instruments/piano.ly

   1 %------------------------------------------------------------------%
   2 % Opéra Libre -- piano.ly                                          %
   3 %                                                                  %
   4 % (c) Valentin Villenave, 2008                                     %
   5 %                                                                  %
   6 %------------------------------------------------------------------%
   7
   8 \include "italiano.ly"
   9
  10 Piano = {
  11   \set PianoStaff.instrumentName = \markup { \hcenter-in #27.5 "Piano  "}
  12   \set PianoStaff.shortInstrumentName = "Piano.  "
  13   \set PianoStaff.midiInstrument = "acoustic grand"
  14 }
  15
  16 ProloguePiano = { \Piano
  17   \PianoDeuxMains
  18   \relative {
  19     \partial 4 r4 R2.*3 R1
  20     mi2\rfz \laissezVibrer r4 \clef bass mi,4--\laissezVibrer|
  21     r4 mi2->\laissezVibrer | r8 \tt {mi,32( fa mi' mi fa} red'4)\laissezVibrer|
  22     r4 r8 \t {mi,,16 mi' mi} | mi'2.\laissezVibrer |
  23     R2*2 | %%FIXME: \laissezVibrer isn't printed.
  24     << \makeClusters { \ind #"dans les cordes" sol,16 la si do re2 } \\
  25     {\hideNotes s4 re2 \laissezVibrer \unHideNotes} >>
  26     R2*2 |
  27     << \makeClusters { \simile sol,16 la si do mi2 } \\
  28     {\hideNotes s4 mi2 \laissezVibrer \unHideNotes} >>
  29     R2*2 |<la, re sol>2\f r4 | R2*2 |
  30     << {\voiceTwo <si re mi>2\f\laissezVibrer} \\
  31     {\voiceFour r8 \voiceOne \st {<sid, dod>8 <sid dod> <sid dod>}}>>
  32     \st {<sid dod> <sid dod> <sid dod> <sid dod>
  33     <sid dod> <sid dod> <sid dod> <sid dod>
  34     <sid dod> <sid dod> <sid dod> <sid dod>
  35     <sid dod> <sid dod> <sid dod> <sid dod>
  36     <dod re> <dod re> <dod re> <dod re>
  37     <dod re> <dod re> <dod re>\> <dod re>
  38     <re mib> <re mib> <red mi>\mf <red mi>
  39     <red mi> <red mi> <red mi> <red mi>
  40     <red mi>\> <red mi> <red mi> <red mi>}
  41     r8\mp <mi fa>-. <mi fa>4-- |
  42     <mi fa>8-. <mi fa>4-- <mi fa>8-. <mi fa>4-- \clef treble |
  43
  44     %%% Tempo giusto %%%
  45     re'8\p r re-.\p re-. s2*2 R2*3 s2*2
  46     \pl <re re'>4 re''4-- r2 | R2.*2 \clef bass |
  47     <sib,,,sib'>2.-- <dod dod'>-- <mi mi'>-- \clef treble |
  48     <lab lab'>2-- <mi' do'>8( <sol la>) |
  49     <la fa'>(\< <do mib>) <do lab'>( <mib fa>) <mib si'>( <fa lab>) |
  50     <re re'>4\f r8 <mi sold re'>4.->~ <mi sold re'>4 r8 <re fad si re>4.-> |
  51     \ttt {re'16(\ff la fa re do si)} \ttt {fad'( dod la fad mib reb}
  52     \ttt {do) sol'( re sib \mg sol fa} \tttt {mi re si la sold fad red) \md} |
  53     s4 \t{<dod''' re>8\> dod, <dod'' re>} | <dod,,re dod'>2\pp\laissezVibrer
  54     R2-\fermataMarkup
  55
  56     %%% Solo ténor %%%
  57     R1*2 R2. R1 R2. r2 sol\p~|
  58     sol~ sol~ sol R2 R2.*6
  59     <sol lab sol'>2.\arpeggio \laissezVibrer R2.*4 R4.
  60
  61     %%% Andantino %%%
  62     \st {
  63     <lab sol'>8\pp \mg sol, \md r |
  64     <lab'sol'> \mg sol, \md r |
  65     <lab'sol'> <lab'sol'lab> r | <sib dob sib'> r <si do si'> |
  66     <lab,sol'> \mg sol, \md r |
  67     <lab'sol'> \mg sol, \md r |
  68     <lab'sol'> \mg sol, \md r |
  69     <lab'sol'> \mg sol, \md r |
  70     <lab'sol'> <lab'sol'lab> r | R4.*3
  71     r4 <lab, sol'>8 r <si? sol' lab> r |
  72     R4. <mi do'>8 r4 | R4. <mi do'>8 r4 |
  73     R4. <re sib'>8 r4 R4. <re sib'>8 r4 |
  74     R4. <do sold'>8 r4 R4. <dod la'>8} r4 |
  75     R4.*2 s4.*2 |
  76     <la' re>4.\laissezVibrer s4.*3 |
  77     <mi' la>4.\laissezVibrer s4.*3 |
  78
  79     %%% A tempo %%%
  80     \ottava #1
  81     re''32\f \> re, re re,\! \ottava #0 s8 r R4.
  82     \ottava #1 re''32\> re, re re,\! \ottava #0 s8 r8 R4.*2
  83     <reb, lab'>4.--\mf\laissezVibrer R4.*2
  84     \pl {\st {<sol lab dod>16\fp[ <sol lab dod> sol \mg
  85     <lab, dod re> <lab dod re> <lab dod re>]} \md }
  86     {<lab'' re lab'>8\noBeam <sol, lab dod>16 s8.}
  87     \st {\stemDown <sol lab dod>16 <sol lab dod> <sol lab dod> \mg
  88     \stemUp <lab,dod re> <lab dod re> <lab dod re> \md |
  89     \stemDown <sol'lab dod> <sol lab dod> <sol lab dod> \mg
  90     \stemUp <lab,dod re> <lab dod re> <lab dod re> \md |
  91     \stemDown <sol'lab dod>\< <sol lab dod> \mg \stemUp <lab, dod re> <lab dod re>
  92     \md \stemDown <sol' lab dod> \mg \stemUp <lab, dod re>\! \md |
  93     \stemDown <lad' si mi> <lad si mi> <lad si mi> \mg
  94     \stemUp <lad, si fa'> <lad si fa'> <lad si fa'> \md |
  95     \stemDown <lad' si mi> <lad si mi> <lad si mi> \mg
  96     \stemUp <lad, si fa'> <lad si fa'> <lad si fa'> \md |
  97     \stemDown <lad' si mi> <lad si mi> <lad si mi> \mg
  98     \stemUp <lad, si fa'> <lad si fa'> <lad si fa'> \md |
  99     \stemDown <lad' si mi> <lad si mi> <lad si mi> \mg
 100     \stemUp <lad, si fa'> <lad si fa'> <lad si fa'> \md |
 101     \stemDown <lad' si mi> <lad si mi> <lad si mi> \mg
 102     \stemUp <lad, si fa'> <lad si fa'> <lad si fa'> \md |
 103     \stemDown <lad' si mi> <lad si mi> \mg \stemUp <lad, si fa'> <lad si fa'>
 104     \md \stemDown <lad' si mi> \mg \stemUp <lad, si fa'> \md \stemDown |
 105     <fa'' sib re>8-- <si,! fa' sib>16( \mg \stemUp <sold, mi'> \md \stemDown
 106     <si' fa'> \mg \stemUp <si,, sold'>
 107     \md \stemDown <mi' si'> \mg \stemUp dod, \md \stemDown
 108     <si''! fa' sib> \mg \stemUp <si, mi sold>
 109     \md \stemDown <fa'' sib re>8) |
 110     <si re mi fa>8-- <re, sol si>16( <reb, lab'> <re' sol> \mg \stemUp
 111     <fa,, reb'> \md \stemDown <lab' re>
 112     \mg \stemUp sib,, \md \stemDown <lab'' re sol>
 113     \mg \stemUp <lab, reb fa> \md \stemDown <re' sol si>8) |
 114     <mi sold si dod re>16--(\> <sib, fa'> <si' mi sold> \mg \stemUp <re,, sib'>
 115     \md \stemDown <fa' si mi>8) | <dod' re mi sol>16--(
 116     \mg \stemUp <fa,, si> \md \stemDown
 117     <sold' re'> \mg \stemUp <sib,, fa'>
 118     \md \stemDown <si' sold'>8) |
 119     <fa' solb lab dob>16-- \mg \stemUp <mib, lab>
 120     \md \stemDown <re' mib fa lab>-- \mg \stemUp
 121     <si, mi> \md \stemDown <si' do re fa>8--\! } | R4.*9 R8*5 R2.*3
 122
 123     %%% Adagio %%%
 124     \cmb #"p" #"très clair" <sib' fa' dod'>1\laissezVibrer R1*3 R1.
 125     \makeClusters { \ind #"dans les cordes" sol,16 la si do re2.} r2 |
 126     <la' re fa sib>1\laissezVibrer R1*2 R1.
 127     \makeClusters { \simile sol,16 la si do mi2. } r2 |
 128     <dod' mi do'!>2-- <la do sold'>--\laissezVibrer R1 R2. |
 129
 130     %%% Valse %%%
 131     \ottava #1
 132     r4 \det {<fa'' lab reb>2\ppp | r4 <sib, mib solb>2 \ottava #0
 133     r4 <mi, la do>2 | r4 <sib mib solb>2 | r4 <sold dod mi>2 |
 134     r4 <sol sib mib>2 | r4 <fa lab reb> r <mib lab dob> } |
 135     \mg \stemUp r8 re,8\p( mib sib' si \md fad'
 136     \stemNeutral sol8\< re' mib sib')\! | R2.*2
 137     \stemUp \t {r8 mi(\pp mib} \t {lab, sol do,} \t {si mi, mib} \mg
 138     \t {lab, sol do,)} \md \stemNeutral |
 139     \det {r2 \pl <do' fa lab>2\ppp <dod' mi la> |
 140     r4 \pl <sib, reb solb>2 <la' re fa>2 |
 141     r4 <sold dod mi>2 r4 <fad la re>2 | r4 <fa lab reb>2 |
 142     r4 <dod fad la>2 r4 <sib reb solb> r <la do fa>} |
 143     R1 \stemUp \ind #"non legato" re16\mp \< mib fa lab sib si dod mi fad sol la do |
 144     \stemDown <re, re'>8->\fp \stemUp \mg re,,-. \md \stemNeutral r4 |
 145     R2*6 r4 s R2*15
 146     \st {<fad' si mi>8\p r r4 <mi la re>8 r r4 <reb lab'>8 r r4 |
 147     R2*3 sib8-> r r4 <fa mi'>8-> r mi''' r } |
 148   }
 149   \relative {
 150     \partial 4 r4 R2.*3 R1
 151     \det {<mi,, mi'>2\rfz\laissezVibrer r4 <mi, mi'>4\laissezVibrer r4 <mi mi'>2\laissezVibrer |
 152     r4 <mi mi'>\laissezVibrer | r4 <mi mi'>\laissezVibrer mi'4 mi,2\laissezVibrer |R2*2 |
 153     r4 <mi mi'>2\laissezVibrer | R2*2
 154     r4 <mi mi'>2\laissezVibrer | R2 r4 <re' re'> |
 155     <dod dod'>2-> r4 } | R2*2
 156     <dod, dod'>2->-- r8 <sol' sol'>-. | r dod-. r <sol sol'>-. |
 157     dod4-- <dod, dod'>-- <sol' sol'>8-. dod--|
 158     R2 <sol sol'>4-- dod-- <sib sib'>8-. dod--~| dod <sol sol'>-. dod4-- |
 159     <dod, dod'>4-- <sol' sol'>8-. <dod dod'>4-- <sib sib'>8-. |
 160     r <dod dod'>4-- <sol sol'>8-. |
 161     <sib sib'>2--~<sib sib'>4 r2 |
 162
 163     %%% Tempo giusto %%%
 164     <re re'>8->-. r r4 |
 165     re'8-. \md re'-. \mg re,-. \md re'-. \mg |
 166     re,16(\< mib' \md re mib) re'->(\> mib, re \mg mib,) |
 167     \st {re,8\p re' re, re' | re, re' re, re' | re, re' re, re'} |
 168     <dod,dod'>16\pp\< <dod'dod'> <fa, fa'> <fa' fa'>
 169     <si, si'> \md <si' si'> \mg <mi, mi'> \md <mi' mi'> \mg |
 170     <fad, fad'> \md <fad' fad'> \mg <sol, sol'> \md <sol' sol'>
 171     <la, la'> <la' la'> <do, do'> <do' do'>\! \mg |
 172     R2. <lab,,lab'>2.--\mf( <re, re'>4) r2 |
 173     \ottava #-1
 174     <fad, fad'>2.-- <mib mib'>-- <do do'>-- |
 175     \ottava #0
 176     <sib' sib'>2-- <sol sol'>4--~ <sol sol'> <mi mi'>2-- |
 177     <re re'>2->--\laissezVibrer <re'' fa sib re>4->~
 178     <re fa sib re> <re mib fa lab do re>2-> |
 179     <dod,,dod'>1*1/2->--\laissezVibrer s2
 180     \t {\stemDown dod'2*1/4\laissezVibrer \stemUp <dod''re>8 dod,}
 181     \stemNeutral s4 R2 R2-\fermataMarkup
 182
 183     %%% Solo ténor %%%
 184     R1*2 R2. R1 R2. R1
 185     sol,2~ sol~ sol <sol fa'>2(~ <sol mib'>2.)
 186     <sol do>( <sol sib>2 <sol la>4~ <sol la> <sol lab>2)~
 187     <sol lab>2. <sol lab> <sol lab'>\arpeggio R2.*4 R4.
 188     s4.*2 R4.*2 s4.*4 R4.*3 r8 sol'(\mp lab-.) |
 189     \acciaccatura la16 sib8-.\> r \acciaccatura fad16 sol8-. |
 190     r fa-.\! r |
 191     \st { mi8 r4 sol8 r4 |
 192     mi8 r4 sol8 r4 |
 193     red8 r4 fad8 r4 |
 194     red8 r4 fad8 r4 |
 195     mi8 r4 mi8 r4 | re8 r4 re8 r4 } |
 196     \pl {do4.\pp\laissezVibrer R4. \oneVoice R4.*2}
 197     {r8 <mi'sol>8( <fa sib>
 198     <sol reb'> <sib do> <sib mib> \md
 199     <dod fad> <red sold> <fad la>
 200     <red sol> <fad la> <sold si>) \mg}
 201     \pl {do,,,4.\laissezVibrer \oneVoice R4.*3}
 202     {r8 <mi' la>( <fad do'> \md
 203     <la re> <do fa> <re sol>
 204     <fa lab> <sol sib> <lab reb>
 205     <sib mib> <dod mi> <red fad>) \mg}
 206     \pl {do,,,4.\laissezVibrer \oneVoice R4.*3}
 207     {r8 <sol'' do>( <la re> \md
 208     <do mib> <re fa> <mib lab>
 209     <fa sib> <sold si> <lad dod>
 210     <si mi> <dod fad> <mi sol>) \mg}
 211
 212     %%% A tempo %%%
 213
 214     %% FIXME: Issue #705
 215     \stemUp re,,,8->-. \md \stemDown re''-. \mg \stemDown re,-. \stemNeutral
 216     <sold, sold'>(\< <si si'> <dod dod'>)\> |
 217     \stemUp re,->-. \md \stemDown re''-. \mg \stemDown re,-. \stemNeutral
 218     <sold, sold'>(\< <si si'> <dod dod'> |
 219     re fa sol <lab, reb lab'>4.)\!\laissezVibrer R4.*2
 220     s4.*10
 221     \stemDown <si, si'>4.*1/3\f\laissezVibrer s4 s4.
