instruments/percu.ly

   1 %------------------------------------------------------------------%
   2 % Opéra Libre -- percu.ly                                          %
   3 %                                                                  %
   4 % (c) Valentin Villenave, 2008, 2009                               %                                                                 %
   5 %------------------------------------------------------------------%
   6
   7 \include "italiano.ly"
   8
   9 Percus = {
  10   \set DrumStaff.instrumentName = \markup { \hcenter-in #27.5 "Percussions  "}
  11   \set DrumStaff.shortInstrumentName = "Perc.  "
  12   \override DrumStaff.VerticalAxisGroup #'minimum-Y-extent = #'(-4 . 4)
  13   \set drumStyleTable = #percussion-style
  14 }
  15
  16 Marimba = {
  17   \set Staff.instrumentName = \markup { \hcenter-in #27.5 "Marimba  "}
  18   \set Staff.shortInstrumentName = "Mar.  "
  19   \set Staff.midiInstrument = "marimba"
  20 }
  21
  22 GrandMarimba = {
  23   \set PianoStaff.instrumentName = \markup { \hcenter-in #27.5 "Marimba  "}
  24   \set PianoStaff.shortInstrumentName = "Mar.  "
  25   \set PianoStaff.midiInstrument = "marimba"
  26 }
  27
  28 Vibraphone = {
  29   \set Staff.instrumentName = \markup { \hcenter-in #27.5 "Vibraphone  "}
  30   \set Staff.shortInstrumentName = "Vib.  "
  31   \set Staff.midiInstrument = "vibraphone"
  32   \clef treble
  33 }
  34
  35 GrandVibraphone = {
  36   \set PianoStaff.instrumentName = \markup { \hcenter-in #27.5 "Vibraphone  "}
  37   \set PianoStaff.shortInstrumentName = "Vib.  "
  38   \set PianoStaff.midiInstrument = "vibraphone"
  39   \clef treble
  40 }
  41
  42 Timbales = {
  43   \set Staff.instrumentName = \markup { \hcenter-in #27.5 "Timbales  "}
  44   \set Staff.shortInstrumentName = "Timp.  "
  45   \set Staff.midiInstrument = "timpani"
  46   \clef bass
  47 }
  48
  49 ProloguePercus = <<
  50   \new PianoStaff {
  51     \PercuDeuxMains
  52     \relative { \GrandMarimba
  53       \ind #"bag. dures" <mi'' fa>4-.->\mp r r8 mi-.-> r4 | r8 mi r4 r16 mi8. |
  54       mi8 mi \t { mi mi mi } \tt {mi16\< mi mi mi mi} | mi4-.->\mf r4 r2 |
  55       R2*2 R2. R2*2 R2. R2*2 R2. R2*2 R2. R2*2 R2. R2*2
  56       r4 \ind #"bag.dure" re\mf re | re \stemDown re8 \gauche \stemUp sol,,,, |
  57       \droite \stemDown re''''4 re8 \gauche \stemUp dod,,,
  58       \droite \stemDown re''' \gauche \stemUp dod,,, \droite \stemNeutral |
  59       re'''4 re re re re re re re\> sold, re\!
  60       R2*2-\markup "Prenez la bag. de timbale" R2.
  61
  62       %%% Tempo Giusto %%%
  63       R2*8 R2.*10 R1 R2-\markup "Allez au Vibraphone" \GrandVibraphone
  64       <dod, re dod'>2\p\laissezVibrer R2-\fermataMarkup
  65
  66       %%% Più lento %%%
  67       R1*2 R2. R1 R2. R1
  68
  69       %%% Adagio %%%
  70       R2*4 R2.*6
  71       <sol lab sol'>2.\pp\laissezVibrer R2.
