?  search:
summary | log | graphiclog1 | graphiclog2 | commit | commitdiff | tree | refs | edit | fork
blame | history | raw | HEAD
Dynamics to ActeUnSceneTroisTer
[opera_libre.git] / instruments / violoncelle1.ly
blob471a341e6ef0fb271080937ce6a39d04b1cc7c07
1 %------------------------------------------------------------------%
2 % Opéra Libre -- violoncelle1.ly %
3 % %
4 % (c) Valentin Villenave, 2008 %
5 % %
6 %------------------------------------------------------------------%
7
8 \include "italiano.ly"
9
10 VioloncelleUn = {
11 #(make-instrument-name 'cello-one "cello" 25)
12 \clef bass
13 }
14
15 PrologueVioloncelleUn = { \VioloncelleUn
16 \relative {
17
18 %%% Introduction %%%
19 \partial 4 r4 R2.*2 \clef treble si''?2.\p\<\upbow ~ si1\glissando
20 mi,,2\f\downbow \clef bass |r8 mi,,-- \t {mi--( mi-- mi--)} mi2. |
21 r4 red''4:32~\mf red8 r
22 \t {mi,,8--( mi-- mi--)} mi'2.~\mp mi2~mi~mi2.~mi2~mi~ <mi la>2.~<mi la>4
23 <mi la>~<mi la>8 la \t {la\<( si re}|
24 la'2--->\f) r4 dod,,,16--\mp dod dod re re re mi mi |
25 sol sol sol\< sib sib sib do do |
26 dod2--->\f r8 sol-. r dod-. r sol-. | dod4---> dod---> sol8-. dod~--->|
27 dod4 r | sol-- dod-- sib8-. dod~--| dod sol-. dod4-- |
28 dod-- sol8-. dod-. r sib |
29 r dod4\>( sol8) | sib2~--\p sib r4 |
30
31 %%% Tempo giusto %%%
32 re8\sfz re,--\p re-- re'-- | re-- re,-- re-- re'-- |
33 re-- re,-- re-- re'-- | re,-- re mib re | fa re lab' fa |
34 sib lab si dod | dod, r r4 | R2
35 re4--\f re'8-. re-. re-. re-. | lab2-- r4 |
36 re,4-- r8 re'-. re-. re-. | fad,2.\mp mib do |
37 sib'2\< sol4~ sol mi2 | \ten re2.~\f re4 r8 sol'--\ff mi-- re-- |
38 \ten dod1~---> dod4 r R2 R2-\fermataMarkup |
39
40 %%% Solo ténor %%%
41 R1*2 R2. R1 R2. r2 sol'2~\p\CaV
42 sol~\CaV sol~\CaV sol~\CaV sol~\CaV
43 sol2.~\CaV sol~\CaV sol2~\CaV r4 R2.*2
44 r2 \repeat tremolo 4 {sol,32\p( lab} sol'2.) R2.
45 sol'4-.\p sol,,\leftpizz r |
46 sol''-. sol,,\leftpizz r | R2. R4.
47
48 %%% Andantino %%%
49 \pizz sol8\p r4 | sol8 r4 | R4.*2
50 sol8 r4 | sol8 r4 |
51 sol8 r4 | sol8 r4 |
52 sol'8 r4 \clef treble |
53 %%FIXME: grace synchronization bug
54 \acciaccatura s16 mi''8 r4 \clef bass |
55 r8 sol,, sol, | R4.*14
56 \arco solb8\>( mib reb) \ten do4.~\pp do~ do4 r8 |
57 solb'8( mib reb) | do4.~ do~ do4 r8 |
58 solb'8( mib reb) | do4.~ do4 r8 |
59 fad4\< mib8~ mib dod4 |
60
61 %%% A tempo %%%
62 re8\sfz r4 | sold8--\mf( si-- dod--) |
63 re8\sfz r4 | sold,8( si dod) re( fa sol) |
64 lab4-- r8 | lab,4--->\f fa8~---> fa mib4---> |
65 \ten re4.~---> re~ re4 r8 |
66 mib4( re8) \ten fa4.~ fa~ fa4 r8 |
67 fa'4.\mf re\< do si4.~\fmolto si4 r8 |
68 \ten sib4.~ sib~ sib~ sib4 r8 | R4.*2
69 fa16:32\p\< solb: lab: si: dod: re: |
70 mi:\mf\> re: dod: si: lab: solb: |
71 lab:\p\< sib: si: dod: mi: fad: |
72 sol:\mf\> fad: mi: dod: si: lad: |
73 si:\mp\< dod: mi : fad: sol: la: |
74 do:\f\> la: sol: fad: mi: dod: |
75 \t {la16\pp la la} \t {si si si} \t {re re re}
76 \t {mi mi mi} \t {re re re} \t {mi mi mi} |
77 \t {fa\< fa fa} \t {sol sol sol}
78 \t {sib sib sib} \t {do do do} \t {reb reb reb} |
79 re8--\f r r4 re,-- | fa8.--( lab--) fa8\>( mib re) | do2\mf r4 |
80
81 %%% Adagio %%%
82 R1*2 r2 r8 mi,-- \t {mi--( mi-- mi--)} |
83 \repeat tremolo 16 {\ind #"sul G" mi'32\mp( fa}
84 \repeat tremolo 16 {mi32*3/2 fa} |
85 mi4) r r1 | R1 r2 r4 \pizz la, |
86 %% FIXME: Issue #704 (ugly, ugly, ugly!)
87 \stemUp \repeat tremolo 16 {\arco \ind #"sul G" mi'32\mp( fad}
88 \repeat tremolo 16 {mi32*3/2 fad} \stemNeutral |
89 mi4) r r1 | R1 r2 r4 \pizz <sold, sold'>\plak |
90 \repeat tremolo 12 {\arco \ind #"sul D" mi'32\mp\> sol}
91
92 %%% Valse %%%
93 sol,2.~\pp sol4 r dod~-- | dod2 r4 |
94 sol2-- r4 | dod2-- r4 | sol2-- r4 |
95 sib4-- r mi,-- r | \ttt {re'16\pp( mib re mib re mib}
96 \ttt {re mib re mib re mib} \ttt {re mib re mib re mib)}
97 re4 r \clef treble |
98 \pizz dod''4\mf r si r sib sib |
99 mi \ttt { \arco mi,16\>( red mi red mi red} mi4) r \clef bass |
100 r4 do,2--\pp r4 | fad,2-- r4 | do'2-- r4 | fad,2-- r4 |
101 do'2-- r4 | fad,2-- r4 | mi-- r sol-- r |
102 <do, si'>2--\mf <do si'>4-> <do si'>8-. <do si'>~-> |
103 <do si'> <do si'>-. <do si' mi la>4->\< <do si' mi la>-> |
104
105 %%% Vivo al fine %%%
106 <re' re'>8\sfz re-. <do re>-. <do re>-. |
107 <re mib>-. <re mib>-. <la re>-. <la re>-. |
108 <re mib> <re mib> <do re> <do re> |
109 <re mib> <re mib> <la re> <la re> |
110 <re mib> <re mib> <re mib> <re mib> |
111 <re mi> <re mi> <re sol> <re sol> |
112 <re la'> <re la'> <re la'> <re la'> |
113 <re sib'> re re re |
114 <re mib> <re mib> <do re> <do re> |
115 <re mib> <re mib> <la re> <la re> |
116 <re mib> <re mib> <do re> <do re> |
117 <re mib> <re mib> <la re> <la re> |
118 re\> re re re re\mp re re re |
119 re re re re re\> re re re |
120 re\p re re re re re re re |
121 mib mib re re mib mib re re |
122 re re re re re-. r re-. r |
123 re4-. r | R2*7 r4 \pizz mi,\mp
124 }
125 }
126
127 ActeUnSceneUnVioloncelleUn = { \VioloncelleUn
128 \relative {
129 do,,2--\pp( do'--)\CaV fad,-- r4 |
130 do2--( do'--)\CaV fad,4--( fad2--) |
131 do2--( do'--)\CaV fad,4.-- fad8-- do'--( sol--) |
132 do,2--( do'--)\CaV fad,2 si8--( fad--) |
133 <do do'>2-- do' fad,8 fad~ fad2 |
134 <do do'>2-- <do do'>-- fad2~--\mp\< fad8 fad' |
135 do16(\ppsubito fa, do' la'~ la mib'--) \t {la,( do, fa,)} fa2 |
