892     R4.*14 R4*7 |
1893     r8 \ind #"Crécelle" hh:32\mf hh4:32\< hh8->\! r |
1894     R4*9 hh8-> r |
1895     R4*8 R2.*7
1896
1897     %%% Interlude %%%
1898     R2*9 R2. R2*6 R1*5/8
1899     R2*16 R1*5/8
1900     R2 R4. R2 R4. R2 R4.*2
1901
1902     %%% Baryton 1 %%%
1903     R2.*7 R2*2 R2.
1904     R2*2 R2. R2*2 R2.
1905     R2*2 R2. R2*2 R2.
1906     R2 R4. R2 R4.
1907     R2*2 R2. R2*2 R2.
1908     R1 R2. R2
1909
1910     %%% Doppio Tempo %%%
1911     R2*7 R2.*7
1912     R2 R2. R2 R2.
1913     R2 R2. R2 R2.
1914     R2 R2. R2 R2.
1915     R2 R2.
1916
1917     %%% Climax %%%
1918     R2 R4.
1919     r8 \ind #"Cymb. susp." hh4.->\laissezVibrer |
1920     R2*2 R4.
1921     r8 hh4.->\laissezVibrer | R2*3
1922     R4.*2 R2. R1
1923
1924     %%% Soprano 2 %%%
1925     R2. R1 R2. R1 R2. R1 R2. R1
1926     R2. R1 R2. R1 R2. R1 R2. R1
1927     R2. R1 R2. R1 R2. R1 R2. R1
1928     R2. R1 R2. R1 R2. R1 R2. R1
1929     R2. R1 R2. R1 R2. R1 R2. R1
1930     R2. R1 R2. R1 R2. R1 R2. R1
1931     R2. R1 R2. R1 R2. R1 R2. R1
1932     R2.
1933
1934     %%% Duo %%%
1935     R1*2 \ind #"Cymb. (sur le bord)" hh1:32~ hh2 r |
1936     hh1:32~ hh2 r | R2*3
1937
1938     %%% Baryton 2 %%%
1939     R2.*11 R4.
1940     R2.*11 \ind #"Tam-tam" cb2-> s4 | R2.*14
1941     R2*2
1942     r8 \ind #"Crécelle" hh hh4:32 hh4 r | R2
1943     r4 hh4:32 hh4 r | R2*3
1944     r4 hh8 hh hh4 r |
1945     R2. R2*6 R2.*4
1946
1947     %%% Ensemble %%%
1948     R1*24 R2.
1949     r2 r8 \ind #"Tam-tam (bag. de timbale)" \t {cb16 cb cb} |
1950     cb2\laissezVibrer s4 R2. \ind #"Cymbale" hh2\laissezVibrer s4 |
1951     R2. R2*3
1952
1953     %%% Épilogue %%%
1954     R2.*40
1955   }
1956   \new Staff  \relative { \Timbales
1957     %%% Larghetto %%%
1958     R4.*51
1959     R4*27 R4. R4*7
1960     R4.*14 R4*28 R2.*7
1961
1962     %%% Interlude %%%
1963     R2*9 R2. R2*6 R1*5/8 R2*7
1964     sol,16.\p sol32 sol16-> sol-. r sol32 sol sol8-> |
1965     sol16-. sol-. r sol32 sol sol8-> sib16.-- sib32 |
1966     sib16-> sib-. r sib32 sib sib8-> sib16. sib32 |
1967     sib16-> sib32 sib sib8-> sol16. sol32 sol16-> sol-. |
1968     r32 sol sol16-> sol sib-> r32 sib sib16-. sib8-> |
1969     r16 sol32 sol32~ sol8 r16 sol sib8-. |
1970     r16 sib32 sib sib sib sib16-. r dod8.-- |
1971     mi,2:32--->\mf dod'16.-> dod32 dod8-. mi,4:32~---> |
1972     mi8 \t {dod'16 dod dod} dod-. mi,-. r16 dod'\< dod dod |
1973     sol4->\f r R4. R2 R4. R2 R4.*2
1974
1975     %%% Baryton 1 %%%