  72       \ind #"senza Ped." <lab sol'>4 r2 <lab sol'>4 r2
  73       <dob sib'>4 r <do si'> |
  74       R4.
  75
  76       %%% Andantino %%%
  77       R4.*25 R4.*12 \GrandMarimba
  78       r4-\markup "Allez au Marimba"
  79       r32 solb''\< lab sib |
  80
  81       %%% A tempo %%%
  82       re8->\f r4 | r4 r32 solb,\< lab sib |
  83       re8->\f r4 | R4.*2 \stemDown <lab re>8->\mf \gauche \stemUp re,,
  84       \droite \stemDown <fa' sib> <re' sol>-> \gauche \stemUp
  85       lab,, \droite \stemDown <fa'' sib> <re' sol>->\< \gauche \stemUp
  86       re,,, \droite \stemDown <fa'' sib> \stemNeutral |
  87       <re' lab'>16->\fp lab <dod re> re, <dod' re> lab, |
  88       <dod' re>-.-> lab <dod re> re, <dod' re> lab, |
  89       <dod' re>-.-> lab <dod re> re, <dod' re> lab, |
  90       <dod' re>-.->\< lab <dod re> re, <dod' re> lab, |
  91       \ottava #1
  92       <mi'' fa>-.->\mp si <mi fa> fa, <mi' fa> si, |
  93       <mi' fa>-.-> si <mi fa> fa, <mi' fa> si, |
  94       <mi' fa>-.-> si <mi fa> fa, <mi' fa> si, |
  95       <mi' fa>-.-> si <mi fa> fa, <mi' fa> si, |
  96       <mi' fa>-.-> si <mi fa> fa, <mi' fa> si, |
  97       <mi' fa>-.->\< si <mi fa> fa, <mi' fa> si, |
  98       <fa'' sol>-.->\mf re <fa sol> sold, <fa' sol> re, |
  99       <fa' sol>-.-> re <fa sol> sold, <fa' sol> re, |
 100       <sol' si>-.-> dod, <sol' si> si, <sol' si> sol, |
 101       <sol' si>-.-> dod, <sol' si> si, <sol' si> sol, |
 102       <sold' si>-.->\> dod, <sold' si> si, <sold' si> sold, |
 103       <mi' sol> sold, <mi' sol> sol, <dod mi> mi, |
 104       \ottava #0
 105       <sold si>\p dod, <sold' si> si, <sold' si>\> sold, |
 106       sol' fad, sol' fad,\! r8 |
 107       R4.*8 R2*5/4 R2.*3
 108
 109       %%% Adagio %%%
 110       <fa'? dod'>2*2\pp\laissezVibrer
 111       R1*3 R1.
 112       r1 mi4--\pp\> r | <re sib'>2*2--\!\laissezVibrer
 113       R1*2 R1.
 114       r1 red4--\pp r | <mi do'>2--\pp\> <do sold'>--\!\laissezVibrer
 115       R1 R2.
 116
 117       %%% Valse %%%
 118       r4 <la' dod>8\pp( <lab, fa'> <do' lab'>4) |
 119       r4 <si red>8( <si, sol'> <sib' solb'>4) |
 120       r4 <fa la>8( <lab, reb> <mi' do'>4) |
 121       r4 <si re>8( <mib, sol> <sib' solb'>4) |
 122       r4 <reb solb>( <do mi>) | r <sib mib>\>( la) |
 123       <lab mib'>( reb) | mib( <lab, dob>) |
 124       sol\ppp mib' si sol' r | R2.*2
 125       mi4\pp sold, do, mi,
 126       r2 <dod' la'>4\p( mi) |
 127       r <la fa'>( dod) | r mi( lab,) |
 128       r <fad re'>( la) | r reb8\>( fa, lab4) |
 129       r sib( <re, fa>) | r solb\ppp( <do, fa>) r | R1 R2.
 130
 131       %%% Vivo al fine %%%
 132       R2*23
 133
 134       %%% Recitativo %%%
 135       R2*7 r4 mi''->\pp
 136     }
 137     \relative {
 138       \partial 4 r4 R2.*3 R1 R2*2 R2. R2*2 R2. R2*2 R2. R2*2 R2. R2*2
 139
 140       %%% Entrée du Baryton 1 %%%
 141       R2. R2*2 R2. s2_\markup { \indic "bag. de timbale" } s2. R2
 142       r8 sol, dod4 sib8 dod |
 143       r8 sol dod4 dod' r2 | re4 sold, sib,2:32 R2.
 144
 145       %%% Tempo Giusto %%%
 146       R2*8 R2.*10 R1 R2*2
 147       \GrandVibraphone \clef treble
 148       R2-\fermataMarkup
 149
 150       %%% Più lento %%%
 151       R1*2 R2. R1 R2. R1
 152
 153       %%% Adagio %%%
 154       R2*4 R2.*11
 155       R4.
 156
 157       %%% Andantino %%%
 158       R4.*25 R4.*13 \clef bass
 159
 160       %%% A tempo %%%
 161       R4. sold32 sold sold sold sold4 |
 162       R4. sold32--\mp sold sold sold sold sold sold16
 163       re'32-- re re re | re\< re re16
 164       sold32-- sold sold sold sold sold sold16\! |
 165       s4.*3 R4.*26 R2*5/4
 166       R2.*3-\markup "Allez au Vibraphone" \GrandVibraphone
 167       \clef treble
 168
 169       %%% Adagio %%%
 170       <la fad'>2*2\laissezVibrer |
 171       R1*3 R1.*2
 172       <la fa'>2*2--\laissezVibrer |
 173       R1*2 R1.*2
 174       <la fa'>2-- <sol? mi'>--\laissezVibrer
 175       R1 R2.
 176
 177       %%% Valse %%%
 178       la4-- r2 | R2.*3
 179       r4 la8( <fa' lab>) s4 |
 180       r4 sol,8( <re' fad> si re) |
 181       sib( re fa4) |
 182       mi8( sol mib do) | sol2*3/2\laissezVibrer s2
 183       R2.*2 R1
 184       \clef bass do,2\laissezVibrer \clef treble
 185       do'8( fa) s4 |
 186       r4 fad,8( re' fa4) |
 187       r4 do8( reb fa4) |
 188       r4 sib,8( reb fa4) |
 189       r4 la,( do) | r4 sold8( dod la4) |
 190       r4 reb8( la) | R2 R1 R2.