 222     <sib sib'>4.*1/3\f\laissezVibrer s4 s4.*4 \stemNeutral
 223     si'8--\mf sib-- lab-- | fa-- r4 | R4.*7 R8*5 R2.*3
 224
 225     %%% Adagio %%%
 226     \det {<fad' re'>1\laissezVibrer R1*3 R1.*2
 227     <fad dod'>1\laissezVibrer R1*2 R1.*2
 228     <sold fa'>2 <fa dod' mi>2\laissezVibrer R1 R2. \clef treble
 229
 230     %%% Valse %%%
 231     r4 <mi'' la do>2 r4 <si re sol>2 |
 232     r4 <fa lab reb>2 | r4 <si, re sol>2 |
 233     r4 <la do fa>2 \clef bass r4 <fad si re>2 |
 234     r4 <fad la re> r <mi sol do> } |
 235     \stemDown \t {sol,,8( re' sol} \t {sib sol sib}
 236     \t {mib sib mib} \stemNeutral \t {fad mib fad} si4) | R2.*2
 237     \md \stemDown re'8( sol, mi \mg si lab mib do-- sol--) |
 238     \det { \stemNeutral do,2*2\laissezVibrer s2. r4 <la'' do fa>2 |
 239     r4 <fa sib reb>2 r4 <mi la do>2 |
 240     r4 <re fa sib>2 r4 <la re fa> r <sold dod mi> } |
 241     R1 \stemDown re'16 mib sol la
 242     sib \md do mib fa solb lab si dod \mg s4
 243     \st { \stemNeutral re,,,8 re' | re, re' re, re' |
 244     re, re' re, re' | re, re' re, re' |
 245     re, re' re, re' | re, re' re, re' |
 246     re, re' re, re' | re, re' \md re'\> \mg re, |
 247     re,\! r r4 | R2*14
 248     <re' sol do>8 r r4 <mi la re>8 r r4 <sol mib'>8 r r4 |
 249     R2*3 <sib, dob>8-> r r4 | <mi, re'>8-> r mi, r } |
 250   }
 251 }
 252
 253 ActeUnSceneUnPiano = { \Piano
 254   \PianoDeuxMains
 255   \relative { \clef bass
 256     \cmb #"p" #"sombre" do,8( do \t {do\> do do} do4--\! do--)\laissezVibrer s2. |
 257     r8 do\<( \t {do\> do do} do4--\! do--)\laissezVibrer s2. |
 258     r8 do\<( \t {do\> do do} do4--\! do--)\laissezVibrer s2. |
 259     r8 \simile do( \t {do do do} do4 do)\laissezVibrer s2. |
 260     r8 do( \t {do do do} do4 do)\laissezVibrer s2. |
 261     r8 do( \t {do do do} do4 do)\laissezVibrer s2. \clef treble |
 262     <la'' mib' si'>1\pp\arpeggio \laissezVibrer |
 263     <la, mib' si'>2.\arpeggio \laissezVibrer |
 264     <do' solb' mi'>1\arpeggio \laissezVibrer |
 265     <mi, sol red' fad>2.\arpeggio \laissezVibrer \clef bass |
 266     r8 <do,do'>\mp( \t {<do do'> <do do'> <do do'>} <do do'>4 <do do'>)\laissezVibrer s2. |
 267     r8 <do do'>( \t {<do do'> <do do'> <do do'>} <do do'>4 <do do'>)\laissezVibrer \clef treble |
 268     r4 <do' fa lab>2\arpeggio |
 269     s4 \pl <sib re lab'>\arpeggio <fa'' do'>\arpeggio
 270     s \pl <sib,, re lab'>\arpeggio <fa'' do'>\arpeggio
 271     \pl {s <sib,, re lab'> s} {<do' do'>--\pp <do do'>8( <do do'> \t {<do do'> <do do'> <do do'>)}} |
 272     <do do'>4 <re, fad dod'>\arpeggio s \pl <re fad dod'>\arpeggio <sold' mi'>\arpeggio s2. |
 273     R2.*7
 274     \det {<do, do'>4\fmolto <do do'>8 <do do'> \t {<do do'> <do do'> <do do'>} <do do'>4~} |
 275     <do do'>2. |
 276
 277     %%% Ad libitum %%%
 278     \cmb #"p" #"très clair"
 279     <lab do>16[( <fa mib'>) r <lab do>-.] <mi fad'>2.--~ <mi fad'>2*3/2\laissezVibrer
 280     R2. \clef bass | r2 <solb, sib>16[( <mib reb'>) r <solb sib>-.] <mi mi'>4--~ |
 281     <mi mi'>2*3/2\laissezVibrer | r2 <lab, do>16[\ffsubito <fa mib'> r <lab do>] |
 282
 283     %%% Agitato %%%
 284     <fad fad'>2\sfz r |
 285     R1 r4 <do' fa si>->\sfz r <do fa si>->\sfz | R1*3
 286     <do re>2--\mf <do re>4-- <do re>-- \t {<do re>\> <do re> <do re>}
 287     <do re>1--\p\laissezVibrer R1 |
 288     re2--\mf re4-- re-- \t {re\> re re}
 289     <do re>1--\p\laissezVibrer R1*2 |
 290     re2-- re4-- re-- \t {re--\> re-- re--}
 291     <sib re>1--\!\laissezVibrer s2
 292     \t {do4--( lab'-- mib--)} |
 293     <do si'>2-- r4 <do si'>2.-- | r4 <do si'> <do si'>2.-- r4 |
 294     r <do si'>--( <fa mi'>-- <lab sol'>-- \clef treble <mi' red'>2--) |
 295     r4 <sol do lab'>2.-- | r4 <mib' la re>2.-- r2 |
 296     s1 s2\> <sib fa' reb'>1\pp r2 R1. |
 297
 298     %%% Allegro non troppo %%%
 299     R1 R2. R1*5 R2. R1 R2. R1 R2. R1
 300     \ottava #1
 301     r16\f <reb' fa>( <do si'>16.-.) <sol' sib>32( <mi re'>2)\laissezVibrer s1
 302     \ottava #0
 303     R1*4 R2.*3 R1*6
 304
 305     %%% Moderato %%%
 306     R1*2 R2.*2 R1 R2. R1 R2. R1 s2. s1 s2. s1
 307     \ind #"molto legato" sib,,16 do sib'-- sib, do fa-- \mg fa, \md sib
 308     do \mg mib, \md sib' do |
 309     sib do sib'-- do, fa do'-- sib, do
 310     fa-- sib, do \mg mib, \md sib' \mg fa \md sib do |
 311     sib do sib'-- do, fa sib do-- mib, fa-- sib, do fa |
 312     sib, do-- reb do mib do fa-- sib, do fa sib do-- sib, do fa-- sib, |
 313     do sib'-- sib, do do'-- do, sib'-- sib, do'-- do, sib' sib, |
 314     do sib'-- do, sib' do-- sib, do sib'
 315     <sib, do>8->\mp r r2 | R1 \clef bass
 316     s2*2 r8 <sib, do>--( <la' dod>-- \clef treble <sib do sib' do>--)
 317     \pl <sold' re'>2--\laissezVibrer <sold' re'>--\laissezVibrer |
 318
 319     %%% Allegro marcato %%%
 320     \ottava #1 <fad' mi' fa!>4-.\mf <mib, mi'! fa>-.
 321     <fad' mi' fa>-. <mib, mi' fa>-. |
 322     <fad' mi' fa>-. <mib, mi' fa>-.
 323     \ottava #0 <fad, mi' fa>-. s | R1*3
 324     \ottava #1 <fad''do' fa!>4-.\mf <si, dod sol'>-.
 325     <fad' do' fa>-. <si, dod sol'>-. |
 326     <fad' do' fa> <si, dod sol'>-. \ottava #0 <sib, re lab'>-. s | R1*2
 327     r2 r4 <sib, mib sol>-.--\p
 328     <fad' si>2--( <sib, mib sol>8) r <sib mib sol>4-.-- |
 329     <fad' si>2--( <sib, mib sol>8) r r4 | R1 r2 r4 <sib mib sol>-.-- |
 330     <fad' si>2--( <sib, mib sol>8) r <sib mib sol>4-.--
 331     <fad' si>2--( <sib, mib sol>8) r r4 |
 332     R1*4 r2 r8 \ottava #1 \pl {do'16\pp la'?} {\t {do( fa lab)}}
 333     <mi reb'>4-. |
 334     r2 r8 \pl {do,16 la'?} {\t {do( fa lab)}} <mi reb'>4-. | \ottava #0 R1 \clef treble |
 335
 336     %%% Agitato %%%
 337     <re,,, do' re>2.--\f r4 |
 338     R1*3 \clef treble |
 339     \st {sib'''8->\p fa do mib-> sib fa fa'-> do |
 340     sib'-> fa do mib-> sib fa mib'-> sib |
 341     la'-> re, sol, fa'-> sib, mib, sol'-> do, |
 342     sib'-> mib, lab, mib'-> sib fa sol'-> do, |
 343     sib'-> mib, lab, si'-> fad dod sol'-> re |
 344     lab'-> mib sib fa sib mib lab-> mib |
 345     lab-> mib sib fa sib mib-> lab-> reb-> }| solb-> r r4 r1 |
 346     R1*3 R2. R2*5 R1*4
 347   }
 348   \relative {
 349     <do,,, do'>2--\ppp\laissezVibrer s2 fad2.--\laissezVibrer |
 350     <do do'>2--\laissezVibrer s2 fad2.--\laissezVibrer |
 351     <do do'>2--\laissezVibrer s2 fad2.--\laissezVibrer |
 352     <do do'>2--\laissezVibrer s2 fad2.--\laissezVibrer |
 353     <do do'>2--\laissezVibrer s2 fad2.--\laissezVibrer |
 354     <do do'>2--\laissezVibrer s2 fad2.--\laissezVibrer |
 355     \pl {<fa fa'>2 fa2\laissezVibrer}
 356     {s8 \ind #"en dehors" do''( \t {do do do} do4-- do)\laissezVibrer} fa,2. |
 357     \pl {fa,2 fa2\laissezVibrer}
 358     {s8 do''( \t {do do do} do4 do)\laissezVibrer} fa,2. |
 359     <reb, reb'>2\p reb2\laissezVibrer <reb' lab'>2.-- |
 360     reb,2-- reb2--\laissezVibrer<reb'-- lab'>2. |
 361     \pl <do sol'>4\arpeggio <mi' sib' re>\arpeggio s
 362     \pl <do,sol'>\arpeggio <mi' sib' re>\arpeggio s |
 363     <do, sol' mi'> s <sol' mi' sib'> |
 364     \pl <do,sol'>\arpeggio <mi' sib' re>\arpeggio s
 365     \pl <do,sol'>\arpeggio <mi' sib' re>\arpeggio s |
 366     \pl <do,sol'>\arpeggio <mi' sib' re>\arpeggio
 367     <do, do'>8\mp(\< <do do'> \t {<do do'> <do do'> <do do'>} |
 368     do4\!) r2 R2.*6
 369     \det {<do do'>4 <do do'>8 <do do'> \t {<do do'> <do do'> <do do'>} <do do'>4 |
 370     r8 <do do'>\mf\> \t {<do do'> <do do'> <do do'>} <do do'>4\!} |
 371
 372     %%% Ad libitum %%%
 373     <solb'' sib>16[( <mib reb'>) r <solb sib>-.] <do, re'>2.--~ <do re'>2*3/2\laissezVibrer |
 374     r4 do8\p( do \t {do do do} do2) r4 do,--\pp | do8 do \t {do do do} do4 |
 375     do8\< do \t {do do do} do16 do do do |
 376
 377     %%% Agitato %%%
 378     <re, re'>2*2\!\laissezVibrer R1 |
 379     r4 <do' fa si>-> r <do fa si>-> | R1*3
 380     <re, re'>2*3\laissezVibrer R1*2 |
 381     <re re'>2*3\laissezVibrer R1*3
 382     re'2*3\laissezVibrer
 383     re2*2 \ottava #-1
 384     \t {sib,8( mib fad} \t {si re sol)} s2 \ottava #0
 385     mib2*3--\laissezVibrer R1.*2
 386     mib8( mib') r4 r2 | \t {mib,8( fa' mi'!)} r4 r1 |
 387     \pl {mi,,,2*3\laissezVibrer }
 388     {\t {mi'4--\mf( si' sol'} \t {si, sol' \md mi'} \t {sol mi' si')}} \mg
 389     R1.*2
 390
 391     %%% Allegro non troppo %%%
 392     R1 R2. R1*5 R2. R1 R2. R1 R2. R1
 393     <sol,,,, sol'>2*3/2->--\laissezVibrer s1 R1*4 R2.*3 R1*6
 394
 395     %%% Moderato %%%
 396     R1*2 R2.*2 R1 R2. R1 R2. R1
 397     mib'16\mp\( mib' \md sib'( do) la-. fa'4..--\)\laissezVibrer |
 398     \mg r16 mib,( \md sib' do) \mg mib,( \md sib' do4.)
 399     \mg r16 mib,( \md sib' do) | \mg fa,,( fa' \md sib do~
 400     do4) sib16( fa' \mg fa, \md sib |
 401     do \mg fa, \md <sib do>2..) \mg |
 402     <mib,, mib'>4 <fa fa'>2*1/8 s16 s8 s4 |
 403     <mib mib'>8. <fa fa'>16~ <fa fa'>2*1/4 s8 s2 |
 404     <solb solb'>8. <lab lab'>16~ <lab lab'>2 |
 405     <solb solb'>4 <lab lab'>~ <lab lab'>16 <solb solb'>8. <lab lab'>8. <mib mib'>16~ |
 406     <mib mib'>8. <fa fa'>16~ <fa fa'>8 <solb solb'>~ <solb solb'>16 <lab lab'>8.~ |
 407     <lab lab'>4 r |
 408     \ind #"strict" <si, si'>16-- si'-. <do, do'>-- do'-.
 409     <si, si'>-- si'-. <re, re'>-- re'-.
 410     \simile <si, si'> si' <red, red'> red' |
 411     <si, si'> si' <fa, fa'> <fa' fa'>
 412     <solb, solb'> <solb' solb'> <fa, fa'> <fa' fa'>
 413     <la, la'>\< <la' la'> <lab, lab'> <lab' lab'>
 414     <sib, sib'> <sib' sib'> <sol, sol'> <sol' sol'> |
 415     \md \stemDown <sib' do>-.\mf si,-.
 416     \mg \stemUp <si,! sib' do>-. \md \stemDown si'-.
 417     <sib' do>-. \simile si, \mg \stemUp <si,! sib' do> \md \stemDown si' |
 418     <sib' do> si, \mg \stemUp <si,! sib' do> \md \stemDown si'
 419     <sib' do> si, \mg \stemUp <si,! sib' do> \md \stemDown si' \mg |
 420     <si,, si'>2\sfz\laissezVibrer s2 |
 421
 422     %%% Allegro marcato %%%
 423     <si' lad'>4-. \pl { \t {si'8\ff si si}} do'4-. <si,, do'>-. \pl si' lad' |
 424     <si,,lad'>4-. \pl { \t {si'8\ff si si}} do'4-. <si,, do'>
 425     \pl <si, si'> <sib'' do mi fa>\sffz |
 426     \ottava #-1
 427     r si,,\sfz r si\sfz r8 si-. \t {si-- si si} si-> r r4
 428     \ottava #0 | R1
 429     <si' lad'>4-. \t {<do' re>8\ff <do re> <do re>} <do re>4 si,-.-. |
 430     <si  lad'> \t {<do' re>8\ff <do re> <do re>} <do re>4
 431     \pl <si,, si'> <sib'' do mi fa>\sffz |
 432     \ottava #-1
 433     r si,,\sfz r si\sfz r8 si-. \t {si-- si si} si-> r r4 |
 434     \ottava #0
 435     r2 r4 <do'' fa>-.-- <mi sold dod>2--( <do fa>8) r <do fa>4-.-- |
 436     <mi sold dod>2--( <do fa>8) r r4 |
 437     \ottava #-1
 438     r si,,-.\pp r si-. r si-. si-.
 439     \ottava #0 <do'' fa>-.-- |
 440     <mi sold dod>2--( <do fa>8) r <do fa>4-.--
 441     <mi sold dod>2--( <do fa>8) r r4 |
 442     R1*7
 443
 444     %%% Agitato %%%
 445     <re,, re'>2.-- r4 | R1*3
 446     \st {sol'''8-> re la do-> sol re re'-> la |
 447     sol'-> re la do-> sol re do'-> sol |
 448     sol'-> do, fa, mi'?-> la, re, fa'-> sib, |
 449     sol'-> do, fa, do'-> sol re mib'-> lab, |
 450     sol'-> do, fa, mi'-> la, re, mib'-> sib |
 451     fa'-> do sol re sol do fa-> do
 452     fa-> do sol re sol do-> \clef treble fa-> sib->} |
 453     mib-> r r4 r1 | R1*3 R2. R2*5 R1*4
 454   }
 455 }
 456
 457 ActeUnSceneUnBisPiano = { \Piano
 458   \PianoDeuxMains
 459   \relative {
 460     R2.*6
 461     \stemUp \mg
 462     \ttt { \slurUp lab,16( sib reb mi sol do } \md
 463     \ttt { mib fa lab si dod mi} \ottava #1
 464     \t { sol la do} re32 mib sold la) \slurNeutral \stemNeutral
 465     <re, re'>4\f \ottava #0 r8 re,,->--~re4 r |
 466     R2. <re' re'>4\f <re, re'> \mg <re, re'>2 \md |
 467     R2.
 468     <do'' fa la re>4\sf\arpeggio \laissezVibrer <si do re fa la>2-- |
 469     \pl <fa solb lab>-- <dob' mib lab>-- <lab reb sol>4--\laissezVibrer |
 470     r4 <mid si' fad'>2--\laissezVibrer R2.*2 |
 471     \ottava #1 \pl {<si' sol'>8\ppp <si sol'>4-- <si sol'>8 <si sol'>4--~ <si sol'>4.}
 472     {<mi' re'?>8 <mi re'>4-- <mi re'>8\> <mi re'>4--~ <mi re'>8 <mi re'>4\!--}
 473     \ottava #0 r8\fermata r4 | R2.
