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7 <title>Floater (Too Much To Ask)</title>
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11 <body>
13 <h1 class="songtitle">Floater (Too Much To Ask)</h1>
16 <p>Words by Bob Dylan. Music taken from &ldquo;Snuggled On Your Shoulders&rdquo; by
17 Lombardo/Young<br />
18 Released on <a class="recordlink" href="index.htm">Love And Theft</a> (2001)<br />
19 Tabbed by Eyolf &Oslash;strem</p>
21 <hr />
23 <p>I've written in the melody line from the violin part in the intro;
24 it's a bit awkward, but it can be done, if you absolutely want to
25 (otherwise, it sounds better with the chord indicated in the chord
26 list). If played with a capo on the 1st fret, it is actually a bit
27 easier to get this part right. If only for that reason, I include such
28 a version at the end of the page.</p>
30 <p>Chords:</p>
31 <pre class="chords">
32 F7 xx3545 Ebm x68876
33 F#o xx4545 Dm x57765
34 F#7 xx4656 A7 575655
35 Fo xx3434 C/e x7558x
36 Bb 688766 F x87565
37 Eb7 x68686 Bb6 x13333
38 </pre>
40 <p>Not only the music is &ldquo;borrowed&rdquo;; Chris Johnson has discovered that
41 most of the text lines are taken from Junichi Saga's novel
42 <em>Confessions of a Yakuza</em> (translated by John Bester). See <a href="textual_sources.htm">this
43 survey</a> of all the lines borrowed from that book, or see the references
44 below.</p>
46 <hr />
48 <p>Intro:</p>
49 <pre class="tab">
50 F7 F#o F#7 F7
51 : . . . : . . . : . . . : . . .
52 |-1---------------|-2---------------|-2-----4-2-----4-|-1---------------|
53 |-1-----3-1-----3-|-4-----6-4-----6-|-2---------------|-1---------------|
54 |-2---------------|-2---------------|-3---------------|-2---------------|
55 |-1---------------|-4---------------|-2---------------|-1---------------|
56 |-3---------------|-3---------------|-4---------------|-3---------------|
57 |-1---------------|-2---------------|-2---------------|-1---------------|
58 </pre>
60 <pre class="verse">
61 F7 Fo F7
62 Down over the window
63 Bb Eb7 Bb
64 Come the dazzling sunlit rays
65 F7 Fo F7
66 Through the back alleys, through the blinds,
67 Bb Ebm Bb
68 Another one of them endless days.
70 Honey bees are buzzing
71 Leaves begin to stir
72 I'm in love with my second cousin Bb A7
73 I tell myself I could be happy forever with her.
74 </pre>
76 <pre class="bridge">
77 Dm A7
78 I keep listening for footsteps,
79 Dm Bb A7
80 But I ain't ever hearing any.
81 Dm A7
82 From the boat, I fish for bullheads
83 Dm C/e F . . Fo
84 I catch a lot, sometimes too many.
85 </pre>
87 <pre class="verse">
88 A summer breeze is blowin',
89 A squall is setting in.
90 Sometimes it's just plain stupid
91 To get into any kind of wind.
93 [intro]
95 Well, the old men 'round here sometimes they get on 1)
96 bad terms with the younger men,
97 Old, young - age don't carry weight
98 It doesn't matter in the end
100 One of the bosses' hangers-on sometimes comes to call
101 At times you least expect,
102 Tryin' to bully you, strong-arm you, inspire you with fear.
103 It has the opposite effect
104 </pre>
106 <pre class="bridge">
107 There's a new grove of trees on the outskirts of town 2)
108 The old one - long gone.
109 Timber, two foot six across,
110 Burns with the bark still on.
111 </pre>
113 <pre class="verse">
114 They say times are hard,
115 If you don't believe it you can follow your nose.
116 It don't bother me, times are hard everywhere,
117 We will just have to see how it goes.
119 [intro]
