From 435d27f2f546832e066b13b240a49d4009d190ea Mon Sep 17 00:00:00 2001 From: Valentin Villenave Date: Thu, 8 Jan 2009 19:13:43 +0100 Subject: [PATCH] ActeDeuxSceneTrois, COMPLETED Yaay!! --- definitions/settings.ly | 4 +- instruments/alto1.ly | 118 +++---- instruments/alto2.ly | 131 ++++---- instruments/clarinette.ly | 82 ++--- instruments/clarinetteB.ly | 92 +++--- instruments/contrebasse.ly | 58 ++-- instruments/flute1.ly | 7 +- instruments/flute2.ly | 5 +- instruments/piano.ly | 751 +++++++++++++++++++++++--------------------- instruments/saxophone1.ly | 68 ++-- instruments/saxophone2.ly | 70 +++-- instruments/violon1.ly | 80 ++--- instruments/violon2.ly | 84 ++--- instruments/violon3.ly | 112 +++---- instruments/violoncelle1.ly | 91 +++--- instruments/violoncelle2.ly | 92 +++--- master/instruments.ly | 62 +++- master/master.ly | 9 +- parts.ly | 2 + 19 files changed, 1033 insertions(+), 885 deletions(-) diff --git a/definitions/settings.ly b/definitions/settings.ly index 56eb289..91a83ae 100755 --- a/definitions/settings.ly +++ b/definitions/settings.ly @@ -156,12 +156,14 @@ includePartsLayout = \layout { } \context { \Staff + \consists Page_turn_engraver + minimumPageTurnLength = #(ly:make-moment 3 2) \override VerticalAxisGroup #'remove-empty = ##f %%% It's silly to keep printing the instrument name in %%% separate parts; however some instruments (clarinets, etc) %%% may need it (therefore we don't remove the engraver). - \override InstrumentName #'stencil = #f + %\override InstrumentName #'stencil = #f } \context { \DrumStaff diff --git a/instruments/alto1.ly b/instruments/alto1.ly index cdeb5af..e01b6c5 100755 --- a/instruments/alto1.ly +++ b/instruments/alto1.ly @@ -148,9 +148,9 @@ ActeUnSceneUnAltoUn = { \AltoUn do,8 \t {fa16 lab mi'} mi4 do,16 do \t {fa lab mi'} | mi8 \t {mi16 lab, fa} fa8 \t {mi'16 lab, fa} fa8 \t {mi'16 lab, fa} fa8 \t {mi'16 lab, fa} | + \ttt {do( fa lab mi' lab, fa} \ttt {do fa lab mi' lab, fa} - \ttt {do fa lab mi' lab, fa} - \ttt {do fa lab mi' lab, fa} | + \ttt {do fa lab mi' lab, fa)} | \ttt {lab\p( re, sib mi, sib' re} \ttt {lab' re, sib mi, sib' re} \ttt {lab' re, sib mi, sib' re} @@ -649,8 +649,10 @@ ActeUnSceneQuatreAltoUn = { \AltoUn sol2.--\upbow\p( dod,4--) sol'2.-- r4 | sol2.--\upbow( dod,4--) sol'2.-- r4 | dod,2\upbow\<( re mib) \ten mi2.~--\p mi r4 | - \t {r la--\mp( la--} \t {la-- la-- la--)} \t {la--( la-- la--} \t {sib-- sib-- sib--)} | - \t {r la--\upbow( la--} \t {la-- la-- la--)} \t {la--( la-- la--)} \t {sib--( sib-- sib--)} | + \t {r la--\upbow\mp( la--} \t {la-- la-- la--)} + \t {la--( la-- la--)} \t {sib--( sib-- sib--)} | + \t {r la--\upbow( la--} \t {la-- la-- la--)} + \t {la--( la-- la--)} \t {sib--( sib-- sib--)} | \t {r \simile si si} \t {si si si} \t {si si si} \t {si si si} | \t {r si si} \t {si si si} \t {si si si} \t {si si si} | \t {r --\mf --} \t {-- -- --} @@ -740,8 +742,8 @@ EntracteAltoUn = { \AltoUn fad~\! fad2.\>(\glissando re!2.~\p) re1~ re~ re2.~ re~ re1~ re~ 2.~ ~ 2 ~--\mp | 8 4. 8~ | - 4\mf | - | + 4\mf -- -- | + -- -- -- | 4:8 : : : | %%% Stretto %%% @@ -885,7 +887,7 @@ ActeDeuxSceneUnBisAltoUn = { \AltoUn r8 dod,\< re la' sib4\! | r8 \simile fa fad dod' re4 | r8 fad, la re fa4 | r8 fa, fad dod' re4 | r8 mib, lab si mi4 | r8 fa, solb sib reb4 | - \arco \acciaccatura solb,4 fa1*7/4~\mf fa1 r2 r4 | + \arco \small solb,4( \normalsize fa1*6/4)~\mf fa1 r2 r4 | R1*7/4*2 \repeat volta 2 {\det {fa1\mf sold2. fa sold1 R1*7/4} \meno sold1} r2 r4 | R1*7/4 | @@ -960,7 +962,7 @@ ActeDeuxSceneDeuxAltoUn = { \AltoUn sold sold sold sold sold sold sold sold} | R2. R1. R1*2 - r16 do,,\p( fa la do4) r | r16 do,( sol' sib do4) r | + r16 \ind #"espr." do,,(\pdolce fa la do4) r | r16 do,( sol' sib do4) r | r16 do,( fa la do4) r | r16 do,( fa sold si4) | r16 re,( sold si re4) r16 do,\upbow( la' do) | r16 do,( mi la do4) r | r16 sol( sib re do4) r | @@ -982,13 +984,13 @@ ActeDeuxSceneDeuxAltoUn = { \AltoUn \pizz 4\mp r2 | R1 R2. R1 R2. R1 \arco mib4\pp( reb dob | sib4) r r2 | R2. R1 sib4\p( do! re! mib4) r mi\>( fad | sold\!) r2 | R1 - \pl {la,4\leftpizz s2 s1 s2. s1 s2. s1 s2. } + \pl {la,4_\leftpizz s2 s1 s2. s1 s2. s1 s2. } {la'2.:32~\pp \oneVoice la1:~la2.:~la1:~la2.:~la1:~la2.:\<} | 4--\! r R2 \clef treble \ind #"détaché" fad'16\f mi fa sol la8 sold | do16 lad si dod red8 re fad16\< mi fa sol | la4--->\! r r2 \clef alto | fa,,16\mf\< re mib fa lab fad sol la do4\! r | la1:16 - 4---> fa'8\upbow\< la sold | \acc {la\! la sold r4 | + 4--->\f fa'8\upbow\< la sold | \acc {la\! la sold r4 | --} re8\< mib sold | \acc {la\! la sold r4 | --} mib8\< mib re | \dwnb {4\! r8 | 4} r r8 | @@ -1005,9 +1007,9 @@ ActeDeuxSceneDeuxAltoUn = { \AltoUn 4\sfz r2 | r8 \pizz fa,\mp r4 | R1*2 R2.*4 r4 fa' r r fa r R2. | - r16 \arco mi\pleggiero do mi r red si red | - r re sib re r dod la dod | - r do lab do r si sol si r sib solb sib | + r16 \arco mi-.\pleggiero \st {do mi r red si red | + r re sib re r dod la dod} | + r \simile do lab do r si sol si r sib solb sib | r do la do r si sold si r sib sol sib | r la fad la r lab fa lab | r sol mi sol r fad red fad | @@ -1016,7 +1018,7 @@ ActeDeuxSceneDeuxAltoUn = { \AltoUn 8-- r \pizz 4\mp | 8 \arco sold'16-.\mf sold-. 8-- r | \pizz 8 \arco sold'16-.\mf \st {sold la8 fad16 fad} | - sol8--\pleggiero \st {mi,16 mi r8 red16 red | + sol8-- \st {mi,16\pleggiero mi r8 red16 red | r8 re16 re r8 dod16 dod | r do lab' do r si sol si | r sib solb sib r la fa la | R2 @@ -1062,7 +1064,7 @@ ActeDeuxSceneTroisAltoUn = { \AltoUn la do, sold' sold la do, | \st {sold'->\mf sold la8 r | r sold sold la-> r4 | - la16 la sib8 sold16 sold | + la16-> la sib8 sold16 sold | la8->} r4 | \ten 4.~--\p 4 r8 | \st {sold'16->\mf sold la8 r | @@ -1184,19 +1186,20 @@ ActeDeuxSceneTroisAltoUn = { \AltoUn r sol2:16\p fad: sold4: si2: | sib: reb: sib4: | %%% Climax %%% - sold4 r R4. | + sold4-> r R4. | \ind #"détaché" re''16-> dod si sold \st {mi8 si \clef alto | fa do} sib16 la sol mi | re8-> r r4 | R4. \clef treble | \st {re'''8 si} sold16 fad re si | \st {la8 re,} \clef alto sib16 sol fa mi | re8-> r r4 | R2 \clef treble - si'''4 r8 mib,16\> mib mib sib sib sib | + si'''4\ff r8 mib,16\> mib mib sib sib sib | re,2--\! r4 | re''4---> re,16 la sold fad re4 \clef alto sold,16 fad mi mib | %%% Soprano 2 %%% re8-> r r2 | R1 - r8 sib'-.-> r4 \st {sib8 sib | si si r si si r la la | + r8 sib'-.-> r4 \st {sib8\p sib | + si si r si si r la la | sib4-- r8 sib r sib r sib r sib sib r sib\< sib | mi,\! mi r mi r mi | r mi r mi mi r mi mi | mid mid r mid r mid r mid r mid r mid r mid} | @@ -1252,60 +1255,67 @@ ActeDeuxSceneTroisAltoUn = { \AltoUn %%% Boum %%% 4\sffz} r2 R2.*2 - r8 sol sol sol sol sol | lab lab si si do do | - r do do do do do | dod dod mi mi fa fa | - r re re re re re dod dod fad fad fa fa | + r8 sol--(\mp\downbow sol-- sol-- sol-- sol--) | + lab--(\< lab-- si-- si-- do-- do--)\! | + r do--( do-- do-- do-- do--) | + dod--(\< dod-- mi-- mi-- fa-- fa--)\! | + r \simile re re re re re dod dod fad fad fa fa | r fa fa fa fa fa | mi mi lab lab la la \clef treble | - r sol si sol si sol | si sold mib' do mi do \clef alto | - r8 sol, fad sib si sib | re si do re mib4 | + r \ind #"à la corde" + sol\mp( si sol si sol) | + si( sold mib' do mi do) \clef alto | + r8 sol,-- fad( sib) si( sib) | + re( si) do( re) mib4-- | %%% Contralto %%% - re4 \pizz fad, fad fad | - fad r re' r8 \arpeggUp | + re4->-- \pizz fad,\mp fad fad | + fad r re'->\sfz r8 \mp\arpeggUp | r \arpeggUp r \arpeggUp | r \simile r | r r | r r | r r | r r | - r4 \arco lab8 lab la4 r | R2. - r4 sol8 sol lab4 r | - r sold8 sold la4 r | R2*2 - sold'8 sold la4 r | - r sol8 sol sold4 | - sold8 sold la4 r | - r fad8 fad sol4 | + r4 \arco lab8->\mf lab-> la4-> r | R2. + r4 sol8\p sol lab4---. r | + r sold8 sold la4---. r | R2*2 + sold'8-.->\mf sold-. la4-. r | + r sol8-. sol-. sold4-. | + sold8-.-> sold-. la4-. r | + r fad8-. fad-. sol4-. | %%% Grand ensemble %%% - dod,,1~ dod sol'1~ sol2 dod,~ | - dod sol'~ sol sold4 r \clef treble | - red''8 red mi mi, red' red mi mi, | - sol' sol lab lab, sol' sol lab lab, | - red red mi mi, red' red mi mi, | + dod,,1~\psubito dod sol'1~ sol2 dod,~ | + dod sol'~ sol sold4-- r \clef treble | + red''8\mp red mi( mi,) red' red mi( mi,) | + sol' sol lab( lab,) sol' sol lab( lab,) | + \simile red red mi mi, red' red mi mi, | fad' fad sol sol, fad' fad sol sol, | mid' mid fad fad, red' red mi mi, | re' re red red, do' do dod dod, | - la' la sold sold la la sold sold | + \ind #"détaché" + la'\mp la sold sold la la sold sold | dod dod sid sid dod dod do do | la la sold sold la la sold sold | - dod dod sid sid dod dod do do | + dod\mf dod sid sid dod dod do do | fa fa mi mi fa fa mi mi | - mid mid fad fad, mid' mid fad fad, | - sold' sold la la, sold' sold la la, | - mid' mid fad fad, mid' mid fad fad, | - sold' sold la la, sold' sold la la, | + mid\f mid fad( fad,) mid' mid fad( fad,) | + sold' sold la( la,) sold' sold la( la,) | + \simile mid' mid fad fad, mid' mid fad fad, | sold' sold la la, sold' sold la la, | + sold'\fmolto sold la la, sold' sold la la, | sold' sold la la, sold' sold la la, | re' re mib mib, re' re | - r r2 | + -> r r2 | %%% Chute %%% - 2.\glissando la'2.:32~ la2: sold4: - mi: re: la: \clef alto sold: re2: re4 r R2*2 + 2.\ff\glissando la'2.:32\sfp~ la2:\< sold4: + mi:\mp\> re: la: \clef alto sold: re2:\! re4-- r R2*2 %%% Andante al fine %%% R2.*4 \ind #"sul tasto, con sord." + mi2:16\pp mi4:16 | mi2:16 mi4:16 | mi2:16 mi4:16 | mi2:16 mi4:16 | @@ -1313,9 +1323,8 @@ ActeDeuxSceneTroisAltoUn = { \AltoUn mi2:16 mi4:16 | mi2:16 mi4:16 | mi2:16 mi4:16 | - mi2:16 mi4:16 | - sold2.~ sold~ sold sol2.~ sol~ sol2 r4 | R2.*2 - mi2:16 mi4:16 | + sold2.\p~ sold\>~ sold sol2.\!~ sol~ sol2 r4 | R2.*2 + mi2:16\pp mi4:16 | mi2:16 mi4:16 | mi2:16 mi4:16 | mi2:16 mi4:16 | @@ -1327,10 +1336,11 @@ ActeDeuxSceneTroisAltoUn = { \AltoUn mi2:16 mi4:16 | mi2:16 mi4:16 | mi2:16 mi4:16 | - mi2 r4 | r4 mi,2~ mi2 r4 | - mi'2.:32 mi2.:32 mi2. \clef treble | - r8 do' \tt {red16 sold fad si la} red4 - \ind #"ample" 8 \t { } - \tt {16 } + mi2-- r4 | r4 \ind #"senza sord." mi,2--\p~ mi2 r4 | + mi'2.:32\< mi2.:32\mp\> mi2.\p \clef treble | + r8 do'-- \tt {red16\< sold fad si la} red4->\!\upbow + \ind #"ample" 8--->\ff\< ---> + \t {---> -. -.} + \tt {16---> -> -> -> ->\!} } } diff --git a/instruments/alto2.ly b/instruments/alto2.ly index 836d002..c6a06da 100644 --- a/instruments/alto2.ly +++ b/instruments/alto2.ly @@ -163,9 +163,9 @@ ActeUnSceneUnAltoDeux = { \AltoDeux la,,16 mi do' fa lab do, \t {fa lab mi'} mi4 | \t {fa,16 lab mi'} mi8 \t {fa,16 lab mi'} mi8 \t {fa,16 lab mi'} mi8 \t {fa,16 lab mi'} mi8 | - \ttt {mi16 lab, fa do fa lab} + \ttt {mi16( lab, fa do fa lab} \ttt {mi' lab, fa do fa lab} - \ttt {mi' lab, fa do fa lab} | + \ttt {mi' lab, fa do fa lab)} | \ttt {mi,\p( sib' re lab' re, sib} \ttt {mi, sib' re lab' re, sib} \ttt {mi, sib' re lab' re, sib} @@ -671,7 +671,7 @@ ActeUnSceneQuatreAltoDeux = { \AltoDeux \st {sold'8-> si, si sold' sold-> si, sold'-> si, | sold'-> si, si sold' sol-> si, sol'-> si,}| \ten 2.~\ff 8 r4 | - sold16\mf( lad) lad( sold) sold( lad) lad( sold) sold( lad) lad( sold) | + sold16\mf\upbow( lad) lad( sold) sold( lad) lad( sold) sold( lad) lad( sold) | sold( lad) lad( sold) sold( lad) | si2~--\ff si8 r4 | fa16\mf( sol) sol( fa) fa( sol) sol( fa) | fa( sol) sol( fa) fa( sol) sol( la) | sib2~--\f sib8 r4 | @@ -734,8 +734,8 @@ EntracteAltoDeux = { \AltoDeux red1~ red2.~ red~ 1~ ~ 2.~ red~ red1~ red~ red2.