instruments/percu.ly

   1 %------------------------------------------------------------------%
   2 % Opéra Libre -- percu.ly                                          %
   3 %                                                                  %
   4 % (c) Valentin Villenave, 2008                                     %
   5 %                                                                  %
   6 %------------------------------------------------------------------%
   7
   8 \include "italiano.ly"
   9
  10 Percus = {
  11   \set DrumStaff.instrumentName = \markup { \hcenter-in #27.5 "Percussions  "}
  12   \set DrumStaff.shortInstrumentName = "Perc.  "
  13   \override DrumStaff.VerticalAxisGroup #'minimum-Y-extent = #'(-4 . 4)
  14   \set drumStyleTable = #percussion-style
  15 }
  16
  17 Marimba = {
  18   \set Staff.instrumentName = \markup { \hcenter-in #27.5 "Marimba  "}
  19   \set Staff.shortInstrumentName = "Mar.  "
  20   \set Staff.midiInstrument = "marimba"
  21 }
  22
  23 GrandMarimba = {
  24   \set PianoStaff.instrumentName = \markup { \hcenter-in #27.5 "Marimba  "}
  25   \set PianoStaff.shortInstrumentName = "Mar.  "
  26   \set PianoStaff.midiInstrument = "marimba"
  27 }
  28
  29 Vibraphone = {
  30   \set Staff.instrumentName = \markup { \hcenter-in #27.5 "Vibraphone  "}
  31   \set Staff.shortInstrumentName = "Vib.  "
  32   \set Staff.midiInstrument = "vibraphone"
  33   \clef treble
  34 }
  35
  36 GrandVibraphone = {
  37   \set PianoStaff.instrumentName = \markup { \hcenter-in #27.5 "Vibraphone  "}
  38   \set PianoStaff.shortInstrumentName = "Vib.  "
  39   \set PianoStaff.midiInstrument = "vibraphone"
  40   \clef treble
  41 }
  42
  43 Timbales = {
  44   \set Staff.instrumentName = \markup { \hcenter-in #27.5 "Timbales  "}
  45   \set Staff.shortInstrumentName = "Timp.  "
  46   \set Staff.midiInstrument = "timpani"
  47   \clef bass
  48 }
  49
  50 ProloguePercus = <<
  51   \new PianoStaff {
  52     \PercuDeuxMains
  53     \relative { \GrandMarimba
  54       \ind #"bag. dures" <mi'' fa>4-.->\mp r r8 mi-.-> r4 | r8 mi r4 r16 mi8. |
  55       mi8 mi \t { mi mi mi } \tt {mi16\< mi mi mi mi} | mi4-.->\mf r4 r2 |
  56       R2*2 R2. R2*2 R2. R2*2 R2. R2*2 R2. R2*2 R2. R2*2
  57       r4 \ind #"bag.dure" re\mf re | re \stemDown re8 \gauche \stemUp sol,,,, |
  58       \droite \stemDown re''''4 re8 \gauche \stemUp dod,,,
  59       \droite \stemDown re''' \gauche \stemUp dod,,, \droite \stemNeutral |
  60       re'''4 re re re re re re re\> sold, re\!
  61       R2*2-\markup "Prenez la bag. de timbale" R2.
  62
  63       %%% Tempo Giusto %%%
  64       R2*8 R2.*10 R1 R2-\markup "Allez au Vibraphone" \GrandVibraphone
  65       <dod, re dod'>2\p\laissezVibrer R2-\fermataMarkup
  66
  67       %%% Più lento %%%
  68       R1*2 R2. R1 R2. R1
  69
  70       %%% Adagio %%%
  71       R2*4 R2.*6
  72       <sol lab sol'>2.\pp\laissezVibrer R2.
  73       \ind #"senza Ped." <lab sol'>4 r2 <lab sol'>4 r2
  74       <dob sib'>4 r <do si'> |
  75       R4.
  76
  77       %%% Andantino %%%
  78       R4.*25 R4.*12 \GrandMarimba
  79       r4-\markup "Allez au Marimba"
  80       r32 solb''\< lab sib |
  81
  82       %%% A tempo %%%
  83       re8->\f r4 | r4 r32 solb,\< lab sib |
  84       re8->\f r4 | R4.*2 \stemDown <lab re>8->\mf \gauche \stemUp re,,
  85       \droite \stemDown <fa' sib> <re' sol>-> \gauche \stemUp
  86       lab,, \droite \stemDown <fa'' sib> <re' sol>->\< \gauche \stemUp
  87       re,,, \droite \stemDown <fa'' sib> \stemNeutral |
  88       <re' lab'>16->\fp lab <dod re> re, <dod' re> lab, |
  89       <dod' re>-.-> lab <dod re> re, <dod' re> lab, |
  90       <dod' re>-.-> lab <dod re> re, <dod' re> lab, |
  91       <dod' re>-.->\< lab <dod re> re, <dod' re> lab, |
  92       \ottava #1
  93       <mi'' fa>-.->\mp si <mi fa> fa, <mi' fa> si, |
  94       <mi' fa>-.-> si <mi fa> fa, <mi' fa> si, |
  95       <mi' fa>-.-> si <mi fa> fa, <mi' fa> si, |
  96       <mi' fa>-.-> si <mi fa> fa, <mi' fa> si, |
  97       <mi' fa>-.-> si <mi fa> fa, <mi' fa> si, |
  98       <mi' fa>-.->\< si <mi fa> fa, <mi' fa> si, |
  99       <fa'' sol>-.->\mf re <fa sol> sold, <fa' sol> re, |
 100       <fa' sol>-.-> re <fa sol> sold, <fa' sol> re, |
 101       <sol' si>-.-> dod, <sol' si> si, <sol' si> sol, |
 102       <sol' si>-.-> dod, <sol' si> si, <sol' si> sol, |
 103       <sold' si>-.->\> dod, <sold' si> si, <sold' si> sold, |
 104       <mi' sol> sold, <mi' sol> sol, <dod mi> mi, |
 105       \ottava #0
 106       <sold si>\p dod, <sold' si> si, <sold' si>\> sold, |
 107       sol' fad, sol' fad,\! r8 |
 108       R4.*8 R2*5/4 R2.*3
 109
 110       %%% Adagio %%%
 111       <fa'? dod'>2*2\pp\laissezVibrer
 112       R1*3 R1.
 113       r1 mi4--\pp\> r | <re sib'>2*2--\!\laissezVibrer
 114       R1*2 R1.
 115       r1 red4--\pp r | <mi do'>2--\pp\> <do sold'>--\!\laissezVibrer
 116       R1 R2.
 117
 118       %%% Valse %%%
 119       r4 <la' dod>8\pp( <lab, fa'> <do' lab'>4) |
 120       r4 <si red>8( <si, sol'> <sib' solb'>4) |
 121       r4 <fa la>8( <lab, reb> <mi' do'>4) |
 122       r4 <si re>8( <mib, sol> <sib' solb'>4) |
 123       r4 <reb solb>( <do mi>) | r <sib mib>\>( la) |
 124       <lab mib'>( reb) | mib( <lab, dob>) |
 125       sol\ppp mib' si sol' r | R2.*2
 126       mi4\pp sold, do, mi,
 127       r2 <dod' la'>4\p( mi) |
 128       r <la fa'>( dod) | r mi( lab,) |
 129       r <fad re'>( la) | r reb8\>( fa, lab4) |
 130       r sib( <re, fa>) | r solb\ppp( <do, fa>) r | R1 R2.
 131
 132       %%% Vivo al fine %%%
 133       R2*23
 134
 135       %%% Recitativo %%%
 136       R2*7 r4 mi''->\pp
 137     }
 138     \relative {
 139       \partial 4 r4 R2.*3 R1 R2*2 R2. R2*2 R2. R2*2 R2. R2*2 R2. R2*2
 140
 141       %%% Entrée du Baryton 1 %%%
 142       R2. R2*2 R2. s2_\markup { \indic "bag. de timbale" } s2. R2
 143       r8 sol, dod4 sib8 dod |
 144       r8 sol dod4 dod' r2 | re4 sold, sib,2:32 R2.
 145
 146       %%% Tempo Giusto %%%
 147       R2*8 R2.*10 R1 R2*2
 148       \GrandVibraphone \clef treble
 149       R2-\fermataMarkup
 150
 151       %%% Più lento %%%
 152       R1*2 R2. R1 R2. R1
 153
 154       %%% Adagio %%%
 155       R2*4 R2.*11
 156       R4.
 157
 158       %%% Andantino %%%
 159       R4.*25 R4.*13 \clef bass
 160
 161       %%% A tempo %%%
 162       R4. sold32 sold sold sold sold4 |
 163       R4. sold32--\mp sold sold sold sold sold sold16
 164       re'32-- re re re | re\< re re16
 165       sold32-- sold sold sold sold sold sold16\! |
 166       s4.*3 R4.*26 R2*5/4
 167       R2.*3-\markup "Allez au Vibraphone" \GrandVibraphone
 168       \clef treble
 169
 170       %%% Adagio %%%
 171       <la fad'>2*2\laissezVibrer |
 172       R1*3 R1.*2
 173       <la fa'>2*2--\laissezVibrer |
 174       R1*2 R1.*2
 175       <la fa'>2-- <sol? mi'>--\laissezVibrer
 176       R1 R2.
 177
 178       %%% Valse %%%
 179       la4-- r2 | R2.*3
 180       r4 la8( <fa' lab>) s4 |
 181       r4 sol,8( <re' fad> si re) |
 182       sib( re fa4) |
 183       mi8( sol mib do) | sol2*3/2\laissezVibrer s2
 184       R2.*2 R1
 185       \clef bass do,2\laissezVibrer \clef treble
 186       do'8( fa) s4 |
 187       r4 fad,8( re' fa4) |
 188       r4 do8( reb fa4) |
 189       r4 sib,8( reb fa4) |
 190       r4 la,( do) | r4 sold8( dod la4) |
 191       r4 reb8( la) | R2 R1 R2.
 192
 193       %%% Vivo al fine %%%
 194       R2*23 \clef bass
 195
 196       %%% Recitativo %%%
 197       R2*7-\markup "Allez au Marimba" \GrandMarimba
 198       r4 mi,->
 199     }
 200   }
 201   \new DrumStaff { \Percus
 202     \new  DrumVoice \drummode {
 203       \partial 4 r4 R2.*3 R1
 204       \ind #"Tam-tam (bag. de timbales, lourdes)" cb2\mf \laissezVibrer | R2 |
 205       R2. R2*2 cb2.\mf \laissezVibrer R2*2
 206       r4 cb2\mf \laissezVibrer R2*2
 207       r4 cb2\mf \laissezVibrer R2*2
 208
 209       %%% Entrée du Baryton 1 %%%
 210       R2. R2*2 R2. R2 R2. R2 R2. R2 R2. R2*2 R2.
 211
 212       %%% Tempo Giusto %%%
 213       R2*8 R2.*10
 214       \set  drumStyleTable = #drums-style
 215       r4 \ind #"Cymb. suspendue" hh4:32~\mp \< hh2:32~ hh4\!\laissezVibrer r
 216       R2*2
 217
 218       %%% Più lento %%%
 219       R1*2 R2. R1 R2. R1
 220
 221       %%% Adagio %%%
 222       R2*4 R2.*4
 223       r4 r8 \ind #"Cymb." hh\pp \t {hh hh hh~} hh2\laissezVibrer s4
 224       R2.*5 R4.
 225
 226       %%% Andantino %%%
 227       \ind #"Tambour" bd8\pp \ind #"Cymb. (sur le dôme)" hh r |
 228       bd hh r bd hh4:32~ hh4:32 hh8 |
 229       bd r4 | bd8 hh r bd hh r bd hh r bd bd4:32\< hh8\mp r4 | R4.*2
 230       r16 bd32\> bd bd8 r | bd r bd |
 231       hh4\pp r8 | R4. hh4 r8 | r hh r hh4 r8 | R4.
