From 739f6464aed8f1b777f19bd3307dd936d165da7b Mon Sep 17 00:00:00 2001 From: Valentin Villenave Date: Fri, 12 Dec 2008 13:20:17 +0100 Subject: [PATCH] ActeUnSceneUn, COMPLETED! This commit adds final dynamics to ActeUnSceneUn. Ready to ship. --- definitions/functions.ly | 20 +-- instruments/alto2.ly | 4 +- instruments/clarinette1.ly | 2 +- instruments/clarinette2.ly | 2 +- instruments/flute1.ly | 12 +- instruments/flute2.ly | 2 +- instruments/percu.ly | 4 +- instruments/piano.ly | 412 ++++++++++++++++++++++++--------------------- instruments/reduction.ly | 4 +- instruments/violon1.ly | 2 +- instruments/violon2.ly | 10 +- instruments/violon3.ly | 4 +- main.ly | 1 - master/master.ly | 8 +- texte/nomenclature.ly | 16 +- 15 files changed, 257 insertions(+), 246 deletions(-) diff --git a/definitions/functions.ly b/definitions/functions.ly index 5256106..73d27d3 100755 --- a/definitions/functions.ly +++ b/definitions/functions.ly @@ -83,17 +83,6 @@ showAnyway = %% Articulation shortcuts -----------------------------------------% -harmo = -#(define-music-function (parser location chord result) (ly:music? ly:music?) - #{ << \oneVoice $chord \\ { \voiceTwo %FIXME: ties could look better. - \override NoteHead #'stencil = #ly:text-interface::print - \override NoteHead #'text = \markup { \null \musicglyph #"noteheads.s2"} - \once \override NoteHead #'text = \markup {\null \override #'(direction . 1) - \dir-column {\musicglyph #"noteheads.s2" \teeny \musicglyph #"eight"}} - \override Stem #'stencil = ##f $result - \revert Stem #'stencil \revert NoteHead #'stencil } >> #}) - -% Are these really needed? #(define (make-script x) (make-music 'ArticulationEvent 'articulation-type x)) @@ -183,6 +172,15 @@ CaV= (acons 'font-size -3 (ly:music-property m 'tweaks))) m) +harmo = +#(define-music-function (parser location chord result) (ly:music? ly:music?) + #{ << \oneVoice $chord \\ { \voiceTwo %FIXME: ties could look better. + \override NoteHead #'stencil = #ly:text-interface::print + \override NoteHead #'text = \markup { \null \musicglyph #"noteheads.s2"} + \once \override NoteHead #'text = \markup {\null \override #'(direction . 1) + \dir-column {\musicglyph #"noteheads.s2" \teeny \musicglyph #"eight"}} + \override Stem #'stencil = ##f $result + \revert Stem #'stencil \revert NoteHead #'stencil } >> #}) thumbpizz = #(make-music 'TextScriptEvent diff --git a/instruments/alto2.ly b/instruments/alto2.ly index 7327404..4841331 100644 --- a/instruments/alto2.ly +++ b/instruments/alto2.ly @@ -173,8 +173,8 @@ ActeUnSceneUnAltoDeux = { \AltoDeux \ttt {mi,( sib' re lab' re, sib} \ttt {mi, sib' re lab' re, sib} \ttt {mi, sib' re lab' re, sib)} | - mi, sib' re sib mi, sib' re sib - mi, sib' re sib mi, sib' re sib | + mi,( sib' re sib) mi,( sib' re sib) + mi,( sib' re sib) mi,( sib' re sib) | mi,( sib' re sib) mi,( sib' re sib) mi,( sib' re sib) | 4\f\downbow \downbow \downbow | diff --git a/instruments/clarinette1.ly b/instruments/clarinette1.ly index f7d8716..96f7c13 100755 --- a/instruments/clarinette1.ly +++ b/instruments/clarinette1.ly @@ -129,7 +129,7 @@ ActeUnSceneUnClarinetteUn = { \ClarinetteUn \t {do,4 lab'8} reb r \t {do, lab' mi'} | \ten do'2~\p do8 r fa,4\<( | do'2\mp) fa,4\<( | sib2~\mp) sib8 r reb,4\<( | sib'2\mf) solb4( do\p) r2 | \ttt {r16 red,,\p( mi fad la si} do2~) | - do8 \t {mi16( fa sol} sib8-.) r r4 | R2.*2 + do8 \t {mi16(\< fa sol} sib8-.)\! r r4 | R2.*2 r16 la,-.\mf mib-. la-. re-. la-. mib-. la-. re4-- | \tttt {re,16\pp( mib re mib re mib re} \t {mib re mib} sib'32 dob sib dob diff --git a/instruments/clarinette2.ly b/instruments/clarinette2.ly index 62cda2e..992565e 100755 --- a/instruments/clarinette2.ly +++ b/instruments/clarinette2.ly @@ -117,7 +117,7 @@ ActeUnSceneUnClarinetteDeux = { \ClarinetteDeux mi8 sold32\<( la si re mi8-.\!) r r4 | R2.*2 r8 sib,16-.\mf mib-. la-. mi,-. sib'-. mib-. la4-- | \ttt {fad,16\pp( sol fad sol fad sol} - la32 sib la sib \t {re16 mib re} \tttt {mib\> re mib re mib re mib} | + la32 sib la sib \t {re16 mib re} \tttt {mib\< re mib re mib re mib} | \ten do'1~\f) do2 r4 | %%% Ad libitum %%% diff --git a/instruments/flute1.ly b/instruments/flute1.ly index d6d26e7..5a7f33b 100755 --- a/instruments/flute1.ly +++ b/instruments/flute1.ly @@ -109,7 +109,7 @@ ActeUnSceneUnFluteUn = { \FluteUn \t {mi\mp( sib reb,} \t {solb,4) sib'8} \t {mi( sib reb,} \t {solb,4) sib'8} lab'4\mf(\> mi reb | - do4\p) r2 | R2.*6 \ten do1~ do2 r4 | + do4\p) r2 | R2.