~ red~ red1~ red2. r4 | do2:8\p do4: do2: do4: 2:8 : : : - 4\mf - | + 4--\mf -- -- -- + -- -- | 4:8 : : : | %%% Stretto %%% @@ -776,7 +776,7 @@ EntracteAltoDeux = { \AltoDeux -> re' re, | -> -> -> | -> do' do,} | - \accdet { | + \accdet { \cresc | | \f r1 | 2} r | R1 R2. R2 } @@ -825,8 +825,8 @@ ActeDeuxSceneUnAltoDeux = { \AltoDeux r r r r | r r r r r \mp | r8 \pizz la4\mp do re,8 | r4 lab' do re, | r8 la'4 do re,8 | r4 lab' do re, | - r8 la'4\mp do re,8 | r lab'4 do re,8 | r sol r2 | - r8 la4 do re,8 | r lab'4 do re,8 | r la'4 do re,8 | r lab'4 do8 reb,4 | + r8 la'4 do re,8 | r lab'4 do re,8 | r sol r2 | + r8 la4\mp do re,8 | r lab'4 do re,8 | r la'4 do re,8 | r lab'4 do8 reb,4 | r4 la' r8 do | r4 \arco do--\mf r \det {do r do-. | mib,2 r4 la | r do r | r si\pp r si r sib} r | R1 r8 \pizz la4\mp do re,8 | r lab'4 lab8 do4 re, | r8 la'4 do re,8 | @@ -885,7 +885,7 @@ ActeDeuxSceneUnBisAltoDeux = { \AltoDeux r8 dod,\< re la' sib4\! | r8 \simile fa fad dod' re4 | r8 fad, la re fa4 | r8 fa, fad dod' re4 | r8 mib, lab si mi4 | r8 fa, solb sib reb4 | - \arco \acciaccatura solb,4 fa1*7/4~\mf fa1 r2 r4 | + \arco \small solb,4( \normalsize fa1*6/4)~\mf fa1 r2 r4 | R1*7/4*2 \repeat volta 2 {\det {re1\mf mi2. re mi1 R1*7/4} \meno mi1} r2 r4 | R1*7/4 | @@ -912,11 +912,11 @@ ActeDeuxSceneUnBisAltoDeux = { \AltoDeux 8-.-> 8.---> \st {16 8 } | \accdet {4 8.} 16-. \accdet {8.\< } | 4\sffz r2 | re4\mf( mi si sold) r \stdet {sol\downbow sib si do} | - r8 \det {mib,\downbow( mib mib mib mib) | mi\<( mi sol sol lab lab\!) | - r mi?( mi mi mi mi) mib( mib lab lab sol sol)} | + r8 \det {mib,\mp\downbow( mib mib mib mib) | mi\<( mi sol sol lab lab\!) | + r mi?( mi mi mi mi) mib(\< mib lab lab sol sol\!)} | r mib mib mib mib mib \det {mi\<( mi sol sol lab lab\!) | r sib\upbow( sib sib) si( si) r re( re re) mib( mib)} | - fad4 \det {mib8 re si sib | 2.\mp} R2. R2 R4. R2 R1*5/8 R2. + fad4 \det {mib8 re si sib | 2.\mp} R2. R2 R4. R2 R1*5/8 R2. %%% Tempo I %%% fad'16->\mf( sol fad mib) re( mib fad mib) re( si) la( sol) la( sol) la( sol) | @@ -958,7 +958,7 @@ ActeDeuxSceneDeuxAltoDeux = { \AltoDeux dod dod dod dod dod dod dod dod} | R2. R1. R1*2 - r16 do,\p( fa la do4) r | r16 do,( sol' sib do4) r | + r16 \ind #"espr." do,(\pdolce fa la do4) r | r16 do,( sol' sib do4) r | r16 do,( fa la do4) r | r16 do,( fa sold si4) | r16 re,( sold si re4) r16 do,\upbow( la' do) | r16 do,( mi la do4) r | r16 sol( sib re do4) r | @@ -980,13 +980,13 @@ ActeDeuxSceneDeuxAltoDeux = { \AltoDeux \pizz 4\mp r2 | R1 R2. R1 R2. R1 \arco mib4\pp( reb dob | sib4) r r2 | R2. R1 sib4\p( do! re! mib4) r mi\>( fad | sold\!) r2 | R1 - \pl {la,4\leftpizz s2 s1 s2. s1 s2. s1 s2. } + \pl {la,4_\leftpizz s2 s1 s2. s1 s2. s1 s2. } {la'2.:32~\pp \oneVoice la1:~la2.:~la1:~la2.:~la1:~la2.:\<} | 4--\! r R2 \clef treble fad'8\f fa \ind #"détaché" la16 sol lab sib | do8 si red16 dod re mi fad8 fa | la4---> r r2 \clef alto | fa,,16\mf\< re mib fa lab fad sol la do4\! r | la1:16 - 4---> reb8\upbow\< mi fa | \acc {la\! la sold r4 | + 4--->\f reb8\upbow\< mi fa | \acc {la\! la sold r4 | --} la8\< re mib | \acc {la\! la sold r4 | --} mib8\< mib re | \dwnb {4\! r8 | 4} r r8 | @@ -995,7 +995,7 @@ ActeDeuxSceneDeuxAltoDeux = { \AltoDeux \acc {la'8 la sold} r4 | r8 \accdet {mi'4 mi | sold,} r r8 | R1*2 4->\sffz r r2 | - r4 \pizz red\mf dod r | r fa mib r | R1 + r4 \pizz red\mp dod r | r fa mib r | R1 \repeat tremolo 16 { \arco mi32\p fa} \repeat tremolo 8 { mi fa} \repeat tremolo 8 { re fad} @@ -1003,9 +1003,9 @@ ActeDeuxSceneDeuxAltoDeux = { \AltoDeux 4\sfz r2 | r8 \pizz fa,\mp r4 | R1*2 R2.*4 r4 la r r sol r R2. | - r16 \arco do\pleggiero mi do r si red si | - r sib re sib r la dod la | - r lab do lab r sol si sol r solb sib solb | + r16 \arco do-.\pleggiero \st {mi do r si red si | + r sib re sib r la dod la} | + r \simile lab do lab r sol si sol r solb sib solb | r la do la r sold si sold r sol sib sol | r fad la fad r fa lab fa | r mi sol mi r red fad red | @@ -1047,15 +1047,15 @@ ActeDeuxSceneTroisAltoDeux = { \AltoDeux sold16 sold la do,! sold' sold | la do, sold' sold la do, | sold'8 r4 | R4. - sold16 sold la do,! sold' sold | + sold16 sold la do, sold' sold | la do, sold' sold la do, | sold'8 r4 | R4. - sold16 sold la do,! sold' sold | + sold16 sold la do, sold' sold | la do, sold' sold la do, | sold'8 r4 | R4. \st {sold16->\mf sold la8 r | r sold sold la-> r4 | - la16 la sib8 sold16 sold | + la16-> la sib8 sold16 sold | la8->} r4 | \ten 4.~--\p 4 r8 | \st {sold''16->\mf sold la8 r | @@ -1174,19 +1174,20 @@ ActeDeuxSceneTroisAltoDeux = { \AltoDeux r fa2:16\p mib: la2: la4: | sol: mi: sib': sold: re: | %%% Climax %%% - re4 r R4. | + re4-> r R4. | \ind #"détaché" re''16-> dod si sold \st {mi8 si \clef alto | fa si,} sib16 la sol mi | re8-> r r4 | R4. \clef treble | \st {re'''8 si} sold16 fad re si | \st {la8 re,} \clef alto sib16 sol fa mi | re8-> r r4 | R2 \clef treble - re''4 r8 sib16\> sib sib fa fa fa | + re''4\ff r8 sib16\> sib sib fa fa fa | do2--\! r4 | re''4---> re,16 la sold fad re4 \clef alto sold,16 fad mi mib | %%% Soprano 2 %%% re8-> r r2 | R1 - r8 re-.-> r4 \st {re8 re | red red r red red r dod dod | + r8 re-.-> r4 \st {re8\p re | + red red r red red r dod dod | re4-- r8 re r re r re r re re r re\< re | do\! do r do r do | r do r do do r do do | dod dod r dod r dod r dod r dod r dod r dod} | @@ -1242,63 +1243,68 @@ ActeDeuxSceneTroisAltoDeux = { \AltoDeux %%% Boum %%% 4\sffz} r2 R2.*2 - r8 mi mi mi mi mi | mib mib lab lab sol sol | - r lab lab lab lab lab | - la la do do dod dod | - r re re re re re | + r8 mi--(\mp\downbow mi-- mi-- mi-- mi--) | + mib--(\< mib-- lab-- lab-- sol-- sol--)\! | + r lab--( lab-- lab-- lab-- lab--) | + la--(\< la-- do-- do-- dod-- dod--)\! | + r \simile re re re re re | dod dod fad fad fa fa | - r fa fa fa fa fa | mi mi lab lab la la \clef treble | - r si sol si sol si | - sold si do mib do mi \clef alto | - r re,, mib sol fad sol | - si fad mi lab sol4 | + r fa fa fa fa fa | + mi mi lab lab la la \clef treble | + r \ind #"à la corde" + si(\mp sol si sol si) | + sold( si do mib do mi) \clef alto | + r re,,-- mib( sol) fad( sol) | + si( fad) mi( lab) sol4-- | %%% Contralto %%% - re'4 \pizz re, re re re r re r8 \arpeggUp | + re'4->-- \pizz re,\mp re re re + r re->\sfz r8 \mp\arpeggUp | r \arpeggUp r \arpeggUp | r \simile r | r r | r r | r r | r r | - r4 \arco fa8 fa fad4 r | R2. R2*3 - r4 \pizz do8 do dod4 r | R2 - \arco sold''8 sold la4 r | - r sol8 sol sold4 | - sold8 sold la4 r | - r fad8 fad sol4 | + r4 \arco fa8->\mf fa-> fad4-> r | R2. R2*3 + r4 \pizz do8\p do dod4-.-- r | R2 + \arco sold''8->-.\mf sold-. la4-. r | + r sol8-. sol-. sold4-. | + sold8-.-> sold-. la4-. r | + r fad8-. fad-. sol4-. | %%% Grand ensemble %%% - dod,,1~ dod sol'1~ sol2 dod,~ | - dod sol'~ sol sold4 r \clef treble | - si'8 si do do, si' si do do, | - red' red mi mi, red' red mi mi, | - si' si do do, si' si do do, | + dod,,1~\psubito dod sol'1~ sol2 dod,~ | + dod sol'~ sol sold4-- r \clef treble | + si'8\mp si do( do,) si' si do( do,) | + red' red mi( mi,) red' red mi( mi,) | + \simile si' si do do, si' si do do, | re' re mib mib, re' re mib mib, | dod' dod re re, si' si do do, | lad' lad si si, sold' sold la la, | - fa' fa mi mi fa fa mi mi | + \ind #"détaché" + fa'\mp fa mi mi fa fa mi mi | la la sold sold la la sold sold | fad fad mid mid fad fad fa fa | - sib sib la la sib sib la la | + sib\mf sib la la sib sib la la | dod dod sid sid dod dod sid sid | - dod dod re re, dod' dod re re, | + dod\f dod re( re,) dod' dod re( re,) | + mid' mid fad( fad,) mid' mid fad( fad,) | + \simile dod' dod re re, dod' dod re re, | mid' mid fad fad, mid' mid fad fad, | - dod' dod re re, dod' dod re re, | - mid' mid fad fad, mid' mid fad fad, | - mi' mi fa fa, mi' mi fa fa, | + mi'\fmolto mi fa fa, mi' mi fa fa, | red' red mi mi, sold' sold la la, | sold' sold la la, sold' sold la la, | - r r2 | + -> r r2 | %%% Chute %%% - 2.\glissando la'2.:32~ la2: sold4: - mi: re: la: \clef alto sold: re2: re4 r R2*2 + 2.\ff\glissando la'2.:32\sfp~ la2:\< sold4: + mi:\mp\> re: la: \clef alto sold: re2:\! re4-- r R2*2 %%% Andante al fine %%% R2.*12 \ind #"sul tasto, con sord." - mi2:16 mi4:16 | + mi2:16\pp mi4:16 | mi2:16 mi4:16 | mi2:16 mi4:16 | mi2:16 mi4:16 | @@ -1307,11 +1313,12 @@ ActeDeuxSceneTroisAltoDeux = { \AltoDeux mi2:16 mi4:16 | mi2:16 mi4:16 | mi4 r2 | R2.*11 - \ind #"trem. sul tasto" mi2.:32 mi: mi2: mi4 | - mi,2.~ mi2 r4 | - mi2. \clef treble | - r8 do'' \tt {red16 sold fad si la} red4 - \ind #"ample" 8 \t { } - \tt {16 } + \ind #"trem. sul tasto (senza sord.)" mi2.:32\pp mi: mi2: mi4-- | + mi,2.\p~ mi2 r4 | + mi2.-- \clef treble | + r8 do''-- \tt {red16\< sold fad si la} red4->\!\upbow + \ind #"ample" 8--->\ff\< ---> + \t {---> -. -.} + \tt {16---> -> -> -> ->\!} } } diff --git a/instruments/clarinette.ly b/instruments/clarinette.ly index 79ac2fa..9b1d58c 100755 --- a/instruments/clarinette.ly +++ b/instruments/clarinette.ly @@ -790,9 +790,9 @@ ActeDeuxSceneTroisClarinetteUn = { \ClarinetteUn R4.*18 r8 mi\ppp( do si la sold la si) r R4.*2 | mi8( do si la sold la si4) r8 | R4. r4 mi8( do si la sold la si) | - \st {sold16\mp sold sold sold} r8 | - r16 sold sold sold sold8 | - sold16 sold sold sold r8 | + \st {sold16\mp sold sold sold r8 | + r16 sold sold sold sold8-- | + sold16 sold sold sold} r8 | r \det {sold sold sold} r4 | \ten sol4.~\pp sol4 r8 | \st {sold16\mp sold sold sold r8 | @@ -868,7 +868,7 @@ ActeDeuxSceneTroisClarinetteUn = { \ClarinetteUn r16 \st {re,,,\pp dod dod re re dod dod | r re\< fa lad dod fad\!} | r \simile re,\pp dod dod re re dod dod | - r re\< sol lad red fad | + r re\< sol lad red fad\! | r fad,\pp si do si fa' do si | r8 sol16\< dod fad do'\! | r re,,\< dod re' dod mib' | @@ -967,52 +967,52 @@ ActeDeuxSceneTroisClarinetteUn = { \ClarinetteUn %%% Boum %%% la,4\sffz} r2 R2.*2 | - r4 mi2 mib mi4 | - r fa2 mi4 lab la | - r re2 dod4 fad fa | - r fa2 mi4 lab la | - r sol2 lab4 do si | - r8 re,, mib sol fad sib si mib - \tt {sol16 re la mi si'} fad' dod lab mib | + r4 mi2--\p mib( mi4) | + r fa2-- mi4( lab la) | + r re2--\mp dod4( fad fa) | + r fa2-- mi4(\< lab la)\! | + r sol2-- lab4( do si) | + r8 re,,(\< mib) sol( fad) sib( si) mib + \tt {sol16(\! re) la-. mi-. si'-.} fad'( dod) lab-. mib-. | %%% Contralto %%% - re8 r fad fad fad fad fad fad fad fad r4 | - re8 fad fad fad fad fad fad fad fad fad r fad | + re8-> r \st {fad \pp fad fad fad fad fad fad fad r4 | + re8-> fad fad fad fad fad fad fad fad fad r fad | fad fad fad fad fad fad fad fad | - lab lab lab lab lab lab lab lab | - r4 fa8 fa fad r r4 | R2. R2*6 - sold8 sold sold sold r4 | r8 sold sold sold sold4 | - sold'8 sold sold sold r4 | r8 sold sold sold sold4 | + lab lab lab lab lab lab lab lab }| + r4 fa8-> fa-> fad-> r r4 | R2. R2*6 + \st {sold8\mp sold sold sold r4 | r8 sold sold sold sold4 | + sold'8 sold sold sold r4 | r8 sold sold sold sold4} | %%% Grand ensemble %%% - R1 r2 r8 mi, sold sol | si2 do4 mi~ | - mi r r2 | \t {r8 solb, sib} la do \t {re4 fa solb} | - r4 sib, reb mi | solb2. r4 | - r8 reb \t {solb, sib la} re4 mi8 sol | - lab4 r r8 mi, mi mi | mib mib re re r2 | - mib8 mib mib mib r2 | - la8 sold la' sold r2 | - r8 sib, sib sib sib sib sib sib | - r mi, mi mi r4 la'8 la | - sold4 r r sold,8 sold | la4 r r2 | R1 - re,4 la' sold8 mi r mi | - r sold' r sold' r do, do sold | - re2. r4 | - dod8 dod dod4 r8 la r4 | - red'4 dod si lad si8 lad si dod red4 si | - dod' do si la | R2. + R1 r2 r8 mi,(\pdolce sold) sol( | si2)\< do4(\! mi)~ | + mi r r2 | \t {r8 solb,( sib)} la( do \t {re4) fa( solb)} | + r4 sib,(\< reb mi | solb2.)\mp r4 | + r8 reb-- \t {solb,( sib la} re4) mi8( sol | + lab4) r r8 mi,-.(\pp mi-. mi-. | mib-. mib-. re-. re-.) r2 | + mib8-.( mib-. mib-. mib-.) r2 | + la8(\mf sold) la'( sold) r2 | + r8 sib,-.(\pp sib-. sib-. sib-. sib-. sib-. sib-.) | + r mi,-.( mi-. mi-.) r4 la'8-.\mf la-. | + sold4-.-> r r sold,8->\mp sold-> | la4-> r r2 | R1 + re,4-.\mf la'-. sold8( mi) r mi-. | + r sold'-.\< r sold'-.\! r do,-. do( sold) | + re2.-- r4 | + dod8-. dod-. dod4-. r8 la-. r4 | + red'4(\f dod si lad) si8( lad si dod) red4( si) | + dod'(\fmolto do si la) | R2. %%% Chute %%% - sib2. \t {la4 la sib~} sib | la lab sol | - solb fa mi do si, do re r R2*2 + sib2.\mf \t {la4--( la-- sib--)~} sib | la(\> lab sol | + solb fa mi do) si,(\! do re) r R2*2 %%% Andante al fine %%% R2.*6 - do2.~ do4 r8 si~si4~ | si4 do2~ do r4 | R2.*4 - dod2 r4 do2.~ do2 r4 | R2.*18 - mi4 r2 | r4 red2 - mi4 r \t {r8 sol do } | - \t {sib mib dod} fad fad16 la sol4 | - r8 mi,, \t {mi mi mi} \tt {mi16 mi mi mi mi} + do2.