 232       hh4 hh8 hh4 r8 |
 233       r16 hh\> \t {hh hh hh} hh8 | hh4\! r8 R4.*2 |
 234       \ind #"bag. douces, sur le bord"
 235       hh4.:32~\ppp \< hh:~ hh:~\pp \> hh4\! r8 |
 236       hh4.:32~\ppp \< hh:~ hh4\! hh8 r hh r hh4. | R4.*3
 237
 238       %%% A tempo %%%
 239       R4.*27
 240       \ind #"Cymb." hh4\mp r8 |
 241       \ind #"Tambour" bd16 bd bd8 r |
 242       r8 hh4 | bd16 bd bd bd r8 |
 243       bd4-- bd8 | bd32-> bd8.. r8 |
 244       hh4.:32~\pp \< hh4.:32~ hh8\mf \t {bd16\f bd bd} |
 245       bd8-- r16 bd bd bd bd8 r4 |
 246       R2.*2
 247
 248       %%% Adagio %%%
 249       R1*4 R1.*2 R1*3 R1.*2 R1*2 R2.
 250
 251       %%% Valse %%%
 252       R2.*6 R2*2 R2. R2 R2.*2 R1*2 R2.*5 R2*2 R1 R2.
 253
 254       %%% Vivo al fine %%%
 255       R2*23
 256
 257       %%% Recitativo %%%
 258       R2*8
 259     }
 260   }
 261   \new Staff { \Timbales
 262     \relative{
 263       \partial 4 r4 R2.*3 | R1 | r8 mi,,\p\< \t {mi mi mi} |
 264       mi4\mp\> \tt {mi16 mi mi mi mi} | mi2.:32\p\< mi2:32\sfz \> mi4\! r |
 265       R2.
 266       r4 mi-- r mi-- r2 \t {mi8\< mi mi\!} | mi4--\mp mi-- r mi |
 267       r4 r8 mi \t {mi\< mi mi} | mi4\mp mi-- r mi8.-- \t {dod'32\< dod dod}
 268
 269       %%% Entrée du Baryton 1 %%%
 270       dod4--\f r2 | r8 dod-- r4 | r8 dod-- r16 r32 dod dod8-- |
 271       dod4---> r2 R2 R2. R2 R2. R2 R2. R2*2
 272       r2 r8 \t {re16\< re re} |
 273
 274       %%% Tempo Giusto %%%
 275       re8.\f re16\p re4-- r8 r16 r32 re re4-- |
 276       r8 re-. re8.-- re16 re4-- r |
 277       \t {r4 sold,8} r16 re'8-- sold,16 |
 278       \tt {r8 re'-.( re-. sold,-. re'-.} | r8 sold,) r4 |
 279       re'2:32\mf\< |re4\f r8 re\mp re re | sold,2.:32--\< |
 280       re'4\f r8 re\mp re re | sib4-- r2 | sib32-> sib8.. r2 |
 281       sib4-- r sib-- |
 282       sib4---> r8 r16 sib sib4-- |
 283       sib4---> r8 sib \t {sib\< sib sib} |
 284       re4\f r re r re re re4 r r2 | R2*3
 285
 286       %%% Più lento %%%
 287       R1*2 R2. R1 R2. R1
 288
 289       %%% Adagio %%%
 290       R2*4 R2.*11 R4.
 291
 292       %%% Andantino %%%
 293       R4.*25 R4.*13
 294
 295       %%% A tempo %%%
 296       R4.*34 R2*5/4 R2.*3
 297
 298       %%% Adagio %%%
 299       R1*2 r2 r8 mi,\pp \t {mi-- mi mi} |
 300       mi4-- mi-- r2 r4 mi-- r2 mi4-- r | mi-- r r1 |
 301       R1 r2 r8 mi \t {mi-- mi mi} mi4-- mi-- r mi-- |
 302       mi-- mi-- r2 mi4-- r | mi-- r r1 |
 303       R1 r2 r4 mi mi r2 |
 304
 305       %%% Valse %%%
 306       R2.*6 R2*2 R2. R2 R2.*2 R1*2 R2.*5 R2*2 R1
 307       r2 r8 r16 \t {re'32 re re} |
 308
 309       %%% Vivo al fine %%%
 310       re8.\fp re16 re4-- | r8 r16 r32 re re4-- |
 311       r8 re16 re re8-- re-- | r4 re-- |
 312       r8 r16 r32 re re4-- | re re |
 313       r re-- re-- r re8.-- re16 re4 |
 314       r8 r16 r32 re re4-- | r8 re16 re re4-- |
 315       r re r re r re r re r re re r re r re r |
 316       R2*4
 317
 318       %%% Recitativo %%%
 319       R2*8
 320     }
 321   }
 322 >>
 323
 324 ActeUnSceneUnPercus = <<
 325   \new Staff { \Marimba
 326     \relative {
 327             R2*2 R2. R2*2 R2.
 328       R2*2 R2. R2*2 R2.
 329       R2*2 R2. R2*2 R2.
 330       R1 R2. R1 R2.
 331       R1 R2. R1 R2.
 332       R1 R2. R1 R2.*8 R1 R2.
 333
 334       %%% Ad libitum %%%
 335       R1 R2.*2 R1 R2.*2
 336
 337       %%% Agitato %%%
 338       R1*6 R1. R1*2 R1. R1*3 R1.
 339       R1*2 R1.*3 R1 R1.*4
 340
 341       %%% Allegro non troppo %%%
 342       R1 R2. R1*5
 343       R2. R1 R2. R1 R2. R1
 344       R2. R1*3 \clef bass |
 345       \pl {sol,16\mf\<[ re'] s8 s4\!} {sol8 <re' la'>16 sol, \clef treble
 346       \oneVoice <sib'' do>-> re,, la' <sib' do>->} sol,,\< re' <sib' do>-- la
 347       <sib' do>->\! re,, la' <sib' do>-> | R1
 348       sol,,16\< re' <sib' do>-- la <sib' do>->\! re,, la' <sib' do>->
 349       sol,,\< re' la' <sib' do>->\! | R2.
 350       <sib, do>4--\> <sib' do>-- <sib,, do>--\! | R1
 351       <sib do>8\p\< <sib' do>16 do, <do' reb> reb, <reb' mib> mib,\! r2\fermata | R1
 352       <sib do>8\p\< <reb' mib>16 mib, <mib' fa> fa, <fa' solb> solb,\! r2\fermata | R1
 353       <sib,do>16\mf <fa'' solb> solb, <solb' lab> lab, <lab' si> si, <re! si' re!>
 354       <mi! re' mi!>16 <mi re' mi>\f r8 r4\fermata |
 355
 356       %%% Moderato %%%
 357       R1*2-\markup "Allez au Vibraphone" \Vibraphone R2.*2
 358       r4 r8 do,\p <sib' do>2\laissezVibrer | R2.
 359       r8 <sib, do>2..\laissezVibrer | R2. \clef bass
 360       \t {r8 do,( sib'} \clef treble do-. sib'4--) <do sib'>4.-- |
 361       mib,,2*1/4\mp\laissezVibrer <do'' sib'>8~-- <do sib'>16 <sol fa'>8-- re16( la'4) |
 362       mib,2.-- r4 |
 363       fa2*1/4--\laissezVibrer <do'' sib'>8( sib16 mib8 lab,16 reb,\> fa, do' sol' |
 364       <sib do>4\!)\laissezVibrer fa,2.--\laissezVibrer |
 365       do'16 sib' <do sib'>8~-- <do sib'>16 <sib' do>4..-> |
 366       <mib,,, fa>8-. <sib'' do>2..-- |
 367       r16 do'32 sib, do'16 do,,-. sib'-. <sib' do>4..-> |
 368       r8 \ind #"con Ped." sib,,16\pp do( sib) sib do( sib) do sib( do sib') do,( sib' do) sib |
 369       sib( do) sib,( do sib') do, do' sib sib( do) sib'( do) |
 370       sib,( do sib') do,( sib' do) sib,( do,) |
 371       <mi, fad>8-> r r2 R1 R2*4
 372
 373       %%% Allegro marcato %%%
 374       \Marimba R1*34
 375       R1. R1*2 \ottava #1
 376       \ind #"(bag. dures)"
 377       mib'''16\pp fa, sib fa mib' fa, sib fa
 378       mib' fa, sib fa mib' fa, sib fa |
 379       fa' sol, do sol fa' sol, do sol fa' sol, do sol |
 380       sol' la, re la sol' la, re la |
 381       lab' sib, mib sib lab' sib, mib sib |
 382       sib' do, fa do sib' do, fa do |
 383       si'\< dod, fad dod si'8->\! r
 384       \ottava #0
 385       R2 R1*4
 386     }
 387   }
 388   \new DrumStaff { \Percus
 389     \drummode {
 390       R2*2 R2. R2*2 R2.
 391       R2*2 R2. R2*2 R2.
 392       R2*2 R2. R2*2 R2.
 393       R1 R2. R1 R2.
 394       R1 R2. R1 R2.
 395       R1 R2. R1 R2.*8 R1 R2.
 396
 397       %%% Ad libitum %%%
 398       R1 R2.*2 R1 R2.*2
 399
 400       %%% Agitato %%%
 401       R1*6 R1. R1*2 R1. R1*3 R1.
 402       R1*2 R1.*3 R1 R1.*4
 403
 404       %%% Allegro non troppo %%%
 405       R1 R2. R1*5
 406       R2. R1 R2. R1 R2. R1
 407       R2. R1*5 R2.*3 R1*6
 408
 409       %%% Moderato %%%
 410       R1*2 R2.*2 R1 R2. R1
 411       R2. R1 R2. R1 R2. R1 R2.
 412       R1 R2. R1 R2. R2 R2.
 413       r2 r4 r8 \ind #"Tambour (bag. fagot)" sn32\< sn sn sn |
 414       sn4\mp r8 \t {sn16\< sn sn} sn4\! r | R2*2
 415       \set drumStyleTable = #drums-style
 416
 417       %%% Allegro marcato %%%
 418       \ind #"Tambour" bd4--\mf \ind #"Cymb. susp. (sur la cloche)" hh-> bd \t {bd8\<( bd bd} |
 419       bd4--\!) hh-> bd r | R1 r8 r16 bd32\mp bd bd8.-- bd16 bd4-- r |
 420       bd2:32\pp\< bd4->\! \t {bd8\< bd bd} | bd4\mf hh-> bd \t {bd8( bd bd} |