121 My old man he's like some feudal lord, 3)
122 Got more lives than a cat.
123 I've never seen him quarrel with my mother even once. 4)
124 Things come alive or they fall flat.
126 You can smell the pine wood burnin'
127 You can hear the school-bell ring.
128 Got to get up near the teacher, if you can
129 If you wanna learn anything.
130 </pre>
132 <pre class="bridge">
133 Romeo, he said to Juliet, &quot;You got a poor complexion
134 It don't give you an appearance of a youthful touch.&quot;
135 Juliet said back to Romeo, &quot;Why don't you just shove off 5)
136 If it bothers you so much.&quot;
137 </pre>
139 <pre class="verse">
140 They all got out of here any way they could -
141 Cold rain can give you the shivers.
142 They went down the Ohio, the Cumberland, the Tennessee,
143 All the rest of them rebel rivers.
145 [intro]
147 If you ever try to interfere with me, or cross my path again,
148 You do so at the peril of your own life. 9)
149 I'm not quite as cool or forgiving as I sound, 6)
150 I've seen enough heartache and strife.
152 My grandfather was a duck trapper
153 He could do it with just dragnets and ropes
154 My grandmother could sew new dresses out of old cloth,
155 I don't know if they had any dreams or hopes.
156 </pre>
158 <pre class="bridge">
159 I had 'em once though I suppose
160 To go along with all the ring dancing,
161 Christmas Carols on all the Christmas Eves
162 I left all my dreams and hopes
163 Buried under tobacco leaves
164 </pre>
166 <pre class="verse">
167 Not always easy kicking someone out, 7)
168 Got to wait awhile, it can be an unpleasant task.
169 Sometimes somebody wants you to give something up
170 And, tears or not, it's too much to ask. 8)
172 [intro, ended by Bb6]
173 </pre>
175 <hr />
177 <h2 class="songversion">References to Junichi Saga's novel <em>Confessions of a Yakuza</em></h2>
179 <p>1) ...some kind of trouble that put him on bad terms with the younger
180 men...age doesn't matter...Age by itself just doesn't carry any
181 weight. (155)</p>
183 <p>2) They were big, those trees &ndash; a good four feet across the
184 trunk. (241)</p>
186 <p>3) My old man would sit there like a feudal lord (6)</p>
188 <p>4) It's Up To Him Whether A Session Comes Alive Or Falls Flat... (155)</p>
190 <p>5) &ldquo;If it bothers you so much,&rdquo; she'd say, &ldquo;why don't you just
191 shove off?&rdquo; (9)</p>
193 <p>6) I'm not as cool or forgiving as I might have sounded (158) </p>
195 <p>7) even kicking him out wasn't as easy as that... I decided to wait a
196 while and see how it worked out... (155)</p>
198 <p>8) Tears or not, though, that was too much to ask (182)</p>
200 <h3>Other references
201 </h3>
202 <p>9) &quot;R B&quot; has sent me the following quite interesting reference &ndash; there's no limit to the range of sources Dylan has chosen: this time, it is Confederate Gen Nathan B. Forrest, the founder of the Ku Klux Klan: </p><p class="quote">...Later in the war, Forrest told General Braxton Bragg just what he thought of that vacillating, indecisive officer after Bragg had twice "tampered with" Forrest's cavalry command. The confrontation occurred at Bragg's headquarters on Missionary Ridge during the ridiculous Confederate siege of Chattanooga. Forrest said: </p>
203 <p class="quote">"I have stood your meanness as long as I intend to. You have played the part of a damned scoundrel, and are a coward, and if you were any part of a man I would slap your jaws and force you to resent it.... <strong>If you ever again try to interfere with me or cross my path, it will be at the peril of your life."</strong> (from <a href="http://www.thehistorynet.com/acw/blfeuding_generals/index1.html">http://www.thehistorynet.com/acw/blfeuding_generals/index1.html</a>)</p>
204 <hr />
206 <p>Version in E (capo 1st fret):</p>
207 <pre class="tab">
208 E7 Fo F7 E7
209 : . . . : . . . : . . . : . . .
210 |-0---------------|-1-----0-------0-|-1-----3-1-----3-|-0---------------|
211 |-0-----2-0-----2-|-3-------3-------|-1---------------|-0---------------|
212 |-1---------------|-1---------------|-2---------------|-1---------------|
213 |-0---------------|-3---------------|-1---------------|-0---------------|
214 |-2---------------|-2---------------|-3---------------|-2---------------|
215 |-0---------------|-1---------------|-1---------------|-0---------------|
216 </pre>
217 <pre class="verse">
218 E7 Eo E7
219 Down over the window
220 A D7 A
221 From the dazzling sunlit place
222 E7 Eo E7
223 Through the back alleys, through the blinds,
224 A Dm A
225 Another one of them endless days.
227 Honey bees are buzzing
228 Leaves begin to stir
229 I'm in love with my second cousin A G#7
230 I tell myself I could be happy forever with her.
231 </pre>
233 <pre class="bridge">
234 C#m G#7
235 I keep listening for footsteps,
236 C#m A G#7
237 But I ain't ever hearing any.
238 C#m G#7
239 From the boat, I fish for bullheads
240 C#m B/d# E . . Eo
241 I catch a lot, sometimes too many.
243 . . .
244 </pre>
245 </body></html>