instruments/saxophone2.ly

   1 %------------------------------------------------------------------%
   2 % Opéra Libre -- saxophone2.ly                                     %
   3 %                                                                  %
   4 % (c) Valentin Villenave, 2008                                     %
   5 %                                                                  %
   6 %------------------------------------------------------------------%
   7
   8 \include "italiano.ly"
   9
  10 SaxAltoDeux = {
  11   #(make-instrument-name 'saxophone-two "alto sax" 25)
  12   \clef treble
  13 }
  14
  15 SaxophoneBaryton = {
  16   #(make-instrument-name 'saxophone-baritone "baritone sax" 25)
  17   \clef bass
  18 }
  19
  20 PrologueSaxophoneDeux = { \SaxophoneBaryton
  21   \relative {
  22
  23     %%% Introduction %%%
  24     \partial 4 r4 R2.*3 R1
  25     \ten mi,,2~\fp mi4 r | mi4~\p \tt {mi32( fa mi mi' fa)} mi'8~ mi4~ |
  26     mi2~ mi4 r | mi,,2--\p r4 |
  27     R2*2 \ten mi2.~ | mi2~ mi4 r |
  28     mi2.( | mi'2) \t {sol4\<( sib do8) r} |
  29
  30     %%% Entrée du baryton 2 %%%
  31     re,8.->\f dod16~-> dod8 mi-> r4 | R2*2 | reb,2--\p r4 | R2
  32     la'4--\mp\< si-- fa'8->\! sol~-> |
  33     \ten sol2~\p sol2.~ sol8 r r4 | R2. R2 |
  34     sib,2~--\pp sib4 r \t {lab8(\fsubito fa mib} |
  35
  36     %%% Tempo giusto %%%
  37     re8->\f) r r4 | R2*2 re4\p( mib fa lab sib si8) r |
  38     \t {reb4\p( mi fad} \t {sol\< la do} |
  39     re4\f) r2 lab,2.--\mp( re4--) r2 solb2.\p mib do |
  40     r2 lab'8-> r r4 do8-> r r4 | re,,2\f re'4~-- re mib2-- |
  41     reb2.---> r4 | R2*2 R2-\fermataMarkup
  42
  43     %%% Solo ténor %%%
  44     R1*2 R2. R1 R2. R1
  45     R2*4 R2.*11 R4.*15
  46     mi,?8-.\pp r4 sol?8-. r4 |
  47     mi8-. r4 sol8-. r4 |
  48     mib8-. r4 solb8-. r4 |
  49     mib8-. r4 solb8-. r4 |
  50     mi8-. r4 mi8-. r4 |
  51     re8-. r4 re?8-. r4 |
  52     \ten do'4.~\pp do~ do~ do8 r4 |
  53     do4.~ do~ do~ do8 r4 |
  54     do4.~ do~ do4 r8 |
  55     r r16 re'\mp\< \t {re re lab} |
  56
  57     %%% A tempo %%%
  58     re,8\sfz r4 | lab4.--\p( re8) r4 | re4.~\p( re4.) |
  59     \ten lab4.~\mf lab~ lab4 r8 | re,8-> r4 | R4.*2
  60     r8 mib\mp( re) \ten fa4.~ fa~ fa4 r8 | R4.*4
  61     r8 mi''\<( re | fa4.\f) R4. | r8 dod\<( si mi4\!) r8 |
  62     R4.*2 fa,,4.~\p fa8 r4 fa'4--\mf r8 R4.
  63     \t {mi16\>( fa fad} sol8) r |
  64     R4. solb,8\pp( lab la |
  65     si re mi fa\< sol sib do reb |
  66     re4--\f) r re,,-- | fa-- r2 | R2. |
  67
  68     %%% Adagio %%%
  69     R1*3 \ten \ind #"détimbré" sib1~\pp sib1.~ sib4 r r1 |
  70     R1*2 \simile \ten sib1~ sib1.~ sib4 r r1 |
  71     R1*2 sib2\pp r4 |
  72
  73     %%% Valse %%%
  74     sol2 r4 | R2.*2
  75     r4 \ind #"détimbré" si'2-- r4 la2-- | r4 solb2-- r4 solb-- r mi-- |
  76     sol,2.~\pp sol4 r | R2.*2 R1*2
  77     r2 lab4\mp( sol'2) r4 |
  78     r si,2( mi2) r4 | r2 re4( la'2\> | sol\!) |
  79     \ordin \ten do,1~\f do2 lab4-- |
  80
  81     %%% Vivo al fine %%%
  82     re,4---> r | R2*3