 191
 192       %%% Vivo al fine %%%
 193       R2*23 \clef bass
 194
 195       %%% Recitativo %%%
 196       R2*7-\markup "Allez au Marimba" \GrandMarimba
 197       r4 mi,->
 198     }
 199   }
 200   \new DrumStaff { \Percus
 201     \new  DrumVoice \drummode {
 202       \partial 4 r4 R2.*3 R1
 203       \ind #"Tam-tam (bag. de timbales, lourdes)" cb2\mf \laissezVibrer | R2 |
 204       R2. R2*2 cb2.\mf \laissezVibrer R2*2
 205       r4 cb2\mf \laissezVibrer R2*2
 206       r4 cb2\mf \laissezVibrer R2*2
 207
 208       %%% Entrée du Baryton 1 %%%
 209       R2. R2*2 R2. R2 R2. R2 R2. R2 R2. R2*2 R2.
 210
 211       %%% Tempo Giusto %%%
 212       R2*8 R2.*10
 213       \set  drumStyleTable = #drums-style
 214       r4 \ind #"Cymb. suspendue" hh4:32~\mp \< hh2:32~ hh4\!\laissezVibrer r
 215       R2*2
 216
 217       %%% Più lento %%%
 218       R1*2 R2. R1 R2. R1
 219
 220       %%% Adagio %%%
 221       R2*4 R2.*4
 222       r4 r8 \ind #"Cymb." hh\pp \t {hh hh hh~} hh2\laissezVibrer s4
 223       R2.*5 R4.
 224
 225       %%% Andantino %%%
 226       \ind #"Tambour" bd8\pp \ind #"Cymb. (sur le dôme)" hh r |
 227       bd hh r bd hh4:32~ hh4:32 hh8 |
 228       bd r4 | bd8 hh r bd hh r bd hh r bd bd4:32\< hh8\mp r4 | R4.*2
 229       r16 bd32\> bd bd8 r | bd r bd |
 230       hh4\pp r8 | R4. hh4 r8 | r hh r hh4 r8 | R4.
 231       hh4 hh8 hh4 r8 |
 232       r16 hh\> \t {hh hh hh} hh8 | hh4\! r8 R4.*2 |
 233       \ind #"bag. douces, sur le bord"