 474     \ottava #1 \pl {<si, sol'>8\ppp <si sol'>4-- <si sol'>8 <si sol'>4--~ <si sol'>2~<si sol'>8}
 475     {<mi' re'>8 <mi re'>4-- <mi re'>8 <mi re'>4--~ <mi re'>4 <mi re'>4.--}
 476     \ottava #0 r8\fermata r4 | R1 R2 \clef bass
 477
 478     %%% Largo %%%
 479     do,,,8\pp do \t {do do do} do4-- do~ | do2\laissezVibrer R2.
 480     r8 do \t {do do do~ } do2.\laissezVibrer R2
 481     r8 do \t {do do do~ } do4~ do2.\laissezVibrer \clef treble
 482     r2 r4 <dob' lab' sib>-.\mp | <sib sol'>2-- r4 <dob lab' sib>-. |
 483     <sib sol'>2-- r4 |
 484     R2 <dob sib'>2\p\arpeggio r R2.*2 R2*2
 485     r2 r8 <la sib'>-.\mp <lab sol'>4-- r8 <la sib'>-. | <lab sol'>2--
 486     r8 <sol sib re sol>-.\mf r4 |
 487     r8 <la do mi sol>-. <do mi? sol sib>-. r r4 |
 488     r2 r8 <lab reb sol>-.(\< <reb fa sib>-. <mi sol lab sib reb>-.)\! |
 489     R2.
 490     r4 <sib re>--\mp <mib, sib' mib>2\>\arpeggio
 491     <sib' mib sib'>8-.\arpeggio r r4 |
 492     <fad la red>2.\!\arpeggio
 493     r2 <fad la red>4-- <mi sold mi'>2-- r4 |
 494
 495     %%% Adagio %%%
 496     r4 <mi' si'>2.\p\laissezVibrer R1 <mi si'>1\laissezVibrer |
 497     r2 r4 <mi si'>4\laissezVibrer R1 r2 <mi si'>\p\laissezVibrer |
 498     R1 r4 <mi si'>2.\laissezVibrer R1 <mi si'>1\laissezVibrer |
 499     r2 r4 <re la'>\laissezVibrer r2 r8 <re la'>4.\laissezVibrer |
 500     r2 <re la'>\laissezVibrer r4 r8 <re la'>~<re la'>2\laissezVibrer |
 501     r4 <re la'>2.\laissezVibrer r8 <re la'>~<re la'>2 r4 |
 502     <re la'>4\p <re la'>8( <mi sol> <do si'>4) <do si'>8( <mi sol> |
 503     <re la'>4) <re la'>8( <mi sol> <do si'>4) \simile <do si'>8 <mi sol> |
 504     <re la'>4 <re la'>8 <mi sol> <do si'>4 <do si'>8 <mi sol> |
 505     <re la'>4 <re la'>8 <mi sol> <do si'>4 <do si'>8 <mi sol> |
 506     <re la'>4 <re la'>8 <mi sol> <do si'>4 <do si'>8 <mi sol> |
 507     <re la'>4 \pl { <re la'>8\psempre <mi sol> <do si'>4 <do si'>8 <mi sol>
 508       <re la'>4 <re la'>8 <mi sol> <do si'>4 <do si'>8 <mi sol>
 509       <re la'>4 re re8 mi do4 do8 mi re4 do <do si'>8 <mi sol>
 510       <re la'>4 <re la'>8 <mi sol> <do si'>4 <do si'>8 <mi sol>
 511     <re la'>4 <re la'>8 <mi sol>}
 512     {mi'4 re re mi mi re re mi <la, mi'>8 <sol fad'> <si re>4 <si re>8 <sol fad'>
 513     <la mi'>4 <la mi'>8 <sol fad'> <si re>4 mi mi8 re fad4 fad8 re mi4 mi8 re fad4}
 514     <do, si'>4 <do si'> | <do si'> <do si'> <si' fad'> <si fad'> |
 515     <si mi> <do, si'> <do si'> <do si'> |
 516     <do si'> \pl {<sol' si> <sol si> <sol si>}
 517     {fad' fad8 re mi4 } |
 518     R1 r2 r4 <si fad'>--\pp | <re fad dod'>4--\fermata r r2 |
 519     R2 \ind #"secco" <dod, si'>8-.\p r <re si'>8-. r <re si'>-. r r4 \clef bass
 520     r4 <mi, si'>->--\f
 521   }
 522   \relative {
 523     \ottava #-1
 524     <dod,,, sold' dod>2.\ppp\laissezVibrer
 525     \ottava #0
 526     \loco <dod' dod'>2.-- dod4--\pp dod8 dod \t {dod dod dod} |
 527     \ottava #-1
 528     <dod, dod'>2.--
 529     \pl {fa4 dod}
 530     {\ttt {r16\p lad'( si dod mi sold} fa4) }
 531     \ottava #0
 532     \pl {fa4 dod}
 533     {\ttt {r16 lad'( si dod mi sold} fa4) }
 534     r2 |
 535     \stemDown
 536     \ttt { \slurDown lab,,16( sib reb mi sol do }
 537     \ttt { mib fa lab si dod mi} \md
 538     \ttt { sol la do re mib sold) \slurNeutral } \mg \stemNeutral
 539     <re,,, re'>4 r8 re->--~re4 r |
 540     <fad, fad'>2-- r4 |
 541     re' r s2 |
 542     \pl {sib4-- reb16( sib lab8->)~ lab4}
 543     {sib'-- reb16(\< sib lab8)->\!~lab4}
 544     <sol, sol'>2.\arpeggio \laissezVibrer s2 <lad'' si dod mi>4--\laissezVibrer
 545     r4 <re, mib fa lab do>2--\laissezVibrer R2.
 546     r8 <reb,reb'>8\pp~ <reb reb'>2~ <reb reb'>2.\laissezVibrer R2.
 547     r8 <reb reb'>8\pp~ <reb reb'>2~ <reb reb'>2.\laissezVibrer R1*2 R2
 548
 549     %%% Largo %%%
 550     <do, do'>2\ppp~ <do do'>~ <do do'>\laissezVibrer R2.
 551     r8 do' \t {do do do} do4 do2\laissezVibrer R2
 552     r8 do \t {do do do} do4~do2.\laissezVibrer
 553     r2 r4 <fad sol'>-. | <reb do'>2-- r4 <fad sol'>-. |
 554     <reb do'>2-- r4 |
 555     <lab lab'>2\p~ <lab lab'> r2 |
 556     R2.*2 R2*2
 557     r2 r8 <solb' lab fa'>-. <reb sib'>4-- r8 <solb lab fa'>-. <reb sib'>2-- |
 558     r8 reb-. r4 | r8 la'-. <mib mib'>-. r r4 |
 559     r2 r8 sib-.( mi!-. si'-.) | R2.
 560     r4 sib-- <sol>2\arpeggio ~ sol
 561     <fad>2.\arpeggio r2 si4-- mi,2-- r4 |
 562
 563     %%% Adagio %%%
 564     R1*5 r2 sol\laissezVibrer
 565     r4 r8 <dod, dod'>8~ <dod dod'>2\laissezVibrer |
 566     r4 <sol sol'>2.\laissezVibrer r8 <dod dod'>~<dod dod'>2.\laissezVibrer |
 567     <sol sol'>1\laissezVibrer r2 r4 <sib sib'>\laissezVibrer |
 568     r2 r8 <sol sol'>4. | r2 <sib sib'>2\laissezVibrer |
 569     r4 r8 <sol sol'>~ <sol sol'>2\laissezVibrer |
 570     r2 <sol sol'>~ <sol sol'>4 r r2 |
 571     <mi mi'>1~ <mi mi'>2. <mi mi'>4~<mi mi'>1~<mi mi'>2 r |
 572     R1*7 r2 <fa''? do'>4 <fa do'> | <sol do> r r2 |
 573     r4 \pl {fa4 fa8 la sol4 } {<do mi> <do mi> <do mi>} |
 574     R1 r2 r4 <do mi>-- <fa,? do'? mi>--\fermata r r2 |
 575     R2 re8-. r sold,-. r fa-. r r4 | r <dod sold'>->-- |
 576   }
 577 }
 578
 579 InterludeUnPiano = { \Piano
 580   \PianoDeuxMains
 581   \relative {
 582     R1. R1*3 R1. R1 R1.*2 R1*2 R1.*2 R1 R2. R2 R2.
 583     <fa' sol sib do fad>1\laissezVibrer \mf
 584     r4 r8 \ind #"en dehors" mi,32->(\ff fa16.)~ fa4 r |
 585     r8 <mi mi'>32->( fa16.)~ fa2 <sol, mi' sol>16(\f <sib fa' sib>8.)~ <sib fa' sib>2 |
 586     r2 <sol mi' sol>8\mf ( <sib fa' sib>4.)~ |
 587     <sib fa' sib>8 <mi sol>32( <fa sib>) <do sol' do>16->~ <do sol' do>4
 588     \clef bass r8 <mi, si' mi>16\>( <fa re' fa>)~ <fa re' fa>8 r |
 589     <re sol re'>2\p <sol mi' sol>( <sib fa' sib>4) r | R1 \clef treble
 590     <fa sol mi'>4---> <sold' red' la'>---> \ottava #1 <la' red sib'>---> |
 591     \ind #"très clair" fad'16\pp ( sol fad re do re fad sol fad re do re |
 592     fad4) fad16( sol fad re do re fad sol |
 593     fad4) \ottava #0 r2 R2.*3
 594     fad16( sol fad re do re fad sol fad re do re |
 595     fad4) r2 | R2.*2
 596     fad16( sol fad mi dod mi fad sol fad mi dod mi |
 597     fad4) r2 R2.*4
 598   }
 599   \relative {
 600     R1. R1*3 R1. R1 R1.*2 R1*2 R1.*2 R1 R2. R2 R2.
 601     <sol,, sol'>1\laissezVibrer r4 r8 mi''32->( fa16.)~ fa8 do,-- sib-- dod-- |
 602     <sol sol' re'>1\arpeggio r8 <dod dod'>4.-- |
 603     sol'8 <sol, sol'>-- sol' <sol, sol'>--
 604     sol' <sol, sol'>-- sol' <sol, sol'>-- |
 605     sol' <sol, sol'>-- sol' <sol, sol'>--
 606     sol' <dod, dod'>-- dod'-- <dod, dod'>-- |
 607     <sol sol'>16 sol' <sol, sol'> sol'
 608     <sol, sol'> sol' <sol, sol'> sol'
 609     <sol, sol'> sol' <sol, sol'> sol'
 610     <sol, sol'> sol' <sol, sol'> sol'
 611     <sol, sol'> sol' <sol, sol'> sol'
 612     <sol, sol'> sol' <sol, sol'> sol' |
 613     <sol, sol'> sol' <sol, sol'> sol'
 614     <sol, sol'> sol' <sol, sol'> sol'
 615     <dod, dod'> dod' <dod, dod'> dod'
 616     <dod, dod'> dod' <dod, dod'> dod' |
 617     <fad,, fad'>8-- <fad fad'>-- <fad fad'>--\> <fad fad'>-- <fad fad'>-- <fad fad'>-- |
 618     <sol sol'>2--\! r4 | R2.*15
 619   }
 620 }
 621
 622 ActeUnSceneDeuxPiano = { \Piano
 623   \PianoDeuxMains
 624   \relative {
 625     %%% Air de la Soprano2 %%%
 626
 627     \repeat unfold 6 {R2.*2 R1*2} R2. | \clef bass
 628     dod,8\p( re fad sold) fad( re) | dod1--\mp~ dod~ |
 629     dod2 r4 | re-. fad8( sold fad4-.) |
 630     mi8(\pp fa la si la fa) mi( fa |
 631     la si la4) fa8( la si re | si4) \clef treble la8( si re fa |
 632     re4) fa8( sol si do) |
 633     \ottava #1 si''8\pp( do si sol fa sol si4) |
 634     si8( do si sol) fa( sol si do) |
 635     si( do si sol) fa( sol | fa re) si( re la4) |
 636     \ottava #0
 637     <lab, lab'>1--\mf ~ <lab lab'>2. r4 | R2.*2 R1*2 |
 638     R2. lab8(\> re, do lab) s4 \clef bass |
 639     r4\pp <re, sold>2.\arpeggio \laissezVibrer R1 |
 640     R2. \clef treble |
 641     r4 r8 \ottava #1 \st {fa''''!(\ppp sol,!4) | \ottava #0
 642     r4 r8 \ottava #1 fa'( do sol) sold( re) |
 643     do'( sol re sold la,4) \ottava #0 r | R2.*2 |
 644     r4 \ottava #1 fa'' \ottava #0 r2 R1 | R2.*2 |
 645     r8 \ottava #1 fa( do sol) fad'( si, mi,4) |
 646     \ottava #0 R1 | R2. |
 647     r8 \ottava #1 fa'!( do sol lad'4) |
 648     red,4} \ottava #0 r r2 |
 649
 650     %FIXME: line breaks make the "15ma" text move to the left.
 651     r2 \ottava #2
 652     sol!4-. do-. | si8( sol fa4-.) si8( do |
 653     si sol fa sol si4-.) |
 654     sol4-. fa8( do' si4-.) do8( si |
 655     sol fa sol si-.) r do( fa, sol |
 656     si4-.) do-. fa,-. | si8( sol fa sol si4-.) |
 657     si8( do si sol) fa( sol si do |
 658     si sol) fa( sol) si4-. si8( do |
 659     si sol) fa( sol si do | si sol) fa( sol) si4-. |
 660     si8( do si sol fa4-.) si8( do |
 661     si sol fa sol si4-.) si8( do |
 662     si sol fa4-.) si8( do |
 663     si sol fa sol si4-.) |
 664     si8(\> do si sol fa4-.) si8( do |
 665     si sol fa sol si4-.)\! r |
 666     \ind #"quasi niente" si8( do si sol fa4)\laissezVibrer
 667     \ottava #0 | R2. R1 | r2
 668     \ottava #1 <si,, dod lad'>2--\pp\fermata \ottava #0 |
 669
 670     %%% Récitatif %%%
 671     R2.*2 R1 R2.*3 R1 R2.*5
 672     <sol, lab mib'>8->-.\sf r r2 \clef bass
 673     r8 \t {sold,,16(\mf la si} re8-.) r |
 674     R2. R1*2 R2.*5 R1
 675
 676     %%% Duo %%%
 677     <re sib' re>8-.\pp
 678     \repeat unfold 32 <re sib' re>-.
 679     <re sib' re>( <mi do' mi>-.)
 680     \repeat unfold 12 <mi do' mi>-.
 681     <mi do' mi>( <sol red' fad>-.)
 682     \repeat unfold 7 <sol red' fad>-.
 683     \repeat unfold 8 <fa reb' solb>-. r4 \clef treble |
 684     R2
 685     \repeat unfold 12 { r8 <si fa' sol>-.}
 686     <si fa' sol>-. r <si fa' sol>-. <si fa' sol>-. \clef bass |
 687     r4 \det {<mi, fad lad> <fad lad dod>
 688       <si, mi> <fad' lad dod> \clef treble
 689     <dod' mi sold> <mi lad red> |
 690     <fad, lad mi'>\< <lad dod sold'> <mi' lad red> <sold mi' lad> |
 691     <do sol' re'>\mf \clef bass <mib,, sib'> <sib' fa'> |
 692     <lab, mib'>\> \clef treble <sib' fa' do'> <fa' do' sol'> |
 693     <si fad' sol re'>\pp\arpeggio }
 694     <fad' si>8-. <fad si>-. <red fad>-. <red fad>-. |
 695     <lad red>-. <lad red>-. r4 r2 \clef bass |
 696
 697     %%% Piu vivo %%%
 698     r4 sol,,16(\mp lab sol sib) lab( sib lab reb) |
 699     sib( reb sib mib) reb( mib reb mi)
 700     red( mi red fad) mi( fad mi la) |
 701     fad(\< la fad si) la( si la do)
 702     si( do si re) \clef treble |
 703     do( re do fa) re( fa re sol) fa( sol fa lab) \clef bass |
 704     \mg \dynamicUp <sol,,, sol'>8(\mf \dynamicNeutral
 705     \md sol') \mg <re' sol>-. \md
 706     <fa sib reb mib>->~ <fa sib reb mib>2 |
 707     dod2-- dod4--
 708     \mg sol,8( re') \md sol-. \mg <re' sol>-.
 709     \md <fa sib reb mi!>2-> |
 710     dod2.--
 711     \mg sol,8( re') \md lab'( sol) \mg <re' sol>-. \md
 712     <sol sib dod fad>4.-> |
 713     dod,4-- r2 \clef treble | R2.
 714     \mg sol,8( re') la'-. \md <la' re mi sold>4.->\laissezVibrer R2.
 715     \mg si,,8( fad') dod'-.\md <la' re mi sold>4.->\laissezVibrer R2.
 716     \mg <re,,, re'>8.(\fsempre re''16) \md <si' mi>8-.
 717     <re sold la>4.->\laissezVibrer R2.*2
 718     r8 <re' mi re' mi>-.->\mf r2 | R2.*2 \clef bass
 719     r4 r8 <re,, sold dod>->-.\mp r4 | R2.