  83     \ten re'2~\p re~ re8 re->\mf\< re-> re-> re->\! r r4 |
  84     R2*22 r4 mi,8->\pp r |
  85   }
  86 }
  87
  88 OuvertureSaxophoneDeux = { \SaxAltoDeux
  89   \relative {
  90     R2. r2 \tt { sib16 si solb' sol re'} |
  91     mi,4 la,16 la sold8 r16 re \t {la' la lab} |
  92     sib4
  93   }
  94 }
  95
  96 ActeUnSceneUnSaxophoneDeux = { \SaxAltoDeux
  97   \relative {
  98     R2*2 R2. R2*2 R2.
  99     R2*2 R2. R2*2 R2.
 100     R2*2 R2. R2*2 R2.
 101     fa,2~\pp fa8 r16 r32 fa'\mf( sol4) |
 102     fa,2.~\pp fa4 r sol'16\mf\>( sib reb8~\!) reb16 sib( sol fa) |
 103     fa\>( mi4..\p) r4 |
 104     reb,1~\p reb8 do'16\mp( re fa4.) r8 |
 105     reb,4--\p r8 sib''16\mf( sol~) \t {sol do( sib} do8~) do r |
 106     \t {reb4--( sib8~--} \t {sib fa4--)} sol~\< |
 107     \ten sol2~\mf sol8 r r sol,~\mp( | sol sib4.) r4 | sol8( sib~) sib2 r4 |
 108     sol8 sib~ sib4 \t {fa8(\< sib re} |
 109     do4--\f) r2 | R2.*2
 110     \ten solb2.~\pp solb~ solb~ solb4 r \t {solb8\<( la sol} |
 111     \ten do1~\f) do2 r4 |
 112
 113     %%% Ad libitum %%%
 114     R1 R2.*2 R1 R2.*2
 115
 116     %%% Agitato %%%
 117     \ten re,1~\mf re2 r R1 |
 118     re4\sfz r r2 | R1 r2 re4\sfz r |
 119     r re\sfz r1 | R1*2 r4 re\sfz r1 | R1*3
 120     r4 re\sfz r1 | R1*2 R1.
 121     r8 mib-.\mp mib8.( si'16) lab2 r |
 122     r4 \t {si8\mf\<( lab) si} mi4\! \t {lab8\<( mib lab} si2\!) |
 123     r4 si,2--\mp r4 | r sib'2-- r4 r2 |
 124     mi,,!1--\f r2 | R1.*2 |
 125
 126     %%% Allegro non troppo %%%
 127     R1 R2. R1*5
 128     R2. R1 R2. R1 R2. R1
 129     sol2--\f r4 r2 \t {reb'4--\> sib-- lab--} |
 130     sol2.--\! r4 | R1 sol2.--\p r4 | R1 sol2-- r4 |
 131     R2.*2 R1*8
 132
 133     %%% Moderato %%%
 134     R2.*2 R1 R2. R1
 135     R2. R1
 136     \ten mib2.~\pp mib2 r | \ten fa2.~ fa2 r | mib4-- fa2-- |
 137     mib8.( fa16~) fa2. | solb8.\p( lab16~) lab2 |
 138     solb4 lab2. | mib8.--\mp fa16~-- fa8 solb~-- solb16 lab8.~ |
 139     lab8 solb-- fa-- mib-- | sib'8-> r r2 | R1
 140     R2*4
 141
 142     %%% Allegro marcato %%%
 143     r4 mib,8.--\mp\< mib16 solb4.\! r8 |
 144     r4 mib8.--\< mib16 solb4\!( re8) r |
 145     R1*2 dod4->\mf( re8-- mi-- sol!4--) r |
 146     r4 mi8.\mp\< mi16 sol4.\! r8 |
 147     r4 mi8.\< mi16 sol4\!( mib8) r | R1*2
 148     r2 r4 fa---.\pp mi2--( fa8) r fa4---. |
 149     mi2--( fa8) r r4 | R1
 150     r2 r4 fa---. | mi2--( fa8) r fa4---. | mi2--( fa8) r r4 | R1*2
 151     r2 r4 sib8-.\pp r | \st {lab( r fa r mib)} r re' r |
 152     \st {do( r la r sol) r r4 |
 153     fad8( r mi r dod)} r r4 | R1
 154
 155     %%% Agitato %%%
 156     re2.\mf r4 | r re-- r re-- R1 |
 157     r4 re2.--( re8-.) r r4 r2 | R1*6
 158     do'8-.->\sfz r r4 r1 | R1*3 R2.
 159     \st {si'8\p fa si fa la mi la mi |
 160     dod fad dod sold dod fad dod->} r | R2 r1*4
 161   }
 162 }
 163
 164 ActeUnSceneUnBisSaxophoneDeux = { \SaxAltoDeux
 165   \relative {
 166     R2.*7
 167     re4->\f r r2 | r4 mib,2\p\<(
 168     re4\!) r r2 | r4 lab'2\p\<(
 169     sol8->\f) r do'2---> | fa,---> sib,4~---> |sib lab2---> | R2.*2
 170     \ten sib2.~---> sib4.\pp r8\fermata r4 | R2.