*6 \ten do1\f~ do2 r4 | %%% Ad libitum %%% R1 R2.*2 R1 R2.*2 @@ -137,7 +137,7 @@ ActeUnSceneUnFluteUn = { \FluteUn do-- do'16 do, r do, do'8 do'16 do,8 do'16 | do,8--\pp[ r16 do'] do,8--[ r16 do'] do,8--[ r16 do'] do,8--[ r16 do'] | do, do, do'' do, reb'\< reb, mib' mib,\! r4\fermata r8 r16 do'\pp | - do,8--[ r16 do'] do,8[ r16 do'] do,8--[ r16 do'] do,8--[ r16 do'] | + do,8--[ r16 do'] do,8--[ r16 do'] do,8--[ r16 do'] do,8--[ r16 do'] | do, do, mib'' mib, fa'\< fa, solb' solb,\! r4\fermata r8 r16 do\pp | do,8--[ r16 do'] do,8--[ r16 do'] do,8--[ r16 do'] do,8--[ r16 mib'] | mib, solb' solb, lab' lab,\< la' si, si' re8\mf r\fermata r r16 do,\p | @@ -206,19 +206,11 @@ ActeUnSceneUnBisFluteUn = { \FluteUn %%% Largo %%% R2*3 R2. R2 R2. R2 R2.*2 -<<<<<<< HEAD:instruments/flute1.ly - r2 r4 sib, | sol2 r4 sib | sol2 r4 R2 R1 - R2.*2 R2*2 - r2 r8 sib | sol4 r8 sib | sol2 | - r8 sol r4 | r8 sol sib r r4 | - r2 r8 sol sib reb | -======= r2 r4 sib,-.\mf | sol2-- r4 sib-. | sol2-- r4 R2 R1 R2.*2 R2*2 r2 r8 sib-.\mf | sol4-- r8 sib-. | sol2-- | r8 sol\sfz r4 | r8 sol-> sib-> r r4 | r2 r8 sol->( sib-> reb->) | ->>>>>>> 34ccc8d6b5873427c5b48a1caf704308e336a01f:instruments/flute1.ly R2. R2*3 R2.*3 %%% Adagio %%% diff --git a/instruments/flute2.ly b/instruments/flute2.ly index 34c0f24..e5c5bd4 100755 --- a/instruments/flute2.ly +++ b/instruments/flute2.ly @@ -126,7 +126,7 @@ ActeUnSceneUnFluteDeux = { \FluteDeux sib-- sib'16 sib, r8 sib sib'16 sib,8 sib'16 | sib,8--\pp[ r16 sib'] sib,8--[ r16 sib'] sib,8--[ r16 sib'] sib,8--[ r16 sib'] | sib,8 sib'16 sib, do'\< do, reb' reb,\! r4\fermata r8 r16 sib'\pp | - sib,8--[ r16 sib'] sib,8[ r16 sib'] sib,8--[ r16 sib'] sib,8--[ r16 sib'] | + sib,8--[ r16 sib'] sib,8--[ r16 sib'] sib,8--[ r16 sib'] sib,8--[ r16 sib'] | sib,8 do'16 do, mib'\< mib, fa' fa,\! r4\fermata r8 r16 sib\pp | sib,8--[ r16 sib'] sib,8--[ r16 sib'] sib,8--[ r16 sib'] sib,8--[ r16 do'] | do, fa' fa, solb' solb,\< lab' la, re mi8\mf r\fermata r r16 sib\p | diff --git a/instruments/percu.ly b/instruments/percu.ly index 848fbcd..3508344 100755 --- a/instruments/percu.ly +++ b/instruments/percu.ly @@ -139,7 +139,7 @@ ProloguePercus = << \partial 4 r4 R2.*3 R1 R2*2 R2. R2*2 R2. R2*2 R2. R2*2 R2. R2*2 %%% Entrée du Baryton 1 %%% - R2. R2*2 R2. s2_\markup { \indic "(bag. de timbale)" } s2. R2 + R2. R2*2 R2. s2_\markup { \indic "bag. de timbales (lourdes)" } s2. R2 r8 sol, dod4 sib8 dod | r8 sol dod4 dod' r2 | re4 sold, sib,2:32 R2. @@ -539,7 +539,7 @@ ActeUnSceneUnBisPercus = << r sol32-> sol8.. r4 | \t {sol16-> sol sol~} sol8-- r4 reb'-- | sol,-- r2 | sol8\mf reb'~ reb4~\> reb4:32 reb4\!\laissezVibrer r2 R2.-\fermataMarkup - sol,8\mp\> reb'~reb4~ reb4:32 reb4\!\laissezVibrer r2 R1-\fermataMarkup + sol,8\mp\> reb'~reb4~ reb4:32 reb4\!\laissezVibrer r2 R1-\fermataMarkup R1 R2 %%% Largo %%% diff --git a/instruments/piano.ly b/instruments/piano.ly index a32f732..4275311 100755 --- a/instruments/piano.ly +++ b/instruments/piano.ly @@ -10,7 +10,7 @@ Piano = { \set PianoStaff.instrumentName = \markup { \hcenter-in #27.5 "Piano "} \set PianoStaff.shortInstrumentName = "Piano. " - \set PianoStaff.midiInstrument = "acoustic grand" + \set PianoStaff.midiInstrument = "acoustic grand" } ProloguePiano = { \Piano @@ -40,7 +40,7 @@ ProloguePiano = { \Piano \> } r8\mp -. 4-- | 8-. 4-- 8-. 4-- \clef treble | - + %%% Tempo giusto %%% re'8\p r re-.\p re-. s2*2 R2*3 s2*2 \pl 4 re''4-- r2 | R2.*2 \clef bass | @@ -52,12 +52,12 @@ ProloguePiano = { \Piano \ttt {do) sol'( re sib \mg sol fa} \tttt {mi re si la sold fad red) \md} | s4 \t{8\> dod, } | 2\pp\laissezVibrer R2-\fermataMarkup - + %%% Solo ténor %%% R1*2 R2. R1 R2. r2 sol\p~| sol~ sol~ sol R2 R2.*6 2.\arpeggio \laissezVibrer R2.*4 R4. - + %%% Andantino %%% \st { 8\pp \mg sol, \md r | @@ -75,7 +75,7 @@ ProloguePiano = { \Piano R4.*2 s4.*2 | 4.\laissezVibrer s4.*3 | 4.\laissezVibrer s4.*3 | - + %%% A tempo %%% \ottava #1 re''32\f \> re, re re,\! \ottava #0 s8 r R4. @@ -103,36 +103,36 @@ ProloguePiano = { \Piano \stemDown \mg \stemUp \md \stemDown \mg \stemUp \md \stemDown | 8-- 16( \mg \stemUp \md \stemDown - \mg \stemUp + \mg \stemUp \md \stemDown \mg \stemUp dod, \md \stemDown - \mg \stemUp + \mg \stemUp \md \stemDown 8) | 8-- 16( \mg \stemUp - \md \stemDown + \md \stemDown \mg \stemUp sib,, \md \stemDown \mg \stemUp \md \stemDown 8) | 16--(\> \mg \stemUp - \md \stemDown 8) | 16--( + \md \stemDown 8) | 16--( \mg \stemUp \md \stemDown - \mg \stemUp + \mg \stemUp \md \stemDown 8) | - 16-- \mg \stemUp + 16-- \mg \stemUp \md \stemDown -- \mg \stemUp \md \stemDown 8--\! } | R4.