 720     \pl {fa2 s2} <sib re fa>1\arpeggio\fmolto
 721     <sib re>1\arpeggio \clef treble
 722     <si' re mi>2--->\p\laissezVibrer r \clef bass |
 723
 724     %%% Tempo giusto %%%
 725     <re,, sib' re>8-.\p
 726     \repeat unfold 14 <re sib' re>-.
 727     <re sib' re>( <mi do' mi>-.)
 728     \repeat unfold 6 <mi do' mi>-.
 729     <mi do' mi>( <red si' red>-.)
 730     \repeat unfold 7 <red si' red>-.
 731     <sol si>-. <sol si>-. <sol si>-. <sol si>-. \clef treble
 732     \t {r si(\< si'} \t {la la' do)} |
 733     <dod, dod'>2->--\f r4 \clef bass |
 734     r8\mf <si,, re>( lad' <si, re>) \clef treble
 735     r <fa''' si>( mi' <fa, si>) \clef bass |
 736     r  <si,,,re>( lad' <si, re>) \clef treble
 737     r <fa''' si>( mi' <fa, si>) | R2.
 738     <lab, lab'>2\mp\arpeggio \clef bass |
 739     r8 <re,, sold>(\mf dod' <re, sold>) \clef treble
 740     \ottava #1 r <do''' fa>( <si' mi> <do, fa>)
 741     \clef bass \ottava #0 r <re,,, sold>( dod' <re, sold>)
 742     \clef treble \ottava #1
 743     r <do''' fa>( <si' mi>2.) \ottava #0
 744     \tt {la,,,16(\f mi' si' re mi} \stemUp <si la'>4--) |
 745     <la si'>4-- <la si'>-- \stemNeutral |
 746     \tt {la'16( sol, la re mi} \stemUp <si la'>4--) |
 747     <la si'>-- <la si'>-- <si la'>-- s
 748     <mi re'>8-- \t {la,16( re sol} <mi re'>4--) |
 749     <re mi'>-- <re mi'>-- <mi re'>-- R2.
 750     R1 R2.*3 R2 R2. R1*4
 751   }
 752   \relative {
 753     %%% Air de la Soprano2 %%%
 754
 755     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2. r2 mi,4--\mp~ |
 756     mi1~ mi2 r4 fad8(\< sold) | si2.\!~|si2 r4|
 757     R1*2 | re,4-.\mp si'-. sold8( fad |
 758     re4-.) sold8( fad re dod) |
 759     sold1-- | re'8( fad sold4-.) re8( dod) sold4--~ |
 760     sold2.| R2. | dod,1--~ dod~ | dod2 r4 |
 761     re-. fad8( sold) fad( re) |
 762     <dod dod'>1~ <dod dod'>~ | <dod dod'>2 r4 | R2.|
 763     << {\voiceTwo <mi mi'>1--\mp~\laissezVibrer s1
 764     <dod dod'>2.~ <dod dod'>2 }\\
 765     { \voiceOne r2 \clef treble fa''8( sol si do
 766       si sol) fa( sol si4) r4 \clef bass
 767     r4 la,8( si re4) si8( re fa sol) } >> r4
 768     <sol,,,! sol'!>1--~ <sol sol'>2. r4 | R2.*2 |
 769     <sol sol'>1--\mf~ <sol sol'>2. r4 |
 770     R2. << {s2 sol''8( re) s1 s1
 771     dod8( re) fad2--~ fad r4 s1 s2.} \\
 772     {R2. <sold,, sold'>1--~ <sold sold'>~
 773       <sold sold'>2.~ <sold sold'>~
 774     <sold sold'>1~ <sold sold'>2.}>> r4
 775     R2.*2 R1*2 R2.*2 R1*2 R2.*2 \clef treble
 776     <re''' la'>1\pp\laissezVibrer r2 \ottava #1
 777     sol''!4-. do-. | si8( sol fa4-.) si8( do |
 778     si sol fa sol si4-.) |
 779     sol4-. fa8( do' si4-.) do8( si |
 780     sol fa sol si-.) r do( fa, sol |
 781     si4-.) do-. fa,-. | si8( sol fa4-.) si8( fa) | sol1--~|
 782     sol2. \ottava #0 r4 | R2.*2 |
 783     R1*2 |R2.*2 | R1*2 | R2.*2 |
 784     R1 r2 <la,,! do!>2--\fermata \clef bass |
 785
 786     %%% Récitatif %%%
 787     r4 r8 mi,4.\mp dod2.\laissezVibrer R1 R2.
 788     r4 r8 reb4. sib2.\laissezVibrer R1 R2.*2
 789     r4 r8 mib4 lab,8~ lab2.\laissezVibrer R2.
 790     <lab mi'>8-.-> r r2 |
 791     r8 \t {sold,16( la si} re8-.) r |
 792     R2.
 793     sol!1\pp\laissezVibrer R1 R2.*5 R1
 794
 795     %%% Duo %%%
 796     \repeat unfold 17 <re sib'>4-.--
 797     \repeat unfold 7 <reb lab'>-.--
 798     \repeat unfold 4 <si lad'>-.--
 799     \repeat unfold 4 <sib la'>-.-- r
 800     R2 \det {reb'4\mp reb lab reb lab fa lab reb lab fa reb |
 801     reb' r8 lab r4 |
 802     <mi, mi'> <mi' si'> si' |
 803     <mi,, mi'> <si'' mi> <mi fad> <lad dod> |
 804     <mi, si'> <si' mi fad> <mi, si'> <si' fad' dod'> |
 805     <reb,, reb'> <reb' lab'> <lab' mib'> |
 806     <reb,, reb'> <reb' lab' mib'> <lab' mib' sib'> |
 807     <mib' sib' dob solb'>\arpeggio }\clef treble
 808     <sib'' mib>8-. <sib mib>-. <sol sib>-. <sol sib>-.
 809     <re sol>-. <re sol>-. r4 r2 \clef bass |
 810
 811     %%% Piu vivo %%%
 812     r4 sol,,,16( lab sol sib) lab( sib lab reb) |
 813     sib( reb sib mib) reb( mib reb mi)
 814     red( mi red fad) mi( fad mi la) |
 815     fad( la fad si) la( si la do) si( do si re)  |
 816     do( re do fa) re( fa re sol) fa( sol fa lab) |
 817     s1 dod,,2.-- s1 dod4-- dod2-- |
 818     s1 dod4-- r2 | R2.
 819     s2. R2. s2. R2. s2. R2.*5
 820     %FIXME: keep this staff alive
 821     r4 r8 <re mi>->-. r4 | R2.
 822     \pl <fa, fa'>1*1/2->--\arpeggio <sib' re>2\arpeggio fad'(
 823     sol\arpeggio lab)\laissezVibrer R1 |
 824
 825     %%% Tempo giusto %%%
 826     \repeat unfold 8 <re,, sib'>4-.--
 827     \repeat unfold 4 <dod la'>-.--
 828     \repeat unfold 4 <si red si'>-.-- |
 829     <si sol'>-.-- r8 <sib sib'>4->--\f
 830     <lab lab'>->-- <si si'>8->-. |
 831     <sol sol'>2->-- r4 |
 832     <sol sol'>2--~ <sol sol'>8 sol'\f \t {sol sol sol} |
 833     <sol,sol'>2--~ <sol sol'>8 sol' \t {sol sol sol} |
 834     <sol,sol'>8-- r r2 | r4 \t {re''8( si dod) } |
 835     <sold,sold'>2--~ <sold sold'>8 sold'\f \t {sold sold sold} |
 836     <sold,sold'>4--~ <sold sold'>8 sold' \t {sold sold sold} |
 837     <sold,sold'>8 r r <sold sold'>--( <fad fad'>-- <la la'>--) |
 838     \pl <fa fa'>2->--\laissezVibrer
 839     {s4 \stemUp \ttt {mi''16( la re \stemDown \md sol si mi)} }
 840     \mg \stemUp \ttt {si,,( mi la re \stemDown \md sol mi')}
 841     \mg \stemUp \ttt {sol,,,(re'la' \stemDown \md mi' si' sol')}
 842     \mg \stemNeutral \pl <fa,,,, fa'>2->--\laissezVibrer
 843     {s4 \clef treble \stemUp
 844     \ttt {re'''16( mi fa sol \stemDown \md si mi) \mg \clef bass } }
 845     \stemUp \ttt {sol,,( do re \stemDown \md la' si mi)}
 846     \stemUp \mg \ttt {do,,( sol' re' \stemDown \md la' mi' si') \mg}
 847     fa,,,32( la si mi \md sol la do re) \mg  \clef treble \stemNeutral
 848     mi( fa sol la \md si re mi la) \mg \clef bass |
 849     \pl <fad,,,, fad'>2->--\laissezVibrer
 850     {s4 \stemDown \clef treble
 851     \ttt {sol''16( re' la' \md mi' fad si) } }
 852     \mg \ttt {fad,,( si mi \md la re sol) }
 853     \mg \clef bass \ttt {fad,,,( mib' sib' \md fa' do' sol')}
 854     \mg \clef treble \ttt {fa,( si mi \md \ottava #1
 855     sib' mib la) } \ottava #0 \mg R2.
 856     R1 R2.*3 R2 R2. R1*4
 857   }
 858 }
 859
 860 InterludeDeuxPiano = { \Piano
 861   \PianoDeuxMains
 862   \relative {
 863     R1 R2. R2 R2. R2 R2. R2
 864     R2*13 r4 \acciaccatura red'16 <mi, mi'>4\p
 865     <si re>1~ <si re>~ <si re>~ <si re>4 r r2 | R2.
 866     <la re>1~ <la re>2 r4 | R2.
 867     <fa si re mi>2-- r | R2. <fa sold mi'>4-- r |
 868   }
 869   \relative {
 870     R1 R2. R2 R2. R2 R2. R2
 871     R2*14
 872     \pl {<la, mi'>1~ <la mi'>~ <la mi'>~ <la mi'>4 }
 873     {s2 mi''4-.--\laissezVibrer mi,-.--\laissezVibrer
 874     s2 mi'4-.--\laissezVibrer mi,-.--\laissezVibrer
 875     s2 mi'4-.--\laissezVibrer mi,-.--\laissezVibrer s } r r2 | R2.
 876     \pl {<fa, do'>1~ <fa do'>2}
 877     {s2 mi''4-.--\laissezVibrer mi,-.--\laissezVibrer s2} r4 |
 878     R2. <dod, la'>2-- r | R2. <dod la'>4-- r |
 879   }
 880 }
 881
 882 ActeUnSceneTroisPiano = { \Piano
 883   \PianoDeuxMains
 884   \relative {
 885     R2.*20 \clef bass sol2.~\mp sol4 r sol8\> sol sol2.~\! sol4 r8 sol \t {sol\> sol sol} |
 886
 887     %%% Lamento %%%
 888     sol1.\!\laissezVibrer r1 r4 sol4~\p sol1 la2~-- la1~ la8 la\> \t {la la la~} la1\! r2 |
 889     sib,8\mp sib \t {sib--\> sib-- sib~--} sib4\! r r2 |
 890     \simile dob8  dob \t {dob dob dob~} dob4 r2 |
 891     r8    sib \t {sib sib sib~} sib4 r2 |
 892     r8    dob \t {dob dob dob~} dob4 r2 |
 893     r8    sib \t {sib sib sib~} sib4 r2 |
 894     r8    dob \t {dob dob dob~} dob4 r2 |
 895     r8    mi,\mf \t {mi  mi  mi~ } mi4  r  |
 896     r8    mi  \t {mi  mi  mi~ } mi4  r  |
 897     r8    mi  \t {mi  mi  mi~ } mi4  r  |
 898     r8    mi  \t {mi  mi  mi~ } mi4  r  |
 899     <do'do'>4.\f <do do'> <do do'>4-- <do do'>-- <do do'>-- <do do'>4.---> r8 r4 | R2*2
 900
 901     %%% Tempo I %%%
 902     R2.*14
 903
 904     %%% Tempo II %%%
 905     R1. r8 do,\mp \t {do do do} do4-- do2.--\laissezVibrer | R1.*4 R1*5/4
 906     <si'' red sold>1\pp\arpeggio \laissezVibrer R2. r4 <mid, lad mid'>--
 907   }
 908   \relative {
 909     do,,8.--\mp do16~-- do8 do\< do do | do2.--\! |
 910     do8.-- do16~-- do8 do\< do do | do2.--\!\laissezVibrer
 911     R2.*7
 912     si8.\p si16~ si8 si\> si si | sib2.\pp |
 913     si8. si16~ si8 si\> si si | sib2.\! |
 914     si8.-- si16~-- si8 si\> si si | \ottava #-1 <re, dod'>2.\p\laissezVibrer \ottava #0
 915     R2.*7
 916
 917     %%% Lamento %%%
 918     R1.*5 sib'2\pp( re4) r r2 reb( fa4) r2 sib,( reb4) r2 re( fa4) r2 sib, reb4 r2 mib si4 r2|
 919     \ottava #-1
 920     mi,2\p r mi r mi r mi r <reb reb'>4. <reb reb'> <reb reb'>4-- <reb reb'>-- <reb reb'>--|
 921     <reb reb'>4.---> \ottava #0 r8 r4 | R2*2
 922
 923     %%% Tempo I %%%
 924     R2.*3
 925     r4 mi'--\pp r r mi-- r r mi-- r \ottava #-1 |
 926     <mi,mi'>--\mp <mi mi'>-- r <mi mi'>-- <mi mi'>-- r
 927     <mi mi'>\< <mi mi'> <mi mi'>\!
 928     \ottava #0 R2.*5
 929
 930     %%% Tempo II %%%
 931     R1. \ottava #-1 do1.\pp\laissezVibrer \ottava #0 R1.*4 R1*5/4
 932     <do' sol' mi'>1\arpeggio \laissezVibrer R2.
 933     r4 <si fad' si>--
 934   }
 935 }
 936
 937 ActeUnSceneTroisBisPiano = { \Piano
 938   \PianoDeuxMains
 939   \relative {
 940     R1*3 \cmb #"p" #"très clair" <do fad>8 <red la'>~ <red la'>2 r4 |
 941     R1*2 <mi, la red>8 <sol do fad>~<sol do fad>2 r4 |
 942     R1 r2 <do mib>4-- <si fa'>-- | \ten <fad fad'>1~ <fad fad'>~ <fad fad'>2. r4 |
 943     R1*8 r2 r4 dod'--\mp | <mi sol>-- r r2 |
 944     r2 \t {r16 <lad, dod mi>8--\p <lad dod mi>-- <lad dod mi>16-.}
 945     \t {r16 <lad dod mi>8-- <lad dod mi>-- <lad dod mi>16-.} |
 946     \t {r16 <sold lad dod mi>8-- <sold lad dod mi>-- <sold lad dod mi>16-.}
 947     \t {r16 <sold lad dod mi>8-- <sold lad dod mi>-- <sold lad dod mi>16-.}
 948     \t {r16 <dod mi sol la>8-- <dod mi sol la>-- <dod mi sol la>16-.}
 949     \t {r16 <mi sol la do>8-- <mi sol la do>-- <mi sol la do>16-. } |
 950     <fad,fad'>1~\ppsubito <fad fad'> R1
 951     <sol red' fad>\pp\arpeggio %%% Tomb Raider II !!!