 421       bd4) hh-> bd r | R1 r8 r16 bd32 bd bd8. bd16 bd4 r | R1
 422       r8 bd\p \t {bd--\> bd bd} bd4\! r |
 423       r8 bd \t {bd--\> bd bd} bd4 hh\pp | R1
 424       r8 bd \t {bd--\> bd bd} bd4\! r |
 425       r8 bd \t {bd--\> bd bd} bd4\! r |
 426       \t {r8 r16 bd\< bd8} \t {bd--\> bd bd} bd4 hh\pp | R1*4
 427       r2 r4 hh\pp | r2 r4 hh | R1
 428
 429       %%% Agitato %%%
 430       R1*11 R1. R1*2 R1 R2. R2*5 R1*4
 431     }
 432   }
 433   \new Staff { \Timbales
 434     \relative {
 435       do,2:32\ppp( do4) r R2. do2:32( do4) r R2. |
 436       do2:32( do4) r fad,-- r2 |
 437       do'2:32( do4 r fad,) r2 |
 438       do'2:32\p( do4) r fad, r2 |
 439       do'4 r do r fad,2:32\<( fad4\>) |
 440       <fa do'>8--\ppsempre \t {fa16\>( fa fa} fa4)\! r2 |
 441       <fa do'>4.--\pp <fa do'>8 \t {<fa do'>( <fa do'> <fa do'>)} |
 442       <fa do'>8-- \t {fa16\>( fa fa} fa4\!) r2 |
 443       <fa do'>4.-- do'8 \t {do\<( do do)} |
 444       reb8--\p \t {reb16\>( reb reb} reb4)\! r2 |
 445       <lab reb>4.--\pp <lab reb>8 \t {<lab reb>\<( <lab reb> <lab reb>)} |
 446       <lab reb>\> \t {reb16( reb reb} reb4\!) r2 |
 447       <lab reb>4.--\p reb8 \t {reb\<( reb reb} |
 448       do4--\p) r do--( sol-- do--) r sol |
 449       do-- \t {do8\<( do do} do4--\!) sol-- do-- r do--\< |
 450       do8\mf do16 do32 do do8 do do do |
 451       do8 do16 do32 do do8 do do do |
 452       do8 do16 do32 do do8 do do do |
 453       fad,16 fad fad fad fad fad fad fad fad fad fad fad |
 454       fad fad fad fad fad fad fad fad fad fad fad fad |
 455       fad8 fad16 fad r fad fad8 fad16 fad8 fad16 |
 456       r4 r8 fad-- \t {fad--\< fad-- fad--} |
 457       do'8\f do16 do32 do \t {do8-> do-> do->} do-> do-- do8.-> do32 do |
 458       do8-> do-- \t {do-- do do} \tt {do16\< do do do do\!} |
 459
 460       %%% Ad libitum %%%
 461       R1 R2.*2 R1 R2.*2
 462
 463       %%% Agitato %%%
 464       re16->\fp re4.. r2 | r4 re \t {re\<( re re} |
 465       re->\!) r r2 | re4-- re \t {re\<( re re} re->\!) r r2 |
 466       r2 r4 r8 re16\< re |
 467       re4->\! r re\mp re \t {re\<( re re} re4->\!) r r2 | R1
 468       re4 r re re \t {re\<( re re} re4\!) r r2 | R1*2
 469       re4 r re re \t {re\<( re re} re4\!) r r2 | re1:16\fpp\<\glissando |
 470       mib4->\mf r mib\pp mib \t {mib-- mib mib} |
 471       mib4-- r mib mib \t {mib-- mib mib} |
 472       mib4-- r mib mib \t {mib-- mib mib} |
 473       mib8.--\< mib32 mib mib8\> mib\! r2 |
 474       r4 \t {mib8 mib mib} mib mib r4 mib2:16\<\glissando |
 475       mi4\mf r r1 | R1.*2
 476
 477       %%% Allegro non troppo %%%
 478       R1 R2. R1*5 R2. R1 R2. R1 R2.
 479       r2 r4 r8 sol,32\< sol sol sol |
 480       sol8->\f sol r2 | r2 r4 r8 \t {sol16\< sol sol} |
 481       sol4--->\! r r2 R1*3 | R2.*3 R1*6
 482
 483       %%% Moderato %%%
 484       R1*2 R2.*2 R1 R2. R1 R2. R1 R2. R1 R2. R1 R2.
 485       R1 R2. R1 R2. R2 R2. R1
 486       R2*4
 487
 488       %%% Allegro marcato %%%
 489       R1*22 r2 r4 r8 r16 re'32\< re |
 490
 491       %%% Agitato %%%
 492       re4->\sfp re-- r re-- r re-- r re-- r re-- r re-- |
 493       re\fp\< re re8 re re16 re re re | re4\sfz r r2 | R1*6
 494       R1. R1*3 R2. R2*5 R1*4
 495     }
 496   }
 497 >>
 498
 499 ActeUnSceneUnBisPercus = <<
 500   \new Staff { \Vibraphone
 501     \relative {
 502       R2.*7 R1 R2. R1 R2.*10 R1*2 R2
 503       R2*3 R2. R2 R2. R2 R2.*2
 504       R1*2 R2. R2 R1 R2.*2 R2*2
 505       R2. R2*3 R2. R1 R2. R2*3
 506       R2.*3 %% TODO: add pedal indications
 507       r4 \ind #"con Ped." <mi si'>--\pp( <mi si'>-- <mi si'>-- |
 508       <mi si'>-- <mi si'>-- <mi si'>-- <mi si'>--) |
 509       \simile <mi si'> <mi si'> <mi si'> <mi si'> |
 510       \repeat unfold 116 <mi si'>
 511       <mi si'>\fermata \laissezVibrer r r2 | R2*4
 512     }
 513   }
 514   \new DrumStaff { \Percus
 515     \new DrumVoice \drummode {
 516       R2.*7 R1 R2. R1 R2.*10 R1*2 R2
 517       R2*3 R2. R2 R2. R2 R2.*2
 518       r2 r4 \ind #"Tambour" \ind #"(bag. fagot)"  sn\mp |
 519       sn32---> sn8.. r4 r8.. sn32 sn8..-- sn32 |
 520       sn4---> r2 R2 R1
 521       R2.*2 R2*2
 522       r2  r8 \t {sn16\< sn sn} |
 523       sn4--->\mf r8 \t {sn16\< sn sn} |
 524       sn32->\! sn8.. r4 |
 525       r8 sn->\f r4 |
 526       r8 sn16.-> sn32 sn4-> r |
 527       r2 r8 sn32-> sn sn sn sn-> sn sn sn sn8-> |
 528       R2. R2*3 R2.*3
 529       R1*33 R2*4
 530     }
 531   }
 532   \new Staff { \Timbales
 533     \relative {
 534       dod,2.:32\ppp dod: dod: dod:\< dod: dod2:32~\p dod8 r |
 535       r re4--\mp re8-. \t { re--\<( re-- sold,--} |
 536
 537       %%% Piu vivo %%%
 538       re'4\f) r r2 | sold,2.:32\pp\< | re'4\f r r2 | sold,2.:32\pp\< |
 539       <sol re'>4\f r8 \t {sol16 sol sol} sol4->  |
 540       r sol32-> sol8.. r4 | \t {sol16-> sol sol~} sol8-- r4 reb'-- |
 541       sol,-- r2 |
 542       sol8\mf  reb'~ reb4~\> reb4:32 reb4\!\laissezVibrer r2 R2.-\fermataMarkup
 543       sol,8\mp\> reb'~reb4~ reb4:32 reb4\!\laissezVibrer r2 R1-\fermataMarkup
 544       R1 R2
 545
 546       %%% Largo %%%
 547       R2*3 R2. R2 R2. R2 R2.*2
 548       R1*2 R2. R2 R1
 549       R2.*2 R2*2 R2.
 550       R2*3 R2. R1 R2.
 551       R2*3 R2.*3
 552       R1*33 R2*4
 553     }
 554   }
 555 >>
 556
 557 InterludeUnPercus = \new PianoStaff {
 558   \PercuDeuxMains
 559   \relative { \GrandMarimba
 560     r8 <red fad>\p r <red fad>
 561     r <red fad> r <red fad>
 562     r <red fad> r4 | R1*2
 563     r8 <mib sol> r <mib sol>
 564     r <mib sol> r <mib sol> |
 565     R1. r8 <mi! sol> r <mi sol> r2 |
 566     \gauche sold,8-- \droite <mi' sold> r <mi sold>
 567     r <mi sold> r <mi sold>
 568     r <mi sold> r <mi sold> |
 569     \gauche mi,8-- \droite <mi' sold> r <mi sold>
 570     r <mi sold> r <mi sold>
 571     r <mi sold> r <mi sold> |
 572     r <mi sold> r <mi sold>
 573     r4 <mi la> | R1
 574     s1.*2 r8 <sold, mi'> s2\p r8 mi' |
 575     r <mi sold> r <mi sold> r4 | R2 R2. |
 576     r16\p \gauche sol, \droite <fad' fad'>-> sol fad
 577     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite
 578     r \gauche sol \droite <fad' fad'>-> sol fad
 579     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite |
 580     r \gauche sol \droite <fad' fad'>-> sol fad
 581     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite
 582     r \gauche sib \droite <la' la'>-> sib %% FIXME: ugly beam slope!
 583     \stemDown la \stemNeutral <sib, sib'> <la' la'>-> \gauche sib, \droite |
 584     r \gauche sol \droite <fad' fad'>-> sol fad
 585     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite
 586     r \gauche sol \droite <fad' fad'>-> sol fad
 587     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite
 588     r \gauche re \droite <dod' dod'>-> \gauche re \droite <dod dod'> \gauche
 589     <re, re'> \droite <dod' dod'>-> \gauche re, \droite |
 590     r \gauche sol \droite <fad' fad'>-> sol fad
 591     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite
 592     r \gauche sol \droite <fad' fad'>-> sol fad
 593     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite |
 594     r \gauche sol \droite <fad' fad'>-> sol fad
 595     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite
 596     r <re' re'> <dod' dod'>-> <re, re'> dod' <re, re'> <dod' dod'>-> <re, re'> |
 597     fad' <sol,, sol'> <fad'' fad'>-> <sol,, sol'>
 598     fad'' <sol,, sol'> <fad'' fad'>-> <sol,, sol'>
 599     fad'' <sol,, sol'> <fad'' fad'>-> <sol,, sol'>
 600     fad'' <sol,, sol'> <fad'' fad'>-> <sol,, sol'>
 601     fad'' <sol,, sol'> <fad'' fad'>-> <sol,, sol'>
 602     fad'' <sol,, sol'> <fad'' fad'>-> <sol,, sol'> |
 603     <fad' fad'>32\f \gauche <sol,, sol'> \droite <fad'' fad'> \gauche <sol,, sol'> \droite
 604     <fad' fad'> \gauche <sol, sol'> \droite <fad' fad'> \gauche <sol, sol'> \droite
 605     <fad'' fad'> \gauche <sol,, sol'> \droite <fad'' fad'> \gauche <sol,, sol'> \droite
 606     <fad' fad'> \gauche <sol, sol'> \droite <fad' fad'> \gauche <sol, sol'> \droite
 607     <dod'' dod'> \gauche <sol,, sol'> \droite <dod'' dod'> \gauche <sol,, sol'> \droite
 608     <dod' dod'> \gauche <sol sol'> \droite <dod dod'> \gauche <sol sol'> \droite
 609     <dod' dod'> \gauche <sol,, sol'> \droite <dod'' dod'> \gauche <sol,, sol'> \droite
 610     <dod' dod'> \gauche <sol sol'> \droite <dod dod'> \gauche <sol sol'> |
 611     fad,16\< <la re> \droite sib' \gauche <la re> \droite
 612     <sib' sib'>32-> \> <la re> <sib sib'> <la re> <sib sib'> <la re> <sib sib'> <la re>
 613     <sib sib'>8\! r | <re, sib'>4\arpeggio \p \laissezVibrer s2 R2.*13
 614     r8 <red fad>\p r <red fad> r4 | r8 <re sold> r2 |
 615   }
 616   \relative { \clef bass
 617     R1. R1*3 R1. R1 s2 r1 s2 r1 r2 mi,4 fa' | R1 |
 618     la,,16-- mi' \droite <la mi'>8 r <la mi'>
 619     \gauche mi8-- \droite <la mi'>16 \gauche mi
 620     la,-- mi' \droite <la mi'>8 r <la mi'>
 621     \gauche mi-- \droite <la mi'> \gauche |
 622     la,16-- mi' \droite <la mi'>8  \gauche mi \droite <la mi'>
 623     r8 <la mi'>16 \gauche mi la,8-- \droite <la' mi'>
 624     \gauche r16 mi \droite <la mi'>8 r <la mi'> \gauche |
 625     la,-- mi' r16 mi \droite <sold mi'>8 \gauche
 626     r8 <mi sold> r4 | R2. R2 R2.
 627     s1*2 s1. s1 s2 r2 R1. s1 s4 r2 |
 628     <dod si'?>4\arpeggio \laissezVibrer s2 | R2.*15
 629   }
 630 }
 631
 632 ActeUnSceneDeuxPercus = <<
 633   \new Staff \relative {\Marimba \clef bass
 634     %%% Air de la Soprano2 %%%
 635
 636     R2.*2 R1*2 R2.*2 \ind #"bag. douces" re,4-.\pp la'-. sold8( mi re4) mi8( re la' sold) r mi( sold4) |
 637     mi4 re8( la' sold4) la8( sold mi re) r la'|
 638     re,8( mi sold4) la re,8( la') | r re,( mi sold la4) sold8( re | mi4) sold la8( mi) |
 639     r sold( la re, mi4)\laissezVibrer| R1 | r2 r4 fad | si2\laissezVibrer r4 | R2. |
 640     re,4 si' sold8( fad re4) | fad8\p( re si' sold) r fad( sold4) |
 641     fad re8 si' sold4 | si8 sold fad re r4 | R1*2 R2.*2 | \clef treble
 642     \pl re4\p\laissezVibrer re'' <la' re>-> sold8( mi re4-.) | mi8 re'16-> re,, la''8 sold
 643     \pl re,,4 {r8 mi''} <sold re'>4-> |
 644     mi8 re'16-> re,, re'8 la' \pl {r re,,,} sold''4 | la8 sold mi <re, re'> r4 |
 645     \pl sol,--\mp\laissezVibrer {fa''8 sol!} <si sol'>4-> do8 sol,,-- fa'' do' |
 646     r <fa, sol'>-> sol si do16 sol,, sol sol <si'' sol'>8-> fa |
 647     sol sol,,-- <si'' sol'>4-> do8 sol | r si <do sol'>-> fa, sol sol,,-- |
 648     <do'' sol'>4-> si8 sol fa8 sol,,16-- re' <do'' sol'>4-> |
 649     si8 sol fa8 sol,,16-- re' <do'' sol'>8-> do, <si si'>-> <sol sol'>-> |
 650     <fa fa'>4-> r2 R2. | R1*2 R2.*2 R1*2 | R2.*2 R1*2 |
 651     \clef bass dod,4\mp fad2\laissezVibrer | R2. | sold,1:32\p\laissezVibrer |
 652
 653     %%% Vibraphone %%%
 654     R1 R2.*2-\markup "Allez au Vibraphone" \Vibraphone |
 655     <re'' la'>1\pp\laissezVibrer  r2 r4 <re la'>\laissezVibrer | R2.*2 |
 656     <re la'>1\laissezVibrer r2 r4 <re la'>\laissezVibrer R2.*2 |
 657     <<{ <sold dod>1\laissezVibrer} \\ {re2 la'}>> | sold4 mi re2\laissezVibrer | R2.*2 |
 658     <<{ <sold dod>2.} \\ {mi4 re la'}>> <sold la>4~ |<sold la>1\laissezVibrer |
 659     R2. r4 mi2 | <re sold dod>1\laissezVibrer | R1 | R2.*2 |
 660     <re mi sold>1\laissezVibrer | R1 | R2.*2 R1*2 |
 661     R2.*2 | R1 r2 <la' la'>2\pp\fermata \laissezVibrer |
 662
 663     %%% Recitativo %%%
 664     R2.*2 R1 R2.*3 R1 R2.*6 R2 R2. R1*2 R2.*5 R1
 665     %%% Tempo giusto %%%
 666     R2. R1 R2. R1 R2. R1 R2. R1 R2. R2*2 R2. R1*2 R2.*2 R1*2 R2.*3 R1
 667     %%% Più vivo %%%
 668     R2. R1 R2.*2 R1 R2. R1 R2. R1 R2.*14 R1*3
 669     %%% Tempo giusto %%%
 670     R1*5 R2. R1*2 R2. R2*3 R2.*2 R2*6 R2.*2
 671     %%% Largo assai %%%
 672     R1 R2.*3 R2 R2. R1*4
 673   }
 674   \new DrumStaff \new DrumVoice \drummode { \Percus
 675     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 676     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 677     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 678     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 679     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 680     R2.*2 R1*2