1976     R2.*7 R2*2 R2.
1977     do8\pp \tt {do32\> do do do do} do4\! | r do-- fad,-- fad-- r |
1978     do'8 \tt {do32\> do do do do} do4--\! | r do-- fad,-- fad-- r |
1979     do'8 \tt {do32\> do do do do} do4--\! | r do-- sol8.\> sol32 sol sol4\! r |
1980     do2:32~\pp do:32~ do4 r2 |
1981     r8 sol r16 dod8 sol16 |
1982     dod8.-- dod16\< \t {dod dod dod} |
1983     sol8--\! sol-- r16 dod8-- sol16-. |
1984     dod8.\< dod16 \t {dod dod dod} | do8\pp do4. |
1985     r8 do-- r16 sol8-- do16-. |
1986     r sol-. do8-- r4 do\< |
1987     dod--\mf r | R2 R2.
1988     r8 re\f\< re16 re \tt {re32 re re re re} re2:32~\> re4\! r2 | R2
1989
1990     %%% Doppio Tempo %%%
1991     R2*2 r4 re\f r re re r r re\> r re |
1992     sold,\p sold r sold sold r sold sold r sold r2 | R2.*3 R2 R2.
1993     R2 R2. R2 R2. R2 R2. R2 R2. R2 R2. R2 R2.
1994     \t {re'4\mf\< re re} re8 re \t {re16 re re} re4->\! r R2 |
1995     \t {re4\< re re} re8 re \t {re16 re re} re4->\! r R2 |
1996     \t {re4\< re re} re8 re re16 re re re |
1997     sold,8->\! \t {sold16 sold sold} sold8 |
1998     \t {sold16 sold sold} sold8-> r16 sold |
1999     sold4-> \t {sold\< sold sold8 sold} |
2000     re'2:32 re:\f\> |
2001
2002     %%% Soprano 2 %%%
2003     re4\! r2 R1 R2. R1 R2. R1 R2. R1
2004     R2. R1 R2. R1 R2. R1 R2. R1
2005     R2. R1 R2. R1 R2. R1 R2. R1
2006     R2. R1 R2. R1 R2. R1 R2. R1
2007     R2. R1 R2. R1 R2. R1 R2. R1
2008     R2. R1 R2. R1 R2. R1 R2. R1
2009     R2. R1 R2. R1 R2. R1 R2. R1
2010     R2.
2011
2012     %%% Duo %%%
2013     R1*6 R2*2 r4 r8 \t {re16\< re re} |
2014     re4\f r8 re re4-- re2.:32->\fp\< |
2015     re4->\! r8 re \t {re\< re re} \acc {re2.:32\fp\< |
2016     re4\! re re re8.} re32 re re4-> r8 re re4-> r2 | R2.
2017     re2.:32~\p\< re:32~\mp\> re:32\! |
2018     r8 r16 re\f re re | re4 re r R2.*5
2019     \acc {sold,4\mf sold sold re'} r8 re\< \t {re re re} |
2020     re4->\f r2 | re8\< re \t {re re re} \tt {re16 re re re re} |
2021     re4->\! r2 R2.*15
2022     R2*12 R2. R2*6 R2.*4
2023
2024     %%% Ensemble %%%
2025     R1*24 R2.
2026     R2. r2 r8 sold, r sold \t {sold sold sold} sold4 |
2027     r4 sold2:32\glissando lad4.:32\glissando mi8 \t {re' mi, re'}
2028     re re r re r re r4 R2 |
2029
2030     %%% Épilogue %%%
2031     R2.*32
2032     mi2.:32~ mi:~ mi4 r mi8 mi |
2033     mi,2.:32~ mi4 mi'8 mi \t {mi mi mi} |
2034     mi,2.:32~ mi:~ mi8 mi' \t {<mi, mi'> mi' mi}
2035     \tt {<mi, mi'>16 mi' mi mi, mi'}
2036   }
2037 >>