 952     <sol fad'>2-- <sol fad'>-- <sib do fad>-- <sib do fad>-- <sib do fad>-- <sib do fad>-- |
 953     <sib do fad>-- <sib do fad>-- <sib do fad>-- <sib do fad>-- <sib do fad>-- <sib do fad>--\>|
 954     <sib fad' la>2.\!\arpeggio r4 R2. R1*2
 955     \tt {fad16\ppp( sol la do re)}\tt {fad,( sol la do re)}\tt {fad,( sol la do re)}\tt {\simile fad, sol la do re}
 956     \tt {fad, sol la do re} \tt {fad, sol la do re} \tt {fad, sol la do re} \tt {fad, sol la do re}
 957     \tt {fad, sol la do re} \tt {fad, sol la do re} \tt {fad, sol la do re} \tt {fad, sol la do re}
 958     \tt {fad, sol la do re} fad, sol la do re fad, sol la do re fad, sol |
 959     la do re fad, sol la do re \t {fad,8( sol la} \t {do re) fad,(} |
 960     \t {sol la do} \t {re) fad,( sol} \t {la do re)} fad,( sol |
 961     la do re) fad,( sol la do re) | <fad, fad'>1~\mp <fad fad'>~ <fad fad'>~ <fad fad'>2. r4 |
 962     R1*6 \cmb #"p" #"très clair" <sib mi la>8 <reb mi sol do>~ <reb mi sol do>2 r4 |
 963     do2~\p do8 do\< \t {do\> do do} do4\! do2.\laissezVibrer | R1*9
 964     <sol' dod fad>2*2/1\mp\laissezVibrer <sol dod fad>2*2/1\laissezVibrer
 965     <sol dod fad>2*2/1\laissezVibrer R1
 966   }
 967   \relative {
 968     R1*3 <dod, la'>8 <sib mi sol>~<sib mi sol>2 r4 |
 969     R1*2 \pl re,2. {sib'8 <sold dod>~<sold dod>2} r4 |
 970     R1 r2 <lad mi>4-- sold-- \ten <fad, fad'>1~ <fad fad'>~ <fad fad'>2. r4 |
 971     R1*8 r2 r4 sib''-- <fa lab>-- r r2 |
 972     R1 \t {<si,, si'>8--( <fa' fa'>-- <re re'>--)} \t {<si si'>--( <fa' fa'>-- <re re'>--)}
 973     \t {<si si'>--( <la la'>-- <fa' fa'>--)} \t {<re re'>--( <si si'>-- <la la'>--)} |
 974     <fad fad'>1~ fad'8 fad\pp \t {fad fad fad} fad2
 975     R1
 976     <si>1\arpeggio si2-- si-- <si sol'>-- <si sol'>-- <si sol'>-- <si sol'>-- |
 977     <si sol'>-- <si sol'>-- <si sol'>-- <si sol'>-- <sold mi'>-- <sold mi'>-- |
 978     <do, sold' mi'>2.\arpeggio r4 | R2. R1*2
 979     R1*7
 980     <fad, fad'>1~ fad'4~ fad8 fad\pp \t {fad fad fad} fad4~ fad1~ fad2. r4 |
 981     R1*6 \cmb #"p" #"très clair" <la re fa>8 <fad si sold'>~<fad si sold'>2 r4 | R1*11
 982     <fad' do'>2*2/1\laissezVibrer <fad do'>2*2/1\laissezVibrer
 983     <fad do'>2*2/1\laissezVibrer R1
 984   }
 985 }
 986
 987 ActeUnSceneTroisTerPiano = { \Piano
 988   \PianoDeuxMains
 989   \relative {
 990     R2*3 R2. R2*2 R2.
 991     <re re'>8-.->\p r r2 R2.*2 |
 992     <si fad' sol re'>2\p\arpeggio r4 |
 993     <sib sib'>8-.-> r r2 | R2. R1*2
 994     r4 r8 r16 \ottava #1
 995     \st {
 996     \pl {sol'''\p <fad, fad'>8 <lab lab'>16 <mi mi'><sol, sol'> re''}
 997     {<sol sol'>16 fad <fa fa'> lab mi sol, <re' re'>} r8 |
 998     r4 r16 <si si'> <la la'> <mi mi'> r <red red'> r <fa fa'> r4 |
 999     r8 r16 \pl {mib la, fa' mi'8} {mib16 la fa <mi mi'>8} r
1000     <si si'>16 <do do'> <sib sib'>8 r |
1001     r16 <solb solb'> <fa fa'>8 r <do' do'>16 <reb reb'> <si si'>8 r16 <fa fa'>
1002     r \stemDown <sol, sol'>\noBeam \stemUp <fad'' fad'>8\noBeam \stemNeutral |
1003     r8 <dod dod'>16 <re re'> <do do'>8 <re re'>16 <mib mib'> r
1004     <la, la'>\< <red red'> <mi mi'>} | re'2.\mp\laissezVibrer
1005     \ottava #0
1006     R2.*8
1007     <re,,, mib re'>2.\p\arpeggio \laissezVibrer | R2.*4
1008     <re mib re'>2.\arpeggio \laissezVibrer R2.*17
1009     \ottava #1
1010     \st {\pl {fa''16\p dod do8} {<fa fa'>16 dod' do8} r16
1011     \pl {do, fa dod} {do' <fa, fa'> dod'} \ottava #0 r4 |
1012     R2.*2 r2 r8 r16 \ottava #1 <do, do'>\p
1013     \pl {fa,, dod' mi do' mi <dod, dod'>}
1014     {fa' dod mi8 <mi mi'>16 dod} r8 r4 |
1015     r16 <sol' sol'> r <dod, dod'> r16
1016     \pl {<dod, dod'> sol' s} {s sol' <red red'>} r4|
1017     \pl {sol,16 s s <dod, dod'> sol' s s fad'}
1018     {sol <red red'> \oneVoice r \voiceOne s sol <red red'> \oneVoice r \voiceOne fad' }
1019     <fa, fa'> <mi mi'> r8 |
1020     \pl sol,-> sol''-> } \ottava #0 r r4 r2 |
1021     R2.*8
1022     r2 \ottava #1 <mi, fa'>8-.\pp r16 <la sold'>-. \ottava #0 |
1023     R2.*2
1024     r4 r8 \ottava #1 \st {mi'16\p <dod, dod'> do'8 <sold sold'>16 <si si'> \ottava #0 |
1025     R2.*2
1026     r8 r16 \ottava #1 dod do,8 <si sold' si> r16 <re si' re> r8 <re mi re' mi>16 <re mi re' mi>}
1027     \ottava #0 r8 r4
1028     \mg <sol,,, sib re>-- \md <sol' sib re>-- \mg <sib, re sol>-- \md <fad' si red>-- |
1029     \mg <si, red fad>-- \md <sol' si red fad>--\<( <sib re sol>--\!) |
1030     R2.*19
1031   }
1032   \relative {
1033     R2*3 R2. R2*2 R2.*4
1034     <mib, sib'>2\arpeggio r4 | R2.*2 R1*6 R2.
1035     re,2.\laissezVibrer R2.*2 re2.\laissezVibrer R2. re\laissezVibrer R2.*2
1036     re2.\laissezVibrer R2.*2 re2.\laissezVibrer R2.*5
1037     r8 sold\p( la do dod mi | fa,2.)\laissezVibrer R2.
1038     r8 sold( la do dod mi | fa,2.)\laissezVibrer R2.
1039     r8 sold( la do la sold| dod,2.)\laissezVibrer R2.
1040     r8 mi( fa sold la do | dod,2.)\laissezVibrer R2.
1041     r8 mi( fa sold fa mi | <la, la'>2.)\laissezVibrer R2.*2
1042     <la la'>2.\laissezVibrer R2.*5 R1
1043     fad'2.\mp\laissezVibrer R2.*2 fad2.\laissezVibrer R2.*2
1044     \ind #"poco più" <fa, fa'>2.--\laissezVibrer R2. r4 <dod' dod'>2-- |
1045     <fa, fa'>2.--\mf\laissezVibrer R2. r4 <la la'>2-- |
1046     \ottava #-1
1047     <dod, dod'>2.--\mf\laissezVibrer R2. r4 <la' la'>2-- |
1048     <dod, dod'>2.*1/3--\laissezVibrer \ottava #0 s2 s2. s4
1049     \pl {fa''!8 fa,4.--->} {<sib' re>4-- <si red fad>--} |
1050     \ottava #-1
1051     <la,,, la'>2.--->\f\laissezVibrer \ottava #0 R2.*18
1052   }
1053 }
1054
1055 InterludeTroisPiano = { \Piano
1056   \PianoDeuxMains
1057   \relative {
1058     r2 r4 <do reb>8-.\pp r |
1059     r2 <do reb>8-. r | R1 R2. \clef bass
1060     <do,mib si'>8-.\pp <do mib si'>4-- <do mib si'>--
1061     <do mib si'>-- <do mib si'>8-. |
1062     <do mib si'>-. <do mib si'>4-- <do mib si'>-- <do mib si'>8-. |
1063     \simile <mi! sol do mib> <mi sol do mib>4 <mi sol do mib>
1064     <mi sol do mib> <mi sol do mib>8 |
1065     <mi sol do mib> <mi sol do mib>4 <mi sol do mib> <fa lab reb mi>8 |
1066     <mi sol do mib>\ppsempre <mi sol do mib>4 <mi sol do mib>
1067     <mi sol do mib> <mi sol do mib>8 |
1068     <mi sol do mib> <mi sol do mib>4 <mi sol do mib> <mi sol do mib>8 |
1069     <fa si>( <re sold>) <fa si>( <re sold>) <fa si>( <reb do'>) |
1070     <fa si> <re sold> <fa si> <re sold> \clef treble |
1071     <lab' si dod re sol>4\mp <lab si dod re sol> <lab si dod re sol> |
1072     <lab si dod re sol> <lab si dod re sol> |
1073     <si re fad sol sib> <si re fad sol sib> |
1074     <si re fad sol sib> <si re fad sol sib> \clef bass |
1075     \stemDown \ind #"staccato" sol16\f \stemUp \mg sol,, sol' \stemDown \md mi' \stemUp \mg mi,, mi'
1076     \stemDown \md mi' \stemUp \mg sold, |
1077     \stemDown \md sold' \stemUp \mg mi, mi' \stemDown \md do' \stemUp \mg sold,
1078     \stemDown \md sold' \stemUp \mg mi \stemDown \md mi' \clef treble | \stemNeutral s4
1079     r16 re'\< sib' dod | <fad, lad dod fa!>8->\! r r4 |
1080   }
1081   \relative {
1082     r2 r4 re,8-. r |
1083     r2 re8-. r | R1 R2.
1084     <mi, sol>4-- <mi sol>-- <mi sol>-- <mi sol>-- |
1085     <mi sol>-- <mi sol>-- <mi sol>-- |
1086     <mi si'> <mi si'> <mi si'> <mi si'> |
1087     <mi si'> <mi si'> <mi si'> |
1088     <mi si'> <mi si'> <mi si'> <mi si'> |
1089     <mi si'> <mi si'> <mi si'> |
1090     r8 <mi sol>-. r <mi sol>-. r <mi sol>-. |
1091     r <mi sol> r <mi sol> |
1092     r <mi sol mi'> r <mi sol mi'> r <mi sol mi'> |
1093     r <mi sol mi'> r <mi sol mi'> |
1094     r <mi sol mi'> r <mi sol mi'> r <mi sol mi'> r <mi sol mi'> |
1095     s2 s2 si'16 \md si' \mg sol \md sol' \mg \clef treble
1096     re sib' dod8 \clef bass |
1097     <la,, la'>8-> r r4 |
1098   }
1099 }
1100
1101 ActeUnSceneQuatrePiano = { \Piano
1102   \PianoDeuxMains
1103   \relative {
1104     \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
1105     s2 R1 R2. <la'do re>2--\pp( <la do re>--) <la do re>--( <la do re>--)
1106     <sol la do re>--( <sol la do re>-- <sol la do re>--) |
1107     <do re>4--( <la do>--) r <la do>-- | <do re>--( <la do>--) r <la do>-- |
1108     <la do re>--(\psempre <sol la do>--) <la do re>--( <sol la do>--) <la do re>--( <sol la do>--) |
1109     <la do re>--( <sol la do>--) <la do re>--( <sol la do>--) |
1110     <la do re>--( <sol la do>-- <re sol la>-- <do re>--) |
1111
1112     %%% Agitato %%%
1113     R2.*5
1114     <si mi>2.--\mp <mib sol>-- <do sol'>4-- r2 |
1115     R2.*10
1116     r2 la'32(\fsubito sib re mi la8-.->) \clef bass |
1117     r8 <red,,, mi'>-. \clef treble \ttt {r16 la'''( re, mi la, si}
1118     mi,8-.->) \mg \t {mi,16\< mi mi\!} \md | R2.
1119     \ttt {r16 re'( la' mi' la, re} la'4-.->) r8 \mg \t {mi,,16\< mi mi\!} \md |
1120     r16 <mib' lab re>-.-> r8 r2 | s2. R2.
1121     s2. <re' mi la>4-> s2 |
1122     <mi' la>2--->\laissezVibrer s2 |
1123     R2. R1 R2. R2 R2. R2 R2. R2 R2.
1124     R1*5 R2 R2. R1 |
1125
1126     %%% Andante a piacere %%%
1127     r2\p <la,,, dod>~ <la dod> r |
1128     r <la dod>~ <la dod> r |
1129     r <si fa'>~ <si fa'> r |
1130     r <si fa'>~ <si fa'> r |
1131     r4 <mib la dod>~ \t {<mib la dod> <mib la dod> <mib la dod>~} |
1132     <mib la dod>8 <mi sold re'> <mi sold re'>\< <mi sold re'>~
1133     \t {<mi sold re'> <mi la red> <mi la red>\!} |
1134     r4 <lab re fad>~\t {<lab re fad> <lab re fad> <lab re fad>~} |
1135     <lab re fad>8 <sib mi sold> <sib mi sold>\< <sib mi sold>
1136     \t {<sib mib la> <sib mib la> <sib mib la>\!} |
1137     R1*7 r4 <re,sol si>---.\p <mib fad la re>2--\laissezVibrer s2 R2.*6
1138
1139     %%% A tempo %%%
1140     r8 <mi sol do>~\mp\<\t {<mi sol do><mi sol do><mi sol do>}
1141     \t {<fa sib reb><fa sib reb><fa sib reb>}
1142     \t {<sol do mib><sol do mib><sol do mib>\!} |
1143     r <sib reb solb>~\<\t {<sib reb solb><sib reb solb><sib reb solb>}
1144     \t {<do mib lab><do mib lab><do mib lab>}
1145     \t {<dod fad la><dod fad la><dod fad la>} |
1146     \t {<red sold la><red sold la><red sold la>}
1147     \t {<fad la><fad la><fad la>} \t {<sold la><sold la><sold la>\!} r4 |
1148     <la,,sib sol' la>2\mp\laissezVibrer s2 |
1149     R2. R1 R2. R1 R2. R1 R2.
1150     r8 \stemUp <dod'fa la dod>~\mf\<
1151     \t {<dod fa la dod><dod fa la dod><dod fa la dod>~}
1152     <dod fa la dod>16 <dod fa la dod><dod fa la dod><dod fa la dod>\>~
1153     \t {<dod fa la dod>8 <dod fa la dod> <dod fa la dod>\!} \stemNeutral |
1154     r8 \stemUp <dod fa la dod>~\<
1155     \t {<dod fa la dod><dod fa la dod><dod fa la dod>~}
1156     <dod fa la dod>16 <dod fa la dod><dod fa la dod><dod fa la dod>~\>
1157     \t {<dod fa la dod>8 <dod fa la dod> <dod fa la dod>\!} \stemNeutral |
1158     \t {r4 \stemUp <dod fa la dod>\< <dod fa la dod>} <dod fa la dod>8 <dod fa la dod> |
1159     <dod fa la dod>\><dod fa la dod>
1160     \t {<dod fa la dod>4<dod fa la dod><dod fa la dod>\!} \stemNeutral |
1161     r4\f \stemUp <red sol si red>2---> \stemNeutral |
1162     r8 \stemUp <red sol si red>8~---> <red sol si red>2. |
1163     <red sol si red>2---> \stemNeutral r8 \stemUp
1164     <fa sold si fa'>~ \t {<fa sold si fa'><fa fa'> <fa fa'>} |
1165
1166     <re re'>4-.->\ff r2 | R4.
1167     r8 \st {<sold,, lad>\mf <sold lad> <sold lad> r <sold lad> |
1168     <sold lad> r <sold lad>} | <re'' re'>-> r r4 R4.
1169     r8 \st {<sol,,do fa> <sol do fa> r |
1170     <sol do fa> <sol do fa> <sol do fa> <sol do fa>} |
1171     <re''sold re'mi>-> r r4 | R4. \clef bass |
1172     \st {<re,,mi sold lad dod>8\mp <re mi sold lad dod> <re mi sold lad dod> r |
1173     <re mi sold lad dod> r <mi sold lad dod> <mi sold lad dod> \clef treble |
1174     <si're mi> <si re mi> <la re mi> <la re mi> |
1175     <si re mi> <si re mi> <la re mi> |
1176     <si re mi fa> <si re mi fa> <la re mi sol> <la re mi sol> |
1177     <si! re mi sib'>\< <si re mi sib'> <la re mi sol> <la re mi sol>} |
1178
1179     R2\! R4. r2 r8 \t {sold''16( si dod} |
1180     <re, re'>8-.\fp) \st {re, re re re re re re} |
1181     \simile re re re re re re re re |
1182     <re mib> <re mib> <re mib> <re mib> <do mib> <do mib> <do mib> <do mib> |
1183     <do fa> <do fa> <do fa> <do fa> <sib fa'> <sib fa'> <sib fa'> <sib fa'> |
1184     <la sib fad'> <la sib fad'> <la sib fad'> <la sib fad'>
1185     <la sib fad'> <la sib fad'> <la sib fad'> <la sib fad'> |
1186     <la sib fad'>-> <la sib fad'> <la sib fad'> <sol la do mib fad>->
1187     <sol la do mib fad> <sol la do mib fad> <sol la do mib fad>-> <sol la do mib fad>|
1188     r <sol la do mib lab>-. <sol la do mib lab>4-> <do mib fad si>-> r8 <mib fad si>-> |
1189     r <mib solb lab reb>-> r4 <mib fa lab reb>-> \clef bass
1190     <red, mi lab reb>-- \clef treble |
1191     <re'! re'!>4-> s4 s2 | R1*2 \clef bass |
1192
1193     \st {<re,sib' re>8\pp <re sib' re> <re sib' re> <re sib' re>
1194     <re sib' re>  <re sib' re> <re sib' re> <re sib' re>|
1195     R2
1196     <re sib' re>8 <re sib' re> <re sib' re> <re sib' re>
1197     <re sib' re>  <re sib' re> |
1198     R2.
1199     <re sib' re>8 <re sib' re> <re sib' re> <re sib' re>} |
1200     R1 \clef treble
1201
1202     %%% Piu lento %%%
1203     R2.*3 r4 fa'--\pp sib,-- <fa' solb sib>2.--\arpeggio \laissezVibrer |
1204     R2. r4 fa-- \mg re,-- \md
1205     <dob' fa solb sib>2.--\arpeggio \laissezVibrer |
1206     R2. r4 <re fa>-- <sib do!>-- |
1207     s4. <re fa solb sib>4.\arpeggio \laissezVibrer |
1208     R2.*2 re'8( sib la fad mi re)\laissezVibrer |
1209     <fad la sib re>2.\arpeggio \laissezVibrer |
1210     <solb sib>4-- <reb fa>-- <lab do>-- | s2.