136 \simile do'16 fa, do' la'~ la mib' \t {la, do, fa,} \t {fa8 fa fa} |
137 fa2 do'16 fa, do' la'~ la mi'! \t {la, do, fa,} |
138 fa4 do'16( fa, do' la' sol') la,( do, fa,) |
139 mi'(\ppsempre lab, mi' la do) la( mi lab,) lab2 |
140 mi'16 lab, mi' la do8 \t {la16 mi lab,} \t {lab8-- lab-- lab--} |
141 <reb, lab'>2-- \ttt {do''16( la mi) lab,( mi' la} do) la( mi lab,) |
142 reb,4-- lab'16( mi' la mi) lab,4-- |
143 \t {sol8\p( mi' sib')} re16( sib mi, sol,)
144 do,( sol' mi' sib') \t {re8( sib mi,)} |
145 \t {sol, mi' sib'} re16 sib mi, sol, \t {do,8 sol' mi'} |
146 \ttt {sib'16( mi, sol, do, sol' mi'}
147 \ttt {sib' mi, sol, do, sol' mi'}
148 \ttt {sib' mi, sol, do, sol' mi'}
149 \ttt {sib' mi, sol, do, sol' mi')} |
150 \ttt {sib'( mi, sol, do, sol' mi')}
151 \ttt {sib'( mi, sol, do, sol' mi')}
152 \ttt {sib'( mi, sol, do, sol' mi')} |
153 \t {do,8--\f reb--( mib--)} \t {fad-- sold--( la--)} \t {si-- re--( mi--)} |
154 <do, sol' re'>4\downbow do\downbow do\downbow |
155 \t {fad8-- sold--( la--)} \t {si--( re-- mi--)} \t {fa--( sol-- sib--)} |
156 fad'4-- fad,,8 fad fad fad |
157 fad fad fad fad \t {fad( si dod)}
158 <fad, lad mi'>4\downbow fad8 fad fad fad |
159 \t {fad-- si-- dod--} mi-- fad,-- \t {fad'-- la-- sol--} |
160 \ten <do,, do'>1~\fmolto <do do'>2 r4 |
161
162 %%% Ad libitum %%%
163 R1 R2. \ten do'2.~\pp do4 r r2 | mi2.~ mi4 r2 |
164
165 %%% Agitato %%%
166 \st {re,8\fp re re re mib mib re re} |
167 \simile mib4:8 re: mib: re: mib: re: mib: re: |
168 mib: re: mib: re: mib: re: mib: re: |
169 mib: re: mib: re: |
170 mib: re: mib: re: mib: re: |
171 mib: re: mib: re: mib: re: mib: re: |
172 mib: re: mib: re: mib: re: |
173 mib: re: mib: re: mib: re: mib: re: mib: re: mib: re: |
174 mib: re: mib: re: mib: re: |
175 mib: re: mib: re: mib: re: mib: re: |
176 mib8\mp\downbow( fab) \ind #"serioso" mib\downbow( fab) mib\downbow( fab) mib\downbow( fab) \simile mib fab mib fab |
177 mib fab mib fab mib fab mib fab mib fab mib fab |
178 mib fab mib fab mib fab mib fab mib fab mib fab |
179 mib fab mib fab mib fab mib fab |
180 mib\< fab mib fab mib fab mib fab mib fab mib fab |
181 \ten si1.\f R1.*2
182
183 %%% Allegro non troppo %%%
184 \pizz sib'4\mf r r2 | R2. sib4 mi, r \t { \arco mi8--\mp\<\upbow( si-- dod--\!)} |
185 sib8-.-> r r4 r2 | \pizz sib'4\mf mi, r \t { \arco mi8--\upbow( dod-- si--)} |
186 sib8-.-> r r4 r2 R1 R2.
187 \pizz sib'4 r r2 | R2. sib4 r r2 | sib4\< sib sib sib\! r r2 |
188 \arco sol,2.\ff( sib4) r r2 |
189 \ttt {sol16\mf\< lab sib dod red mi} \ttt {fad\> mi red dod sib lab}
190 \ttt {sib\< dod red mi fad la} \ttt {si\> la fad mi red dod} |
191 \ttt {red\< mi fad la si do} \ttt {re\> do si la fad mi} red8\! r r4 |
192 R1 \clef treble |
193 la''16\pp\CaV la\CaV la\CaV la\CaV la\CaV la\CaV la\CaV la\CaV
194 la\CaV la\CaV la\CaV la\CaV la\CaV la\CaV la\CaV la\CaV | R2.
195 la16\pp\CaV la\CaV la\CaV la\CaV la\CaV la\CaV la\CaV la\CaV la\CaV la\CaV la\CaV la\CaV |
196 la16\CaV la\CaV la\CaV la\CaV la\CaV la\CaV la\CaV la\CaV la\CaV la\CaV la\CaV la\CaV |
197 la\CaV la\CaV r8 la16\CaV la\CaV r8 la16\CaV la\CaV r8 la16\CaV la\CaV r8 | R1
198 \st {la16\pp\CaV la\CaV r8 la16\CaV la\CaV r8 la16\CaV la\CaV r8 la16\CaV la\CaV r8 | R1
199 la16 la r8 la16 la r8 la16 la r8 la16 la} r8 | R1 \clef bass
200
201 %%% Moderato %%%
202 la,,4.\mp sib8~ sib2 | la4. sib8~ sib2 |
203 la8. sib16~ sib4. la8 | do2.~ do2 r |
204 la8. sib16~ sib4~ sib16 la8. | do1~ |
205 do2 la4 | do2 r4 \t {la8--\<\upbow( do-- sib--)} |
206 \ten mib2.~\mf mib2 r | \ten fa2.~\p fa2 r | mib4\mp( fa2) |
207 mib8.( fa16~) fa2~ \t {fa8 mib--\<( fa--)} |
208 solb8.\mf( lab16~) lab2 | solb4-- lab4~-- lab16 solb8.-- lab-- mib16~---> |
209 mib8. fa16~---> fa8 solb~---> solb16 lab8.~---> | lab8 fa,->\f solb-> lab-> |
210 si8\sfz r r2 | R1 R2*4
211
212 %%% Allegro marcato %%%
213 <sib do>4->\ff <sib do>16-. <sib do>-. <sib do>-. <sib do>-. <sib do>4-> r |
214 <sib do>4-> <sib do>16-. <sib do>-. <sib do>-. <sib do>-. <sib do>4-> r |
215 \st {fa\p fa la la} sold2--->( la8) r r4 | R1
216 <fa sib mi la>4->\ff \st {<sib dod>16 <sib dod> <sib dod> <sib dod>} <sib dod>4-> r |
217 <fa sib mi la>4-> \st {<sib dod>16 <sib dod> <sib dod> <sib dod>} <sib dod>4-> r |
218 \st {re\p re sib sib} <sol re' la'>2--->( si8) r r4 | R1*3
219 \st {fa'4\p fa mi mi} mib2\>( re8\!) r r4 | R1*2
220 \st {fa4\p fa mi mi} red2\>( do8\!) r r4 | R1
221 r2 r4 \pizz fa\p mib( re do) r la( sol fad) r r reb'\> do sib\! |
222
223 %%% Agitato %%%
224 \arco re16\f\<( mib fa lab) sib\>( lab fa mib) re8-.\! lab'-. <re,! reb'>-. lab'-. |
225 re,16\<( mi sol la) sib\>( la sol mi) re8-.\! <re sib'>-. <re mib'>-. <re sib'>-. |
226 re16( fa sol lab) sib( lab sol fa) re8-. <re dod'>-. <re mi'>-. <re dod'>-. |
227 re16\mf re re re re re re re re re re re re re re re |
228 \st {<la re>8\fp re <re la'> re <la re> re <re la'> re |
229 <re re> re <sol la> re <re re> re <sol la> re |
230 <re re> re <sol re'> re <re re> re <sol re'> re |
231 <re sol> re <do' fa> re, <re sol> re <do' fa> re, |
232 <re sol> re <do' fa> re, <re sol> re <do' fa> re, |
233 <sol, re'> re' \clef treble <fa' do'> \clef bass re,
234 <sol, re'> re' \clef treble <fa' do'> \clef bass re, |
235 re \clef treble <fa' do'> \clef bass re, \clef treble <solb' reb'> \clef bass
236 re, \clef treble <lab'' mib'> \clef bass re,, \clef treble <la'' mi'>} \clef bass |