*9 R8*5 R2.*3 - + %%% Adagio %%% \cmb #"p" #"très clair" 1\laissezVibrer R1*3 R1. \makeClusters { \ind #"dans les cordes" sol,16 la si do re2.} r2 | 1\laissezVibrer R1*2 R1. \makeClusters { \simile sol,16 la si do mi2. } r2 | 2-- --\laissezVibrer R1 R2. | - + %%% Valse %%% \ottava #1 r4 \det {2\ppp | r4 2 \ottava #0 r4 2 | r4 2 | r4 2 | r4 2 | r4 r } | - \mg \stemUp r8 re,8\p( mib sib' si \md fad' + \mg \stemUp r8 re,8\p( mib sib' si \md fad' \stemNeutral sol8\< re' mib sib')\! | R2.*2 \stemUp \t {r8 mi(\pp mib} \t {lab, sol do,} \t {si mi, mib} \mg \t {lab, sol do,)} \md \stemNeutral | @@ -159,7 +159,7 @@ ProloguePiano = { \Piano 4-- 8-. 4-- 8-. | r 4-- 8-. | 2--~4 r2 | - + %%% Tempo giusto %%% 8->-. r r4 | re'8-. \md re'-. \mg re,-. \md re'-. \mg | @@ -179,7 +179,7 @@ ProloguePiano = { \Piano 1*1/2->--\laissezVibrer s2 \t {\stemDown dod'2*1/4\laissezVibrer \stemUp 8 dod,} \stemNeutral s4 R2 R2-\fermataMarkup - + %%% Solo ténor %%% R1*2 R2. R1 R2. R1 sol,2~ sol~ sol 2(~ 2.) @@ -208,9 +208,9 @@ ProloguePiano = { \Piano ) \mg} - + %%% A tempo %%% - + %% FIXME: Issue #705 \stemUp re,,,8->-. \md \stemDown re''-. \mg \stemDown re,-. \stemNeutral (\< )\> | @@ -221,12 +221,12 @@ ProloguePiano = { \Piano \stemDown 4.*1/3\f\laissezVibrer s4 s4. 4.*1/3\f\laissezVibrer s4 s4.*4 \stemNeutral si'8--\mf sib-- lab-- | fa-- r4 | R4.*7 R8*5 R2.*3 - + %%% Adagio %%% \det {1\laissezVibrer R1*3 R1.*2 1\laissezVibrer R1*2 R1.*2 2 2\laissezVibrer R1 R2. \clef treble - + %%% Valse %%% r4 2 r4 2 | r4 2 | r4 2 | @@ -238,7 +238,7 @@ ProloguePiano = { \Piano \det { \stemNeutral do,2*2\laissezVibrer s2. r4 2 | r4 2 r4 2 | r4 2 r4 r } | - R1 \stemDown re'16 mib sol la + R1 \stemDown re'16 mib sol la sib \md do mib fa solb lab si dod \mg s4 \st { \stemNeutral re,,,8 re' | re, re' re, re' | re, re' re, re' | re, re' re, re' | @@ -253,182 +253,204 @@ ProloguePiano = { \Piano ActeUnSceneUnPiano = { \Piano \PianoDeuxMains \relative { \clef bass - do,8 do \t {do do do} do4 do\laissezVibrer s2. | - r8 do \t {do do do} do4 do\laissezVibrer s2. | - r8 do \t {do do do} do4 do\laissezVibrer s2. | - r8 do \t {do do do} do4 do\laissezVibrer s2. | - r8 do \t {do do do} do4 do\laissezVibrer s2. | - r8 do \t {do do do} do4 do\laissezVibrer s2. \clef treble | - 1\arpeggio \laissezVibrer | + \cmb #"p" #"sombre" do,8( do \t {do\> do do} do4--\! do--)\laissezVibrer s2. | + r8 do\<( \t {do\> do do} do4--\! do--)\laissezVibrer s2. | + r8 do\<( \t {do\> do do} do4--\! do--)\laissezVibrer s2. | + r8 \simile do( \t {do do do} do4 do)\laissezVibrer s2. | + r8 do( \t {do do do} do4 do)\laissezVibrer s2. | + r8 do( \t {do do do} do4 do)\laissezVibrer s2. \clef treble | + 1\pp\arpeggio \laissezVibrer | 2.\arpeggio \laissezVibrer | 1\arpeggio \laissezVibrer | 2.\arpeggio \laissezVibrer \clef bass | - r8 \t { } 4 \laissezVibrer s2. | - r8 \t { } 4 \laissezVibrer \clef treble | + r8 \mp( \t { } 4 )\laissezVibrer s2. | + r8 ( \t { } 4 )\laissezVibrer \clef treble | r4 2\arpeggio | s4 \pl \arpeggio \arpeggio s \pl \arpeggio \arpeggio - \pl {s s} { 8 \t { }} | + \pl {s s} {--\pp 8( \t { )}} | 4 \arpeggio s \pl \arpeggio \arpeggio s2. | R2.*7 - 4 8 \t { } 4~ | + \det {4\fmolto 8 \t { } 4~} | 2. | - + %%% Ad libitum %%% - 16[ r ] 2.~ 2*3/2\laissezVibrer - R2. \clef bass | r2 16[ r ] 4~ | - 2*3/2\laissezVibrer | r2 16[ r ] | - + \cmb #"p" #"très clair" + 16[( ) r -.] 2.--~ 2*3/2\laissezVibrer + R2. \clef bass | r2 16[( ) r -.] 4--~ | + 2*3/2\laissezVibrer | r2 16[\ffsubito r ] | + %%% Agitato %%% - 2 r | R1 r4 r | R1*3 - 2 4 \t { } 1\laissezVibrer R1 | - re2 re4 re \t {re re re} 1\laissezVibrer R1*2 | - re2 re4 re \t {re re re} 1\laissezVibrer s2 - \t {do4 lab' mib} | - 2 r4 2. | r4 2. r4 | - r \clef treble 2 | - r4 2. | r4 2. r2 | - s1. 1 r2 R1. | - + 2\sfz r | + R1 r4 ->\sfz r ->\sfz | R1*3 + 2--\mf 4-- -- \t {\> } + 1--\p\laissezVibrer R1 | + re2--\mf re4-- re-- \t {re\> re re} + 1--\p\laissezVibrer R1*2 | + re2-- re4-- re-- \t {re--\> re-- re--} + 1--\!\laissezVibrer s2 + \t {do4--( lab'-- mib--)} | + 2-- r4 2.-- | r4 2.-- r4 | + r --( -- -- \clef treble 2--) | + r4 2.-- | r4 2.-- r2 | + s1 s2\> 1\pp r2 R1. | + %%% Allegro non troppo %%% R1 R2. R1*5 R2. R1 R2. R1 R2. R1 \ottava #1 - r16 16. 32 2\laissezVibrer s1 + r16\f ( 16.-.) 32( 2)\laissezVibrer s1 \ottava #0 R1*4 R2.*3 R1*6 - + %%% Moderato %%% R1*2 R2.