1211     <reb fa solb sib>2.\arpeggio \laissezVibrer | R2.*3
1212     R1. R1 R1. R1 R1. R1 R1. R1 R1. R1 R1.*5
1213     R1 R1. R1 R1. R1 R1.*5 R1 R1. r2 <dod mi la>4--\mf r |
1214   }
1215   \relative {
1216     \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
1217     s2^\markup { \score { \new ChordNames
1218     \chordmode { la:7 } \layout {indent = 0 }}}
1219     R1 R2. R1*2 R1. \clef treble <sol'la>2--( <sol la>--) <sol la>--( <sol la>--) |
1220     <si, red fad>--( <si red fad>-- <si red fad>--) <si red fad>--( <si red fad>--) \clef bass |
1221     <mib, sol sib>2.-- r4 |
1222
1223     %%% Agitato %%%
1224     <la, re sol la>8-.->\pp r r2 | R2.*3
1225     r2 fad'8( dod) | <la re sol>2.-- <do fa sib>-- <mi la re>4-- r
1226     <sold,,sold'>~--\mf| <sold sold'> <dod dod'>-- <si si'>-- |
1227     <re re'>-- r2 | <re re'>4-- <re re'>-- <re re'>-- |
1228     <re re'>-- r2 | <re re'>4-- <re re'>-- <re re'>-- | <re re'>-- <re re'>-- <re re'>-- |
1229     <mib mib'>-- r2 | <do do'>4--\p <do do'>-- <do do'>-- | <fad fad'>-- r2 |
1230     <lab lab'>4-- <lab lab'>-- <lab lab'>-- | <sib, sib'>-- r8 <sib sib'>4-- <sib sib'>8-. |
1231     mi8-. mi'-. r4 r8 s | mi,4-> mi-> mi-> | mi-- r r8 s | mi4-> r2 \clef treble |
1232     \ttt { mib''16( lab sib re \md mib la} re4-.->) \mg r \clef bass |
1233     mi,,,,-- mi-- <sib sib'>8-. mi-> |
1234     \tt {mi'16--( si' \md la re mi} sold4--) \mg
1235     \ttt {re16--( \md \stemDown mi sold la re \mg \stemUp <la, mi'>)} |
1236     r4 \clef treble \tt {la16--( re mi la \md \stemDown mi'}
1237     \tttt {<la re> \mg \stemUp la, re mi sold \md \stemDown la re) \mg \clef bass} |
1238     \stemNeutral dod,,,,2--->\laissezVibrer s |
1239     R2. R1 R2. R2 R2. R2 R2. R2 R2.
1240     R1*5 R2 R2. R1
1241
1242     %%% Andante a piacere %%%
1243     fa2\p( <sib mib>~<sib mib> reb,8) r r4 |
1244     fa2 <sib mib>~<sib mib> reb,8 r r4 |
1245     <fa, fa'>2 <lab'mib'>~<lab mib'> reb,8 r r4 |
1246     <fa, fa'>2 <lab'mib'>~<lab mib'> reb,8 r r4 |
1247     <sol, sol'>1*1/4--->\mp\laissezVibrer <dod' fad lad>4~
1248     \t {<dod fad lad> <dod fad lad> <dod fad lad>~} |
1249     <dod fad lad>8 <dod mid si'> <dod mid si'> <dod mid si'>~
1250     \t {<dod mid si'> <dod fad do'!> <dod fad do'>} |
1251     <sol, sol'>1*1/4--->\laissezVibrer <fa''si mib>4~
1252     \t {<fa si mib> <fa si mib> <fa si mib>~} |
1253     <fa si mib>8 <fa si solb'> <fa si solb'> <fa si solb'>
1254     \t {<fa dod' sol'> <fa dod' sol'> <fa dod' sol'>} |
1255     R1*7 r4 <fa la>-.--\p <do mi sib'>2--\laissezVibrer s2 R2.*6
1256
1257     %%% A tempo %%%
1258     <do,do'>1*1/8\f\laissezVibrer <red' sold si>8~
1259     \t {<red sold si> <red sold si> <red sold si>}
1260     \t {<fad la re> <fad la re> <fad la re>}
1261     \t {<sold si mi> <sold si mi> <sold si mi>}
1262     <do,,do'>1*1/8\laissezVibrer \clef treble <la''re fa>8~
1263     \t {<la re fa> <la re fa> <la re fa>}
1264     \t {<si mi sol> <si mi sol> <si mi sol>}
1265     \t {<re fa sib> <re fa sib> <re fa sib>} |
1266     \t {<mi sol do> <mi sol do> <mi sol do>}
1267     \t {<fa sib reb> <fa sib reb> <fa sib reb>}
1268     \t {<sol do mib> <sol do mib> <sol do mib>} r4 | R1 \clef bass |
1269     \st {la,,16 fad sold red dod sib' do sol fa re mi' si | la8} r r4 r2 |
1270     r4 \st {la8\ppsempre mi sol re | dod sold' si fad fa do mib' sib | la} r r2 |
1271     R1 R2.
1272     <sol,sol'>1*1/8\f\laissezVibrer \md \stemDown <dod''mi sol sib>8~
1273     \t {<dod mi sol sib> <dod mi sol sib> <dod mi sol sib>~}
1274     <dod mi sol sib>16 <dod mi sol sib> <dod mi sol sib> <dod mi sol sib>~
1275     \t {<dod mi sol sib>8 <dod mi sol sib> <dod mi sol sib> \mg \stemNeutral } |
1276     <sol,,sol'>1*1/8\laissezVibrer \md \stemDown <dod''mi sol sib>8~
1277     \t {<dod mi sol sib> <dod mi sol sib> <dod mi sol sib>~}
1278     <dod mi sol sib>16 <dod mi sol sib> <dod mi sol sib> <dod mi sol sib>~
1279     \t {<dod mi sol sib>8 <dod mi sol sib> <dod mi sol sib> \mg \stemNeutral } |
1280     \noTuplet
1281     \t {<sol,,sol'>2*1/2\laissezVibrer
1282     \md \stemDown <dod''mi sol sib>4<dod mi sol sib>}
1283     <dod mi sol sib>8 <dod mi sol sib> |
1284     <dod mi sol sib> <dod mi sol sib> \t {<dod mi sol sib>4
1285     <dod mi sol sib> <dod mi sol sib> \mg \stemNeutral }
1286     <fa,,,fa'>2*1/2\laissezVibrer \md \stemDown <si'' re sold>2 \mg \stemNeutral |
1287     <fa,, fa'>1*1/8\laissezVibrer \md \stemDown <si'' re sold>8~
1288     <si re sold>2. <si re sold>2 \mg \stemNeutral r8 <mib,,,mib'>4*1/2--->(
1289     \md \stemDown <si''' re sold si>4*1/2 \mg \stemNeutral fad,,8) |
1290     <re re'>4-.->  r2 |
1291     R4.
1292
1293     <sold sold'>4-> r <si si'>-> | r8 <dod dod'>-> r |
1294     <re re'>-> r r4 | R4.
1295     <la la'>4-> r8 <sib sib'>-> | r8 r16 <do do'>-> r4 |
1296     <mib mib'>8-> r r4 R4. <si si'>4-> r8 \ottava #-1 <si, si'>-> \ottava #0 |
1297     r <do' do'>-> r16 <re re'>-> r8 | fa2~--\p fa4 r8 r <fa, fa'>-> r4 |
1298     r8 <fa fa'>-> r <fa fa'>-> |
1299     R2 R4. R2.
1300
1301     \st{<re' re'>4 re re re} re re re re |
1302     re re re re re re re re re re re re |
1303     <re re'> <re re'> <re re'> <re re'> |
1304     <re re'> r8 <re re'>-. r re'-. <sol la do>4---> |
1305     <re,re'>-- \st {re'8 <sol la do> r <re re'> r <re,re'> |
1306     r <re re'> <re' re'> re re, <re' re'>-> re, re'} | re,4-- r r2 | R1
1307
1308     <re sib'>4--\pp <re sib'>-- <re sib'>-- <re sib'>-- R2
1309     <re sib'>4-- <re sib'>-- <re sib'>-- R2.
1310     <re sib'>4-- <re sib'>-- R1
1311
1312     %%% Piu lento %%%
1313     R2.*4 <fa' solb sib dob>2.--\arpeggio \laissezVibrer |
1314     R2. r2 s4 <re, mib dod'>2.--\arpeggio \laissezVibrer |
1315     R2.*2 <re' sol>4.-- <fad sol sib do>\arpeggio \laissezVibrer |
1316     R2.*5 <mib sol>4-- re2~-- <re sol lab do>2.\arpeggio \laissezVibrer |
1317     R2.*3
1318
1319     \st {la8\p r sib mib r sold, fad si r mi re, sol | la4-> r r2 |
1320     la8 fad sold red r sib' do sol r re mi' r | la,4-> r r2 |
1321     la8 r re mi r si fad sold r mib sib' r | la4->} r r2 |
1322     R1. R1 R1. R1
1323     \st {la8 r sib mib r sold, fad si r mi re, sol |
1324     la r re mi r si fad sold r mib sib' r |
1325     la fad sold red r sib' do sol r re mi' r |
1326     la, si mi r fa, sol r sib r mib, lab r |
1327     la do sib mib r si fad sold r re mi' r |
1328     la,4--} r r2 | R1.
1329     \pl {do,1\pp~do1.} {r4 do' \t {do do do} do-- do--~do1} |
1330     R1
1331     \st {la8 r sold red r sib' do sol r re mi' si |
1332     la r mi' re, r sol do sib r mib, lab r |
1333     la do sib mib r sold, fad si r mi re, r |
1334     la' sol re' r dod si r sold r mib sib' r |
1335     la fad sold red r sol do sib r mi re, r |
1336     la'4->} r r2 | R1. r2 <re, la' fa'>4-- r |
1337   }
1338 }
1339
1340 EntractePiano = { \Piano
1341   \PianoDeuxMains
1342   \relative {
1343     R2*9
1344     R1*12
1345     r4 <lab'' sol'>8 <lab sol'> <sol lab'>4 r R1
1346     r4 <lab reb sol> r <lab reb sol> |
1347     r <lab sol'>8 <lab sol'> <sol lab'>4 r R1*2
1348     r2 re8 la mi si R1 |
1349     r2 r4 \pl {sib16 dod fad la} {sib dod fad la} |
1350     <re, re'>4 r r2 | R1
1351     r8 r16 \pl {re la8. re16 la4} {sold'16 dod8. sold16 dod4} r |
1352     r2 r8 r16 \pl {re, la4} {sold'16 dod4} R1
1353     \ottava #1 r8 r16 \pl {reb lab4} {sol'!16 do!4} r2 |
1354     R1*3 r4 <re, dod'> <dod re'> \ottava #0 r R1
1355     r2 r4 \loco <sib,, re fad> |
1356     r <si red sol> r <do mi sold>
1357     r <dod fa la > r <re fad sib> |
1358     r <mib sol si> r <mi sold do> |
1359     r <fa la dod> r <fad re'>8 sib |
1360     <re re'>4 r r2 R2. R1 \clef bass |
1361
1362     %%% Fugato %%%
1363     <red,, mi re'>1\laissezVibrer s1 R2.*2 R2
1364     R1 R2.*2 R1*2 R2.*2 R1 \clef treble
1365     \ottava #2 <si'''' lad'>1 <lad si'>2. <si lad'>
1366     <lad si'>1~ <lad si'>2 \ottava #0 r |
1367     R2.*2 R1*2 \loco fad,,4. sol~ sol2 r4 |
1368     r2 r4 <re' dod'>8 <re dod'>
1369
1370     %%% Stretto %%%
1371     <re re'>4 r r2 | R1 \clef bass |
1372     <re,,sib' re>8 <re sib' re> <re sib' re> <re sib' re>
1373     <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1374     <mi do' mi> <mi do' mi> <mi do' mi> <mi do' mi>
1375     <mid dod' mid> <mid dod' mid> <mid dod' mid> <mid dod' mid> \clef treble |
1376     <sol mi' sol> <sol mi' sol> <sol mi' sol> <sol mi' sol>
1377     <sol mi' sol> <sol mi' sol> <sol mi' sol> <sol mi' sol> |
1378     <sold mi' sold> <sold mi' sold> <sold mi' sold> <sold mi' sold>
1379     <sold mi' sold> <lad fad' lad> <lad fad' lad> <lad fad' lad> |
1380     <sold mi' sold> <sold mi' sold> <sold mi' sold> <lad fad' lad>
1381     <lad fad' lad> <lad fad' lad> <lad fad' lad> <lad fad' lad> |
1382     <si sol' si> <si sol' si> <si sol' si> <si sol' si>
1383     <si sol' si> <si sol' si> <si sol' si> <si sol' si> |
1384     <dod lad' dod> <dod lad' dod> <dod lad' dod> <dod lad' dod>
1385     <dod lad' dod> <dod lad' dod> <dod lad' dod> <dod lad' dod> |
1386     <re sib' re>4 r r2 |
1387     r4 <re re'> r <re re'> r <re re'> r2 | R1
1388
1389     %%% Noir %%%
1390     R2.-\fermataMarkup R2.*4 R2 R2. R1 R2. R2
1391     R1*5 R1.*4 R1 R2.-\fermataMarkup R2.*8 R2.-\fermataMarkup
1392
1393     %%% Poco più %%%
1394     R2.*4 R2.-\fermataMarkup
1395
1396     %%% Andantino %%%
1397     R1 R2 R1 R2 R1 R2 R1 R2.
1398
1399     %%% Largo non troppo %%%
1400     <la'mi'>4 <mi do'> <la mi'> <mi do'> <la mi'> <mi do'> |
1401     <la mi'> <mi si'> <la mi'> <mi si'> <la mi'> <mi si'> |
1402     <la mi'> <mi la> <la mi'> <mi la> <la mi'> <mi la> |
1403     <la mi'> <fa la> <la re> <fa la> <sold do> <mi sold> |
1404     <la mi'> <mi do'> <la mi'> <mi do'> <la mi'> <mi do'> |
1405     <sol re'> <re do'> <fa re'> <re do'> <fa re'> <re sol> |
1406     <sol mi'> <mi do'> <sol mi'> <mi do'> <sol mi'> <mi do'> |
1407     <fa re'> <re la'> <fa re'> <re la'> <fa re'> <re si'> |
1408     <la'mi'> <mi do'> <la mi'> <mi do'> <la mi'> <mi do'> |
1409     <sol re'> <re sol> <sol re'> <re sol> <sol re'> <re sol> |
1410     <sol mi'> <mi sol> <sol mi'> <mi sol> <sol mi'> <mi sol> |
1411     <la mi'> <mi la> <la mi'> <mi la> <la mi'> <mi la> |
1412     <sol mi'> <mi sol> <fa re'> <re fa> <fa re'> <re fa> |
1413     <fa re'> <re fa> <fa re'> <re fa> <fa re'> <re fa> |
1414     <mi re'> <re mi> <mi do'> <do mi> <mi do'> <do mi> |
1415     <fa do'> <do fa> <fa si> <si, fa'> <fa' la> <la, fa'> |
1416     <do la'> <la do> <si sol'?> <sold si> \clef bass <la do fa> <fa la do> |