237 <re,, mib'>8->\sfz r r4 r1 | R1*2
238
239 R1 R2. R2 \clef treble re''16\p\CaV re\CaV re\CaV re\CaV re\CaV re\CaV re\CaV re\CaV |
240 si si si si si si si si | si\< si si si si8-.->\! r | R2 R1*4
241 }
242 }
243
244 ActeUnSceneUnBisVioloncelleUn = { \VioloncelleUn
245 \relative {
246 R2.
247 \t {dod,,16\pp dod dod} dod8 \t {dod16 dod dod} dod8 \t {dod16 dod dod} dod8 |
248 \t {dod16 dod dod} dod8 \t {dod16 dod dod} dod8 \t {dod16 dod dod} dod8 |
249 \t {dod16 dod dod} dod8 \t {dod16 dod dod} dod8 \t {dod16 dod dod} dod8 |
250 \t {dod16 dod dod} dod8 <dod sib'>16-. lab'-. si-. sol-. \t {dod,16 dod dod} dod8 |
251 \st {dod16\p re mi sib' sol la sib mi dod re mi sol} |
252 lab8-> \t {lab,16 lab lab} fa8-> \t {fa16 fa fa} mib8-> \t {mib16 mib mib} |
253
254 %%% Piu vivo %%%
255 re4\sfz r r8 do'-- sol--( la--) | fad2--\f \t {sol8--( la-- do--)} |
256 re4---> r r8 mib,-- lab--( fa--)| sib4.-- lab-- |
257 \ten sol2.~--->\ff sol4 r8 sib'~ sib4 |
258 <re, do'>4.---> <re sib'>---> | sib'2.---> |
259 R2. r4 <la mi'\harmonic mi'>2~\p <la mi'\harmonic mi'>4. r8\fermata r4 |
260 R2. r4 <la mi'\harmonic mi'>2~ <la mi'\harmonic mi'>~
261 <la mi'\harmonic mi'>8 r\fermata r4 | r2 r4 fad,--(\p sol-- la--) |
262
263 %%% Largo %%%
264 \ten do2~\CaV do~\CaV do~\CaV do2.~\CaV
265 do2~\CaV do2.~\CaV do2~\CaV do2.~\CaV
266 do2.~\CaV do4 r r2 |
267 R1 R2. R2 r2 r8 mi4.\pp\upbow |
268 \ten sib2.~ sib2 r4 |
269 la'2--\mp\> mib~\pp mib r4 |
270 R2*3 R2. R1 R2.
271 r4 sib8--\mf( lab--) | \ten sol2~ sol fad2.\mp |
272 r2 si4-.\downbow mi,2.\downbow |
273
274 %%% Adagio %%%
275 R1*9
276 r2 r4 r8 <do mi\harmonic mi''>~\pp |
277 <do mi\harmonic mi''>2. r4 |
278 r2 r8 <sol' si\harmonic si''>4.~ |
279 <sol si\harmonic si''>1~<sol si\harmonic si''>~
280 <sol si\harmonic si''>2. r8 sol~\mp\CaV |
281 sol4 sol--( fa-- sold--) |
282 mi1\pp~mi~mi~mi2 r | R1*8 \clef treble
283 r4 <sol''si>--( <sol si>-- <sol si>-- |
284 <sol si>--) r r2 \clef bass |
285 R1*3
286 R2 \pizz <sold, dod>4\mp <red la'> <reb lab'> r
287 r \arco <sold, mi'>\f\downbow
288 }
289 }
290
291 InterludeUnVioloncelleUn = { \VioloncelleUn
292 \relative {
293 R1. R1*3 R1. R1 R1.*2 R1*2
294 la4\leftpizz r r1 \clef treble r8 do( si'2.~\mf si4 la~\> la sold2.~\p) sold4 r2 |
295 R2 \clef bass r4 \ttt {r16 fa( mi re la si}
296 \ttt {sold\< la sold fad dod red)} |
297 <sol, re'>1~--->\f <sol re'>2 <sol re'>8 do-- sib--\< sol--\! \clef treble |
298 <re'' la'>1---> r4 r8 lab'\<( sol'1~)\fmolto
299 sol2 r \clef bass |
300 <sol,,, re'>4\downbow <sol re'>\downbow <sol re'>\downbow <sol re'>\downbow <sol re'>\downbow <sol re'>\downbow |
301 <sol re'>\downbow r r2 | <fa' sol>2.--->\ff\> sol2\p r4 | R2.*4
302 si,2.~\pp si~ si~ si~ si8 sib4( lab) si8( |
303 sol'2.~) sol~ sol~ sol R2.*2
304 }
305 }
306
307 ActeUnSceneDeuxVioloncelleUn = { \VioloncelleUn
308 \relative {
309 %%% Air de la Soprano2 %%%
310
311 R2.*2 R1*2 R2.*2 re,4-.\pleggiero la'-. sold8( mi) re4-. mi8( re) la'( sold) r mi sold4-. |
312 mi4-. re8( la') sold4 la8( sold) mi( re) r la'|
313 re,8( mi) sold4-. la-. re,8 la' | r re, mi( sold) la4-. sold8( re) |
314 mi4-. sold-. la8( mi) | r sold-. la( re,) mi4~--|
315 mi1~ mi2 r2 | R2.*2 R1*2 R2.*2 |
316 sold,1~\p sold4 re'8( fad) re( dod sold4~)| \ten sold2.~|sold4 r2|
317 \ten dod1~ dod~| dod2 r4 | r2 fad8\mp( re) |
318 dod1~ dod~| dod2 r4| r dod-- r |
319 mi1~\mp mi2. r4 | dod2.~\mf dod2 r4 |
320 \ten sol!1~\f sol~ | sol2 r4 |
321 sol-> re'-> do8->( lab) | sol2.---> r4|
322 sol-> re'-> do8( lab) sol4-> | lab8( sol) do( re) r4| R2. |
323 sold1~\pp sold~| sold2.~ sold~ |
324 sold1~ sold2. r4 |
325 R2.*2 R1*2 R2.*2 R1*2 R2.*2 | \clef treble
326 la'1~\pp\CaV la~ la2.~ la~ la1~ la~ la2.~ la2 r4|
327 R1*2 R2.*2 R1*2 R2.*2| R1*2 R2.*2 R1|
328 R1-\fermataMarkup \clef bass |
329
330 %%% Récitatif %%%
331
332 r4 r8 mi,4.--\mp\downbow| dod2.--\downbow~|dod1~|dod2 r4|
333 r r8 reb4.--\downbow | sib2.~--\downbow|sib1~|sib2 r4|
334 R2.| r4 r8 mib4--\downbow\mp lab,8~--\downbow| lab2.~|
335 lab8 lab~ \t {lab lab lab} lab4:32\< |
336 lab8\sfz r r2| R2| r4 r8 reb4.\p\>\upbow|
337 sol,1\!~ sol~ sol2.~ sol~ sol~ sol2 r4 | sib2.~\pp| sib r4|
338
339 %%% Duo %%%
340
341 \pizz <re, sib'>4\mp\arpeggUp
342 \simile <re sib'> <re sib'>
343 \repeat unfold 13 <re sib'> r8 \arco <re sib'>\>( |
344 <reb lab'>-.\!) r \pizz <reb lab'>4\mp
345 \repeat unfold 5 <reb lab'>
346 \repeat unfold 3 <sib' sol'> r8 \arco <sib sol'>\>( |
347 <la fa'>8-.\!) r \pizz <la fa'>4 <la fa'> | <la fa'> r |
348 \arco sol\f lab8--( sib--) |
349 reb4-- dob-- \simile sib | dob sib lab sib |
350 dob sib lab fa | dob' r8 sib r4 |
351 \st {mi8\psubito mi fad fad} \simile mi mi |
352 fad fad mi mi fad fad mi mi fad1\mp\< |
353 \ten sib2.\!~|sib~| sib4 r2 | R1
354
355 %%% Piu vivo %%%
