instruments/contrebasse.ly

   1 %------------------------------------------------------------------%
   2 % Opéra Libre -- contrebasse.ly                                    %
   3 %                                                                  %
   4 % (c) Valentin Villenave, 2008                                     %
   5 %                                                                  %
   6 %------------------------------------------------------------------%
   7
   8 \include "italiano.ly"
   9
  10 Contrebasse = {
  11   #(make-instrument-name 'double-bass "contrabass" 27.5)
  12   \clef "F_8"
  13 }
  14
  15 PrologueContrebasse = { \Contrebasse
  16   \relative {
  17     %%% Introduction %%%
  18
  19     \partial 4 r4 R2.*3 R1 | mi,,,2\f r8 mi'-- \t {mi--( mi-- mi--)}
  20     mi,2.~|mi2 r8 mi'-- \t {mi--( mi-- mi--)} | mi,2.~\mp| mi4 \pizz mi |
  21     r8 mi--\mf\> \t {mi-- mi-- mi--}| \arco mi2.\mp ~ | mi4 \pizz mi |
  22     r8 mi \t {mi mi mi}| \arco mi2. ~ | mi4 mi'~| mi8 mi\< \t {re--( re-- re--)} |
  23     dod4--->\f r2 | \t {\pizz dod4--\mf re-- mi--} sol4-- r |
  24     \arco dod,2--->\f r8 sol-. r dod-. r sol-. | dod4---> dod---> sol8-. dod~--->|
  25     dod4 r | sol-- dod-- sib8-. dod~--| dod sol-. dod4-- | dod-- sol8-. dod-. r sib-. |
  26     r dod4\>( sol8) | sib2~--\p sib2 r4 |
  27
  28     %%% Tempo giusto %%%
  29     re8\sfz re'-. re,-. re'-. |
  30     re,-. re'-. re,-. re'-. |
  31     re,-. re'-. re,-. re'-. |
  32     re,-- re mib re | fa re lab' fa |
  33     sib lab si dod | dod, r r4 | R2
  34     re4--\f re-- re-- | lab2-- r4 |
  35     re4.-- re-- | fad,2.\mp mib' do |
  36     sib2\< sol4~ sol mi'2 | \ten re2.~\f re4 r8 sol--\ff mi-- re-- |
  37     \ten dod1~---> dod4 r R2 R2-\fermataMarkup |
  38
  39     %%% Solo ténor %%%
  40     R1*2 R2. R1 R2. R1
  41     sol2~\pp sol~ sol~ sol~ sol2.~ sol~sol~ sol~
  42     sol2 r4 | \repeat tremolo 12 {sol32\p\<( lab\!} sol'2.) R2.*4
  43     R4.
  44
  45     %%% Andantino %%%
  46     \pizz <sol lab>8\p\plak r4 | <sol lab>8 r4 | R4.*2
  47     <sol lab>8 r4 | <sol lab>8 r4 |
  48     <sol lab>8 r4 | <sol lab>8 r4 |
  49     R4.*6
  50     mi,4\p r8 <sol sol'>4\plak r8 |
  51     mi4 r8 <sol sol'>4\plak r8 |
  52     red'4 r8 | <fad, fad'>4\plak r8 |
  53     red'4 r8 | <fad, fad'>4\plak r8 |
  54     mi4 r8 | <mi mi'>4\plak r8 |
  55     re'4 r8 \arco solb8\>( mib reb) \ten do4.~\pp do~ do4 r8 |
  56     solb'8( mib reb) | do4.~ do~ do4 r8 |
  57     solb'8( mib reb) | do4.~ do4 r8 |
  58     fad4\< mib8~ mib dod4 |
  59
  60     %%% A tempo %%%
  61     re8\sfz r4 | \pizz sold,8--\mf( si-- dod--) |
  62     re8\sfz r4 | sold,8\mf( si dod) re( fa sol) |
  63     lab4-- r8 | \arco lab4--->\f fa8~---> fa mib4---> |
  64     \ten re4.~---> re~ re4 r8 |
  65     mib4( re8) \ten fa,4.~ fa~ fa4 r8 |
  66     fa'4.\mf re\< do si4.~\fmolto si4 r8 |
  67     \ten sib4.~ sib~ sib~ sib4 r8 | R4.
  68     si8--\f\>( sib-- lab--) |
  69     fa4.~\mp fa~ fa8 r4 | R4.*3
  70     fa8\pp fa fa fa4.:8 fa4---> r8 r16 fad'\mf fad fad |
  71     re4--\f mib-- re-- | fa8.--( lab--) fa8--\>( mib-- re--) | do2\mf mib4--\> |
  72
  73     %%% Adagio %%%
  74     la,1~\p\CaV la~\CaV la\CaV |
  75     sib1~\p sib1.~ sib4 r r1 |
  76     la1~\CaV la\CaV
  77     sib~\p sib1.~\pp sib4 r r1 |
  78     la1~\CaV la\CaV sib2.\p |
  79
  80     %%% Valse %%%
  81     sol2.~\pp sol4 r dod~-- | dod2 r4 |
  82     sol2-- r4 | dod2-- r4 | sol2-- r4 |
  83     \pizz sib4 r <mi, mi'>\plak r | sol4 r2
  84     R2 R2.*2 R1
  85     r4 \arco do2--\pp r4 | fad,2-- r4 | do'2-- r4 | fad,2-- r4 |
  86     do'2-- r4 | \pizz fad,4 r2 | <mi mi'>4\plak r | <sol sol'>\plak r |
  87     \arco do1\mf do4 do4. sold8 |
  88
  89     %%% Vivo al fine %%%
  90     <re' re>8\sfz lab'-. sib-. fa-.