1417     <mi la do mi>2 r1 <mi la si mi>2 r | R1 R2. R2
1418   }
1419   \relative {
1420     sold,,2*1/4\laissezVibrer
1421     sold'8 \t {sold sold sold}
1422     sold2\laissezVibrer |
1423     sold,2*1/4\laissezVibrer
1424     sold'8 \t {sold sold sold}
1425     sold2\laissezVibrer |
1426     sold,2*1/4\laissezVibrer
1427     sold'8 \t {sold sold sold}
1428     sold2\laissezVibrer |
1429     r8 <sold,sold'>
1430     \t {<sold sold'><sold sold'><sold sold'>} |
1431     <sold sold'>2 sold2*1/4\laissezVibrer
1432     <sold' sold'>8
1433     \t {<sold sold'><sold sold'><sold sold'>} |
1434
1435     %%% Vivo subito %%%
1436     <re re'>4 r r2 | R1*11 \clef treble
1437     r4 <la'' sold'>8 <la sold'> <sold la'>4 r R1
1438     r4 <la'? re?> r <la re> |
1439     r <la, sold'>8 <la sold'> <sold la'>4 r R1*3 \clef bass
1440     fad8 dod sold2. R1 |
1441     r4 <re re'> r2 R1*8 \clef treble
1442     r4 <re'' dod'> <dod re'> r R1 \clef bass
1443     r2 sold,4 r | fad r mib' r fa r do r sib r sol r la r mi r |
1444     r <re re'> r2 R2. R1
1445
1446     %%% Fugato %%%
1447     <mi, mi'>1\laissezVibrer s1 R2.*2 R2
1448     R1 R2. <mi' red'>2. <red mi'>2 <mi red'> <red mi'>2. r4 | R2.*2 R1 \clef treble
1449     <lad''' si'>1 <si lad'>2. <lad si'> <si lad'>1~ <si lad'>2 r |
1450     R2.*2 R1*2 \clef bass
1451     sol,4. fad~ fad2 r4 | r2 r4 <re, mib'>8 <re mib'> |
1452
1453     %%% Stretto %%%
1454     <re re'>4 <re, re'> r <re re'> r <re re'> r2 |
1455     <re' sib'>4 <re sib'> <re sib'> <re sib'> |
1456     <reb lab'> <reb lab'> <si sold'> <si sold'> |
1457     <sib fa'> <sib fa'> <sib fa'> <sib fa'> |
1458     \ottava #-1
1459     <sold mi'> <sold mi'> <sol re'> <sol re'> |
1460     <sold mi'> <sold mi'> <sol re'> <sol re'> |
1461     <fa re'> <fa re'> <fa re'> <fa re'> |
1462     <mi si'> <mi si'> <mi si'> <mi si'> |
1463     <re sib' re> \ottava #0 r r2 |
1464     r4 \loco re' r re r re r2 | R1
1465
1466     %%% Noir %%%
1467     R2.-\fermataMarkup R2.*4 R2 R2. R1 R2. R2
1468     R1*5 R1.*4 R1 R2.-\fermataMarkup R2.*8 R2.-\fermataMarkup
1469
1470     %%% Poco più %%%
1471     R2.*4 R2.-\fermataMarkup
1472
1473     %%% Andantino %%%
1474     R1 R2 R1 R2 R1 R2 R1 R2.
1475
1476     %%% Largo non troppo %%%
1477     <la la'>2 <la' la'> <la, la'> <si si'> <si' si'> <si, si'>
1478     <do do'> <do' do'> <do, do'> <re re'> <re' re'> <re, re'> |
1479     <la la'> <la' la'> <la, la'> <si si'> <si' si'> <si, si'>
1480     <do do'> <do' do'> <do, do'> <re re'> <re' re'> <re, re'> |
1481     \pl {la la la si si si do do do dod dod dod re re re sol, sol sol do do do re, re re red red red mi}
1482     {la'4 la la la la la si si si si si si do do do do do do
1483       dod dod dod dod dod dod re re re re re re sol, sol sol sol sol sol do do do do do do
1484       \ottava #-1
1485     re, re re re re re red red red red red red mi mi} r1
1486     \pl mi,2 {mi'4 mi} r2 R1 R2. \pl mi,4 <red' mi> \ottava #0 r |
1487   }
1488 }
1489
1490 ActeDeuxSceneUnPiano = { \Piano
1491   \PianoDeuxMains
1492   \relative {
1493     R2.*4 R2 R2.*2 R2 \clef bass r8
1494     <sol lab sib dob re>\arpeggio ~
1495     <sol lab sib dob re>2\laissezVibrer R2.*2 R2 |
1496     R2. R2 R2.*2 R2 |
1497     r8 <sol lab si do mib>\arpeggio ~
1498     <sol lab si do mib>2\laissezVibrer |
1499     R2.*2 R2 | R2. R2 | R2.*2 | R2 | R2.*3 R2 \clef treble
1500
1501     %%% Entrée de la Soprano Deux %%%
1502     r2 r8 <la' si> | r4 <re, mi la>8 r r4 |
1503     r <la' re mi>8 r r2 |
1504     r4 r8 <re mi la> r4 | R1
1505     <la, mib' lab>2.\arpeggio ~ <la mib' lab>2 |
1506     <sold re' sib'>2*3/2\laissezVibrer R1
1507
1508     %%% Andantino %%%
1509     <re'mi la>2*2\laissezVibrer R1 R2.
1510     <re la'>2*3/2\laissezVibrer R2.*2 R2
1511     R2.*5 R1 R2. R2
1512     <si re la'>2*3/2\laissezVibrer R1 R2. R1
1513     <si re la'>2*3/2\laissezVibrer R1
1514     r4 <do re sol> r R1 |
1515     r4 <re fa> r | <re fa> r <re fa> r |
1516     r <la re mi> r | r <la re> r <la re> | r <la re> r |
1517     <re la'>2*2\laissezVibrer R2. R1 R2. R1 R2. R1
1518     r8 sold, dod <fad si> <mi' la re>4\laissezVibrer | R1
1519
1520     %%% Entrée de la Contralto %%%
1521     <re, sold>2*3/2\laissezVibrer R1
1522     <la re mi sold>2*3/2\laissezVibrer R1 |
1523     R2. R1 R2. R1 <la re>2*3/2\laissezVibrer R1 R2. |
1524     R1 <la re mi>4 r8 <la re mi>4.\laissezVibrer | R1 R2. R1 |
1525     r4 <do re> r | r8 <do re>4. r8 <do re>4. |
1526     r4 <do re> r | r8 <do re>4. r8 <do re>4. |
1527     r4 <do re sol> r | r <do re> r | <fa sib mib> r2 |
1528     r4 <do fa> <do fa> | r <si mi> <si mi> |
1529     r  <do fa> <do fa> | r <si mi> r R2.
1530     <do fa sib>2*3/2\laissezVibrer R2. R1 R2.
1531     <dod fad>2*2\laissezVibrer R2. R1
1532     r4 <mib solb> <mib solb> | r <do fa> r8 <do fa>4. |
1533     r4 <mib solb> <mib solb> | r2 <do fa sib>2\laissezVibrer R2. R1
1534     <re la'>2*3/2\laissezVibrer R1 R2. R2
1535     <la re fad>2*2\arpeggio \laissezVibrer R2. R1 R2. R1 R2. R1
1536   }
1537   \relative {
1538     R2.*4 R2 R2.*2 R2 mi,,2.\laissezVibrer R2.*2 R2 |
1539     R2. R2 R2.*2 R2 | mi2.\laissezVibrer | R2.*2 R2 |
1540     R2. R2 | R2.*2 | R2 | R2.*3 R2 \clef treble
1541
1542     %%% Entrée de la Soprano Deux %%%
1543     r2 r8 <dod''mi> | r4 <fad,si>8 r r4 |
1544     r <dod'fad sold>8 r r2 | r4 r8 <mib lab sib> r4 |
1545     R1 \clef bass <fa,, mi'>2.\arpeggio ~ <fa mi'>2 |
1546     <mi red'>2*3/2\laissezVibrer R1
1547
1548     %%% Andantino %%%
1549     sib'2*2\laissezVibrer R1 R2.
1550     <mi si'!>2*3/2\laissezVibrer R2.*2 R2
1551     R2.*5 R1 R2. R2
1552     <fad,dod'mi>2*3/2\laissezVibrer R1 R2.
1553     do'4 sol' fad r | <fad,dod'mi>2*3/2\laissezVibrer R1
1554     r4 <sib fa'> r R1
1555     r4 <mib lab sib> r | <mib lab sib> r <mib lab sib> r |
1556     r sib r | r <si mi> r <si mi> | r <si mi> r |
1557     R1 R2. R1 R2. R1 R2. R1
1558     fad2*3/2\laissezVibrer R1
1559     <sold'dod>2*3/2\laissezVibrer R1
1560     fad,2*3/2\laissezVibrer R1
1561     R2. R1 R2. R1 do2*3/2\laissezVibrer R1 R2.
1562     R1 dod2*3/2\laissezVibrer R1 R2. R1
1563     fad4 r fad' | fa, r fa' r | fad, r fad' | fa, r fa' r |
1564     fad, r fad' | sol,2.~ sol4 r2 |
1565     sib4 r2 | si4 r2 | sib4 r2 | si4 r2 |
1566     R2. mib2*3/2\laissezVibrer R2. R1 R2.
1567     <re si'>2*2\laissezVibrer R2. R1
1568     lab4 r lab' | la, r la' r | lab, r lab' |
1569     sol,2*2\laissezVibrer R2. R1
1570     re2*3/2\laissezVibrer R1 R2. R2
1571     <sib' fa' sold>2*2 \arpeggio \laissezVibrer
1572     R2. R1 R2. R1 R2. R1
1573   }
1574 }
1575
1576 ActeDeuxSceneUnBisPiano = { \Piano
1577   \PianoDeuxMains
1578   \relative {
1579     R1 R2. R2 R1*5/4*6 \clef bass |
1580     r1 mi,,4 <red sold> r r2 mi4 |
1581     <red sold> r sol <mi si'> r |
1582     r2 mi4 <red sold> sol | <mi si'> r sib' r <sib re> |
1583     <la fad'> r <re fa> <dod la'> r | <mid fad dod'> r1 |
1584     R1*5/4*8 \clef treble <sol la mib' fad>4 r2 <sol la mib' fad>4 r |
1585     <sol la mib' fad> r <sol la mib' fad> r2 |
1586     <sol la mib' fad>4 r r8 <sol la mib' fad> r2 | <re' do'>4 r1 |
1587     R1*5/4*6 <lab re fa sol lab>1*5/4\laissezVibrer \arpeggio
1588     R1*5/4*11 \clef bass <re, fad dod'>4 r1 | R1*5/4-\fermataMarkup
1589
1590     %%% Boum %%%
1591     R1*5/4*13 | \clef treble
1592     <sol' sib mib>8 \mg <mib, lab dob> \md
1593     <sol' sib mib> \mg <mib, lab dob> \md
1594     <sol' sib mib> \mg <mib, lab dob> \md
1595     <fab' lab reb> \mg <fa, sib re> \md
1596     <fab' lab reb> \mg <fa, sib re> \md
1597     <sol' sib mib> \mg <mib, lab dob> \md
1598     <sol' sib mib> \mg <mib, lab dob> \md
1599     <fab' lab reb> \mg <fa, sib re> \md
1600     <fab' lab reb> \mg <fa, sib re> \md
1601     <fab' lab reb> \mg <fa, sib re> \md |
1602     <sol' sib mib> \mg <mib, lab dob> \md
1603     <sol' sib mib> \mg <mib, lab dob> \md
1604     <sol' sib mib> \mg <mib, lab dob> \md
1605     <sol' sib mib> \mg <mib, lab dob> \md
1606     <fab' lab reb> \mg <fa, sib re> \md |
1607     <fab' lab reb> \mg <fa, sib re> \md
1608     <fab' lab reb> \mg <fa, sib re> \md
1609     <sol' sib mib> \mg <mib, lab dob> \md
1610     <sol' sib mib> \mg <mib, lab dob> \md
1611     <sol' sib mib> \mg <mib, lab dob> \md |
1612     <sib'' mib lab> \mg <mi,,,, mi'>2*1/4\laissezVibrer \md
1613     <sib'''' mib lab>8 \mg <sib,, mib lab> \md
1614     <sib'' mib lab> \mg <sib,, mib lab> \md
1615     <sib'' mib lab> \mg <sib,, mib lab> \md
1616     <sib'' mib lab> \mg <sib,, mib lab> \md |
1617     <sib'' mib lab> \mg <sib,, mib lab> \md
1618     <sib'' mib lab> \mg <sib,, mib lab> \md
1619     <sib'' mib lab> \mg <sib,, mib lab> \md
1620     <sib'' mib lab> \mg <sib,, mib lab> \md
1621     <sib'' mib lab> \mg <sib,, mib lab> \md |
1622     <sib'' mib> \mg <mib,, lab> \md
1623     <sib'' mib> \mg <mib,, lab> \md
1624     <sib'' mib> \mg <mib,, lab> \md
1625     <sib'' mib> \mg <mib,, lab> \md
1626     <sib'' mib> \mg <mib,, lab> \md |
1627     <reb'' fa sib> \mg \stemDown <mi,,,, mi'>2*1/4\laissezVibrer \stemNeutral \md
1628     <reb'''' fa sib>8 \mg <lab,, reb fa> \md
1629     <reb'' fa sib> \mg <lab,, reb fa> \md
1630     <sib'' mib lab> \mg <sib,, mib lab> \md
1631     <sib'' mib lab> \mg <sib,, mib lab> \md |
1632     <reb'' fa sib> \mg <lab,, reb fa> \md
1633     <reb'' fa sib> \mg <lab,, reb fa> \md
1634     <sib'' mib lab> \mg <sib,, mib lab> \md
1635     <sib'' mib lab> \mg <sib,, mib lab> \md
1636     <reb'' fa sib> \mg <lab,, reb fa> \md
1637     <mib''' lab dob> \mg \stemDown <mi,,,,! mi'!>2*1/4\laissezVibrer \stemNeutral \md
1638     <mib'''' lab dob>8 \mg <sol,,, sib mib> \md
1639     <mib''' lab dob> \mg <sol,,, sib mib> \md
1640     <reb''' fa sib> \mg <lab,, reb fa> \md
1641     <reb'' fa sib> \mg <lab,, reb fa> \md |
1642     <mib''' lab dob> \mg <sol,,, sib mib> \md
1643     <mib''' lab dob> \mg <sol,,, sib mib> \md
1644     <reb''' fa sib> \mg <lab,, reb fa> \md
1645     <reb'' fa sib> \mg <lab,, reb fa> \md
1646     <reb'' fa sib> \mg <lab,, reb fa> \md |
1647     <mib''' lab dob> \mg <sol,,, sib mib> \md
1648     <mib''' lab dob> \mg <sol,,, sib mib> \md
1649     <mib''' lab dob> \mg <sol,,, sib mib> \md
1650     <reb''' fa sib> \mg <lab,, reb fa> \md
1651     <mib''' lab dob> \mg <sol,,, sib mib> \md |
1652     <fa''' sib re> \mg \stemDown <mi,,,, mi'>4*1/2\laissezVibrer \stemNeutral \md
1653     <fa'''' sib re>8 \mg <sold,,, dod> \md
1654     <fa''' sib re> \mg \stemDown <mi,,,, mi'>2*1/4\laissezVibrer \stemNeutral \md
1655     <fa'''' sib re>8 \mg <sold,,, dod> \md
1656     <fa''' sib re> \mg <dod,, sold'> \md |
1657     <fa'' sib> \mg mi,,, \md
1658     <fa''' sib> \mg <dod,, sold'> \md
1659     fa'' \mg <sold,, dod> \md <dod sold'>2\laissezVibrer |
1660     r1 <red sold>4\laissezVibrer | R1*5/4
1661     <dod sold'>1*5/4\laissezVibrer | r4 <dod sold'>1\laissezVibrer |
1662     r2 <dod lad'>2.\laissezVibrer |
1663
1664     %%% Moderato assai %%%
1665     R1*7/4*7 \clef bass
1666     r4 \acciaccatura do,8 reb4 \acciaccatura sold8 la4 | R1
1667     r4 \acciaccatura fad8 sol4 \acciaccatura re'8 mib4 | R2
1668     r4 \acciaccatura si,8 do4 \acciaccatura sol'8 lab4 |
1669     r <si do sol'>2\arpeggio |
1670     r4 \acciaccatura si,8 do4 \acciaccatura sol'8 lab4 |
1671     r <red, sold si>2\arpeggio |
1672     r4 \acciaccatura si8 do4 \acciaccatura sol'8 lab4 |
1673     r \acciaccatura fad8 sol4 \acciaccatura la8 sib4 |
1674     r \acciaccatura red,8 mi4 \acciaccatura si'8 do4 |
1675     r <sol lab mi'>2\arpeggio | R2. \clef treble |
1676     <re' la' re>1\arpeggio \laissezVibrer r2 r4 | R1*7/4*2 \clef bass |
1677     r4 \acciaccatura fa,8 solb4 \acciaccatura dod8 re4 |
1678     r <dod, re la'>\arpeggio r |
1679     r \acciaccatura fa8 solb4 \acciaccatura dod8 re4 |
1680     r <la re fa>\arpeggio r |
1681     r \acciaccatura fa8 solb4 \acciaccatura dod8 re4 |
1682     r \acciaccatura lad8 si4 \acciaccatura red8 mi4 |
1683     r \acciaccatura la,8 sib4 \acciaccatura fa'8 fad4 |
1684     R1*7/4*4 \clef treble |
1685     \repeat volta 2 { <dod mi la>1 <sib re sol?>2.