 681
 682     %%% Recitativo %%%
 683     R2.*2 R1 R2.*3 R1 R2.*4 |
 684     \ind #"Tambour" sn4 sn2:32
 685     \ind #"sur le bord" ss4 s2 |
 686     R2 R2. R1*2 R2.*5 R1
 687
 688     %%% Tempo giusto %%%
 689     R2. R1 R2. R1 R2. R1 R2. R1 R2. R2*2
 690     R2. R1*2 R2.*2 R1*2 R2.*3 R1
 691
 692     %%% Più vivo %%%
 693     R2. R1 R2.*2 R1 R2. R1 R2. R1 R2.*14 R1*3
 694     %%% Tempo giusto %%%
 695     R1*5 R2.
 696     r4 \ind #"Cymb. susp. (bag. douces)" cb4:32 cb4:32~ cb4 |
 697     r4 cb4:32 cb4:32~ cb4 | R2. R2
 698     r4 cb4:32 cb4:32~ cb8 r |
 699     r4 cb4:32 cb8 r | R2.
 700     r8 cb8:32 cb4 |
 701     r8 cb8:32 cb4 |
 702     r8 cb8:32 r4 | r8 cb r4 | R2
 703     r8 cb r cb |
 704     r cb r cb \t {cb cb \ind #"étouffer" cb:32} |
 705     R2.
 706
 707     %%% Largo assai %%%
 708     R1 R2.*3 R2 R2. R1*4
 709   }
 710   \new Staff \relative { \Timbales
 711     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 712     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 713     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 714     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 715     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 716     R2.*2 R1*2
 717
 718     %%% Recitativo %%%
 719     R2.*2 R1 R2.*3 R1 R2.*6 |
 720     R2 R2. R1*2 R2.*5 R1
 721
 722     %%% Tempo giusto %%%
 723     R2. R1 R2. R1 R2. R1 R2. R1 R2. R2*2
 724     R2. R1*2 R2.*2 R1*2 R2.*3 R1 |
 725
 726     %%% Più vivo %%%
 727     sol,4\f r2 R1 | sol4 r8 sol r4 | sol4 sol2:32\fp\< |
 728     sol4\f r8 sol sol32-> sol8.. r4 | dod4-> r8 dod \t {dod-- dod dod} |
 729     sol4-> r8 sol r4 sol | dod4-- r8 dod dod dod |
 730     sol4-> sol8 sol r2 | dod4-- r dod |
 731     sol-- sol-- sol-- sol-- r2 | sol4-- sol-- sol-- si-- r2 |
 732     sib4-- sib-- sib-- re-- r2 | re4-- \simile re8 re re re | re4 r2 |
 733     re8 re16 re re8 re re re | re4 r2 |
 734     re4 re re dod r2 | dod4 dod dod |
 735     fa,1:32~ fa4 r r2 R1 |
 736
 737     %%% Tempo giusto %%%
 738     R1*5 R2. R1*2 R2. R2*3 R2.*2 R2*6 R2.*2
 739     %%% Largo assai %%%
 740     R1 R2.*3 R2 R2. R1*4
 741   }
 742 >>
 743
 744 InterludeDeuxPercus = \new PianoStaff {
 745   \PercuDeuxMains
 746   \relative { \GrandMarimba
 747     r8 <red fad>\p r <red fad> r <red fad> r <red fad> |
 748     r <red fad> r <red fad> r <red fad> r <red fad> r <red fad> |
 749     R2. R2 r4 r8 <mib sol> r <mib sol> | R2
 750     lad'8-.--\p si, <mib, sol>4 \gauche <mib, sol>-- \droite <mib' sol> |
 751     fad'8-.-- si, <mib, sol>4 \gauche <mib, sol>-- \droite <mib' sol> |
 752     <sol' mi'!>-.-- <mi,! sol>-.-- <reb' sib'>-.-- <mi, sol>-.-- <mi' sol>-.-- <mi, sol>-.-- |
 753     <sib' reb>-.-- <mi, sol>-.-- R2*6
 754     \gauche <la,, mi'>4--\p \droite <mi'' sold> r <mi sold> |
 755     \gauche <la,, mi'>-- \droite <mi'' sold> r <mi sold> |
 756     \gauche <la,, mi'>-- \droite <mi'' sold> r <mi sold> |
 757     r <mi sold> r2 | R2.
 758     \gauche <fa,, do'>4-- \droite <mi'' sold>
 759     \gauche la, \droite <mi' sold>
 760     \gauche <fa,, do'>-- \droite <mi'' sold> r R2.
 761     \gauche dod,8( la' \droite <mi' sold>4) r2 | R2.
 762     r4 <mi sold>-- |
 763   }
 764   \relative {
 765     \clef bass r2 r4 <lab, re sol>-- |
 766     r2 <fa mi'>4-- | R2 R2. R2 R2. R2
 767     R2 s2 R2 s2 R2*10 s1*4 R2.
 768     s1 s2. R2. s1 R2. r4 <fa' la>-- |
 769   }
 770 }
 771
 772 ActeUnSceneTroisPercus = <<
 773   \new DrumStaff { \Percus
 774     \new DrumVoice \drummode {
 775       \ind #"Tambour" \ind #"(bag. fagot)" sn2.:32~\mp\> sn8\! \t {sn16\mf sn sn} sn2:32~\> sn2.:
 776       sn8\! \t {sn16\mf sn sn} sn8 \t{sn16 sn sn} sn4:32\> sn8\! sn4-- sn8-. sn4-- |
 777       sn8->\mf \t {sn16 sn sn} sn8-- sn4 sn8--\> sn2.:32 R2.*4\! |
 778       sn4:32\mp sn4 r |
 779       r8 \t {sn16 sn sn} sn4-- r |
 780       r8 \t {sn16 sn sn} sn4-- sn4:32\> |
 781       sn8.--\! sn16 r sn sn8-> r \t {sn16\< sn sn} |
 782       sn4->\! sn32-> sn8.. r8 \t {sn16\< sn sn} |
 783       sn2.:32~\mp\< sn: |
 784       R2.*6\! R1.*6 R1*5/4*5 R1*4 R2.*3 R2*2
 785
 786       R2.*3 sn4:32--\p r8 sn \t {sn sn sn} |
 787       sn4:32 r8 sn \t {sn sn sn} |
 788       sn4 r8 sn \t {sn sn sn} |
 789       sn4 r8 sn \t {sn sn sn} |
 790       sn32-> sn8.. r8 sn \t {sn sn sn} |
 791       \t {sn16-> sn sn} sn8\< r sn \t {sn sn sn} |
 792       sn2.:32\fp\< R2.*4\!
 793       R1.*6 R1*5/4 R1 R2. R2
 794     }
 795   }
 796   \new Staff { \Timbales
 797     \relative { R2.*24
 798       r2 r4 si,--\ppp si-- si-- |
 799       sib2:32\> sib4\! r r2 |
 800       si!2:32\> si4\! r r2 |
 801       sib2:32\> sib4\! r r2 |
 802       si!2:32\> si4\! r r2 |
 803       \simile sib2:32 sib4 r r2 |
 804       si!2:32 si4   r2 |
 805       sib4:32\> \t {sib8 sib sib} sib4--\! sib-- r |
 806       si4:32 \t {si8 si si} si4-- si-- r |
 807       sib4:32 \t {sib8 sib sib} sib4-- sib-- r |
 808       si4:32 \t {si8 si si} si4 si r |
 809       mi,8\p mi\t {mi\< mi mi} mi4:32\> mi8\! r |
 810       mi8 mi \t {mi\< mi mi} mi4:32\> mi8\! r |
 811       mi8 mi \t {mi\< mi mi} mi4:32\> mi8\! r |
 812       mi8 mi \t {mi\< mi mi} mi4:32\! mi8 r |
 813       <mi dod'>\f <mi dod'> \t {<mi dod'> dod' mi,} \pl mi4:32 {dod'8.\< dod32 dod\!} |
 814       <mi,dod'>8-- <mi dod'>-- \t {<mi dod'>-- dod' mi,} \pl mi4:32 {dod'8.\< dod32 dod\!} |
 815       <mi,dod'>8.\sfz dod'16 <mi, dod'>4-> r R2*2
 816       R2.*14
 817       r2 r4 do'\ppp do do do1.:32~ do:~ do:~ do8 do--\> \t {do-- do-- do--} do1:32~ do1\!\laissezVibrer r2|
 818       R1*5/4 R1 R2. R2
 819     }
 820   }
 821 >>
 822
 823
 824 ActeUnSceneTroisBisPercus = {
 825   \new GrandStaff \GrandMarimba \PercuDeuxMains
 826    \relative {
 827      r8<red fad>\p r <red fad> r <red fad> r <red fad> |
 828      r <red fad> r <red fad> r <red fad> r <red fad> |
 829      r <red fad> r <red fad> r <red fad> r <red fad> | R1 r2
 830      r8<red fad> r <red fad>
 831      r <red fad> r <red fad> r <red fad> r <red fad> | R1 r2
 832      r8<red fad> r <red fad>
 833      r <red fad> r <red fad> r2 R1*12
 834      r8<mi sol>\p r <mi sol> r <mi sol> r <mi sol> |
 835      r <mi sol> r <mi sol> r <mi sol> r <mi sol> |
 836      r <mi sol> r <mi sol> r <mi sol>\< r <mi sol>\! | R1*2
 837      r8<red fad>\p r <red fad> r <red fad> r <red fad> |
 838      r <red fad> r <red fad> r <red fad> r <red fad> |
 839      r <red fad> r <red fad> r <red fad> r <red fad> |
 840      r <red fad> r <red fad> r <red fad> r <red fad> |
 841      r <red fad> r <red fad> r <red fad> r <red fad> |
 842      r <red fad> r <red fad> r <red fad> r <red fad> |
 843      r <red fad> r <red fad> r <red fad> r <red fad> |
 844      \ttt {r16 fad\mf( \gauche sol, \droite red' \gauche mi, si)}
 845      \tt {sold( sol' mi sib' do} red4--) \droite r8 <red fad> |
 846      \t {r16 \gauche <mi, sol>\<( \droite <red' fad>} <re' fa>8\!)