--\p~ do4 r8 si--~si4~ | si4 do2--~ do r4 | R2.*4 + dod2--\p r4 \ten do2.--\pp~ do2 r4 | R2.*18 + mi4->--\f r2 | r4 \longHairpins {red2(\p\< + mi4)->--\sf } r \t {r8 sol--( do-- } | + \t {sib->\< mib-> dod->} fad->) fad16( la) sol4->--\! | + r8 mi,,--\ff\< \t {mi-- mi mi} \tt {mi16-> mi-> mi-> mi-> mi->\!} } } diff --git a/instruments/clarinetteB.ly b/instruments/clarinetteB.ly index dab7736..4423a5c 100755 --- a/instruments/clarinetteB.ly +++ b/instruments/clarinetteB.ly @@ -865,9 +865,9 @@ ActeDeuxSceneTroisClarinetteDeux = { \ClarinetteDeux R4. r4 mi8( do si la sold la si) | R4.*2 r8 mi( do si la sold la si) r | R4.*2 - \st {la16\mp la la la} r8 | - r16 la la la la8 | - la16 la la la r8 | + \st {la16\mp la la la r8 | + r16 la la la la8-- | + la16 la la la} r8 | r \det {la la la} r4 | \ten la4.~\pp la4 r8 | \st {la16\mp la la la r8 | @@ -906,10 +906,10 @@ ActeDeuxSceneTroisClarinetteDeux = { \ClarinetteDeux \st {sib16 sib sib sib} r8 | r16 sib\<( fa') sib-. mib8-- | sol16\mf sol la8-- sol16 sol la8-- | - sol16 sol la la sol sol la la | - sol sol r la, sol sol la la | - sol sol la la | - \st {sib sib sib sib sib sib sib sib | + sol16 sol( la) la( sol) sol( la) la( | + sol) sol r la,( sol) sol( la) la( | + sol) sol( la->) la->-. | + \st {sib-> sib sib sib sib sib sib sib | do8-> r R4 sib16 sib sib sib | do8-> r R4 sib16 sib sib sib | do8-> r R4 @@ -933,8 +933,8 @@ ActeDeuxSceneTroisClarinetteDeux = { \ClarinetteDeux re2~-- re4 r8 sol,-. re4.-- r8 | fad'8( mi) re( dod) re16( dod re mi fad8) dod~-- | dod( sib4.) r8 mi4.( | - dod4.) r8 | la'8\mf( sol fa mi) fa16( mi fa sol) la8( mi) | - r16 la8( mi16) r la-. mi8-. | + dod4.) r8 | la'8\mf( sol) fa( mi) fa16( mi fa sol) la8( mi) | + r16 la8( mi16) r la-. mi8-- | mib16([ sib) r la'(] mi) r red'8\f( dod) si( lad) si16( lad | si dod) red8( lad) sib,16( la sold la sib-.) r si'( lad si dod red8-.) | @@ -942,7 +942,7 @@ ActeDeuxSceneTroisClarinetteDeux = { \ClarinetteDeux r16 \st {mib,,,\pp re re mib mib re re | r mib\< fad si re sol\!} | r \simile mib,\pp re re mib mib re re | - r mib\< lab si mi sol | + r mib\< lab si mi sol\! | r sol,\pp do reb do solb' reb do | r8 lab16\< re sol dod\! | r mi,,\< red mi' red fa' | @@ -1043,51 +1043,51 @@ ActeDeuxSceneTroisClarinetteDeux = { \ClarinetteDeux %%% Boum %%% la,,4\sffz} r2 R2.*2 | - r4 sol2 lab sol4 | - r4 lab2 la4 do dod | - r fad2 fa4 la sib | - r sib2 la4 do dod | - r8 do, si'4. si16 si | - si4. mib8 ~ mib mi | - r si, sib mi mib sol | - fad si do mi mib \t {sold16 si dod} | + r4 sol2--\p lab( sol4) | + r4 lab2-- la4( do dod) | + r fad2\mp-- fa4( la sib) | + r lab2-- la4(\< do dod)\! | + r8 do,(\mf si'4.) si16-. si-. | + si4.-- mib8->( ~ mib mi) | + r si,(\< sib) mi( mib) sol( | + fad) si( do) mi( mib) \t {sold16( si dod} | %%% Contralto %%% - re8 r re,, re re re re re re re r4 | - re'8 re, re re re re re re re re r re | + re8->)\! r \st {re,,\pp re re re re re re re r4 | + re'8-> re, re re re re re re re re r re | re re re re re re re re | - mib mib mib mib mib mib mib mib | - r4 lab,8 lab si r r4 | R2. R2*6 - la8 la la la r4 | r8 la la la la4 | - la'8 la la la r4 | r8 la la la la4 | + mib mib mib mib mib mib mib mib} | + r4 lab,8-> lab-> si-> r r4 | R2. R2*6 + \st {la8\mp la la la r4 | r8 la la la la4 | + la'8 la la la r4 | r8 la la la la4} | %%% Grand ensemble %%% - R1 mi4 sold \t {sol si sib} | - re2. dod4 la sold do re | - fad, r r2 | - r4 solb lab sib reb2. do4 | - lab2 la mi4 r r2 | - mi,8 mi mi mi r2 | - re8 re re re r2 | - sold8 la sold' la r2 | - fa4 mib re do si8 do re mi fa4. sol8 | - lab4 r r la8 la sold4 r r2 | - R1 r8 re r la' sold mi re mi | - r la r la' r re, re la sold2. r4 | - re8 re re4 r8 sold r4 | - si4 sib lab sol r sold' fad mi | - red mi8 mib fa sol lab4 | R2. + R1 mi4(\pdolce sold) \t {sol-- si-- sib--} | + re2.-- dod4( la sold do re | + fad,) r r2 | + r4 solb(\< lab sib reb2.\mp do4) | + lab2( la mi4) r r2 | + mi,8-.(\pp mi-. mi-. mi-.) r2 | + re8-.( re-. re-. re-.) r2 | + sold8(\mf la) sold'( la) r2 | + fa4(\mf mib) re( do) si8( do) re-. mi-. fa4.--( sol8 | + lab4-.->) r r la8->\mp la-> sold4-> r r2 | + R1 r8 re-.\mf r la'-. sold( mi) re( mi) | + r la-.\< r la'-.\! r re,-. re( la) sold2.-- r4 | + re8-. re-. re4-. r8 sold-. r4 | + si4(\f sib lab sol) r sold'(\fmolto fad mi | + red) mi8( mib fa sol lab4) | R2. %%% Chute %%% - mi'2.~ mi4 mib re reb do si sib la sold fa re sold, re r R2*2 + mi'2.(\mf~ mi4\> mib re reb do si sib la sold fa re sold,\! re) r R2*2 %%% Andante al fine %%% R2.*6 - si'2.~ si4 r8 do~do4~ | do4 si2~ si r4 | R2.*4 - si2 r4 si2.~ si2 r4 |R2.*18 - mi4 r2 | R2. - mi4 r \t {r8 sol, do } | - \t {sib mib reb} solb sol do4 | - r8 mi \t {mi mi mi} \tt {mi16 mi mi mi mi} + si'2.--\p~ si4 r8 do--~do4~ | do4( si2--)~ si r4 | R2.*4 + si2--\p r4 \ten si2.--\pp~ si2 r4 |R2.*18 + mi4->--\f r2 | R2. + mi4->-- r \t {r8 sol,--( do-- } | + \t {sib->\< mib-> reb->} solb->) sol-> do4->--\! | + r8 mi--\ff\< \t {mi-- mi mi} \tt {mi16-> mi-> mi-> mi-> mi->\!} } } diff --git a/instruments/contrebasse.ly b/instruments/contrebasse.ly index 1b8bfda..2380403 100644 --- a/instruments/contrebasse.ly +++ b/instruments/contrebasse.ly @@ -868,7 +868,7 @@ ActeDeuxSceneTroisContrebasse = { \Contrebasse r8 sold'-. fad16 mib reb do | re,4---> r8 ~->\< | -. -. -. | - sold,-. sold-. sold-. sold4:16 sold8:16 | + sold,-.\! sold-. sold-. sold4:16 sold8:16 | sold4---> r8 re'4---> sold,8-. | re'2:16 re4-- r | @@ -942,42 +942,42 @@ ActeDeuxSceneTroisContrebasse = { \Contrebasse %%% Boum %%% 4\sffz} r2 | R2.*2 - sold2.~ sold2 r4 | - mi2.~ mi2 r4 | - do'2.~ do2 r4 | - si2.~ si2 r4 | - fa2.~ fa2 r4 | - sold2.~ sold2 r4 | + \ten sold2.--\mp~ sold2 r4 | + mi2.--~ mi2 r4 | + do'2.--~ do2 r4 | + si2.--~ si2 r4 | + fa2.--\mf~ fa2 r4 | + sold2.--~ sold2 r4 | %%% Contralto %%% - re'4 r R2 r4 re'\CaV re, \pizz re | + re'4---> r R2 r4 re'--\mf\CaV re,---> \pizz re\mp | re re re re re re re re | do do do do | - \arco si8 si r4 | la4 r | R2. R2*6 - \pizz dod4 r2 sol4 r2 | dod4 r2 | sol4 r sold | + \arco si8\mp si r4 | la4---> r | R2. R2*6 + \pizz dod4\mp r2 sol4 r2 | dod4 r2 | sol4 r sold-> | %%% Grand ensemble %%% - \arco dod1~ dod sol~ sol2 dod~ | - dod sol~sol sold | mi1~ mi2. r4 | - r2 mi'~ mi4 sib~sib8 mi4 sib8 | - mi2. r4 | R1 - sib'1~ sib2 r8 do,4. | - 1~ 2. r4 | - sib4 la sib do | - 1~ 2. r4 | - r | + \arco dod1~\psubito dod sol~ sol2 dod~ | + dod sol~sol\< sold\! | \ten mi1~ mi2. r4 | + r2 mi'--\mp~ mi4 sib--~sib8 mi4-- sib8-. | + mi2.-- r4 | R1 + \ten sib'1--\mf~ sib2 r8 do,4.-- | + 1--~ 2. r4 | + sib4--\< la-- sib-- do-- | + \ten 1\f~ 2. r4 | + r \det { | | r | - | - r8 - | + }| + r8 -> -> -> + -> -> -> -> | R2. %%% Chute %%% - re2.:32~ re2:32 + re2.:32\sfp~ re2:32 4:32~ 2.:32~ 4:32 \glissando - 2:32~ + 2:32~\psempre 2:32\glissando 4:16 16 16 @@ -990,7 +990,7 @@ ActeDeuxSceneTroisContrebasse = { \Contrebasse %%% Andante al fine %%% R2.*4 - \harmo { 2.~ + \harmo { 2.\pp~ \oneVoice ~ ~ @@ -1020,9 +1020,9 @@ ActeDeuxSceneTroisContrebasse = { \Contrebasse ~ ~ 2} mi'' r4 | R2.*2 - mi,2.~ mi2 r4 | - mi,2.:32~ mi2:32 \ind #"ample" 4 | - 8 \t { } - \tt {16 } + \ten mi,2.\pp~ mi2 r4 | + \longHairpins {mi,2.:32\mp~\< mi2:32\f } \ind #"ample" 4---> | + 8--->\< ---> \t {---> -. -.} + \tt {16-> -> -> -> ->\!} } } diff --git a/instruments/flute1.ly b/instruments/flute1.ly index da23c7d..07c5cfd 100755 --- a/instruments/flute1.ly +++ b/instruments/flute1.ly @@ -348,7 +348,8 @@ ActeUnSceneTroisFluteUn = { \FluteUn \t {sib'16\mf sib sib} mib8~-> mib4 mib4~-> mib sib\<( re | sold4.\f) r8 r4 | R2*2 %%% Tempo I %%% - R2.*9 sol,,2.\mp\< lab8\sfz r r2 | + R2.*9 + \longHairpins {sol,,2.\mp\< lab8\sfz r r2 } | R2.*3 %%% Tempo II %%% @@ -775,7 +776,7 @@ ActeDeuxSceneTroisFluteUn = { \FluteUn r16 la la la la8 | la16 la la la} r8 | \det {la8 sib la la} r4 | - lad16\pp( lad si8) sold16( sold | + lad16\pp lad( si8) sold16 sold( | la8) lad16 lad( si8) | \st {la16\pleggiero la la la r8 | r16 la la la la8 | @@ -835,7 +836,7 @@ ActeDeuxSceneTroisFluteUn = { \FluteUn sol4) r16 lab8.-- r8 sol-- r r16 lab-.-> | r8 sol---> r16 lab-.-> r8 | sol8( lab mi fa | sol lab) r sol---> | - r16 lab-.-> r8 sol---> r sold16-> sold-> | + r16 lab-.-> r8 sol---> r sold16->\f sold-> | %%% Quatuor %%% la8-> r r4 | r8 \st {re,\mp sol, | diff --git a/instruments/flute2.ly b/instruments/flute2.ly index d2fe1d8..ec9c2f8 100755 --- a/instruments/flute2.ly +++ b/instruments/flute2.ly @@ -350,7 +350,8 @@ ActeUnSceneTroisFluteDeux = { \FluteDeux sib8\mf sib'8~-> sib4 sib4~-> sib mib,\<( la | re4.\f) r8 r4 | R2*2 %%% Tempo I %%% - R2.*9 fa,,2.\mp\< fa8\sfz r r2 | + R2.*9 + \longHairpins {fa,,2.\mp\< fa8\sfz r r2 }| R2.*3 %%% Tempo II %%% @@ -926,7 +927,7 @@ ActeDeuxSceneTroisFluteDeux = { \FluteDeux re,,2.~\mf re~ re4 r2 | r4 \t {re'16\f( sol lab} | re4->) r2 | r8 \st {re, re re} re4-- R2.*6-\markup "Prenez le Piccolo" \Piccolo | r8 \acc {sib'\f sib sib sib sib | R2. - r8 re re re} \t {fad16( sold sib} re8->) | + r8 re re re} \t {\ind #"en dehors" fad16(\< sold sib} re8->\!) | %%% Boum %%% R2.*3 diff --git a/instruments/piano.ly b/instruments/piano.ly index 39fc21f..3bd4fc5 100755 --- a/instruments/piano.ly +++ b/instruments/piano.ly @@ -28,21 +28,21 @@ ProloguePiano = { {\hideNotes s4 mi2 \laissezVibrer \unHideNotes} >> R2*2 |2\f r4 | R2*2 | << {\voiceTwo 2\f\laissezVibrer} \\ - {\voiceFour r8 \voiceOne \st {8 }}>> - \st { + {\voiceFour r8 \voiceOne \st {\ind #"secco"8\mf }}>> + \st { \> - \mf + \mp \> } - r8\mp -. 4-- | + r8\p -. 4-- | 8-. 4-- 8-. 4-- \clef treble | %%% Tempo giusto %%% - re'8\p r re-.\p re-. s2*2 R2*3 s2*2 + re'8\fp r \ind #"leggiero" re-.re-. s2*2 R2*3 s2*2 \pl 4 re''4-- r2 | R2.*2 \clef bass | 2.-- -- -- \clef treble | 2-- 8( ) | @@ -90,7 +90,7 @@ ProloguePiano = { \stemUp \md | \stemDown \< \mg \stemUp \md \stemDown \mg \stemUp \! \md | - \stemDown \mg + \stemDown \psempre \mg \stemUp \md | \stemDown \mg \stemUp \md | @@ -132,7 +132,7 @@ ProloguePiano = { r4 \det {2\ppp | r4 2 \ottava #0 r4 2 | r4 2 | r4 2 | r4 2 | r4 r } | - \mg \stemUp r8 \slurUp re,8\p( mib sib' si \md fad' + \mg \stemUp r8 \slurUp \ind #"con Ped." re,8\p( mib sib' si \md fad' \stemNeutral sol8\< re' mib sib')\! | R2.*2 \stemUp \t {r8 mi(\pp mib} \t {lab, sol do,} \t {si mi, mib} \mg \t {lab, sol do,)} \md \slurNeutral \stemNeutral | @@ -144,7 +144,7 @@ ProloguePiano = { \stemDown 8->\fp \stemUp \mg re,,-. \md \stemNeutral r4 | R2*6 r4 s R2*15 \st {8\p r r4 8 r r4 8 r r4 | - R2*3 sib8-> r r4 8-> r mi''' r } | + R2*3 sib8->\mp r r4 8-> r mi'''-.\pp r } | } \relative { \partial 4 r4 R2.*3 R1 @@ -177,12 +177,13 @@ ProloguePiano = { 2->--\laissezVibrer 4->~ 2-> | 1*1/2->--\laissezVibrer s2 - \t {\stemDown dod'2*1/4\laissezVibrer \stemUp 8 dod,} - \stemNeutral s4 R2 R2-\fermataMarkup + \tupletDown \t {\stemDown dod'2*1/4\laissezVibrer + \stemUp 8 dod,} + \stemNeutral \tupletNeutral s4 R2 R2-\fermataMarkup %%% Solo ténor %%% R1*2 R2. R1 R2. R1 - sol,2~ sol~ sol 2(~ 2.) + sol,2\pp~ sol~ sol 2(~ 2.) ( 2 4~ 2)~ 2. \arpeggio R2.*4 R4. s4.*2 R4.*2 s4.*4 R4.*3 r8 sol'(\mp lab-.) | @@ -290,7 +291,7 @@ ActeUnSceneUnPiano = { re2-- re4-- re-- \t {re--\> re-- re--} 1--\!\laissezVibrer s2 \t {do4--( lab'-- mib--)} | - 2-- r4 2.-- | r4 2.-- r4 | + 2--\psempre r4 2.-- | r4 2.-- r4 | r --( -- -- \clef treble 2--) | r4 2.-- | r4 2.-- r2 | s1 s2\> 1\pp r2 R1. | @@ -422,13 +423,13 @@ ActeUnSceneUnPiano = { %%% Allegro marcato %%% 4-. \pl { \t {si'8\ff si si}} do'4-. -. \pl si' lad' | 4-. \pl { \t {si'8\ff si si}} do'4-. - \pl \sffz | + \pl ---> --->\sffz | \ottava #-1 r si,,\sfz r si\sfz r8 si-. \t {si-- si si} si-> r r4 \ottava #0 | R1 4-. \t {8\ff } 4 si,-.-. | \t {8\ff } 4 - \pl \sffz | + \pl ---> --->\sffz | \ottava #-1 r si,,\sfz r si\sfz r8 si-. \t {si-- si si} si-> r r4 | \ottava #0 @@ -462,8 +463,8 @@ ActeUnSceneUnBisPiano = { \ttt { \slurUp lab,16( sib reb mi sol do } \md \ttt { mib fa lab si dod mi} \ottava #1 \t { sol la do} re32 mib sold la) \slurNeutral \stemNeutral - 4\f \ottava #0 r8 re,,->--~re4 r | - R2. 4\f \mg 2 \md | + 4--\f \ottava #0 r8 re,,->--~re4 r | + R2. 