 171     \ten sib2.~\pp sib2~ sib8 r\fermata r4 | R1 R2
 172
 173     %%% Largo %%%
 174     R2*3 R2. R2 R2. R2 R2.*2
 175     r2 r4 si-.\p | sib2-- r4 si-. | sib2-- r4
 176     r sol\mp\<( solb fa\!) r2 |
 177     R2.*2 R2*2
 178     r2 r8 la-.\p | lab4-- r8 la-. | lab2-- |
 179     r8 sib->\mf r4 | r8 la-> mi'-> r r4 |
 180     r2 r8 lab,->( fa'-> mi->) |
 181     R2. R2*3 R2.*3
 182
 183     %%% Adagio %%%
 184     R1*33
 185     R2*4
 186   }
 187 }
 188
 189 InterludeUnSaxophoneDeux = { \SaxAltoDeux
 190   \relative {
 191     R1. R1*3 R1. R1 R1.
 192     mi32\mp( fa8..~) fa4 r mi8( fa~ fa4) \tt {re16( mi fa la sold} |
 193     si4.) r8 \t {fa16( re mi} si8~) \ten si4~ si r r2 |
 194     R1. r2 \t {r8 la'\mf( sold} si4~) si4. r8 |
 195     r2 r4 \t {mi,4( fa8~)} | fa16 mi32( fa mi8~ mi4) r |
 196     R2 R2.
 197     sold4\mp( mi8) r sold4( mi8) r |
 198     sold4( mi8) r sold4( mi8) r |
 199     sold4( mi8) r sold4( mi8) r sold4( mi8) r |
 200     sold4( mi8) r sold4( mi8) r |
 201     sold4( mi8) r sold4( mi8) r |
 202     \tt {mi16\mf( fa sol\< do sib} do2.\!) r2 |
 203     \tt {mi,16 fa sol8 do16} sib4 \ttt {mib16 reb sib fa8 sol16} mi8 r |
 204     fad,2.\f\> sol2\pp r4 | R2.*15
 205   }
 206 }
 207
 208 ActeUnSceneDeuxSaxophoneDeux = { \SaxAltoDeux
 209   \relative {
 210     %%% Air de la Soprano2 %%%
 211
 212     \repeat unfold 9 { R2.*2 R1*2} R2.*2 |
 213     re'8\mf( mib re sib) lab( sib) re4-- | re8( mib re sib) lab( sib re mib) |
 214     lab,( sib re mib) lab,( sib | re mib) r2 |
 215     lab,8\mf( sib lab fa) lab( sib re mib) | re\>( sib lab fa) re( fa re do) |
 216     lab4--\! r sol8( lab | do re) do( lab) do4-- | \ten re,1~\ppp| re2. r4 |
 217     \repeat unfold 8 {R2.*2 R1*2}
 218     R2.*2 R1 R1-\fermataMarkup |
 219
 220     %%% Récitatif %%%
 221
 222     R2.*2-\markup "Prenez le Sax. Baryton" \SaxophoneBaryton
 223     R1 R2.*3 R1 R2.*4
 224     \repeat tremolo 12 {si'32\p\< do} |
 225     si8\sfz r r2 R2 R2. R1*2 R2.*5 R1 |
 226
 227     %%% Duo %%%
 228
 229     re,4---.\p re---. \simile re \repeat unfold 14 re
 230     \ind #"senza cresc." reb \repeat unfold 6 reb
 231     \repeat unfold 4 si
 232     \repeat unfold 4 sib r
 233     sol4->\mf lab8-> sib-> | reb4---> reb-- lab-- | \simile reb lab fa lab | reb lab fa reb |
 234     reb' r8 lab r4 | \ten mi2.~\p| mi r4 | mi'1\mp\<( | dod2.~\!) dod~ dod4 r2 r2 r8 si'4.--\fsubito |
 235
 236     %%% Piu vivo %%%
 237     sol,4\sfz r2 | R1-\markup "Prenez le Sax. Alto" \SaxAltoDeux R2.*2 R1
 238     r4 la''--\mf fad-- | la8-> mib~-> mib4 r2|
 239     r4 la-- fad-- |sol8-> mi~-> mi4 r2|
 240     r4 la-- sol-- |mi'8-> si~-> si4 r | R2.
 241     r4 si-- la-- |mi'8-> si~-> si4 r |
 242     r  si la | si8\< re~\! re4  r |
 243     R2.*2 r16 la-.->\mp r8 r2 |
 244     R2.*2 r4 r16 sold-> r8 r4 |
 245     R2.
 246     %%% Poco allargando %%%
 247     \t {fa,4--\f( fa-- fa--)}
 248     \t {fad--( fad-- fad--)}
 249     \t {sol--( sol-- sol--)}
 250     re'2-> | R1
 251     %%% Tempo giusto %%%
 252     R1*5 R2. R1*2 R2. R2
 253     \ten sold,2~\mp sold | sold2.~ sold8 r r2 |
 254     fa4.--\mf fa8( la) fa r fa( si) la r fa( la) fa r fa( |
 255     si) re( mi) si( fad4--) r8 re'\f( mi) la, r re( mi) si'(|
 256     sold-.) r r2 |
 257     R1 R2.*3 R2 R2. R1*4
 258   }
 259 }
 260
 261 InterludeDeuxSaxophoneDeux = { \SaxophoneBaryton
 262   \relative {
 263     R1 R2. R2 R2. R2 R2. R2
 264     R2*14
 265     la,2.--\pp r4 | la2.-- r4 la2.-- r4 R1 R2.
