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  68  <p>Self-Ordained Professors</p>
  69  <p class="subtitle"> Learned Talk<br />about&nbsp;Bob Dylan's Music</p>
  70 </div>
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  72     <div id="mainbox">
  73       <div id="news">
  74       <h1>Things Twice &ndash; the Book</h1>
  75       <p>Over the years, I've written a bit about Dylan and his music. Quite a lot, actually. I've  collected them in bookform as <a href="http://www.dylanchords.com/tt.pdf">Things Twice</a> [pdf, c. 2 Mb]. The music examples can be <a href="tt-musex.htm">downloaded</a> in midi and pdf format.</p>
  76       <p> I recommend the pdf version for the full reader experience, but for those who don't fancy the download, the individual articles are available in html format.</p>
  77
  78 <div class="tableofcontents">
  79 <a href="tt/ttch1.html" id="QQ2-3-2">Preface</a><br />
  80
  81 <h2>
  82  I&#x00A0;&#x00A0;
  83 <a href="tt/ttpa1.html" id="QQ2-4-3">You&#8217;ve Been With the Professors</a></h2>
  84 <a href="tt/ttch2.html" id="QQ2-5-4">Analysing Dylan Songs</a><br />
  85 <a href="tt/ttch3.html" id="QQ2-12-8">&#8216;Beauty may Only Turn to Rust&#8217;</a><br />
  86 <a href="tt/ttch4.html" id="QQ2-17-13">&#8216;Going Through All These Things Twice&#8217;</a><br />
  87 <a href="tt/ttch5.html" id="QQ2-54-24">The Momentum of Standstill</a><br />
  88
  89 <h2>
  90  II&#x00A0;&#x00A0;
  91 <a href="tt/ttpa2.html" id="QQ2-56-31">Harmony and Understanding</a></h2>
  92
  93 <a href="tt/ttch6.html" id="QQ2-57-32">&#8216;What I learned from Lonnie&#8217;</a><br />
  94 <a href="tt/ttch7.html" id="QQ2-62-45">Three Tambourine Men</a><br />
  95 <a href="tt/ttch8.html" id="QQ2-63-57">Just Like A Woman Revisited</a><br />
  96 <a href="tt/ttch9.html" id="QQ2-64-58">The propelling harmony of &#8216;Dear Landlord&#8217;</a><br />
  97 <a href="tt/ttch10.html" id="QQ2-65-62">In the Garden</a><br />
  98
  99 <h2>
 100 III&#x00A0;&#x00A0;
 101 <a href="tt/ttpa3.html" id="QQ2-66-63">Albums and Songs</a></h2>
 102
 103 <a href="tt/ttch11.html" id="QQ2-67-64">The Uneven Heart</a><br />
 104 <a href="tt/ttch12.html" id="QQ2-68-76">The Freewheelin&#8217; Bob Dylan (1963)</a><br />
 105 <a href="tt/ttch13.html" id="QQ2-69-77">It Wasn&#8217;t Bruce</a><br />
 106 <a href="tt/ttch14.html" id="QQ2-70-154">Hattie Carroll</a><br />
 107 <a href="tt/ttch15.html" id="QQ2-71-155">Another Side of Bob Dylan (1964)</a><br />
 108 <a href="tt/ttch16.html" id="QQ2-72-156">Chimes of Freedom</a><br />
 109 <a href="tt/ttch17.html" id="QQ2-73-157">John Wesley Harding (1967)</a> <br />
 110 <a href="tt/ttch18.html" id="QQ2-74-158">Self Portrait (1970)</a><br />
 111 <a href="tt/ttch19.html" id="QQ2-75-159">New morning (1970)</a><br />
 112 <a href="tt/ttch20.html" id="QQ2-76-160">Wedding song</a><br />
 113 <a href="tt/ttch21.html" id="QQ2-77-161">Blood On The Tracks (1975)</a><br />
 114 <a href="tt/ttch22.html" id="QQ2-78-162">Tangled up in <i>Tangled up in Blue</i></a><br />
 115 <a href="tt/ttch23.html" id="QQ2-79-163">Down in the Groove (1988)</a><br />
 116 <a href="tt/ttch24.html" id="QQ2-138-164">Did Dylan steal &#8216;Dignity&#8217;?</a><br />
 117 <a href="tt/ttch25.html" id="QQ2-80-166">&#8216;A day above ground is a good day&#8217;</a><br />
 118 <h2>IV&#x00A0;&#x00A0;
 119 <a href="tt/ttpa4.html" id="QQ2-81-173">Modern Times and Plagiarism</a><br />   </h2>
 120 <a href="tt/ttch26.html" id="QQ2-82-174">It&#8217;s Modern to Steal</a><br />
 121 <a href="tt/ttch27.html" id="QQ2-83-175">The many ways of stealing</a><br />
 122 <a href="tt/ttch28.html" id="QQ2-84-180">Dylan: the Postmodernist?</a><br />
 123 <h2> V&#x00A0;&#x00A0;
 124 <a href="tt/ttpa5.html" id="QQ2-85-193">I&#8217;ll See Him In Anything</a></h2>
 125 <a href="tt/ttch29.html" id="QQ2-86-194">About Guitars and Kissing</a><br />
 126 <a href="tt/ttch30.html" id="QQ2-87-198">Genius, Guitars, and Goodbyes</a>
 127    </div>
 128
 129         <h1>OTHER ARTICLES</h1>
 130 <!--        <h2>Eyolf &Oslash;strem </h2>
 131         <ul>