  91     <re re>-> sib'-. dod-. sold-. |
  92     <re re>-> lab' sib fa
  93     <re re>-> sib' dod sold |
  94     <re re>-> dod mi fad
  95     <re re>-> fa lab <re, re>-> |
  96     sol sib <re, re>-> lab' si <re, re'>-> la' mib |
  97     re4-> <re mib'>---> <re dod'>---> <re mib'>---> |
  98     <re dod'>---> <re mib'>---> <re dod'>---> <re mib'>---> |
  99     <re re'>\> re re\p re |
 100     re re re re re-- re'-- re,-- re'-- re,-- r |
 101     \pizz re r re r R2*9
 102     r4 mi,\mp
 103   }
 104 }
 105
 106 ActeUnSceneUnContrebasse = { \Contrebasse
 107   \relative {
 108     do,,2--\pp( do) fad,-- r4 |
 109     do'2--( do--) fad4--( fad,2--) |
 110     do'2--( do--) fad4.--( fad,8~-- fad4) |
 111     do'2--( do--) fad2--( fad,4--) |
 112     do'2-- do fad8 fad,~-- fad2 |
 113     do'2-- do-- fad2~--\mp\< fad8 fad, |
 114     \ten fa1\p fa4-- fa2-- |
 115     \ten fa1-- fa2--( fa'4--) |
 116     reb1--\psempre reb4--( reb2--) |
 117     reb1 reb2--\<( reb4--) |
 118     \t {do4\mf( sol'8} mi'4) \t {do,4\>( sol'8} mi'4\!) |
 119     do,4-- \t {sol'4( do,8)} sol'4-- |
 120     do,16( sol' mi') sol,
 121     do,( sol' mi') sol,
 122     do,( sol' mi') sol,
 123     do,( sol' mi') sol, |
 124     do,( sol') do, sol'
 125     do,( sol') do, sol'
 126     do,( sol') do, sol' |
 127     do,4\downbow do\downbow do\downbow \simile do do do do do do |
 128     \t {fad,8-- sol--( la--)} \t {<fad do'>-- re'--( mib--)} fa4-- |
 129     \t {<fad, la>8-- do'--( re--)} \t {mib-- fa--( lab--)} sib4-- |
 130     fad,4\downbow fad\downbow fad\downbow fad8---> fad-- \t {fad-- fad-- fad--} fad'4---> |
 131     \ten do1~\f do2 r4 |
 132
 133     %%% Ad libitum %%%
 134     R1 R2.*2 R1 R2.*2 |
 135
 136     %%% Agitato %%%
 137     re2:8\fp re: re: re: re: re: re: re: re: re: re: re: |
 138     re: re: re: re: re: re: re: |
 139     re: re: re: re: re: re: re: re: re: |
 140     re: re: re: | re4:8 mib: re: mib: | re8-> re mib re-> re mib re-> re |
 141     mib4\mp\downbow mib\downbow \simile mib mib mib mib |
 142     mib mib mib mib mib mib mib mib mib mib mib mib |
 143     mib mib mib mib mib2:8\< mib: mib: |
 144     \ten <mi, mi'>1.\f R1.*2
 145
 146     %%% Allegro non troppo %%%
 147     R1R2.R1*5 R2. R1 R2. R1 R2. R1
 148     sol2.\ff sib4.--\< reb8~--\! \t {reb4 sib--\>( lab--\!)} |
 149     sol2. r4 | R1*3 R2.*3 R1*6
 150
 151     %%% Moderato %%%
 152     la4.---> sib8~\mp sib2 | la4. sib8~ sib2 |
 153     la8. sib16~ sib4. la8 | do2.~ do2 r |
 154     la8. sib16~ sib4~ sib16 la8. | do1~ |
 155     do2 la4 | do2 r4 \t {la8--\<\upbow( do-- sib--)} |
 156     \ten mib2.~\mf mib2 r | \ten fa2.~\p fa2 r | mib4\mp( fa2) |
 157     mib8.( fa16~) fa2~ \t {fa8 mib--\<( fa--)} |
 158     solb8.\mf( lab16~) lab2 | solb4-- lab4~-- lab16 solb8.-- lab-- mib16~---> |
 159     mib8.\< fa16~---> fa8 solb~---> solb16 lab8.~--->\! | lab8 fa,->\f solb-> lab-> |