356 <sol, sol'>4--->\fp sol16 sol sol sol lab lab lab lab |
357 sib sib sib sib reb reb reb reb mib mib mib mib mi mi mi mi |
358 fad\< fad fad fad la la la la si si si si |
359 do4--->\f re,---> dod,--\upbow |
360 sol'2\ff sol4\downbow sol | dod4.---> dod8 dod dod |
361 sol2-- r8 sol sol sol | dod4.-> dod8\downbow \t {dod dod dod} |
362 sol4---> sol2-> r4 |
363 dod,4-> r2 \clef tenor |
364 \tt {r16 lab'''( sol fa re } \tt {do la si la fad} \clef bass
365 \tt {mi red dod do sib} | sol4->) r2 |
366 sol4 \tt {sol16( mi fad fa fad} \tt {sol lab la lab sib} |
367 si4->) r2 |
368 sib4---> sib---> sib---> |
369 re---> r2 | \simile re4 re re | re r2 | re4 re re | re r2 | re4 re re |
370 dod r2 | dod4 dod dod | \ten fa1~\ff fa2 r4 si,~\f\> | si8 do4. dod2\! |
371
372 %%% Tempo giusto %%%
373 <re, sib'>4---.\fp <re sib'>---. <re sib'>---. \simile <re sib'> |
374 <re sib'> <re sib'> <re sib'> <re sib'> |
375 <dod la'> <dod la'> <dod la'> <dod la'> |
376 <red si'> <red si'> <red si'> <red si'> |
377 \pizz sol r r2 \clef tenor |
378 \tt { r16 fa''\fp\<( mi re do} \tt {si la sold fad mi} \clef bass
379 \tt {mib reb do sib lab)} | \ten sol1~\f sol2. r4 |
380 r \tt {\ind #"détaché" do16\mp\< reb mib solb lab} \clef tenor \tt {la si re mi sol} |
381 lab4.\! r8 \clef bass |
382 sold,,2~ | sold~ | sold r4 |
383 r r8 sold--\upbow fad-- la-- |
384 <fa fa'>2\f | <fa fa'>4.\downbow fa8 |
385 <fa re' la'>2 | <fa re'>4.\downbow fa8 |
386 r la\upbow( sol sib) |
387 \t {fad--( re'-- la'--)} \t {la--( re,-- fad,--)} |
388 \t {fad--( re'-- la'--)} \t {la--( re,-- fad,--)}
389 \t {fad--( re'-- la'--) \glissando } \clef tenor |
390 sold'-.-> r r2 |
391
392 %%% Largo assai %%%
393 R1 R2.*3 R2
394 \ten sib,2.~\pp sib2. r4 |
395 r2 \pizz la'4 sold | sol r \clef bass sib, r | re, r r2 |
396 }
397 }
398
399 InterludeDeuxVioloncelleUn = { \VioloncelleUn
400 \relative {
401 R1 R2. R2 R2. R2 R2. R2
402 \pizz \t {si,8\mf fad' sol} mib'4-- |
403 \t {re,8 sol sib} mib4-- |
404 \t {si,8 fad' sol} mib'4-- |
405 \t {sib,8 mib sol} do4-- |
406 \t {sol,8\psubito re' la'} mi'4 |
407 \t {sol,,8 re' la'} mi'4 |
408 \t {sol,,8 re' la'} mi'4 |
409 \t {mi,8 la do} fa4 |
410 lab,8 do, sol' si, solb' sib, fa' la, |
411 lab' do, sol'\< si, solb' sib, fa' la, |
412 lab'4\mf mi'-> R2 |
413 \arco \ten mi,1~\p mi~ mi~ mi2 r | R2.
414 \ten do1~ do2 r4 | R2. la2.--\pp r4 R2. lab4-- r |
415 }
416 }
417
418 ActeUnSceneTroisVioloncelleUn = { \VioloncelleUn
419 \relative {
420 \pizz do,,4\mf r2 |
421 fa2.:32~\p fa: <fa mi'>2.:32~\mp <fa mi'>:~<fa mi'>:~<fa mi'>:\< <fa mi'>4->\! r2 |
422 r4 \pizz re'\mf r r si r r8 la-> r la dod4 |
423 \arco sib2.:32\fp R2. <sib la'>2.:32\pp <la sold'>2.\p
424 sib2.:32\< do2.:32~\mf do:~\< do4\! r \pizz fa,\mf lab r2 |
425 \ind #"arco (solo)" sol'2.~\CaV\mfintenso sol~\CaV sol~\CaV sol2\CaV sol4\CaV |
426
427 %%% Lamento %%%
428 \ind #"ordin, sul G" sol1.~sol~sol1 la2~ la1.~\< la1 la4 sib~ sib1.~\!|
429 \ind #"espr." sib4\< dob2\! r | reb,2\p( do4) r2 | reb( do4) r2 | \simile reb do4 r2 | re reb4 r2 |
430 <lab sol'>2\mp\> <do fad>4\upbow\! r |
431 \simile <re dod'>2 <si lad'>4 r |
432 <lab sol'>2 <do fad>4 r |
433 <la sold'>2\< <mi'sol>4\mf r |
434 \ten <reb, do'>2\f <reb do'>4-- <reb do'>4.---> <reb do'>8-> <reb do'>-> <reb do'>-> |
435 <reb do'>4---> <reb do'>8->\ff <reb do'>-> r4 | R2*2
436
437 %%% Tempo I %%%
438 \pizz sib'4\mp do r re sib r r mi, r |
439 \arco red'2.:32\sfp dod: dod2. red2.~ red red fad\upbow\< mi4-.->\sfz r2 |
440 R2. \pizz si4\mf r la r2 sib4 |
441
442 %%% Tempo II %%%
443 r2 r4 mib,\p reb mi | do2 r4 \arco sol'2.\p lab1.~lab~ lab2 r4 mi'2.:32~\pppp mi:
444 <fa, mi'>2.:32~\pp <fa mi'>:\mp <fa mi'>4->\sffz r | R1 R2. R2
445 }
446 }
447
448 ActeUnSceneTroisBisVioloncelleUn = { \VioloncelleUn
449 \relative {
450 R1*3 \clef tenor
451 r4 la'2--\pp\CaV r4 | R1*2 r4 fad2-- r4 | R1 \clef bass |
452 r2 lad,,4--\p sold-- fad-- r r2 | R1*6
453 fad1~\pp fad~ fad~ fad~ fad2. r4 | R1*9
454 mi'1\pp mi2-- mi-- <sold, mi'>-- <sold mi'>-- <sold mi'>-- <sold mi'>-- <sold mi'>-- <fa dod'>--|
455 do2. R1*7
456 <sold' dod>4\mp(\glissando <si mi>8) r <sold dod>4(\glissando <si mi>8) r
457 <sold dod>4(\glissando <si mi>8) r <sold dod>4-- lad-- |
458 fad1~\p fad~ fad~ fad~ fad~ fad~ fad2. r4 | R1*3 \clef tenor
459 r4 la''2\pp\CaV r4 \clef bass |
460 mi,2\p( mib re1 reb2 do) si1~\pp si~ si4 r r2 |
461 R1*2 fad'1\p\> \ten mi~\pp mi~mi~mi~mi~mi\fermata
462 }
463 }
464
465 ActeUnSceneTroisTerVioloncelleUn = { \VioloncelleUn
466 \relative {
467 R2*3 R2. R2*2 R2. \clef treble
468 \ind #"staccato leggiero" re'16\fp \repeat unfold 35 re
469 re re fad re dod dod fa do do red mi si |
470 sib8 r r2 | R2. \clef bass |
471 mib,,,2.\pp r4 mi2 fa |
472 re'8-> r r4 r2 | R1*3 R2.