4--\f -- \mg 2-- \md | R2. 4\sf\arpeggio \laissezVibrer 2-- | \pl -- -- 4--\laissezVibrer | @@ -493,7 +494,7 @@ ActeUnSceneUnBisPiano = { r2 4-- 2-- r4 | %%% Adagio %%% - r4 2.\p\laissezVibrer R1 1\laissezVibrer | + r4 2.\laissezVibrer\pdolce R1 1\laissezVibrer | r2 r4 4\laissezVibrer R1 r2 \p\laissezVibrer | R1 r4 2.\laissezVibrer R1 1\laissezVibrer | r2 r4 \laissezVibrer r2 r8 4.\laissezVibrer | @@ -517,7 +518,7 @@ ActeUnSceneUnBisPiano = { {fad' fad8 re mi4 } | R1 r2 r4 --\pp | 4--\fermata r r2 | R2 \ind #"secco" 8-.\p r 8-. r -. r r4 \clef bass - r4 ->--\f + r4 ->--\sff } \relative { \ottava #-1 @@ -562,7 +563,7 @@ ActeUnSceneUnBisPiano = { %%% Adagio %%% R1*5 r2 sol\laissezVibrer - r4 r8 8~ 2\laissezVibrer | + r4 r8 8\pp~ 2\laissezVibrer | r4 2.\laissezVibrer r8 ~2.\laissezVibrer | 1\laissezVibrer r2 r4 \laissezVibrer | r2 r8 4. | r2 2\laissezVibrer | @@ -649,7 +650,7 @@ ActeUnSceneDeuxPiano = { %FIXME: line breaks make the "15ma" text move to the left. r2 \ottava #2 - sol!4-. do-. | si8( sol fa4-.) si8( do | + \cmb #"pp" #"très clair" sol!4-. do-. | si8( sol fa4-.) si8( do | si sol fa sol si4-.) | sol4-. fa8( do' si4-.) do8( si | sol fa sol si-.) r do( fa, sol | @@ -1376,13 +1377,13 @@ EntractePiano = { \clef treble | | - -> + ->\pleggiero -> | -> | | - + \psempre | 4 r r2 | r4 --\p r -- r -- r2 | R1 @@ -1507,7 +1508,7 @@ ActeDeuxSceneUnPiano = { 2*3/2--\laissezVibrer R1 %%% Andantino %%% - 2*2--\laissezVibrer R1 R2. + \ind #"soudain très clair" 2*2--\p \laissezVibrer R1 R2. 2*3/2--\laissezVibrer R2.*2 R2 R2.*5 R1 R2. R2 2*3/2--\laissezVibrer R1 R2. R1 @@ -1590,27 +1591,29 @@ ActeDeuxSceneUnBisPiano = { %%% Boum %%% R1*5/4*13 | \clef treble - \ind #"legato con Ped." 8\mf \mg \md + \dynamicUp + \cmb #"mf" #"legato con Ped." + 8( \mg \md \dynamicNeutral \mg \md \mg \md \mg \md - \mg \md - \mg \md + ) \mg \md + ( \mg \md \mg \md \mg \md \mg \md - \mg \md | - \mg \md + ) \mg \md | + ( \mg \md \mg \md \mg \md - \mg \md - \mg \md | + ) \mg \md + (\< \mg \md | \mg \md \mg \md \mg \md \mg \md - \mg \md | - \mg 2*1/4->\laissezVibrer \md + ) \mg \md | + \! \mg 2*1/4->\laissezVibrer \md 8 \mg \md \mg \md \mg \md @@ -1620,44 +1623,44 @@ ActeDeuxSceneUnBisPiano = { \mg \md \mg \md \mg \md | + ( \mg \md \mg \md \mg \md \mg \md - \mg \md - \mg \md | + ) \mg \md | \mg \stemDown 2*1/4->\laissezVibrer \stemNeutral \md 8 \mg \md \mg \md - \mg \md + ( \mg \md \mg \md | \mg \md - \mg \md - \mg \md + ) \mg \md + (\< \mg \md \mg \md - \mg \md - \mg \stemDown 2*1/4->\laissezVibrer \stemNeutral \md + ) \mg \md + \! \mg \stemDown 2*1/4->\laissezVibrer \stemNeutral \md 8 \mg \md \mg \md - \mg \md + ( \mg \md \mg \md | \mg \md - \mg \md - \mg \md + ) \mg \md + (\< \mg \md \mg \md \mg \md | \mg \md \mg \md - \mg \md + ) \mg \md \mg \md \mg \md | - \mg \stemDown 4*1/2->\laissezVibrer \stemNeutral \md + \! \mg \stemDown 4*1/2->\laissezVibrer \stemNeutral \md 8 \mg \md \mg \stemDown 2*1/4->\laissezVibrer \stemNeutral \md 8 \mg \md \mg \md | - \> \mg mi,,, \md + \>( \mg mi,,, \md \mg \md - fa'' \mg \md 2--\p\laissezVibrer | + fa'') \mg \md 2--\p\laissezVibrer | r1 4--\laissezVibrer | R1*5/4 1*5/4--\laissezVibrer | r4 1--\laissezVibrer | r2 2.--\laissezVibrer | @@ -1731,7 +1734,7 @@ ActeDeuxSceneUnBisPiano = { %%% Tempo I %%% R1 - \acc {4 r2 4 r r r2 | + \acc {4\mf r2 4 r r r2 | 4 r r8 r2 \clef bass | 4\sffz} r1\fermata R1*5/4*21 } @@ -1800,31 +1803,37 @@ ActeDeuxSceneDeuxPiano = { \PianoDeuxMains \relative { \Piano R1.*6 R1*2 R2. \clef bass | - \mg 16->\mf \md \mg -> - \md \mg -> \md \mg -> - \md \mg -> \md | - 8.-> 16 r8 16 r 8 | - r16 8\< 16 r 8 r16 \! r8 | + \mg 16->\mf \md -. + -. \mg -> + \md -. \mg -> + \md -. \mg -> + \md -. \mg -> + \md -. -. | + 8.-> 16-. + r8 16-. -. + r -. 8-- | + r16 8\< 16 r + 8 r16 \! r8 | R2. R1.*3 | R1*2 R2. | - \mg 16->\mf \md \mg -> - \md \mg -> \md \mg -> - \md \mg -> \md - \mg -> \md re' \mg -> \md | + \mg 16->\mf \md -. -. \mg -> + \md -. \mg -> \md -. \mg -> + \md -. \mg -> \md -. -. + -. \mg -> \md re' \mg -> \md | r \st {mi' dod re do mib} | - \cmb #"p" #"sec" si8 si16 si \mg si, \md si' si \mg si, \md si' si + \cmb #"p" #"sec" si8 \st {si16 si \mg si, \md si' si \mg si, \md si' si \mg sold, \md si' si \mg sold \md si si | \mg si, \md si' si si si si \mg sold, \md si' si \mg sol, \md si' si si \mg sol \md si si | - \mg si, \md si' si si \mg lad \md si \mg si, \md si' - si \mg si, \md si' si si \mg lad \md si si | + \mg si, \md si' si si \mg lad-> \md si \mg si, \md si' + si \mg si, \md si' si si \mg lad-> \md si si | \mg si, \md si' si \mg si, \md si' si \mg si, \md si' r8 \mg si,16 \md si' si si \mg lad \md si | \mg si, \md si' si \mg \md si, si \mg si, \md si' \mg \md si, \mg si, \md si' si \mg \md si, si | - \mg si, \md si' si \mg si, \md si' si \mg si, \md si' r2 | + \mg si, \md si' si \mg si, \md si' si \mg si, \md si'} r2 | R2. R1. R1*2 R2.*3 R2 R2.*3 R2 r16 \st {la'16\< fad sol fa lab} | - \cmb #"p" #"sec" mi\! mi mi \mg sol, \md mi' \mg mi, \md mi' mi + \cmb #"p" #"sec" mi\! \st {mi mi \mg sol, \md mi' \mg mi, \md mi' mi \mg mi, \md mi' \mg sol, \md mi' \mg mi, sol \md mi' mi | \mg mi, \md mi' mi \mg sol, \md mi' \mg mi, sol \md mi' \mg mi, \md mi' \mg sold, \md mi' mi \mg mi' \md mi, mi | @@ -1832,7 +1841,8 @@ ActeDeuxSceneDeuxPiano = { \mg mi, \md mi' mi \mg sol, \md mi' \mg sold, \md mi' mi | \mg mi, \md mi' mi \mg la, \md mi' \mg mi, \md mi' \mg la, \md mi' mi \mg re \md mi \mg la, mi \md mi' mi | - \mg mi, \md mi' \mg la, re \md mi mi 8 r8 r16 \st {la'\mp fad sol fa lab} | + \mg mi, \md mi' \mg la, re \md mi mi } + 8 r8 r16 \st {la'\mp fad sol fa lab} | mi8-- \clef treble \st { %% FIXME Issue #400 r | r } r | r \simile r | r r | @@ -1943,24 +1953,24 @@ ActeDeuxSceneTroisPiano = { %%% Larghetto %%% R4.*30 \clef bass | s4.*5 R4.*2 s4.*3 R4.*2 s4.*4 R4.*2 s4.*3 - 16 | + \st {16\ppleggiero | | | | | | - | - | + } ( | + ) \st { | | | | s4 16 | - | - 8 s16 | - | - si8 16 | + } ( | + 8) s16 \st { | | + si8-- 16 | + \ppsempre | | | | @@ -1973,105 +1983,105 @@ ActeDeuxSceneTroisPiano = { r r8 | r16 r | r r | - r r | R4*4 + r r } | R4*4 \clef bass s4.*5 R4.*2 s4.*7 \clef treble - 16 | + 16\pleggiero | | | | + \> | | - | - \clef bass | - | + \! \clef bass | + \cmb #"pp" #"secco" \< | | - 8 r R4 | - 16 | - 8 r r4 | - 16 | - 8 r R4*3 \clef treble | - 4\arpeggio \laissezVibrer s4 R4*3 - r8 r | - r r | + 8->\! r R4 | + 16\< | + 8->\! r r4 | + 16\< | + 8->\! r R4*3 \clef treble | + 4\p\arpeggio \laissezVibrer s4 R4*3 + r8 -.\pp r -. | + r -. r -. | R2.-\fermataMarkup R2.*2 - r8 la' + r8 \st {\p la' sol' r | R2. r8 la' sol' r | R2. %%% Interlude %%% - r8 la' r do' r | + r8 la' r do' r } | 2\laissezVibrer \clef bass | - r8 ~ 16 8.~ + r8 \pp~ 16 8.~ 2\laissezVibrer s r4 \set tieWaitForNote = ##t \t {la8 fa~ mi'~} 2\laissezVibrer \set tieWaitForNote = ##f R2 - r4*1/2 s8 \tt {mi'16 mi, dod' fa8~} fa4 | - \clef treble 4. 8~ | - 4. | - \t {do8 si' fa16 solb} s4 | - r8 r16 r8 | - r r16 8. | - r16 8. 4 | - r 16 | - 4\laissezVibrer r4 | + r4*1/2 s8 \tt {mi'16 mi,( dod' fa8)~} fa4 | + \clef treble 4.\p \> 8~ | + 4.\! | + \t {do8( si') fa16 solb} s4 | + r8 r16 -.->\pp r8 ---> | + r ---> r16 8.---> | + r16 8.---> 4---> | + ---> r 16->\mp -> | + 4--\laissezVibrer r4 | R2*2 - la,4 R2*2 r4 | - r r | - r8 mib16 sib~| - \tt {sib re' la dod' sold } sol'4 | - \ottava #1 r16 + la,4--(\p --) R2*2 r4 --( | + --) r r --( | + --) r8 mib16-.( sib--~| + \tt {sib re' la dod' sold } sol'4->) | + \st {\ottava #1 r16 \pl {do,, fad8} {si16 fa' sib} \ottava #0 r8 sold,,16 | r sol' r8 r4 | - r8 r r16 | + r8 \pp r r16 | r8 r16 r8 | - r r r16 | - r8 r16 r4 | + r \< r r16 | + r8 r16 } r4 | %%% Quatuor %%% - 8 r r4 R4. R2 R4. R2 R4.*2 + 8--\! r r4 R4. R2 R4. R2 R4.*2 R2.-\fermataMarkup R2.*6 R2*2 R2. \clef bass %%% Air baryton 1 %%% - do,,,8 do \t {do do do} | - do4 do~ do do, r | - do'8 do \t {do do do} | - do4 do~ do do, r | - do'8 do \t {do do do} | - do4 do~ do do r | - do,8 do \t {do do do} | - do2 s2. R2 s4. R2 s4. s8 r r4 | - R2 4 8 - \t { } | s2 - R2 r4 r8 \t { } | - 1\laissezVibrer s2. R2 | + \cmb #"p" #"sombre" do,,,8( do \t {do\> do do} | + do4--\! do--)~ do do,-- r | + do'8(\< do \t {do\> do do} | + do4--\! do--)~ do do,-- r | + do'8(\< do \t {do\> do do} | + do4--\! do--)~ do do-- r | + do,8( do \t {do-- do-- do--} | + do2--) s2. R2 s4. R2 s4. s8 r r4 | + R2 4--\mp 8-- -- + \t {--( -- --)} | s2 + R2 r4 r8 --\< \t { } | + 1--->\!\laissezVibrer s2. R2 | %%% Doppio tempo %%% R2*7 R2.*7 R2 R2. - r4 ~ 2 4~ | - 2 2. 2 | + r4\pp --~ 2 4--~ | + 2 2.-- 2-- | R2. R2 R2. R2 R2. R2 R2. | - r4 4 8 - \mg \md \clef treble | - \ottava #1 \tt {re''''16 dod si sold fad} + r4 4-- 8-.( -. + \mg -.) \md \clef treble | + \ottava #1 \tt {re''''16->(\> dod si sold fad} \tt {fa mib do sib la} \ottava #0 | - \tt {sol mi dod si sold} - \mg \t {mib8 sib sol} \md \clef bass | - r4 4 8 - \mg \md \clef treble | + \tt {sol mi dod si sold\!} + \mg \t {mib8 sib sol)} \md \clef bass | + r4 4-- 8-.( -. + \mg -.) \md \clef treble | \ottava #1 - \tt {sold''''16 re la mi si} \ottava #0 - fad re sib solb | \t {fa8 do lab} \mg fa mib \md | + \tt {sold''''16->(\> re la mi si} \ottava #0 + fad re sib solb | \t {fa8 do lab\!} \mg fa mib) \md | R2*2 \ottava #1 - \t {sib'''''16 fa do} \t {re la mi} \t {solb reb lab} | + \t {sib'''''16\sf( fa do)} \t {re( la mi)} \t {solb( reb lab)} | \ottava #0 - \tt { do mi } \mg \stemUp - lab32 sib fa do \md \stemNeutral \clef bass | - re8. re16 re8 re re16 re re8 | re2. r4 \clef treble | + \tt {\(( do) ( mi) } \mg \stemUp + lab32 sib fa do\) \md \stemNeutral \clef bass | + re8.-- re16 re8-. re-- re16 re-. re8-- | re2.---> r4 \clef treble | %%% Soprano 2 %%% R2. R1 R2. R1 R2. R1 R2. @@ -2084,138 +2094,171 @@ ActeDeuxSceneTroisPiano = { R1 R2. R1 R2. R1 R2. %%% Duo %%% - r4 8 r4 8 | - r4 8 \mg \md - \mg \md | - r4 8 r4 8 | + r4\p 8( ) r4 8( ) | + r4 8( ) \mg -. \md -. + \mg -. \md -. | + r4 8( ) r4 8( ) | s1 - sold8 la sold' la sold, la sold' la | - r4 r sold | R2*3 \clef bass | + sold8( la) sold'( la) sold,( la) sold'( la) | + r4 ---. r sold---. | R2*3 \clef bass | %%% Baryton 2 %%% - 2. s s | + 2.->--\f s ->-- s ->-- | r2 s4 r4 \clef treble s2 | - \ttt {re''16 fa sol si dod red} - \ottava #1 \tt {fad sol, dod red fad} - \ttt {lad dod, red fad la si} | - 2\laissezVibrer s4\ottava #0 R2.*2 R4. - \tt {lab16 sol fa re do} + \ttt {re''16(\< fa sol si dod red} + \ottava #1 \tt {fad)\! sol,(\< dod red fad} + \ttt {lad)\! dod,(\< red fad la si} | + 2->--)\sf\laissezVibrer s4\ottava #0 R2.*2 R4. + \tt {lab16\pleggiero sol fa re do} \tt {si la fad mi red} \tt {dod sib lab sol fa} | - re8 lab' sib sol si4 r8 mi re fa dod4 | - r8 r | + re8-. lab'-. sib-. sol-. si4-- r8 mi-. re-. fa-. dod4-- | + r8 \st { r | r r | - r r | - r | - 4 r2 | - 4 r2 | + r \cresc ( ) r | + ( ) r ( )} | + 4->--\f ->-- ->-- ->-- r2 | + 4->-- ->-- ->-- ->-- r2 | %%% Boum %%% - 4 r2 R2.*2 + 4--\sffz r2 R2.