instruments/percu.ly

   1 %------------------------------------------------------------------%
   2 % Opéra Libre -- percu.ly                                          %
   3 %                                                                  %
   4 % (c) Valentin Villenave, 2008                                     %
   5 %                                                                  %
   6 %------------------------------------------------------------------%
   7
   8 \include "italiano.ly"
   9
  10 Percus = {
  11   \set DrumStaff.instrumentName = \markup { \hcenter-in #27.5 "Percussions  "}
  12   \set DrumStaff.shortInstrumentName = "Perc.  "
  13   \override DrumStaff.VerticalAxisGroup #'minimum-Y-extent = #'(-4 . 4)
  14   \set drumStyleTable = #percussion-style
  15 }
  16
  17 Marimba = {
  18   \set Staff.instrumentName = \markup { \hcenter-in #27.5 "Marimba  "}
  19   \set Staff.shortInstrumentName = "Mar.  "
  20   \set Staff.midiInstrument = "marimba"
  21 }
  22
  23 GrandMarimba = {
  24   \set PianoStaff.instrumentName = \markup { \hcenter-in #27.5 "Marimba  "}
  25   \set PianoStaff.shortInstrumentName = "Mar.  "
  26   \set PianoStaff.midiInstrument = "marimba"
  27 }
  28
  29 Vibraphone = {
  30   \set Staff.instrumentName = \markup { \hcenter-in #27.5 "Vibraphone  "}
  31   \set Staff.shortInstrumentName = "Vib.  "
  32   \set Staff.midiInstrument = "vibraphone"
  33   \clef treble
  34 }
  35
  36 GrandVibraphone = {
  37   \set PianoStaff.instrumentName = \markup { \hcenter-in #27.5 "Vibraphone  "}
  38   \set PianoStaff.shortInstrumentName = "Vib.  "
  39   \set PianoStaff.midiInstrument = "vibraphone"
  40   \clef treble
  41 }
  42
  43 Timbales = {
  44   \set Staff.instrumentName = \markup { \hcenter-in #27.5 "Timbales  "}
  45   \set Staff.shortInstrumentName = "Timp.  "
  46   \set Staff.midiInstrument = "timpani"
  47   \clef bass
  48 }
  49
  50 ProloguePercus = <<
  51   \new PianoStaff {
  52     \PercuDeuxMains
  53     \relative { \GrandMarimba
  54       \ind #"bag. dures" <mi'' fa>4-.->\mp r r8 mi-.-> r4 | r8 mi r4 r16 mi8. |
  55       mi8 mi \t { mi mi mi } \tt {mi16\< mi mi mi mi} | mi4-.->\mf r4 r2 |
  56       R2*2 R2. R2*2 R2. R2*2 R2. R2*2 R2. R2*2 R2. R2*2
  57       r4 \ind #"bag.dure" re\mf re | re \stemDown re8 \gauche \stemUp sol,,,, |
  58       \droite \stemDown re''''4 re8 \gauche \stemUp dod,,,
  59       \droite \stemDown re''' \gauche \stemUp dod,,, \droite \stemNeutral |
  60       re'''4 re re re re re re re\> sold, re\!
  61       R2*2-\markup "Prenez la bag. de timbale" R2.
  62
  63       %%% Tempo Giusto %%%
  64       R2*8 R2.*10 R1 R2-\markup "Allez au Vibraphone" \GrandVibraphone
  65       <dod, re dod'>2\p\laissezVibrer R2-\fermataMarkup
  66
  67       %%% Più lento %%%
  68       R1*2 R2. R1 R2. R1
  69
  70       %%% Adagio %%%
  71       R2*4 R2.*6
  72       <sol lab sol'>2.\pp\laissezVibrer R2.
  73       \ind #"senza Ped." <lab sol'>4 r2 <lab sol'>4 r2
  74       <dob sib'>4 r <do si'> |
  75       R4.
  76
  77       %%% Andantino %%%
  78       R4.*25 R4.*12 \GrandMarimba
  79       r4-\markup "Allez au Marimba"
  80       r32 solb''\< lab sib |
  81
  82       %%% A tempo %%%
  83       re8->\f r4 | r4 r32 solb,\< lab sib |
  84       re8->\f r4 | R4.*2 \stemDown <lab re>8->\mf \gauche \stemUp re,,
  85       \droite \stemDown <fa' sib> <re' sol>-> \gauche \stemUp
  86       lab,, \droite \stemDown <fa'' sib> <re' sol>->\< \gauche \stemUp
  87       re,,, \droite \stemDown <fa'' sib> \stemNeutral |
  88       <re' lab'>16->\fp lab <dod re> re, <dod' re> lab, |
  89       <dod' re>-.-> lab <dod re> re, <dod' re> lab, |
  90       <dod' re>-.-> lab <dod re> re, <dod' re> lab, |
  91       <dod' re>-.->\< lab <dod re> re, <dod' re> lab, |
  92       \ottava #1
  93       <mi'' fa>-.->\mp si <mi fa> fa, <mi' fa> si, |
  94       <mi' fa>-.-> si <mi fa> fa, <mi' fa> si, |
  95       <mi' fa>-.-> si <mi fa> fa, <mi' fa> si, |
  96       <mi' fa>-.-> si <mi fa> fa, <mi' fa> si, |
  97       <mi' fa>-.-> si <mi fa> fa, <mi' fa> si, |
  98       <mi' fa>-.->\< si <mi fa> fa, <mi' fa> si, |
  99       <fa'' sol>-.->\mf re <fa sol> sold, <fa' sol> re, |
 100       <fa' sol>-.-> re <fa sol> sold, <fa' sol> re, |
 101       <sol' si>-.-> dod, <sol' si> si, <sol' si> sol, |
 102       <sol' si>-.-> dod, <sol' si> si, <sol' si> sol, |
 103       <sold' si>-.->\> dod, <sold' si> si, <sold' si> sold, |
 104       <mi' sol> sold, <mi' sol> sol, <dod mi> mi, |
 105       \ottava #0
 106       <sold si>\p dod, <sold' si> si, <sold' si>\> sold, |
 107       sol' fad, sol' fad,\! r8 |
 108       R4.*8 R2*5/4 R2.*3
 109
 110       %%% Adagio %%%
 111       <fa'? dod'>2*2\pp\laissezVibrer
 112       R1*3 R1.
 113       r1 mi4--\pp\> r | <re sib'>2*2--\!\laissezVibrer
 114       R1*2 R1.
 115       r1 red4--\pp r | <mi do'>2--\pp\> <do sold'>--\!\laissezVibrer
 116       R1 R2.
 117
 118       %%% Valse %%%
 119       r4 <la' dod>8\pp( <lab, fa'> <do' lab'>4) |
 120       r4 <si red>8( <si, sol'> <sib' solb'>4) |
 121       r4 <fa la>8( <lab, reb> <mi' do'>4) |
 122       r4 <si re>8( <mib, sol> <sib' solb'>4) |
 123       r4 <reb solb>( <do mi>) | r <sib mib>\>( la) |
 124       <lab mib'>( reb) | mib( <lab, dob>) |
 125       sol\ppp mib' si sol' r | R2.*2
 126       mi4\pp sold, do, mi,
 127       r2 <dod' la'>4\p( mi) |
 128       r <la fa'>( dod) | r mi( lab,) |
 129       r <fad re'>( la) | r reb8\>( fa, lab4) |
 130       r sib( <re, fa>) | r solb\ppp( <do, fa>) r | R1 R2.
 131
 132       %%% Vivo al fine %%%
 133       R2*23
 134
 135       %%% Recitativo %%%
 136       R2*7 r4 mi''->\pp
 137     }
 138     \relative {
 139       \partial 4 r4 R2.*3 R1 R2*2 R2. R2*2 R2. R2*2 R2. R2*2 R2. R2*2
 140
 141       %%% Entrée du Baryton 1 %%%
 142       R2. R2*2 R2. s2_\markup { \indic "bag. de timbale" } s2. R2
 143       r8 sol, dod4 sib8 dod |
 144       r8 sol dod4 dod' r2 | re4 sold, sib,2:32 R2.
 145
 146       %%% Tempo Giusto %%%
 147       R2*8 R2.*10 R1 R2*2
 148       \GrandVibraphone \clef treble
 149       R2-\fermataMarkup
 150
 151       %%% Più lento %%%
 152       R1*2 R2. R1 R2. R1
 153
 154       %%% Adagio %%%
 155       R2*4 R2.*11
 156       R4.
 157
 158       %%% Andantino %%%
 159       R4.*25 R4.*13 \clef bass
 160
 161       %%% A tempo %%%
 162       R4. sold32 sold sold sold sold4 |
 163       R4. sold32--\mp sold sold sold sold sold sold16
 164       re'32-- re re re | re\< re re16
 165       sold32-- sold sold sold sold sold sold16\! |
 166       s4.*3 R4.*26 R2*5/4
 167       R2.*3-\markup "Allez au Vibraphone" \GrandVibraphone
 168       \clef treble
 169
 170       %%% Adagio %%%
 171       <la fad'>2*2\laissezVibrer |
 172       R1*3 R1.*2
 173       <la fa'>2*2--\laissezVibrer |
 174       R1*2 R1.*2
 175       <la fa'>2-- <sol? mi'>--\laissezVibrer
 176       R1 R2.
 177
 178       %%% Valse %%%
 179       la4-- r2 | R2.*3
 180       r4 la8( <fa' lab>) s4 |
 181       r4 sol,8( <re' fad> si re) |
 182       sib( re fa4) |
 183       mi8( sol mib do) | sol2*3/2\laissezVibrer s2
 184       R2.*2 R1
 185       \clef bass do,2\laissezVibrer \clef treble
 186       do'8( fa) s4 |
 187       r4 fad,8( re' fa4) |
 188       r4 do8( reb fa4) |
 189       r4 sib,8( reb fa4) |
 190       r4 la,( do) | r4 sold8( dod la4) |
 191       r4 reb8( la) | R2 R1 R2.
 192
 193       %%% Vivo al fine %%%
 194       R2*23 \clef bass
 195
 196       %%% Recitativo %%%
 197       R2*7-\markup "Allez au Marimba" \GrandMarimba
 198       r4 mi,->
 199     }
 200   }
 201   \new DrumStaff { \Percus
 202     \new  DrumVoice \drummode {
 203       \partial 4 r4 R2.*3 R1
 204       \ind #"Tam-tam (bag. de timbales, lourdes)" cb2\mf \laissezVibrer | R2 |
 205       R2. R2*2 cb2.\mf \laissezVibrer R2*2
 206       r4 cb2\mf \laissezVibrer R2*2
 207       r4 cb2\mf \laissezVibrer R2*2
 208
 209       %%% Entrée du Baryton 1 %%%
 210       R2. R2*2 R2. R2 R2. R2 R2. R2 R2. R2*2 R2.
 211
 212       %%% Tempo Giusto %%%
 213       R2*8 R2.*10
 214       \set  drumStyleTable = #drums-style
 215       r4 \ind #"Cymb. suspendue" hh4:32~\mp \< hh2:32~ hh4\!\laissezVibrer r
 216       R2*2
 217
 218       %%% Più lento %%%
 219       R1*2 R2. R1 R2. R1
 220
 221       %%% Adagio %%%
 222       R2*4 R2.*4
 223       r4 r8 \ind #"Cymb." hh\pp \t {hh hh hh~} hh2\laissezVibrer s4
 224       R2.*5 R4.
 225
 226       %%% Andantino %%%
 227       \ind #"Tambour" bd8\pp \ind #"Cymb. (sur le dôme)" hh r |
 228       bd hh r bd hh4:32~ hh4:32 hh8 |
 229       bd r4 | bd8 hh r bd hh r bd hh r bd bd4:32\< hh8\mp r4 | R4.*2
 230       r16 bd32\> bd bd8 r | bd r bd |
 231       hh4\pp r8 | R4. hh4 r8 | r hh r hh4 r8 | R4.
 232       hh4 hh8 hh4 r8 |
 233       r16 hh\> \t {hh hh hh} hh8 | hh4\! r8 R4.*2 |
 234       \ind #"bag. douces, sur le bord"