473
474 %%% Poco meno %%%
475 <re sol\harmonic re''>2.:32~\pp
476 <re sol\harmonic re''>: ~
477 <re sol\harmonic re''>: ~
478 <re sol\harmonic re''>: ~
479 <re sol\harmonic re''>: ~
480 <re sol\harmonic re''>: ~
481 <re sol\harmonic re''>: ~
482 <re sol\harmonic re''>: ~
483 <re sol\harmonic re''>: ~
484 <re sol\harmonic re''>: ~
485 <re sol\harmonic re''>: ~
486 <re sol\harmonic re''>: ~
487 <re sol\harmonic re''>: ~
488 <re sol\harmonic re''>: ~
489 <re sol\harmonic re''>8 r \clef treble
490 \t {r4 sold'8} lad16\<( si) re( dod) |
491 sol'8\mf( fad) sib,( si) mib( re) fad,\>( sol) si( sib) re,( mib) \clef bass |
492 sol,2\mp r4 |
493 r <sol sib>2~\p <sol sib>\> <fad si>4~\! <fad si>2 r4 |
494 r <sol sib>2~ <sol sib>\> <fad si>4~\! <fad si>2 r4 |
495 r \t {re'8\p( sib re} \t {sib re sib)} \t {re( sib re} \t {sib re sib)}
496 \t {red( si red} | \t {si red si} red4) r |
497 r \t {re8( sib re} \t {sib re sib)} \t {re( sib re} \t {sib re sib)}
498 \t {red( si red} | \t {si red si} red4) r |
499 r \t {sol,8\mp( si sol} \t {si sol si)} \t {sol\<( si sol)} \t {si( sol si~)}
500 si4~\! si2 r4 |
501 r \t {sol8\mp( si sol} \t {si sol si)} \t {sol\(( si sol)} \clef tenor
502 \t {si( mib si)\)} \t {mib( sol mib} | \t {si\<) sol'( mib)} sib'4--\! r \clef bass |
503 r8 \pizz si,,\mp\< mi la mib sol\! | r4 r8 do,\< fa sib\! \clef tenor |
504 r mi-> r4 la-> | R1 \clef bass
505
506 r4 \arco \ten sib,2~\mp sib sib4~-- sib2 r4 |
507 r sib2~-- sib sib4~-- sib2 r4 |
508 r \ten <sol mib'>2~--\mp <sol mib'>\> <fad re'>4~--\! <fad re'> r2 |
509 r4 <sol mib'>2~-- <sol mib'>\> <fad re'>4~\! <fad re'> r2 |
510 r4 <sib sol'>2~--\mf <sib sol'> <si-\thumb si>4~---> <si si>2 r4 |
511 r4
512 \repeat tremolo 8 {sol32\mf re}
513 \repeat tremolo 8 {sol re}
514 \repeat tremolo 4 {fad red} fad4 r2 |
515 r8 re'\f( mib) sib( si) fad( sol) re'( mib) sib( si) fad( |
516 sol) re'4--\>( sib--) fad8~--( fad re4-- mib--) fad8~--\mp fad2 r4 |
517 R2.*3 \clef tenor |
518 re'2.~\pp\CaV re~\CaV re~\CaV re~\CaV re~\CaV re2\CaV r4 |
519 <re la'>2.~\pp\CaV <re la'>~\CaV <re la'>~\CaV <re la'>2\CaV r4 |
520 mi2.\p\fermata
521 }
522 }
523
524 InterludeTroisVioloncelleUn = { \VioloncelleUn
525 \relative {
526 r8 \pizz mib, r mib r mib r mib | r mib r mib r mib |
527 r4 \arco mib2.~ mib2 r4 R1 R2. R1 R2.
528 <si fa'>4 <si fa'> <si fa'> <si fa'>8 <do solb'> |
529 <si fa'>4 <si fa'> <si fa'>8 <do solb'> |
530 <si fa'>4 <si fa'> <si fa'>8 <do solb'> |
531 <si fa'>4 <si fa'> |
532 r8 <sol red'> r <sol red'> r <sol re'> |
533 r <sol red'> r <sol re'> |
534 r <sol mi'> r <si sold'> |
535 r <si sold'> r <red si'> |
536 sol,16:32 mi: sol: lab: si: lab: si: do: |
537 mib: do: mib: mi: sol: mi: sol: lab: \clef tenor
538 si4 fa' sib8 r r4 |
539 }
540 }
541
542 ActeUnSceneQuatreVioloncelleUn = { \VioloncelleUn
543 \relative {
544 \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2
545 R2. sol4 fa mi8 la, r4 R2-\fermataMarkup
546 R1 R2. R1*2 R1. R1*2 R1. R1*2
547
548 %%% Agitato %%%
549 r4 \t {la8 re sol} \t {do sol re} | la r r2 |
550 <sol re'>2.:32 <sol re'>8 r r2 | r4 sib'8 fa4 fad8 |
551 sol2~sol4\glissando sib2. la2.:32 la8 r r4 fad16 mib sib sol |
552 re4 r2 | re'16 si' si si mi8 mi, la la, | re4 r2 |
553 re16 dod' dod dod fad8 fad, si la, | re4 r8 re fad, si |
554 mib,4 r8 reb4 sol8 | do4 r8 fa la, re |
555 fad,4 r8 la4 mib'8 | lab4 r8 la reb, solb |
556 sib,4 r8 sib4 sib8 | mi4 la16 re la re dod re dod re |
557 sol, la dod re la re la re dod re dod re |
558 sol, la dod re la re la re dod8 sib, | mi4 r8 mi, \t {mi mi mi} |
559 r8 sib'4 mi sib'8 | mi,4 mi sib8 mi~ | mi2 re4~ | re fa2 |
560 dod2~dod8 r r4 | r8 sol4 dod sol8 | dod2. r4 |
561 r8 sol4 dod sol8 | dod2 | r8 sol4 dod sol'8 | dod,2 |
562 r8 sol4 dod, sol'8 | dod4 sol | dod2 sol4 |
563
564 %%% Placando assai %%%
565 dod2. dod4 sol2. r4 | dod2. dod4 sol2. r4 |
566 dod,2 re mib mi2.~mi2. r4 |
567
568 %%% Andante a piacere %%%
569 fa1~ fa2 reb fa1~ fa2 reb |
570 fa1~ fa2 reb fa1~ fa2 reb |
571 sol2. r4 r8 dod,4 sol' dod,8 |
572 sol'2. r4 r8 dod,4 sol' sol8 |
573 dod,8 r r4 r2 | R1*6 R2*3 R2.*2
574
575 %%% Poco a poco piu mosso %%%
576 \pizz sol'4 r sib dod r2 la4 r2 do4 r2 |
577
578 %%% A tempo %%%
579 \arco
580 <do,do'>4 r8 fad4 do' fad,8 |
581 <do do'>4 r8 fad4 do' fad,8 |
582 <do do'>4 <do do'> r8 fad r4 \clef tenor |
583 la''1~\CaV la4 r2 \clef bass |
584 la,,1~ la4 r2 | R1 la2.~ la1~|
585 la8 r16 \clef tenor <re'fad>~ <re fad>8 <mi sold>~
586 <mi sold>16 <sol si>8. \clef treble |
587 <dod, dod'>2 <dod dod'>4 <dod dod'> |
588 <dod dod'>4. <dod dod'>8~ <dod dod'>4 r \clef bass |
589 <sol,sol'>2 r4 sol' sol sol fa2 fa4 |
590 fa~ \t {fa8 fa4~} \t {fa4 fa8~} fa4 |
591 r fa~fa8 mib \t {mib mib fad} |
592
593 re2. r8 re r | sold,2 si4~si8 dod4 |
594 re2 r8 re r | la4. sib8~ sib8. do16~do4 |
595 mib2 r8 mib r| si2~ si8 do~ do16 re8. |
596 fa2~ fa4 r8 | fa,2~ fa |
597 R2 R4. re16 fa sib dod fad sib, dod fad la dod, fad la |
598 re4 re, re re | <re mi>\CaV <re mi>\CaV <re mi>\CaV <re mi>\CaV |
599 <re sol>\CaV <re sol>\CaV <re sol>\CaV <re sol>\CaV |
600 <re do'> <re do'> <re do'> <re do'> <re fa'> re re re |
601 re8 re re, re re' re re, re |
602 re' re re, re re' re re, re'|
603 re'16 re re, re re, re re' re re, re re' re re' re re, re |
604 re8 re' re, re, re' re, re'4 | re8 re re4 r2 |
605 R1*2 R2 R2.*2 R2 R1 |
606
607 %%% Piu lento %%%
608 r2 \clef treble sib''4~sib2 r4 | R2.