*2 \ottava #1 - re''''16\ppp si do dod \tt { re sold, si dod re } \tt { fad, sol la do re } | - \tt { mib re do re do } \tt { la do la sol la } \tt { sol fad mi dod re } | - \tt { si dod mi fad mi } \tt { fad sol fad lad si } \tt { lad sol sold si dod } | - \tt { re lad si do dod } \tt { re sold, lad si dod } \tt { re fad, sol la do } | - \tt { re fa mib re do } \tt { la do la sol la } \tt { fad sol si sold re' } | - \tt { si do mib do mi } \tt { sold sol si sol sold } \tt { mi fad mi red dod } | - \tt { lad dod lad sold lad } \tt { sol lab sol lab sol } \tt { fa sol sib lab sol } | - \tt { fa sol lab sol fa } \tt { re fa re do si } \tt { lab sol si do mib } | - \tt { mi sol red mi sol } \tt { si lad re sold, fad } \tt { re' fa, sold si dod } | - \tt { re mib, sol sib dod } \tt { re do, fa sol la } \tt { re sib, mib lab mi } | - \tt { re' sol, do, sib' mib, } \tt { lab, re sol red' sold } \tt { la, fad fa mi mib } | - \tt { re sol, la do re } \tt { mib \ottava #0 re,\< mib mi fa } \tt { fad sol, sold la do\! } | + \cmb #"ppp" #"étincelant" % N'ayons pas peur des mots ! + re''''16-- si( do dod + \tt { re--) sold,( si dod re--) } + \tt { fad,( sol la do re) } | + \tt { mib( re do re do } + \tt { la) do( la sol la } + \tt { sol fad mi dod re) } | + \tt { si--( dod mi fad mi } + \tt { fad sol fad lad si } + \tt { lad) sol( sold si dod } | + \tt { re--) lad( si do dod } + \tt { re--) sold,( lad si dod } + \tt { re--) fad,( sol la do) } | + \tt { re--( fa mib re do } + \tt { la) do( la sol la) } + \tt { fad( sol si sold re') } | + \tt { si( do mib do mi } + \tt { sold) sol( si sol sold } + \tt { mi fad) mi( red dod } | + \tt { lad dod) lad( sold lad } + \tt { sol lab) sol( lab sol } + \tt { fa sol sib lab sol) } | + \tt { fa--( sol lab sol fa) } + \tt { re( fa re do si) } + \tt { lab( sol si) do( mib } | + \tt { mi sol) red( mi sol } + \tt { si) lad( re sold, fad } + \tt { re'--) fa,( sold si dod } | + \tt { re--) mib,( sol sib dod } + \tt { re--) do,( fa sol la } + \tt { re--) sib,( mib lab mi } | + \tt { re'--) sol,( do, sib' mib,) } + \tt { lab,( re sol red' sold) } + \tt { la,( fad fa mi mib } | + \tt { re--) sol,( la do re } + \tt { mib) \ottava #0 re,(\< mib mi fa } + \tt { fad) sol,( sold la do\! } | %%% Contralto %%% - 4 r | R2*11 R2. R2*6 \clef bass | + 4->) r | R2*11 R2. R2*6 \clef bass | s2.*4 \clef treble | %%% Grand ensemble %%% - r2 r8 4. 8~ 2 | - 1*1/8\arpeggio \laissezVibrer - sib'8 \t {si'4 do,8~} do2\laissezVibrer + r2 r8 4.\pp 8~ 2 | + + %%%%% FIXME + %%%%% something's blowing my mind here. + + %1*1/8\arpeggio \laissezVibrer % WTF??? + + 1*1/8\arpeggio \laissezVibrer + sib'8( \t {si'4 do,8)~} do2\laissezVibrer R1*3 - r4 4. | 2 r8 4 lad8 | - 4 r r2 | R1*3 - r4 \t {sold8 \mg la, \md sold'} - \t {la \mg sold, \md la'} \t {sib \mg sol, \md sib'} | si \mg fad, - \md \mg - \md | - 4 r r 8 | - 4 r r2 | R1 - mid,8 fad - | - - | - - | - - | - - | - - | - \ottava #1 - | - \ottava #0 r r2 | + r4 \ind #"clair" 4.-- -- | + 2-- r8 4( lad8 | + 4) r r2 | R1*3 + r4 \t {sold8( \mg la,) \md sold'} + \t {la( \mg sold,) \md la'} \t {sib( \mg sol,) \md sib'} | + si-.( \mg fad,-.) + \md \cmb #"p" #"scherzando" ( ) \mg + ( ) \md ( ) | + 4-. r r 8-. -. | + 4-. r r2 | R1 + mid,8(\mp fad) ( ) + ( ) ( ) | + ( ) ( ) + ( ) ( )| + ( ) ( ) + ( ) ( ) | + ( ) ( ) + ( ) ( ) | + (\mpsempre ) + ( ) | + ( ) + ( ) | + \ottava #1 ->\mp -> -> + -> -> -> -> | + -> \ottava #0 r r2 | s2 \t { 8 } | \ottava #1 - 16 - re' - | - - sol' + \cmb #"f" #"sonore" 16-> -> + -> re' + -- -- | + -> -> + ->\> sol' \ottava #0 | - - dod' + -> -> + ->\mp dod' | - - - re re | - 8 r r4 | R2*2 + -> -> + ->\p\> + --( re -- re | + 8--)\! r r4 | R2*2 %%% Andante al fine %%% R2.*4 - mi2\laissezVibrer s4 s2. R2.*3 - r8 do si'4. la'8 fad'2\laissezVibrer s4 s2. R2.*5 - 2\laissezVibrer s4 s2. R2.*15 - r2 8 4 r2 | - r4 8 \t { } | - 4 r2 | + mi2--\p\laissezVibrer s4 s2. R2.*3 + r8 do\p\>( si'4. la'8 fad'2)\!\laissezVibrer s4 s2. R2.*5 + 2--\laissezVibrer s4 s2. R2.*15 + r2 8-.\mp -. 4-- r2 | + r4 8-. -. \t {-. -.-.} | + 4-- r2 | r8 r16 \mg \stemUp la, \stemNeutral \md - \tt {sib[ fa'] do'[ dod sold]} \ottava #1 - 4 \ottava #0 - r8 \t { } - \tt {16 } + \tt {sib([ fa'] do'[ dod sold']} \ottava #1 + 4--)\sffz \ottava #0 + r8 \ff\< \t { } + \tt {16 \!} } \relative { %%% Larghetto %%% R4.*27 - \pl 4.\laissezVibrer la'\laissezVibrer R4. - 4.\laissezVibrer + \pl 4.--\pp\laissezVibrer la'--\laissezVibrer R4. + 4.--\laissezVibrer \ottava #-1 - dod,,16 dod' \md dod'8 r \mg | - re, \md re' r \mg | - dod,,16 dod' \md dod'8 r \mg | - re, \md re' r \mg | - fad,,16 fad' \md fad'8 r \mg | R4.*2 - dod,,16 dod' \md dod'8 r \mg | - re, \md re' r \mg | - dod,,16 dod' \md dod'8 r \mg | R4.*2 - dod,,16 dod' \md dod'8 r \mg | - sol, \md sol' r \mg | - dod,,16 dod' \md dod'8 r \mg | - sol,16 \md sol' \mg fa, \md fa' - \mg lab, \md lab' \mg | - mi,8 r4 | R4. - mi16 \md mi' \mg re, \md re' - \mg fa, \md fa' \mg | - dod,16 dod' \md dod'8 r \mg | - dod,, dod' \md dod' \mg | + dod,,16-.(\p dod'-. \md dod'8-.) r \mg | + re,-. \md re'-.-> r \mg | + dod,,16-.( dod'-. \md dod'8-.) r \mg | + re,-. \md re'-.-> r \mg | + fad,,16-.( fad'-. \md fad'8-.) r \mg | R4.*2 + dod,,16-.(\p dod'-. \md dod'8-.) r \mg | + re,-> \md re'->-. r \mg | + dod,,16-.( dod'-. \md dod'8-.) r \mg | R4.*2 + dod,,16-.( dod'-. \md dod'8-.) r \mg | + sol,-. \md sol'-.-> r \mg | + dod,,16-.( dod'-. \md dod'8-.) r \mg | + sol,16---. \md sol' \mg fa,---. \md fa' + \mg lab,---. \md lab' \mg | + mi,8-- r4 | R4. + mi16---. \md mi' \mg re,---. \md re' + \mg fa,---. \md fa' \mg | + dod,16-.\p( dod'-. \md dod'8-.) r \mg | + dod,,-. dod'-. \md dod'-- \mg | \ottava #0 - 8 | + \stdet {8 | | | | @@ -2225,15 +2268,15 @@ ActeDeuxSceneTroisPiano = { | | | - | - \ottava #-1 dod,16 dod' \md dod'8 \mg | - | - | + |} + \ottava #-1 dod,16-.\p dod'-. \md dod'8-. \mg | + \stdet { | + } | \ottava #-1 - si,16 si' \md si'8*1/2 \mg s16 | - r8 si,,16 si' + si,16-.\mp si'-. \md si'8*1/2-. \mg s16 | + r8 si,,16-. si'-. \ottava #0 R4 | - 8 | + \stdet {8 | | | | @@ -2243,96 +2286,96 @@ ActeDeuxSceneTroisPiano = { 8 | | r | + \> | | - | - | R4*4 + \!} | R4*4 \ottava #-1 - sold16 sold' \md sold'8 r \mg | - re,, \md r \mg | - sold,16 sold' \md sold'8 r \mg | - re,, \md r \mg | - sold,16 sold' \md sold'8 r \mg | - sold,,16 sold' r4 | R4. - fad,16 fad' \md fad'8 r \mg | - do,, \md r \mg | - fad,16 fad' \md fad'8 r \mg | - do,, \md r \mg | - fad,16 fad' \md fad'8 r \mg | - fa,,16 fa' \md fa'8 r \mg | - mi,,16 mi' \md 8 r \mg | + sold16-.\p( sold'-. \md sold'8-.) r \mg | + re,,-. \md ->-. r \mg | + sold,16-.( sold'-. \md sold'8-.) r \mg | + re,,-. \md -.-> r \mg | + sold,16-.( sold'-. \md sold'8-.) r \mg | + sold,,16( sold') r4 | R4. + fad,16-.(\mp fad'-. \md fad'8-.) r \mg | + do,,-. \md -.-> r \mg | + fad,16-.( fad'-. \md fad'8-.) r \mg | + do,,-. \md -.-> r \mg | + fad,16-.( fad'-. \md fad'8-.) r \mg | + fa,,16-.( fa'-. \md fa'8-.) r \mg | + mi,,16-.( mi'-.) \md 8-.-- r \mg | \ottava #0 - 4\laissezVibrer s4*2 R4*4 - 8 | + 4--\mp\laissezVibrer s4*2 R4*4 + \st {8 | | - r R4 | + -> r R4 | 8 | - r R4 | - 8 r R4*3 | - 4\arpeggio \laissezVibrer s4 R4*3 - r8 r | - r r | + -> r R4 | + 8 ->} r R4*3 | + 4--\arpeggio \laissezVibrer s4 R4*3 + r8 -. r -. | + r -. r -. | R2.-\fermataMarkup R2.*2 - r8 sib' lab r R2. + r8 \st {sib' lab r R2. r8 sib lab r R2. %%% Interlude %%% r8 sib r | - dod r mi | + dod r mi} | fa2\laissezVibrer s - r4 8. 16~ | 2 - si8 sib' r4 | + r4 8.\ppp 16~ | 2 + \ind #"con Ped." si8 sib' r4 | 4. 8~ 4. 8~| - 16 si do' \md fa \mg r4 r16 mib,8.| - \pl 2 {s4 \t {reb''16 solb, fa~} fa8 } | - solb,4 r16 8.\laissezVibrer | - r4 \md fa'''16 solb, \mg fa solb,~ | - solb8 4. | + 16 si do'( \md fa) \mg r4 r16 mib,8.--| + \pl 2-- {s4 \t {reb''16( solb, fa)~} fa8 } | + solb,4-- r16 8.--\pp\laissezVibrer | + r4 \md fa'''16-.( solb,-. \mg fa-.) solb,--~ | + solb8 4.-- | r16 8.~ 8 ~ | - 16 do si' solb fa do reb,8~ | + 16 do( si') solb fa( do reb,8)~ | reb4 r16 \pl {reb~ reb4} {16~ 4} | - 4\laissezVibrer r4 | - R2*2 \pl sol'!4 \t {sold'8 fad mi} 4 R2*2 | - r4 r r \arpeggio | - r R2*3 - 8. 16~ 8. | - 2 | 4 ~ | - 8. sib''16 8 r4 | + 4--\laissezVibrer r4 | + R2*2 \pl sol'!4-- \t {sold'8( fad mi)} 4-- R2*2 | + r4 --( --) r r --(\arpeggio | + --) r R2*3 + 8.\f 16~ 8. | + 2---> | 4 --->~ | + 8. sib''16-. 8-- r4 | %%% Quatuor %%% - 8 r r4 R4. R2 R4. R2 R4.*2 + 8-- r r4 R4. R2 R4. R2 R4.*2 R2.-\fermataMarkup R2.*6 R2*2 R2. %%% Air baryton 1 %%% - 2 do' fad,2 r4 | - 2 do' fad,2 r4 | - 2 do' sol2 r4 | + 2--\ppp\laissezVibrer do'-- fad,2--\laissezVibrer r4 | + 2--\laissezVibrer do'-- fad,2--\laissezVibrer r4 | + 2--\laissezVibrer do'-- sol2--\laissezVibrer r4 | \ottava #-1 - do,2~ do | - do4 \md r8 do' \t {do do do} \mg 2 | - dod16 \md dod' \t {dod dod dod} dod8 \mg | - 2 | - mi'16 \md mi' \t {mi mi mi} mi8 | 8\mg - ~\t { do' do} | - 2 | do4 do do | - dod16 dod' \md dod'8 \mg dod,16 \md dod' dod'8 \mg | - dod,,,16 dod' r8 r4 | r2 dod,4 | - re1 re2 re4~ re8 re \t {re re re}\ottava #0 | + do,2--~ do | + do4--\pp \md r8 do' \t {do--( do-- do--)} \mg 2-- | + dod16 \md dod' \t {dod( dod dod)} dod8-- \mg | + 2-- | + mi'16\p( \md mi') \t {mi( mi mi)} mi8-- | 8--\mg + ~\t {(-- do'-- do--)} | + 2-- | do4--( do-- do--) | + dod16-.( dod'-. \md dod'8-.) \mg dod,16-.( \md dod'-. dod'8-.) \mg | + dod,,,16( dod') r8 r4 | r2 dod,4-- | + re1->--\mf re2-- re4--~ re8 re---. \t {re-.-- re---. re---.}\ottava #0 | %%% Doppio tempo %%% - re'4 r | R2*6 R2.*7 R2 R2. - 2~ 4 r lab | - 2 r4 lab2 | 2 | - \ottava #-1 fa4~ fa8 fa \t {fa fa fa} | - fa2~ fa4 r8 fa4 fa8~ \t {fa fa fa} fa4 | + re'4-> r | R2*6 R2.*7 R2 R2. + 2--(~ 4 r lab--) | + 2--( r4 lab2--) | 2-- | + \ottava #-1 fa4\mp~ fa8 fa \t {fa fa fa} | + fa2--~ fa4 r8 fa4 fa8~ \t {fa fa fa} fa4-- | r8 fa4 fa8~ \t {fa fa fa} | - fa4 r \ottava #0 R2. | - 4 r r4 s8 | 2\laissezVibrer r4 s | - 4 r r4 s8 | 2\laissezVibrer r4 s | - 4 ~ 8 - \t { } | - lab'4 r8 r4 \stemDown lab'8 \stemNeutral | - 4 r8 re4 lab8 | re2. r4 | + fa4-- r \ottava #0 R2. | + 4--\mf r r4 s8 | 2->--\laissezVibrer r4 s | + 4-- r r4 s8 | 2->--\laissezVibrer r4 s | + 4-- ->--~ 8 -- + \t {--(\< -- --)} | + lab'4->--\! r8 r4 \stemDown lab'8 \stemNeutral | + 4-- r8 re4-> lab8-. | re2.->-- r4 | %%% Soprano 2 %%% R2. R1 R2. R1 R2. R1 R2. @@ -2345,36 +2388,36 @@ ActeDeuxSceneTroisPiano = { R1 R2. R1 R2. R1 R2. \clef treble | %%% Duo %%% - 8 r4 - 8 r4 | - 8 r4 s2 | - 8 r4 - 8 r4 | - 8 - \md \mg - \md \mg - \md \mg | - la,,8 sold la' sold la, sold la' sold | - r4 la, r \clef bass R2*3 + \ind #"scherzando" 8( ) r4 + 8( ) r4 | + 8( ) r4 s2 | + 8( ) r4 + 8( ) r4 | + 8( ) + -. \md -. \mg + -. \md -. \mg + -. \md -. \mg | + la,,8( sold) la'( sold) la,( sold) la'( sold) | + r4 la,---. r ---. \clef bass R2*3 %%% Baryton 2 %%% - re,4 re re \t {re8 \md mi sol} la16 sib do mib fa solb lab si \mg | - re,,4 re re re16 \md mib fa lab sib si dod mi \t {fad8 sol la} \mg | - re,,4 re re re16 fa sol sold lad dod red mi fad \md la si do \mg | - re, mi fa sol sib \md do reb mib fad sold la si \mg | - r4 2 | 2\laissezVibrer s4 R2.*2 R4. - re4 re re re8 sib'' lab si sol4 | - r8 re mi dod fa4 | - re,8 r r re r4 | - re8 r r re r4 | - re8 r r4 sold8 r | - r4 sold,8 r r4 | - 4 re re re r2 | - re4 re re re r2 | + re,4-- re-- re-- \t {re8(\mp \< \md mi sol} la16 sib do mib fa solb lab si\!) \mg | + re,,4-- re-- re-- re16(\< \md mib fa lab sib si dod mi \t {fad8 sol la)\!} \mg | + re,,4-- re-- re-- re16(\pleggiero fa sol sold) lad( dod red mi) fad( \md la si do) \mg | + re,( mi fa sol) sib( \md do reb mib) fad( sold la si) \mg | + r4 2->--\< | 2--->\!\laissezVibrer s4 R2.*2 R4. + re4-- re-- re-- re8-. sib''-. lab-. si-. sol4-- | + r8 re-. mi-. dod-. fa4-- | + re,8-. r r re-. r4 | + re8-. r r re-. r4 | + re8-. r r4 sold8-. r | + r4 sold,8-. r r4 | + 4->-- re->-- re->-- re->-- r2 | + re4->-- re->-- re->-- re->-- r2 | %%% Boum %%% - 4 r2 | R2.*2 - sold2\laissezVibrer s4 s2. | + 4--\sffz r2 | R2.*2 + sold2\p\laissezVibrer s4 s2. | mi'2\laissezVibrer s4 s2. | do2\laissezVibrer s4 s2. | si2\laissezVibrer s4 s2. | @@ -2382,40 +2425,40 @@ ActeDeuxSceneTroisPiano = { sold2\laissezVibrer s4 s2. | %%% Contralto %%% - 4 r | R2*11 R2. R2*6 + 4-> r | R2*11 R2. R2*6 \ottava #-1 - dod,8 dod' \md dod'4 r \mg | - sol,4 \md sol' r | - dod,,8 dod' \md dod'4 r \mg | - sol,4 \md sol' r \mg \ottava #0 | + dod,8-.(\p dod'-. \md dod'4-.) r \mg | + sol,4-. \md sol'->-. r | + dod,,8-.( dod'-. \md dod'4-.) r \mg | + sol,4-. \md sol'->-. r \mg \ottava #0 | %%% Grand ensemble %%% - 2. 4~ 2. | + 2.\pp 4~ 2. | 1\arpeggio \laissezVibrer - r2 \pl {r4 reb'~ reb2 sol,~ sol sold 1} - { 2 r8 4.~ 2\laissezVibrer - s1 r8 red4. r8 re4.} - 2 r8 4.~ | - 4 r r2 | R1*3 - sib1*1/4\laissezVibrer s4 s2 \clef treble | s1 - 4 r r 8 | - 4 r r2 | R1 \clef bass - re,,,1\laissezVibrer s s s2 2~ | - 4 r8 ~ 2 | - r4 2. - r8 4.~ 2 R2. + r2 \pl {r4 reb'\p~ reb2 sol,~ sol sold-- 1--\mp} + { 2--\> r8 4.\!~ 2\laissezVibrer + s1 r8 red4.-- r8 re4.--} + 2-- r8 4.(~ | + 4) r r2 | R1*3 + sib1*1/4--\laissezVibrer s4 s2 \clef treble | s1 + 4-. r r 8-. -. | + 4-. r r2 | R1 \clef bass + re,,,1--\laissezVibrer s s s2 2--\f~ | + 4 r8 --~ 2 | + r4 2.-- + r8 4.