*2 R1 R2. R1 R2. R1 s2. s1 s2. s1 - sib,,16 do sib' sib, do fa \mg fa, \md sib + \ind #"molto legato" sib,,16 do sib'-- sib, do fa-- \mg fa, \md sib do \mg mib, \md sib' do | - sib do sib' do, fa do' sib, do - fa sib, do \mg mib, \md sib' \mg fa \md sib do | - sib do sib' do, fa sib do mib, fa sib, do fa | - sib, do reb do mib do fa sib, do fa sib do sib, do fa sib, | - do sib' sib, do do' do, sib' sib, do' do, sib' sib, | - do sib' do, sib' do sib, do sib' 8 r r2 | R1 \clef bass - s2*2 r8 \clef treble - \pl 2\laissezVibrer \laissezVibrer | - + sib do sib'-- do, fa do'-- sib, do + fa-- sib, do \mg mib, \md sib' \mg fa \md sib do | + sib do sib'-- do, fa sib do-- mib, fa-- sib, do fa | + sib, do-- reb do mib do fa-- sib, do fa sib do-- sib, do fa-- sib, | + do sib'-- sib, do do'-- do, sib'-- sib, do'-- do, sib' sib, | + do sib'-- do, sib' do-- sib, do sib' + 8->\mp r r2 | R1 \clef bass + s2*2 r8 --( -- \clef treble --) + \pl 2--\laissezVibrer --\laissezVibrer | + %%% Allegro marcato %%% - \ottava #1 4 | - \ottava #0 s | R1*3 - \ottava #1 4 | - \ottava #0 s | R1*2 - r2 r4 2 8 r 4 | - 2 8 r r4 | R1 r2 r4 | - 2 8 r 4 2 8 r r4 | - R1*4 r2 r8 \ottava #1 \pl {do'16 la'?} {\t {do fa lab}} 4 | - r2 r8 \pl {do,16 la'?} {\t {do fa lab}} 4 | \ottava #0 R1 \clef treble | - + \ottava #1 4-.\mf -. + -. -. | + -. -. + \ottava #0 -. s | R1*3 + \ottava #1 4-.\mf -. + -. -. | + -. \ottava #0 -. s | R1*2 + r2 r4 -.--\p + 2--( 8) r 4-.-- | + 2--( 8) r r4 | R1 r2 r4 -.-- | + 2--( 8) r 4-.-- + 2--( 8) r r4 | + R1*4 r2 r8 \ottava #1 \pl {do'16\pp la'?} {\t {do( fa lab)}} + 4-. | + r2 r8 \pl {do,16 la'?} {\t {do( fa lab)}} 4-. | \ottava #0 R1 \clef treble | + %%% Agitato %%% - 2. r4 | + 2.--\f r4 | R1*3 \clef treble | - sib'''8 fa do mib sib fa fa' do | - sib' fa do mib sib fa mib' sib | - la' re, sol, fa' sib, mib, sol' do, | - sib' mib, lab, mib' sib fa sol' do, | - sib' mib, lab, si' fad dod sol' re | - lab' mib sib fa sib mib lab mib | - lab mib sib fa sib mib lab reb | solb r r4 r1 | + \st {sib'''8->\p fa do mib-> sib fa fa'-> do | + sib'-> fa do mib-> sib fa mib'-> sib | + la'-> re, sol, fa'-> sib, mib, sol'-> do, | + sib'-> mib, lab, mib'-> sib fa sol'-> do, | + sib'-> mib, lab, si'-> fad dod sol'-> re | + lab'-> mib sib fa sib mib lab-> mib | + lab-> mib sib fa sib mib-> lab-> reb-> }| solb-> r r4 r1 | R1*3 R2. R2*5 R1*4 } \relative { - 2\laissezVibrer s2 fad2.\laissezVibrer | - 2\laissezVibrer s2 fad2.\laissezVibrer | - 2\laissezVibrer s2 fad2.\laissezVibrer | - 2\laissezVibrer s2 fad2.\laissezVibrer | - 2\laissezVibrer s2 fad2.\laissezVibrer | - 2\laissezVibrer s2 fad2.\laissezVibrer | - \pl {2 fa2\laissezVibrer} {s8 do'' \t {do do do} do4 do\laissezVibrer} fa,2. | - \pl {fa,2 fa2\laissezVibrer} {s8 do'' \t {do do do} do4 do\laissezVibrer} fa,2. | - 2 reb2\laissezVibrer 2. | - reb,2 reb2\laissezVibrer2. | - \pl 4\arpeggio \arpeggio s + 2--\ppp\laissezVibrer s2 fad2.--\laissezVibrer | + 2--\laissezVibrer s2 fad2.--\laissezVibrer | + 2--\laissezVibrer s2 fad2.--\laissezVibrer | + 2--\laissezVibrer s2 fad2.--\laissezVibrer | + 2--\laissezVibrer s2 fad2.--\laissezVibrer | + 2--\laissezVibrer s2 fad2.--\laissezVibrer | + \pl {2 fa2\laissezVibrer} + {s8 \ind #"en dehors" do''( \t {do do do} do4-- do)\laissezVibrer} fa,2. | + \pl {fa,2 fa2\laissezVibrer} + {s8 do''( \t {do do do} do4 do)\laissezVibrer} fa,2. | + 2\p reb2\laissezVibrer 2.-- | + reb,2-- reb2--\laissezVibrer2. | + \pl 4\arpeggio \arpeggio s \pl \arpeggio \arpeggio s | s | - \pl \arpeggio \arpeggio s + \pl \arpeggio \arpeggio s \pl \arpeggio \arpeggio s | \pl \arpeggio \arpeggio - 8 \t { } | - do4 r2 R2.*6 - 4 8 \t { } 4 | - r8 \t { } 4 | - + 8\mp(\< \t { } | + do4\!) r2 R2.*6 + \det {4 8 \t { } 4 | + r8 \mf\> \t { } 4\!} | + %%% Ad libitum %%% - 16[ r ] 2.~ 2*3/2\laissezVibrer | - r4 do8 do \t {do do do} do2 r4 do, | do8 do \t {do do do} do4 | - do8 do \t {do do do} do16 do do do | - + 16[( ) r -.] 2.--~ 2*3/2\laissezVibrer | + r4 do8\p( do \t {do do do} do2) r4 do,--\pp | do8 do \t {do do do} do4 | + do8\< do \t {do do do} do16 do do do | + %%% Agitato %%% - 2*2\laissezVibrer R1 | - r4 r | R1*3 + 2*2\!\laissezVibrer R1 | + r4 -> r -> | R1*3 2*3\laissezVibrer R1*2 | 2*3\laissezVibrer R1*3 re'2*3\laissezVibrer re2*2 \ottava #-1 - \t {sib,8 mib fad} \t {si re sol} s2 \ottava #0 - mib2*3\laissezVibrer R1.*2 - mib8 mib' r4 r2 | \t {mib,8 fa' mi'!} r4 r1 | + \t {sib,8( mib fad} \t {si re sol)} s2 \ottava #0 + mib2*3--\laissezVibrer R1.