609 r2 sib4~sib2 r4 |
610 r2 sib4~sib2 r4 |
611 r2 sib4~sib2 r4 |
612 r2 sib4~sib2 r4 | R2.
613 r2 sib4~sib2 r4 |
614 r2 sib4~sib2 r4 |
615 r2 sib4~sib2 r4 | R2. \clef bass
616 r4 \pizz sib,, r r re, r |
617
618 %%% Stesso tempo %%%
619 la'4 r r fad' r r | la, r r2 |
620 la4 r8 red r2 fa4 r | la, r r2 |
621 la4 r8 mi' r4 fad, r8 mib' r4 | la, r r2 |
622 R1. R1
623 \arco fa'1. fad2. r4 |
624 \pizz la4 r r2 r4 re,8 sol |
625 la4 r r2 fa8 mib sib' do |
626 la4 r r4 do8 sol fa re mi' si |
627 la4 r fa8 sol do sib reb mib, lab solb |
628 la4 sib8 mib dod si fad sold fa re mi' si |
629 la4 r r2 | R1. R1
630 \arco sold,2 la1 sib4 r \pizz sib reb |
631 la4 r r2 r4 mi''8 si |
632 la4 r r2 dod8 red, sold fad |
633 la4 r r4 fad8 si dod mi re, sol |
634 la4 r dod8 si fad sold fa mib sib' do |
635 la4 sold8 red fa sol do sib dod mi re, sol |
636 la4 r r2 R1. R1
637 }
638 }
639
640 EntracteVioloncelleUn = { \VioloncelleUn
641 \relative {
642 sold,2~sold~sold sold~sold sold sold~sold4 sold~|
643 sold4 sold8 \t {sold16 fa sol} |
644 re4 re''4:16 re2:16 |
645 re: re: re: re: re: re: re: re: re: re: |
646 re: re: re: re: re: re: re: re: re4 r r2 | R1*10
647 re,16 re re re re4 r8 re16 re re re re8 |
648 re16 re re re re4 r re16 re re re | re4 r r2 |
649 \pizz mib,8 solb mi4 si'8 re, do4 | fad r r2 |
650 r4 sol8 sib lab reb r4 | R1
651 \arco re16 re re re re4 r8 re16 re re re re8 |
652 re16 re re re re4 r2 |
653 re4:8 re,: re': re,: |
654 re': re,: re': re,: |
655 re': re,: re': re,: |
656 re': re,: re': re,: |
657 re': re,: re': re,: |
658 re': re,: re': re,: |
659 re': re,: re': re,: |
660 re'4 re re re re re re |
661 re re re re |
662
663 %%% Fugato %%%
664 mi,2:8 mi: mi:mi: mi: mi4: mi2: mi4: mi2: |
665 mi: mi: mi: mi4: mi2: mi4: mi2: mi: mi: mi: mi2: mi4: mi2: mi4: |
666 mi2: mi: mi: mi: mi: mi4: mi2: mi4: mi2: mi: mi: mi: |
667 <mi do'>2.~ <mi do'>~ <fad re'>1~ <fad re'>2. r4 |
668 <re' la'>4:8 <sol, re'>: <re' la'>: <sol, re'>: <re' la'>: <sol, re'>: |
669 sib2:8 sib:
670
671 %%% Stretto %%%
672 re2:16 re: re: re: re4 r \harmo {<red sold\harmonic >2~ <red sold\harmonic >2.} red'2
673 r4 \pizz sol, mi r sol |
674 \arco mi mi re re mi mi re re |
675 <fa, re'> <fa re'> <fa re'> <fa re'> |
676 <mi si'> <mi si'> <mi si'> <mi si'> |
677 <sib'' re> r r2 \clef treble |
678 r4 \pizz re'\CaV r re\CaV r re\CaV r2 | R1
679
680 %%% Noir %%%
681 R2.-\fermataMarkup R2.*4 R2 R2. R1 R2. R2
682 R1*5 R1.*4 R1 R2.-\fermataMarkup
683
684 r2 \arco la4~\CaV la2.~\CaV la~\CaV la~\CaV la~\CaV
685 la~\CaV la~\CaV la2\CaV r4 | R2.-\fermataMarkup \clef bass
686
687 %%% Poco più %%%
688 R2.*4 R2.-\fermataMarkup
689
690 %%% Andantino %%%
691 R1 R2 R1 R2 R1 R2 R1 R2.
692
693 %%% Largo non troppo %%%
694 la,2 la la la la la la la la la r \clef treble mi'4 sol |
695 la sol fa mi fa8 mi fa sol |
696 la4 sol fa mi fa8 mi fa sol |
697 la4 sol fa mi fa8 mi fa sol |
698 la4 sol fa mi8 r fa' mi fa sol |
699 la4 sol fa mi fa8 mi fa sol |
700 la4 sol fa mi fa8 mi fa sol |
701 la4 sol fa mi fa8 mi fa sol |
702 la4 sol fa mi fa8 mi fa sol |
703 la la, sol sol' fa fa, mi mi' fa mi fa sol |
704 la la, sol sol' fa fa, mi mi' fa mi fa sol |
705 la la, sol sol' fa fa, mi mi' fa mi fa sol |
706 la la, sol sol' fa fa, mi mi' fa mi fa sol |
707 la4 sol fa mi fa8 mi fa sol |
708 la4 mi r1 \clef bass |
709 <mi,,, si' re la'>4 mi' r2 R1 R2. R2
710 }
711 }
712
713 ActeDeuxSceneUnVioloncelleUn = { \VioloncelleUn
714 \relative { \clef treble
715 \pizz la'4 r r | la r8 la r4 | la la la |
716 la r2 | R2 | R2.*2 | R2 |
717 \clef tenor r4 << \arco s2 \\ \repeat tremolo 4 { si,16 re16 } >>
718 \repeat tremolo 6 { si16 re16 } |
719 \repeat tremolo 6 { si16 re16 } | sold,4 r |
720 R2. R2 R2.*2 R2 |
721 \t {r8 sold si}sol'!2~ |
722 sol8 sold, sol'!2~ |
723 sol8[ mi~] mi[ red] \t {sol \clef treble do[ si]} |
724 sol'2\glissando |
725 la2.~\CaV | la2~\CaV | la2.~\CaV | la2\CaV r4 | R2 | R2.*2 |
726 \ttt { la,8[ la16 la la la]}
727 \ttt {la[ la la la la la]}
728 \repeat unfold 3 { \ttt { mi[ mi mi mi mi mi] } } |
729
730 %%% Entrée de la Soprano Deux %%%
731 R2.*2 r4 \ttt {sold16 sold sold sold sold sold} \t {sold sold sold} r8 r4 |
732 r4 r8 \t {sib16 sib sib} \ttt {sib sib sib sib sib sib} \clef bass |
733 R1 R2. R2 R2. R1
734
735 %%% Andantino %%%
736 \pizz sib,,4 fa' r2 R1 R2. mi4 si' r R2. mi,4 si' lad R2
737 R2. si,4 fad' r mid8 dod si4 r |
738 r4 \arco re'2~\CaV re2.~\CaV re1~\CaV re2\CaV r4 | r8 \pizz lad si4 |
739 fad,4 r2 R1 R2. R1 R2. R1
740 sib4 fa' r | \arco sib,2. r4 R2. R1 sib2 r4 R1 R2.