--~ 2 R2. %%% Chute %%% - \t {8 \ottava #0 \md \mg + \t {8--\mf\< \ottava #0 \md \mg } \t { \md \mg \md - \mg } s4 | R2.*4 R2*3 + \! \mg } s4 | R2.*4 R2*3 %%% Andante al fine %%% - R2.*21 4. \laissezVibrer s2. - 2 4\laissezVibrer s2.R2.*9 - r2 mi'8 mi mi4 r2 | - r4 mi8 mi \t {mi mi mi} mi4 r2 - r16 sol, re' s r4 \clef treble 4 \clef bass | + R2.*21 4.(\ppp )\laissezVibrer s2. + 2( 4)\laissezVibrer s2.R2.*9 + r2 mi'8-. mi-. mi4-- r2 | + r4 mi8-. mi-. \t {mi-. mi-. mi-.} mi4-- r2 + r16 sol,\< re' s r4 \clef treble 4--\sffz \clef bass | r8 \ind #"ample" \t { } \tt {16 } } diff --git a/instruments/saxophone1.ly b/instruments/saxophone1.ly index f4efed5..6f1fd5e 100755 --- a/instruments/saxophone1.ly +++ b/instruments/saxophone1.ly @@ -736,48 +736,50 @@ ActeDeuxSceneTroisSaxophoneUn = { \SaxAltoUn %%% Boum %%% sol,,4\sffz} r2 | R2.*2 - r4 sol2 lab4 si do | - r4 do2 dod4 mi fa | - r la,2 sib4 dod re | - r dod2 do4 fa mi | - r do2 mib4 lab sol | - r lab,8 sol~ \t {sol si re} | - mib16 si fad'8 mi lab~ \t {lab sol do} | + r4 sol2--\p lab4( si do) | + r4 do2-- dod4( mi fa) | + r la,2-- sib4( dod re) | + r dod2-- do4(\< fa mi)\! | + r do2--\mp mib4( lab sol) | + r lab,8(\mf sol)~ \t {sol si( re)} | + mib16( si) fad'8-- mi( lab)~ \t {lab sol( do} | %%% Contralto %%% - re r fad,, r fad r fad r fad r r4 | - re'8 r fad, r fad r fad r | - fad r fad r fad r fad r | - fad r fad r mi r mi r | - mi r mi r r4 fa'8 fa fad r r4 | + re->) r fad,,---.\p r + fad---. r fad---. r fad---. r r4 | + re'8-> r fad,---. r fad---. r fad---. r | + fad---. r fad---. r fad---. r fad---. r | + fad---. r fad---. r mi---. r mi---. r | + mi---. r mi---. r r4 fa'8-> fa-> fad-> r r4 | R2. R2*6 - reb,4 r2 | r4 sol r | - reb' reb, r | sol r2 | + reb,4-.->\p r2 | r4 sol---. r | + reb'---. reb,->-. r | sol---. r2 | %%% Grand ensemble %%% - R1*2 r2 r8 fad fad fad | - fad fad fad fad r4 reb~ | - reb r r8 fad fad fad r4 sol4 fa lab | - mi2 fa mi fa4 sol | la r r sold8 sold | - la4 r sol lab | r2 r8 re, sol do | - sold'4 r r2 | - la4 sol fa mi fa8 mi fa sol la4 mi~ | mi r r2 | - mi4 r r2 | R1 re,2. r4 | - r8 re re re re re re re | - r4 fad' mi re dod re8 dod re mi fad r | - mi4 fad sold la sold8 la sold fad mi4 la8 r | - re8 mib re do sib4 mi R2. + R1*2 r2 r8 fad-.(\pp fad-. fad-. | + fad-. fad-. fad-. fad-.) r4 reb--~ | + reb r r8 fad-.( fad-. fad-.) r4 sol4(\p fa lab) | + mi2( fa) mi( fa4 sol | la) r r sold8--\mf sold-- | + la4---> r sol-> lab-> | r2 r8 re,-> sol-> do-> | + sold'4-> r r2 | + la4(\mf sol) fa( mi) fa8( mi) fa-. sol-. la4( mi)~ | mi r r2 | + mi4->\f r r2 | R1 re,2.--\mp r4 | + r8 re-.( re-. re-. re-. re-. re-. re-.) | + r4 fad'(\mf mi) re( dod) re8( dod) re-. mi-. fad-. r | + \ind #"poco più" mi4( fad sold la) + sold8( la sold fad) mi4( la8) r | + re8(\f mib re do) sib4( mi) R2. %%% Chute %%% - r4 \t {r8 fad, mi'~} mi4~ | - mi sib re mi,4. fad~ fad8 mib4 re8 r4 | R2. R2*3 + r4 \t {r8 fad,(\f mi')~} mi4~ | + mi sib( re) mi,4.(\> fad)~ fad8 mib4(\! re8) r4 | R2. R2*3 %%% Andante al fine %%% R2.*32 - r2 mi,4 sold4. sol8 si4~ si8 sib re2 | - r8 mi, la sol do sib mib2. | - \t {r8 mi, si'} \t {la mi' re} la'4 | - r8 sol do sib reb4 | - r8 mi \t {mi mi mi} \tt {mi16 mi mi mi mi} + r2 mi,4\((\pdolce sold4.) sol8( si4)~ si8 sib( re2)\) | + r8 mi,(\< la sol do\mp\> sib mib2.)\! | + \t {r8 mi,--(\mf si'--} \t {la-> mi'-> re->} la'4--->) | + r8 sol->\< do-> sib-> reb4--->\! | + r8 mi--\ff\< \t {mi-- mi mi} \tt {mi16-> mi-> mi-> mi-> mi->\!} } } diff --git a/instruments/saxophone2.ly b/instruments/saxophone2.ly index 1178217..3d0f0e1 100755 --- a/instruments/saxophone2.ly +++ b/instruments/saxophone2.ly @@ -710,7 +710,7 @@ ActeDeuxSceneTroisSaxophoneDeux = { \SaxophoneBaryton la4} r2 | R1 re8( mi) \st {si la solb lab} | mib4-- r la8-. solb-. lab( mib) | - reb4-- r2 | reb'8 sib do sol r fa' re mi | + reb4-- r2 | reb'8-. sib-. do( sol) r fa'( re) mi-. | si4-- r2 si4-- r r2 | R2. R1 R2. R1R2. R1 r8 \st {re,\p\< la' solb lab mib} | @@ -752,46 +752,50 @@ ActeDeuxSceneTroisSaxophoneDeux = { \SaxophoneBaryton %%% Boum %%% sold'4\sffz} r2 | R2.*2 - sold,,4 si2 do4 r2 | - mi,2.~ mi2 r4 | - do'2.~ do4 r8 re do mib | - si2.~ si2 r4 | - fa2.~ fa2 r8 \t {fa16 fad sol} | - sold2.~ sold2 r4 | + sold,,4(\p si2) do4-- r2 | + mi,2.--~ mi2 r4 | + do'2.--~ do4 r8 re( do mib | + si2.--)~ si2 r4 | + fa2.--\mp~ fa2 r8 \t {fa16(\< fad sol} | + sold2.--\!)~ sold2 r4 | %%% Contralto %%% - re8 r re' r re r re r re r r4 | - re,8 r re' r | - re r re r re r re r | - re r re r re r re r | - do r do r do r do r | - r4 si8 si la r r4 | R2. R2*6 - reb,4 r2 | sol4 r2 | - reb8 reb' reb'4 r | sol,, r2 | + re8-> r re'---.\p r + re---. r re---. r re---. r r4 | + re,8-> r re'---.\p r | + re---. r re---. r re---. r re---. r | + re---. r re---. r re---. r re---. r | + do---. r do---. r do---. r do---. r | + r4 si8-> si-> la-> r r4 | R2. R2*6 + reb,4-.->\p r2 | sol4---. r2 | + reb8-. reb'-. reb'4-.-> r | sol,,---. r2 | %%% Grand ensemble %%% - R1*2 r2 r8 sol sol sol | - sol sol sol sol r4 reb~ | - reb r r8 sol sol sol | - sol sol sol sol r2 | - mi1~ mi2 r8 mi mi mi | - mi mi mi mi r4 la8 re | - mi4 r sib la r2 r8 dod do si | - la4 r r2 | sib1~ sib2 r4 la8 la | - sib4 r r2 | sib4 r r2 | - R1 re,2. r4 | - r8 re re re re re re re | - r4 re'2.~ re8 re re re re re re re | - re2 r4 reb' mib fa solb fa8 solb | - fa mib reb4 solb lab | R2. + R1*2 r2 r8 sol-.(\pp sol-. sol-. | + sol-. sol-. sol-. sol-.) r4 reb--~ | + reb r r8 sol-.( sol-. sol-. | + sol-. sol-. sol-. sol-.) r2 | + \ten mi1--~ mi2 r8 mi-.( mi-. mi-. | + mi-. mi-. mi-. mi-.) r4 la8--\mf re-- | + mi4---> r sib-> la-> r2 r8 dod-> do-> si-> | + la4-> r r2 | \ten sib1--\p~ sib2 r4 la8-.\mf la-. | + sib4-.-> r r2 | sib4->\p r r2 | + R1 re,2.--\mp r4 | + r8 re-.( re-. re-. re-. re-. re-. re-.) | + r4 re'2.--~ re8 re-.\< re-. re-. re-. re-. re-. re-. | + re2--\! r4 reb'(\f mib fa solb) fa8( solb | + fa mib) reb4(\< solb lab)\! | R2. %%% Chute %%% - r8 re,, do'2 re,4 do'4. re,8~ re2 sold4~ sold si sib re2 r4 R2*3 + r8 re,,(\f do'2) re,4--( do'4.) re,8--~ + re2 sold4~ sold si( sib re2) r4 R2*3 %%% Andante al fine %%% R2.*35 - mi,2.~ mi2 r4 | - mi,2. \t {r8 mi sol} \t {red' sol re'} fad4 | - r8 mi,, \t {mi mi mi} \tt {mi16 mi mi mi mi} + \ten mi,2.\pp~ mi2 r4 | + mi,2.\fp \t {r8 mi->\< sol->} + \t {red'-> sol-> re'->} fad4->\! | + r8 mi,,--\ff\< \t {mi-- mi mi} + \tt {mi16-> mi-> mi-> mi-> mi->\!} } } diff --git a/instruments/violon1.ly b/instruments/violon1.ly index dc4840a..df71674 100644 --- a/instruments/violon1.ly +++ b/instruments/violon1.ly @@ -278,7 +278,7 @@ ActeUnSceneUnBisViolonUn = { \ViolonUn R1 R2. R2 r2 r8 sib'4.\pp\upbow | \ten sol2.~\CaV sol2\CaV r4 | - do2--\mp\> re~\pp\CaV re4\CaV r2 | + \longHairpins {do2--\mp\> re~\pp\CaV re4\CaV r2 } | R2*3 R2. R1 R2. r4 \mf\downbow \ten 2~\downbow 2.\mp r2 4-.\downbow | @@ -457,7 +457,7 @@ InterludeDeuxViolonUn = { \ViolonUn ActeUnSceneTroisViolonUn = { \ViolonUn \relative { - R2.*6 2.:32\mp\< 4->\! r2 | + R2.*6 \longHairpins {2.:32\mp\< 4->\! r2 }| r4 \pizz sold\mf r | r mi\mf r r8 mib-> r dob sib4 | \arco dod2.:32\fp R2.*2 dod2.:32\pp sold':\< | 8-.\f 4---> 8-. 4~--->( @@ -1114,7 +1114,7 @@ ActeDeuxSceneTroisViolonUn = { \ViolonUn %%% Air baryton 1 %%% la2~\p( la\glissando mi) r4 | la2~(la\glissando mi) r4 | - 2~\pp ~ 4 re( mib) | + \flaut 2~\pp ~ 4 re( mib) | mi2~ mi4 r | lab,( sib) r8 \st {16\pp } | 8-- 16-. -. 8-- 16-. -. | @@ -1131,7 +1131,7 @@ ActeDeuxSceneTroisViolonUn = { \ViolonUn do do reb reb sold, sold la la} | %%% Doppio tempo %%% - re8\! r r4 R2*3 + re8->\! r r4 R2*3 r8 re16\ff re mib8-> r | r re-> r4 | r re16 re r8 | R2.*3 @@ -1154,7 +1154,7 @@ ActeDeuxSceneTroisViolonUn = { \ViolonUn sold''16-> fad re si la8-. re,-. | re,16 si la sold sol4->( | re'8-.\sfz) r r4 | R2 \ottava #1 re'''4:16->\ff sold,8:16~-> sold: re4-> \ottava #0 | - \loco re,4--\mf fad,8-.\< la-. do16 re mib fa | + \loco re,4--\mf fad,8-. la-. do16\< re mib fa | sold->\! fad mi mib re4-- mi,16 mib re la sold4 | %%% Soprano 2 %%% @@ -1242,75 +1242,79 @@ ActeDeuxSceneTroisViolonUn = { \ViolonUn %%% Boum %%% 4->\sffz r2 R2.*2 R2.*2 r4 \ottava #1 - 2~ sol''2.~ sol~ sol4 + 2\pp~ sol''2.~ sol~ sol4 2\upbow | 2.~ sold''2 r4 \ottava #0 | - r8 si,,, si si si si | si si red red mi mi | - r8 si,8:32 sib: re: mib: sol: | + r8 si,,,--(\mf si-- si-- si-- si--) | + si--( si--) red--( red--) mi--( mi--) | + r8 si,8:32\p\< sib: re: mib: sol: | fad: si: do: mi: mib4: | %%% Contralto %%% - re4 r8 \pizz re, r re r re | - re4\thumbpizz \arco sold'\glissando | - re' r8 \pizz re,, | + re4--->\! r8 \pizz re,\mp r re r re | + re4\thumbpizz \arco + sold'\f\<\glissando | + re'\sfz r8 \pizz re,,\mp | r re r re | r re r re | r re r re | r re r re | r \arpeggUp r \arpeggUp | r \simile r | - r4 \arco fa'8 fa fad4 r | R2. - r4 fad8 fad sol4 r r sol8 sol sold4 r | + r4 \arco fa'8->\mf fa-> fad4-> r | R2. + r4 fad8\p fad sol4---. r r sol8 sol sold4---. r | R2 r4 \pizz mi8 fa | - \arco la, la la la la la | + \arco la,-.\mp \st {la la la la la | la la la la la la | la la la la la la | - la la la la r4 | + la la la la} r4 | %%% Grand ensemble %%% - 8 4 - 8 4 | - 8 4 + \st {8\p 4 8 4 | 8 4 + 8 4} | + \simile 8 4 8 4 | 8 4 8 4 | - 8 4 + 8\< 4 8 4 | 8 4 - 8 4 | - r8 mi, red mi r mi red mi | + 8 4\! | + r8 \st {mi,\pleggiero red mi r mi red mi | r lab sol lab r lab sol lab | r mi red mi r mi red mi | r sol fad sol r sol fad sol | r re' dod re r red mi r | - re mib r dod re r do dod | - sold' sold la la, sold' sold la la, | - sid' sid dod dod, sid' sid dod dod, | - sold' sold la la, sold' sold la la, | + re mib r dod re r do dod} | + sold'\mf sold la( la,) sold' sold la( la,) | + sid' sid dod( dod,) sid' sid dod( dod,) | + \simile sold' sold la la, sold' sold la la, | sid' sid dod dod, sid' sid dod dod, | mi' mi fa fa, mi' mi fa fa, | - mid' mid fad fad, mid' mid fad fad, | + mid'\f mid fad fad, mid' mid fad fad, | sold' sold la la, sold' sold la la, | mid' mid fad fad, mid' mid fad fad, | sold' sold la la, sold' sold la la, | + sold'\fmolto sold la la, sold' sold la la, | sold' sold la la, sold' sold la la, | sold' sold la la, sold' sold la la, | - sold' sold la la, sold' sold la la, | - sold'8 r r2 | + sold'8-> r r2 | %%% Chute %%% - sold,2.\glissando sold'2.:32~ sold4: mi: re: - la: sold: mi: re: la: sold: re4 r R2*2 + sold,2.\ff\glissando sold'2.:32\sfp~ sold4:\< mi: re: + la:\mp\> sold: mi: re: la: sold:\! re4-- r R2*2 %%% Andante al fine %%% R2.*32 - \ind #"sul tasto" mi2.~ mi2 r4 | - r 8 | - 4 r2 | - 4 8 \t { } | - 4 r2 | - r2 \ind #"ample" 4\downbow | - 8\downbow \t { } - \tt {16 } + \ind #"sul tasto" mi2.--\p~ mi2 r4 | + r --->\fsubito 8->-. -.-> | + 4---> r2 | + 4---> 8-.-> -.-> + \t {-.-> -. -.} | + 4---> r2 | + r2 \ind #"ample" 4--->\ff \< \downbow | + 8--->\downbow ---> + \t {---> -. -.} + \tt {16---> -> -> -> ->\!} } } diff --git a/instruments/violon2.ly b/instruments/violon2.ly index 8fc21a4..ffc32e2 100755 --- a/instruments/violon2.ly +++ b/instruments/violon2.ly @@ -274,7 +274,7 @@ ActeUnSceneUnBisViolonDeux = { \ViolonDeux R1 R2. R2 r2 r8 fa'4.\pp\upbow | \ten re2.~ re2 r4 | - sib'2--\mp\> fa~\pp fa4 r2 | + \longHairpins { sib'2--\mp\> fa~\pp fa4 r2 } | R2*3 R2. R1 R2. r4 \mf\downbow \ten 2~\downbow 2.\mp r2 4-.\downbow | @@ -1109,7 +1109,7 @@ ActeDeuxSceneTroisViolonDeux = { \ViolonDeux sib, sib sib sib sold sold la la} | %%% Doppio tempo %%% - re8\! r r4 R2*3 + re8->\! r r4 R2*3 r8 re16\ff re mib8-> r | r re-> r4 | r re16 re r8 | R2.*3 @@ -1138,7 +1138,7 @@ ActeDeuxSceneTroisViolonDeux = { \ViolonDeux %%% Soprano 2 %%% re'\leftpizz r r8 sib16\f sib | sib4-.-> r8 sib-> r r16 sib sib4-.-> | - r8 re-.-> r4 \st {re8 re | + r8 re-.-> r4 \st {re8\p re | red red r red red r dod dod | re4-- r8 re r re | r re r re re r re\< re | @@ -1192,7 +1192,7 @@ ActeDeuxSceneTroisViolonDeux = { \ViolonDeux re''4-> re8-> \t {sold,16( si dod)} re4-> | \accdet {\downbow \downbow \downbow | \downbow} re'8-> \t {si16->( do dod)} re4-> | - lab-> lab,8\> \t {re,16( mi sol)} lab4-> | + lab-> lab,8-> \t {re,16( mi sol)} lab4-> | \ten re,2.