*2 + mib8( mib') r4 r2 | \t {mib,8( fa' mi'!)} r4 r1 | \pl {mi,,,2*3\laissezVibrer } - {\t {mi'4 si' sol'} \t {si, sol' \md mi'} \t {sol mi' si'}} \mg + {\t {mi'4--\mf( si' sol'} \t {si, sol' \md mi'} \t {sol mi' si')}} \mg R1.*2 - + %%% Allegro non troppo %%% R1 R2. R1*5 R2. R1 R2. R1 R2. R1 - 2*3/2\laissezVibrer s1 R1*4 R2.*3 R1*6 - + 2*3/2->--\laissezVibrer s1 R1*4 R2.*3 R1*6 + %%% Moderato %%% - R1*2 R2.*2 R1 R2. R1 R2. R1 mib'16 mib' \md sib' do la fa'4..\laissezVibrer | - \mg r16 mib, \md sib' do \mg mib, \md sib' do4. - \mg r16 mib, \md sib' do | \mg fa,, fa' \md sib do~ - do4 sib16 fa' \mg fa, \md sib | - do \mg fa, \md 2.. \mg | + R1*2 R2.*2 R1 R2. R1 R2. R1 + mib'16\mp\( mib' \md sib'( do) la-. fa'4..--\)\laissezVibrer | + \mg r16 mib,( \md sib' do) \mg mib,( \md sib' do4.) + \mg r16 mib,( \md sib' do) | \mg fa,,( fa' \md sib do~ + do4) sib16( fa' \mg fa, \md sib | + do \mg fa, \md 2..) \mg | 4 2*1/8 s16 s8 s4 | 8. 16~ 2*1/4 s8 s2 | 8. 16~ 2 | 4 ~ 16 8. 8. 16~ | 8. 16~ 8 ~ 16 8.~ | 4 r | - 16 si' do' si' re' si' red' | - si' - | - \md \stemDown si, \mg \stemUp \md \stemDown si' - si, \mg \stemUp \md \stemDown si' | + \ind #"strict" 16-- si'-. -- do'-. + -- si'-. -- re'-. + \simile si' red' | + si' + + \< + | + \md \stemDown -.\mf si,-. + \mg \stemUp -. \md \stemDown si'-. + -. \simile si, \mg \stemUp \md \stemDown si' | si, \mg \stemUp \md \stemDown si' si, \mg \stemUp \md \stemDown si' \mg | - 2\laissezVibrer s2 | - + 2\sfz\laissezVibrer s2 | + %%% Allegro marcato %%% - 4 \pl { \t {si'8 si si}} do'4 \pl si' lad' | - 4 \pl { \t {si'8 si si}} do'4 - \pl | + 4-. \pl { \t {si'8\ff si si}} do'4-. -. \pl si' lad' | + 4-. \pl { \t {si'8\ff si si}} do'4-. + \pl \sffz | \ottava #-1 - r si,, r si r8 si \t {si si si} si r r4 + r si,,\sfz r si\sfz r8 si-. \t {si-- si si} si-> r r4 \ottava #0 | R1 - 4 \t {8 } 4 si, | - \t {8 } 4 - \pl | + 4-. \t {8\ff } 4 si,-.-. | + \t {8\ff } 4 + \pl \sffz | \ottava #-1 - r si,, r si r8 si \t {si si si} si r r4 | + r si,,\sfz r si\sfz r8 si-. \t {si-- si si} si-> r r4 | \ottava #0 - r2 r4 2 8 r 4 | - 2 8 r r4 | + r2 r4 -.-- 2--( 8) r 4-.-- | + 2--( 8) r r4 | \ottava #-1 - r si,, r si r si si - \ottava #0 | - 2 8 r 4 2 8 r r4 | + r si,,-.\pp r si-. r si-. si-. + \ottava #0 -.-- | + 2--( 8) r 4-.-- + 2--( 8) r r4 | R1*7 - + %%% Agitato %%% - 2. r4 | R1*3 - sol'''8 re la do sol re re' la | - sol' re la do sol re do' sol | - sol' do, fa, mi'? la, re, fa' sib, | - sol' do, fa, do' sol re mib' lab, | - sol' do, fa, mi' la, re, mib' sib | - fa' do sol re sol do fa do fa do sol re sol do \clef treble fa sib | - mib r r4 r1 | R1*3 R2. R2*5 R1*4 + 2.-- r4 | R1*3 + \st {sol'''8-> re la do-> sol re re'-> la | + sol'-> re la do-> sol re do'-> sol | + sol'-> do, fa, mi'?-> la, re, fa'-> sib, | + sol'-> do, fa, do'-> sol re mib'-> lab, | + sol'-> do, fa, mi'-> la, re, mib'-> sib | + fa'-> do sol re sol do fa-> do + fa-> do sol re sol do-> \clef treble fa-> sib->} | + mib-> r r4 r1 | R1*3 R2. R2*5 R1*4 } } @@ -447,12 +469,12 @@ ActeUnSceneUnBisPiano = { \Piano \pl 4\laissezVibrer | r4 2\laissezVibrer R2.*2 | \ottava #1 \pl {8 4 8 4~ 4.} - {8 4 8 4~ 8 4} + {8 4 8 4~ 8 4} \ottava #0 r8\fermata r4 | R2. \ottava #1 \pl {8 4 8 4~ 2~8} {8 4 8 4~ 4 4.} \ottava #0 r8\fermata r4 | R1 R2 \clef bass - + %%% Largo %%% do,,,8 do \t {do do do} do4 do~ | do2\laissezVibrer R2. r8 do \t {do do do~ } do2.\laissezVibrer R2 @@ -468,7 +490,7 @@ ActeUnSceneUnBisPiano = { \Piano 8\arpeggio r r4 | 2.\arpeggio r2 4 2 r4 | - + %%% Adagio %%% r4 2.\laissezVibrer R1 1\laissezVibrer | r2 r4 4\laissezVibrer R1 r2 \laissezVibrer | @@ -494,7 +516,7 @@ ActeUnSceneUnBisPiano = { \Piano {fad' fad8 re mi4 } | R1 r2 r4 | 4\fermata r r2 | R2 8 r 8 r r r4 \clef bass - r4 + r4 } \relative { \ottava #-1 @@ -521,7 +543,7 @@ ActeUnSceneUnBisPiano = { \Piano r4 2\laissezVibrer R2. r8 8~ 2~ 2.\laissezVibrer R2. r8 8~ 2~ 2.\laissezVibrer R1*2 R2 - + %%% Largo %%% 2~ ~ \laissezVibrer R2. r8 do' \t {do do do} do4 do2\laissezVibrer R2 @@ -534,7 +556,7 @@ ActeUnSceneUnBisPiano = { \Piano r2 r8 sib mi! si' | R2. r4 sib 2\arpeggio ~ sol 2.\arpeggio r2 si4 mi,2 r4 | - + %%% Adagio %%% R1*5 r2 sol\laissezVibrer r4 r8 8~ 2\laissezVibrer | @@ -594,15 +616,15 @@ InterludeUnPiano = { \Piano } } -ActeUnSceneDeuxPiano = { \Piano +ActeUnSceneDeuxPiano = { \Piano \PianoDeuxMains \relative { %%% Air de la Soprano2 %%% - + \repeat unfold 6 {R2.