 235       \longHairpins {
 236       hh4.:32~\ppp \< hh:~ hh:~\pp \> hh4\! r8 |
 237       hh4.:32~\ppp \< hh:~ hh4\! hh8 r hh r hh4. | R4.*3 }
 238
 239       %%% A tempo %%%
 240       R4.*27
 241       \ind #"Cymb." hh4\mp r8 |
 242       \ind #"Tambour" bd16 bd bd8 r |
 243       r8 hh4 | bd16 bd bd bd r8 |
 244       bd4-- bd8 | bd32-> bd8.. r8 |
 245       hh4.:32~\pp \< hh4.:32~ hh8\mf \t {bd16\f bd bd} |
 246       bd8-- r16 bd bd bd bd8 r4 |
 247       R2.*2
 248
 249       %%% Adagio %%%
 250       R1*4 R1.*2 R1*3 R1.*2 R1*2 R2.
 251
 252       %%% Valse %%%
 253       R2.*6 R2*2 R2. R2 R2.*2 R1*2 R2.*5 R2*2 R1 R2.
 254
 255       %%% Vivo al fine %%%
 256       R2*23
 257
 258       %%% Recitativo %%%
 259       R2*8
 260     }
 261   }
 262   \new Staff { \Timbales
 263     \relative{
 264       \partial 4 r4 R2.*3 | R1 | r8 mi,,\p\< \t {mi mi mi} |
 265       mi4\mp\> \tt {mi16 mi mi mi mi} | mi2.:32\p\< mi2:32\sfz \> mi4\! r |
 266       R2.
 267       r4 mi-- r mi-- r2 \t {mi8\< mi mi\!} | mi4--\mp mi-- r mi |
 268       r4 r8 mi \t {mi\< mi mi} | mi4\mp mi-- r mi8.-- \t {dod'32\< dod dod}
 269
 270       %%% Entrée du Baryton 1 %%%
 271       dod4--\f r2 | r8 dod-- r4 | r8 dod-- r16 r32 dod dod8-- |
 272       dod4---> r2 R2 R2. R2 R2. R2 R2. R2*2
 273       r2 r8 \t {re16\< re re} |
 274
 275       %%% Tempo Giusto %%%
 276       re8.\f re16\p re4-- r8 r16 r32 re re4-- |
 277       r8 re-. re8.-- re16 re4-- r |
 278       \t {r4 sold,8} r16 re'8-- sold,16 |
 279       \tt {r8 re'-.( re-. sold,-. re'-.} | r8 sold,) r4 |
 280       re'2:32\mf\< |re4\f r8 re\mp re re | sold,2.:32--\< |
 281       re'4\f r8 re\mp re re | sib4-- r2 | sib32-> sib8.. r2 |
 282       sib4-- r sib-- |
 283       sib4---> r8 r16 sib sib4-- |
 284       sib4---> r8 sib \t {sib\< sib sib} |
 285       re4\f r re r re re re4 r r2 | R2*3
 286
 287       %%% Più lento %%%
 288       R1*2 R2. R1 R2. R1
 289
 290       %%% Adagio %%%
 291       R2*4 R2.*11 R4.
 292
 293       %%% Andantino %%%
 294       R4.*25 R4.*13
 295
 296       %%% A tempo %%%
 297       R4.*34 R2*5/4 R2.*3
 298
 299       %%% Adagio %%%
 300       R1*2 r2 r8 mi,\pp \t {mi-- mi mi} |
 301       mi4-- mi-- r2 r4 mi-- r2 mi4-- r | mi-- r r1 |
 302       R1 r2 r8 mi \t {mi-- mi mi} mi4-- mi-- r mi-- |
 303       mi-- mi-- r2 mi4-- r | mi-- r r1 |
 304       R1 r2 r4 mi mi r2 |
 305
 306       %%% Valse %%%
 307       R2.*6 R2*2 R2. R2 R2.*2 R1*2 R2.*5 R2*2 R1
 308       r2 r8 r16 \t {re'32 re re} |
 309
 310       %%% Vivo al fine %%%
 311       re8.\fp re16 re4-- | r8 r16 r32 re re4-- |
 312       r8 re16 re re8-- re-- | r4 re-- |
 313       r8 r16 r32 re re4-- | re re |
 314       r re-- re-- r re8.-- re16 re4 |
 315       r8 r16 r32 re re4-- | r8 re16 re re4-- |
 316       r re r re r re r re r re re r re r re r |
 317       R2*4
 318
 319       %%% Recitativo %%%
 320       R2*8
 321     }
 322   }
 323 >>
 324
 325 ActeUnSceneUnPercus = <<
 326   \new Staff { \Marimba
 327     \relative {
 328             R2*2 R2. R2*2 R2.
 329       R2*2 R2. R2*2 R2.
 330       R2*2 R2. R2*2 R2.
 331       R1 R2. R1 R2.
 332       R1 R2. R1 R2.
 333       R1 R2. R1 R2.*8 R1 R2.
 334
 335       %%% Ad libitum %%%
 336       R1 R2.*2 R1 R2.*2
 337
 338       %%% Agitato %%%
 339       R1*6 R1. R1*2 R1. R1*3 R1.
 340       R1*2 R1.*3 R1 R1.*4
 341
 342       %%% Allegro non troppo %%%
 343       R1 R2. R1*5
 344       R2. R1 R2. R1 R2. R1
 345       R2. R1*3 \clef bass |
 346       \pl {sol,16\mf\<[ re'] s8 s4\!} {sol8 <re' la'>16 sol, \clef treble
 347       \oneVoice <sib'' do>-> re,, la' <sib' do>->} sol,,\< re' <sib' do>-- la
 348       <sib' do>->\! re,, la' <sib' do>-> | R1
 349       sol,,16\< re' <sib' do>-- la <sib' do>->\! re,, la' <sib' do>->
 350       sol,,\< re' la' <sib' do>->\! | R2.
 351       <sib, do>4--\> <sib' do>-- <sib,, do>--\! | R1
 352       <sib do>8\p\< <sib' do>16 do, <do' reb> reb, <reb' mib> mib,\! r2\fermata | R1
 353       <sib do>8\p\< <reb' mib>16 mib, <mib' fa> fa, <fa' solb> solb,\! r2\fermata | R1
 354       <sib,do>16\mf <fa'' solb> solb, <solb' lab> lab, <lab' si> si, <re! si' re!>
 355       <mi! re' mi!>16 <mi re' mi>\f r8 r4\fermata |
 356
 357       %%% Moderato %%%
 358       R1*2-\markup "Allez au Vibraphone" \Vibraphone R2.*2
 359       r4 r8 do,\p <sib' do>2\laissezVibrer | R2.
 360       r8 <sib, do>2..\laissezVibrer | R2. \clef bass
 361       \t {r8 do,( sib'} \clef treble do-. sib'4--) <do sib'>4.-- |
 362       mib,,2*1/4\mp\laissezVibrer <do'' sib'>8~-- <do sib'>16 <sol fa'>8-- re16( la'4) |
 363       mib,2.-- r4 |
 364       fa2*1/4--\laissezVibrer <do'' sib'>8( sib16 mib8 lab,16 reb,\> fa, do' sol' |
 365       <sib do>4\!)\laissezVibrer fa,2.--\laissezVibrer |
 366       do'16 sib' <do sib'>8~-- <do sib'>16 <sib' do>4..-> |
 367       <mib,,, fa>8-. <sib'' do>2..-- |
 368       r16 do'32 sib, do'16 do,,-. sib'-. <sib' do>4..-> |
 369       r8 \ind #"con Ped." sib,,16\pp do( sib) sib do( sib) do sib( do sib') do,( sib' do) sib |
 370       sib( do) sib,( do sib') do, do' sib sib( do) sib'( do) |
 371       sib,( do sib') do,( sib' do) sib,( do,) |
 372       <mi, fad>8-> r r2 R1 R2*4
 373
 374       %%% Allegro marcato %%%
 375       \Marimba R1*34
 376       R1. R1*2 \ottava #1
 377       \ind #"(bag. dures)"
 378       mib'''16\pp fa, sib fa mib' fa, sib fa
 379       mib' fa, sib fa mib' fa, sib fa |
 380       fa' sol, do sol fa' sol, do sol fa' sol, do sol |
 381       sol' la, re la sol' la, re la |
 382       lab' sib, mib sib lab' sib, mib sib |
 383       sib' do, fa do sib' do, fa do |
 384       si'\< dod, fad dod si'8->\! r
 385       \ottava #0
 386       R2 R1*4
 387     }
 388   }
 389   \new DrumStaff { \Percus
 390     \drummode {
 391       R2*2 R2. R2*2 R2.
 392       R2*2 R2. R2*2 R2.
 393       R2*2 R2. R2*2 R2.
 394       R1 R2. R1 R2.
 395       R1 R2. R1 R2.
 396       R1 R2. R1 R2.*8 R1 R2.
 397
 398       %%% Ad libitum %%%
 399       R1 R2.*2 R1 R2.*2
 400
 401       %%% Agitato %%%
 402       R1*6 R1. R1*2 R1. R1*3 R1.
 403       R1*2 R1.*3 R1 R1.*4
 404
 405       %%% Allegro non troppo %%%
 406       R1 R2. R1*5
 407       R2. R1 R2. R1 R2. R1
 408       R2. R1*5 R2.*3 R1*6
 409
 410       %%% Moderato %%%
 411       R1*2 R2.*2 R1 R2. R1
 412       R2. R1 R2. R1 R2. R1 R2.
 413       R1 R2. R1 R2. R2 R2.
 414       r2 r4 r8 \ind #"Tambour (bag. fagot)" sn32\< sn sn sn |
 415       sn4\mp r8 \t {sn16\< sn sn} sn4\! r | R2*2
 416       \set drumStyleTable = #drums-style
 417
 418       %%% Allegro marcato %%%
 419       \ind #"Tambour" bd4--\mf \ind #"Cymb. susp. (sur la cloche)" hh-> bd \t {bd8\<( bd bd} |
 420       bd4--\!) hh-> bd r | R1 r8 r16 bd32\mp bd bd8.-- bd16 bd4-- r |
 421       bd2:32\pp\< bd4->\! \t {bd8\< bd bd} | bd4\mf hh-> bd \t {bd8( bd bd} |
 422       bd4) hh-> bd r | R1 r8 r16 bd32 bd bd8. bd16 bd4 r | R1
 423       r8 bd\p \t {bd--\> bd bd} bd4\! r |
 424       r8 bd \t {bd--\> bd bd} bd4 hh\pp | R1
 425       r8 bd \t {bd--\> bd bd} bd4\! r |
 426       r8 bd \t {bd--\> bd bd} bd4\! r |
 427       \t {r8 r16 bd\< bd8} \t {bd--\> bd bd} bd4 hh\pp | R1*4
 428       r2 r4 hh\pp | r2 r4 hh | R1
 429
 430       %%% Agitato %%%
 431       R1*11 R1. R1*2 R1 R2. R2*5 R1*4
 432     }
 433   }
 434   \new Staff { \Timbales
 435     \relative {
 436       do,2:32\ppp( do4) r R2. do2:32( do4) r R2. |
 437       do2:32( do4) r fad,-- r2 |
 438       do'2:32( do4 r fad,) r2 |
 439       do'2:32\p( do4) r fad, r2 |
 440       do'4 r do r fad,2:32\<( fad4\>) |
 441       <fa do'>8--\ppsempre \t {fa16\>( fa fa} fa4)\! r2 |
 442       <fa do'>4.--\pp <fa do'>8 \t {<fa do'>( <fa do'> <fa do'>)} |
 443       <fa do'>8-- \t {fa16\>( fa fa} fa4\!) r2 |
 444       <fa do'>4.-- do'8 \t {do\<( do do)} |
 445       reb8--\p \t {reb16\>( reb reb} reb4)\! r2 |
 446       <lab reb>4.--\pp <lab reb>8 \t {<lab reb>\<( <lab reb> <lab reb>)} |
 447       <lab reb>\> \t {reb16( reb reb} reb4\!) r2 |
 448       <lab reb>4.--\p reb8 \t {reb\<( reb reb} |
 449       do4--\p) r do--( sol-- do--) r sol |
 450       do-- \t {do8\<( do do} do4--\!) sol-- do-- r do--\< |
 451       do8\mf do16 do32 do do8 do do do |
 452       do8 do16 do32 do do8 do do do |
 453       do8 do16 do32 do do8 do do do |
 454       fad,16 fad fad fad fad fad fad fad fad fad fad fad |
 455       fad fad fad fad fad fad fad fad fad fad fad fad |
 456       fad8 fad16 fad r fad fad8 fad16 fad8 fad16 |
 457       r4 r8 fad-- \t {fad--\< fad-- fad--} |
 458       do'8\f do16 do32 do \t {do8-> do-> do->} do-> do-- do8.-> do32 do |
 459       do8-> do-- \t {do-- do do} \tt {do16\< do do do do\!} |
 460
 461       %%% Ad libitum %%%
 462       R1 R2.*2 R1 R2.*2
 463
 464       %%% Agitato %%%
 465       re16->\fp re4.. r2 | r4 re \t {re\<( re re} |
 466       re->\!) r r2 | re4-- re \t {re\<( re re} re->\!) r r2 |
 467       r2 r4 r8 re16\< re |
 468       re4->\! r re\mp re \t {re\<( re re} re4->\!) r r2 | R1
 469       re4 r re re \t {re\<( re re} re4\!) r r2 | R1*2
 470       re4 r re re \t {re\<( re re} re4\!) r r2 | re1:16\fpp \glissando \<|
 471       mib4->\mf r mib\pp mib \t {mib-- mib mib} |
 472       mib4-- r mib mib \t {mib-- mib mib} |
 473       mib4-- r mib mib \t {mib-- mib mib} |
 474       mib8.--\< mib32 mib mib8\> mib\! r2 |
 475       r4 \t {mib8 mib mib} mib mib r4 mib2:16\<\glissando |
 476       mi4\mf r r1 | R1.*2
 477
 478       %%% Allegro non troppo %%%
 479       R1 R2. R1*5 R2. R1 R2. R1 R2.
 480       r2 r4 r8 sol,32\< sol sol sol |
 481       sol8->\f sol r2 | r2 r4 r8 \t {sol16\< sol sol} |
 482       sol4--->\! r r2 R1*3 | R2.*3 R1*6
 483
 484       %%% Moderato %%%
 485       R1*2 R2.*2 R1 R2. R1 R2. R1 R2. R1 R2. R1 R2.
 486       R1 R2. R1 R2. R2 R2. R1
 487       R2*4
 488
 489       %%% Allegro marcato %%%
 490       R1*22 r2 r4 r8 r16 re'32\< re |
 491
 492       %%% Agitato %%%
 493       re4->\sfp re-- r re-- r re-- r re-- r re-- r re-- |
 494       re\fp\< re re8 re re16 re re re | re4\sfz r r2 | R1*6
 495       R1. R1*3 R2. R2*5 R1*4
 496     }
 497   }
 498 >>
 499
 500 ActeUnSceneUnBisPercus = <<
 501   \new Staff { \Vibraphone
 502     \relative {
 503       R2.*7 R1 R2. R1 R2.*10 R1*2 R2
 504       R2*3 R2. R2 R2. R2 R2.*2
 505       R1*2 R2. R2 R1 R2.*2 R2*2
 506       R2. R2*3 R2. R1 R2. R2*3
 507       R2.*3 %% TODO: add pedal indications
 508       r4 \ind #"con Ped." <mi si'>--\pp( <mi si'>-- <mi si'>-- |
 509       <mi si'>-- <mi si'>-- <mi si'>-- <mi si'>--) |
 510       \simile <mi si'> <mi si'> <mi si'> <mi si'> |
 511       \repeat unfold 116 <mi si'>
 512       <mi si'>\fermata \laissezVibrer r r2 | R2*4
 513     }
 514   }
 515   \new DrumStaff { \Percus
 516     \new DrumVoice \drummode {
 517       R2.*7 R1 R2. R1 R2.*10 R1*2 R2
 518       R2*3 R2. R2 R2. R2 R2.*2
 519       r2 r4 \ind #"Tambour" \ind #"(bag. fagot)"  sn\mp |
 520       sn32---> sn8.. r4 r8.. sn32 sn8..-- sn32 |
 521       sn4---> r2 R2 R1
 522       R2.*2 R2*2
 523       r2  r8 \t {sn16\< sn sn} |
 524       sn4--->\mf r8 \t {sn16\< sn sn} |
 525       sn32->\! sn8.. r4 |
 526       r8 sn->\f r4 |
 527       r8 sn16.-> sn32 sn4-> r |
 528       r2 r8 sn32-> sn sn sn sn-> sn sn sn sn8-> |
 529       R2. R2*3 R2.*3
 530       R1*33 R2*4
 531     }
 532   }
 533   \new Staff { \Timbales
 534     \relative {
 535       dod,2.:32\ppp dod: dod: dod:\< dod: dod2:32~\p dod8 r |
 536       r re4--\mp re8-. \t { re--\<( re-- sold,--} |
 537
 538       %%% Piu vivo %%%
 539       re'4\f) r r2 | sold,2.:32\pp\< | re'4\f r r2 | sold,2.:32\pp\< |
 540       <sol re'>4\f r8 \t {sol16 sol sol} sol4->  |
 541       r sol32-> sol8.. r4 | \t {sol16-> sol sol~} sol8-- r4 reb'-- |
 542       sol,-- r2 |
 543       sol8\mf  reb'~ reb4~\> reb4:32 reb4\!\laissezVibrer r2 R2.-\fermataMarkup
 544       sol,8\mp\> reb'~reb4~ reb4:32 reb4\!\laissezVibrer r2 R1-\fermataMarkup
 545       R1 R2
 546
 547       %%% Largo %%%
 548       R2*3 R2. R2 R2. R2 R2.*2
 549       R1*2 R2. R2 R1
 550       R2.*2 R2*2 R2.
 551       R2*3 R2. R1 R2.
 552       R2*3 R2.*3
 553       R1*33 R2*4
 554     }
 555   }
 556 >>
 557
 558 InterludeUnPercus = \new PianoStaff {
 559   \PercuDeuxMains
 560   \relative { \GrandMarimba
 561     r8 <red fad>\p r <red fad>
 562     r <red fad> r <red fad>
 563     r <red fad> r4 | R1*2
 564     r8 <mib sol> r <mib sol>
 565     r <mib sol> r <mib sol> |
 566     R1. r8 <mi! sol> r <mi sol> r2 |
 567     \gauche sold,8-- \droite <mi' sold> r <mi sold>
 568     r <mi sold> r <mi sold>
 569     r <mi sold> r <mi sold> |
 570     \gauche mi,8-- \droite <mi' sold> r <mi sold>
 571     r <mi sold> r <mi sold>
 572     r <mi sold> r <mi sold> |
 573     r <mi sold> r <mi sold>
 574     r4 <mi la> | R1
 575     s1.*2 r8 <sold, mi'> s2\p r8 mi' |
 576     r <mi sold> r <mi sold> r4 | R2 R2. |
 577     r16\p \gauche sol, \droite <fad' fad'>-> sol fad
 578     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite
 579     r \gauche sol \droite <fad' fad'>-> sol fad
 580     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite |
 581     r \gauche sol \droite <fad' fad'>-> sol fad
 582     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite
 583     r \gauche sib \droite <la' la'>-> sib %% FIXME: ugly beam slope!