~---> re2 r4 | si16\mf si si si do do la la la la la la | do\< do do dod dod dod | @@ -1210,70 +1210,74 @@ ActeDeuxSceneTroisViolonDeux = { \ViolonDeux %%% Boum %%% 4->\sffz r2 R2.*2 R2. - \ottava #1 2.~ + \ottava #1 2.\pp~ 2.~ 2. \ottava #0 - r8 fad,, fad fad fad fad | - fa fa la la sib sib | - r lab lab lab lab lab la la do do dod dod | - r | - red' red | - r8 si,8:32 sib: re: mib4: + r8 \ind #"très clair" fad,,--(\mp fad-- fad-- fad-- fad--) | + fa--( fa-- la-- la-- sib-- sib--) | + r lab--( lab-- lab-- lab-- lab--) | + la--( la-- do-- do-- dod-- dod--) | + r --(\mf -- -- -- --) | + --( --) red'--( red--) --( --) | + r8 si,8:32\pp \< sib: re: mib4: re8: fad: sol: si: do4: | %%% Contralto %%% - re4 r8 \pizz re, r re r re | - re4\thumbpizz \arco sold'\glissando | - re' r8 \pizz re,, | + re4--->\! r8 \pizz re,\mp r re r re | + re4\thumbpizz \arco sold'\f\<\glissando | + re'\sfz r8 \pizz re,,\mp | r re r re | r re r re | r re r re | r re r re | r \arpeggUp r \arpeggUp | r \simile r | - r4 \arco fa'8 fa fad4 r | R2. - R2*5 \pizz do8 do dod4 | - \arco sold8 sold sold sold sold sold | + r4 \arco fa'8->\mf fa-> fad4-> r | R2. + R2*5 \pizz do8\p do dod4 | + \arco sold8-.\mp + \st {sold sold sold sold sold | sold sold sold sold sold sold | sold sold sold sold sold sold | - sold sold sold sold r4 | + sold sold sold sold} r4 | %%% Grand ensemble %%% - sold'8 sold la la, sold' sold la la, | - sold' sold la la, sold' sold la la, | - sold' sold la la, sold' sold la la, | - sid' sid dod dod, sid' sid dod dod, | - sold' sold la la, sold' sold la la, | + sold'8\pdolce sold la( la,) sold' sold la( la,) | + sold' sold la( la,) sold' sold la( la,) | + \simile sold' sold la la, sold' sold la la, | sid' sid dod dod, sid' sid dod dod, | - r red mi red r red mi red | + sold'\< sold la la, sold' sold la la, | + sid' sid dod dod, sid' sid dod\! dod, | + r \st {red\pleggiero mi red r red mi red | r sol lab sol r sol lab sol | r red mi red r red mi red | r fad sol fad r fad sol fad | r dod' re dod r mi red r | - mib re r re dod r dod do | - sold' sold la la, sold' sold la la, | - sid' sid dod dod, sid' sid dod dod, | - sold' sold la la, sold' sold la la, | + mib re r re dod r dod do} | + sold'\mf sold la( la,) sold' sold la( la,) | + sid' sid dod( dod,) sid' sid dod( dod,) | + \simile sold' sold la la, sold' sold la la, | sid' sid dod dod, sid' sid dod dod, | mi' mi fa fa, mi' mi fa fa, | - dod' dod re re, dod' dod re re, | + dod'\f dod re re, dod' dod re re, | mid' mid fad fad, mid' mid fad fad, | dod' dod re re, dod' dod re re, | mid' mid fad fad, mid' mid fad fad, | - mi' mi fa fa, mi' mi fa fa, | + mi'\fmolto mi fa fa, mi' mi fa fa, | red' red fad fad, red' red fad fad, | re' re mib mib, re' re mib mib, | - re'8 r r2 | + re'8-> r r2 | %%% Chute %%% - sold,2.\glissando sold'2.:32~ sold4: mi: re: - la: sold: mi: re: la: sold: re4 r R2*2 + sold,2.\ff\glissando sold'2.:32\sfp~ sold4:\< mi: re: + la:\mp\> sold: mi: re: la: sold:\! re4-- r R2*2 %%% Andante al fine %%% R2.*34 - r4 8 | - 4 r2 | - 4 8 \t { } | - 4 r2 | - r2 \ind #"ample" 4\downbow | - 8\downbow \t { } - \tt {16 } + r4 ->--\f 8-.-> -.-> | + 4---> r2 | + 4---> 8-.-> -.-> + \t {-.-> -. -.} | + 4---> r2 | + r2 \ind #"ample" 4--->\ff\<\downbow | + 8--->\downbow ---> + \t {---> -. -.} + \tt {16---> -> -> -> ->\!} } } diff --git a/instruments/violon3.ly b/instruments/violon3.ly index 41f18dd..460a17b 100755 --- a/instruments/violon3.ly +++ b/instruments/violon3.ly @@ -193,7 +193,7 @@ ActeUnSceneUnViolonTrois = { \ViolonTrois sib\mf\< sib sib sib sib sib | sib sib sib sib sib sib sib sib\! | r4 mi,8\f\<( dod'4.\!) | r8 re,\mf( dod2.) | - sol2:32~\mp\< sol2~\mf\> sol2.\p r4 | + \longHairpins {sol2:32~\mp\< sol2~\mf\> sol2.\p r4 } | 8\mf R1 8\mf @@ -966,7 +966,7 @@ ActeDeuxSceneTroisViolonTrois = { \ViolonTrois la4.~ la~ la~ la4 r8 | R4.*3 \st {la16->\mf la sold8 r | r la la sold-> r4 | - sold16 sold sol8 la16 la | + sold16-> sold sol8 la16 la | sold8->} r4 | \ten 4.~--\p 4 r8 | \st {la16->\mf la sold8 r | r la la sold->} r4 | @@ -1034,9 +1034,9 @@ ActeDeuxSceneTroisViolonTrois = { \ViolonTrois mi mi fa la, mi' mi fa la, | sold' sold la la, sold' sold la la, | mid'\< mid fad la, sold' sold la la, si' si do\! do, | - \st { } 8-- \st {16 } 8-- | + \st {\p } 8-- \st {16 } 8-- | \st {16 } 8-- \st {16 } 8-- | - \simile 16 8 16 8 | + \simile 16 8 16 8 | 16 8 16 8 | 16 8 16 8 | 16 8 16 8 | @@ -1093,7 +1093,7 @@ ActeDeuxSceneTroisViolonTrois = { \ViolonTrois sol sol sol sol sold sold la la} | %%% Doppio tempo %%% - re8\! r r4 R2*3 + re8->\! r r4 R2*3 r8 mib16\ff mib re8-> r | r re-> r4 | r sold,16 sold r8 | R2.*3 @@ -1117,12 +1117,12 @@ ActeDeuxSceneTroisViolonTrois = { \ViolonTrois re,16 si la sold sol4->( | re'8-.\sfz) r r4 | R2 re''4:16->\ff sold,8:16~-> sold: si,4-> | do,16\mf\< reb mib mi fad8-. la-. do4-- | - sold'16-> fad mi mib re4-- mi,16 mib re la sold4 | + sold'16->\! fad mi mib re4-- mi,16 mib re la sold4 | %%% Soprano 2 %%% re'\leftpizz r r8 la16\f la | la4-.-> r8 la-> r r16 la la4-.-> | - r8 sib-.-> r4 \st {sib8 sib | + r8 sib-.-> r4 \st {sib8\p sib | si si r si si r la la | sib4-- r8 sib r sib | r sib r sib sib r sib\< sib | @@ -1189,79 +1189,83 @@ ActeDeuxSceneTroisViolonTrois = { \ViolonTrois %%% Boum %%% 4->\sffz r2 R2.*2 - r4 2~ + r4 2\pp~ 2.~ 2.~ 2. | - r8 fad, fad fad fad fad fa fa la la sib sib | - r lab lab lab lab lab la la do do dod dod | - r | - sold' sold | - r8 sol,8:32 sib4: si8: sib: | + r8 \ind #"très clair" fad,--\mp( fad-- fad-- fad-- fad--) + fa--( fa-- la-- la-- sib-- sib--) | + r lab--( lab-- lab-- lab-- lab--) + la--( la-- do-- do-- dod-- dod-- | + r --(\mf -- -- -- --) | + sold'--( sold--) --( --) --( --) | + r8 sol,8:32\pp\< sib4: si8: sib: | si: red: mi: lab: sol4: | %%% Contralto %%% - re4 r8 \pizz re r re r re | - re4\thumbpizz \arco sold'\glissando | - re' r8 \pizz re,, | + re4--->\! r8 \pizz re\mp r re r re | + re4\thumbpizz \arco sold'\f\<\glissando | + re'\sfz r8 \pizz re,,\mp | r re r re | r re r re | r re r re | r re r re | r \arpeggUp r \arpeggUp | r \simile r | - r4 \arco fa'8 fa fad4 r | R2. - R2*4 \pizz r4 sold,8 sold la4 r | - \arco la8 la sold4 r r sib8 sib la4 | - la8 la sold4 r r si8 si sib4 | + r4 \arco fa'8->\mf fa-> fad4-> r | R2. + R2*4 \pizz r4 sold,8\p sold la4 r | + \arco la8->-.\mf la-. sold4-. r r sib8-. sib-. la4-. | + la8-.-> la-. sold4-. r r si8-. si-. sib4-. | %%% Grand ensemble %%% - mi8 mi fa la, mi' mi fa la, | - mi' mi fa la, mi' mi fa la, | - mi' mi fa la, mi' mi fa la, | + mi8\pdolce mi fa( la,) mi' mi fa( la,) | + mi' mi fa( la,) mi' mi fa( la,) | + \simile mi' mi fa la, mi' mi fa la, | sold' sold la la, sold' sold la la, | - mid' mid fad la, mid' mid fad la, | - la' la sib sib, la' la sib4 | - 8 4 - 8 4 | - 8 4 - 8 4 | - 8 4 + mid'\< mid fad la, mid' mid fad la, | + la' la sib sib, la' la sib4\! | + 8-. -. 4-- + 8-. -. 4-- | + 8-. -. 4-- + 8-. -. 4-- | + \simile 8 4 8 4 | 8 4 8 4 | 8 4 8 4 | 8 r r r r | - mi' mi fa fa, mi' mi fa fa, | - sold' sold la la, sold' sold la la, | - mid' mid fad fad, mid' mid fad fad, | + mi'\mf mi fa( fa,) mi' mi fa( fa,) | + sold' sold la( la,) sold' sold la( la,) | + \simile mid' mid fad fad, mid' mid fad fad, | la' la sib sib, la' la sib sib, | do' do dod dod, sid' sid dod4 | - 8 4 - 8 4 | - 8 4 - 8 4 | - 8 4 - 8 4 | - 8 4 - 8 4 | - 8 + 8-.\f -. 4-- + 8-. -. 4-- | + 8-. -. 4-- + 8-. -. 4-- | + 8-. -. 4-- + 8-. -. 4-- | + 8-. -. 4-- + 8-. -. 4-- | + 8\fmolto | | - - | - r r2 | + -> -> -> + -> -> -> -> | + -> r r2 | %%% Chute %%% - 2.\glissando mi'2.:32~ mi4: re: la: - sold: mi: re: la: sold: mi: re4 r R2*2 + 2.\ff\glissando mi'2.:32\sfp~ mi4:\< re: la: + sold:\mp\> mi: re: la: sold: mi:\! re4-- r R2*2 %%% Andante al fine %%% R2.*34 - r4 8 | - 4 r2 | - 4 8 \t { } | - 4 r2 | - r2 \ind #"ample" 4\downbow | - 8\downbow \t { } - \tt {16 } + r4 ->--\f 8-.-> -.-> | + 4---> r2 | + 4---> 8-.-> -.-> + \t {-.-> -. -.} | + 4---> r2 | + r2 \ind #"ample" 4--->\ff\<\downbow | + 8--->\downbow ---> + \t {---> -. -.} + \tt {16---> -> -> -> ->\!} } } diff --git a/instruments/violoncelle1.ly b/instruments/violoncelle1.ly index 4249a54..56c4e18 100644 --- a/instruments/violoncelle1.ly +++ b/instruments/violoncelle1.ly @@ -105,7 +105,7 @@ PrologueVioloncelleUn = { \VioloncelleUn %%% Vivo al fine %%% 8\sfz re-. -. -. | -. -. -. -. | - | + \st { | | | | @@ -119,7 +119,7 @@ PrologueVioloncelleUn = { \VioloncelleUn re re re re re\> re re re | re\p re re re re re re re | mib mib re re mib mib re re | - re re re re re-. r re-. r | + re re re re} re-. r re-. r | re4-. r | R2*7 r4 \pizz mi,\mp } } @@ -142,7 +142,7 @@ ActeUnSceneUnVioloncelleUn = { \VioloncelleUn reb,4-- lab'16( mi' la mi) lab,4-- | \t {sol8\p( mi' sib')} re16( sib mi, sol,) do,( sol' mi' sib') \t {re8( sib mi,)} | - \t {sol, mi' sib'} re16 sib mi, sol, \t {do,8 sol' mi'} | + \t {\simile sol, mi' sib'} re16 sib mi, sol, \t {do,8 sol' mi'} | \ttt {sib'16( mi, sol, do, sol' mi'} \ttt {sib' mi, sol, do, sol' mi'} \ttt {sib' mi, sol, do, sol' mi'} @@ -173,7 +173,8 @@ ActeUnSceneUnVioloncelleUn = { \VioloncelleUn mib: re: mib: re: mib: re: mib: re: mib: re: mib: re: | mib: re: mib: re: mib: re: | mib: re: mib: re: mib: re: mib: re: | - mib8\mp\downbow( fab) \ind #"serioso" mib\downbow( fab) mib\downbow( fab) mib\downbow( fab) \simile mib fab mib fab | + mib8\mp\downbow( fab) \ind #"serioso" mib\downbow( fab) + mib\downbow( fab) mib\downbow( fab) \simile mib fab mib fab | mib fab mib fab mib fab mib fab mib fab mib fab | mib fab mib fab mib fab mib fab mib fab mib fab | mib fab mib fab mib fab mib fab | @@ -266,7 +267,7 @@ ActeUnSceneUnBisVioloncelleUn = { \VioloncelleUn do2.~\CaV do4 r r2 | R1 R2. R2 r2 r8 mi4.\pp\upbow | \ten sib2.~ sib2 r4 | - la'2--\mp\> mib~\pp mib r4 | + \longHairpins {la'2--\mp\> mib~\pp mib r4 } | R2*3 R2. R1 R2. r4 sib8--\mf( lab--) | \ten sol2~ sol fad2.\mp | r2 si4-.\downbow mi,2.\downbow | @@ -983,7 +984,7 @@ ActeDeuxSceneTroisVioloncelleUn = { \VioloncelleUn dod,16-> sold' dod mi r8 \clef treble | \arco la'16\p la sib( mi,) mi mi | mi mi la la sib8-. \clef bass | - \pizz dod,,,16-> la'\mp fa' la r8 | + \pizz dod,,,16->\mp la' fa' la r8 | sol, -> r | dod,16-> la' fa' la r8 | sol,8 mib'-> r | @@ -1212,48 +1213,53 @@ ActeDeuxSceneTroisVioloncelleUn = { \VioloncelleUn %%% Boum %%% 4\sffz} r2 R2.*2 | - r8 si si si si si | do do mib mib mi mi | - r fa fa fa fa fa | mi mi la la lab lab | - r la la la la la | sib sib dod dod re re | + r8 si--\mp(\downbow si-- si-- si-- si--) | + do--(\< do-- mib-- mib-- mi-- mi--)\! | + r fa--( fa-- fa-- fa-- fa--) | + mi--(\< mi-- la-- la-- lab-- lab--)\! | + r \simile la la la la la | sib sib dod dod re re | r reb reb reb reb reb | do do fa fa mi4 | - fa,,2.~ fa2 r4 | sold2.~ sold2 r4 | + fa,,2.--\mf~ fa2 r4 | sold2.--~ sold2 r4 | %%% Contralto %%% - re4 r R2 r4 sold''\glissando - \pizz \arpeggUp | + re4---> r R2 r4 sold''\f\<\glissando \sfz + \pizz \mp\arpeggUp | \arpeggUp \arpeggUp | \simile | | | | | - \arco 8 r4 | - r R2. | - r4 sold'8 sold la4 r r la8 la sib4 r | R2*2 - \pizz dod,8 la' fa' la r4 | - sol, sib mi | - dod,8 la' fa' la r4 | r r | + \arco 8\mf r4 | + ---> r R2. | + r4 sold'8\p sold la4---. r + r la8 la sib4---. r | R2*2 + \pizz dod,8->\mp la' fa' la r4 | + sol, sib-> mi-> | + dod,8-> la' fa' la r4 | r -> r | %%% Grand ensemble %%% - \arco dod1~ dod sol~ sol2 dod~ | - dod sol~sol sold | mi1~ mi2. r4 | - r2 mi'~ mi4 sib~sib8 mi4 sib8 | - mi4 r8 sold~ sold fad fa4~ | - fa2 solb8 fa solb lab | - sib1~ sib2 r8 do,4. | - la2 r8 mib4 la8~ | - la mib la2. sib4 la sib do | - re4:8 re,: re': re,: | - re': re,: re': re,: | + \arco dod1~\psubito dod sol~ sol2 dod~ | + dod sol~sol\< sold\! | \ten mi1~ mi2. r4 | + r2 mi'--\mp~ mi4 sib--~sib8 mi4-- sib8-. | + mi4-- r8 sold--\mf~ sold fad fa4~ | + fa2 solb8--\< fa-- solb-- lab-- | + \ten sib1--\!~ sib2 r8 do,4.-- | + la2-- r8 mib4-- la8--~ | + la mib-. la2.