 234       \longHairpins {
 235       hh4.:32~\ppp \< hh:~ hh:~\pp \> hh4\! r8 |
 236       hh4.:32~\ppp \< hh:~ hh4\! hh8 r hh r hh4. | R4.*3 }
 237
 238       %%% A tempo %%%
 239       R4.*27
 240       \ind #"Cymb." hh4\mp r8 |
 241       \ind #"Tambour" bd16 bd bd8 r |
 242       r8 hh4 | bd16 bd bd bd r8 |
 243       bd4-- bd8 | bd32-> bd8.. r8 |
 244       hh4.:32~\pp \< hh4.:32~ hh8\mf \t {bd16\f bd bd} |
 245       bd8-- r16 bd bd bd bd8 r4 |
 246       R2.*2
 247
 248       %%% Adagio %%%
 249       R1*4 R1.*2 R1*3 R1.*2 R1*2 R2.
 250
 251       %%% Valse %%%
 252       R2.*6 R2*2 R2. R2 R2.*2 R1*2 R2.*5 R2*2 R1 R2.
 253
 254       %%% Vivo al fine %%%
 255       R2*23
 256
 257       %%% Recitativo %%%
 258       R2*8
 259     }
 260   }
 261   \new Staff { \Timbales
 262     \relative{
 263       \partial 4 r4 R2.*3 | R1 | r8 mi,,\p\< \t {mi mi mi} |
 264       mi4\mp\> \tt {mi16 mi mi mi mi} | mi2.:32\p\< mi2:32\sfz \> mi4\! r |
 265       R2.
 266       r4 mi-- r mi-- r2 \t {mi8\< mi mi\!} | mi4--\mp mi-- r mi |
 267       r4 r8 mi \t {mi\< mi mi} | mi4\mp mi-- r mi8.-- \t {dod'32\< dod dod}
 268
 269       %%% Entrée du Baryton 1 %%%
 270       dod4--\f r2 | r8 dod-- r4 | r8 dod-- r16 r32 dod dod8-- |
 271       dod4---> r2 R2 R2. R2 R2. R2 R2. R2*2
 272       r2 r8 \t {re16\< re re} |
 273
 274       %%% Tempo Giusto %%%
 275       re8.\f re16\p re4-- r8 r16 r32 re re4-- |
 276       r8 re-. re8.-- re16 re4-- r |
 277       \t {r4 sold,8} r16 re'8-- sold,16 |
 278       \tt {r8 re'-.( re-. sold,-. re'-.} | r8 sold,) r4 |
 279       re'2:32\mf\< |re4\f r8 re\mp re re | sold,2.:32--\< |
 280       re'4\f r8 re\mp re re | sib4-- r2 | sib32-> sib8.. r2 |
 281       sib4-- r sib-- |
 282       sib4---> r8 r16 sib sib4-- |
 283       sib4---> r8 sib \t {sib\< sib sib} |
 284       re4\f r re r re re re4 r r2 | R2*3
 285
 286       %%% Più lento %%%
 287       R1*2 R2. R1 R2. R1
 288
 289       %%% Adagio %%%
 290       R2*4 R2.*11 R4.
 291
 292       %%% Andantino %%%
 293       R4.*25 R4.*13
 294
 295       %%% A tempo %%%
 296       R4.*34 R2*5/4 R2.*3
 297
 298       %%% Adagio %%%
 299       R1*2 r2 r8 mi,\pp \t {mi-- mi mi} |
 300       mi4-- mi-- r2 r4 mi-- r2 mi4-- r | mi-- r r1 |
 301       R1 r2 r8 mi \t {mi-- mi mi} mi4-- mi-- r mi-- |
 302       mi-- mi-- r2 mi4-- r | mi-- r r1 |
 303       R1 r2 r4 mi mi r2 |
 304
 305       %%% Valse %%%
 306       R2.*6 R2*2 R2. R2 R2.*2 R1*2 R2.*5 R2*2 R1
 307       r2 r8 r16 \t {re'32 re re} |
 308
 309       %%% Vivo al fine %%%
 310       re8.\fp re16 re4-- | r8 r16 r32 re re4-- |
 311       r8 re16 re re8-- re-- | r4 re-- |
 312       r8 r16 r32 re re4-- | re re |
 313       r re-- re-- r re8.-- re16 re4 |
 314       r8 r16 r32 re re4-- | r8 re16 re re4-- |
 315       r re r re r re r re r re re r re r re r |
 316       R2*4
 317
 318       %%% Recitativo %%%
 319       R2*8
 320     }
 321   }
 322 >>
 323
 324 ActeUnSceneUnPercus = <<
 325   \new Staff { \Marimba
 326     \relative {
 327             R2*2 R2. R2*2 R2.
 328       R2*2 R2. R2*2 R2.
 329       R2*2 R2. R2*2 R2.
 330       R1 R2. R1 R2.
 331       R1 R2. R1 R2.
 332       R1 R2. R1 R2.*8 R1 R2.
 333
 334       %%% Ad libitum %%%
 335       R1 R2.*2 R1 R2.*2
 336
 337       %%% Agitato %%%
 338       R1*6 R1. R1*2 R1. R1*3 R1.
 339       R1*2 R1.*3 R1 R1.*4
 340
 341       %%% Allegro non troppo %%%
 342       R1 R2. R1*5
 343       R2. R1 R2. R1 R2. R1
 344       R2. R1*3 \clef bass |
 345       \pl {sol,16\mf\<[ re'] s8 s4\!} {sol8 <re' la'>16 sol, \clef treble
 346       \oneVoice <sib'' do>-> re,, la' <sib' do>->} sol,,\< re' <sib' do>-- la
 347       <sib' do>->\! re,, la' <sib' do>-> | R1
 348       sol,,16\< re' <sib' do>-- la <sib' do>->\! re,, la' <sib' do>->
 349       sol,,\< re' la' <sib' do>->\! | R2.
 350       <sib, do>4--\> <sib' do>-- <sib,, do>--\! | R1
 351       <sib do>8\p\< <sib' do>16 do, <do' reb> reb, <reb' mib> mib,\! r2\fermata | R1
 352       <sib do>8\p\< <reb' mib>16 mib, <mib' fa> fa, <fa' solb> solb,\! r2\fermata | R1
 353       <sib,do>16\mf <fa'' solb> solb, <solb' lab> lab, <lab' si> si, <re! si' re!>
 354       <mi! re' mi!>16 <mi re' mi>\f r8 r4\fermata |
 355
 356       %%% Moderato %%%
 357       R1*2-\markup "Allez au Vibraphone" \Vibraphone R2.*2
 358       r4 r8 do,\p <sib' do>2\laissezVibrer | R2.