 160     si8\sfz r r2 | R1 R2*4 |
 161
 162     %%% Allegro marcato %%%
 163     \acc {si?4\f si' si, si' si, si' si,} r | R1*3
 164     \acc {si4\f si' si, si' si, si' si,} r | R1*16
 165
 166     %%% Agitato %%%
 167     re2:8\f re: re: re: re: re: re: re: |
 168     \det {re4\fp re' re, re' re, re' re, re' |
 169     re, re' re, re' re, re' re, re' |
 170     re, re' re, re' re, re' re, re' |
 171     re, re' re, re'} <re, re'>8->\sfz r r4 r1 | R1*3 R2. R2*3
 172     re'16\<\CaV re\CaV re\CaV re\CaV re8->->\! r | R2 R1*4
 173   }
 174 }
 175
 176 ActeUnSceneUnBisContrebasse = { \Contrebasse
 177   \relative {
 178     dod,,2.\pp
 179     <dod sold'>~ <dod sold'>2 r4 |
 180     \st {sib16\pp lab si sol sib lab si sol sib lab si sol |
 181     dod re mi sol} dod,8-- r \st {dod16 re mi sol |
 182     dod,\p\< re mi sib sol la sib mi dod re mi sol,} |
 183     lab8--\mf lab16 lab fa8-- fa'16 fa mib8-- mib16 mib |
 184
 185     %%% Piu vivo %%%
 186     re4\sfz r r8 do-- sol--( la--) | fad2--\f \t {sol8--( la-- do--)} |
 187     re4---> r r8 mib-- lab,--( fa--)| sib4.-- lab-- |
 188     \ten sol2.~---> sol~ sol4 r reb'---> | sol2.---> |
 189     R2. r4 reb'2~\p reb4. r8\fermata r4 |
 190     R2. r4 reb2~ reb~ reb8 r\fermata r4 | r2 r4 fad,,--\p( sol-- la--) |
 191
 192     %%% Largo %%%
 193     do2\downbow \ten do~\downbow do~ do2.~
 194     do2~ do2.~ do2~ do2.~
 195     do4 do2\<\upbow do4\mp r r2 |
 196     R1 R2. R2 R1 R2.*2 R2*2 R2. R2*3 R2. R1 R2.
 197     R2*3 R2.*3
 198
 199     %%% Adagio %%%
 200     R1*9 \clef "G_8"
 201     r2 r4 r8 <\parenthesize sol' si''>~\pp\CaV |
 202     si''1~\CaV si2.\CaV r4 \clef "F_8" |
 203     R1 sib,,8\p( lab) si sol~ sol2~ |
 204     sol4 sib-- sol2~--
 205     sol4 sol,--( fa-- sold--) |
 206     mi1~\pp mi~ mi~ mi2 r | R1*13
 207     R2 \pizz re''4\mp sold, fa r
 208     r \arco dod\f\downbow
 209   }
 210 }
 211
 212 InterludeUnContrebasse = { \Contrebasse
 213   \relative {
 214     R1. R1*3 R1. R1 R1.*2 R1*2
 215     la,4\CaV r r1 \clef "G_8"
 216     la'1\mf( si2 do1~) do4 r2 | R2 \clef "F_8"
 217     r2 \ttt {r16 fad,,-- red-- dod-- sib-- do--} |
 218     sol1~\f sol2 sol8 do-- sib-- dod-- |
 219     sol1-- r8 dod4.-- | sol8-- sol'-- sol,-- sol'-- sol,-- sol'-- sol,-- sol'-- |
 220     sol, sol' sol, sol' sol, dod dod dod |
 221     sol16--\mf sol sol'-- sol sol,-- sol sol'-- sol
 222     sol,-- sol sol'-- sol sol,-- sol sol'-- sol
 223     sol,-- sol sol sol sol sol sol sol |
 224     sol sol sol sol sol sol sol sol dod dod dod dod \t {r8 mib--( reb--)} |
 225     fad,2.--->\ff\> sol2\p r4 | R2.*4
 226     si2.~\pp si~ si~ si~ si8 sib4( lab) si8( |
 227     sol'2.~) sol~ sol~ sol~ R2.*2
 228   }
 229 }
 230
 231 ActeUnSceneDeuxContrebasse = { \Contrebasse
 232   \relative {
 233     %%% Air de la Soprano2 %%%
 234
 235     \repeat unfold 9 {R2.*2 R1*2}
 236     R2. | r4 dod,,--\mf r |
 237     \ten sol1~\f  sol~ | sol2.~  sol4 r2 | sol1~---> sol2.  r4 |R2.*2 |
 238     sold1~\pp sold~| sold2.~ sold~   |sold1~ sold2. r4 |
 239     \repeat unfold 7 {R2.*2 R1*2} R2.*2 R1 R1-\fermataMarkup |
 240
 241     %%% Récitatif %%%
 242
 243     R2.*2 R1 R2.*3 R1 R2.*6 R2 R2. R1*2 R2.*5 R1 |
 244
 245     %%% Duo %%%
 246
 247     \pizz re'4\p
 248     \repeat unfold 16 re
 249     \repeat unfold 7  reb
 250     \repeat unfold 4  si
 251     \repeat unfold 4  sib r |
 252     \arco sol\f lab8--( sib--) |
 253     reb4-- dob-- \simile sib | dob sib lab sib |
 254     dob sib lab fa | dob' r8 sib r4 |
 255     mi,2.~\mp| mi r4| mi'1\mp\<\upbow | \ten reb2.~\!|reb~|reb4 r2 | R1 |
 256
 257     %%% Piu vivo %%%
 258     \ten sol,2.~ | sol1~ sol2 r4 | R2.
 259     sol2\ff sol4\downbow sol dod4.-> dod8 dod dod |
 260     sol2-- r8 sol sol sol | dod4.-> dod8\downbow \t {dod dod dod} |
 261     sol4---> sol2-> r4 |
 262     dod4-> r8 sib-> lab-> si-> |
 263     sol4--->\ff sol---> sol---> sol---> r2 | \simile sol4 sol sol si r2 |
 264     sib4 sib sib | re r2 | re4 re re re r2 | re4 re re re r2 re4 re re |
 265     dod r2 dod4 dod dod \ten fa,1~\ff fa2 r4 si~\f\> | si8 do4. dod2\! |
 266
 267     %%% Tempo giusto %%%
 268     \pizz re4\mf re re re re re re re |
 269     dod dod dod dod si si si si | si r r2 |
 270     \arco <sol sol'>2--->\f r4 |
 271     sol8-.\mp sol-. sol-. sol-. \simile sol sol \repeat unfold 10 sol |
 272     sol-- r r2 | r4 \t { re'8--\upbow si-- do--} |
 273     \repeat unfold 14 sold |
 274     sold r r sold--\upbow fad-- la-- |
 275     fa2~\f fa4. fa8 |
 276     fa2~ fa |
 277     r8 la\upbow( sol sib) |
 278     \ten fad2~ fad2. \pizz la'8\CaV r r2
 279     R1 R2.*3 R2 R2. R1*4
 280   }
 281 }
 282
 283 InterludeDeuxContrebasse = { \Contrebasse
 284   \relative {
 285     R1 R2. R2 R2. R2 R2. R2
 286     \pizz si,,4--\mf r re-- r si-- r fad'-- r sol--\p r sol r sol r |
 287     dod, r mi sib do fad mi sib do fad mi r R2 |
 288     \arco \ten la,1~\p la~ la~ la2 r | R2.
