1 <?xml version=
"1.0" encoding=
"UTF-8"?>
2 <!DOCTYPE html PUBLIC
"-//W3C//DTD XHTML 1.0 Strict//EN"
3 "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
4 <html lang=
"en" xml:
lang=
"en" xmlns=
"http://www.w3.org/1999/xhtml">
7 <title>Bye And Bye
</title>
8 <link rel=
"stylesheet" type=
"text/css" href=
"../css/general.css" />
13 <h1 class=
"songtitle">Bye And Bye
</h1>
16 <p>Words by Bob Dylan. Music based on 'Having Myself a Time' by Leo Robin
17 & Ralph Rainger, sung by Billie Holiday (thanks to Trev for notifying
19 Released on
<a class=
"recordlink" href=
"index.htm">Love And Theft
</a> (
2001)
<br />
20 Tabbed by Eyolf
Østrem
</p>
24 <p>For this song I believe in a capo on the
1st fret, at least in a solo
25 acoustic tab, since the uncapoed version would be virtually
26 unplayable. Both versions are included, though, with a list of
27 suggested chords at the end.
</p>
38 I'm breathing a lover's sigh.
40 Well, I'm sitting on my watch
44 I'm singing love's praises
46 With sugar-coated rhyme.
50 On you I'm casting my eye.
53 I'm paintin' the town,
54 Swingin' my partner around
55 Well, I know who I can depend on,
57 I'm watchin' the roads,
61 Making my last go round.
67 Well, I'm scuffling, and I'm shuffling
69 And I'm walking on briars
71 I'm not even acquainted
73 with my own desires *)
80 I've found true happiness,
81 That I've still got a dream
82 that hasn't been repossessed.
84 Going where the wild roses grow.
88 : . . . : . . . : . . .
89 |-----------------------
5-|-
7---
575-------------------|-------------------------|
90 |-----------------
5-
7-----|---------
7---
5-------------|-------------
7--------/
9-|
91 |-------------
5h6---------|---------------
5/
6---------|-------------------------|
92 |-------------------------|------------------(
7)------|-------
6---
9-------------|
93 |-------------------------|---------------------
6-----|---
6h7-------------------|
94 |-------------------------|---------------------------|-------------------------|
99 : . . . : . . . : . . .
100 |-------------------------|-------------------------|-------------------------|
101 |-------------------------|-------------------------|-------------------------|
102 |-----
7---
6h7-
9-----
9-----|-
5/
6---------------------|---
5/
6-------------------|
103 |-------------------------|-----
7-------------------|-------
7---------------
5-|
104 |-------------------------|-------
9---
7-
9---
7-------|-----------
9---
9-
7-
9-----|
105 |-------------------------|-------------------------|-------------------------|
109 : . . . : . . . : . . .
110 |-------------------
7---
7-|-
7-------
7-
8-
9-----------|-------------------------|
111 |-------
7---
5-
7---
5-------|-----------------
5-
7---
5-|-----------------------
5-|
112 |-------------------------|-------------------------|-
5/
6---------------
5/
6---|
113 |-
6-----------------------|-------------------------|-----
7-------
7-----------|
114 |-------------------------|-------------------------|-------
9---
7-------------|
115 |-------------------------|-------------------------|-------------------------|
120 |-
5-----------------
4-----|
121 |-----
5-----------
4-------|
122 |-------
6-------
5---------|
123 |-----------
7-
6-----------|
124 |-------------------------|
125 |-------------------------|
129 Well, the future for me
130 Is already a thing of the past
131 You were my first love
132 And you will be my last.
137 Mama, she's feeling sad.
138 Well, I'm gonna baptize you in fire
139 So you can sin no more
140 I'm gonna establish my rule
143 Just how loyal and true a man can be!
147 [instrumental, fade out]
151 <p>*)
<em>As You Like It
</em>, Act
1, Scene
1, Line
41:
</p>
153 If with myself I hold intelligence,
154 Or have acquaintance with mine own desires [...]
</p>
156 <p>this is spoken by Rosalind who, about twenty lines earlier says
"oh how full of briers is this working-day world". she and Celia then discuss the nature of the briers and walking on paths lined with such briers for the next ten lines or so (found and submitted by Nick Dorman).
</p>
159 <p>Uncapoed version:
</p>
167 I'm breathing a lover's sigh.
169 Well, I'm sitting on my watch
173 I'm singing love's praises
175 With sugar-coated rhymes.
179 Bb /d C#o F7/c Bb . A7
180 Making my last go round.
185 Well, I'm scuffling, and I'm shuffling
187 And I'm walking on briars
189 I'm not even acquainted
199 Bm7 x24232 Cm7 x35343
200 Eo
012020 Fo
123131 or xx3434
201 E7
022140 F7
131241 or xx3545
203 A7/g
34222x Bb7/ab
45333x
204 D/f#
254232 or
200232 Eb/g
365343
205 Dm/f
103231 Ebm/gb
2x4342
206 G#/b# x3114x A/c# x4225x
211 <p>Here's a tab of what the bass plays during the bridge. I've written it
212 relative to the capo of the rest of the tab, for clarity. The bass
213 obviously doesn't use a capo, though, and the (*) denotes the tone
214 right below the capo... (i.e. the open, lowest string).
</p>
217 |---------------------------------|---------------------------------|
218 |---------------------------------|---------------------------------|
219 |---------------------------------|---------------------------------|
220 |---------
3-----------------------|---------
3---
6---
7-----
7-
6-----
6-|
221 |-
4---
6-------
4---
6---
4---
3-------|-
4---
6---------------------------|
222 |-----------------------------
4---|---------------------------------|
226 |---------------------------------|------------------------------
227 |---------------------------------|------------------------------
228 |---------------------------------|------------------------------
229 |---------------------------------|------------------------------
230 |-
4-----------------------------
3-|-
4-----
4-
3-----
3-
2-----
2------
231 |-----
4---
6---
5---
4---
2---
1--(*)--|-------------------------
0----