 266     fa2.-- r4 fa2 r4 | R2. reb2--\pp r R2. reb4-- r |
 267   }
 268 }
 269
 270 ActeUnSceneTroisSaxophoneDeux = { \SaxophoneBaryton
 271   \relative {
 272     R2.*4 sol8-.\mp mi4-- sol8-. mi4-- r r8 mi4-> dod8-. si2.~--\< si8\! r r2 |
 273     R2.*8 r2 \t {mi'8-.\f mi-. mi-.} mi4-- sol-- la8-> mi~-> mi4 r2 |
 274     R2.*5
 275
 276     %%% Lamento %%%
 277     R1.*6 R1*5/4 reb,2\pp\>( do4\!) r2 |
 278     reb\>( do4\!) r2 |
 279     \simile reb do4 r2 |
 280     re reb4 r2 |
 281     sol2\p( fad4) r |
 282     sol2( fad4) r |
 283     sol2( fad4) r |
 284     red2\>( mi4\!) r |
 285     reb4.\mp reb,4 reb'8~ reb4\< sib'\! do,\<( reb,4.\mf) r8 r4 | R2*2
 286
 287     %%% Tempo I %%%
 288     R2.*7 \ten mi2.~\fp mi mi\< lab8\sfz r r2 | R2.*3
 289     R1. r2 r4 sol2.\pp( lab mib') mi1.~\p mi2. r4 r2 | \ten do1.~--\mp do2.~ do8 r r4 |
 290     \ten do1~\pp do4 r2 | r4 si-- |
 291   }
 292 }
 293
 294 ActeUnSceneTroisBisSaxophoneDeux = { \SaxophoneBaryton
 295   \relative {
 296     R1*2 \ind #"détimbré" mi,1\pp R1 r2 \ten lab,~ lab1 R1 r2 fa~ fa r |
 297     \ten solb1~\pp solb~ solb2. r4 | R1*2 |
 298     solb1~ solb~ solb2. r4 | R1*5
 299     r4 \st {re'16\p lab' fa sib reb8 r re,16 lab' fa sib |
 300     reb8 fa,16 sib reb8 fa,16 sib} reb8 fa,16\< sib reb fa, re la |
 301     solb4--\sf r r2 | R1
 302     \ten si1\p~ si~ si2. r4 | R1*6 R2.
 303     re,1~ re~ re2. r4 |
 304     fa4\p( re8) r r2 fa4( re8) r r2 |
 305     fa4( re8) r fa4( re8) r
 306     fa4( re8) r \simile fa4 re8 r
 307     fa4 re8 r fa4 re8 r
 308     fa4 re8 r fa4 re8 r |
 309     \ten solb1~\p solb2~ solb8 r \simile solb4~ solb1~ solb2. r4 solb1~ solb~ solb2. r4 |