 289     \ten fa1~ fa2 r4 | R2. \pizz dod'4\p r r2 | R2. dod4 r |
 290   }
 291 }
 292
 293 ActeUnSceneTroisContrebasse = { \Contrebasse
 294   \relative {
 295     R2.*4 do,,2.\upbow\p ~ do~ do\< do4->\sfz r2 | R2.*3
 296     si2.\mp sib2.:32\pp si2. sib2.:32 si2.\mp dod2.:32~\mf dod:~\< dod4\! r
 297     \pizz sold\mf si r2
 298     \arco \ten sib2.~\p sib~ sib~ sib2 r4 |
 299
 300     %%% Lamento %%%
 301     r2 r4 \pizz re\p si dod \arco sib2\>( re4\!) r r2 | reb\>( fa4\!) r r2 |
 302     sib,\>( re4\!) r r2 reb\>( fa4\!) r r2 | sib,\>( re4\!) r r2 | reb\>( fa4\!) r2 |
 303     sib,\p( reb4) r2 | re( fa4) r2 \simile sib, reb4 r2 sib si4 r2 |
 304     mi,2\mp\> sol4\upbow\! r | \simile sold2 si4 r |
 305     mi,2 sol4 r | si2\< fa'4\mf r |
 306     \ten reb2\p reb4 reb4. reb8-> reb-> reb-> reb4---> reb8->\ff reb-> r4 | R2*2
 307
 308     %%% Tempo I %%%
 309     R2.*3
 310     << {mi2.~\p mi~ mi~ mi~ mi~ mi~ mi4}\\
 311     {s2.*2 mi,4-+ s2 mi4-+ s2 mi4-+ r mi-+
 312     mi-+ r mi-+ mi-+}>> r8 mi'\f \t {mi\< mi mi} sold4\sfz r2 |
 313     R2.*3
 314
 315     %%% Tempo II %%%
 316     R1. do,~\pp do~ do~ do~ do2 r1 | r2 r4 do->\sffz r | R1 R2. R2
 317   }
 318 }
 319
 320 ActeUnSceneTroisBisContrebasse = { \Contrebasse
 321   \relative {
 322     R1*3 r4 sol2--\pp\CaV r4 R1*2 r4 sol2--\CaV r4 |
 323     R1 r2 re,4--\p la8( si) fad4-- r r2 | R1*8
 324     fad1~\pp fad~ fad2. r4 | R1*2 %%FIXME: harmonics
 325     \pizz <re' la'\harmonic>4 r <re sol\harmonic> r
 326     \arco <re fad\harmonic>1~\p <re fad\harmonic>2. r4 \clef "G_8" |
 327     \simile fad''4\p\CaV r fad\CaV r
 328     fad\CaV r fad\CaV r
 329     fad\CaV r fad\CaV r
 330     fad\CaV r fad\CaV r
 331     fad\CaV r fad\CaV r
 332     fad\CaV r fad\CaV r
 333     fad\CaV r fad\CaV r
 334     fad\CaV r fad\CaV r |
 335     \ordin fad(\glissando red8) r red4(\glissando do8) r |
 336     sib\>(\glissando sol16) r sol8(\glissando mi16) r mi8(\glissando dod16\!) r \clef "F_8" |
 337     re,1~ re~ re
 338     <fa dod'>4\mp\upbow  \ind #"pizz. du pouce" re\thumbpizz r2
 339     <fa dod'>4\upbow \simile re\thumbpizz r2
 340     <fa dod'>4\upbow re\thumbpizz <fa dod'>\upbow re\thumbpizz
 341     <fa dod'>\upbow re\thumbpizz <fa dod'>\upbow re\thumbpizz
 342     <fa dod'>\upbow re\thumbpizz <fa dod'>\upbow re\thumbpizz
 343     <fa dod'>\upbow re\thumbpizz <fa dod'>\downbow <la, fa'> |
 344     fad1~\p fad~ fad~ fad~ fad~ fad~ fad2. r4 |
 345     R1*7
 346     <re' fad\harmonic>1~\pp <re fad\harmonic>~ <re fad\harmonic>4
 347     r4 \ordin fad2~ fad1~ fad4 r r2 |
 348     sol1\p\> \ten fad~\pp fad~ fad~ fad~ fad~ fad\fermata
 349   }
 350 }
 351
 352 ActeUnSceneTroisTerContrebasse = { \Contrebasse
 353   \relative {
 354     R2*3 R2. R2*2 R2.*7
 355     \pizz mib,,4 r r2
 356     mi4 r fa r |
 357     re8\mp sol, do fad, lad-- si sol sold |
 358     la-- fad sib-- sol lab reb-- sol, si |
 359     do lab la sib-- sol si-- lab la |
 360     re-- lab do reb la sib mib-- la, |
 361     dod-- re sib\< si do dod |
 362
 363     %%% Poco meno %%%
 364     re4\mf r2 R2.*2
 365     \arco re'2.~\CaV re~\CaV re~\CaV re~\CaV re4\CaV r2 |
 366     re2.~\CaV re~\CaV re4\CaV r2 |
 367     <re, sol\harmonic re''>2.~\CaV
 368     <re sol\harmonic re''>~\CaV
 369     <re sol\harmonic re''>~\CaV
 370     <re sol\harmonic re''>~\CaV
 371     <re sol\harmonic re''>2\CaV r4
 372     <re sol\harmonic re''>2.:32~\CaV
 373     <re sol\harmonic re''>8\CaV r r2
 374     \pizz fa4\mf r2 R2.*2
 375     fa,4 r2 R2.*2
 376     dod'4 r2 R2.*2
 377     dod4 r2 R2.
