?  search:
summary | log | graphiclog1 | graphiclog2 | commit | commitdiff | tree | refs | edit | fork
blame | history | raw | HEAD
Correction in Mary and the Soldier
[dc-seal.git] / 03_times / one_too_many_mornings.htm
blobc11bf9b87e5200f9814e47c35ed02d5abec389f1
1 <?xml version="1.0" encoding="utf-8"?>
2 <!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
3 "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
4 <html lang="en" xml:lang="en" xmlns="http://www.w3.org/1999/xhtml">
5 <head>
6 <title>One Too Many Mornings</title>
7 <link rel="stylesheet" type="text/css" href="../css/general.css" />
8 </head>
9 <body>
10 <h1 class="songtitle">One Too Many Mornings</h1>
11 <p>Words and music Bob Dylan<br />
12 Released on <a class="recordlink" href="../03_times/index.htm">The Times They Are A-changin'</a> (1964) and in live versions on <a class="recordlink" href="../39_rah/index.htm">Live 1966</a> (1998) and <a class="recordlink" href="../19_hardrain/index.htm">Hard Rain</a> (1976)<br />
13 Tabbed by Eyolf &Oslash;strem</p>
14 <hr />
15 <p>The song is played in <a href="../roadmaps.htm#opentunings">open A tuning</a>: E-A-c#-e-a-c#' (tune down the fourth string a semitone and the three highest strings to the same tones as the three lowest; this is the tuning that was used for <a href="../00_misc/wichita_blues.htm">Wichita Blues</a>, with the exception of the highest string), and with a capo on the 3rd fret (sounding key C major). </p>
16 <p>If you're not comfortable with open tunings, it is of course possible to play it in standard tuning, either with ordinary chord shapes, or with the chords suggested below, which come close to the sound of the open A version.</p>
17 <p>Chords: </p>
18 <pre class="chords">
19 Open A Standard
20 ========================
21 C 000000
22 Cv 500500
23 Em/b 4004x0 x22010
24 F/a 20120x x0321x
25 C/g 043000 3x5050
26 Csus4 053000 xx3010
27 C/e x43000 xx2010
28 G9 021000 3x303x
29 </pre>
30 <hr />
31 <pre class="tab">
32 C Cv Em/b
33 : . . . : . . . : . . . : . . .
34 |-----------------|-----------------|-----------------|-----------------|
35 |-0---------0-----|-----------0-----|-----------------|-----0-----------|
36 |-----------------|-----------------|-----------5-----|-----------4-----|
37 |-----0-------0---|-----0-------0---|-----0-------0---|-----0-------0---|
38 |-0---------------|-0---------------|-----------------|-----------------|
39 |---------0-------|---------0-------|-5-------5-------|-4-------4-------|
40 Down the streets the dogs are barking and the</pre>
41
42 <pre class="tab">
43 F/a C/g C/g Csus4
44 : . . . : . . . : . . . : . . .
45 |-----------------|---------------0-|-----------------|-----------------|
46 |-----------------|-----0-----------|-----------------|-----------------|
47 |-2---------2-----|-----------0-----|-----------0-----|-----------------|
48 |(1)--1-------1---|-----3-------3---|-----3-------3---|-----3-------3---|
49 |-----------------|-4---------------|-----------------|---------5-------|
50 |-2-------0-------|---------0-------|-0-------0-------|-0---------------|
51 day is getting dark As the night comes in a- </pre>
52
53 <pre class="tab">
54 C/e C/g G9 C/g
55 : . . . : . . . : . . . : . . .
56 |-----------------|-----------------|-----------------|-----------------|
57 |-----0-----------|-----0-----------|-----0---------0-|-----0---------0-|
58 |-----------0-----|-----------0-----|-----------0-----|-----------0-----|
59 |-----3-------3---|-----3-------3---|-----1-------1---|/----3-------3---|
60 |-4---------------|-----------------|-2---------------|/4---------------|
61 |---------0-------|-0-------0-------|---------0-------|---------0-------|
62 falling the dogs will lose their bark</pre>
63
64 <pre class="tab">
65 G9 C Em/b F/a
66 : . . . : . . . : . . . : . . .