 310     R1*7
 311     \ten solb1~\pp solb~ solb4 r r2 | R1*9
 312   }
 313 }
 314
 315
 316 ActeUnSceneTroisTerSaxophoneDeux = { \SaxophoneBaryton
 317   \relative {
 318     R2*3 R2. R2*2 R2.*7 R1*6 R2.*19
 319     r4 mib,2--\pp mib-- re4~-- re\> re\! r |
 320     r  mib2 mib-- re4~-- re\> re--\! r |
 321     r sol2--\p sol-- fad4~-- fad\> fad--\! r |
 322     r sol2-- sol-- fad4~-- fad\> fad--\! r |
 323     r mib2--\p mib-- mib4~-- mib2 r4 |
 324     r mib2--\mp\< sol-- si4~--\mf si r2 |
 325     R2.*3 R1
 326     r4 si,2--\pp si-- si4~-- si2 r4 |
 327     r  si2-- si si4~-- si2 r4 |
 328     r sol'2--\p sol--\> fad4~--\! fad r2|
 329     r4 sol2-- sol--\> fad4~\! fad r2 |
 330     r4 mib2--\mp mib--\< re4~--\! re\> re--\! r |
 331     r  re'2-- sol-- fad4~-- fad sol\<( fad\!) |
 332     r8 fad\mf( sol re mib sib si) fad'( sol re mib sib |
 333     si4) r8 fad'\>( sol,4\!) | r8 re~--\p re4 r | R2.*15
 334   }
 335 }
 336
 337 InterludeTroisSaxophoneDeux = { \SaxophoneBaryton
 338   \relative {
 339     R1 R2. R1 R2. R1 R2.
 340     si,8\p( lab) si( lab) si( lab) si---. do---. | si( lab) si( lab) si---. do16---. r |
 341     \simile si8 lab si lab si lab si do | si lab si lab si do16 r |
 342     reb8 sib reb sib reb mib | reb sib reb mi16 r |
 343     reb8\mf sib reb sib reb mib | reb sib reb mi16 r |
 344     fa8\f( re) fa( solb) si\<( lab) si( do\!) | R2*4
 345   }
 346 }
 347
 348 ActeUnSceneQuatreSaxophoneDeux = { \SaxophoneBaryton
 349   \relative {
 350     \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
 351     R2-\fermataMarkup
 352     R1 R2. R1*2 R1. R1*2 R1. R1*2
 353
 354     R2. r16 la-.\mp la--( la--) re4-.( do--) re8-.( la4.--) r4 | r16 la-.\mf la-. la-.
 355     \acciaccatura dod16 re4-- \acciaccatura si16 do4--
 356     \acciaccatura mib16 re8-.( la4.--) r4 | R2.*4
 357     re,,4--->\mf r2 R2. re4---> r2 R2. re4---> r2 R2.*3
 358     lab'4--\p lab-- lab-- \ten sib2~-- \tt {sib16 la( sol fa lab)} |
 359     \ten mi2.~--\f mi4 r2 | r8 sib'-> r4 r8 sib-> |
 360     mi,2---> r4 r8 sib'-> r4 r8 sib-> |
 361     mi,2---> sib'8-. mi,~-> mi2 r4 R2.
 362     reb8-> r r4 r2 | R2. R1 R2. R2 R2. R2 R2. |
 363     \ten reb'2~--\p reb4 r2 | R1*5 R2 R2. R1
 364     r2 \ten sib~\pp sib2. r4 | r2 sib~ sib2. r4 |
 365     r2 lab~ lab2. r4 | r2 lab~ lab2. r4 |
 366     r2 sib'4\mp( solb fa4. reb) |
 367     r2 fa4\>( solb fa4. fa4\!) r8 |
 368     dod,2->\mp( re4\> mi \ten sol1\!~) sol~ sol2. r4 | R1*3 R2*3 R2.*6
 369
 370     do4.--->\f si'8~\<( si16 re8. mi8\!) r |
 371     do,4.---> re'8~\<( re16 mi8. fa8\!) r |
 372     do,4---> do---> r8 fad,-.-> r4 R1
 373     la8-.\mp lab-. reb,-. do'-. fa,-. mi'-. la,-.-> r r4 r2 |
 374     r4 la8-.\p r sol-. r reb-. r si'-. r fa'-. r mib,-. r la-.-> r r2 |
 375     R1 R2.
 376     sol2.--\f r4 sol2-- r8 dod4.-- |
 377     sol2-- r4 sol2-- r4 fa2-- r4 fa2.-- r4 r fa4.--\ff mib-- |
 378
 379     re2-- r4 | r8 re'-.->\f r | sold,2-- si4~-- si8 dod4-- |
 380     re2-- | r8 re-. r | la4.-- sib8~-- sib8. do16~-- do4 |
 381     mib2-- r8 mib-. r | si2~-- si8 do~-- do16 re8.-- |
 382     fa,2~\p fa4 r8 r fa''4.~--\mp\< fa2 |
 383     R2\! R4. r2 \ttt {re16\<( la solb) reb( sib fa)} |
 384
 385     re4->\f r r2 | \ten re1~\pp re2 r4 re-- |
 386     \ten re1~ re2. r4 | r2 sol'\p( mi reb sib solb |
 387     re4->) r r2 | R1*2
 388     \st {re'4\p re re re R2 re4 re re R2. re4\pp re} R1 |
 389
 390     %%% Piu lento %%%
 391     R2.*21
 392     \st {la8\mp do sib mib fa lab, solb si reb mi re, sol |
 393     la4 r r2 |
 394     la8 solb lab mib reb sib' do sol fa re mi' si |
 395     la4 r r2 |
 396     la8 sol re' mi reb si solb lab fa mib sib' do |
 397     la4} r la->\mp r R1.