741 fad1 fad2.~ fa2. r4 | fad2.~ fad1 fa2.~ fa2. r4 |
742 fad2.~ fad2. r4 |
743
744 %%% Entrée de la Contralto %%%
745 R2. R1 fad2.~ fad4 r r2 |
746 fa2.~ fa4 r r2 | fad2. fa2 mib |
747 do4\thumbpizz \pizz si'8 mi fad4 re'8 fad, mi4 fad8 mi do4 mi8 do si4 fad |
748 do r r2 | r2 do4 | r8 re' mi la r sold la re |
749 r4 \arco do,,2 reb mib |
750 fad4\thumbpizz r2 | \pizz fa4 r r2 | fad4 r2 | fa4 r r2 |
751 fad8 fad' r2 | sol,8 re' fa4 sib8 do mib4 r \arco fa,, |
752 sib r2 | si4 r2 | sib4 r2 | si4 r2 | mi4 r2 |
753 re'2.~\CaV re2.~\CaV re2\CaV r | mib,2. |
754 re1~ re4 r2 | R1 \pizz lab4 r2 | la4 r r2 | lab4 r2 |
755 \arco sol1~ sol2. R1
756 re''2.~\CaV re1~\CaV re2.~\CaV re4\CaV r4 |
757 R1 R2. R1 R2. R1 R2. R1
758 }
759 }
760
761 ActeDeuxSceneUnBisVioloncelleUn = { \VioloncelleUn
762 \relative {
763 R1 R2. R2
764
765 %%% Presto agitato %%%
766 <do,,mi\harmonic sol do\harmonic mi' sol>1*5/4~
767 \simile <mi''sol>~\CaV <mi sol>~\CaV
768 <mi sol>~\CaV <mi sol>2.\CaV r2 |
769 R1*5/4 \clef treble |
770 <lab sol'>1*5/4~ <lab sol'>2. r2 \clef bass |
771 R1*5/4*7
772 sib,,1*5/4~ sib~ sib2. r2 |
773 dod2 re mi4 sol1*5/4~ sol2. r2 |
774 <do re>4 r2 <do re>4 r | <do re> r <do re> r2 |
775 <do re>4 r r8 <do re> r2 | si,4 r1 |
776 R1*5/4*5
777 r2 r8 red, fad red fad red |
778 fad sol fad red fad red fad red fad red |
779 fad sol fad red fad red fad red fad red |
780 fad sol fad red fad red fad red fad red |
781 fad sol fad red fad red fad red fad red |
782 fad sol fad red fad red fad red fad red |
783 fad sol fad red fad red fad red fad red |
784 fad sol fad red fad red fad red fad red |
785 <sol dod>4 r2 <sol dod>4 r | <sol dod> r <sol dod> r2 |
786 <sol dod>4 r r8 <sol dod> r2 | <solb fa'>4 r1 |
787 R1*5/4 <fa re'>4 r1 | R1*5/4-\fermataMarkup |
788
789 %%% Boum %%%
790 <mi\harmonic do'\harmonic mi' sol>1*5/4~
791 <mi'' sol>~\CaV <mi sol>~\CaV
792 <mi sol>~\CaV <mi sol>~\CaV
793 <mi sol>~\CaV <mi sol>~\CaV
794 <mi sol>~\CaV <mi sol>~\CaV
795 <mi sol>2.\CaV r2 |
796 R1*5/4*2 \repeat tremolo 16 {re32 si} re4 |
797 <lab mib'>2. <sib fab'>2 <lab mib'> <sib fab'>2. |
798 r4 <lab mib'>2. <sib fab'>4~ <sib fab'>2 <lab mib'>2. |
799 <sib, mib si'!>1*5/4 | <mi, sib'>2 <sib' mib si'!>2. |
800 r4 <mib lab>1 <lab, fa'>1*5/4~ <lab fa'>2. <lab fa'>2 |
801 <sib mib>1*5/4~ <sib mib> | r4 <sib mib>2 <lab reb>4 <sib mib> |
802 <lab reb>1*5/4~ <lab reb>2. r2 | R1*5/4*5
803
804 %%% Moderato assai %%%
805 R1*7/4*4 <fa\harmonic si\harmonic do' si'>1 r2 r4 |
806 R1*7/4 r4 <mi\harmonic do'\harmonic mi' sol>1. \clef treble |
807 sol''8\CaV mi\CaV sol\CaV mi\CaV sol\CaV mi\CaV |
808 sol\CaV mi\CaV sol\CaV mi\CaV sol\CaV mi\CaV sol\CaV mi\CaV |
809 sol\CaV mi\CaV sol\CaV mi\CaV sol\CaV mi\CaV |
810 sol\CaV mi\CaV sol\CaV mi\CaV \clef bass |
811 r4 \pizz do,8 sol' sold4 | r8 sold si mi sol4 |
812 r8 si,, do sol' sold4 | r8 do, red sold si4 |
813 r8 si, do sol' sold4 | r8 la, do sol' sib4 |
814 r8 red, mi sol si4 | r8 red, sold si mi4 |
815 r8 mi, sol la sib4 \clef treble |
816 \arco sol'8 la sol la sol la sol la sol la sol la sol la |
817 sol4 r2 r1 | R1*7/4 \clef bass |
818 \pizz sib,,4 r2 fad4 r2 sib4 r2 |
819 dod4 r2 sib4 r2 do4 r2 re4 r2 |
820 \arco re1*7/4~ re4 r2 r1 |
821 R1*7/4 <mi,\harmonic do'\harmonic mi' sol>1*7/4~
822 \repeat volta 2 {<mi'' sol>~\CaV <mi sol>~\CaV <mi sol>~\CaV}
823 <mi sol>1\CaV r2 r4 | R1*7/4
824
825 %%% Presto subito %%%
826 \tt {fa,,8\upbow re re re re} \tt {fa re re re re} \tt {fa re re re re} |
827 \tt {fa re re re re} \tt {fa re re re re} \tt {fa re fa re re} |
828 \tt {fa re fa re re} \tt {fa re fa re re} \tt {fa re fa re re} |
829 \tt {fa re fa re re} \tt {fa re fa re solb} \tt {fa re fa re solb} |
830 \tt {fa re fa re solb} \tt {fa re fa re solb} \tt {fa re fa re solb} |
831
832 %%% Tempo giusto %%%
833 r4 \pizz <fa mib'>\arpeggUp <fad' mi'>\arpeggUp |
834 r <fa, mib'>\arpeggUp <fad' mi'>\arpeggUp |
835 r <fa, mib'>\arpeggUp <fad' mi'>\arpeggUp |
836 r <fa, mib'>\arpeggUp <fad' mi'>\arpeggUp |
837 r <fa, mib'>\arpeggUp <fad' mi'>\arpeggUp |
838 r <fad mi'>\arpeggUp r <fad si>\arpeggUp r <fad si>\arpeggUp |
839 fad8 si, fad'4 | fad8 si, fad'4 |
840 la8 dod, la'4 <dod, la'>\arpeggUp |
841 la'8 re, la'4 <dod, re la'>\arpeggUp |
842 do'8 fa, do'4 si | \arco sold, fad la |
843 fa2~ fa8 r4 | mi2~ mi4 r |
844 <la fad'>4 <la fad'>8. <la fad'>16 |
845 <la fad'>8. <la fad'>16 <la fad'>8 |
846 <fad dod' la'>2 r4 |
847 <la fad'>4 <la fad'>8. <la fad'>16 |
848 <la fad'>8. <la fad'>16 <la fad'>8 |
849 <do, sib' sol'>2 r4 |
850 <lad' fad'>8 <lad fad'>8. <lad fad'>16 <lad fad'>8 <lad fad'> |
851 <sib sol'>4 <sib sol'>8. <sib sol'>16 |
852 <sib sol'>8. <la mi' do'> |
853 <la la' la>4 r \pizz fa8 lab |
854 fad4 r re'8 sol, sold4 sol8 re do4 si'8 fad mi4 mib'8 sib |
855 \arco sol2.~ sol2 r4 | sol2.~ sol2 r4 | sol2.~ sol2 r4 |
856 sol2 r4 sol2 r4 r si2 sold2. R2. R2 R4. R2 R1*5/8 R2.