67 |-----------------|-----------------|-----0-----------|-----------------|
68 |-----0-----------|-----------------|-----------------|-----------------|
69 |-----------0-----|-----5-----5-----|-----------4-----|-2---------2-----|
70 |\----1-------1---|-----0-------0---|-----0-------0---|-----1-------1---|
71 |\2---------------|-----------------|-----------------|-----------------|
72 |---------0-------|-5-------5-------|-4-------4-------|-2-------0-------|
73 And the silent night will shatter from the sounds inside my </pre>
74
75 <pre class="tab">
76 C/g C/g Csus4 C/g
77 : . . . : . . . : . . . : . . .
78 |---------------0-|-----------------|-----------------|-----------------|
79 |-----0-----------|-----------------|-----------------|-----0-----------|
80 |-----------0-----|-----------0-----|------------ ----|-----------0-----|
81 |-----3-------3---|-----3-------3---|-----3-------3---|-----3-------3---|
82 |-4---------------|-----------------|---------5-------|-4---------------|
83 |---------0-------|-0-------0-------|-0---------------|---------0-------|
84 mind Cause I'm one too many mornings and a </pre>
85
86 <pre class="tab">
87 G9 C/g G9 C
88 : . . . : . . . : . . . : . . .
89 |-----------------|-----------------|-----------------|-----------------|
90 |-----0---------0-|-----0-----------|-----0-----------|-----0-----------|
91 |-----------0-----|-----------0-----|-----------0-----|-----------0-----|
92 |-----1-------1---|/----3-(\1)--1---|-----0-------0---|-----0-------0---|
93 |-2---------------|/4-----(\2)------|-0---------------|-----------------|
94 |---------0-------|---------0-------|---------0-------|-0-------0-------|
95 thousand miles behind</pre>
96 <pre class="">[Harp verse:]
97 </pre>
98 <pre class="tab">
99 C Em/b F/a C/g
100 : . . . : . . . : . . . : . . .
101 |-----------------|-----------------|-----------------|------------------|
102 |-----------------|-----0-----------|-----------------|------------------|
103 |-----------5-----|-----------4-----|-2---------2-----|------------0-----|
104 |-----0-------0---|-----0-------0---|(1)--1-------1---|(/3)--3-------3---|
105 |-----------------|-----------------|-----------------|-/4---------------|
106 |-5-------5-------|-4-------4-------|-2-------0-------|----------0-------| </pre>
107
108 <pre class="tab">
109 G9
110 : . . . : . . . : . . . : . . .
111 |----(0)----------|-----------------|-----------------|-----------------|
112 |-----------------|-----------------|-----------------|-----------------|
113 |-----------0-----|-----------0-----|-----------0-----|-----------0-----|
114 |-----3-------3---|-----3-------3---|-----3-------3---|-----1-------1---|
115 |-----------------|-----------------|-----------------|-2---------------|
116 |-0-------0-------|-0-------0-------|-0-------0-------|---------0-------|</pre>
117
118 <pre class="tab">
119 C Em/b F/a
120 : . . . : . . . : . . . : . . .
121 |-----------------|-----------------|-----------------|-----------------|
122 |-----------------|-----------------|-----0-----------|-----------------|
123 |-----------0-----|-----------5-----|-----------4-----|-2---------2-----|
124 |-----1-------1---|-----0-------0---|-----0-------0---|(1)--1-------1---|
125 |-2---------------|-----------------|-----------------|-----------------|
126 |---------0-------|-5-------5-------|-4-------4-------|-2-------0-------| </pre>
127
128 <pre class="tab">
129 C/g C/e Csus4 C/e C/g
130 : . . . : . . . : . . . : . . .
131 |------------------|-----------------|-----------------|-----------------|
132 |------------------|-----------------|-----0-------0---|-----0-----------|
133 |------------0-----|-----------0-----|-----0-------0---|-----0-----0-----|
134 |(/3)--3-------3---|-----3-------3---|-----3-------3---|-----3-------3---|
135 |-/4---------------|-----------------|-4-------5-------|-4---------------|
136 |----------0-------|-0-------0-------|-----------------|---------0-------|</pre>
137
138 <pre class="tab">
139 G9 C F/a C
140 : . . . : . . . : . . . : . . . : . . .