 359       r8 <sib, do>2..\laissezVibrer | R2. \clef bass
 360       \t {r8 do,( sib'} \clef treble do-. sib'4--) <do sib'>4.-- |
 361       mib,,2*1/4\mp\laissezVibrer <do'' sib'>8~-- <do sib'>16 <sol fa'>8-- re16( la'4) |
 362       mib,2.-- r4 |
 363       fa2*1/4--\laissezVibrer <do'' sib'>8( sib16 mib8 lab,16 reb,\> fa, do' sol' |
 364       <sib do>4\!)\laissezVibrer fa,2.--\laissezVibrer |
 365       do'16 sib' <do sib'>8~-- <do sib'>16 <sib' do>4..-> |
 366       <mib,,, fa>8-. <sib'' do>2..-- |
 367       r16 do'32 sib, do'16 do,,-. sib'-. <sib' do>4..-> |
 368       r8 \ind #"con Ped." sib,,16\pp do( sib) sib do( sib) do sib( do sib') do,( sib' do) sib |
 369       sib( do) sib,( do sib') do, do' sib sib( do) sib'( do) |
 370       sib,( do sib') do,( sib' do) sib,( do,) |
 371       <mi, fad>8-> r r2 R1 R2*4
 372
 373       %%% Allegro marcato %%%
 374       \Marimba R1*34
 375       R1. R1*2 \ottava #1
 376       \ind #"(bag. dures)"
 377       mib'''16\pp fa, sib fa mib' fa, sib fa
 378       mib' fa, sib fa mib' fa, sib fa |
 379       fa' sol, do sol fa' sol, do sol fa' sol, do sol |
 380       sol' la, re la sol' la, re la |
 381       lab' sib, mib sib lab' sib, mib sib |
 382       sib' do, fa do sib' do, fa do |
 383       si'\< dod, fad dod si'8->\! r
 384       \ottava #0
 385       R2 R1*4
 386     }
 387   }
 388   \new DrumStaff { \Percus
 389     \drummode {
 390       R2*2 R2. R2*2 R2.
 391       R2*2 R2. R2*2 R2.
 392       R2*2 R2. R2*2 R2.
 393       R1 R2. R1 R2.
 394       R1 R2. R1 R2.
 395       R1 R2. R1 R2.*8 R1 R2.
 396
 397       %%% Ad libitum %%%
 398       R1 R2.*2 R1 R2.*2
 399
 400       %%% Agitato %%%
 401       R1*6 R1. R1*2 R1. R1*3 R1.
 402       R1*2 R1.*3 R1 R1.*4
 403
 404       %%% Allegro non troppo %%%
 405       R1 R2. R1*5
 406       R2. R1 R2. R1 R2. R1
 407       R2. R1*5 R2.*3 R1*6
 408
 409       %%% Moderato %%%
 410       R1*2 R2.*2 R1 R2. R1
 411       R2. R1 R2. R1 R2. R1 R2.
 412       R1 R2. R1 R2. R2 R2.
 413       r2 r4 r8 \ind #"Tambour (bag. fagot)" sn32\< sn sn sn |
 414       sn4\mp r8 \t {sn16\< sn sn} sn4\! r | R2*2
 415       \set drumStyleTable = #drums-style
 416
 417       %%% Allegro marcato %%%
 418       \ind #"Tambour" bd4--\mf \ind #"Cymb. susp. (sur la cloche)" hh-> bd \t {bd8\<( bd bd} |
 419       bd4--\!) hh-> bd r | R1 r8 r16 bd32\mp bd bd8.-- bd16 bd4-- r |
 420       bd2:32\pp\< bd4->\! \t {bd8\< bd bd} | bd4\mf hh-> bd \t {bd8( bd bd} |
 421       bd4) hh-> bd r | R1 r8 r16 bd32 bd bd8. bd16 bd4 r | R1
 422       r8 bd\p \t {bd--\> bd bd} bd4\! r |
 423       r8 bd \t {bd--\> bd bd} bd4 hh\pp | R1
 424       r8 bd \t {bd--\> bd bd} bd4\! r |
 425       r8 bd \t {bd--\> bd bd} bd4\! r |
 426       \t {r8 r16 bd\< bd8} \t {bd--\> bd bd} bd4 hh\pp | R1*4
 427       r2 r4 hh\pp | r2 r4 hh | R1
 428
 429       %%% Agitato %%%
 430       R1*11 R1. R1*2 R1 R2. R2*5 R1*4
 431     }
 432   }
 433   \new Staff { \Timbales
 434     \relative {
 435       do,2:32\ppp( do4) r R2. do2:32( do4) r R2. |
 436       do2:32( do4) r fad,-- r2 |
 437       do'2:32( do4 r fad,) r2 |
 438       do'2:32\p( do4) r fad, r2 |
 439       do'4 r do r fad,2:32\<( fad4\>) |
 440       <fa do'>8--\ppsempre \t {fa16\>( fa fa} fa4)\! r2 |
 441       <fa do'>4.--\pp <fa do'>8 \t {<fa do'>( <fa do'> <fa do'>)} |
 442       <fa do'>8-- \t {fa16\>( fa fa} fa4\!) r2 |
 443       <fa do'>4.-- do'8 \t {do\<( do do)} |
 444       reb8--\p \t {reb16\>( reb reb} reb4)\! r2 |
 445       <lab reb>4.--\pp <lab reb>8 \t {<lab reb>\<( <lab reb> <lab reb>)} |
 446       <lab reb>\> \t {reb16( reb reb} reb4\!) r2 |
 447       <lab reb>4.--\p reb8 \t {reb\<( reb reb} |
 448       do4--\p) r do--( sol-- do--) r sol |
 449       do-- \t {do8\<( do do} do4--\!) sol-- do-- r do--\< |