 378     r8 \arco mi\mf fa( sold) fa( mi) |
 379     la,2.~--\CaV la~\CaV la2\CaV r4 |
 380     <la la'>2.~\mf <la la'>~<la la'>4 r8 \pizz la' r4 |
 381     sold r8 si r16 fad8. | fa4 do r |
 382     mib r sib | la r8 la' sol,-- sol' sib,-- sib' |
 383     \arco fad,2.~\mp fad~ fad2 r4 |
 384     fad2.~ fad~ fad2 r4 |
 385     fa2.~ fa~ fa4 dod'2--\upbow |
 386     fa2.~ fa~ fa4 la2--\mf\upbow |
 387     dod,2.~ dod~ dod4 la'2-- |
 388     dod,2.~-- dod~ dod4 fa2--\f |
 389     la,2.~---> la~ la~ la2 r4 |
 390     la'2.\pp\CaV la,4-+ r2 | R2.*13
 391   }
 392 }
 393
 394 InterludeTroisContrebasse = { \Contrebasse
 395   \relative {
 396     sol,,4\p(\upbow mi)\thumbpizz r2 | sol4(\upbow mi)\thumbpizz r |
 397     sol8\upbow mi\thumbpizz sol\upbow mi\thumbpizz
 398     sol\upbow mi\thumbpizz \pizz sol lab |
 399     \arco sol\upbow mi\thumbpizz sol\upbow mi\thumbpizz
 400     \pizz sol lab |
 401     \simile sol mi sol mi sol mi sol lab |
 402     sol mi sol mi sol lab |
 403     sol mi sol mi sol mi sol lab |
 404     sol mi sol mi sol r |
 405     r \arco mi-.\mf( r mi-.) r mi-.( sol-. lab-.) |
 406     r mi r mi sol mi |
 407     r mi r mi sol lab |
 408     r mi sol mi |
 409     r <mi mi'>\f r <mi mi'> r <mi mi'> |
 410     r <mi mi'> r <mi mi'> |
 411     r <mi mi'> r <mi mi'> |
 412     r <mi sol'>\ff r <mi sol'> |
 413     sol16 mi sol lab si lab si do |
 414     mib\< do mib mi sol mi sol lab |
 415     sol8->\! re-> sol-> re-> la8\sfz r r4 |
 416   }
 417 }
 418
 419 ActeUnSceneQuatreContrebasse = { \Contrebasse
 420   \relative {
 421     \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
 422     R2-\fermataMarkup
 423     R1 R2. R1*2 R1. R1*2 R1. R1*2
 424
 425     %%% Agitato %%%
 426     \pizz la,4\mp r2 | la,4 r2 | do4 r2 | do4 r2 |
 427     R2. \arco la'2~\mf\< la4\glissando do2.\! | mi4 r
 428     sold,,~\f\upbow | sold dod-- si-- | re-- r2 |
 429     re4-- r r16 la'\upbow\< la la | re,4--\! r2 |
 430     re4-- r r16 la\< la la |
 431     re4--\! r8 re'-.\mp\upbow fad,-. si-. |
 432     mib,4-- r8 reb4--\downbow sol8-. | do,4-- r8 fa-.\upbow la,-. re-. |
 433     fad,4-- r8 la4--\downbow mib'8-. | lab4 r8 la-. reb,-. solb-. |
 434     sib,4-- r8 sib4--\downbow\< sib8-- | mi4->\! r8 mi,-. \t {mi\< mi mi} |
 435     mi4--\f\downbow mi\downbow mi | mi4---> r2 |
 436     mi'4-> r8 mi,-. \t {mi\< mi mi} | mi4->\! r2 |
 437     mi'4--\downbow mi--\downbow sib8-. mi~-> | mi2 re4~---> | re fa2---> |
 438     dod2~\sfp dod8 r r4 | R2. R1 R2. R2 R2. R2 R2. R2 R2.
 439
 440     %%% Placando assai %%%
 441     dod2.--\p(\upbow dod4--) sol2.-- r4 | dod2.--(\upbow dod4--) sol2.-- r4 |
 442     dod2\<(\upbow re mib) \ten mi2.~\p mi2. r4 |
 443
 444     %%% Andante a piacere %%%
 445     \pizz fa,4\mp r r2 r reb'4 r |
 446     fa, r r2 r reb'4 r |
 447     \arco \ten fa,1~\mp fa2 reb fa1~ fa2 reb |
 448     sol2.\mf r4 r8 dod4--\upbow sol-- dod8-. |
 449     sol2.---> r4 r8 dod4--\upbow sol-- sol8-. |
 450     dod8-.\sfz r r4 r2 |
 451     sol1\pp~sol~sol~sol~sol~sol2. r4 |
 452     R2*3 R2.*6
 453
 454     %%% A tempo %%%
 455     do4--->\f r8 fad,4-> do'-> fad,8-. |
 456     do'4---> r8 fad,4-> do'-> fad,8-. |
 457     do'4-> do-> r8 fad,-.-> r4 |
 458     R1
 459     \pizz la16\mp fad' sold8 dod,16 sib do8 fa16 re mi,8 |
 460     la4-> r4 r2 | r4 la4\mf sol'8 re dod4 si8 fad fa4 mib'8 sib |
 461     la4-> r2 | r16 re,8.-> r4 r2 |
 462     R2. \arco sol2~--->( sol8 sol--) \t {sol-> sol-> sol->} | sol2---> r8 dod4.---> |
 463     sol2---> r4 sol\downbow\< sol\downbow sol\downbow fa2--->\ff\downbow fa4-- fa~---> \t {fa8 fa4~--->} \t {fa fa8~--->} fa4 |
 464     r fa~--->( fa8 mib'-.) \t {mib-> mib-> fad->} |
 465
 466     \ten re2.~--->\ff re8 r4 | sold,2--\f si4~--\<( si8 dod4--) |
 467     re2~--\! re8 r4 | la4.-- sib8~--\<( sib8. do16~-- do4) |
 468     mib2~--\! mib8 r4 | si2~\mf si8 do~--\<( do16 re8.--) |
 469     fa,2~--\! fa4 r8 | fa2~--\mf fa | R2 R4. R2.
 470     re'4\f\CaV r r re--\p | re-- re-- re-- re-- \simile re re re re |
 471     re re re re re re re re |
 472     re' <re, re'> re' <re, re'> re' <re, re'> re' <re, re'> |
 473     re'8 re <re, re'> re re' re <re, re'> re |
 474     re'16\CaV re re re re re re re re re re re re re re re |
 475     re4\CaV re,-+ re'\CaV re,-+ \pizz <re re'> r r2 |
 476     R1 R2 R2.*2 R2 R1
 477
 478     %%% Piu lento %%%
 479     r2 \clef "G_8" \arco \ten si''?4~\pp si2 r4 | R2.
 480     r2 \simile si4~ si2 r4 |
 481     r2 si4~ si2 r4 |
 482     r2 si4~ si2 r4 |
 483     r2 do4~ do2 r4 | R2.