 584     \stemDown la \stemNeutral <sib, sib'> <la' la'>-> \gauche sib, \droite |
 585     r \gauche sol \droite <fad' fad'>-> sol fad
 586     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite
 587     r \gauche sol \droite <fad' fad'>-> sol fad
 588     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite
 589     r \gauche re \droite <dod' dod'>-> \gauche re \droite <dod dod'> \gauche
 590     <re, re'> \droite <dod' dod'>-> \gauche re, \droite |
 591     r \gauche sol \droite <fad' fad'>-> sol fad
 592     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite
 593     r \gauche sol \droite <fad' fad'>-> sol fad
 594     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite |
 595     r \gauche sol \droite <fad' fad'>-> sol fad
 596     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite
 597     r <re' re'> <dod' dod'>-> <re, re'> dod' <re, re'> <dod' dod'>-> <re, re'> |
 598     fad' <sol,, sol'> <fad'' fad'>-> <sol,, sol'>
 599     fad'' <sol,, sol'> <fad'' fad'>-> <sol,, sol'>
 600     fad'' <sol,, sol'> <fad'' fad'>-> <sol,, sol'>
 601     fad'' <sol,, sol'> <fad'' fad'>-> <sol,, sol'>
 602     fad'' <sol,, sol'> <fad'' fad'>-> <sol,, sol'>
 603     fad'' <sol,, sol'> <fad'' fad'>-> <sol,, sol'> |
 604     <fad' fad'>32\f \gauche <sol,, sol'> \droite <fad'' fad'> \gauche <sol,, sol'> \droite
 605     <fad' fad'> \gauche <sol, sol'> \droite <fad' fad'> \gauche <sol, sol'> \droite
 606     <fad'' fad'> \gauche <sol,, sol'> \droite <fad'' fad'> \gauche <sol,, sol'> \droite
 607     <fad' fad'> \gauche <sol, sol'> \droite <fad' fad'> \gauche <sol, sol'> \droite
 608     <dod'' dod'> \gauche <sol,, sol'> \droite <dod'' dod'> \gauche <sol,, sol'> \droite
 609     <dod' dod'> \gauche <sol sol'> \droite <dod dod'> \gauche <sol sol'> \droite
 610     <dod' dod'> \gauche <sol,, sol'> \droite <dod'' dod'> \gauche <sol,, sol'> \droite
 611     <dod' dod'> \gauche <sol sol'> \droite <dod dod'> \gauche <sol sol'> |
 612     fad,16\< <la re> \droite sib' \gauche <la re> \droite
 613     <sib' sib'>32-> \> <la re> <sib sib'> <la re> <sib sib'> <la re> <sib sib'> <la re>
 614     <sib sib'>8\! r | <re, sib'>4\arpeggio \p \laissezVibrer s2 R2.*13
 615     r8 <red fad>\p r <red fad> r4 | r8 <re sold> r2 |
 616   }
 617   \relative { \clef bass
 618     R1. R1*3 R1. R1 s2 r1 s2 r1 r2 mi,4 fa' | R1 |
 619     la,,16-- mi' \droite <la mi'>8 r <la mi'>
 620     \gauche mi8-- \droite <la mi'>16 \gauche mi
 621     la,-- mi' \droite <la mi'>8 r <la mi'>
 622     \gauche mi-- \droite <la mi'> \gauche |
 623     la,16-- mi' \droite <la mi'>8  \gauche mi \droite <la mi'>
 624     r8 <la mi'>16 \gauche mi la,8-- \droite <la' mi'>
 625     \gauche r16 mi \droite <la mi'>8 r <la mi'> \gauche |
 626     la,-- mi' r16 mi \droite <sold mi'>8 \gauche
 627     r8 <mi sold> r4 | R2. R2 R2.
 628     s1*2 s1. s1 s2 r2 R1. s1 s4 r2 |
 629     <dod si'?>4\arpeggio \laissezVibrer s2 | R2.*15
 630   }
 631 }
 632
 633 ActeUnSceneDeuxPercus = <<
 634   \new Staff \relative {\Marimba \clef bass
 635     %%% Air de la Soprano2 %%%
 636
 637     R2.*2 R1*2 R2.*2 \ind #"bag. douces" re,4-.\pp la'-. sold8( mi re4) mi8( re la' sold) r mi( sold4) |
 638     mi4 re8( la' sold4) la8( sold mi re) r la'|
 639     re,8( mi sold4) la re,8( la') | r re,( mi sold la4) sold8( re | mi4) sold la8( mi) |
 640     r sold( la re, mi4)\laissezVibrer| R1 | r2 r4 fad | si2\laissezVibrer r4 | R2. |
 641     re,4 si' sold8( fad re4) | fad8\p( re si' sold) r fad( sold4) |
 642     fad re8 si' sold4 | si8 sold fad re r4 | R1*2 R2.*2 | \clef treble
 643     \pl re4\p\laissezVibrer re'' <la' re>-> sold8( mi re4-.) | mi8 re'16-> re,, la''8 sold
 644     \pl re,,4 {r8 mi''} <sold re'>4-> |
 645     mi8 re'16-> re,, re'8 la' \pl {r re,,,} sold''4 | la8 sold mi <re, re'> r4 |
 646     \pl sol,--\mp\laissezVibrer {fa''8 sol!} <si sol'>4-> do8 sol,,-- fa'' do' |
 647     r <fa, sol'>-> sol si do16 sol,, sol sol <si'' sol'>8-> fa |
 648     sol sol,,-- <si'' sol'>4-> do8 sol | r si <do sol'>-> fa, sol sol,,-- |
 649     <do'' sol'>4-> si8 sol fa8 sol,,16-- re' <do'' sol'>4-> |
 650     si8 sol fa8 sol,,16-- re' <do'' sol'>8-> do, <si si'>-> <sol sol'>-> |
 651     <fa fa'>4-> r2 R2. | R1*2 R2.*2 R1*2 | R2.*2 R1*2 |
 652     \clef bass dod,4\mp fad2\laissezVibrer | R2. | sold,1:32\p\laissezVibrer |
 653
 654     %%% Vibraphone %%%
 655     R1 R2.*2-\markup "Allez au Vibraphone" \Vibraphone |
 656     <re'' la'>1\pp\laissezVibrer  r2 r4 <re la'>\laissezVibrer | R2.*2 |
 657     <re la'>1\laissezVibrer r2 r4 <re la'>\laissezVibrer R2.*2 |
 658     <<{ <sold dod>1\laissezVibrer} \\ {re2 la'}>> | sold4 mi re2\laissezVibrer | R2.*2 |
 659     <<{ <sold dod>2.} \\ {mi4 re la'}>> <sold la>4~ |<sold la>1\laissezVibrer |
 660     R2. r4 mi2 | <re sold dod>1\laissezVibrer | R1 | R2.*2 |
 661     <re mi sold>1\laissezVibrer | R1 | R2.*2 R1*2 |
 662     R2.*2 | R1 r2 <la' la'>2\pp\fermata \laissezVibrer |
 663
 664     %%% Recitativo %%%
 665     R2.*2 R1 R2.*3 R1 R2.*6 R2 R2. R1*2 R2.*5 R1
 666     %%% Tempo giusto %%%
 667     R2. R1 R2. R1 R2. R1 R2. R1 R2. R2*2 R2. R1*2 R2.*2 R1*2 R2.*3 R1
 668     %%% Più vivo %%%
 669     R2. R1 R2.*2 R1 R2. R1 R2. R1 R2.*14 R1*3
 670     %%% Tempo giusto %%%
 671     R1*5 R2. R1*2 R2. R2*3 R2.*2 R2*6 R2.*2
 672     %%% Largo assai %%%
 673     R1 R2.*3 R2 R2. R1*4
 674   }
 675   \new DrumStaff \new DrumVoice \drummode { \Percus
 676     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 677     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 678     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 679     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 680     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 681     R2.*2 R1*2
 682
 683     %%% Recitativo %%%
 684     R2.*2 R1 R2.*3 R1 R2.*4 |
 685     \ind #"Tambour" sn4 sn2:32
 686     \ind #"sur le bord" ss4 s2 |
 687     R2 R2. R1*2 R2.*5 R1
 688
 689     %%% Tempo giusto %%%
 690     R2. R1 R2. R1 R2. R1 R2. R1 R2. R2*2
 691     R2. R1*2 R2.*2 R1*2 R2.*3 R1
 692
 693     %%% Più vivo %%%
 694     R2. R1 R2.*2 R1 R2. R1 R2. R1 R2.*14 R1*3
 695     %%% Tempo giusto %%%
 696     R1*5 R2.
 697     r4 \ind #"Cymb. susp. (bag. douces)" cb4:32 cb4:32~ cb4 |
 698     r4 cb4:32 cb4:32~ cb4 | R2. R2
 699     r4 cb4:32 cb4:32~ cb8 r |
 700     r4 cb4:32 cb8 r | R2.
 701     r8 cb8:32 cb4 |
 702     r8 cb8:32 cb4 |
 703     r8 cb8:32 r4 | r8 cb r4 | R2
 704     r8 cb r cb |
 705     r cb r cb \t {cb cb \ind #"étouffer" cb:32} |
 706     R2.
 707
 708     %%% Largo assai %%%
 709     R1 R2.*3 R2 R2. R1*4
 710   }
 711   \new Staff \relative { \Timbales
 712     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 713     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 714     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 715     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 716     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 717     R2.*2 R1*2
 718
 719     %%% Recitativo %%%
 720     R2.*2 R1 R2.*3 R1 R2.*6 |
 721     R2 R2. R1*2 R2.*5 R1
 722
 723     %%% Tempo giusto %%%
 724     R2. R1 R2. R1 R2. R1 R2. R1 R2. R2*2
 725     R2. R1*2 R2.*2 R1*2 R2.*3 R1 |
 726
 727     %%% Più vivo %%%
 728     sol,4\f r2 R1 | sol4 r8 sol r4 | sol4 sol2:32\fp\< |
 729     sol4\f r8 sol sol32-> sol8.. r4 | dod4-> r8 dod \t {dod-- dod dod} |
 730     sol4-> r8 sol r4 sol | dod4-- r8 dod dod dod |
 731     sol4-> sol8 sol r2 | dod4-- r dod |
 732     sol-- sol-- sol-- sol-- r2 | sol4-- sol-- sol-- si-- r2 |
 733     sib4-- sib-- sib-- re-- r2 | re4-- \simile re8 re re re | re4 r2 |
 734     re8 re16 re re8 re re re | re4 r2 |
 735     re4 re re dod r2 | dod4 dod dod |
 736     fa,1:32~ fa4 r r2 R1 |
 737
 738     %%% Tempo giusto %%%
 739     R1*5 R2. R1*2 R2. R2*3 R2.*2 R2*6 R2.*2
 740     %%% Largo assai %%%
 741     R1 R2.*3 R2 R2. R1*4
 742   }
 743 >>
 744
 745 InterludeDeuxPercus = \new PianoStaff {
 746   \PercuDeuxMains
 747   \relative { \GrandMarimba
 748     r8 <red fad>\p r <red fad> r <red fad> r <red fad> |
 749     r <red fad> r <red fad> r <red fad> r <red fad> r <red fad> |
 750     R2. R2 r4 r8 <mib sol> r <mib sol> | R2
 751     lad'8-.--\p si, <mib, sol>4 \gauche <mib, sol>-- \droite <mib' sol> |
 752     fad'8-.-- si, <mib, sol>4 \gauche <mib, sol>-- \droite <mib' sol> |
 753     <sol' mi'!>-.-- <mi,! sol>-.-- <reb' sib'>-.-- <mi, sol>-.-- <mi' sol>-.-- <mi, sol>-.-- |
 754     <sib' reb>-.-- <mi, sol>-.-- R2*6
 755     \gauche <la,, mi'>4--\p \droite <mi'' sold> r <mi sold> |
 756     \gauche <la,, mi'>-- \droite <mi'' sold> r <mi sold> |
 757     \gauche <la,, mi'>-- \droite <mi'' sold> r <mi sold> |
 758     r <mi sold> r2 | R2.
 759     \gauche <fa,, do'>4-- \droite <mi'' sold>
 760     \gauche la, \droite <mi' sold>
 761     \gauche <fa,, do'>-- \droite <mi'' sold> r R2.
 762     \gauche dod,8( la' \droite <mi' sold>4) r2 | R2.
 763     r4 <mi sold>-- |
 764   }
 765   \relative {
 766     \clef bass r2 r4 <lab, re sol>-- |
 767     r2 <fa mi'>4-- | R2 R2. R2 R2. R2
 768     R2 s2 R2 s2 R2*10 s1*4 R2.
 769     s1 s2. R2. s1 R2. r4 <fa' la>-- |
 770   }
 771 }
 772
 773 ActeUnSceneTroisPercus = <<
 774   \new DrumStaff { \Percus
 775     \new DrumVoice \drummode {
 776       \ind #"Tambour" \ind #"(bag. fagot)" sn2.:32~\mp\> sn8\! \t {sn16\mf sn sn} sn2:32~\> sn2.:
 777       sn8\! \t {sn16\mf sn sn} sn8 \t{sn16 sn sn} sn4:32\> sn8\! sn4-- sn8-. sn4-- |
 778       sn8->\mf \t {sn16 sn sn} sn8-- sn4 sn8--\> sn2.:32 R2.*4\! |
 779       sn4:32\mp sn4 r |
 780       r8 \t {sn16 sn sn} sn4-- r |
 781       r8 \t {sn16 sn sn} sn4-- sn4:32\> |
 782       sn8.--\! sn16 r sn sn8-> r \t {sn16\< sn sn} |
 783       sn4->\! sn32-> sn8.. r8 \t {sn16\< sn sn} |
 784       sn2.:32~\mp\< sn: |
 785       R2.*6\! R1.*6 R1*5/4*5 R1*4 R2.*3 R2*2
 786
 787       R2.*3 sn4:32--\p r8 sn \t {sn sn sn} |
 788       sn4:32 r8 sn \t {sn sn sn} |
 789       sn4 r8 sn \t {sn sn sn} |
 790       sn4 r8 sn \t {sn sn sn} |
 791       sn32-> sn8.. r8 sn \t {sn sn sn} |
 792       \t {sn16-> sn sn} sn8\< r sn \t {sn sn sn} |
 793       sn2.:32\fp\< R2.*4\!