1686     <dod mi la> <sib re sol>1 R1*7/4 }
1687     <sib re sol>1*7/4\arpeggio \laissezVibrer R1*7/4
1688
1689     %%% Presto subito %%%
1690     \tt {<mi sol>8 \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1691     \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1692     \tt {<mi' sol> \mg <red, fad> <red fad> <re, fa> <red' fad> \md } |
1693     \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1694     \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1695     \tt {<mi' sol> \mg <red, fad> <red fad> <re, fa> <red' fad> \md } |
1696     \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1697     \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1698     \tt {<mi' sol> \mg <red, fad> <red fad> <re, fa> <red' fad> \md } |
1699     \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1700     \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1701     \tt {<mi' sol> \mg <red, fad> <red fad> <re, fa> <red' fad> \md } |
1702     \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1703     \tt {<mi' sol> \mg <red, fad> <re, fa> <red' fad> <red fad> \md }
1704     \tt {<mi' sol> \mg <red, fad> <red fad> <re, fa> <red' fad> \md } |
1705
1706     %%% Tempo giusto %%%
1707     <mi' sol>4 r <mi sol>8 fad, | <mi' sol>4 r <fa lab> |
1708     <mi sol> r <mi sol>8 fad, | <mi' sol>4 r <mi sol>8 fad, |
1709     <mi' sol>4 r <mi sol>8 fad, | <mi' sol>4 r <fa lab> |
1710     <mi sol> r8 fad, <fa' lab>4 | <re la'>4 r sol,8 re' la' sib |
1711     <mi, si'>4 r8 dod <fad si> dod | <sold' si>4 r <la do>8 re, |
1712     <fa do'>4 r <la do> <lad dod>8 red, r4 <si' re> <do mib> r R4. |
1713     r8 <lab re sol>~ \t {<lab re sol> <lab re sol> <lab re sol>} |
1714     \t {<la red sold> <la red sold> <la red sold>}
1715     \t {<sib mi la> <sib mi la> <sib mi la>} |
1716     <sol do sib'>4 <re' re'>8 <fad fad'> <re re'> <fa fa'> <dod dod'> |
1717     <fad, fad'> r r2 |
1718     r4 <re' re'>8 <fad fad'> <dod dod'> <fa fa'> <re re'> |
1719     <fad, fad'> r r2 | r8 <re' re'> <red red'> <mi mi'> <fa fa'> |
1720     <fad fad'> \t {la16 do sib} mib8 \t {fa,16 lab solb} |
1721     si8 dod,16 mi re sol |
1722     <la, la'>4 r2 | R2.*3 \clef bass
1723     r8 mib, sol do mi, lab | mib' lab, si mi, sol sib |
1724     mib mi, sol do mib, si' | sol' mib, sol do sol' si, |
1725     mib mi, lab sol do si \clef treble | mi mib sol lab si do |
1726     r4 \t {si,8 mib sol} \t {re fad sib} |
1727     \t {sib, re fad} \t {si, mib sol} \t {fad, sib re} |
1728     \t {mib sol si} \t {do mi sold} \t {la dod fa} |
1729     <la, la'>2.\laissezVibrer R2. R2 R4. R2 R1*5/8 R2.
1730
1731     %%% Tempo I %%%
1732     R1
1733     <solb, fa'>4 r2 <solb fa'>4 r <solb fa'> r <solb fa'> r2 |
1734     <solb fa'>4 r r8 <solb fa'> r2 \clef bass | <lab,, do>4 r1\fermata
1735     R1*5/4*21
1736   }
1737   \relative { \clef bass
1738     R1 R2. R2 R1*5/4*6
1739     r1 \ottava #-1 si,,4 <sol? do> r r2 si4 |
1740     <sol do> r do <sold red'> r |
1741     r2 si4 <sol do> do <sold red'> \ottava #0
1742     r \loco la' r <fa la> <dod sib'> r <sib' dod> <fa re'> r |
1743     <re la' sib> r1 | R1*5/4*8
1744     <re do'>4 r2 <re do'>4 r <re do'> r <re do'> r2 |
1745     <re do'>4 r r8 <re do'> r2 | <sold si fa' sol!>4 r1 |
1746     R1*5/4*3
1747     do1*5/4 re fa2~ fa8 sol~ sol2 |
1748     <do, fa>1*5/4\laissezVibrer \arpeggio R1*5/4*11
1749     \ottava #-1 <mi,, fa'>4 \ottava #0 r1 | R1*5/4-\fermataMarkup
1750
1751     %%% Boum %%%
1752     R1*5/4*13
1753     s1*5/4*14
1754     R1*5/4*5
1755
1756     %%% Moderato assai %%%
1757     R1*7/4*7
1758     fa'4 r2 R1 si4 r2 R2 |
1759     mi,4 r2 red'4 r2 | mi,4 r2 sol4 r2 |
1760     mi4 r2 | fad4 r2 sol4 r2 | la4 r2 r4 do2 |
1761     <fa, mib'>1\arpeggio r2 r4 R1*7/4*2 |
1762     sib4 r2 fad4 r2 | sib4 r2 dod4 r2 |
1763     sib4 r2 do4 r2 re4 r2 |
1764     R1*7/4*4 |
1765     \repeat volta 2 {<la re fa>1 <si? mi sold>2.
1766     <la re fa> <si mi sold>1 R1*7/4}
1767     <si mi sold>1*7/4\arpeggio R1*7/4
1768
1769     %%% Presto subito %%%
1770     s1.*5
1771     re,4 mib' fa, | re mib' fa, | re mib' fa, |
1772     re mib' fa, | re mib' fa, | re mib' fa, |
1773     mib' sib si' | mi,, si' R2 |
1774     <fad dod'>4 sold' r | <fad, dod'> <si la'> r |
1775     <sold fad'> re' red | <sold, fad'> fad la | fa4 r R4. |
1776     <mi' la red>4~ \t {<mi la red>8 <mi la red> <mi la red>}
1777     \t {<fa sib mi> <fa sib mi> <fa sib mi>}
1778     \t {<fad si mid> <fad si mid> <fad si mid>} |
1779     <mib,, mib'>2\laissezVibrer R4. R2. |
1780     <mib mib'>2\laissezVibrer R4. R2. |
1781     <mib mib'>2*5/4\laissezVibrer |
1782     <la la'>2\laissezVibrer R4. <la' la'>4 r2 | R2.*3
1783     <sol, sol'>2.\laissezVibrer s
1784     <sol sol'>\laissezVibrer s |
1785     <sol sol'>\laissezVibrer s |
1786     <sol sol'>\laissezVibrer s s |
1787     <sold sold'>2.\laissezVibrer R2. R2 R4. R2 R1*5/8 R2.
1788
1789     %%% Tempo I %%%
1790     R1
1791     <lab' sol'>4 r2 <lab sol'>4 r <lab sol'> r <lab sol'> r2 |
1792     <lab sol'>4 r r8 <lab sol'> r2 | \ottava #-1
1793     <re,, sol dod>4 r1\fermata |
1794     R1*5/4*21
1795   }
1796 }
1797
1798 ActeDeuxSceneDeuxPiano = { \Piano
1799   \PianoDeuxMains
1800   \relative {
1801     R1.*6 R1*2 R2. \clef bass |
1802     \mg <re,, re'>16 \md <re' sol lab dod> <re sol lab dod> \mg <fa, fa'>
1803     \md <re' sol lab dod> \mg <re, re'> \md <re' sol lab dod> \mg <fa, fa'>
1804     \md <re' sol lab dod> \mg <fad, fad'> \md <re' sol lab dod> <re sol lab dod> |
1805     <fa la sib mi>8. <fa la sib mi>16 r8 <fa la sib mi>16 <fa la sib mi> r <fa la sib mi> <fa la sib mi>8 |
1806     r16 <re sol lab dod>8 <fa la sib mi>16 r <re sol lab dod> <fa la sib mi>8 r16 <fa la sib mi> r8 |
1807     R2. R1.*3 | R1*2 R2. |
1808     \mg <si,, si'>16 \md <re' sol lab dod> <re sol lab dod> \mg <re, re'>
1809     \md <re' sol lab dod> \mg <si, si'> \md <re' sol lab dod> \mg <re, re'>
1810     \md <re' sol lab dod> \mg <red, red'> \md <re' sol lab dod> <re sol lab dod>
1811     <re sol lab dod> \mg <si, si'> \md re' \mg <red, red'> \md |
1812     r mi' dod re do mib |
1813     si8 si16 si \mg si, \md si' si \mg si, \md si' si
1814     \mg sold, \md si' si \mg sold \md si si |
1815     \mg si, \md si' si si si si \mg sold, \md si'
1816     si \mg sol, \md si' si si \mg sol \md si si |
1817     \mg si, \md si' si si \mg lad \md si \mg si, \md si'
1818     si \mg si, \md si' si si \mg lad \md si si |
1819     \mg si, \md si' si \mg si, \md si' si \mg si, \md si'
1820     r8 \mg si,16 \md si' si si \mg lad \md si |
1821     \mg si, \md si' si \mg <fad'dod'> \md si, si \mg si, \md si'
1822     \mg <fad'dod'> \md si, \mg si, \md si' si \mg <dod'sold'> \md si, si |
1823     \mg si, \md si' si \mg si, \md si' si \mg si, \md si' r2 |
1824     R2. R1. R1*2 R2.*3 R2 R2.*3 R2
1825     r16 la'16 fad sol fa lab |
1826     mi mi mi \mg sol, \md mi' \mg mi, \md mi' mi
1827     \mg mi, \md mi' \mg sol, \md mi' \mg mi, sol \md mi' mi |
1828     \mg mi, \md mi' mi \mg sol, \md mi' \mg mi, sol \md mi'
1829     \mg mi, \md mi' \mg sold, \md mi' mi \mg mi' \md mi, mi |
1830     \mg mi, \md mi' mi \mg sol, \md mi' \mg mi, \md mi' mi
1831     \mg mi, \md mi' mi \mg sol, \md mi' \mg sold, \md mi' mi |
1832     \mg mi, \md mi' mi \mg la, \md mi' \mg mi, \md mi' \mg la,
1833     \md mi' mi \mg re \md mi \mg la, mi \md mi' mi |
1834     \mg mi, \md mi' \mg la, re \md mi mi <re sol do>8 r8 r16 la' fad sol fa lab |
1835     mi8 \clef treble <si' dod sold'> %% FIXME Issue #400
1836     <si dod sold'> r | r <dod red lad'> <dod red lad'> r |
1837     r <fad si dod> <fad si dod> r | r <si dod mi> <si dod mi> r |
1838     r <lad si fad'> <lad si fad'> r |
1839     r32 sold mi sold fadd lad fadd lad sold si sold si lad dod mi sold |
1840     si2*2\laissezVibrer R2.
1841     R1. R1 R1.
1842     <la,, sib re la'>1*3/2\laissezVibrer \arpeggio R2. R1
1843     R2. R1 R2. R1 R2. R1 R2.
1844     R1 R2. R1 R2. R1 R2. R1
1845     R2. R1 R2. R1 R2. R1 R2.
1846     <la' la'>4 la8 \mg la, \md dod' \mg dod, \md fa' \mg fa, |
1847     \md <la la'>4 la8 \mg la, \md do'! \mg do,! \md mib' \mg mib,
1848     \md fad' \mg fad, \md | <la la'>4 s s2 s1*2 |
1849     <sold' la'>8 r2 | r4 r8 <la,, re mib sold> r |
1850     <la re mib sold> r r4 <mib' re' mib>8 |
1851     <re' mib> r4 <mib, sold la re>8 r | R2*5/4
1852     <la, re sold>4 r r8 | R2*5/4
1853     r4 r8 <la re mib sold> r | r4 <re mib>8 r4 |
1854     <la re sold>4 r r8 | R2*5/4*4
1855     R1*2 \clef bass <do,! la' dod>4 r r2 \clef treble |
1856     r4 <re' dod'> <si lad'> r | r <si lad'> <lab sol'> r | R1
1857     mi'1\laissezVibrer s1*2 <si' sold'>4 r2 |
1858     r8*1/2 s8. r4 | R1*2 R2.*4
1859     r8 r16 <sold dod> <fa mi'>8 r r4 |
1860     r8 r16 <sold red'> <fa! fad'>8 r r4 | R2.
1861     R2*2 R2.*2 R2*5 \clef bass
1862     <re, sib' re>16 <re sib' re> <re sib' re> <re sib' re>
1863     <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1864     <re sib' re> <re sib' re> <re sib' re> <re sib' re>
1865     <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1866     <re sib' re> <re sib' re> <re sib' re> <re sib' re>
1867     <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1868     <re sib' re> <re sib' re> <re sib' re> <re sib' re>
1869     <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1870     <mi do' mi>8 r r4 R2*4 \clef treble r8 <dod' mi sold> <do fa la> r |
1871     R2 \clef bass |
1872     <re, sib' re>16 <re sib' re> <re sib' re> <re sib' re>
1873     <re sib' re> <re sib' re> <re sib' re> <re sib' re> |
1874     <re sib' re> <re sib' re> <re sib' re> <re sib' re>
1875     <mi sold mi'> <mi sold mi'> <mi sold mi'> <mi sold mi'> |
1876     <re sib' re>8 \clef treble <re' fad> <mib sol> r | R2*6
1877     R2.*7 \ottava #1 |
1878     <dod'' fad dod'>4 <red sold red'> r8 <si lad'> |
1879     <dod fad dod'>4 <sold red' sold> \ottava #0 r | R2.
1880     \ottava #1
1881     <dod sold' dod>4 <sol' dod sol'> <dod, sol'? dod> |
1882     <red sold red'> <lad' red lad'> r <dod, sol' dod> <sold' dod sold'> r |
1883     <dod, sold' dod> <la' fa' la> \ottava #0 r R2.*2 |
1884   }
1885   \relative {
1886     R1.*6 R1*2 R2.
1887     s2. <re,, re'>8 mib re fa re lab' |
1888     fa sib lab si dod mi fa mi sol sib dod4 | R1.*3
1889     R1*2 R2.
1890     s1 r16 mi,, dod re do mib |
1891     si4 s2. | s1*4 s2 r2 |
1892     R2. R1. R1*2 R2.*3 R2 R2.*3 R2
1893     r16 la'16 fad sol fa lab |
1894     mi8 s8 s4 s2 s1*3 s2 r8 r16 la fad sol fa lab mi8 r r dod |
1895     mi r dod do | mi r r dod mi r dod do mi4 r8 mi mi r r4 |
1896     <dod dod'>2*2\laissezVibrer R2.
1897     R1. R1 R1.
1898     <sol' re'>1*3/2\laissezVibrer \arpeggio R2. R1
1899     R2. R1 R2. R1 R2. R1 R2.
1900     R1 R2. R1 R2. R1 R2. R1
1901     R2. R1 R2. R1 R2. R1 R2.
1902     <la la'>4 s s2 |
1903     <la la'>4 s s2. |
1904     <la la'>8 mib sol \md fad' sib \mg sib, re \md dod' |
1905     fa \mg fa, la \md sold' do \mg do, mi \md mib' |
1906     sol sol, si sib' re re, fad fa' \mg |
1907     <la,,,,, sold'>8 r2 | r4 r8 <la' sold'> r |
1908     <la sold'>8 r r4 <la, sold'>8 | <sold'' la> r2 | R2*5/4
1909     <sold,, mib' la>4 r r8 | R2*5/4
1910     r4 r8 <la' sold'> r | r4 <re mib>8 r4 |
1911     <re, sold mib'>4 r r8 | R2*5/4*4
1912     R1*2 <si lad'>4 r r2 |
1913     r4 <mi red'> <sol fad'> r | r <reb do'> <mi red'> r | R1
1914     r8 <mi mi'> \t {<mi mi'> <mi mi'> <mi mi'>} <mi mi'>4 <mi mi'>~ |
1915     <mi mi'>8 <mi mi'> \t {<mi mi'> <mi mi'> <mi mi'>} <mi mi'>4 <mi mi'>~ |
1916     <mi mi'>8 <mi mi'> \t {<mi mi'> <mi mi'> <mi mi'>} <mi mi'>2 |
1917     <re' dod'>4 r2 |
1918     r16 r32 \stemUp <sold, si fa'>[ \md \stemDown <dod' mib re'>8] \stemNeutral \mg r4 |
1919     R1*2 R2.*4 r8 r16 <dod, fad> <sib la'>8 r r4 |
1920     r8 r16 <la mi'> <fad sol'>8 r r4 | R2.
1921     R2*2 R2.*2 R2*5 <re sib'>8 <re sib'> <re sib'> <re sib'> |
1922     <re sib'> <re sib'> <re sib'> <re sib'> |
1923     <re sib'> <re sib'> <re sib'> <re sib'> |
1924     <re sib'> <re sib'> <re sib'> <re sib'> |
1925     <dod sold'> r r4 | R2*4
1926     r8 la' sold r | R2
1927     <re sib'>8 <re sib'> <re sib'> <re sib'> |
1928     <re sib'> <re sib'> sold sold | <re sib' re> <sol' si> <fad lad> r |
1929     R2*6
1930     R2.*7 \clef treble
1931     \pl {<fa'! do'!>2. <fa! do'>2} {fad'4 sold r fad s } r4 |
1932     R2.
1933     \pl {<la, do mi>2. <la do mi> <sib re sol> <la do mi>2 }
1934     {sold'4 <sold dod> sold sold <sold red'> r4 |
1935     s4 dod r4 sold <dod fa>} r4 | R2.*2
1936   }
1937 }