 398     do8\p( sib4) do8 \ten la2--~ la1.~la2. r4 |
 399     \st {la8\p do sib mib fa lab, solb si reb mi re,4 |
 400     la'8 sol re' mi reb si solb lab fa4 r |
 401     la8 solb lab mib reb sib' do4 r8 re, r4 |
 402     la'8 si mi re fa,4 do' reb, lab' |
 403     la8\mp do sib mib reb si solb lab fa\< re mi' si |
 404     la4->\mf r mib\sfz r | R1. R1 R1. sib'4\sfz r r2 |
 405     la8\p solb lab mib reb sib' do sol fa re mi'4   |
 406     la,8 si mi re, fa sol do sib reb4 r |
 407     la8 do sib mib fa lab, solb4 r8 mi r4 |
 408     la8 sol re' mi reb4 solb, fa sib |
 409     la8 solb lab mib fa sol do sib reb mi re, sol |
 410     la4-> r la\sfz r | r2 r4 la-> la-> } r | r2 re,4---> r |
 411   }
 412 }
 413
 414 EntracteSaxophoneDeux = { \SaxAltoDeux
 415   \relative {
 416     R2*7 mi4--\pp sold-- sol8-- r r4 |
 417
 418     %%% Vivo subito %%%
 419     re4\sf r r2 R1*2
 420     r2 r8 r16 sol,\<( do8.) sib16( |
 421     \ten mib1~\mf) mib4. r8 r2 | R1*10
 422     r4 re,--\p r re-- r re-- r2 | R1*7
 423     r4 mib8.--\mp mib16 sol4-- r r la8-.\p la-. sold4-. r |
 424     re1~\pp re4 r r2 | R1*3
 425     r2 re8--\p r r4 R1 mi8 r r4 r2 R1*2
 426     re'4\f re8 re re4 re8 re re4 re8 re re4 re8 re re4 re8 re re4 |
 427
 428     %%% Fugato %%%
 429     re,4-> r r2 | R1-\markup "Prenez le Sax. Baryton" \SaxophoneBaryton R2.*2 R2
 430     R1 R2.*2 R1
 431     mi,2\p( sol8) r r4 | R2. lab2( si8) r |
 432     R1 mi,2( sol8) r r4 | R2. si2.( fa4) r r2 |
 433     R1 R2.*2 sol'1~ sol2. r4 | R2.*2
 434     sold4--\mf re'-- la-- la-- |
 435
 436     %%% Stretto %%%
 437     re,-- re,---> r re---> r re---> r re'---> | re,---> re'--\p re-- re-- |
 438     reb-- reb-- si-- si-- sib-- sib-- sib-- sib-- |
 439     lab2-- re-- mi( sol4) r |
 440     r16 fa\mf fa8-> r4 r2 | r16 mi mi8-> r4 r mi8-. mi-. |
 441     re4-. r r2 R1*3
 442
 443     %%% Noir %%%
 444     R2.-\fermataMarkup R2.*4 R2 R2. R1 r4 r8 fa'?->\mf r4 R2
 445     R1*4 mib,2( do4) r R1.*2 r2 mib( do4) r | R1. r2 mib-- |
 446     R2.-\fermataMarkup R2.*8 R2.-\fermataMarkup
 447
 448     %%% poco più %%%
 449     R2.*4 R2.-\fermataMarkup
 450
 451     %%% Andantino %%%
 452     \ten la,1~--\p la4 r si1~-- si4 r do1~-- do4 r re2.-- r4 R2.
 453
 454     %%% Largo non troppo %%%
 455     la1.\mp( si1~ si4) r |
 456     do1.( re1~ re4) r |
 457     la1. si1~ si4-- r |
 458     do1. re1~ re4 r |
 459     la2( la') la,-- si( si') r |
 460     do,( do') do,-- dod( dod,) r |
 461     re( re') re,-- sol( sol') r |
 462     do,1-- do2-- \cresc re,1~\mp re4 r red1~ red4 r |
 463     \ten mi1~--\f mi4 r mi2.-- r4 | R1 R2. mi8-.->\sffz r r4 |
 464   }
 465 }
 466
 467 ActeDeuxSceneUnSaxophoneDeux = { \SaxophoneBaryton
 468   \relative {
 469     R2.*4 R2 R2.*2 R2 \ten mi,2.~ mi2.~ mi2.~ mi4 r | R2. R2 R2.*2 R2 |
 470     R2.*3 R2 | la4\mf( re,2~) | re4 r | mi4.( la,8~) la4~ | la2 r4 |
 471     si2--\f | \ten mi,2.~-- | mi2.~ | mi2.~\> | mi4\! r |
 472
 473     %%% Entrée de la Soprano Deux %%%
 474     R2.*2 R1 R2. fa'1\p mi2.~-- mi4 r mib2.~\pp mib4 r8 mi,4--\mp( fa-- sol8-. |
 475
 476     %%% Andantino %%%
 477     \ten sib1~--) sib2. r4 R2.*4 R2
 478     R2.*5 R1 R2. R2
 479     solb4--\p reb'-- do8( lab) | solb2.-- r4 |
 480     lab8( solb) reb'( do) r solb-. | do-- r r4 r2 |
 481     solb8( lab) do4-- reb-- solb,8( reb') r4 r2 |
 482     R2. R1 \ten solb,2.~\p solb2. r4 | R2. solb1~ solb2 r4 |
 483     R1 R2. R1 R2. R1 R2. R1
 484     solb2.~--\mf\> solb2.\! r4 |
 485
 486     %%% Entrée de la Contralto %%%
 487     lab'2.~\pp lab2. r4 | R2. R1
 488     R2. R1 R2. R1 R2. R1 R2.
 489     R1 R2. R1 do,2.--\mp reb2--( mib) |
 490     solb8-.\p r r2 | R1 R2. R1 R2. \ten fa2.~--\p fa4 r fa,--\mp |
 491     sib2.--( si2) r4 sib2.--\mp si2\<( dod4) | mi2\! r4 R2.*2 R1 R2.