 794       R1.*6 R1*5/4 R1 R2. R2
 795     }
 796   }
 797   \new Staff { \Timbales
 798     \relative { R2.*24
 799       r2 r4 si,--\ppp si-- si-- |
 800       sib2:32\> sib4\! r r2 |
 801       si!2:32\> si4\! r r2 |
 802       sib2:32\> sib4\! r r2 |
 803       si!2:32\> si4\! r r2 |
 804       \simile sib2:32 sib4 r r2 |
 805       si!2:32 si4   r2 |
 806       sib4:32\> \t {sib8 sib sib} sib4--\! sib-- r |
 807       si4:32 \t {si8 si si} si4-- si-- r |
 808       sib4:32 \t {sib8 sib sib} sib4-- sib-- r |
 809       si4:32 \t {si8 si si} si4 si r |
 810       mi,8\p mi\t {mi\< mi mi} mi4:32\> mi8\! r |
 811       mi8 mi \t {mi\< mi mi} mi4:32\> mi8\! r |
 812       mi8 mi \t {mi\< mi mi} mi4:32\> mi8\! r |
 813       mi8 mi \t {mi\< mi mi} mi4:32\! mi8 r |
 814       <mi dod'>\f <mi dod'> \t {<mi dod'> dod' mi,} \pl mi4:32 {dod'8.\< dod32 dod\!} |
 815       <mi,dod'>8-- <mi dod'>-- \t {<mi dod'>-- dod' mi,} \pl mi4:32 {dod'8.\< dod32 dod\!} |
 816       <mi,dod'>8.\sfz dod'16 <mi, dod'>4-> r R2*2
 817       R2.*14
 818       r2 r4 do'\ppp do do do1.:32~ do:~ do:~ do8 do--\> \t {do-- do-- do--} do1:32~ do1\!\laissezVibrer r2|
 819       R1*5/4 R1 R2. R2
 820     }
 821   }
 822 >>
 823
 824
 825 ActeUnSceneTroisBisPercus = {
 826   \new GrandStaff \GrandMarimba \PercuDeuxMains
 827    \relative {
 828      r8<red fad>\p r <red fad> r <red fad> r <red fad> |
 829      r <red fad> r <red fad> r <red fad> r <red fad> |
 830      r <red fad> r <red fad> r <red fad> r <red fad> | R1 r2
 831      r8<red fad> r <red fad>
 832      r <red fad> r <red fad> r <red fad> r <red fad> | R1 r2
 833      r8<red fad> r <red fad>
 834      r <red fad> r <red fad> r2 R1*12
 835      r8<mi sol>\p r <mi sol> r <mi sol> r <mi sol> |
 836      r <mi sol> r <mi sol> r <mi sol> r <mi sol> |
 837      r <mi sol> r <mi sol> r <mi sol>\< r <mi sol>\! | R1*2
 838      r8<red fad>\p r <red fad> r <red fad> r <red fad> |
 839      r <red fad> r <red fad> r <red fad> r <red fad> |
 840      r <red fad> r <red fad> r <red fad> r <red fad> |
 841      r <red fad> r <red fad> r <red fad> r <red fad> |
 842      r <red fad> r <red fad> r <red fad> r <red fad> |
 843      r <red fad> r <red fad> r <red fad> r <red fad> |
 844      r <red fad> r <red fad> r <red fad> r <red fad> |
 845      \ttt {r16 fad\mf( \gauche sol, \droite red' \gauche mi, si)}
 846      \tt {sold( sol' mi sib' do} red4--) \droite r8 <red fad> |
 847      \t {r16 \gauche <mi, sol>\<( \droite <red' fad>} <re' fa>8\!)
 848      r <re fa>
 849      r32 \gauche <sold,,, si>( <sol' sib> <do mib>) \droite <si' re>8-- r <si re> |
 850      r16 \t {sib,32\mp( mib do} la'8--) r16 \gauche \t {sol,32( do sib} \droite fad'8--) s4 |
 851      R1*3
 852      r8 <do re>\p r <do re> r2 r8 <do re> r <do re> r2 |
 853      r8 <do re> r <do re> r <do re> r <do re> |
 854      r <fa lab> r <fa lab> r <fa lab> r <fa lab> |
 855      <la,do>-- <fa'lab> r <fa lab> r <fa lab> r <fa lab> |
 856      \gauche \t {<dod,mi>16-- \droite <la' do> \gauche <dod,mi>} \droite <fa' lab>8
 857      r <fa lab> r <fa lab> r <fa lab> |
 858      R1*7
 859      r4 r8 <do fa>\p r <do fa> r4 |
 860      r4 r8 <do fa> r <do fa> r4 |
 861      r8 <do fa> r <do fa> r <do fa> r <do fa> | R1*16
 862    }
 863    \relative {
 864      R1
 865      r8 la r la r la r la |
 866      r  la r la r la r la |
 867      R1
 868      r2 r8 <sol la> r <sol la> |
 869      r <sol la> r <sol la> r <sol la> r <sol la> |
 870      R1
 871      r2 r8 <mi sol> r <mi sol> |
 872      r <mi sol> r <mi sol> r2  |
 873      R1*12
 874      r8 <fa lab> r <fa lab> r <fa lab> r <fa lab> |
 875      fa,--\mp <fa'lab> r <fa lab> r <fa lab>16( si,) r8 <fa'lab> |
 876      r <fa lab> r <fa lab>32( fa,16) si32-. r8 <fa'lab> r <fa lab> |
 877      R1*3
 878      r8 sol r sol r sol r sol |
 879      r <mi sol> r <mi sol> r <mi sol> r <mi sol> |
 880      r <mi sol> r <mi sol> si-- <mi sol> r <mi sol> |
 881      r <mi sol> si-- <mi sol> r <mi sol> r <mi sol> |
 882      r16 <mi sol> r8 r r16 <mi sol> r8 <mi sol> r <mi sol> |
 883      sold,-- <mi'sol>r<mi sol>r <mi sol> r <mi sol> |
 884      s1*2 s2 \t {r16 si sold} sol'8 |
 885      R1*5
 886      r8 la r la r la r la |
 887      r <la do> r <la do> r <la do> r <la do> |
 888      <dod, mi>-- <la' do> r <la do> r16 <la do> r8 r <la do> |
 889      s8 r16 <la do> r <dod, mi> r8 r r16 <la'do> r8 <la do> |
 890      R1*7
 891      r4 r8 <la si>\p r <la si> r4 |
 892      r4 r8 <la si> r <la si> r4 |
 893      r8<la si> r <la si> r <la si> r <la si> | R1*16
 894    }
 895 }
 896
 897 ActeUnSceneTroisTerPercus = <<
 898   \new Staff { \Vibraphone
 899     \relative {
 900       R2*3 R2. R2*2 R2.*2 r2
 901       \pl {s4\sustainOn sol'~ fad~ mib~ <mib fad sol>}
 902       {si'4~\p si2.~ si4} r2\sustainOff
 903       sib4(\laissezVibrer \sustainOn la\laissezVibrer fad\laissezVibrer
 904       fa re dod) \pl {mib2\sustainOn s mi\sustainOn fa\sustainOn}
 905       {si!4( sib sol fad) do'( si) reb( do)}
 906       <re, re'>8--\sustainOff r r4 r2 | R1*3 R2.*9
 907       r8 si'\pp\sustainOn sib sol fad mib re'2.\laissezVibrer s2.*2
 908       r4 si\sustainOn sib sol fad mib re'2.\laissezVibrer s2.\sustainOff
 909       R2.*23 R1 R2.*18
 910       \t {r4 \ind #"con Ped." dob'8\mp} \t {sib( mib, re)} \t {mib( sib' dob} \t {sib sol fad)}
 911       \t {sol\<( sib dob} sib16 dob sib dob |
 912       sib4.\mf)\sustainOn fa-- dob--\> solb-- do,!2--\! r4\sustainOff R2.*14
 913     }
 914   }
 915   \new Staff { \Marimba
 916     \relative {
 917       R2*3 R2. R2*2 R2.*7 R1*3
 918       r2 r8 r16 mi'32\mf fa mi'4-> |
 919       \t {r16 la-> mi} mib,( sib') r4 r8
 920       <mib,,, re'>--\mp r4 |
 921       r32 re'''->\f fad,8 <fad,, sol'>16--\mp r
 922       <mib re'> <fad sol'>8-- \ottava #1
 923       si'''32->\f\>( fad sib fa sol re fad dod
 924       \ottava #0
 925       \t {mi,8-. sold,-. \clef bass do,,-.\!)}
 926       r8 <dod re'>--\mp r <red mi'>-- \clef treble
 927       \tt {r16 <sold sol'!>\< la sold' re\!} |
 928       \pl re,4-> re''-> r2 |
 929
 930       %%% Poco meno %%%
 931
 932       R2.*17 \clef bass
 933       fa,,,2.:32~\pp fa4 r2 | R2.
 934       fa2.:~ fa4 r2 | R2.
 935       dod'2.:~ dod4 r2 | R2.
 936       dod2.:~ dod4 r2 | R2.
 937       la2.:~ la4 r2 \clef treble
 938       r16 <dod'' dod'>->\mp \t {r fa'( dod} fa,32 dod) do'8.-- <mi, mi'>8-.-> r \clef bass |
 939       la,,,2.:32~ la4 r2 | R2. \clef treble
 940       r32 do''->\mf dod'8. r8 fa32->( mi, dod' dod, do'8) <la,, sold'>-- |
 941       r8 \t {dod'16( mi dod')} \clef bass r8 <la,, sold'>--
 942       <do, si'>16-> <la' sold'>-- \clef treble fa'''8-> |
 943       r <la,,, sold'>-- \ottava #1 r16 red''-> \t {re,\< fad'-> fa,}
 944       lad32-> la, dod'-> do, lab''16-> <sib, sib'>-> |
 945       <sol sol'>4->\f \ottava #0 r8 <do,, si'>16\>( <la' sold'>)
 946       r <sib, la'>( <lab' sol'>8) \clef bass
 947       <si,, lad'>16( <solb' fa'>8.) |
 948       fad,2.:32~\pp fad4 r2 | r8 si( mi fa sold la |
 949       fad,2.:32~) fad4 r2 | r8 sib( si red mi sol)|
 950       fa,!2.:32~ fa4  r2 \clef treble |
 951       r4 r8 <lab''' fa'>-.\mp r16 <reb, do'>-. r8 \clef bass |
 952       fa,,,2.:32~\pp fa4 r2 \clef treble |
 953       r4 r16 fa''''( mi,8) \t {do'16( dod la)} sold'8-> \clef bass |
 954       dod,,,,2.\laissezVibrer R2. \clef treble |
 955       r16 fa'''( mi,8) r16 la,8-- si16( \t {sold' re si')} fa8-> |
 956       <re' mi>16-> <re mi>-> r8 r2 | R2.*17
 957       <mi, red'>8--\p r r2 R2.*3
 958     }
 959   }
 960 >>
 961
 962
 963 InterludeTroisPercus = { \Timbales
 964   \relative {
 965     r8 \st {<sol,mi'>\p r <sol mi'> r2 |
 966     r8 <sol mi'> r <sol mi'> r4 |
 967     <sol mi'>8\pp sol <sol mi'> sol <sol mi'> sol} sol16\< sol32 sol \st {sol8\! |
 968     <sol mi'>8 sol <sol mi'> sol} sol16\< sol sol8-.\! |
 969     \simile <sol mi'>8 sol <sol mi'> sol <sol mi'> sol sol16 sol32 sol sol8 |
 970     <sol mi'>8 sol <sol mi'> sol sol16 sol sol8 |
 971     <sol mi'> sol <sol mi'> sol <sol mi'> sol <sol mi'> <sol mi'> |
 972     <sol mi'> sol <sol mi'> sol <sol mi'> <sol mi'> |
 973     sol16\ppsempre sol mi' mi sol, sol mi' mi sol, sol mi' mi sol,32\< sol sol sol sol8\! |
 974     sol16 sol mi' mi sol, sol mi' mi sol,32\< sol sol sol sol16\! sol |
 975     sol8 mi'16 mi r8 mi16 mi r8 mi32\< mi mi mi |
 976     mi8\! mi16 mi r8 mi32\< mi mi mi |
 977     mi,8\! <mi mi'>-- r <mi mi'>-- r <mi mi'>16-- mi |
 978     <mi mi'>16\< mi32 mi <mi mi'>8--\! r <mi mi'>-- |
 979     mi16 mi <mi mi'>8-- mi16 mi <mi mi'>8-- |
 980     mi16 mi <mi mi'> mi <mi mi'> mi <mi mi'> mi |
 981     mi2:32~ mi:~ mi2: mi'4 r |
 982   }
 983 }
 984
 985 ActeUnSceneQuatrePercus = <<
 986   \new Staff { \Vibraphone
 987     \relative {
 988       \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
 989       R2-\fermataMarkup
 990       R1 R2. \t {\ind #"con Ped." la'2\p la4~} \t {la la2} |
 991       \t {la la4~} \t {la la2} |
 992       \t {sol sol4~} \t {sol sol2} \t {sol sol4} |
 993       \t {fad2 fad4~} \t {fad fad2} |
 994       \t {fad fad4~} \t {fad fad2} |
 995       \t {<si,red fad> <si red fad>4~} \t {<si red fad> <si red fad>2}
 996       \t {<si red fad> <si red fad>4~} \t {<si red fad> <si red fad>2}
 997       <si red fad>2 \t {<sol sib mib> <sol sib mib>4~} <sol sib mib>2
 998       re4-. r2 | R2.*26
 999       R1 R2. R1 R2. R2 R2. R2 R2. R2 R2.
1000       R1*5 R2 R2. R1*10 R2. R1 R2. R1*7 R2*3 R2.*6
1001       R1*4 R2. R1 R2.
1002       R1 R2. R1 R2. R1*2
1003       R2.*3 R1*2
1004
1005       R2. R4. R2. R4. R2 R4. R2*3 R4. R2*3 R4. R2*3 R4. R2.
1006       R1*12 R2 R2.*2 R2 R1
1007
1008       %%% Piu lento %%%
1009       re4\p \laissezVibrer <sib' dob sib'>2-- <sib dob sib'>--\>
1010       <sib dob sib'>4--\!\laissezVibrer R2.
1011       re,4\laissezVibrer \simile <sib' dob sib'>2 <sib dob sib'>\> <sib dob sib'>4\! |
1012       re,4\laissezVibrer <sib' dob sib'>2 <sib dob sib'>\> <sib dob sib'>4\! |
1013       re,4\laissezVibrer <sib' dob sib'>2 <sib dob sib'>\> <sib dob sib'>4\! |
1014       re,4\laissezVibrer <sib' do! sib'>2 <sib do sib'>\>
1015       <sib dob sib'>4\!\laissezVibrer R2.