 132         <li><a href="lonnie.htm">&ldquo;What I learned from Lonnie&rdquo;</a><br />
 133         An exploration of some remarks in <em>Chronicles</em></li>
 134           <li><a href="dylans_guitars.htm">Dylan's Guitars</a> <br />
 135             A survey of Dylan's guitars throughout his carreer</li>
 136           <li><a href="momentum.htm">The Momentum of Standstill &ndash; <em>Time Out Of Mind </em>and the blues</a><br />
 137           This article has been growing and growing, but is now, unlike most of the stuff here, not anymore &quot;under construction&quot;</li>
 138           <li><a href="a_day_above_ground.htm"> &quot;A day above ground is a good day&quot;. A review of Bob Dylan's <em>Love and theft</em></a><br />
 139             Originally written for the journal <em>Transfiguration</em></li>
 140           <li><a href="method.htm">On analysing Dylan songs &ndash; is it possible, and is it worth it?</a> <br />
 141             Considerations of a rather general character. This was one of my first attempts at combining my interests in Dylan and in music analysis</li>
 142           <li><a href="landlord.htm">The propelling harmony of <em>Dear Landlord</em></a> <br />
 143             Another first attempt, this time at a more concrete application of the ideas in the former article</li>
 144           <li><a href="JustLikeaWoman.htm"><em>Just Like a Woman </em>Revisited</a><br />
 145             I kind of like this one. I may have gone a bit over the top towards the end, with references to Beethoven, rape, Robert Frost. I've been told that most Americans are quite fed up with Frost owing to over-exposure at school, but since I'm not an American, I'm free of that. </li>
 146           <li>          <a href="tangled_up_in_tangled_up_in_blue.htm">Tangled Up In Tangled Up In Blue</a> <br />
 147             Liner notes to a cassette compilation of best-of versions of this best-of song</li>
 148           <li><a href="ritual_of_a_bob_dylan_concert_.htm">Going Through These Things Twice &ndash; the Ritual of a Bob Dylan Concert</a>
 149             <br />
 150             An early version of an article which in its finished version (published in <em>Genre and Ritual: The Cultural Heritage of Medieval Rituals </em>(Copenhagen 2005) is more about ritual theory than about Dylan </li>
 151           <li> <a href="about_guitars_and_kissing.htm">About Guitars and Kissing &ndash; not a concert review of some fall shows 2003</a>
 152             <br />
 153           Based on exclusive material from brain-wave transcriptions from the minds of Larry Campbell and Freddy Koella during the Scandinavian fall shows in 2003 </li>
 154           <li>
 155             <h3>Introductory remarks to some of Dylan's albums</h3>
 156            <ul>
 157                <li><a href="../02_freewheelin/index.htm">The Freewheelin' Bob Dylan</a>
 158                </li><li><a href="../04_anotherside/index.htm">Another side of Bob Dylan</a> </li>
 159             <li><a href="../08_jwh/index.htm">John Wesley Harding</a> </li>
 160             <li><a href="../11_newmorning/index.htm">New Morning</a></li>
 161             <li><a href="../16_bott/index.htm">Blood on the Tracks</a></li>
 162             <li><a href="../30_down/">Down In The Groove</a> </li>
 163             </ul>
 164         </li></ul>
 165                 <p>I have some other, not Dylan-oriented writing, <a class="url" href="http://hem.passagen.se/obrecht/">here</a>
 166         </p>-->
 167 <h2>Mike Daley</h2>
 168           <ul><li><a href="http://www.mikedaley.net/essay_vocalintonationbobdylan.htm">Vocal performance
 169         and speech intonation: Bob Dylan's Like A Rolling Stone</a><br />
 170         This one has been gone for a while, but now I found it again. </li>
 171         </ul>
 172
 173 <h2>Matt Phillips</h2>
 174 <ul><li><a href="matt_phillips_idiot_wind.htm">Preaching Into the Wind. An appreciation of <em>Idiot Wind</em></a></li></ul>
 175
 176 <h2>Daniel Syrovy</h2>
 177 <ul><li><a href="angelina_syrovy.htm">Angelina</a></li>
 178 </ul>
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