 450       do8\mf do16 do32 do do8 do do do |
 451       do8 do16 do32 do do8 do do do |
 452       do8 do16 do32 do do8 do do do |
 453       fad,16 fad fad fad fad fad fad fad fad fad fad fad |
 454       fad fad fad fad fad fad fad fad fad fad fad fad |
 455       fad8 fad16 fad r fad fad8 fad16 fad8 fad16 |
 456       r4 r8 fad-- \t {fad--\< fad-- fad--} |
 457       do'8\f do16 do32 do \t {do8-> do-> do->} do-> do-- do8.-> do32 do |
 458       do8-> do-- \t {do-- do do} \tt {do16\< do do do do\!} |
 459
 460       %%% Ad libitum %%%
 461       R1 R2.*2 R1 R2.*2
 462
 463       %%% Agitato %%%
 464       re16->\fp re4.. r2 | r4 re \t {re\<( re re} |
 465       re->\!) r r2 | re4-- re \t {re\<( re re} re->\!) r r2 |
 466       r2 r4 r8 re16\< re |
 467       re4->\! r re\mp re \t {re\<( re re} re4->\!) r r2 | R1
 468       re4 r re re \t {re\<( re re} re4\!) r r2 | R1*2
 469       re4 r re re \t {re\<( re re} re4\!) r r2 | re1:16\fpp \glissando \<|
 470       mib4->\mf r mib\pp mib \t {mib-- mib mib} |
 471       mib4-- r mib mib \t {mib-- mib mib} |
 472       mib4-- r mib mib \t {mib-- mib mib} |
 473       mib8.--\< mib32 mib mib8\> mib\! r2 |
 474       r4 \t {mib8 mib mib} mib mib r4 mib2:16\<\glissando |
 475       mi4\mf r r1 | R1.*2
 476
 477       %%% Allegro non troppo %%%
 478       R1 R2. R1*5 R2. R1 R2. R1 R2.
 479       r2 r4 r8 sol,32\< sol sol sol |
 480       sol8->\f sol r2 | r2 r4 r8 \t {sol16\< sol sol} |
 481       sol4--->\! r r2 R1*3 | R2.*3 R1*6
 482
 483       %%% Moderato %%%
 484       R1*2 R2.*2 R1 R2. R1 R2. R1 R2. R1 R2. R1 R2.
 485       R1 R2. R1 R2. R2 R2. R1
 486       R2*4
 487
 488       %%% Allegro marcato %%%
 489       R1*22 r2 r4 r8 r16 re'32\< re |
 490
 491       %%% Agitato %%%
 492       re4->\sfp re-- r re-- r re-- r re-- r re-- r re-- |
 493       re\fp\< re re8 re re16 re re re | re4\sfz r r2 | R1*6
 494       R1. R1*3 R2. R2*5 R1*4
 495     }
 496   }
 497 >>
 498
 499 ActeUnSceneUnBisPercus = <<
 500   \new Staff { \Vibraphone
 501     \relative {
 502       R2.*7 R1 R2. R1 R2.*10 R1*2 R2
 503       R2*3 R2. R2 R2. R2 R2.*2
 504       R1*2 R2. R2 R1 R2.*2 R2*2
 505       R2. R2*3 R2. R1 R2. R2*3
 506       R2.*3 %% TODO: add pedal indications
 507       r4 \ind #"con Ped." <mi si'>--\pp( <mi si'>-- <mi si'>-- |
 508       <mi si'>-- <mi si'>-- <mi si'>-- <mi si'>--) |
 509       \simile <mi si'> <mi si'> <mi si'> <mi si'> |
 510       \repeat unfold 116 <mi si'>
 511       <mi si'>\fermata \laissezVibrer r r2 | R2*4
 512     }
 513   }
 514   \new DrumStaff { \Percus
 515     \new DrumVoice \drummode {
 516       R2.*7 R1 R2. R1 R2.*10 R1*2 R2
 517       R2*3 R2. R2 R2. R2 R2.*2
 518       r2 r4 \ind #"Tambour" \ind #"(bag. fagot)"  sn\mp |
 519       sn32---> sn8.. r4 r8.. sn32 sn8..-- sn32 |
 520       sn4---> r2 R2 R1
 521       R2.*2 R2*2
 522       r2  r8 \t {sn16\< sn sn} |
 523       sn4--->\mf r8 \t {sn16\< sn sn} |
 524       sn32->\! sn8.. r4 |
 525       r8 sn->\f r4 |
 526       r8 sn16.-> sn32 sn4-> r |
 527       r2 r8 sn32-> sn sn sn sn-> sn sn sn sn8-> |
 528       R2. R2*3 R2.*3
 529       R1*33 R2*4
 530     }
 531   }
 532   \new Staff { \Timbales
 533     \relative {
 534       dod,2.:32\ppp dod: dod: dod:\< dod: dod2:32~\p dod8 r |
 535       r re4--\mp re8-. \t { re--\<( re-- sold,--} |
 536
 537       %%% Piu vivo %%%
 538       re'4\f) r r2 | sold,2.:32\pp\< | re'4\f r r2 | sold,2.:32\pp\< |
 539       <sol re'>4\f r8 \t {sol16 sol sol} sol4->  |
 540       r sol32-> sol8.. r4 | \t {sol16-> sol sol~} sol8-- r4 reb'-- |
 541       sol,-- r2 |
 542       sol8\mf  reb'~ reb4~\> reb4:32 reb4\!\laissezVibrer r2 R2.-\fermataMarkup
 543       sol,8\mp\> reb'~reb4~ reb4:32 reb4\!\laissezVibrer r2 R1-\fermataMarkup