*2 R1*2} R2. | \clef bass - dod,8 re fad sold fad re | dod1~ dod~ | dod2 r4 | re fad8 sold fad4 | + dod,8 re fad sold fad re | dod1~ dod~ | dod2 r4 | re fad8 sold fad4 | mi8 fa la si la fa mi fa | la si la4 fa8 la si re | si4 la8 si re fa | - \clef treble re4 fa8 sol si do | \ottava #1 si''8 do si sol fa sol si4 | + \clef treble re4 fa8 sol si do | \ottava #1 si''8 do si sol fa sol si4 | si8 do si sol fa sol si do | si do si sol fa sol | fa re si re la4 | \ottava #0 1 ~ 2. r4 | R2.*2 R1*2 | @@ -611,7 +633,7 @@ ActeUnSceneDeuxPiano = { \Piano r4 r8 \ottava #1 fa' do sol sold re | do' sol re sold la,4 \ottava #0 r | R2.*2 | r4 \ottava #1 fa'' \ottava #0 r2 R1 | R2.*2 | r8 \ottava #1 fa do sol fad' si, mi,4 | \ottava #0 R1 | R2. | r8 \ottava #1 fa'! do sol lad'4 | red,4 \ottava #0 r r2 | - + %FIXME: line breaks make the "15ma" text move to the left. r2 \ottava #2 sol!4 do | si8 sol fa4 si8 do | si sol fa sol si4 | @@ -622,14 +644,14 @@ ActeUnSceneDeuxPiano = { \Piano si sol fa4 si8 do | si sol fa sol si4 | si8 do si sol fa4 si8 do | si sol fa sol si4 r | si8 do si sol fa4\laissezVibrer \ottava #0 | R2. R1 | r2 - \ottava #1 2\fermata \ottava #0 | - + \ottava #1 2\fermata \ottava #0 | + %%% Récitatif %%% R2.*2 R1 R2.*3 R1 R2.*5 8 r r2 \clef bass r8 \t {sold,,16 la si} re8 r | R2. R1*2 R2.*5 R1 - + %%% Duo %%% \repeat unfold 34 8 \repeat unfold 14 @@ -645,7 +667,7 @@ ActeUnSceneDeuxPiano = { \Piano \clef treble | \arpeggio 8 | r4 r2 \clef bass | - + %%% Piu vivo %%% r4 sol,,16 lab sol sib lab sib lab reb | sib reb sib mib reb mib reb mi red mi red fad mi fad mi la | @@ -666,7 +688,7 @@ ActeUnSceneDeuxPiano = { \Piano r4 r8 r4 | R2. \pl {fa2 s2} 1\arpeggio 1\arpeggio \clef treble 2\laissezVibrer r \clef bass | - + %%% Tempo giusto %%% \repeat unfold 16 8 \repeat unfold 8 @@ -686,29 +708,29 @@ ActeUnSceneDeuxPiano = { \Piano s 8 \t {la,16 re sol} 4 | R2. - + R1 R2.*3 R2 R2. R1*4 } \relative { %%% Air de la Soprano2 %%% - + R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2. r2 mi,4~ | mi1~ mi2 r4 fad8 sold | si2.~|si2 r4| R1*2 | re,4 si' sold8 fad | re4 sold8 fad re dod | sold1 | re'8 fad sold4 re8 dod sold4~ | - sold2.| R2. | dod,1~ dod~ | dod2 r4 | re fad8 sold fad re | - 1~ ~ | 2 r4 | R2.| + sold2.| R2. | dod,1~ dod~ | dod2 r4 | re fad8 sold fad re | + 1~ ~ | 2 r4 | R2.| << {\voiceTwo 1~\laissezVibrer s1 2.~ 2 }\\ { \voiceOne r2 \clef treble fa''8 sol si do si sol fa sol si4 r4 \clef bass r4 la,8 si re4 si8 re fa sol } >> r4 1~ 2. r4 | R2.*2 | 1~ 2. r4 | R2. << {s2 sol''8 re s1 s1 dod8 re fad2~ fad r4 s1 s2.} \\ - {R2. 1~ ~ 2.~ ~ + {R2. 1~ ~ 2.~ ~ 1~ 2.}>> r4 R2.*2 R1*2 R2.*2 R1*2 R2.*2 \clef treble 1\laissezVibrer r2 \ottava #1 sol''!4 do | si8 sol fa4 si8 do | si sol fa sol si4 | sol4 fa8 do' si4 do8 si | sol fa sol si r do fa, sol | si4 do fa, | si8 sol fa4 si8 fa | sol1~|sol2. \ottava #0 r4 | R2.*2 | R1*2 |R2.*2 | R1*2 | R2.*2 | R1 r2 2\fermata \clef bass | - + %%% Récitatif %%% r4 r8 mi,4. dod2.\laissezVibrer R1 R2. r4 r8 reb4. sib2.\laissezVibrer R1 R2.*2 @@ -717,7 +739,7 @@ ActeUnSceneDeuxPiano = { \Piano r8 \t {sold,16 la si} re8 r | R2. sol!1\laissezVibrer R1 R2.*5 R1 - + %%% Duo %%% \repeat unfold 17 4 \repeat unfold 7 @@ -730,10 +752,10 @@ ActeUnSceneDeuxPiano = { \Piano | | | - \arpeggio \clef treble + \arpeggio \clef treble 8 r4 r2 \clef bass | - + %%% Piu vivo %%% r4 sol,,,16 lab sol sib lab sib lab reb | sib reb sib mib reb mib reb mi red mi red fad mi fad mi la | @@ -746,7 +768,7 @@ ActeUnSceneDeuxPiano = { \Piano r4 r8 r4 | R2. \pl 1\arpeggio {2\arpeggio fad'} sol\arpeggio lab\laissezVibrer R1 | - + %%% Tempo giusto %%% \repeat unfold 8 4 \repeat unfold 4 @@ -770,7 +792,7 @@ ActeUnSceneDeuxPiano = { \Piano \stemUp \mg \ttt {do,, sol' re' \stemDown \md la' mi' si' \mg} fa,,,32 la si mi \md sol la do re \mg \clef treble \stemNeutral mi fa sol la \md si re mi la \mg \clef bass | - \pl 2\laissezVibrer + \pl 2\laissezVibrer {s4 \stemDown \clef treble \ttt {sol''16 re' la' \md mi' fad si } } \mg \ttt {fad,, si mi \md la re sol } \mg \clef bass \ttt {fad,,, mib' sib' \md fa' do' sol'} @@ -806,7 +828,7 @@ ActeUnSceneTroisPiano = { \Piano \PianoDeuxMains \relative { R2.*20 \clef bass sol2.~ sol4 r sol8 sol sol2.~sol4 r8 sol \t {sol sol sol} | - + %%% Lamento %%% sol1.\laissezVibrer r1 r4 sol4~ sol1 la2~ la1~la8 la \t {la la la~} la1 r2 | sib,8 sib \t {sib sib sib~} sib4 r r2 | @@ -820,10 +842,10 @@ ActeUnSceneTroisPiano = { \Piano r8 mi \t {mi mi mi~ } mi4 r | r8 mi \t {mi mi mi~ } mi4 r | 4. 