 484     r2 re4~ re2 r4 |
 485     r2 mib4~ mib2 r4 |
 486     r2 mib4~ mib2 r4 | R2. \clef "F_8"
 487     r4 \pizz si,?\mp\> r r re,\! r |
 488
 489     %%% Stesso tempo %%%
 490     la4\f r r2 r8 mi4. | la4 r r2 |
 491     la4 r r do r mi, | la4-> r r2 |
 492     la4 re dod fad fa sib, | la4-> r r2 | R1. R1 R1. R1
 493     la8\mp do sib4 fa'8 sold, fad4 dod'8 mi re4 |
 494     la8 sol re'4 dod8 si fad'4 fa8 mib sib4 |
 495     la8 fad sold4 dod8 sib do4 fa8 re mi4 |
 496     la,8 si mi,4 fa'8 sol do,4 reb8 mib lab,4 |
 497     la8 do sib4 dod8 si fad4 fa'8 re mi,4 |
 498     la-> r r2 | R1. \arco \ten do1\pp~ do1.
 499     do4-.->\ffsubito r \pizz sib\mp reb |
 500     la8 fad sold4 dod8 sib do4 fa,8 re' mi,4 |
 501     la8 si mi,4 fa8 sol do4 reb8 mib lab,4 |
 502     la8 do sib4 fa8 lab solb4 dod8 mi, re'4 |
 503     la8 sol' re4 dod8 si fad4 fa'8 mib sib4 |
 504     la8 fad' sold4 fa8 sol do,4 dod8 mi, re' sol |
 505     la,4-> r r2 R1. R1
 506   }
 507 }
 508
 509 EntracteContrebasse = { \Contrebasse
 510   \relative {
 511     sold,,2~\pp sold sold~ sold |
 512     sold~ sold sold sold sold4 r8 \t {sold16\< dod si} |
 513     re4\sfz r r2 | R1*22
 514     re'2:16\mp\CaV re:\CaV re:\CaV re:\CaV re:\CaV re:\CaV re:\CaV re:\CaV
 515     re:\CaV re:\CaV re:\CaV re:\CaV re:\CaV re16\< dod si sib lab sol fa mib |
 516     re4->\! r r2 \pizz re4\mf r si fa' dod red sold,8 sold' r4 |
 517     fad,4 sib mib reb fa si, do mi sib fad sol la8 sol |
 518     la4 sol'8 la mi4 do | \arco re2:8\mf re: re: re4: re2: re: |
 519
 520     %%% Fugato %%%
 521     <mi, mi'>1~\f <mi mi'>~ <mi mi'>2.~ <mi mi'>~ <mi mi'>4 r |
 522     mi'1~\mf mi2.~ mi~ mi1~ mi~ mi2.~ mi4 r2 |
 523     mi,1~ mi~ mi2.~ mi fa2\p mi fa1~ fa2.~ fa2. |
 524     r4 fad2.\mp sol2 fad sol2. r4 sol2\< |
 525     sold2.\! \t {sold8\< si dod} |
 526
 527     %%% Stretto %%%
 528     re2:8\f re: re: re:
 529     re8 re'\mp\CaV re4:8\CaV re2:8\CaV
 530     <re, do'\harmonic>2:8
 531     <re do'\harmonic>:
 532     <re do'\harmonic>:
 533     <re do'\harmonic>:
 534     <re si'\harmonic>:
 535     <re si'\harmonic>:
 536     <re si'\harmonic>:
 537     <re si'\harmonic>:
 538     <re sol\harmonic>:
 539     <re sol\harmonic>:
 540     \ordin mi: mi: re4-.-> r r2 R1*3
 541
 542     %%% Noir %%%
 543     R2.-\fermataMarkup R2.*4 R2 R2. R1
 544     R2. R2 R1*5 R1.*4 R1 R2.-\fermataMarkup
 545     R2.*8 R2.-\fermataMarkup
 546
 547     %%% Poco più %%%
 548     la2.\pp sib do dod2 r4 R2.-\fermataMarkup
 549
 550     %%% Andantino %%%
 551     R1 R2 R1 R2 R1 R2 R1 R2.
 552
 553     %%% Largo non troppo %%%
 554     \det {la2\mf la la si si si do do do re re re |
 555     la la la si si si do do do re re re |
 556     <la la'> <la la'> <la la'> <si sol'> <si sol'> <si sol'> |
 557     <do sol'> <do sol'> <do sol'> \cresc dod dod dod |
 558     <re re'> <re re'> <re re'> sol, <sol' sol> sol, |
 559     do do do re re re red red red} |
 560     <mi, mi'>--->\ff r1 <mi mi'>2---> r R1 R2. R2
 561   }
 562 }
 563
 564 ActeDeuxSceneUnContrebasse = { \Contrebasse
 565   \relative {
 566     R2.*4 R2 R2.*2 R2 |
 567     r4 sol2~\p\CaV sol2.~\CaV sol2.~\CaV sol4\CaV r |
 568     R2. R2 | R2.*2 R2 |
 569     r4 sold2~ sold2.~ sold2.~ sold4 r |
 570     R2. R2 | R2.*2 R2 | R2.*2 | R2. \clef "G_8" |
 571     \ttt { mi8\f[ mi16 mi mi mi] } \ttt { mi[ mi mi mi mi mi] }|
 572
 573     %%% Entrée de la Soprano Deux %%%
 574     R2.*2 r4 \ttt {dod'8\f dod16 dod dod dod} dod8 r r4 |
 575     r2 \ttt {fa,8\f fa16 fa fa fa} \clef "F_8" |
 576     R1 \pizz fa,,4\p fa' r R2 mi,4 mi' r R1 |
 577
 578     %%% Andantino %%%
 579     sib4 r r2 R1 R2. mi4 r2 R2.*2 R2 \clef "G_8"
 580     \arco <re''mi>2.~\p\CaV <re mi>~\CaV <re mi>~\CaV <re mi>2\CaV r4 |
 581     <re mi>--\CaV r <re mi>--\CaV | r <re mi>--\CaV r <re mi>--\CaV |
 582     r <re mi>--\CaV r | R2 \clef "F_8" |
 583     fad,,4--\mp dod'-- sid8 sold \ten fad1~-- fad2 r4 |
 584     r8 fad( fad,) do''! fad,4--( fad,--) | fad'2.~\upbow fad2( fad,4)\thumbpizz r |
 585     R2. R1 fad'2.~\p fad2. r4 | R2. fad1~ fad2 r4 |
 586     fad,1\pp\upbow fa2.~ fa2. r4 | fad2.~\upbow fad1 fa2.~ fa2. r4 |
 587     fad2.~\downbow fad2. r4 |
 588
 589     %%% Entrée de la Contralto %%%
 590     R2. R1 R2. R1
 591     R2. R1 R2. R1 do'2.~ do2. r4 | r do2~ |
 592     r4 do2.\upbow | dod2.~ dod2. r4 | do2 r4 | R1
 593     fad2.\mf\upbow fa2. r4 | fad2.\upbow fa2. r4 |
 594     fad2. \ten sol2.~ sol4 r \pizz fa |
 595     sib, r2 si4 r2 sib4 r2 si4 r2 | mi4 r2 |
 596     \arco \ten mib2.~\mp mib2 r4 | R1 R2.