 492     R1 re2\mp( mib4~ mib fa2.) | lab2.--( la2.) r4 | lab2.--( sol2.) r4 | R2. R1
 493     re2.~\pp re1~ re4 r2 R2 sib2.--\pp r4 |
 494     lab'\p( fa) r lab( fa) r2 lab4( fa) r lab fa lab-- la-- |
 495     lab( fa) r lab( fa) r2 |
 496   }
 497 }
 498
 499 ActeDeuxSceneUnBisSaxophoneDeux = { \SaxAltoDeux
 500   \relative {
 501     R1 R2. R2
 502
 503     %%% Presto agitato %%%
 504     R1*5/4*18
 505     r8 sol'16\f( la sol4-.) r r2 |
 506     R1*5/4*2
 507     \accst {mib4 r2 mib4 r | mib r mib r2 | mib4 r r8 mib r2 |
 508     fa,4\sfz} r1 | R1*5/4*7
 509     r1 r8 si16\f( dod | si4-.) r1 | r8 re16( mi re4-.) r r2 |
 510     R1*5/4 r4 r8 mi16( fa mi4-.) r2 | R1*5/4
 511     \accst {reb,4 r2 reb4 r | reb r reb r2 | reb4 r r8 reb r2 | fa4\sfz} r1 |
 512     R1*5/4 mi4->\sffz r1 | R1*5/4-\fermataMarkup
 513
 514     %%% Boum %%%
 515     R1*5/4*13 mib2.\f( fa2 si fa2.) |
 516     r4 mib2.( fa4~ fa2) lab2\<( si4 |
 517     \ten mi1*5/4~\!) mi2. r2 |
 518     r1 lab,4--( | sib2~--\< sib8 re~-- re2 |
 519     reb'2--\!) r sib,4--( | mib2~--\< mib8 sol~--) sol2~|
 520     sol4\>( fa2\!) r4 sol,~\mf\<( | sol2. si2~-- |
 521     do2.--\!) r2 | reb2.--\f r2 | r4 reb2.--\mf r4 |
 522     r2 \ten reb2.~--\mp reb4 r1 | R1*5/4*2
 523
 524     %%% Moderato assai %%%
 525     R1*7/4*7-\markup "Prenez le Sax. Baryton" \SaxophoneBaryton
 526     \ten fa,,2.~\pp fa4 r r2 | si2.~ si4 r |
 527     mi,4---.\p r2 | red'4---. r2 | \simile mi,4 r2 | sol4 r2 |
 528     mi4 r2 | fad4 r2 | sol4 r2 la4 r2 | do4 r2 |
 529     fa,1--\pp r2 r4 | fa1\p( sol2.) fa( sol1) | R2.*7
 530     sol1--\mp r2 r4 | R1*7/4*3
 531     \repeat volta 2 { R1*7/4*3 } R1*7/4*2
 532
 533     %%% Presto subito %%%
 534     mi''1--\f \ten fa,,2~-- fa1~ fa4 r |
 535     \tt {re8->( fa) r4 r8} r4 fa2-- \t {mi8( fa sol)} |
 536     sib2.---> r4 r2 | R1.
 537
 538     %%% Tempo giusto %%%
 539     re,4-> r2 \det {re4\mp r fa |
 540     re r2 re4 r2 | re4 r2 |
 541     re4} r re8( fa | \det {mib'4) fa, mib' |
 542     mi,4.} r8 | \st {fad'\p( si, mi,4) |
 543     fad8( dod' sold'4) r |
 544     fad,8( si mi4)} r |
 545     sold,4-- r \st {sold8( red'} | \det {si'2) r4 |
 546     fa4. r8 R4. |
 547     mi8->} mib'~-> mib4\<( mi fa8\!) r |
 548     mib,,2~--->\f mib4 r8 |
 549     fad8.->\< mi'16-. dod'8-. dod4.--->\! |
 550     mib,,2~---> mib4 r8 |
 551     do'8.->\< sol'16-. mib'8-. mib4.--->\! |
 552     R1*5/8 |
 553     la,,4.---> r8 | do'8-. do4-> |
 554     la->\sffz r2 R2.*3
 555     r4 mib2--\p mi4( sol lab) |
 556     r mi2-- mib4( lab sol) |
 557     r mib2-- mi4( sol lab) |
 558     r sib( si) r re( mib) |
 559     r fa,2\<( mi2.--\mp) R2. R2 R4. R2 R1*5/8 R2.