1016       re,4\laissezVibrer <sib' do sib'>2 <sib re sib'> <sib re sib'>4 |
1017       re,4\laissezVibrer <sib' re sib'>2
1018       re,4\laissezVibrer <sib' mib sib'>2 <sib mib sib'> <sib mib sib'>4 |
1019       r <sib mib sib'>2 |
1020       re,4\laissezVibrer <sib' mi! sib'>2\laissezVibrer | R2.*2
1021       R1. R1 R1. R1 R1. R1 R1. R1 R1. R1 R1.*5 R1 R1. R1 R1. R1 R1.*5 R1 R1. R1
1022     }
1023   }
1024   \new DrumStaff { \Percus
1025     \drummode {
1026       \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
1027       R2-\fermataMarkup
1028       R1 R2. R1*2 R1. R1*2 R1. R1*2
1029       R2.*27
1030       R1 R2. R1 R2. R2 R2. R2 R2. R2 R2.
1031       R1*5 R2 R2. R1*10 R2. R1 R2. R1*7 R2*3 R2.*6 R1*3
1032       \ind #"Crécelle" hh4:32\mp\> hh4\! r8 hh-.-> r4 |
1033       hh4:32\> hh4\! r | r8 hh8:32-- r4 r8 hh8:32-- r8 hh8-. |
1034       hh4:32--\> hh8-.\! hh4:32--\> hh8-.\! | hh8:32--\> hh8\! r16 hh8.-. r2 |
1035       r8 hh8:32-- r2 | r16 hh8.-. r4 r16 hh8.-. \t {hh8-- hh-- hh--} |
1036       hh8:32\> hh8\! r2 | R1*2
1037       R2.*3 R1*2
1038       R2. R4. R2. R4. R2 R4. R2*3 R4. R2*3 R4. R2*3 R4. R2.
1039       R1*12 \ind #"Crécelle" hh4:32\mp r4 | R2. r4 hh4:32 r4 | R2 r2 hh4:32\> hh8\! r |
1040
1041       %%% Piu lento %%%
1042       R2.*21
1043       R1. r2 \ind #"Crécelle" hh4:32\mf r4 | R1. r4 hh2:32\> hh4\! | R1.
1044       r4 r8 r16 \ind #"Tambour" \ind #"(bag. fagot)" sn sn4-> r |
1045       R1. R1 R1. R1 sn4-> r r2 r4 r8 sn16\< sn |
1046       sn4->\! r r2 r4 r8 \t {sn16\< sn sn} |
1047       sn4->\! r r2 r8 sn16\< sn sn8 sn |
1048       sn4->\! r r2 r8 sn sn sn | sn--\> sn sn4\! r1 |
1049       sn4-> r8 \t {sn16\< sn sn} sn4\f r | R1. R1 R1.
1050       sn32-> sn8.. r4 r r8 r16 sn |
1051       sn4-> r r2 r4 sn16\< sn sn sn |
1052       sn4->\! r r2 r4 sn8\< sn |
1053       sn4->\! r r2 r8 sn16 sn sn4-> |
1054       sn4-> r r2 r8 sn\< sn sn | sn\> sn sn4\! r sn\> sn sn |
1055       sn4\! r8 r16 sn sn4-> r |
1056       r2 r4 sn-> sn-> r |
1057       r2 \ind #"Crécelle" hh4:32\mf hh4-- |
1058     }
1059   }
1060   \new Staff { \Timbales
1061     \relative {
1062       \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
1063       R2-\fermataMarkup
1064       R1 R2. R1*2 R1. R1*2 R1. R1*2
1065
1066       %%% Agitato %%%
1067       R2.*8
1068       re,4\p r re4:32\< re4->\! r2 |
1069       re8-. re-. re-. re-. re4:32--\< re4->\! r2 |
1070       re8-. re-. re-. re-. re4:32--\< re4->\! r2 |
1071       mib4-.->\p r2 R2.*4
1072       mi32->\f mi8.. r2 mi4-> r2 |
1073       r8 sib32-> sib16. r8 mi-- r sib-. |
1074       mi8-> \t {mi16\< mi mi} mi4\! r |
1075       r8 sib4-- mi-- sib8-. | mi4-> mi32-> mi8.. sib8-. mi-> |
1076       R2. re2.:32\mf\<\glissando |
1077       dod4\sfz r r r8 r16 sol32\f sol | sol4-> r2 |
1078       dod8->\> \t {dod16 dod dod} dod8 \t {dod16 dod dod} dod4--\! r |
1079       r8 sol4--\mf dod-- sol8-. | dod8-> \t {dod16 dod dod} dod4-. |
1080       r8 sol4-- dod-- sol8-. | \tt {dod16\> dod dod dod dod} dod4-. |
1081       r8 dod-.\! r2 | r8 dod4--\> sol8-. | dod--\mp \t {dod16 dod dod} dod4-. r |
1082
1083       %%% Placando assai %%%
1084       dod2--\p r4 dod | sol2:32~\> sol4\! r |
1085       dod2-- r4 dod | sol2:32~\> sol4\! r |
1086       R1 R2 R2. R1
1087
1088       %%% Andante a piacere %%%
1089       fa1:32~--\pp fa2 dod'-- |
1090       fa,1:32~-- fa2 dod'-- |
1091       fa,1:32~-- fa2 dod'-- | fa, r r dod'-- |
1092       sol2~\mp sol2:32~\< sol8\! dod4-- sol-- dod8-. |
1093       sol2~-> sol2:32~\< sol8\! \t {dod16 dod dod} dod8-. sol~-> sol16. sol32 sol8-. |
1094       dod8-> r r4 r2 |
1095       sol1:32~\ppp sol:~sol2.:32~sol4 |
1096       r8 sol \t {sol sol sol} sol2:32~sol1:32~sol2 r |
1097       R2*3 R2.*6
1098
1099       %%% A tempo %%%
1100       r16 do32\f do do8 r8 fad,4\< do' fad,8-. |
1101       r16 do'32 do do8->\! r4 \tt {r16 do\< do fad, do'} \t {fad,8-- do'-- fad,--} |
1102       do'8--->\! \t {do16 do do} do4-> r2 |
1103       R1 R2. R1 R2. R1 R2. R1
1104
1105       \longHairpins {
1106       r2 fad,4:32\mp\<\glissando sol4--\! r r2 |
1107       sol32-> sol8.. r4 r8 \t {dod16\< dod dod\>} dod4\! |
1108       \t {sol16->\> sol sol} sol8\!\laissezVibrer r2 |
1109       sol4\mf sol2:32\<\glissando fa4\f r2 |
1110       fa4---> r8 r16 fa fa4-> r |
1111       fa--\mf r r dod'4:32\<\glissando re4\f r2 |
1112       r16 r32 re re4-> |
1113       sold,8->\> \t {sold16 sold sold} sold4\! r8 sold-. |
1114       r4 sold32-> sold16. | re'32-> re re8. r4 |
1115       r16 r32 re re4-> |
1116       la8->\> la32 la16.\! r4 | R2
1117       mib'4-- mib r4 r8 |
1118       si4-- r R2 |
1119       r8 r16 fa32\mf fa fa4-> | R4.
1120       fa4--\p fa8\< fa \t {fa fa fa} \tt {fa16 fa fa fa fa} |
1121       R2\! R4.
1122       re'2.:32\pp\< re4\f r8 r16 re32 re re4-> r |
1123       re16-> re re8 r4 re-- r r re\> re re |
1124       re8\mp re16 re re4-> re re8 \t {re16 re re} |
1125       re4-> r r re8\< re16 re re4->\! r r re8\< re16 re |
1126       re4->\! r r re re-> r r re re-> r r2 | R1*3 }
1127       R2  R2.*2 R2 R1
1128       R2.*21
1129       R1. R1 R1. R1 R1. R1 R1. R1 R1. R1 R1.*5
1130       R1 R1. R1 R1. R1 R1.*5 R1 R1. R1
1131     }
1132   }
1133 >>
1134
1135
1136 EntractePercus = <<
1137   \new Staff { \Marimba
1138     \relative {
1139       R2*9
1140       R1*38 R2. R1
1141       R1*2 R2.*2 R2 R1 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2
1142       R1*14
1143       R2.-\fermataMarkup
1144       r8 <red fad>\p r <red fad> r <red fad>
1145       r <red fad> r <red fad> r <red fad>
1146       r <red fad> r <red fad> r <red fad>
1147       r <red fad> r <red fad> r4 | R2
1148       r8 <red fad> r <red fad> r <red fad> |
1149       r4 r8 <red fad> r <red fad> r <red fad> |
1150       r4 r8 <red fad> r <red fad> R2
1151       r8 \pl <mi, sol>\psempre <red' fad> r \pl <mi, sol> <red' fad>
1152       r \pl <mi, sol> <red' fad>  r \pl <mi, sol> <red' fad> |
1153       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1154       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1155       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1156       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1157       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1158       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1159       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1160       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1161       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1162       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1163       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1164       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1165       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1166       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1167       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1168       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1169       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1170       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1171       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1172       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1173       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1174       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1175       R2.-\fermataMarkup R2.*14
1176       R1 R2 R1 R2 R1 R2 R1 R2.
1177       R1.*18 R1*2 R2. R2
1178     }
1179   }
1180   \new DrumStaff { \Percus
1181     \drummode {
1182       R2*9
1183       R1*14
1184       r4 \ind #"Tambour (bag. de timbale, sur le manche)"
1185       sn\mp r sn | r sn8\> sn16 sn sn4\! r |
1186       R1*9
1187       sn32->\mp sn sn8. r4 r8 sn\< \t {sn sn sn} sn4--\! r r2 |
1188       R1*11 R2. R1
1189       R1*2 R2.*2 R2 R1 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2
1190       R1*14
1191       \ind #"Crécelle" hh4:32\>\fermata~ hh4\! r\fermata |
1192       R2.*4 R2 R2. R1 R2. hh8:32 r8 r4 | R1*5 R1.*4 R1
1193       hh4:32~\> hh4\! r\fermata R2.*8 hh4:32-- r2\fermata |
1194       R2.*4 R2.-\fermataMarkup R1 R2 R1 R2 R1 R2 R1 R2.
1195       R1.*18 R1*2 R2. R2
1196     }
1197   }
1198   \new Staff { \Timbales
1199     \relative{
1200       R2*9 |
1201       re,4\mf re-> r re-> r re-> r2 | R1*5
1202       re4 re-> r re-> r re-> r2 | R1*7
1203       re4 re r re r re r2 | R1*3
1204       re4 re-> r re-> r re-> r2 | R1*5
1205       re8.\mf re32 re re4-> r re32-> re8.. |
1206       r4 re-> r re8-> re re4-> r r2 | R1*6
1207       re8.-> re32 re re4-> r re-> r8 re16 re re4-> r |
1208       r8 re16 re re8-> re\< \t {re re re} re->\! re32\< re re re |
1209
1210       %%% Fugato %%%
1211       red4->\ff mi,-> r mi-> r8 mi\< \t {mi mi mi} mi4->\! r |
1212       r8 mi\mf\< \t {mi mi mi} mi4\! | R2. r4 \tt {mi16\mp\< mi mi mi mi} |
1213       mi4\! r r8 mi\< \t {mi mi mi} mi4\! r2 |
1214       r8 mi\p\< \t {mi mi mi} mi4\! mi-- r r2 |
1215       mi8\< mi \t {mi\> mi mi} mi4\! r |
1216       mi-- mi-- r mi8\< mi \t {mi\> mi mi} mi4\! |
1217       r mi-- mi-- r mi8\< mi \t {mi\> mi mi} mi4\! r |
1218       mi-- mi-- mi-- mi\< mi8 mi \t {mi mi mi} mi2:8\mp mi: mi: mi: |
1219       mi: mi4: mi2: mi4:
1220       \t {fa8 fa fa} \t {fa fa fa} \t {fa fa fa} \t {fa fa fa} |
1221       \t {fad fad fad} \t {fad fad fad} \t {fad fad fad} \t {fad fad fad} |
1222       \t {sol\mp sol sol} \t {sol sol sol} \t {sol sol sol} |
1223       \t {sol\< sol sol} \t {sol sol sol} \t {sol sol sol} |
1224       sold16\mf sold sold sold sold4 sold16-> sold sold sold sold8 \t {re'16\< re re} |
1225
1226       %%% Stretto %%%
1227       re4\f re32-> re8.. r8 r16 re32 re re4-> |
1228       r8 re\< \t {re re re} re4\! r8 re |
1229       re4-> r r2 R1*10
1230       %%% Noir %%%
1231       R2.-\fermataMarkup R2.*4 R2 R2. R1 R2. R2
1232       R1*5 R1.*4 R1 R2.-\fermataMarkup R2.*8 R2.-\fermataMarkup
1233
1234       %%% Poco più %%%
1235       R2.*4 R2.-\fermataMarkup
1236
1237       %%% Andantino %%%
1238       la4--\pp la4:32~\> la4\! r mi-- r |
1239       la4-- la4:32~\> la4\! r mi-- r |
1240       la4-- la4:32~\> la4\! r mi-- r |
1241       la4-- la4:32~\> la4\! r R2. |
1242
1243       %%% Largo non troppo %%%
1244       la4\p\< \ttt {la16 la la la la la} la4--\! la-- la2-- |
1245       \simile la4 \ttt {la16 la la la la la} la4 la la2 |
1246       la4 \ttt {la16 la la la la la} la4 la la2 |
1247       la la r |
1248       la4 \ttt {la16 la la la la la} la4 la la2 |
1249       la4 \ttt {la16 la la la la la} la4 la la2 |
1250       la4 \ttt {la16 la la la la la} la4 la la2 |
1251       la4 \t {la8 la la} la2 r |
1252       la4\mp\< \ttt {la16 la la la la la} la4--\! \ttt {la16\< la la la la la} la4->\! la |
1253       \simile la4 \ttt {la16 la la la la la} la4 \ttt {la16 la la la la la} la4 la |
1254       la4 \ttt {la16 la la la la la} la4 \ttt {la16 la la la la la} la4 la |
1255       la4 \ttt {la16 la la la la la} la4 \ttt {la16 la la la la la} la8 la la la |
1256       la4 \ttt {la16 la la la la la} la4 la la2 |
1257       la4 r8 \t {la16 la la} la4 la la2 |
1258       la4\> la8 la la4 la la2\! |
1259       la8\p\< la \t {la la la} la\! la \t {la\< la la} la4--\! la |
1260       la8\< la \t {la la la} la4--\! la16\< la la la la8 la \ttt {la16 la la la la la} |
1261       mi4--\f\< \ttt {mi16 mi mi mi mi mi} mi4-- mi--\! mi2-> |
1262       mi4-- \ttt {mi16\< mi mi mi mi mi} mi2->\! |
1263       r mi4--\ff mi-- r8 mi~ mi2:32\< mi4\sffz r |
1264     }
1265   }
1266 >>
1267
1268 ActeDeuxSceneUnPercus = <<
1269   \new Staff \relative {\Vibraphone
1270     R2.*4 R2 R2.*2 R2
1271     \st {mi,8\mp(\sustainOn do' sol' mib'\> lab si\laissezVibrer\!)} R2.*2
1272     \sustainOff R2 R2. R2 R2.*2 R2
1273     \st {mi,,,8(\sustainOn si' do sol'\> lab mib'\laissezVibrer\!)} R2.*2
1274     \sustainOff R2 R2. R2 R2.*2 R2
1275     <re la'>4--\p\sustainOn mi,-- <re la'>-- |
1276     \t {mi,8( <re' la'> mi)} \t {<re' la'>( mi, <re la'>)}
1277     \t {mi,\<( <re' la'> mi} <re'la'>2*3/2\!)\laissezVibrer R2 \sustainOff
1278     R2.*2 R1 R2. R1 R2. R2 R2. R1
1279
1280     %%% Andantino %%%
1281
1282     %%FIXME: complete. As soon as I have *nothing* else to do.