 847      r <re fa>
 848      r32 \gauche <sold,,, si>( <sol' sib> <do mib>) \droite <si' re>8-- r <si re> |
 849      r16 \t {sib,32\mp( mib do} la'8--) r16 \gauche \t {sol,32( do sib} \droite fad'8--) s4 |
 850      R1*3
 851      r8 <do re>\p r <do re> r2 r8 <do re> r <do re> r2 |
 852      r8 <do re> r <do re> r <do re> r <do re> |
 853      r <fa lab> r <fa lab> r <fa lab> r <fa lab> |
 854      <la,do>-- <fa'lab> r <fa lab> r <fa lab> r <fa lab> |
 855      \gauche \t {<dod,mi>16-- \droite <la' do> \gauche <dod,mi>} \droite <fa' lab>8
 856      r <fa lab> r <fa lab> r <fa lab> |
 857      R1*7
 858      r4 r8 <do fa>\p r <do fa> r4 |
 859      r4 r8 <do fa> r <do fa> r4 |
 860      r8 <do fa> r <do fa> r <do fa> r <do fa> | R1*16
 861    }
 862    \relative {
 863      R1
 864      r8 la r la r la r la |
 865      r  la r la r la r la |
 866      R1
 867      r2 r8 <sol la> r <sol la> |
 868      r <sol la> r <sol la> r <sol la> r <sol la> |
 869      R1
 870      r2 r8 <mi sol> r <mi sol> |
 871      r <mi sol> r <mi sol> r2  |
 872      R1*12
 873      r8 <fa lab> r <fa lab> r <fa lab> r <fa lab> |
 874      fa,--\mp <fa'lab> r <fa lab> r <fa lab>16( si,) r8 <fa'lab> |
 875      r <fa lab> r <fa lab>32( fa,16) si32-. r8 <fa'lab> r <fa lab> |
 876      R1*3
 877      r8 sol r sol r sol r sol |
 878      r <mi sol> r <mi sol> r <mi sol> r <mi sol> |
 879      r <mi sol> r <mi sol> si-- <mi sol> r <mi sol> |
 880      r <mi sol> si-- <mi sol> r <mi sol> r <mi sol> |
 881      r16 <mi sol> r8 r r16 <mi sol> r8 <mi sol> r <mi sol> |
 882      sold,-- <mi'sol>r<mi sol>r <mi sol> r <mi sol> |
 883      s1*2 s2 \t {r16 si sold} sol'8 |
 884      R1*5
 885      r8 la r la r la r la |
 886      r <la do> r <la do> r <la do> r <la do> |
 887      <dod, mi>-- <la' do> r <la do> r16 <la do> r8 r <la do> |
 888      s8 r16 <la do> r <dod, mi> r8 r r16 <la'do> r8 <la do> |
 889      R1*7
 890      r4 r8 <la si>\p r <la si> r4 |
 891      r4 r8 <la si> r <la si> r4 |
 892      r8<la si> r <la si> r <la si> r <la si> | R1*16
 893    }
 894 }
 895
 896 ActeUnSceneTroisTerPercus = <<
 897   \new Staff { \Vibraphone
 898     \relative {
 899       R2*3 R2. R2*2 R2.*2 r2
 900       \pl {s4\sustainOn sol'~ fad~ mib~ <mib fad sol>}
 901       {si'4~\p si2.~ si4} r2\sustainOff
 902       sib4(\laissezVibrer \sustainOn la\laissezVibrer fad\laissezVibrer
 903       fa re dod) \pl {mib2\sustainOn s mi\sustainOn fa\sustainOn}
 904       {si!4( sib sol fad) do'( si) reb( do)}
 905       <re, re'>8--\sustainOff r r4 r2 | R1*3 R2.*9
 906       r8 si'\pp\sustainOn sib sol fad mib re'2.\laissezVibrer s2.*2
 907       r4 si\sustainOn sib sol fad mib re'2.\laissezVibrer s2.\sustainOff
 908       R2.*23 R1 R2.*18
 909       \t {r4 \ind #"con Ped." dob'8\mp} \t {sib( mib, re)} \t {mib( sib' dob} \t {sib sol fad)}
 910       \t {sol\<( sib dob} sib16 dob sib dob |
 911       sib4.\mf)\sustainOn fa-- dob--\> solb-- do,!2--\! r4\sustainOff R2.*14
 912     }
 913   }
 914   \new Staff { \Marimba
 915     \relative {
 916       R2*3 R2. R2*2 R2.*7 R1*3
 917       r2 r8 r16 mi'32\mf fa mi'4-> |
 918       \t {r16 la-> mi} mib,( sib') r4 r8
 919       <mib,,, re'>--\mp r4 |
 920       r32 re'''->\f fad,8 <fad,, sol'>16--\mp r
 921       <mib re'> <fad sol'>8-- \ottava #1
 922       si'''32->\f\>( fad sib fa sol re fad dod
 923       \ottava #0
 924       \t {mi,8-. sold,-. \clef bass do,,-.\!)}
 925       r8 <dod re'>--\mp r <red mi'>-- \clef treble
 926       \tt {r16 <sold sol'!>\< la sold' re\!} |
 927       \pl re,4-> re''-> r2 |
 928
 929       %%% Poco meno %%%
 930
 931       R2.*17 \clef bass
 932       fa,,,2.:32~\pp fa4 r2 | R2.
 933       fa2.:~ fa4 r2 | R2.
 934       dod'2.:~ dod4 r2 | R2.
 935       dod2.:~ dod4 r2 | R2.
 936       la2.:~ la4 r2 \clef treble
 937       r16 <dod'' dod'>->\mp \t {r fa'( dod} fa,32 dod) do'8.-- <mi, mi'>8-.-> r \clef bass |
 938       la,,,2.:32~ la4 r2 | R2. \clef treble
 939       r32 do''->\mf dod'8. r8 fa32->( mi, dod' dod, do'8) <la,, sold'>-- |
 940       r8 \t {dod'16( mi dod')} \clef bass r8 <la,, sold'>--
 941       <do, si'>16-> <la' sold'>-- \clef treble fa'''8-> |
 942       r <la,,, sold'>-- \ottava #1 r16 red''-> \t {re,\< fad'-> fa,}
 943       lad32-> la, dod'-> do, lab''16-> <sib, sib'>-> |
 944       <sol sol'>4->\f \ottava #0 r8 <do,, si'>16\>( <la' sold'>)
 945       r <sib, la'>( <lab' sol'>8) \clef bass
 946       <si,, lad'>16( <solb' fa'>8.) |
 947       fad,2.:32~\pp fad4 r2 | r8 si( mi fa sold la |
 948       fad,2.:32~) fad4 r2 | r8 sib( si red mi sol)|
 949       fa,!2.:32~ fa4  r2 \clef treble |
 950       r4 r8 <lab''' fa'>-.\mp r16 <reb, do'>-. r8 \clef bass |
 951       fa,,,2.:32~\pp fa4 r2 \clef treble |
 952       r4 r16 fa''''( mi,8) \t {do'16( dod la)} sold'8-> \clef bass |
 953       dod,,,,2.\laissezVibrer R2. \clef treble |
 954       r16 fa'''( mi,8) r16 la,8-- si16( \t {sold' re si')} fa8-> |
 955       <re' mi>16-> <re mi>-> r8 r2 | R2.*17
 956       <mi, red'>8--\p r r2 R2.*3
 957     }
 958   }
 959 >>
 960
 961
 962 InterludeTroisPercus = { \Timbales
 963   \relative {
 964     r8 \st {<sol,mi'>\p r <sol mi'> r2 |
 965     r8 <sol mi'> r <sol mi'> r4 |
 966     <sol mi'>8\pp sol <sol mi'> sol <sol mi'> sol} sol16\< sol32 sol \st {sol8\! |
 967     <sol mi'>8 sol <sol mi'> sol} sol16\< sol sol8-.\! |
 968     \simile <sol mi'>8 sol <sol mi'> sol <sol mi'> sol sol16 sol32 sol sol8 |
 969     <sol mi'>8 sol <sol mi'> sol sol16 sol sol8 |
 970     <sol mi'> sol <sol mi'> sol <sol mi'> sol <sol mi'> <sol mi'> |
 971     <sol mi'> sol <sol mi'> sol <sol mi'> <sol mi'> |
 972     sol16\ppsempre sol mi' mi sol, sol mi' mi sol, sol mi' mi sol,32\< sol sol sol sol8\! |
 973     sol16 sol mi' mi sol, sol mi' mi sol,32\< sol sol sol sol16\! sol |
 974     sol8 mi'16 mi r8 mi16 mi r8 mi32\< mi mi mi |
 975     mi8\! mi16 mi r8 mi32\< mi mi mi |
 976     mi,8\! <mi mi'>-- r <mi mi'>-- r <mi mi'>16-- mi |
 977     <mi mi'>16\< mi32 mi <mi mi'>8--\! r <mi mi'>-- |
 978     mi16 mi <mi mi'>8-- mi16 mi <mi mi'>8-- |
 979     mi16 mi <mi mi'> mi <mi mi'> mi <mi mi'> mi |
 980     mi2:32~ mi:~ mi2: mi'4 r |
 981   }
 982 }
 983
 984 ActeUnSceneQuatrePercus = <<
 985   \new Staff { \Vibraphone
 986     \relative {
 987       \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
 988       R2-\fermataMarkup
 989       R1 R2. \t {\ind #"con Ped." la'2\p la4~} \t {la la2} |
 990       \t {la la4~} \t {la la2} |
 991       \t {sol sol4~} \t {sol sol2} \t {sol sol4} |
 992       \t {fad2 fad4~} \t {fad fad2} |
 993       \t {fad fad4~} \t {fad fad2} |
 994       \t {<si,red fad> <si red fad>4~} \t {<si red fad> <si red fad>2}
 995       \t {<si red fad> <si red fad>4~} \t {<si red fad> <si red fad>2}
 996       <si red fad>2 \t {<sol sib mib> <sol sib mib>4~} <sol sib mib>2
 997       re4-. r2 | R2.*26
 998       R1 R2. R1 R2. R2 R2. R2 R2. R2 R2.
 999       R1*5 R2 R2. R1*10 R2. R1 R2. R1*7 R2*3 R2.*6
1000       R1*4 R2. R1 R2.
1001       R1 R2. R1 R2. R1*2
1002       R2.*3 R1*2
1003
1004       R2. R4. R2. R4. R2 R4. R2*3 R4. R2*3 R4. R2*3 R4. R2.
1005       R1*12 R2 R2.*2 R2 R1
1006
1007       %%% Piu lento %%%
1008       re4\p \laissezVibrer <sib' dob sib'>2-- <sib dob sib'>--\>
1009       <sib dob sib'>4--\!\laissezVibrer R2.
1010       re,4\laissezVibrer \simile <sib' dob sib'>2 <sib dob sib'>\> <sib dob sib'>4\! |
1011       re,4\laissezVibrer <sib' dob sib'>2 <sib dob sib'>\> <sib dob sib'>4\! |
1012       re,4\laissezVibrer <sib' dob sib'>2 <sib dob sib'>\> <sib dob sib'>4\! |
1013       re,4\laissezVibrer <sib' do! sib'>2 <sib do sib'>\>
1014       <sib dob sib'>4\!\laissezVibrer R2.
1015       re,4\laissezVibrer <sib' do sib'>2 <sib re sib'> <sib re sib'>4 |
1016       re,4\laissezVibrer <sib' re sib'>2
1017       re,4\laissezVibrer <sib' mib sib'>2 <sib mib sib'> <sib mib sib'>4 |
1018       r <sib mib sib'>2 |
1019       re,4\laissezVibrer <sib' mi! sib'>2\laissezVibrer | R2.*2
1020       R1. R1 R1. R1 R1. R1 R1. R1 R1. R1 R1.*5 R1 R1. R1 R1. R1 R1.*5 R1 R1. R1
1021     }
1022   }
1023   \new DrumStaff { \Percus
1024     \drummode {
1025       \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
1026       R2-\fermataMarkup
1027       R1 R2. R1*2 R1. R1*2 R1. R1*2
1028       R2.*27
1029       R1 R2. R1 R2. R2 R2. R2 R2. R2 R2.
1030       R1*5 R2 R2. R1*10 R2. R1 R2. R1*7 R2*3 R2.*6 R1*3
1031       \ind #"Crécelle" hh4:32\mp\> hh4\! r8 hh-.-> r4 |
1032       hh4:32\> hh4\! r | r8 hh8:32-- r4 r8 hh8:32-- r8 hh8-. |
1033       hh4:32--\> hh8-.\! hh4:32--\> hh8-.\! | hh8:32--\> hh8\! r16 hh8.-. r2 |
1034       r8 hh8:32-- r2 | r16 hh8.-. r4 r16 hh8.-. \t {hh8-- hh-- hh--} |
1035       hh8:32\> hh8\! r2 | R1*2
1036       R2.*3 R1*2
1037       R2. R4. R2. R4. R2 R4. R2*3 R4. R2*3 R4. R2*3 R4. R2.
1038       R1*12 \ind #"Crécelle" hh4:32\mp r4 | R2. r4 hh4:32 r4 | R2 r2 hh4:32\> hh8\! r |
1039
1040       %%% Piu lento %%%
1041       R2.*21
1042       R1. r2 \ind #"Crécelle" hh4:32\mf r4 | R1. r4 hh2:32\> hh4\! | R1.
1043       r4 r8 r16 \ind #"Tambour" \ind #"(bag. fagot)" sn sn4-> r |
1044       R1. R1 R1. R1 sn4-> r r2 r4 r8 sn16\< sn |
1045       sn4->\! r r2 r4 r8 \t {sn16\< sn sn} |
1046       sn4->\! r r2 r8 sn16\< sn sn8 sn |
1047       sn4->\! r r2 r8 sn sn sn | sn--\> sn sn4\! r1 |
1048       sn4-> r8 \t {sn16\< sn sn} sn4\f r | R1. R1 R1.