 544       R1 R2
 545
 546       %%% Largo %%%
 547       R2*3 R2. R2 R2. R2 R2.*2
 548       R1*2 R2. R2 R1
 549       R2.*2 R2*2 R2.
 550       R2*3 R2. R1 R2.
 551       R2*3 R2.*3
 552       R1*33 R2*4
 553     }
 554   }
 555 >>
 556
 557 InterludeUnPercus = \new PianoStaff {
 558   \PercuDeuxMains
 559   \relative { \GrandMarimba
 560     r8 <red fad>\p r <red fad>
 561     r <red fad> r <red fad>
 562     r <red fad> r4 | R1*2
 563     r8 <mib sol> r <mib sol>
 564     r <mib sol> r <mib sol> |
 565     R1. r8 <mi! sol> r <mi sol> r2 |
 566     \gauche sold,8-- \droite <mi' sold> r <mi sold>
 567     r <mi sold> r <mi sold>
 568     r <mi sold> r <mi sold> |
 569     \gauche mi,8-- \droite <mi' sold> r <mi sold>
 570     r <mi sold> r <mi sold>
 571     r <mi sold> r <mi sold> |
 572     r <mi sold> r <mi sold>
 573     r4 <mi la> | R1
 574     s1.*2 r8 <sold, mi'> s2\p r8 mi' |
 575     r <mi sold> r <mi sold> r4 | R2 R2. |
 576     r16\p \gauche sol, \droite <fad' fad'>-> sol fad
 577     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite
 578     r \gauche sol \droite <fad' fad'>-> sol fad
 579     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite |
 580     r \gauche sol \droite <fad' fad'>-> sol fad
 581     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite
 582     r \gauche sib \droite <la' la'>-> sib %% FIXME: ugly beam slope!
 583     \stemDown la \stemNeutral <sib, sib'> <la' la'>-> \gauche sib, \droite |
 584     r \gauche sol \droite <fad' fad'>-> sol fad
 585     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite
 586     r \gauche sol \droite <fad' fad'>-> sol fad
 587     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite
 588     r \gauche re \droite <dod' dod'>-> \gauche re \droite <dod dod'> \gauche
 589     <re, re'> \droite <dod' dod'>-> \gauche re, \droite |
 590     r \gauche sol \droite <fad' fad'>-> sol fad
 591     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite
 592     r \gauche sol \droite <fad' fad'>-> sol fad
 593     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite |
 594     r \gauche sol \droite <fad' fad'>-> sol fad
 595     \gauche <sol, sol'> \droite <fad' fad'>-> \gauche sol, \droite
 596     r <re' re'> <dod' dod'>-> <re, re'> dod' <re, re'> <dod' dod'>-> <re, re'> |
 597     fad' <sol,, sol'> <fad'' fad'>-> <sol,, sol'>
 598     fad'' <sol,, sol'> <fad'' fad'>-> <sol,, sol'>
 599     fad'' <sol,, sol'> <fad'' fad'>-> <sol,, sol'>
 600     fad'' <sol,, sol'> <fad'' fad'>-> <sol,, sol'>
 601     fad'' <sol,, sol'> <fad'' fad'>-> <sol,, sol'>
 602     fad'' <sol,, sol'> <fad'' fad'>-> <sol,, sol'> |
 603     <fad' fad'>32\f \gauche <sol,, sol'> \droite <fad'' fad'> \gauche <sol,, sol'> \droite
 604     <fad' fad'> \gauche <sol, sol'> \droite <fad' fad'> \gauche <sol, sol'> \droite
 605     <fad'' fad'> \gauche <sol,, sol'> \droite <fad'' fad'> \gauche <sol,, sol'> \droite
 606     <fad' fad'> \gauche <sol, sol'> \droite <fad' fad'> \gauche <sol, sol'> \droite
 607     <dod'' dod'> \gauche <sol,, sol'> \droite <dod'' dod'> \gauche <sol,, sol'> \droite
 608     <dod' dod'> \gauche <sol sol'> \droite <dod dod'> \gauche <sol sol'> \droite
 609     <dod' dod'> \gauche <sol,, sol'> \droite <dod'' dod'> \gauche <sol,, sol'> \droite
 610     <dod' dod'> \gauche <sol sol'> \droite <dod dod'> \gauche <sol sol'> |
 611     fad,16\< <la re> \droite sib' \gauche <la re> \droite
 612     <sib' sib'>32-> \> <la re> <sib sib'> <la re> <sib sib'> <la re> <sib sib'> <la re>
 613     <sib sib'>8\! r | <re, sib'>4\arpeggio \p \laissezVibrer s2 R2.*13
 614     r8 <red fad>\p r <red fad> r4 | r8 <re sold> r2 |
 615   }
 616   \relative { \clef bass
 617     R1. R1*3 R1. R1 s2 r1 s2 r1 r2 mi,4 fa' | R1 |
 618     la,,16-- mi' \droite <la mi'>8 r <la mi'>
 619     \gauche mi8-- \droite <la mi'>16 \gauche mi
 620     la,-- mi' \droite <la mi'>8 r <la mi'>
 621     \gauche mi-- \droite <la mi'> \gauche |
 622     la,16-- mi' \droite <la mi'>8  \gauche mi \droite <la mi'>
 623     r8 <la mi'>16 \gauche mi la,8-- \droite <la' mi'>
 624     \gauche r16 mi \droite <la mi'>8 r <la mi'> \gauche |
 625     la,-- mi' r16 mi \droite <sold mi'>8 \gauche
 626     r8 <mi sold> r4 | R2. R2 R2.