 560
 561     %%% Tempo I %%%
 562     R1 \ind #"en dehors" sol2\f la,4( sol'2) | r4 la,( sol') mib( solb |
 563     re'2--) r2 r4 | do,4->\sffz r1\fermata |
 564     R1*5/4*3
 565     \ind #"détimbré" lab'1*5/4~\pp lab4 r1 |
 566     R1*5/4*2
 567     \simile sol1*5/4~ sol4 r1 | R1*5/4*12
 568   }
 569 }
 570
 571 ActeDeuxSceneDeuxSaxophoneDeux = { \SaxAltoDeux
 572   \relative {
 573     R1.*6 R1*2 R2.
 574     re,4--\mp \stdet {re8 re r4 | re8 re r4 r8 re} |
 575     r16 \st {sol sol sol} r8 re---. r4 | R2.
 576     re1--\p r2 | R1.*2 R1*2 R2.
 577     re4--\mp \stdet {re8 re} r8 re( do'4) | lab4-- r8 |
 578     la2.\pp( si4~) si2. r4 | si1~ si2. r4 | \ten si1~\p si2. r4 |
 579     R2. R1. R1*2 la2.\pp( sib la2) r4 | R2
 580     sold2--( la4~) la2 r4 | sib2-- r4 | R2
 581     la4.--\ff( mi4-.->) r r \stdet {la8\mf la | sold4 r r la8 la |
 582     sold4 r r la8 la | sold4 r r sold8 sold} la4 r r2 |
 583     mi2~\pp mi~ mi~ mi4 r | mi2~ mi4 r |
 584     r4 r8 \accst {reb'\f reb reb r4 | reb8 reb reb4 reb8 reb |
 585     reb4} r r1 | R1 R1. \ten sol,1.~--\pp sol2 r4 | sol4( re) r2 |
 586
 587     R2. R1 R2. R1 R2. R1 R2.
 588     R1 R2. \ten mi'1~--\pp mi4 r2 | R1 R2. R1
 589     R2. R1 R2. R1 R2. R1 R2.
 590     la,2-.\fp R2 la2~\fp la4 r2 | \ten la1~\fp la4 r r2 | R1
 591     \st {la8 la sold} r4 | sold4-- r8 \st {la la} | sold4-- r8 \st {la la |
 592     sold re-> r re-> r | re re mib} r4 | la4---> r r8 | R2*5/4
 593     \st {sold8 sold la} r4 | R2*5/4 la4 r r8 | R2*5/4*4
 594
 595     R1*2 sib4->\sffz r r2 | R1*3
 596     mi,1~\pp mi~ mi2 r2 |
 597     reb'4-.->\sfz r2 R2 R1 | \ten sol,1~\p sol2.~ sol2. solb4-- r2 R2.*4 |
 598     R2*2 R2.*2 R2*2
 599     mi'4\mp( mib re reb do si sib8) r \st {re,\p re |
 600     r4 re8 re r4 re8 re | r4 re8} r16 sib'( |
 601     do8-.->) r r4 | R2*4 r4 reb,8->\pp r | R2
 602     \st {re!8\p r re re r4 mi8 mi | re8} r r4 | R2*6 R2.*16
 603   }
 604 }
 605
 606 ActeDeuxSceneTroisSaxophoneDeux = { \SaxophoneBaryton
 607   \relative {
 608     %%% Larghetto %%%
 609     R4.*16
 610     fa,,4.~ fa4 r8 | R4.*5
 611     la4.~ la4 r8 | R4.*2
 612     fa4.~ fa4 r8 | la4 r8 |
 613     reb,8 r4 | r8 re r |
 614     reb r4 | r8 re r |
 615     fad r4 | fa4.~fa4 r8 |
 616     reb r4 | r8 re r |
 617     reb r4 | do'4.~do4 r8 |
 618     reb, r4 sol8 r4 |
 619     reb8 r4 sol8 r4 |
 620     mi4.~mi4 r8 | R4.
 621     reb8 r4 r8 r16 reb \t {reb reb reb} |
 622     re8 re' re re | re re re re |
 623     re re re re re re |
 624     reb reb reb reb |
 625     reb reb reb reb reb reb reb reb |
 626     reb reb si si si si | si si si si |
 627     si si si si si si |
 628     sib sib sib sib sib sib | R4
 629     sib8 r sib r | sib r4 sib8 r sib r sib r |
 630     R4*4
 631     lab8 r4 re,8 re' r |
 632     lab lab' r | re,, re' r |
 633     lab r4 | r8 lab r sol4 sib8 |
 634     fad8 r4 do'8 r4 |
 635     fad,8 r4 do'8 r4 |
 636     fad,8 fad' r fa, fa' r |
 637     mi, mi' r |
 638     mib,4~mib~mib8 r mib'4~mib~mib~mib8 r |
 639     re re re re reb r R4 |
 640     re8 re reb r R4 | mib8 re reb r |
 641     reb, r reb r reb' r |
 642     do4~do~do8 r do8 do R4 si8 si R4 |
 643     si8 si r si |
 644     R2.-\fermataMarkup R2.*6
 645
 646     %%% Interlude %%%
 647   }
 648 }