1049       sn32-> sn8.. r4 r r8 r16 sn |
1050       sn4-> r r2 r4 sn16\< sn sn sn |
1051       sn4->\! r r2 r4 sn8\< sn |
1052       sn4->\! r r2 r8 sn16 sn sn4-> |
1053       sn4-> r r2 r8 sn\< sn sn | sn\> sn sn4\! r sn\> sn sn |
1054       sn4\! r8 r16 sn sn4-> r |
1055       r2 r4 sn-> sn-> r |
1056       r2 \ind #"Crécelle" hh4:32\mf hh4-- |
1057     }
1058   }
1059   \new Staff { \Timbales
1060     \relative {
1061       \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
1062       R2-\fermataMarkup
1063       R1 R2. R1*2 R1. R1*2 R1. R1*2
1064
1065       %%% Agitato %%%
1066       R2.*8
1067       re,4\p r re4:32\< re4->\! r2 |
1068       re8-. re-. re-. re-. re4:32--\< re4->\! r2 |
1069       re8-. re-. re-. re-. re4:32--\< re4->\! r2 |
1070       mib4-.->\p r2 R2.*4
1071       mi32->\f mi8.. r2 mi4-> r2 |
1072       r8 sib32-> sib16. r8 mi-- r sib-. |
1073       mi8-> \t {mi16\< mi mi} mi4\! r |
1074       r8 sib4-- mi-- sib8-. | mi4-> mi32-> mi8.. sib8-. mi-> |
1075       R2. re2.:32\mf\<\glissando |
1076       dod4\sfz r r r8 r16 sol32\f sol | sol4-> r2 |
1077       dod8->\> \t {dod16 dod dod} dod8 \t {dod16 dod dod} dod4--\! r |
1078       r8 sol4--\mf dod-- sol8-. | dod8-> \t {dod16 dod dod} dod4-. |
1079       r8 sol4-- dod-- sol8-. | \tt {dod16\> dod dod dod dod} dod4-. |
1080       r8 dod-.\! r2 | r8 dod4--\> sol8-. | dod--\mp \t {dod16 dod dod} dod4-. r |
1081
1082       %%% Placando assai %%%
1083       dod2--\p r4 dod | sol2:32~\> sol4\! r |
1084       dod2-- r4 dod | sol2:32~\> sol4\! r |
1085       R1 R2 R2. R1
1086
1087       %%% Andante a piacere %%%
1088       fa1:32~--\pp fa2 dod'-- |
1089       fa,1:32~-- fa2 dod'-- |
1090       fa,1:32~-- fa2 dod'-- | fa, r r dod'-- |
1091       sol2~\mp sol2:32~\< sol8\! dod4-- sol-- dod8-. |
1092       sol2~-> sol2:32~\< sol8\! \t {dod16 dod dod} dod8-. sol~-> sol16. sol32 sol8-. |
1093       dod8-> r r4 r2 |
1094       sol1:32~\ppp sol:~sol2.:32~sol4 |
1095       r8 sol \t {sol sol sol} sol2:32~sol1:32~sol2 r |
1096       R2*3 R2.*6
1097
1098       %%% A tempo %%%
1099       r16 do32\f do do8 r8 fad,4\< do' fad,8-. |
1100       r16 do'32 do do8->\! r4 \tt {r16 do\< do fad, do'} \t {fad,8-- do'-- fad,--} |
1101       do'8--->\! \t {do16 do do} do4-> r2 |
1102       R1 R2. R1 R2. R1 R2. R1
1103
1104       r2 fad,4:32\mp\<\glissando sol4--\! r r2 |
1105       sol32-> sol8.. r4 r8 \t {dod16\< dod dod\>} dod4\! |
1106       \t {sol16->\> sol sol} sol8\!\laissezVibrer r2 |
1107       sol4\mf sol2:32\<\glissando fa4\f r2 |
1108       fa4---> r8 r16 fa fa4-> r |
1109       fa--\mf r r dod'4:32\<\glissando re4\f r2 |
1110       r16 r32 re re4-> |
1111       sold,8->\> \t {sold16 sold sold} sold4\! r8 sold-. |
1112       r4 sold32-> sold16. | re'32-> re re8. r4 |
1113       r16 r32 re re4-> |
1114       la8->\> la32 la16.\! r4 | R2
1115       mib'4-- mib r4 r8 |
1116       si4-- r R2 |
1117       r8 r16 fa32\mf fa fa4-> | R4.
1118       fa4--\p fa8\< fa \t {fa fa fa} \tt {fa16 fa fa fa fa} |
1119       R2\! R4.
1120       re'2.:32\pp\< re4\f r8 r16 re32 re re4-> r |
1121       re16-> re re8 r4 re-- r r re\> re re |
1122       re8\mp re16 re re4-> re re8 \t {re16 re re} |
1123       re4-> r r re8\< re16 re re4->\! r r re8\< re16 re |
1124       re4->\! r r re re-> r r re re-> r r2 | R1*3
1125       R2  R2.*2 R2 R1
1126       R2.*21
1127       R1. R1 R1. R1 R1. R1 R1. R1 R1. R1 R1.*5
1128       R1 R1. R1 R1. R1 R1.*5 R1 R1. R1
1129     }
1130   }
1131 >>
1132
1133
1134 EntractePercus = <<
1135   \new Staff { \Marimba
1136     \relative {
1137       R2*9
1138       R1*38 R2. R1
1139       R1*2 R2.*2 R2 R1 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2
1140       R1*14
1141       R2.-\fermataMarkup
1142       r8 <red fad>\p r <red fad> r <red fad>
1143       r <red fad> r <red fad> r <red fad>
1144       r <red fad> r <red fad> r <red fad>
1145       r <red fad> r <red fad> r4 | R2
1146       r8 <red fad> r <red fad> r <red fad> |
1147       r4 r8 <red fad> r <red fad> r <red fad> |
1148       r4 r8 <red fad> r <red fad> R2
1149       r8 \pl <mi, sol>\psempre <red' fad> r \pl <mi, sol> <red' fad>
1150       r \pl <mi, sol> <red' fad>  r \pl <mi, sol> <red' fad> |
1151       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1152       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1153       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1154       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1155       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1156       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1157       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1158       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1159       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1160       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1161       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1162       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1163       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1164       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1165       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1166       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1167       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1168       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1169       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1170       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1171       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1172       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1173       R2.-\fermataMarkup R2.*14
1174       R1 R2 R1 R2 R1 R2 R1 R2.
1175       R1.*18 R1*2 R2. R2
1176     }
1177   }
1178   \new DrumStaff { \Percus
1179     \drummode {
1180       R2*9
1181       R1*14
1182       r4 \ind #"Tambour (bag. de timbale, sur le manche)"
1183       sn\mp r sn | r sn8\> sn16 sn sn4\! r |
1184       R1*9
1185       sn32->\mp sn sn8. r4 r8 sn\< \t {sn sn sn} sn4--\! r r2 |
1186       R1*11 R2. R1
1187       R1*2 R2.*2 R2 R1 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2
1188       R1*14
1189       \ind #"Crécelle" hh4:32\>\fermata~ hh4\! r\fermata |
1190       R2.*4 R2 R2. R1 R2. hh8:32 r8 r4 | R1*5 R1.*4 R1
1191       hh4:32~\> hh4\! r\fermata R2.*8 hh4:32-- r2\fermata |
1192       R2.*4 R2.-\fermataMarkup R1 R2 R1 R2 R1 R2 R1 R2.
1193       R1.*18 R1*2 R2. R2
1194     }
1195   }
1196   \new Staff { \Timbales
1197     \relative{
1198       R2*9 |
1199       re,4\mf re-> r re-> r re-> r2 | R1*5
1200       re4 re-> r re-> r re-> r2 | R1*7
1201       re4 re r re r re r2 | R1*3
1202       re4 re-> r re-> r re-> r2 | R1*5
1203       re8.\mf re32 re re4-> r re32-> re8.. |
1204       r4 re-> r re8-> re re4-> r r2 | R1*6
1205       re8.-> re32 re re4-> r re-> r8 re16 re re4-> r |
1206       r8 re16 re re8-> re\< \t {re re re} re->\! re32\< re re re |
1207
1208       %%% Fugato %%%
1209       red4->\ff mi,-> r mi-> r8 mi\< \t {mi mi mi} mi4->\! r |
1210       r8 mi\mf\< \t {mi mi mi} mi4\! | R2. r4 \tt {mi16\mp\< mi mi mi mi} |
1211       mi4\! r r8 mi\< \t {mi mi mi} mi4\! r2 |
1212       r8 mi\p\< \t {mi mi mi} mi4\! mi-- r r2 |
1213       mi8\< mi \t {mi\> mi mi} mi4\! r |
1214       mi-- mi-- r mi8\< mi \t {mi\> mi mi} mi4\! |
1215       r mi-- mi-- r mi8\< mi \t {mi\> mi mi} mi4\! r |
1216       mi-- mi-- mi-- mi\< mi8 mi \t {mi mi mi} mi2:8\mp mi: mi: mi: |
1217       mi: mi4: mi2: mi4:
1218       \t {fa8 fa fa} \t {fa fa fa} \t {fa fa fa} \t {fa fa fa} |
1219       \t {fad fad fad} \t {fad fad fad} \t {fad fad fad} \t {fad fad fad} |
1220       \t {sol\mp sol sol} \t {sol sol sol} \t {sol sol sol} |
1221       \t {sol\< sol sol} \t {sol sol sol} \t {sol sol sol} |
1222       sold16\mf sold sold sold sold4 sold16-> sold sold sold sold8 \t {re'16\< re re} |
1223
1224       %%% Stretto %%%
1225       re4\f re32-> re8.. r8 r16 re32 re re4-> |
1226       r8 re\< \t {re re re} re4\! r8 re |
1227       re4-> r r2 R1*10
1228       %%% Noir %%%
1229       R2.-\fermataMarkup R2.*4 R2 R2. R1 R2. R2
1230       R1*5 R1.*4 R1 R2.-\fermataMarkup R2.*8 R2.-\fermataMarkup
1231
1232       %%% Poco più %%%
1233       R2.*4 R2.-\fermataMarkup
1234
1235       %%% Andantino %%%
1236       la4--\pp la4:32~\> la4\! r mi-- r |
1237       la4-- la4:32~\> la4\! r mi-- r |
1238       la4-- la4:32~\> la4\! r mi-- r |
1239       la4-- la4:32~\> la4\! r R2. |
1240
1241       %%% Largo non troppo %%%
1242       la4\p\< \ttt {la16 la la la la la} la4--\! la-- la2-- |
1243       \simile la4 \ttt {la16 la la la la la} la4 la la2 |
1244       la4 \ttt {la16 la la la la la} la4 la la2 |
1245       la la r |
1246       la4 \ttt {la16 la la la la la} la4 la la2 |
1247       la4 \ttt {la16 la la la la la} la4 la la2 |
1248       la4 \ttt {la16 la la la la la} la4 la la2 |
1249       la4 \t {la8 la la} la2 r |
1250       la4\mp\< \ttt {la16 la la la la la} la4--\! \ttt {la16\< la la la la la} la4->\! la |
1251       \simile la4 \ttt {la16 la la la la la} la4 \ttt {la16 la la la la la} la4 la |
1252       la4 \ttt {la16 la la la la la} la4 \ttt {la16 la la la la la} la4 la |
1253       la4 \ttt {la16 la la la la la} la4 \ttt {la16 la la la la la} la8 la la la |
1254       la4 \ttt {la16 la la la la la} la4 la la2 |
1255       la4 r8 \t {la16 la la} la4 la la2 |
1256       la4\> la8 la la4 la la2\! |
1257       la8\p\< la \t {la la la} la\! la \t {la\< la la} la4--\! la |
1258       la8\< la \t {la la la} la4--\! la16\< la la la la8 la \ttt {la16 la la la la la} |
1259       mi4--\f\< \ttt {mi16 mi mi mi mi mi} mi4-- mi--\! mi2-> |
1260       mi4-- \ttt {mi16\< mi mi mi mi mi} mi2->\! |
1261       r mi4--\ff mi-- r8 mi~ mi2:32\< mi4\sffz r |
1262     }
1263   }
1264 >>
1265
1266 ActeDeuxSceneUnPercus = <<
1267   \new Staff \relative {\Vibraphone
1268     R2.*4 R2 R2.*2 R2
1269     \st {mi,8\mp(\sustainOn do' sol' mib'\> lab si\!)}\laissezVibrer R2.*2
1270     \sustainOff R2 R2. R2 R2.*2 R2
1271     \st {mi,,,8(\sustainOn si' do sol'\> lab mib'\!)}\laissezVibrer R2.*2
1272     \sustainOff R2 R2. R2 R2.*2 R2
1273     <re la'>4--\p\sustainOn mi,-- <re la'>-- |
1274     \t {mi,8( <re' la'> mi)} \t {<re' la'>( mi, <re la'>)}
1275     \t {mi,\<( <re' la'> mi} <re'la'>2*3/2\!)\laissezVibrer R2 \sustainOff
1276     R2.*2 R1 R2. R1 R2. R2 R2. R1
1277
1278     %%% Andantino %%%
1279
1280     %%FIXME: complete. As soon as I have *nothing* else to do.