1283   }
1284   \new PianoStaff {
1285     \PercuDeuxMains
1286     \relative { \GrandMarimba
1287       R2.*4 R2 R2.*2 R2 R2.*3 R2 |
1288       R2. R2 R2.*2 R2 R2.*3 R2 |
1289       R2. R2 R2.*2 R2 R2.*3 R2 |
1290       R2.*2 R1 R2. R1 R2. R2 R2. R1
1291
1292       %%% Andantino %%%
1293       r4 \det {<re mi> r <re mi>} |
1294       r \simile <re mi> r <re mi> |
1295       r <re mi> r |
1296       r <re mi> r |
1297       <re mi> r <re mi> |
1298       r <re mi> r | <re mi> r |
1299       r <re mi> r |
1300       r <re mi> r |
1301       <re mi> r <re mi> |
1302       r <re mi> r |
1303       <re mi> r <re mi> |
1304       r <re mi> r <re mi> |
1305       r <re mi> r |
1306       r <re mi> |
1307       r <mi sold> r |
1308       <mi sold> r <mi sold> r |
1309       <mi sold> r <mi sold> |
1310       r <mi sold> r <mi sold> |
1311       r <mi sold> r |
1312       <mi sold> r <mi sold> r |
1313       s2. R1 R2. R1 R2. R1 R2.
1314       R1 R2. R1 R2. R1 R2. R1
1315       R2. R1
1316       <re mi>4\pp r <re mi> |
1317       r <re mi> r <re mi> |
1318       r <re mi> r |
1319       <re mi> r <re mi> r |
1320       r <re mi> r |
1321       <re mi> r <re mi> r |
1322       r <re mi> r |
1323       <re mi> r <re mi> r |
1324       s2. s1 s2.
1325       s1 s2. s1
1326       s4 <re mi> r |
1327       r <re mi> r <re mi> |
1328       s2. s1 s2. s1 s2.*7 R2.
1329       s4 <do re> r <do re> r <do re> |
1330       R1 s4 <do re> r |
1331       R1 R2. R1
1332       r4\mp <mib solb> <mib solb> |
1333       r <do fa> <do fa> r |
1334       r <mib solb> <mib solb> |
1335       r <do fa>\> r <do fa> |
1336       r <do fa>\pp r | R1
1337       R2. R1 R2. R2 R1 R2. R1 R2. R1 R2. R1
1338     }
1339     \relative {
1340       R2.*4 R2 R2.*2 R2 R2.*3 R2 |
1341       R2. R2 R2.*2 R2 R2.*3 R2 |
1342       R2. R2 R2.*2 R2 R2.*3 R2 |
1343       R2.*2 R1 R2. R1 R2. R2 R2. R1
1344
1345       %%% Andantino %%%
1346       sib,2*2\p\laissezVibrer R1
1347       r4 sib r | mi,2*3/2\laissezVibrer R2.*2 R2
1348       r4 sib' r | mi,2*3/2\laissezVibrer R2.*3 R1 R2. r4 do' |
1349       fad,\mp <la're> r | <la re> r <la re> r |
1350       <la re> r <la re> | r <la re> r <la re> |
1351       fad, <la're> r | <la re> r <la re> r |
1352       sib,8( sib') fa( fa,) mi'( do) | sib2:32--~\> sib4\! r |
1353       fad2.:32--~\p\> fad4\! r r2 | sib4 r2 |
1354       fad2:32--~ fad4 r | R2.
1355       R1 R2. R1 R2. R1 R2. R1
1356       fad2.:32--~\mp\> fad4\! r r2 |
1357       <sold'la>4-- r <sold la>-- |
1358       mi--\p <sold la> si,-- <sold'la> |
1359       fad,-- <sold'la> r |
1360       <sold la> sol-- <sold la> do,-- |
1361       fa,!-- <sold'la> r |
1362       <sold la> mi-- <sold la> si,-- |
1363       fad-- <sold'la> r |
1364       <sold la> r <sold la> r |
1365       do,8\p( la' \droite <re sol>) \gauche
1366       do,\<( la' \droite <re sol>) | <fad do'>\!( <re sol>) \gauche
1367       do,( la' \droite <re sol>) \gauche
1368       do,( la' \droite <do re>) \gauche |
1369       do,\>( fad si \droite mi) \gauche
1370       do,( fad) | do\!( sol' \droite re' <mi la>) \gauche
1371       si( \droite <mi la>) \gauche fad,( \droite <si mi>) \gauche |
1372       dod,\<( la' \droite <la're>) \gauche
1373       dod,,( la' \droite <si'mi>) |
1374       fad\!( <la re>) \gauche dod,,( si' \droite <mi la>) \gauche
1375       dod,\>( si' \droite <mi la>) \gauche |
1376       do,(\! la') s4 r4 | la4 r la r |
1377       fad8--\mf( la \droite <do re> \gauche la \droite <do re> \gauche la) |
1378       fa--( lab \droite <do re> \gauche lab \droite <do re>4) \gauche r |
1379       fad,8--( la\droite <do re> \gauche la \droite <do re> \gauche la) |
1380       fa--( lab \droite <do re> \gauche lab \droite <do re>4) \gauche r |
1381       <fad,,fad'>8--( la' \droite <do re> \gauche la \droite <do re>4) \gauche |
1382       sol,8--\<( re' \droite <do'fa>) \gauche sol,( re' \droite <fa' sib>) \gauche |
1383       re,( do' \droite <sib'mib>) \gauche re,( \droite <mib' lab>4\f) \gauche |
1384       sib,,8\mf( la' \droite <do fa> \gauche la \droite <do fa> \gauche la) |
1385       si,( lab' \droite <si mi> \gauche lab \droite <si mi>4) \gauche |
1386       sib,8( la' \droite <do fa> \gauche la \droite <do fa> \gauche la) |
1387       si,( lab' \droite <si mi> \gauche lab \droite <si mi>4) \gauche |
1388       R2.
1389       mib,8\f( la) s4 r8 la-. s4 r8 mib-. s4 | r2 r4 <la si>--\mf |
1390       mib-- s r |
1391       re--\p <si'dod> r <si dod> |
1392       re,-- <sib'do> r | R1
1393       lab2*3/2\laissezVibrer la\laissezVibrer r4 |
1394       lab2*3/2\laissezVibrer <sol, sol'>2\laissezVibrer r | R2. R1
1395       R2. R1 R2. R2 R1 R2. R1 R2. R1 R2. R1
1396     }
1397   }
1398 >>
1399
1400
1401 ActeDeuxSceneUnBisPercus = <<
1402   \new Staff { \Marimba
1403     \relative {
1404       r8 <mi sold>\p r <mi sold> r <mi sold> r4 |
1405       r8 <mi sol> r <mi sol> r4 |
1406       R2-\markup "Allez au Vibraphone" \Vibraphone
1407       <mi sol>1*5/4\p\laissezVibrer R1*5/4*43 R1*5/4-\fermataMarkup
1408       R1*5/4*32
1409
1410       %%% Moderato assai %%%
1411       \ind #"bag. douces"
1412       <do si'>1*7/4\pp\laissezVibrer s1*7/4
1413       <do si'>1 <si do'>2. <do si'>\> <si do'>1\!\laissezVibrer
1414       s1*7/4 <do si'>2 <si do'>2. <do si'>2 |
1415       <si do'>2. <sib dod'>1\> <la re'>2.\!\laissezVibrer s1 R2. R2 |
1416       <si do'>2.\pp\laissezVibrer r4 <do si'>2\laissezVibrer r2 <si do'>4\laissezVibrer |
1417       s2. <do si'>2.\laissezVibrer r4 <si do'>2\laissezVibrer s2. R2. |
1418       <sib dod'>2. | <la re'>1*7/4\laissezVibrer R1*7/4*2
1419       R2.*7 R1*7/4*4 \repeat volta 2 R1*7/4*3
1420       R1*7/4*2-\markup "Allez au Marimba" \Marimba \clef bass |
1421
1422       %%% Presto subito %%%
1423       \tt {fa,8->\f( mib' solb) do,( mib)} \tt {fa,->( mib' solb) do,( mib)}
1424       \tt {lab,->( mib' solb) do,( mib)} | \tt {fa,->( mib' solb) do,( mib)}
1425       \tt {lab,->( mib' solb) do,( solb')} \tt {do,->( sib' reb) solb,( sib)} |
1426       \tt {do,->( sib' reb) solb,( sib)} \tt {mib,->( sib' reb) solb,( sib)}
1427       \tt {do,->( sib' reb) solb,( reb')} | \tt {fad,->( mi' sol) dod,( mi)}
1428       \tt {red,->( mi' sol) dod,( mi)} \tt {fad,->( mi' sol) sib,( sol')} \clef treble |
1429       \tt {mi->\<( re' fa) sol,( lab')} \tt {mi,->( fa' lab) mi,( fa')} \clef bass
1430       \tt {fad,,->( mi' sol) red,( mi')} |
1431
1432       %%% Tempo giusto %%%
1433       re,,4\! r2 R2.*6 R2*2 R2.*4 R2 R4.
1434       R2*3 R4. R2. R2 R4. R2. R1*5/8 R2 R4. R2.*15 R2 R4. R2 R1*5/8 R2.
1435
1436       %%% Tempo I %%%
1437       R1 R1*5/4*3 R1*5/4-\fermataMarkup
1438       R1*5/4-\markup "Allez au Vibraphone" \Vibraphone
1439       <do'' si'>2.\pp <si do'>2 <do si'> <si do'>2.\laissezVibrer R1*5/4*2
1440       <do si'>2. <si do'>2 <do si'> <si do'>2.\laissezVibrer R1*5/4*14
1441     }
1442   }
1443   \new DrumStaff { \Percus
1444     \drummode {
1445       \set  drumStyleTable = #drums-style
1446       R1 R2. R2 R1*5/4*2
1447       \ind #"Tambour (au centre et sur le tour)" <sn hh>4\mp sn sn8 hh sn4 sn |
1448       \plperc sn4 hh sn sn8 hh sn4 sn |
1449       \plperc sn4 hh sn sn8 hh sn4 sn |
1450       \plperc sn4 hh sn sn8 hh sn4 sn |
1451       \plperc sn4 hh sn sn8 hh sn4 sn |
1452       \plperc sn4 hh sn sn8 hh sn4 sn |
1453       \plperc sn4 hh sn sn8 hh sn4 sn |
1454       \plperc sn4 hh sn sn8 hh sn4 sn |
1455       \plperc sn4 hh sn sn8 hh sn4 sn |
1456       \plperc {\ind #"senza cresc." sn4} hh sn sn8 hh sn8 sn sn sn |
1457       \plperc sn4 hh r2 r4 sn |
1458       \plperc sn4 hh sn r sn sn |
1459       \plperc sn4 hh hh hh hh hh |
1460       \plperc sn4 hh-> r2 r4 \t {sn8 sn sn} |
1461       sn4-> r2 r4 \t {sn8 sn sn} |
1462       sn4-> r r8 sn r sn\< sn sn |
1463       \plperc sn4\mp hh hh hh8 sn hh4 hh |
1464       \plperc sn4 hh hh hh8 sn hh4 hh |
1465       \plperc sn4 hh hh hh8 sn hh4 hh8 sn16 sn |
1466       hh4-> r r8 sn16 sn hh4-> r8 sn16 sn |
1467       hh4-> r8 sn16 sn hh4-> r r8 sn16 sn |
1468       hh-> sn sn sn sn sn sn sn sn sn hh-> sn sn\< sn sn sn sn sn sn sn |
1469       hh4->\! r1 | R1*5/4*3
1470       sn8->\pp sn sn sn sn sn sn sn sn sn |
1471       hh-> sn sn sn sn sn sn sn sn sn |
1472       hh-> sn sn sn sn hh-> sn sn sn sn |
1473       \simile hh sn sn sn sn sn sn sn sn sn |
1474       hh sn sn sn sn sn sn sn sn sn |
1475       hh sn sn sn sn hh sn sn sn sn |
1476       hh sn sn sn sn hh sn sn sn sn |
1477       hh sn sn sn sn hh sn sn sn sn |
1478       hh sn sn sn sn sn sn sn sn sn |
1479       hh\< sn sn sn sn sn sn sn sn sn |
1480       hh4\f r r8 sn16 sn hh4 r8 sn16 sn |
1481       hh4 r8 sn16 sn hh4 r r8 sn16 sn |
1482       hh sn sn sn sn sn sn sn sn sn hh sn sn sn sn sn sn sn sn sn |
1483       hh4 r1 | R1*5/4
1484
1485       %%% Boum %%%
1486       \ind #"Tam-Tam" cb2\laissezVibrer r2 r4 | R1*5/4-\fermataMarkup |
1487       R1*5/4*13 \ind #"Tam-Tam" cb4\f\laissezVibrer r1 R1*5/4 |
1488       cb4\laissezVibrer r1 R1*5/4 |
1489       r4 cb\< \t {cb8 cb cb} cb4\!\laissezVibrer r |
1490       cb4->\laissezVibrer r1 R1*5/4 |
1491       r4 cb\< \t {cb8 cb cb} cb4\!\laissezVibrer r |
1492       cb4->\laissezVibrer r1 |
1493       r4 cb8\< cb cb2 cb8 cb |
1494       cb4->\!\laissezVibrer r1 | r4 \det {cb\mf cb cb cb} |
1495       cb8\< cb cb cb cb cb cb cb \t {cb cb cb} |
1496       cb4->\!\laissezVibrer r1 | R1*5/4*5
1497
1498       %%% Moderato assai %%%
1499       R1*7/4*7 R2. R1 R2. R2
1500       R2.*9 R1*7/4*3 R2.*7 R1*7/4*4
1501       \repeat volta 2 R1*7/4*3 R1*7/4*2
1502
1503       %%% Presto subito %%%
1504       R1.*5
1505
1506       %%% Tempo giusto %%%
1507       R2.*7 R2*2 R2.*4 R2 R4. R2*2
1508       \longHairpins {
1509       r4 \ind #"Cymb." hh4:32~\< hh4.:32~\> hh4\! r2 |
1510       r4 hh4:32~\< hh4.:32~\> hh4\! r2 | R1*5/8
1511       r4 hh-- r8 hh4-- | R2.*4
1512       r4 \ind #"sur le bord" hh2:32~\pp\> hh4\! r2 |
1513       r4 hh2:32~\> hh4\! r2 | r4 hh2:32~\> hh4\! r2 |
1514       r4 hh4:32~\> hh4\! | r hh4:32~\> hh4\! R2.