 597     R1 R2. R1 \pizz lab4\mp r2 la4 r r2 | lab4 r2 |
 598     sol4 r r2 | R2. r4 \arco lab\mp\>( sol) fa |
 599     re2.~\pp re1~ re4 r2 R2 |
 600     R1 R2. R1 R2. R1 R2. R1
 601   }
 602 }
 603
 604 ActeDeuxSceneUnBisContrebasse = { \Contrebasse
 605   \relative {
 606     R1 R2. R2 \clef "G_8"
 607
 608     %%% Presto agitato %%%
 609     <sol, do\harmonic sol''>1*5/4~
 610     \simile sol''~\CaV sol~\CaV sol~\CaV sol2.\CaV r2 |
 611     R1*5/4 <sol,,sib\harmonic re''>1*5/4~
 612     <sol sib\harmonic re''>2. r2 \clef "F_8" |
 613     R1*5/4*7
 614     sib,1*5/4~ sib~ sib2. r2 |
 615     dod2 re mi4 sol1*5/4~ sol2. r2 |
 616     <re do'>4 r2 <re do'>4 r | <re do'> r <re do'> r2 |
 617     <re do'>4 r r8 <re do'> r2 | <fa' sol>4 r1 |
 618     R1*5/4*3
 619     sol,,8 mi sol mi sol mi sol mi sol lab |
 620     sol mi sol mi sol mi sol mi sol lab |
 621     sol mi sol mi sol mi sol mi sol lab |
 622     sol mi sol mi sol mi sol mi sol lab |
 623     sol mi sol mi sol mi sol mi sol lab |
 624     sol mi sol mi sol mi sol mi sol lab |
 625     sol mi sol mi sol mi sol mi sol lab |
 626     sol mi sol mi sol mi sol mi sol lab |
 627     sol mi sol mi sol mi sol mi sol lab |
 628     sol mi sol mi sol mi sol mi sol4 |
 629     lab4 r2 lab4 r | lab r lab r2 |
 630     lab4 r r8 lab r2 | do4 r1 |
 631     R1*5/4 <mi,red'>4 r1 | R1*5/4-\fermataMarkup |
 632
 633     %%% Boum %%%
 634     R1*5/4*12 r1 \t {la'8 mi fad} |
 635     <mi, red'>1*5/4~ <mi red'>2. r4 \t {la'8 mi fad} |
 636     <mi, red'>1*5/4 fa4 mib'2 \t {reb8 sib do} \t {sol fa lab} |
 637     <mi mi'>1*5/4 | r4 mi2. fa4~ |
 638     fa2 sib8 lab si sol fa lab | <mi mi'>1*5/4~ <mi mi'>2. fa2 |
 639     <mi mi'>1*5/4~ <mi mi'>1*5/4 sib'2 lab si4 |
 640     <mi, mi'>1*5/4~ <mi mi'>2. r2 | R1*5/4*5
 641
 642     %%% Moderato assai %%%
 643     R1*7/4*7
 644     \pizz fa8 do' dod sold' la mi' | R1
 645     si,8 fad' sol re' \clef "G_8" mib sib' \clef "F_8" R2 |
 646     mi,,,4 r2 red'4 r2 mi,4 r2 sol4 r2 mi4 r2 fad4 r2 sol4 r2 si4 r2 do4 r2 |
 647     \arco fa,1*7/4~ fa4 r2 r1 | R1*7/4 R2.*7
 648     sol'1*7/4~ sol1 r2 r4 |
 649     R1*7/4*2 \repeat volta 2 {la1 si2. la si1 R1*7/4} si1 r2 r4 | R1*7/4
 650
 651     %%% Presto subito %%%
 652     \tt {mi,,8 re' fa r4} \tt {mi,8 re' fa r4} \tt {mi,8 re' fa r4} |
 653     \tt {mi,8 re' fa r4} \tt {mi,8 re' fa r4} \tt {mi, r8 re' fa} |
 654     \tt {mi,4 r8 re' fa} \tt {mi,4 r8 re' fa} \tt {mi,4 r8 re' fa} |
 655     \tt {mi,4 r8 re' fa} \tt {mi, re' fa sol re} \tt {mi, re' fa sol re} |
 656     \tt {mi, re' fa sol re} \tt {mi, re' fa sol re} \tt {mi, re' fa sol re} |
 657     \pl {re2.~ re~ re~ re~ re~ re2}
 658     {re4\leftpizz r2 re4\leftpizz r2 re4\leftpizz r2 re4\leftpizz r2 re4\leftpizz r2 re4\leftpizz r}
 659     \pizz re r fa r mi r r mi |
 660     fad r2 fad4 r2 sold4 r sold r fad r \clef "G_8" sib8 mib lab4 R4. \clef "F_8" |
 661     mi,4 \clef "G_8" mi' mi' r \clef "F_8" |
 662
 663     \arco mib,,4 mib~ mib8 mib4 | fad2 r4 |
 664     mib4 mib~ mib8 mib4 | do2 r4 | mib4 mib8 mib mib |
 665     <la, la'>2 la'8 la la |
 666     \pl {la,\leftpizz \pizz do sib mib} {la8 s s4} r4 |
 667     fad,8 si dod mi r4 |
 668     sold,4 r8 sold r4 sold4 sold sold |
 669     \arco sol2.~ sol2 r4 | sol2.~ sol2 r4 sol2.~ sol2 r4 |
 670     sol2 r4 sol2 r4 r si2 sold2. | R2. R2 R4. R2 R1*5/8 R2.