4 4. r8 r4 | R2*2 - + %%% Tempo I %%% R2.*14 - + %%% Tempo II %%% R1. r8 do, \t {do do do} do4 do2.\laissezVibrer | R1.*4 R1*5/4 1\arpeggio \laissezVibrer R2. r4 @@ -836,19 +858,19 @@ ActeUnSceneTroisPiano = { \Piano si8. si16~ si8 si si si | sib2. | si8. si16~ si8 si si si | \ottava #-1 2.\laissezVibrer \ottava #0 R2.*7 - + %%% Lamento %%% R1.*5 sib'2 re4 r r2 reb fa4 r2 sib, reb4 r2 re fa4 r2 sib, reb4 r2 mib si4 r2| \ottava #-1 mi,2 r mi r mi r mi r 4. 4 | 4. \ottava #0 r8 r4 | R2*2 - + %%% Tempo I %%% R2.*3 r4 mi' r r mi r r mi r \ottava #-1 | - r r + r r \ottava #0 R2.*5 - + %%% Tempo II %%% R1. \ottava #-1 do1.\laissezVibrer \ottava #0 R1.*4 R1*5/4 1\arpeggio \laissezVibrer R2. @@ -1043,7 +1065,7 @@ ActeUnSceneQuatrePiano = { \Piano 2\laissezVibrer s2 | R2. R1 R2. R2 R2. R2 R2. R2 R2. R1*5 R2 R2. R1 | - + %%% Andante a piacere %%% r2 ~ r | r ~ r | @@ -1077,7 +1099,7 @@ ActeUnSceneQuatrePiano = { \Piano 16 ~ \t {8 } \stemNeutral | \t {r4 \stemUp } 8 | - + \t {4} \stemNeutral | r4 \stemUp 2 \stemNeutral | r8 \stemUp 8~ 2. | @@ -1173,7 +1195,7 @@ ActeUnSceneQuatrePiano = { \Piano 8 \t { } | R1*7 r4 2\laissezVibrer s2 R2.*6 - + %%% A tempo %%% 1*1/8\laissezVibrer 8~ \t { } @@ -1197,7 +1219,7 @@ ActeUnSceneQuatrePiano = { \Piano \t { ~} 16 ~ \t {8 \mg \stemNeutral } | - \noTuplet + \noTuplet \t {2*1/2\laissezVibrer \md \stemDown 4} 8 | @@ -1235,10 +1257,10 @@ ActeUnSceneQuatrePiano = { \Piano R2.*2 4. \arpeggio \laissezVibrer | R2.*5 4 re2~ 2.\arpeggio \laissezVibrer | R2.*3 - + la8 r sib mib r sold, fad si r mi re, sol | la4 r r2 | la8 fad sold red r sib' do sol r re mi' r | la,4 r r2 | - la8 r re mi r si fad sold r mib sib' r | la4 r r2 | + la8 r re mi r si fad sold r mib sib' r | la4 r r2 | R1. R1 R1. R1 la8 r sib mib r sold, fad si r mi re, sol | la r re mi r si fad sold r mib sib' r | @@ -1290,14 +1312,14 @@ ActeDeuxSceneUnPiano = { \Piano r8 \arpeggio ~ 2\laissezVibrer | R2.*2 R2 | R2. R2 | R2.*2 | R2 | R2.*3 R2 \clef treble - + %%% Entrée de la Soprano Deux %%% r2 r8 | r4 8 r r4 | r 8 r r2 | r4 r8 r4 | R1 2.\arpeggio ~ 2 | 2*3/2\laissezVibrer R1 - + %%% Andantino %%% 2*2\laissezVibrer R1 R2. 2*3/2\laissezVibrer R2.*2 R2 @@ -1309,7 +1331,7 @@ ActeDeuxSceneUnPiano = { \Piano r r | r r | r r | 2*2\laissezVibrer R2. R1 R2. R1 R2. R1 r8 sold, dod 4\laissezVibrer | R1 - + %%% Entrée de la Contralto %%% 2*3/2\laissezVibrer R1 2*3/2\laissezVibrer R1 | @@ -1331,13 +1353,13 @@ ActeDeuxSceneUnPiano = { \Piano R2.*4 R2 R2.*2 R2 mi,,2.\laissezVibrer R2.*2 R2 | R2. R2 R2.*2 R2 | mi2.\laissezVibrer | R2.*2 R2 | R2. R2 | R2.*2 | R2 | R2.*3 R2 \clef treble - + %%% Entrée de la Soprano Deux %%% r2 r8 | r4 8 r r4 | r 8 r r2 | r4 r8 r4 | R1 \clef bass 2.\arpeggio ~ 2 | 2*3/2\laissezVibrer R1 - + %%% Andantino %%% sib'2*2\laissezVibrer R1 R2. 2*3/2\laissezVibrer R2.*2 R2 @@ -1379,7 +1401,7 @@ ActeDeuxSceneUnBisPiano = { \Piano 4 r r8 r2 | 4 r1 | R1*5/4*6 1*5/4\laissezVibrer \arpeggio R1*5/4*11 \clef bass 4 r1 | R1*5/4-\fermataMarkup - + %%% Boum %%% R1*5/4*13 | \clef treble 8 \mg \md @@ -1453,7 +1475,7 @@ ActeDeuxSceneUnBisPiano = { \Piano r1 4\laissezVibrer | R1*5/4 1*5/4\laissezVibrer | r4 1\laissezVibrer | r2 2.\laissezVibrer | - + %%% Moderato assai %%% R1*7/4*7 \clef bass r4 \acciaccatura do,8 reb4 \acciaccatura sold8 la4 | R1 @@ -1478,7 +1500,7 @@ ActeDeuxSceneUnBisPiano = { \Piano \repeat volta 2 { 1 2. 1 R1*7/4 } 1*7/4\arpeggio \laissezVibrer R1*7/4 - + %%% Presto subito %%% \tt {8 \mg \md } \tt { \mg \md } @@ -1495,7 +1517,7 @@ ActeDeuxSceneUnBisPiano = { \Piano \tt { \mg \md } \tt { \mg \md } \tt { \mg \md } | - + %%% Tempo giusto %%% 4 r 8 fad, | 4 r | r 8 fad, | 4 r 8 fad, | @@ -1520,7 +1542,7 @@ ActeDeuxSceneUnBisPiano = { \Piano \t {sib, re fad} \t {si, mib sol} \t {fad, sib re} | \t {mib sol si} \t {do mi sold} \t {la dod fa} | 2.\laissezVibrer R2. R2 R4. R2 R1*5/8 R2. - + %%% Tempo I %%% R1 4 r2 4 r r r2 | @@ -1540,12 +1562,12 @@ ActeDeuxSceneUnBisPiano = { \Piano do1*5/4 re fa2~ fa8 sol~ sol2 | 1*5/4\laissezVibrer \arpeggio R1*5/4*11 \ottava #-1 4 \ottava #0 r1 | R1*5/4-\fermataMarkup - + %%% Boum %%% R1*5/4*13 s1*5/4*14 R1*5/4*5 - + %%% Moderato assai %%% R1*7/4*7 fa'4 r2 R1 si4 r2 R2 | @@ -1558,7 +1580,7 @@ ActeDeuxSceneUnBisPiano = { \Piano \repeat volta 2 {1 2. 1 R1*7/4} 1*7/4\arpeggio R1*7/4 - + %%% Presto subito %%% s1.*5 re,4 mib' fa, | re mib' fa, | re mib' fa, | @@ -1578,7 +1600,7 @@ ActeDeuxSceneUnBisPiano = { \Piano \laissezVibrer s | \laissezVibrer s s | 2.