1515       r8 hh32\> hh hh hh hh2\! R2.-\markup \indic "étouffer"
1516       R2 R4. R2 R1*5/8 R2. }
1517
1518       %%% Tempo I %%%
1519       r2 r4 \ind #"Tambour" sn16\< sn sn sn |
1520       hh4->\! r r8 sn16 sn hh4-> r8 sn16 sn |
1521       hh4-> r8 sn16 sn hh4-> r r8 sn16 sn |
1522       hh4-> r1 | \ind #"Tam-Tam" cb2->\f\laissezVibrer r2 r4\fermata |
1523       R1*5/4*21
1524     }
1525   }
1526   \new Staff { \Timbales
1527     \relative {
1528       R1 R2. R2 R1*5/4*44 R1*5/4-\fermataMarkup
1529
1530       %%% Boum %%%
1531       R1*5/4*32
1532
1533       %%% Moderato assai %%%
1534       R1*7/4*7 R2. R1 R2. R2
1535       R2.*9 R1*7/4*3 R2.*7 R1*7/4*4
1536       \repeat volta 2 R1*7/4*3 R1*7/4*2
1537
1538       %%% Presto subito %%%
1539       R1.*5
1540
1541       %%% Tempo giusto %%%
1542       R2.*7 R2*2 R2.*4 R2 R4. R2 r4 r8 \t {mib,16\< mib mib} |
1543       mib4\sfz r R4. r2 r8 \t {mib16\< mib mib} |
1544       mib4\sfz r R4. r2 r8 \t {mib16 mib mib} |
1545       mib4 mib8 mib mib |
1546       la,4-> r la4-> \t {la16\< la la} |
1547       la4\ff r8 la32-> la16. r4 |
1548       \det {la la la} sold4-> r16 sold32 sold sold8-> r4 |
1549       \det {sold\> sold sold |
1550       sol4\mp r2 | R2. sol4 r2 R2. sol4} r2 r2 r8 sol16\< sol |
1551       sol4\! r r8 \t {sol16\< sol sol} |
1552       sol4\! r2 r4 sol2:32\<\glissando sold2.\psubito\laissezVibrer
1553       R2. R2 R4. R2 R1*5/8 R2.
1554
1555       %%% Tempo I %%%
1556       R1 R1*5/4*3 R1*5/4-\fermataMarkup |
1557       R1*5/4*21
1558     }
1559   }
1560 >>
1561
1562 ActeDeuxSceneDeuxPercus = <<
1563   \new Staff { \Marimba
1564     \relative {
1565       sold'4\p( <mi sold> <fa la>) r r2 |
1566       sold4( <mi sold> <fa la>) r r2 |
1567       R1.
1568       <mi sold>4( <mi sold> <fa la>) r sold-- r |
1569       la-- r r1 | R1.-\markup "Allez au Vibraphone" \Vibraphone
1570       R1*2 R2.*5 R1.*3 R1*2
1571       R2. R1 R4. R1*6 R2. R1. R1
1572       r2 r4 \pl {la\pp fa'\laissezVibrer} {do\glissando do'\laissezVibrer}
1573       \ind #"senza Ped." r2 |
1574       do4 r \pl {la,\> fa'\!\laissezVibrer} {do\glissando do'\laissezVibrer} r2 |
1575       \det {re,4 do' | r si r | mi,,,\laissezVibrer mi'\laissezVibrer mi'\laissezVibrer} |
1576       r2 r8 \hideNote sol8\glissando do4*1/2 \hideNote mi,8\glissando la4 | R4.
1577       R1*5 R2*6 R1 R2. R1. R1 R1.*2 R2. R1
1578
1579       la,2.\p\laissezVibrer \sustainOn r8 sol4.\laissezVibrer r2 |
1580       fa2.\laissezVibrer r8 mi4.\laissezVibrer r2 | fa4 mi fa |
1581       sol la2.\laissezVibrer R2.
1582       R1 <la, la'>2.\laissezVibrer R1 <sib la'>2.\laissezVibrer
1583       <mib la>1\laissezVibrer <sold la>2.\laissezVibrer R1
1584       <la, la'>2.\laissezVibrer R1 R2. R1 R2. R1 R2.
1585       R2*3 R2. R1*3
1586       R1*5/8*14 R1*9 R2. R2 R1*2
1587       la'4\pp sol fa mi2 r4 |
1588       <solb, la! fa' lab>2.--\laissezVibrer R2.*4
1589
1590       R2*2 R2.*2 R2*25
1591       <la' la'>2.\p\laissezVibrer \sustainOn R2.*6
1592       \pl {<fa do'>4--\pp do'-- fa,-- <fa do'>2*3/2--}
1593       {la'8( sol) fa( mi) fa16( mi fa sol) la8( mi8*5)\laissezVibrer }|
1594       R2.
1595       \pl {<la, do>4--\pp do-- la-- <la do>2.-- <sol re'>-- <la do>2--}
1596       {la'8( sol) fa( mi) fa16( mi fa sol) la8( sol) fa( mi) fa16( mi fa sol)
1597       sib8( sol) fa( mi) fa16( mi fa sol) la8( mi8*3) } r4 | R2.*2
1598     }
1599   }
1600   \new DrumStaff { \Percus
1601     \drummode {
1602       R1.*6 R1*2 R2.*5
1603       \longHairpins {
1604       r1 \ind #"Crécelle" hh2:32~\mf\> hh4\! r r1 R1. R1*2
1605       R2. R1 R4.
1606       R1*5 r4 \ind #"Crécelle" hh2.:32-- R2. R1. R1*2
1607       R2.*3 R2 R2.*3 R2 R4. R1*5 R2*6 R1
1608       r4 \ind #"Crécelle" hh2:32 R1. R1 R1.*2 R2.
1609       r2 hh4:32 hh4 |
1610       }
1611       R2. R1 R2. R1 R2. R1 R2. R1 R2. R1 R2. R1 R2. R1
1612       R2. R1 R2. R1 R2. R1 R2.
1613
1614       R2*2 R2 R2. R1*3
1615       r4 \ind #"Tambour" \ind #"(bag. fagot)"  sn8\mf sn sn sn4-> r8 sn sn |
1616       sn4-> sn8 sn sn sn4-> r8 sn sn | sn4-> sn8\< sn16 sn sn sn |
1617       \acc {sn4\! sn} r16 sn32 sn | sn4-> r r8 |
1618       sn4-> r8 sn sn | sn4-> sn8 sn sn | sn4-> sn r16 sn32 sn | sn4-> r r8 |
1619       sn sn sn4 r8 | r sn\< sn sn sn | sn4->\! r r8 |
1620       R1 r2 r4 r8 \t {sn16\< sn sn} | sn4->\! r r2 |
1621       R1*6 R2. R2 R1*2 R2.*7
1622
1623       R2*2 R2.*2 R2*25 R2.*16
1624     }
1625   }
1626   \new Staff { \Timbales
1627     \relative {
1628       R1.*6 R1*2 r2 r8 r16 re,32\< re |
1629       re4\mf re8---. re---. r \t {re16\< re re} |
1630       re8\! re re16-> re-> r8 re32 re re8.-> |
1631       re16 re re re re8 \t {re16 re re} re8 re |
1632       sold,8. re'16 r sold, re'8 r16 re8 sold,16 |
1633       re'2:32~ re4 r r2 | R1.*2 R1*2
1634       r2 r8 \t {si16\< si si} |
1635       si4\mf si8 si32-> si16. r16 si si si r8 \t {si16\< si si} |
1636       sold4->\! r8 | si4--\mp r r8 sold r4 | si4 r r2 |
1637       si4\p r8 si r si r4 | si32-> si8.. r8 si r si r r16 si32 si |
1638       \cresc si4-> r8 si-- r si-- r4 | si-> r8 si-- r si-- r4 |
1639       sold2.:32~\fp\> sold4\! r r1 |
1640       R1*2 R2.*3 R2 R2.*3 R2 R4.
1641
1642       mi4->\f r r \st {mi'8\mf mi16.} mi,32 |
1643       mi4-> r r mi'16.\< mi32 mi8 |
1644       mi,4->\! r8 mi-> r mi-> mi'\< mi16. mi,32 |
1645       mi4->\! r8 mi-> r mi-> mi'16.\< mi32 mi8 |
1646       mi,4->\! r8 mi r mi mi'16\< mi mi8->\! |
1647       mi,8\psubito mi'16. mi32 mi4 |
1648       mi,8 mi'16. mi32 mi16 mi mi8 |
1649       mi,8 mi'16. mi32 mi4 |
1650       mi,8 mi'16. mi32 mi16 mi mi32 mi mi mi |
1651       mi,8 mi'16. mi32 mi4 |
1652       r4 re | dod1:32~\fp dod4 r2 |
1653       dod4\p r r2 r4 dod | sol1:32 | dod4 r r2 r4 dod |
1654       sol1.:32~ sol4 r2 | R1
1655
1656       R2. R1 R2. R1 R2. R1 R2. R1 R2. R1 R2. R1 R2. R1
1657       R2. R1 R2. R1 R2. R1 r2 r8 r16 \t {la32\< la la} |
1658       la4\f r r r8 \t {la16\< la la} la4\! r r2 r8 \t {la16\< la la} |
1659       la1:32~\fp la:~ la2 r8 la\< \t {la la la} |
1660       la4->\f r r8 | R1*5/8*13 R1*6
1661       mi2:32~\fp mi8 mi\< \t {mi mi mi} |
1662       mi2:32~\fp mi8 mi\< \t {mi mi mi} |
1663       mi2:32~\fp\< mi8 mi \t {mi mi mi} |
1664       mi4->\f r2 | R2 R1*2 R2.*7
1665
1666       R2*2 R2.*2 R2*25 R2.*16
1667     }
1668   }
1669 >>
1670
1671 ActeDeuxSceneTroisPercus = <<
1672   \PercuDeuxMains
1673   \relative { \GrandVibraphone
1674     %%% Larghetto %%%
1675     R4.*3 \ind #"con Ped." dod8\pp sold' la\laissezVibrer
1676     R4.*3 dod,8 sold' la\laissezVibrer |
1677     R4. \gauche fa,8( \droite la mi' | <sold la>4.)\laissezVibrer
1678     R4.*2 \gauche fad,8( \droite fad dod' | <sold' la>4.)\laissezVibrer
1679     R4. <la, mi'>4.--\laissezVibrer
1680     R4.*6 mi'4.\laissezVibrer |
1681     R4.*3 <la, mi'>4.\laissezVibrer
1682     R4. mi'4.\laissezVibrer |
1683     R4.*5 \gauche fa,8( \droite <do' sol'> re |
1684     <mi la>4.)\laissezVibrer |
1685     R4.*3 \gauche do,8( \droite <re' la'>) \gauche sol,( |
1686     \droite <mi' fad>4.)\laissezVibrer R4.*4
1687     si16\pp\< \gauche mi, \droite fad' \gauche mi, \droite dod' \gauche mi, |
1688     \droite sold'\> \gauche fad, \droite red' dod <sold' lad>8\! \laissezVibrer |
1689     s4. R4.*2
1690     R4*27 R4. R4*7
1691     R4.*14 R4*28 R2.-\fermataMarkup R2.
1692     re'2.\p\laissezVibrer R2.
1693     <mib, re'>2.\laissezVibrer R2.
1694     <mib re'>2.\laissezVibrer
1695
1696     %%% Interlude %%%
1697     R2*2 mib'8-.\ppp sib4-- mi,8-. |
1698     si4-- \gauche fa-- \droite |
1699     re'''8-. la4.-- | r8 si fad4-- |
1700     si16( fad sold8) red4-- |
1701     r mib8( sib) %%FIXME: Issue #721
1702     \gauche \t { r8 mib,( sib)} \droite lab'(
1703     \gauche fa,) \droite |
1704     fad''-. dod4-. si'8-. \tt {fad16\<(
1705     \gauche fa,, \droite mib' dod' si')} |
1706     mi4--\p\laissezVibrer r |
1707     mi16\pp\>( si) re( mi,) do'( la,) si'( mib,,) |
1708     fa'8--\! do-- fad,8.-- \gauche fad,16~ |
1709     fad2 fa16( do) si'( fad fa do) dod'( sold |
1710     sol re) \droite sol'( re \gauche dod sold) \droite dod'( sold |
1711     sol re) dod''( sol,) sold'( re) \pl {lad-.\< sid-. dod8-.} {lad'16-. sid-. dod-. sid-.} |
1712     dod4---.\! r4 | R2*15 R2*5/4
1713
1714     %%% Quatuor %%%
1715     R2 R4. R2 R4. R2 R4.*2
1716     R2.*7 R2*2 R2.
1717     R2*2 R2. R2*2 R2.
1718     R2*2 R2. R2*2 R2.
1719     R2 R4. R2 R4.
1720     R2*2 R2. R2*2 R2.
1721     R1 R2. R2
1722
1723     %%% Doppio Tempo %%%
1724     R2*7 R2.*7
1725     R2 R2. R2 R2.
1726     R2 R2. R2 R2.
1727     R2 R2. R2 R2.
1728     R2 R2.
1729
1730     %%% Climax %%%
1731     R2 R4. R2*3 R4.
1732     R2*4 R4.*2 R2. R1
1733
1734     R2.\GrandMarimba R1 R2. R1 R2. R1 R2. R1
1735     R2. R1
1736     \gauche sib,,,8\p( \droite mi') \gauche fa,( \droite sol')
1737     \gauche r sib,,-. | \droite mi'( \gauche fa,) \droite sol'(
1738     \gauche fa,,) \droite r mi''-. \gauche sib,( \droite mi') |
1739     \gauche fad,( \droite la') \gauche si,,( \droite mi' la) \gauche fad,,-. |
1740     \droite r mi''-. la( \gauche si,,) \droite mi'( la) \gauche fad,4-- |
1741     sib,8( \droite mi') \gauche fa,( \droite sol') r4 |
1742     R1 R2. R1 R2. R1 R2. R1
1743     R2. R1 R2. R1 R2.
1744     \gauche sib,,8\p( \droite mi') \gauche fa,( \droite sol') r4 r8 mi( |
1745     sol4) \gauche fa,8( \droite mi') r4 | R1 r2 mi8( sold) |
1746
1747     %%% Soprano 2 %%
1748     <re sib'>4-- r r2 | R2. R1 R2. R1
1749     R2. R1
1750     \gauche sib,8\p( \droite mi') \gauche fa,( \droite sol') \gauche r8 sib,,-. |
1751     \droite mi'( \gauche fa,) \droite sol'( \gauche fa,) r sib, \droite do'( \gauche fa,) |
1752     \droite sol'( \gauche sib,,) \droite sol''( re' la'4) |
1753     \gauche sib,,,8( \droite mi') \gauche fa,( \droite <re'' la'>)
1754     r2 | s2. R1 | R2. R1 R2.