-- + sib4--\< la-- sib-- do-- | + re4:8\fp re,: re': re,: | re': re,: re': re,: | + re':\mf re,: re': re,: | re': re,: re': re,: | - : : : : | + :\f : : : | : : : : | - r8 - | R2. \clef treble | + r8 -> -> -> + -> -> -> -> | + R2. \clef treble | %%% Chute %%% - \pl {la'2.:32( la':)~ la:( la,:)~ la2: la4} + \pl {la'2.:32(\mp\< la':)~ la:(\f\> la,:)~ la2:\! la4} { \harmonics { \times 3/4 {la'4\glissando @@ -1287,20 +1293,21 @@ ActeDeuxSceneTroisVioloncelleUn = { \VioloncelleUn %%% Andante al fine %%% R2.*6 \clef bass - 2.~ + 2.\pp~ ~ ~ 2 r4 | R2.*7 - 2.~ + 2.\pp~ ~ 2 r4 | R2.*14 - r4 8 | - 4 r2 | - 4 8 - \t { } | - 4 r2 \clef treble | - \t {r8 mi' si'} \t {la mi' re} la'4 \clef bass | - \ind #"ample" 8 \t { } - \tt {16 } + r4 --->\fsubito 8-.-> -.-> | + 4---> r2 | + 4---> 8-.-> -.-> + \t {->-. -. -.} | + 4---> r2 \clef treble | + \t {r8 mi'--(\upbow si'--)} \t {la--\< mi'-- re--} la'4->\! \clef bass | + \ind #"ample" 8->--\ff\< ->-- + \t {->-- -. -.} + \tt {16---> -> -> -> ->\!} } } diff --git a/instruments/violoncelle2.ly b/instruments/violoncelle2.ly index 26de6f6..c11298a 100644 --- a/instruments/violoncelle2.ly +++ b/instruments/violoncelle2.ly @@ -94,7 +94,7 @@ PrologueVioloncelleDeux = { \VioloncelleDeux %%% Vivo al fine %%% 8\sfz re'-. -. -. | -. -. -. -. | - | + \st { | | | | @@ -107,7 +107,7 @@ PrologueVioloncelleDeux = { \VioloncelleDeux \> | \mp | | - \> | + \> } | -.\p -. r4 | 8-. -. r4 | re8-. re-. r4 re8-. re-. r4 | re8-. r r4 \pizz re r | @@ -134,7 +134,7 @@ ActeUnSceneUnVioloncelleDeux = { \VioloncelleDeux \t {lab,8--\<( mi'-- lab,--)} reb,4-- reb-- | do16\p( sol' mi' sib') \t {re8( sib mi,)} \t {sol,( mi' sib')} re16( sib mi, sol,) | - do, sol' mi' sib' \t {re8 sib mi,} \t {sol, do, sol'} | + \simile do, sol' mi' sib' \t {re8 sib mi,} \t {sol, do, sol'} | \ttt {do,16( sol' mi' sib' mi, sol,} \ttt {do, sol' mi' sib' mi, sol,} \ttt {do, sol' mi' sib' mi, sol,} @@ -163,7 +163,8 @@ ActeUnSceneUnVioloncelleDeux = { \VioloncelleDeux re: mib: re: mib: re: mib: re: mib: re: mib: re: mib: | re: mib: re: mib: re: mib: | re: mib: re: mib: re: mib: re: mib: | - mib8\mp\upbow( fab) \ind #"serioso" mib\upbow( fab) mib\upbow( fab) mib\upbow( fab) \simile mib fab mib fab | + mib8\mp\downbow( fab) \ind #"serioso" mib\downbow( fab) + mib\downbow( fab) mib\downbow( fab) \simile mib fab mib fab | mib fab mib fab mib fab mib fab mib fab mib fab | mib fab mib fab mib fab mib fab mib fab mib fab | mib fab mib fab mib fab mib fab | @@ -254,7 +255,7 @@ ActeUnSceneUnBisVioloncelleDeux = { \VioloncelleDeux 4--\mp r r2 | R1 R2. R2 r2 r8 lab'4.\pp\upbow | \ten sib2.~ sib2 r4 | - re2--\mp\> mib~\pp mib r4 | + \longHairpins {re2--\mp\> mib~\pp mib r4 } | R2*3 R2. R1 R2. r4 sib8--\mf( lab--) | \ten sol2~ sol fad2.\mp | r2 si4-.\downbow mi,2.\downbow | @@ -1075,7 +1076,7 @@ ActeDeuxSceneTroisVioloncelleDeux = { \VioloncelleDeux 2~\pp ~ do r4 | 2~ ~ do r4 | 2~ ~ r4 | - \pl {si'2 fad4\upbow( si)} {sol2--\CaV s4 sol\CaV} | + \pl {si'2 fad4^\upbow( si)} {sol2--\CaV s4 sol\CaV} | fad8--\<( --) \t {fad-- -- fad--} -- fad--\! | r8 sol~--\mp sol16 dod,8--( sol'16-.) dod,4-- r8 | r sol'~-- sol16 dod,8--( sol'16-.) mi4-- r8 | @@ -1189,49 +1190,51 @@ ActeDeuxSceneTroisVioloncelleDeux = { \VioloncelleDeux %%% Boum %%% 4\sffz} r2 R2.*2 | - sold2.~ sold2 r4 | - mi2.~ mi2 r4 | - do2.~ do2 r4 | - si'2.~ si2 r4 | - fa2.~ fa2 r4 | - sold2.~ sold2 r4 | + \ten sold2.--\mp~ sold2 r4 | + mi2.--~ mi2 r4 | + do2.--~ do2 r4 | + si'2.--~ si2 r4 | + fa2.--\mf~ fa2 r4 | + sold2.--~ sold2 r4 | %%% Contralto %%% - re4 r R2 r4 sold''\glissando - \pizz \arpeggUp | + re4->-- r R2 r4 sold''\f\<\glissando \sfz + \pizz \mp\arpeggUp | \arpeggUp \arpeggUp | \simile | | | | | - \arco 8 r4 | - r R2. | R2*4 - \pizz mi'8 mi fa4 R2 - \pizz dod,8 sold' mi' la r4 | - sol, mib si' | - dod,8 sold' mi' la r4 | fad, fa la | + \arco 8\mf r4 | + ->-- r R2. | R2*4 + \pizz mi'8\p mi fa4 R2 + \pizz dod,8->\mp sold' mi' la r4 | + sol, mib-> si'-> | + dod,8-> sold' mi' la r4 | fad, fa-> la-> | %%% Grand ensemble %%% - \arco dod,1~ dod sol'~ sol2 dod,~ | - dod sol'~sol sold | mi1~ mi2. r4 | - r2 mi~ mi4 sib'~sib8 mi,4 sib'8 | - mi,4 r8 sold~ sold fad fa4~ | - fa2 solb8 fa solb lab | - sib1~ sib2 r8 do4. | - la2 r8 mib4 la8~ | - la mib la2. sib4 la sib do | - re4 re4:8 re,: re': | - re,: re': re,: re': | + \arco dod,1~\psubito dod sol'~ sol2 dod,~ | + dod sol'~sol\< sold\! | \ten mi1~ mi2. r4 | + r2 mi--~ mi4 sib'--~sib8 mi,4-- sib'8-. | + mi,4-- r8 sold--\mf~ sold-- fad fa4~ | + fa2 solb8--\< fa-- solb-- lab-- | + \ten sib1--~\! sib2 r8 do4.-- | + la2-- r8 mib4-- la8--~ | + la mib-. la2.-- + sib4--\< la-- sib-- do-- | + re4--\f re4:8\p re,: re': | re,: re': re,: re': | + re,:\mf re': re,: re': | re,: re': re,: re': | + :\f : : : | : : : : | - : : : : | - r8 - | R2. \clef treble | + r8 -> -> -> + -> -> -> -> | + R2. \clef treble | %%% Chute %%% - \pl {la'2.:32( la':)~ la:( la,:)~ la2: la4} + \pl {la'2.:32(\mp\< la':)~ la:(\f\> la,:)~ la2:\! la4} { \harmonics { \times 3/4 {la'4\glissando @@ -1265,23 +1268,24 @@ ActeDeuxSceneTroisVioloncelleDeux = { \VioloncelleDeux %%% Andante al fine %%% R2.*5 \clef bass - 2.~ + 2.\pp~ ~ ~ ~ 2 r4 | R2.*5 - 2.~ + 2.\pp~ ~ ~ ~ 2 r4 | R2.*14 - r4 8 | - 4 r2 | - 4 8 - \t { } | - mi2. \clef treble | - \t {r8 mi'' si'} \t {la mi' re} la'4 \clef bass | - \ind #"ample" 8 \t { } - \tt {16 } + r4 ->--\fsubito 8-.-> -.-> | + 4---> r2 | + 4---> 8-.-> -.-> + \t {-.-> -. -.} | + mi2.---> \clef treble | + \t {r8 mi''--(\upbow si'--)} \t {la--\< mi'-- re--} la'4->\! \clef bass | + \ind #"ample" 8--->\ff\< ---> + \t {---> -. -.} + \tt {16---> -> -> -> ->\!} } } diff --git a/master/instruments.ly b/master/instruments.ly index 402bbf9..5a25082 100644 --- a/master/instruments.ly +++ b/master/instruments.ly @@ -76,7 +76,7 @@ ActeDeuxSceneTrois = \makeSection \ActeDeuxSceneTroisClarinetteUn \ActeDeuxScene \include "./master/master.ly" } % - +%{ %%%%%%%%%%%%%%%%%%%%%%%%%%%%% Saxophones %%%%%%%%%%%%%%%%%%%%%%%%%%%%%% Prologue = \makeSection \PrologueSaxophoneUn \PrologueSaxophoneDeux \PrologueMesures @@ -127,7 +127,54 @@ ActeDeuxSceneTrois = \makeExtraSection \ActeDeuxSceneTroisViolonUn \ActeDeuxScen % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%% Altos %%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +%%%%%% Alternative: violins 2+1 + +Prologue = \makeSection \PrologueViolonUn \PrologueViolonDeux \PrologueMesures +%Ouverture = \makeSection \%OuvertureViolonUn \%OuvertureViolonDeux \%OuvertureMesures +ActeUnSceneUn = \makeSection \ActeUnSceneUnViolonUn \ActeUnSceneUnViolonDeux \ActeUnSceneUnMesures +ActeUnSceneUnBis = \makeSection \ActeUnSceneUnBisViolonUn \ActeUnSceneUnBisViolonDeux \ActeUnSceneUnBisMesures +InterludeUn = \makeSection \InterludeUnViolonUn \InterludeUnViolonDeux \InterludeUnMesures +ActeUnSceneDeux = \makeSection \ActeUnSceneDeuxViolonUn \ActeUnSceneDeuxViolonDeux \ActeUnSceneDeuxMesures +InterludeDeux = \makeSection \InterludeDeuxViolonUn \InterludeDeuxViolonDeux \InterludeDeuxMesures +ActeUnSceneTrois = \makeSection \ActeUnSceneTroisViolonUn \ActeUnSceneTroisViolonDeux \ActeUnSceneTroisMesures +ActeUnSceneTroisBis = \makeSection \ActeUnSceneTroisBisViolonUn \ActeUnSceneTroisBisViolonDeux \ActeUnSceneTroisBisMesures +ActeUnSceneTroisTer = \makeSection \ActeUnSceneTroisTerViolonUn \ActeUnSceneTroisTerViolonDeux \ActeUnSceneTroisTerMesures +InterludeTrois = \makeSection \InterludeTroisViolonUn \InterludeTroisViolonDeux \InterludeTroisMesures +ActeUnSceneQuatre = \makeSection \ActeUnSceneQuatreViolonUn \ActeUnSceneQuatreViolonDeux \ActeUnSceneQuatreMesures +Entracte = \makeSection \EntracteViolonUn \EntracteViolonDeux \EntracteMesures +ActeDeuxSceneUn = \makeSection \ActeDeuxSceneUnViolonUn \ActeDeuxSceneUnViolonDeux \ActeDeuxSceneUnMesures +ActeDeuxSceneUnBis = \makeSection \ActeDeuxSceneUnBisViolonUn \ActeDeuxSceneUnBisViolonDeux \ActeDeuxSceneUnBisMesures +ActeDeuxSceneDeux = \makeSection \ActeDeuxSceneDeuxViolonUn \ActeDeuxSceneDeuxViolonDeux \ActeDeuxSceneDeuxMesures +ActeDeuxSceneTrois = \makeSection \ActeDeuxSceneTroisViolonUn \ActeDeuxSceneTroisViolonDeux \ActeDeuxSceneTroisMesures + +\bookpart { + \include "./master/master.ly" +} +%{ +Prologue = \makePart \PrologueViolonTrois \PrologueMesures +%Ouverture = \makePart \%OuvertureViolonTrois \%OuvertureMesures +ActeUnSceneUn = \makePart \ActeUnSceneUnViolonTrois \ActeUnSceneUnMesures +ActeUnSceneUnBis = \makePart \ActeUnSceneUnBisViolonTrois \ActeUnSceneUnBisMesures +InterludeUn = \makePart \InterludeUnViolonTrois \InterludeUnMesures +ActeUnSceneDeux = \makePart \ActeUnSceneDeuxViolonTrois \ActeUnSceneDeuxMesures +InterludeDeux = \makePart \InterludeDeuxViolonTrois \InterludeDeuxMesures +ActeUnSceneTrois = \makePart \ActeUnSceneTroisViolonTrois \ActeUnSceneTroisMesures +ActeUnSceneTroisBis = \makePart \ActeUnSceneTroisBisViolonTrois \ActeUnSceneTroisBisMesures +ActeUnSceneTroisTer = \makePart \ActeUnSceneTroisTerViolonTrois \ActeUnSceneTroisTerMesures +InterludeTrois = \makePart \InterludeTroisViolonTrois \InterludeTroisMesures +ActeUnSceneQuatre = \makePart \ActeUnSceneQuatreViolonTrois \ActeUnSceneQuatreMesures +Entracte = \makePart \EntracteViolonTrois \EntracteMesures +ActeDeuxSceneUn = \makePart \ActeDeuxSceneUnViolonTrois \ActeDeuxSceneUnMesures +ActeDeuxSceneUnBis = \makePart \ActeDeuxSceneUnBisViolonTrois \ActeDeuxSceneUnBisMesures +ActeDeuxSceneDeux = \makePart \ActeDeuxSceneDeuxViolonTrois \ActeDeuxSceneDeuxMesures +ActeDeuxSceneTrois = \makePart \ActeDeuxSceneTroisViolonTrois \ActeDeuxSceneTroisMesures + +\bookpart { + \include "./master/master.ly" +} +% + +%%%%%%%%%%%%%%%%%%%%%%%%%%%%% Altos %%%%%%%%%%%%%%%%%%%%%%%%%%%%%% Prologue = \makeSection \PrologueAltoUn \PrologueAltoDeux \PrologueMesures %Ouverture = \makeSection \%OuvertureAltoUn \%OuvertureAltoDeux \%OuvertureMesures @@ -150,9 +197,9 @@ ActeDeuxSceneTrois = \makeSection \ActeDeuxSceneTroisAltoUn \ActeDeuxSceneTroisA \bookpart { \include "./master/master.ly" } -% +%{ -%%%%%%%%%%%%%%%%%%%%%%%%%%%%% Violoncelles %%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +%%%%%%%%%%%%%%%%%%%%%%%%%%% Violoncelles %%%%%%%%%%%%%%%%%%%%%%%%%% Prologue = \makeSection \PrologueVioloncelleUn \PrologueVioloncelleDeux \PrologueMesures %Ouverture = \makeSection \%OuvertureVioloncelleUn \%OuvertureVioloncelleDeux \%OuvertureMesures @@ -321,6 +368,7 @@ ActeDeuxSceneTrois = \makePart \ActeDeuxSceneTroisSaxophoneDeux \ActeDeuxSceneTr \bookpart { \include "./master/master.ly" } +% %%%%%%%%%%%%%%%%%%%%%%%%%%%%% ViolonUn %%%%%%%%%%%%%%%%%%%%%%%%%%%%%% @@ -346,6 +394,8 @@ ActeDeuxSceneTrois = \makePart \ActeDeuxSceneTroisViolonUn \ActeDeuxSceneTroisMe \include "./master/master.ly" } +% + %%%%%%%%%%%%%%%%%%%%%%%%%%%%% ViolonDeux %%%%%%%%%%%%%%%%%%%%%%%%%%%%%% Prologue = \makePart \PrologueViolonDeux \PrologueMesures @@ -370,6 +420,8 @@ ActeDeuxSceneTrois = \makePart \ActeDeuxSceneTroisViolonDeux \ActeDeuxSceneTrois \include "./master/master.ly" } +% + %%%%%%%%%%%%%%%%%%%%%%%%%%%%% ViolonTrois %%%%%%%%%%%%%%%%%%%%%%%%%%%%%% Prologue = \makePart \PrologueViolonTrois \PrologueMesures @@ -394,6 +446,8 @@ ActeDeuxSceneTrois = \makePart \ActeDeuxSceneTroisViolonTrois \ActeDeuxSceneTroi \include "./master/master.ly" } +% + %%%%%%%%%%%%%%%%%%%%%%%%%%%%% AltoUn %%%%%%%%%%%%%%%%%%%%%%%%%%%%%% Prologue = \makePart \PrologueAltoUn \PrologueMesures diff --git a/master/master.ly b/master/master.ly index fc73053..c640379 100644 --- a/master/master.ly +++ b/master/master.ly @@ -10,19 +10,19 @@ %%% Depends on: either vocal_score.ly or full_score.ly, %%% plus everything else. -% +%{ \score { \Prologue \header { piece = \PrologueTitre } -} %{ +} % \score { \Ouverture \header { piece = \OuvertureTitre } -} %} +} % \score { \ActeUnSceneUn \header { @@ -93,7 +93,6 @@ piece = \EntracteTitre } } % -%\pageBreak % \score { \ActeDeuxSceneUn \header { @@ -112,7 +111,7 @@ \header { piece = \SceneDeuxTitre } -} % +} %} \score { \ActeDeuxSceneTrois \header { diff --git a/parts.ly b/parts.ly index f486376..4ec0cfe 100644 --- a/parts.ly +++ b/parts.ly @@ -55,6 +55,8 @@ PercuDeuxMains= scoretype = "Flûtes" } +\paper { #(define page-breaking ly:page-turn-breaking) } + \include "./master/titling.ly" \include "./master/instruments.ly" -- 2.11.4.GIT