1281   }
1282   \new PianoStaff {
1283     \PercuDeuxMains
1284     \relative { \GrandMarimba
1285       R2.*4 R2 R2.*2 R2 R2.*3 R2 |
1286       R2. R2 R2.*2 R2 R2.*3 R2 |
1287       R2. R2 R2.*2 R2 R2.*3 R2 |
1288       R2.*2 R1 R2. R1 R2. R2 R2. R1
1289
1290       %%% Andantino %%%
1291       r4 \det {<re mi> r <re mi>} |
1292       r \simile <re mi> r <re mi> |
1293       r <re mi> r |
1294       r <re mi> r |
1295       <re mi> r <re mi> |
1296       r <re mi> r | <re mi> r |
1297       r <re mi> r |
1298       r <re mi> r |
1299       <re mi> r <re mi> |
1300       r <re mi> r |
1301       <re mi> r <re mi> |
1302       r <re mi> r <re mi> |
1303       r <re mi> r |
1304       r <re mi> |
1305       r <mi sold> r |
1306       <mi sold> r <mi sold> r |
1307       <mi sold> r <mi sold> |
1308       r <mi sold> r <mi sold> |
1309       r <mi sold> r |
1310       <mi sold> r <mi sold> r |
1311       s2. R1 R2. R1 R2. R1 R2.
1312       R1 R2. R1 R2. R1 R2. R1
1313       R2. R1
1314       <re mi>4\pp r <re mi> |
1315       r <re mi> r <re mi> |
1316       r <re mi> r |
1317       <re mi> r <re mi> r |
1318       r <re mi> r |
1319       <re mi> r <re mi> r |
1320       r <re mi> r |
1321       <re mi> r <re mi> r |
1322       s2. s1 s2.
1323       s1 s2. s1
1324       s4 <re mi> r |
1325       r <re mi> r <re mi> |
1326       s2. s1 s2. s1 s2.*7 R2.
1327       s4 <do re> r <do re> r <do re> |
1328       R1 s4 <do re> r |
1329       R1 R2. R1
1330       r4 <mib solb> <mib solb> |
1331       r <do fa> <do fa> r |
1332       r <mib solb> <mib solb> |
1333       r <do fa> r <do fa> |
1334       r <do fa> r | R1
1335       R2. R1 R2. R2 R1 R2. R1 R2. R1 R2. R1
1336     }
1337     \relative {
1338       R2.*4 R2 R2.*2 R2 R2.*3 R2 |
1339       R2. R2 R2.*2 R2 R2.*3 R2 |
1340       R2. R2 R2.*2 R2 R2.*3 R2 |
1341       R2.*2 R1 R2. R1 R2. R2 R2. R1
1342
1343       %%% Andantino %%%
1344       sib,2*2\p\laissezVibrer R1
1345       r4 sib r | mi,2*3/2\laissezVibrer R2.*2 R2
1346       r4 sib' r | mi,2*3/2\laissezVibrer R2.*3 R1 R2. r4 do' |
1347       fad,\mp <la're> r | <la re> r <la re> r |
1348       <la re> r <la re> | r <la re> r <la re> |
1349       fad, <la're> r | <la re> r <la re> r |
1350       sib,8 sib' fa fa, mi' do | sib2:32~\> sib4\! r |
1351       fad2.:32~\p\> fad4\! r r2 | sib4 r2 |
1352       fad2:32~ fad4 r | R2.
1353       R1 R2. R1 R2. R1 R2. R1
1354       fad2.:32~\mp\> fad4\! r r2 |
1355       <sold'la>4-- r <sold la>-- |
1356       mi--\p <sold la> si,-- <sold'la> |
1357       fad,-- <sold'la> r |
1358       <sold la> sol-- <sold la> do,-- |
1359       fa,!-- <sold'la> r |
1360       <sold la> mi-- <sold la> si,-- |
1361       fad-- <sold'la> r |
1362       <sold la> r <sold la> r |
1363       do,8\p( la' \droite <re sol>) \gauche
1364       do,\<( la' \droite <re sol>) | <fad do'>\!( <re sol>) \gauche
1365       do,( la' \droite <re sol>) \gauche
1366       do,( la' \droite <do re>) \gauche |
1367       do,\>( fad si \droite mi) \gauche
1368       do,( fad) | do\!( sol' \droite re' <mi la>) \gauche
1369       si( \droite <mi la>) \gauche fad,( \droite <si mi>) \gauche |
1370       dod,\<( la' \droite <la're>) \gauche
1371       dod,,( la' \droite <si'mi>) |
1372       fad\!( <la re>) \gauche dod,,( si' \droite <mi la>) \gauche
1373       dod,\>( si' \droite <mi la>) \gauche |
1374       do,\! la' s4 r4 | la4 r la r |
1375       fad8--\mf( la \droite <do re> \gauche la \droite <do re> \gauche la) |
1376       fa--( lab \droite <do re> \gauche lab \droite <do re>4) \gauche r |
1377       fad,8--( la\droite <do re> \gauche la \droite <do re> \gauche la) |
1378       fa--( lab \droite <do re> \gauche lab \droite <do re>4) \gauche r |
1379       <fad,,fad'>8--( la' \droite <do re> \gauche la \droite <do re>4) \gauche |
1380       sol,8--\<( re' \droite <do'fa>) \gauche sol,( re' \droite <fa' sib>) \gauche |
1381       re,( do' \droite <sib'mib>) \gauche re,( \droite <mib' lab>4\f) \gauche |
1382       sib,,8\mf( la' \droite <do fa> \gauche la \droite <do fa> \gauche la) |
1383       si,( lab' \droite <si mi> \gauche lab \droite <si mi>4) \gauche |
1384       sib,8( la' \droite <do fa> \gauche la \droite <do fa> \gauche la) |
1385       si,( lab' \droite <si mi> \gauche lab \droite <si mi>4) \gauche |
1386       R2.
1387       mib,8\f la s4 r8 la s4 r8 mib s4 | r2 r4 <la si>\mf |
1388       mib-- s r |
1389       re--\p <si'dod> r <si dod> |
1390       re,-- <sib'do> r | R1
1391       lab2*3/2\laissezVibrer la\laissezVibrer r4 |
1392       lab2*3/2\laissezVibrer <sol, sol'>2\laissezVibrer r | R2. R1
1393       R2. R1 R2. R2 R1 R2. R1 R2. R1 R2. R1
1394     }
1395   }
1396 >>
1397
1398
1399 ActeDeuxSceneUnBisPercus = <<
1400   \new Staff { \Marimba
1401     \relative {
1402       r8 <mi sold> r <mi sold> r <mi sold> r4 |
1403       r8 <mi sol> r <mi sol> r4 |
1404       R2-\markup "Allez au Vibraphone" \Vibraphone
1405       <mi sol>1*5/4\laissezVibrer R1*5/4*43 R1*5/4-\fermataMarkup
1406       R1*5/4*32
1407
1408       %%% Moderato assai %%%
1409       \ind #"bag. douces"
1410       <do si'>1*7/4\laissezVibrer s1*7/4
1411       <do si'>1 <si do'>2. <do si'> <si do'>1\laissezVibrer
1412       s1*7/4 <do si'>2 <si do'>2. <do si'>2 |
1413       <si do'>2. <sib dod'>1 <la re'>2.\laissezVibrer s1 R2. R2 |
1414       <si do'>2.\laissezVibrer r4 <do si'>2\laissezVibrer r2 <si do'>4\laissezVibrer |
1415       s2. <do si'>2.\laissezVibrer r4 <si do'>2\laissezVibrer s2. R2. |
1416       <sib dod'>2. | <la re'>1*7/4\laissezVibrer R1*7/4*2
1417       R2.*7 R1*7/4*4 \repeat volta 2 R1*7/4*3
1418       R1*7/4*2-\markup "Allez au Marimba" \Marimba \clef bass |
1419
1420       %%% Presto subito %%%
1421       \tt {fa,8 mib' solb do, mib} \tt {fa, mib' solb do, mib}
1422       \tt {lab, mib' solb do, mib} | \tt {fa, mib' solb do, mib}
1423       \tt {lab, mib' solb do, solb'} \tt {do, sib' reb solb, sib} |
1424       \tt {do, sib' reb solb, sib} \tt {mib, sib' reb solb, sib}
1425       \tt {do, sib' reb solb, reb'} | \tt {fad, mi' sol dod, mi}
1426       \tt {red, mi' sol dod, mi} \tt {fad, mi' sol sib, sol'} \clef treble |
1427       \tt {mi re' fa sol, lab'} \tt {mi, fa' lab mi, fa'} \clef bass
1428       \tt {fad,, mi' sol red, mi'} |
1429
1430       %%% Tempo giusto %%%
1431       \pl \parenthesize re,,4 fa r2 R2.*6 R2*2 R2.*4 R2 R4.
1432       R2*3 R4. R2. R2 R4. R2. R1*5/8 R2 R4. R2.*15 R2 R4. R2 R1*5/8 R2.
1433
1434       %%% Tempo I %%%
1435       R1 R1*5/4*3 R1*5/4-\fermataMarkup
1436       R1*5/4-\markup "Allez au Vibraphone" \Vibraphone
1437       <do'' si'>2. <si do'>2 <do si'> <si do'>2.\laissezVibrer R1*5/4*2
1438       <do si'>2. <si do'>2 <do si'> <si do'>2.\laissezVibrer R1*5/4*14
1439     }
1440   }
1441   \new DrumStaff { \Percus
1442     \drummode {
1443       \set  drumStyleTable = #drums-style
1444       R1 R2. R2 R1*5/4*2
1445       \ind #"Tambour (au centre et sur le tour)" <sn hh>4 sn sn8 hh sn4 sn |
1446       \plperc sn4 hh sn sn8 hh sn4 sn |
1447       \plperc sn4 hh sn sn8 hh sn4 sn |
1448       \plperc sn4 hh sn sn8 hh sn4 sn |
1449       \plperc sn4 hh sn sn8 hh sn4 sn |
1450       \plperc sn4 hh sn sn8 hh sn4 sn |
1451       \plperc sn4 hh sn sn8 hh sn4 sn |
1452       \plperc sn4 hh sn sn8 hh sn4 sn |
1453       \plperc sn4 hh sn sn8 hh sn4 sn |
1454       \plperc sn4 hh sn sn8 hh sn8 sn sn sn |
1455       \plperc sn4 hh r2 r4 sn |
1456       \plperc sn4 hh sn r sn sn |
1457       \plperc sn4 hh hh hh hh hh |
1458       \plperc sn4 hh r2 r4 \t {sn8 sn sn} |
1459       sn4 r2 r4 \t {sn8 sn sn} |
1460       sn4 r r8 sn r sn sn sn |
1461       \plperc sn4 hh hh hh8 sn hh4 hh |
1462       \plperc sn4 hh hh hh8 sn hh4 hh |
1463       \plperc sn4 hh hh hh8 sn hh4 hh8 sn16 sn |
1464       hh4 r r8 sn16 sn hh4 r8 sn16 sn |
1465       hh4 r8 sn16 sn hh4 r r8 sn16 sn |
1466       hh sn sn sn sn sn sn sn sn sn hh sn sn sn sn sn sn sn sn sn |
1467       hh4 r1 | R1*5/4*3
1468       sn8 sn sn sn sn sn sn sn sn sn |
1469       hh sn sn sn sn sn sn sn sn sn |
1470       hh sn sn sn sn hh sn sn sn sn |
1471       hh sn sn sn sn sn sn sn sn sn |
1472       hh sn sn sn sn sn sn sn sn sn |
1473       hh sn sn sn sn hh sn sn sn sn |
1474       hh sn sn sn sn hh sn sn sn sn |
1475       hh sn sn sn sn hh sn sn sn sn |
1476       hh sn sn sn sn sn sn sn sn sn |
1477       hh sn sn sn sn sn sn sn sn sn |
1478       hh4 r r8 sn16 sn hh4 r8 sn16 sn |
1479       hh4 r8 sn16 sn hh4 r r8 sn16 sn |
1480       hh sn sn sn sn sn sn sn sn sn hh sn sn sn sn sn sn sn sn sn |
1481       hh4 r1 | R1*5/4
1482
1483       %%% Boum %%%
1484       \ind #"Tam-Tam" cb2\laissezVibrer r2 r4 | R1*5/4-\fermataMarkup |
1485       R1*5/4*13 \ind #"Tam-Tam" cb4\laissezVibrer r1 R1*5/4 |
1486       cb4\laissezVibrer r1 R1*5/4 |
1487       r4 cb \t {cb8 cb cb} cb4\laissezVibrer r |
1488       cb4\laissezVibrer r1 R1*5/4 |
1489       r4 cb \t {cb8 cb cb} cb4\laissezVibrer r |
1490       cb4\laissezVibrer r1 |
1491       r4 cb8 cb cb2 cb8 cb |
1492       cb4\laissezVibrer r1 | r4 cb cb cb cb |
1493       cb8 cb cb cb cb cb cb cb \t {cb cb cb} |
1494       cb4\laissezVibrer r1 | R1*5/4*5
1495
1496       %%% Moderato assai %%%
1497       R1*7/4*7 R2. R1 R2. R2
1498       R2.*9 R1*7/4*3 R2.*7 R1*7/4*4
1499       \repeat volta 2 R1*7/4*3 R1*7/4*2
1500
1501       %%% Presto subito %%%
1502       R1.*5
1503
1504       %%% Tempo giusto %%%
1505       R2.*7 R2*2 R2.*4 R2 R4. R2*2
1506       r4 \ind #"Cymb." hh4:32~ hh4.:32~ hh4 r2 |
1507       r4 hh4:32~ hh4.:32~ hh4 r2 | R1*5/8
1508       r4 hh r8 hh4 | R2.*4
1509       r4 \ind #"sur le bord" hh2:32~ hh4 r2 |
1510       r4 hh2:32~ hh4 r2 | r4 hh2:32~ hh4 r2 |
1511       r4 hh4:32~ hh4 | r hh4:32~ hh4 R2.