\laissezVibrer R2. R2 R4. R2 R1*5/8 R2. - + %%% Tempo I %%% R1 4 r2 4 r r r2 | diff --git a/instruments/reduction.ly b/instruments/reduction.ly index 339f53f..dc9c9e7 100644 --- a/instruments/reduction.ly +++ b/instruments/reduction.ly @@ -2337,8 +2337,8 @@ EntracteMainDroite = { 2. 4 r r2 | R1 \clef bass | 2.~ 2 r4 \clef treble | 2 4 | 2. r4 | - r 2 2 r4 | - 2. 8 | + r 2 2 r4 | + 2. 8 | 4 \clef bass re,,16 re' re, re' \repeat tremolo 4 {re, re'} \oneStemUp \repeat tremolo 8 {re, re'} \clef treble | diff --git a/instruments/violon1.ly b/instruments/violon1.ly index c6e4cd0..1784318 100644 --- a/instruments/violon1.ly +++ b/instruments/violon1.ly @@ -162,7 +162,7 @@ ActeUnSceneUnViolonUn = { \ViolonUn 8---> fad-- ---> la' ---> re'-- | \t {fad,16\< fad fad} \t {sol sol sol} \t {la la la} \t {do do do} \t {re re re} \t {mib mib mib} | - 4\downbow \downbow \downbow | + 4\!\downbow \downbow \downbow | 8---> do'-- ---> red'-- ---> sold'-- | \t {sol,16\< sol sol} \t {la la la} 4\downbow 8-- -- | \ottava #1 diff --git a/instruments/violon2.ly b/instruments/violon2.ly index 0840a0b..e185360 100755 --- a/instruments/violon2.ly +++ b/instruments/violon2.ly @@ -153,14 +153,14 @@ ActeUnSceneUnViolonDeux = { \ViolonDeux \ttt {sib'( reb, solb, re solb reb')} \ttt {sib'( reb, solb, re solb reb')} 8--\f reb-- mib-- fad-- sold-- la-- - \t {reb,16\fp reb reb} \t {mib\< mib mib} \t {fad fad fad} + \t {reb,16\fp\< reb reb} \t {mib mib mib} \t {fad fad fad} \t {sold sold sold} \t {la la la} \t {si si si} | 4\f\downbow \downbow \downbow - 8 sol la do re red | - \t {sol,16 sol sol} \t {la\< la la} \t {do do do} + 8-- sol-- la-- do-- re-- red-- | + \t {sol,16\< sol sol} \t {la la la} \t {do do do} \t {re re re} \t {red red red} \t {mid mid mid} | - 4\downbow \downbow \downbow | - 8---> la-- \t {do16\< do do} \t {re re re\!} 4\downbow | + 4\!\downbow \downbow \downbow | + 8---> la-- \t {do16\< do do} \t {re re re} 4\downbow | \ten 1~\fmolto 2 r4 | %%% Ad libitum %%% diff --git a/instruments/violon3.ly b/instruments/violon3.ly index 69a79be..bd5cb61 100755 --- a/instruments/violon3.ly +++ b/instruments/violon3.ly @@ -159,11 +159,11 @@ ActeUnSceneUnViolonTrois = { \ViolonTrois \ttt {re( solb reb' sib' reb, solb,)} \ttt {re( solb reb' sib' reb, solb,)} | 4\f\downbow \downbow \downbow | - reb8 mib fad sold la si + reb8-- mib-- fad-- sold-- la-- si-- \t {mib,16\fp\< mib mib} \t {fad fad fad} \t {sold sold sold} \t {la la la} \t {si si si} \t {re re re\!} | 4\downbow \downbow \downbow | - sol8 la do re red mid | + sol8-- la-- do-- re-- red-- mid-- | \t {la,16\< la la} \t {do do do} \t {re re re} \t {red red red} \t {mid mid mid} \t {sold sold sold\!} | 4\downbow 8-- re'-- \t {red16\< red red} \t {mid mid mid} | diff --git a/main.ly b/main.ly index 53e30dc..1ddf219 100644 --- a/main.ly +++ b/main.ly @@ -5,7 +5,6 @@ % % %------------------------------------------------------------------% - \version "2.12" %%%%%%%%%%%%%%%%%%%%%%%% Common Inclusions %%%%%%%%%%%%%%%%%%%%%%%%% diff --git a/master/master.ly b/master/master.ly index 906c4ee..e391590 100644 --- a/master/master.ly +++ b/master/master.ly @@ -22,14 +22,14 @@ \header { piece = \OuvertureTitre } -} % +} %} \score { \ActeUnSceneUn \header { acte = \ActeUnTitre piece = \SceneUnTitre } -} % +} %{ \score { \ActeUnSceneUnBis \header { @@ -73,14 +73,14 @@ \header { piece = \Separateur } -} %} +} % \score { \InterludeTrois \header { piece = \InterludeTitre illustration = \Arrosoir } -} %{ +} % \score { \ActeUnSceneQuatre \header { diff --git a/texte/nomenclature.ly b/texte/nomenclature.ly index c65ae36..f959ed2 100644 --- a/texte/nomenclature.ly +++ b/texte/nomenclature.ly @@ -53,7 +53,7 @@ BarytonType = "Baryton" )) %% List -----------------------------------------------------------% - +%{ CharacterList = \markup { \fill-line { \center-column { @@ -66,12 +66,12 @@ CharacterList = \markup { \override #'(baseline-skip . 6) \fill-line { \left-column { - \SopranoUnName - \SopranoDeuxName - \ContraltoName - \TenorName - \BarytonUnName - \BarytonDeuxName + #(markup (char-name 'soprano-one)) + #(markup (char-name 'soprano-two)) + #(markup (char-name 'contralto)) + #(markup (char-name 'tenor)) + #(markup (char-name 'barytone-one)) + #(markup (char-name 'barytone-two)) } \right-column { \SopranoType @@ -86,6 +86,6 @@ CharacterList = \markup { } } } -} %} +} % %} %%-----------------------------------------------------------------% -- 2.11.4.GIT