857
858 %%% Tempo I %%%
859 r4 \pizz si?8 fad' r4 do' |
860 \arco sib4 la8 la la la sib4 la8 la |
861 sib4 la8 la sib4 la8 la la la |
862 sib la la la la sib la la la la | la4 r1\fermata |
863 R1*5/4*2
864 <fa,\harmonic si\harmonic do' si'>2. r2 | R1*5/4*2
865 <fa\harmonic si\harmonic do' si'>1*5/4~\CaV <do'' si'>2.\CaV r2 |
866 R1*5/4
867 <mi,,\harmonic do'\harmonic mi' sol>1*5/4~
868 <mi'' sol>~\CaV <mi sol>~\CaV <mi sol>2. r2 |
869 R1*5/4*9
870 }
871 }
872
873 ActeDeuxSceneDeuxVioloncelleUn = { \VioloncelleUn
874 \relative {
875 R1.*4 \clef treble la'1.~\CaV la4\CaV r r1 | R1*2 \clef bass
876 re,2.~\CaV re8 r r16 re,,8 fa16 r16 fad8. |
877 \t {re8 mib fa} lab re, \tt {re16 mib fa lab sib} |
878 si8 re, \ttt {mib16 fa lab sib si dod} mi8 fa, |
879 \ttt {lab16 sib si dod mi fad} sol8 sib,
880 \ttt {si16 dod mi fad sol la} | la,1.~ la1 r2 |
881
882 R1. R1*2 si'2.~ si8 r r16 si,8 re16 r16 red8. r4 |
883 r16 mi, dod re do mib |
884 si'4 r8 fad'16 fad fad fad fad fad fad4 |
885 r8 fad16 fad fad fad fad fad
886 fad fad <sol, fad'> <sol fad'> <re' la'> <re la'> <sol, re'> <sol re'> |
887 r8 mid'16 mid fad8 si, si16 si si si si si si si |
888 r8 mid16 mid fad8 si, si16 si si si fad' fad fad fad |
889 fad fad fad fad fad8 si, fad' si, fad'16 fad fad fad |
890 fad fad fad fad fad8 si, fad' si, la do |
891
892 sold2.~ sold1 r2 | R1*2
893 \pizz do4 do' r | do, do' do, | fa, do'' r | fa,, si' |
894 fa, re'' r | \arco mi,2.~ mi2 r4 |
895 r16 sol, mi' sib' do4 |
896
897 r16 la, fad sol fa lab |
898 \stemDown mi8 \clef treble sold'' \stemNeutral sold la r4 %% FIXME: Issue #400
899 \clef bass <re,,la'>16 <re la'> <sol, re'> <sol re'> |
900 \stemDown mi8 \clef treble sold'' \stemNeutral sold la
901 \clef bass <si,, mi>16 <si mi> <si mi> <si mi> <si mi> <si mi> <si mi> <si mi> |
902 \stemDown mi,8 \clef treble lab'' \stemNeutral lab sib
903 \clef bass <la,,re>16 <la re> <la re> <la re> <sol' do>8 <la, re> \clef treble |
904 r8 red'' red mi r4 \clef bass sol,,16 sol sol8 \clef treble |
905 r8 mi'' mi fa \clef bass r8 r16 la,,, fad sol fa lab |
906 mi8 \pizz si' <fad'dod'>4\arpeggUp |
907 mi,8 si' <fad'dod'>4\arpeggUp | mi,8 si' fad' dod, | mi4 dod8 do |
908 mi4 r8 mi | mi4 r |
909 \arco <dod la'>1~ <dod la'>2 r4 |
910
911 R1. R1 R1. <re' la'>1. fa2 r4 | R1 \clef treble
912 la'2.:32~\CaV la1:~\CaV la2.:~\CaV la1:~\CaV la2.:~\CaV la1:~\CaV la2.:~\CaV
913 la1:~\CaV la2.:~\CaV la1:~\CaV la2.:~\CaV la1:~\CaV la2.:~\CaV la1:~\CaV
914 la4 r2 R1 R2. \clef tenor r2 r4 \pizz <la, sold'>8 <la sold'> |
915 <sib la'>4 r <lad sold'>8 <lad sold'> | <si la'>4 r r2 | R2. \clef bass
916
917 <la,la'>16 <la la'> <la' la> <la la> <la la> <la la> <la, la'> <la la'> |
918 la2:16
919 <la la'>16 <la la'> <la' la> <la la> <la la> <la la> <la, la'> <la la'> |
920 la2:16 la4 |
921 mib16 do reb mib fad8 fa sib16 sol lab sib reb8 do |
922 fa mib lab sol do4 la4:16 |
923 la,1:16 |
924
925 <la sold'>4 do'8 reb do | sold sold la r4 |
926 sold,8 sold la r4 | sold'8 sold la r4 |
927 <la, sold'>4 r r8 | la4 la r8 | sold4 r r8 |
928 <la sold' la>4 r re8 | re mib r4 r8 |
929 <sold, re'>4 <sold re'> r8 | <la re>4 r r8 |
930 dod dod do r4 | r8 sol'4 sol | si, r r8 |
931
932 R1*2 lad4 r r2 | r4 \pizz mi sol r | r do la r |
933 R1 \arco mi2 \repeat tremolo 8 {mi32 red} |
934 \repeat tremolo 16 {fa mib} |
935 \repeat tremolo 16 {fa mib} |
936 <re' dod'>4 r2 | r8 \pizz si r4 |
937 R1*2 R2.*4
938 r4 fad' r | r mi r | R2. \clef treble |
939
940 \arco la'2 sol4 fa mi fa8 mi fa sol |
941 la4 mi r R2 \clef tenor r8 <sold, mi'> r <red' fad> |
942 r16 sold mi sold r sol mib sol |
943 r fad re fad r fa reb fa |
944 r mi do mi r red si red |
945 re8 \clef bass \pizz <re, sib'>\arpeggUp r <re sib'>\arpeggUp |
946 r \simile <re sib'> r <re sib'> |
947 r <re sib'> r <re sib'> |
948 r <re sib'> r <re sib'> |
949 \arco sold, \pizz sold' \arco sol, r |
950 do r fad, r | si r fa r | sib r mi, r |
951 R2 r8 la'16 la sold8 r | R2
952 r8 \pizz <re sib'> r <re sib'> |
953 r <re sib'> r sold | <sib, re>4 r |
954 R2*2 sib4 r fa r mib r | R2 \clef treble
955
956 la''2. sol fa mi fa4. mi fa sol la4 mi r |
957 R2.*9
958 }
959 }
Opera Libre is a free-licensed contemporary music score, created using the GNU LilyPond music software.