1512       r8 hh32 hh hh hh hh2 R2.-\markup \indic "étouffer"
1513       R2 R4. R2 R1*5/8 R2.
1514
1515       %%% Tempo I %%%
1516       r2 r4 \ind #"Tambour" sn16 sn sn sn |
1517       hh4 r r8 sn16 sn hh4 r8 sn16 sn |
1518       hh4 r8 sn16 sn hh4 r r8 sn16 sn |
1519       hh4 r1 | \ind #"Tam-Tam" cb2\laissezVibrer r2 r4\fermata |
1520       R1*5/4*21
1521     }
1522   }
1523   \new Staff { \Timbales
1524     \relative {
1525       R1 R2. R2 R1*5/4*44 R1*5/4-\fermataMarkup
1526
1527       %%% Boum %%%
1528       R1*5/4*32
1529
1530       %%% Moderato assai %%%
1531       R1*7/4*7 R2. R1 R2. R2
1532       R2.*9 R1*7/4*3 R2.*7 R1*7/4*4
1533       \repeat volta 2 R1*7/4*3 R1*7/4*2
1534
1535       %%% Presto subito %%%
1536       R1.*5
1537
1538       %%% Tempo giusto %%%
1539       R2.*7 R2*2 R2.*4 R2 R4. R2 r4 r8 \t {mib,16 mib mib} |
1540       mib4 r R4. r2 r8 \t {mib16 mib mib} |
1541       mib4 r R4. r2 r8 \t {mib16 mib mib} |
1542       mib4 mib8 mib mib |
1543       la,4 r la4 \t {la16 la la} |
1544       la4 r8 la32 la16. r4 |
1545       la la la sold4 r16 sold32 sold sold8 r4 |
1546       sold sold sold |
1547       sol4 r2 | R2. sol4 r2 R2. sol4 r2 r2 r8 sol16 sol |
1548       sol4 r r8 \t {sol16 sol sol} |
1549       sol4 r2 r4 sol2:32\glissando sold2.\laissezVibrer
1550       R2. R2 R4. R2 R1*5/8 R2.
1551
1552       %%% Tempo I %%%
1553       R1 R1*5/4*3 R1*5/4-\fermataMarkup |
1554       R1*5/4*21
1555     }
1556   }
1557 >>
1558
1559 ActeDeuxSceneDeuxPercus = <<
1560   \new Staff { \Marimba
1561     \relative {
1562       sold'4 <mi sold> <fa la> r r2 |
1563       sold4 <mi sold> <fa la> r r2 |
1564       R1.
1565       <mi sold>4 <mi sold> <fa la> r sold r |
1566       la r r1 | R1.-\markup "Allez au Vibraphone" \Vibraphone
1567       R1*2 R2.*5 R1.*3 R1*2
1568       R2. R1 R4. R1*6 R2. R1. R1
1569       r2 r4 \pl {la fa'\laissezVibrer} {do\glissando do'\laissezVibrer}
1570       \ind #"senza Ped." r2 |
1571       do4 r \pl {la, fa'\laissezVibrer} {do\glissando do'\laissezVibrer} r2 |
1572       re,4 do' | r si r | mi,,,\laissezVibrer mi'\laissezVibrer mi'\laissezVibrer |
1573       r2 r8 \hideNote sol8\glissando do4*1/2 \hideNote mi,8\glissando la4 | R4.
1574       R1*5 R2*6 R1 R2. R1. R1 R1.*2 R2. R1
1575
1576       la,2.\laissezVibrer \sustainOn r8 sol4.\laissezVibrer r2 |
1577       fa2.\laissezVibrer r8 mi4.\laissezVibrer r2 | fa4 mi fa |
1578       sol la2.\laissezVibrer R2.
1579       R1 <la, la'>2.\laissezVibrer R1 <sib la'>2.\laissezVibrer
1580       <mib la>1\laissezVibrer <sold la>2.\laissezVibrer R1
1581       <la, la'>2.\laissezVibrer R1 R2. R1 R2. R1 R2.
1582       R2*3 R2. R1*3
1583       R1*5/8*14 R1*9 R2. R2 R1*2
1584       la'4 sol fa mi2 r4 |
1585       <solb, la! fa' lab>2.\laissezVibrer R2.*4
1586
1587       R2*2 R2.*2 R2*25
1588       <la' la'>2.\laissezVibrer \sustainOn R2.*6
1589       \pl {<fa do'>4 do' fa, <fa do'>2*3/2}
1590       {la'8 sol fa mi fa16 mi fa sol la8 mi8*5\laissezVibrer }|
1591       R2.
1592       \pl {<la, do>4 do la <la do>2. <sol re'> <la do>2}
1593       {la'8 sol fa mi fa16 mi fa sol la8 sol fa mi fa16 mi fa sol
1594       sib8 sol fa mi fa16 mi fa sol la8 mi8*3 } r4 | R2.*2
1595     }
1596   }
1597   \new DrumStaff { \Percus
1598     \drummode {
1599       R1.*6 R1*2 R2.*5 r1 \ind #"Crécelle" hh2:32~ hh4 r r1 R1. R1*2
1600       R2. R1 R4.
1601       R1*5 r4 \ind #"Crécelle" hh2.:32 R2. R1. R1*2
1602       R2.*3 R2 R2.*3 R2 R4. R1*5 R2*6 R1
1603       r4 \ind #"Crécelle" hh2:32 R1. R1 R1.*2 R2.
1604       r2 hh4:32 hh4 |
1605
1606       R2. R1 R2. R1 R2. R1 R2. R1 R2. R1 R2. R1 R2. R1
1607       R2. R1 R2. R1 R2. R1 R2.
1608
1609       R2*2 R2 R2. R1*3
1610       r4 \ind #"Tambour" \ind #"(bag. fagot)"  sn8 sn sn sn4 r8 sn sn |
1611       sn4 sn8 sn sn sn4 r8 sn sn | sn4 sn8 sn16 sn sn sn |
1612       sn4 sn r16 sn32 sn | sn4 r r8 |
1613       sn4 r8 sn sn | sn4 sn8 sn sn | sn4 sn r16 sn32 sn | sn4 r r8 |
1614       sn sn sn4 r8 | r sn sn sn sn | sn4 r r8 |
1615       R1 r2 r4 r8 \t {sn16 sn sn} | sn4 r r2 |
1616       R1*6 R2. R2 R1*2 R2.*7
1617
1618       R2*2 R2.*2 R2*25 R2.*16
1619     }
1620   }
1621   \new Staff { \Timbales
1622     \relative {
1623       R1.*6 R1*2 r2 r8 r16 re,32 re |
1624       re4 re8 re r \t {re16 re re} |
1625       re8 re re16 re r8 re32 re re8. |
1626       re16 re re re re8 \t {re16 re re} re8 re |
1627       sold,8. re'16 r sold, re'8 r16 re8 sold,16 |
1628       re'2:32~ re4 r r2 | R1.*2 R1*2
1629       r2 r8 \t {si16 si si} |
1630       si4 si8 si32 si16. r16 si si si r8 \t {si16 si si} |
1631       sold4 r8 | si4 r r8 sold r4 | si4 r r2 |
1632       si4 r8 si r si r4 | si32 si8.. r8 si r si r r16 si32 si |
1633       si4 r8 si r si r4 | si r8 si r si r4 |
1634       sold2.:32~ sold4 r r1 |
1635       R1*2 R2.*3 R2 R2.*3 R2 R4.
1636
1637       mi4 r r mi'8 mi16. mi,32 |
1638       mi4 r r mi'16. mi32 mi8 |
1639       mi,4 r8 mi r mi mi' mi16. mi,32 |
1640       mi4  r8 mi r mi mi'16. mi32 mi8 |
1641       mi,4 r8 mi r mi mi'16 mi mi8 |
1642       mi,8 mi'16. mi32 mi4 |
1643       mi,8 mi'16. mi32 mi16 mi mi8 |
1644       mi,8 mi'16. mi32 mi4 |
1645       mi,8 mi'16. mi32 mi16 mi mi32 mi mi mi |
1646       mi,8 mi'16. mi32 mi4 |
1647       r4 re | dod1:32~ dod4 r2 |
1648       dod4 r r2 r4 dod | sol1:32 | dod4 r r2 r4 dod |
1649       sol1.:32~ sol4 r2 | R1
1650
1651       R2. R1 R2. R1 R2. R1 R2. R1 R2. R1 R2. R1 R2. R1
1652       R2. R1 R2. R1 R2. R1 r2 r8 r16 \t {la32 la la} |
1653       la4 r r r8 \t {la16 la la} la4 r r2 r8 \t {la16 la la} |
1654       la1:32~ la:~ la2 r8 la \t {la la la} |
1655       la4 r r8 | R1*5/8*13 R1*6
1656       mi2:32~ mi8 mi \t {mi mi mi} |
1657       mi2:32~ mi8 mi \t {mi mi mi} |
1658       mi2:32~ mi8 mi \t {mi mi mi} |
1659       mi4 r2 | R2 R1*2 R2.*7
1660
1661       R2*2 R2.*2 R2*25 R2.*16
1662     }
1663   }
1664 >>
1665
1666 ActeDeuxSceneTroisPercus = <<
1667   \PercuDeuxMains
1668   \relative { \GrandVibraphone
1669     %%% Larghetto %%%
1670     R4.*3 \ind #"con Ped." dod8 sold' la\laissezVibrer
1671     R4.*3 dod,8 sold' la\laissezVibrer |
1672     R4. \gauche fa,8 \droite la mi' | <sold la>4.\laissezVibrer
1673     R4.*2 \gauche fad,8 \droite fad dod' | <sold' la>4.\laissezVibrer
1674     R4. <la, mi'>4.\laissezVibrer
1675     R4.*6 mi'4.\laissezVibrer |
1676     R4.*3 <la, mi'>4.\laissezVibrer
1677     R4. mi'4.\laissezVibrer |
1678   }
1679   \relative {
1680     %%% Larghetto %%%
1681     R4.*9
1682     s4. R4.*3 s4. R4.*2
1683     fa,4.\laissezVibrer R4.*6 |
1684     la4.\laissezVibrer R4.*3 |
1685     fa4.\laissezVibrer R4. |
1686     la4.\laissezVibrer |
1687   }
1688 >>