 671
 672     %%% Tempo I %%%
 673     R1 <la sold'>4 r2 <la sold'>4 r <la sold'> r <la sold'> r2 |
 674     <la sold'>4 r r8 <la sold'> r2 | <dod sold'>4 r1\fermata |
 675     R1*5/4*21
 676   }
 677 }
 678
 679 ActeDeuxSceneDeuxContrebasse = { \Contrebasse
 680   \relative {
 681     R1.*6 R1*2 R2.
 682     re,,8 r r16 re fa8 r16 fad8. |
 683     re8 re16 re re re re re re8 mib |
 684     re fa mib lab fa si lab lab, sib mi si fa' |
 685     re1.~ re1 r2 |
 686     R1. R1*2 R2.
 687     si8 r r16 si8 re16 r red8. r16 si re red |
 688     R4. si4 r r8 \pizz sold4. |
 689     <si si'>4\plak r8 sold r sol r4 |
 690     <si si'>4\plak r8 si r si r4 |
 691     <si si'>4\plak r8 si r si r4 |
 692     <si si'>4\plak r8 si r si r4 |
 693     <si si'>4\plak r8 si r \arco si la do |
 694     sold2.~ sold1 r2 | R1*2
 695
 696     \pizz fa4 r2 fa4 r2 fa4 r2 fa4 r |
 697     fa' r red <mi, mi'>\plak r2 mi'4 r2 |
 698     do4 r |
 699     r16 \arco la fad sol fa lab |
 700     <mi mi'>4 r r8 \pl sol sol'\leftpizz r4 |
 701     <mi, mi'>4 r8 sol r sold r4 |
 702     <mi mi'>4 r8 mi' r mi r4 |
 703     <mi,mi'>4 r8 mi' r mi r4 |
 704     <mi,mi'>4 r8 mi' r r16 la, fad sol fa lab |
 705     mi8 mi' r dod | <mi, mi'>4 dod'8 do |
 706     <mi, mi'>8 mi' mi, mi' |
 707     r16 sib la do dod sol fa lab |
 708     mi8 mi' r4 | \t {mi re fa} |
 709     dod1~ dod2 r4 |
 710
 711     dod1 r4 dod | sol2. r4 |
 712     dod1 r4 dod | sol1.~ sol2 r4 | R1 \clef "G_8"
 713     la'''2.~\CaV la1~\CaV la2.~\CaV la1~\CaV la2.~\CaV la1~\CaV la2.~\CaV |
 714     la1~\CaV la2.~\CaV la1~\CaV la2.~\CaV la1~\CaV la2.~\CaV la1~\CaV |
 715     la4\CaV r2 \clef "F_8" | R1 R2. R1 R2. R1 R2.
 716     <la,,,la'>2~ la~ <la la'>~ la2.~ <la la'>2~ la~ la1~ la2. r4 |
 717
 718     <la sold'>4 r r8 | <la la'>8 <la la'> <la sold'> r4 |
 719     la8 la sold r4   | <la la'>8 <la la'> <la sold'> r4 |
 720     <la sold'>4 r r8 | sold4 sold r8 | la4 r r8 |
 721     <la sold'>4 r mib'8 | mib re r4 r8 | <re sold>4 <re sold> r8 |
 722     <mib la>4 r r8 | mi8 mi fa r4 | r8 fad4 fad sol r r8 |
 723
 724     R1*2 si,4 r r2 | r4 \pizz mi fa r r dod mi r | R1
 725     \arco <mi, mi'>2~ mi8 mi mi4 |
 726     <mi mi'>2~ mi8 mi mi4 |
 727     <mi mi'>2~ mi8 mi mi4 |
 728     \pl mi4_\thumbpizz mi'^\leftpizz r2 | \pizz re4 r |
 729     R1*2 R2.*4 r4 sib' r r fad r | R2.
 730     \pizz <la, la'>4\plak mib' sold re |
 731     dod' sol do | fa, si mi, |
 732     mib la, re sold, |
 733     dod sol do fad, | fa' mi <re sib'>\arpeggUp <re sib'>\arpeggUp |
 734     \simile <re sib'> <re sib'> |
 735     <re sib'> <re sib'> |
 736     <re sib'> <re sib'> |
 737     dod sol do fad, | si fa sib mi, |
 738     R2 r8 \arco la16 la sold8 r | R2
 739     \pizz <re'sib'>4 <re sib'> |
 740     <re sib'> sold re r | R2*6 \clef "G_8"
 741
 742     la''2.~\CaV la2.~\CaV la2.~\CaV la2.~\CaV la2.~\CaV la2.~\CaV la2\CaV r4 |
 743     R2.*9
 744   }
 745 }
 746
 747 ActeDeuxSceneTroisContrebasse = { \Contrebasse
 748   \relative {
 749     %%% Larghetto %%%
 750     R4.*9
 751     re,,4.~ re~ re4 r8 | R4.
 752     fad4.~ fad~ fa8 r4 |
 753     fa4.~ fa~ fa~ fa4 r8 | R4.*3
 754     la4.~ la4 r8 | R4.*2
 755     fa4.~ fa8 r4 | la4 r8 |
 756   }
 757 }