1755     mi,8( sol) r4 r2 | R2. s2 r2 |
1756     r4 r8 mi r4 | R1 R2. R1 R2. R1 R2.
1757
1758     %%% Duo %%%
1759     R1*6 R2*3
1760
1761     %%% Baryton 2 %%%
1762     R2.*11\GrandVibraphone R4.
1763     R2.*14
1764     re''4--\pp re-- re-- re2*3/2--\laissezVibrer |
1765     \gauche r8 sib,,(\< \droite \t {la') solb( fa')} re16( dod'8.) |
1766     re4--\pp re-- re-- re2*3/2--\laissezVibrer |
1767     \gauche r16 lab,,( \droite mib' sib'
1768     \t {dod,8 fad si} \tt {fa16 do' sol' mi la} |
1769     re4--) re-- re-- re2*3/2--\laissezVibrer |
1770     \gauche \t {r8 do,,,\mp( si')~} \t {si \droite la'( fad')~}
1771     fad16 \gauche lab,,( \droite sol' fa') |
1772     re'4-- re-- re-- re2*3/2--\laissezVibrer
1773     \tt {mi,,16(\< sold sol si) dod,(} fa mi') mi,( sold')
1774     \t {sol,8( si sib')\!} |
1775     \pl re,4-> re'-> r |
1776     R2*11 R2. R2*6 R2.*4
1777
1778     %%% Ensemble %%%
1779     R1 r4 mi,,--( sold-- la-- sib1--) R1*3
1780     \gauche r8 mi,,(\pdolce si' do \droite sol' lab
1781     mib' si | sib'4) r8 <sib, si'!>--~
1782     \t {<sib si'>4 si,!(\> sib'} lab'1)\pp
1783     s1 R1 r2 s2 <la,! lab'>1->-- |
1784     r4 la8( sold) do4-. la-. | sold'---. r r
1785     \pl {<mi, la>-.-- <re si'>-.--} {<re' sol>-.-- <mi sold>-.--} r r2 |
1786     R1 s1*2 re,8( sib' la') re,, sold'-> sold-> la-> re,, |
1787     si' \gauche fa,( mi' \droite re' si'4) \t {do,8( \gauche lab, reb) \droite} |
1788     r2 <si' dod'>4--\mf <dod si'>-- |
1789     <red la'>-- <mi sold>--\< \pl {red red8( dod)} {la'( mi la si)} |
1790     <si, dod'>4-- reb'8( do reb mib fa4--)\! | R2.
1791
1792     %%% Chute %%%
1793     R2.*5 R2*3
1794
1795     %%% Andante al fine %%%
1796     R2.*6 <do,, si'>2.--\p~ <do si'>4. <si do'>--~ <si do'>4 <do si'>2--\laissezVibrer |
1797     R2.*5 <dod si'>2.--\> <do si'>\!\laissezVibrer R2.*24
1798   }
1799   \relative {
1800     %%% Larghetto %%%
1801     R4.*9
1802     s4. R4.*3 s4. R4.*2
1803     fa,!4.--\laissezVibrer R4.*6 |
1804     la4.\laissezVibrer R4.*3 |
1805     fa4.\laissezVibrer R4. |
1806     la4.\laissezVibrer |
1807     R4.*5 s4. R4.*4 s4. R4.*5 s4.*2 R4.*3
1808     R4*27 R4. R4*7
1809     R4.*14 R4*28
1810
1811     R2.*6 mi!2.\laissezVibrer
1812
1813     %%% Interlude %%%
1814     R2*3 s2 r4 si'\laissezVibrer |
1815     r4 r8 fa\laissezVibrer |
1816     r8 r16 si~ si4 fa2\laissezVibrer s2 |
1817     r4 fa4 s | r8 fad4.\laissezVibrer R2 r4 s |
1818     s2*3 R2*5/4
1819     sol4-- r | R2*15 R1*5/8
1820
1821     %%% Quatuor %%%
1822     R2 R4. R2 R4. R2 R4.*2
1823
1824     %%% Baryton 1 %%%
1825     R2.*7 R2*2 R2.
1826     R2*2 R2. R2*2 R2.
1827     R2*2 R2. R2*2 R2.
1828     R2 R4. R2 R4.
1829     R2*2 R2. R2*2 R2.
1830     R1 R2. R2
1831
1832     %%% Doppio Tempo %%%
1833     R2*7 R2.*7
1834     R2 R2. R2 R2.
1835     R2 R2. R2 R2.
1836     R2 R2. R2 R2.
1837     R2 R2.
1838
1839     %%% Climax %%%
1840     R2 R4. R2*3 R4.
1841     R2*4 R4.*2 R2. R1
1842
1843     %%% Soprano 2 %%%
1844     R2. R1 R2. R1 R2. R1 R2. R1
1845     R2. R1
1846     s2. s1 s2. s1 s2 r4 |
1847     R1 R2. R1 R2. R1 R2. R1 R2. R1 R2. R1 R2.
1848     s2 mi8( do) sib4 r8 sib-. s4 sib8( mi) |
1849     sold,4-- r r2 | r8 sold mi'( sold) s4 |
1850
1851     %%% Soprano 1 %%%
1852     re4-- r r2 | R2. R1 R2. R1
1853     R2. R1
1854     s2. s1 s2. s2 r8 sib( fa'4) |
1855     sib,8( fa' \droite do') \gauche sib,( fa'4) |
1856     r8 sib,-- r4 fa'-- r | sib,-- r2 | R1 R2.
1857     sib4 r r2 | R2.
1858     sib8( \droite sol'') \gauche fa,4-- r2 |
1859     r4 r8 fa r4 | R1
1860     sib,8 fa' sib,4 r | R1 R2. R1 R2.
1861
1862     %%% Duo %%%
1863     R1*6 R2*3
1864
1865     %%% Baryton 2 %%%
1866     R2.*11 R4.
1867     R2.*16
1868     s4 r2 R2.*2
1869     s4 r2 R2.*2
1870     s2. R2. r4 \tt {mi16(\mf sold sol si sib} re4) |
1871     R2.
1872     R2*12 R2. R2*6 R2.*4
1873
1874     %%% Ensemble %%%
1875     \t {r4 fa,(\p la} sold8 do si red)~ red1 R1*4
1876     s1 R1 r4 re,2.-- re4-. sold-. \droite re'-. sold-. \gauche |
1877     re,-. si'-. sold8( fad) re4-. |
1878     dod8( re sold la \t {\droite re4) lab'( \gauche sib,)}|
1879     r2 r8 sol-.\mf si-. sib-. | re4-.-- r r2 | R1*3
1880     re,8\p( la' \droite mi') \gauche re,
1881     \droite sold'-- \gauche re,( la' \droite mi') |
1882     \gauche la,( re \droite sold)
1883     \gauche la, \droite do'-- \gauche la,( re \droite do')\gauche R1 s1
1884     re,,1--\laissezVibrer s1 R1 R2.
1885
1886     %%% Chute %%%
1887     R2.*5 R2*3
1888
1889     %%% Andante al fine %%%
1890     R2.*40
1891
1892   }
1893   \new DrumStaff \drummode {
1894     %%% Larghetto %%%
1895     R4.*51
1896     R4*27 R4. R4*7
1897     R4.*14 R4*7 |
1898     r8 \ind #"Crécelle" hh:32\mf hh4:32\< hh8->\! r |
1899     R4*9 hh8-> r |
1900     R4*8 R2.*7
1901
1902     %%% Interlude %%%
1903     R2*9 R2. R2*6 R1*5/8
1904     R2*16 R1*5/8
1905     R2 R4. R2 R4. R2 R4.*2
1906
1907     %%% Baryton 1 %%%
1908     R2.*7 R2*2 R2.
1909     R2*2 R2. R2*2 R2.
1910     R2*2 R2. R2*2 R2.
1911     R2 R4. R2 R4.
1912     R2*2 R2. R2*2 R2.
1913     R1 R2. R2
1914
1915     %%% Doppio Tempo %%%
1916     R2*7 R2.*7
1917     R2 R2. R2 R2.
1918     R2 R2. R2 R2.
1919     R2 R2. R2 R2.
1920     R2 R2.
1921
1922     %%% Climax %%%
1923     R2 R4.
1924     r8 \ind #"Cymb. susp." hh4.->\laissezVibrer |
1925     R2*2 R4.
1926     r8 hh4.->\laissezVibrer | R2*3
1927     R4.*2 R2. R1
1928
1929     %%% Soprano 2 %%%
1930     R2. R1 R2. R1 R2. R1 R2. R1
1931     R2. R1 R2. R1 R2. R1 R2. R1
1932     R2. R1 R2. R1 R2. R1 R2. R1
1933     R2. R1 R2. R1 R2. R1 R2. R1
1934     R2. R1 R2. R1 R2. R1 R2. R1
1935     R2. R1 R2. R1 R2. R1 R2. R1
1936     R2. R1 R2. R1 R2. R1 R2. R1
1937     R2.
1938
1939     %%% Duo %%%
1940     R1*2 \ind #"Cymb. (sur le bord)" hh1:32~ hh2 r |
1941     hh1:32~ hh2 r | R2*3
1942
1943     %%% Baryton 2 %%%
1944     R2.*11 R4.
1945     R2.*11 \ind #"Tam-tam" cb2-> s4 | R2.*14
1946     R2*2
1947     r8 \ind #"Crécelle" hh-.\f hh4:32-- hh4-> r | R2
1948     r4 hh4:32-- hh4-> r | R2*3
1949     r4 hh8-> hh-> hh4-> r |
1950     R2. R2*6 R2.*4
1951
1952     %%% Ensemble %%%
1953     R1*24 R2.
1954     r2 r8 \ind #"Tam-tam (bag. de timbale)" \t {cb16\< cb cb} |
1955     cb2\f\laissezVibrer s4 R2. \ind #"Cymbale" hh2->\laissezVibrer s4 |
1956     R2. R2*3
1957
1958     %%% Épilogue %%%
1959     R2.*40
1960   }
1961   \new Staff  \relative { \Timbales
1962     %%% Larghetto %%%
1963     R4.*51
1964     R4*27 R4. R4*7
1965     R4.*14 R4*28 R2.*7
1966
1967     %%% Interlude %%%
1968     R2*9 R2. R2*6 R1*5/8 R2*7
1969     sol,16.\p sol32 sol16-> sol-. r sol32 sol sol8-> |
1970     sol16-. sol-. r sol32 sol sol8-> sib16.-- sib32 |
1971     sib16-> sib-. r sib32 sib sib8-> sib16. sib32 |
1972     sib16-> sib32 sib sib8-> sol16. sol32 sol16-> sol-. |
1973     r32 sol sol16-> sol sib-> r32 sib sib16-. sib8-> |
1974     r16 sol32 sol32~ sol8 r16 sol sib8-. |
1975     r16 sib32 sib sib sib sib16-. r dod8.-- |
1976     mi,2:32--->\mf dod'16.-> dod32 dod8-. mi,4:32~---> |
1977     mi8 \t {dod'16 dod dod} dod-. mi,-. r16 dod'\< dod dod |
1978     sol4->\f r R4. R2 R4. R2 R4.*2
1979
1980     %%% Baryton 1 %%%
1981     R2.*7 R2*2 R2.
1982     do8\pp \tt {do32\> do do do do} do4\! | r do-- fad,-- fad-- r |
1983     do'8 \tt {do32\> do do do do} do4--\! | r do-- fad,-- fad-- r |
1984     do'8 \tt {do32\> do do do do} do4--\! | r do-- sol8.\> sol32 sol sol4\! r |
1985     do2:32~\pp do:32~ do4 r2 |
1986     r8 sol r16 dod8 sol16 |
1987     dod8.-- dod16\< \t {dod dod dod} |
1988     sol8--\! sol-- r16 dod8-- sol16-. |
1989     dod8.\< dod16 \t {dod dod dod} | do8\pp do4. |
1990     r8 do-- r16 sol8-- do16-. |
1991     r sol-. do8-- r4 do\< |
1992     dod--\mf r | R2 R2.
1993     r8 re\f\< re16 re \tt {re32 re re re re} re2:32~\> re4\! r2 | R2
1994
1995     %%% Doppio Tempo %%%
1996     R2*2 r4 re\f r re re r r re\> r re |
1997     sold,\p sold r sold sold r sold sold r sold r2 | R2.*3 R2 R2.
1998     R2 R2. R2 R2. R2 R2. R2 R2. R2 R2. R2 R2.
1999     \t {re'4\mf\< re re} re8 re \t {re16 re re} re4->\! r R2 |
2000     \t {re4\< re re} re8 re \t {re16 re re} re4->\! r R2 |
2001     \t {re4\< re re} re8 re re16 re re re |
2002     sold,8->\! \t {sold16 sold sold} sold8 |
2003     \t {sold16 sold sold} sold8-> r16 sold |
2004     sold4-> \t {sold\< sold sold8 sold} |
2005     re'2:32 re:\f\> |
2006
2007     %%% Soprano 2 %%%
2008     re4\! r2 R1 R2. R1 R2. R1 R2. R1
2009     R2. R1 R2. R1 R2. R1 R2. R1
2010     R2. R1 R2. R1 R2. R1 R2. R1
2011     R2. R1 R2. R1 R2. R1 R2. R1
2012     R2. R1 R2. R1 R2. R1 R2. R1
2013     R2. R1 R2. R1 R2. R1 R2. R1
2014     R2. R1 R2. R1 R2. R1 R2. R1
2015     R2.
2016
2017     %%% Duo %%%
2018     R1*6 R2*2 r4 r8 \t {re16\< re re} |
2019     re4\f r8 re re4-- re2.:32->\fp\< |
2020     re4->\! r8 re \t {re\< re re} \acc {re2.:32\fp\< |
2021     re4\! re re re8.} re32 re re4-> r8 re re4-> r2 | R2.
2022     re2.:32~\p\< re:32~\mp\> re:32\! |
2023     r8 r16 re\f re re | re4 re r R2.*5
2024     \acc {sold,4\mf sold sold re'} r8 re\< \t {re re re} |
2025     re4->\f r2 | re8\< re \t {re re re} \tt {re16 re re re re} |
2026     re4->\! r2 R2.*15
2027     R2*12 R2. R2*6 R2.*4
2028
2029     %%% Ensemble %%%
2030     R1*24 R2.
2031     R2. r2 r8 sold,\ff r sold\> \t {sold sold sold} sold4\! |
2032     r4 sold2:32\mf\<\glissando lad4.:32\>\glissando mi8\p \t {re' mi, re'}
2033     re\> re r re r re\! r4 R2 |
2034
2035     %%% Épilogue %%%
2036     R2.*32 \longHairpins {
2037     mi2.:32\ppp~ mi:~ mi4 r mi8->\mf mi-> |
2038     mi,2.:32~\fpp mi4 mi'8\mf\< mi \t {mi mi mi} |
2039     mi,2.:32~\fpp \< mi:~\f\> mi8\! mi'\ffsubito \< \t {<mi, mi'>-- mi' mi}
2040     \tt {<mi, mi'>16-- mi' mi-> mi,-> mi'->\!} }
2041   }
2042 >>