141 |-----------------|-----------------|-----------------|-----------------|-----------------|
142 |-----------------|-----------------|-----------------|-----0-----------|-----0-----------|
143 |-----------0-----|-----------------|---0-------2-----|-----------0-----|-----------0-----|
144 |-----1-------1---|-----0-------0---|-----0h1-----1---|-(p0)0-------0---|-----0-------0---|
145 |-2---------------|-0---------------|-----------------|-----------------|-----------------|
146 |---------0-------|---------0-------|-2-------2-------|-0-------0-------|-0-------0-------|
147 </pre>
148 <pre class="verse">
149 C Em/b
150 Down the street the dogs are barking
151 F/a C/g
152 And the day is a-getting dark.
153 C/g Csus4 C/e
154 As the night comes in a-fallin'
155 G9 C/g G9
156 The dogs, they'll lose their bark.
157 C Em/b
158 And the silent night will shatter
159 F/a C/g
160 From the sounds inside my mind
161 Csus4 C/e
162 And I'm one too many mornings
163 G9 C/g G9 C
164 And a thousand miles behind.
165
166
167 From the crossroads of my doorstep,
168 My eyes start to fade.
169 And I turn my head back to the room
170 Where my love and I have laid.
171 And I gaze back to the street
172 the sidewalk and the sign.
173 And I'm one too many mornings
174 And a thousand miles behind.
175
176 It's a restless, hungry feeling
177 That don't mean no one no good.
178 When everything I'm saying,
179 You can say it just as good.
180 You are right from your side,
181 And I am right from mine.
182 We're both just one too many mornings
183 And a thousand miles behind.</pre>
184 <hr />
185 <h2 class="songversion">Version from the BBC show, June 1, 1965</h2>
186 <pre class="chords">
187 Bm' xx4430 (or xx4030)
188 D/c x30030
189 </pre>
190 <pre class="verse">
191 G Bm'
192 Down the street the dogs are barking
193 C G . . /b-c | D . .
194 And the day is getting dark.
195 G Bm'
196 As the night comes in a-fallin'
197 C D . . D/c |D . .
198 The dogs, they'll lose their bark.
199 G Bm'
200 And the silent night will shatter
201 C G . . /b-c | D . .
202 From the sounds inside my mind
203 G Bm'
204 As I'm one too many mornings
205 C G /b /c D G
206 And a thousand mi - les behind.
207
208 Bm' C G D
209 </pre>
210 <hr />
211 <h2 class="songversion"><a class="recordlink" href="../39_rah/index.htm">Live 1966</a> version</h2>
212 <p>Capo 2nd fret (sounding key A major). Robbie's guitar is uncapoed.</p>
213 <pre class="verse">
214 |: G Gsus4:|
215
216 G Bm
217 Down the street the dogs are barking
218 C G Gsus4 G
219 And the day is getting dark.
220 G Bm
221 As the night comes in a-fallin'
222 C D Dsus4 D
223 The dogs, they'll lose their bark.
224 G Bm
225 The silent night will shatter
226 C G Gsus4 G
227 From the sounds inside my mind
228 G Bm
229 As I'm one too many mornings
230 C G D
231 And a thousand miles
232 G
233 behind.
234 </pre>
235 <hr />
236 <h2 class="songversion">Hard Rain version</h2>
237 <pre class="verse">
238 G D
239 Down the street the dogs are barking
240 B Em
241 And the day is getting dark.
242 C G
243 As the night comes in a-fallin'
244 D . C . Bm . D . *)
245 The dogs, they'll lose their bark.
246 G D
247 The silent night will shatter
248 B Em
249 From the sounds inside my mind
250 C G
251 As I leave one too many mornings
252 C (/e /f#) G C G
253 And a thousand miles behind.
254
255 . . .
256 </pre>
257 <p>Additional last half-verse (the first part of the verse instrumental):</p>
258 <pre class="verse">
259 I've no right to be here
260 If you've no right to stay
261 Until we're both one too many mornings
262 And a thousand miles away
263 </pre>
264 <hr />
265 <p>*) Play the Bm with the first string open, or as xx4030 - that will imitate <em>some</em> of the delightful clashes that only a full, desperate Rolling Thunder band can produce. </p>
266 </body>
267 </html>
Seal-dc development