 627     s1*2 s1. s1 s2 r2 R1. s1 s4 r2 |
 628     <dod si'?>4\arpeggio \laissezVibrer s2 | R2.*15
 629   }
 630 }
 631
 632 ActeUnSceneDeuxPercus = <<
 633   \new Staff \relative {\Marimba \clef bass
 634     %%% Air de la Soprano2 %%%
 635
 636     R2.*2 R1*2 R2.*2 \ind #"bag. douces" re,4-.\pp la'-. sold8( mi re4) mi8( re la' sold) r mi( sold4) |
 637     mi4 re8( la' sold4) la8( sold mi re) r la'|
 638     re,8( mi sold4) la re,8( la') | r re,( mi sold la4) sold8( re | mi4) sold la8( mi) |
 639     r sold( la re, mi4)\laissezVibrer| R1 | r2 r4 fad | si2\laissezVibrer r4 | R2. |
 640     re,4 si' sold8( fad re4) | fad8\p( re si' sold) r fad( sold4) |
 641     fad re8 si' sold4 | si8 sold fad re r4 | R1*2 R2.*2 | \clef treble
 642     \pl re4\p\laissezVibrer re'' <la' re>-> sold8( mi re4-.) | mi8 re'16-> re,, la''8 sold
 643     \pl re,,4 {r8 mi''} <sold re'>4-> |
 644     mi8 re'16-> re,, re'8 la' \pl {r re,,,} sold''4 | la8 sold mi <re, re'> r4 |
 645     \pl sol,--\mp\laissezVibrer {fa''8 sol!} <si sol'>4-> do8 sol,,-- fa'' do' |
 646     r <fa, sol'>-> sol si do16 sol,, sol sol <si'' sol'>8-> fa |
 647     sol sol,,-- <si'' sol'>4-> do8 sol | r si <do sol'>-> fa, sol sol,,-- |
 648     <do'' sol'>4-> si8 sol fa8 sol,,16-- re' <do'' sol'>4-> |
 649     si8 sol fa8 sol,,16-- re' <do'' sol'>8-> do, <si si'>-> <sol sol'>-> |
 650     <fa fa'>4-> r2 R2. | R1*2 R2.*2 R1*2 | R2.*2 R1*2 |
 651     \clef bass dod,4\mp fad2\laissezVibrer | R2. | sold,1:32\p\laissezVibrer |
 652
 653     %%% Vibraphone %%%
 654     R1 R2.*2-\markup "Allez au Vibraphone" \Vibraphone |
 655     <re'' la'>1\pp\laissezVibrer  r2 r4 <re la'>\laissezVibrer | R2.*2 |
 656     <re la'>1\laissezVibrer r2 r4 <re la'>\laissezVibrer R2.*2 |
 657     <<{ <sold dod>1\laissezVibrer} \\ {re2 la'}>> | sold4 mi re2\laissezVibrer | R2.*2 |
 658     <<{ <sold dod>2.} \\ {mi4 re la'}>> <sold la>4~ |<sold la>1\laissezVibrer |
 659     R2. r4 mi2 | <re sold dod>1\laissezVibrer | R1 | R2.*2 |
 660     <re mi sold>1\laissezVibrer | R1 | R2.*2 R1*2 |
 661     R2.*2 | R1 r2 <la' la'>2\pp\fermata \laissezVibrer |
 662
 663     %%% Recitativo %%%
 664     R2.*2 R1 R2.*3 R1 R2.*6 R2 R2. R1*2 R2.*5 R1
 665     %%% Tempo giusto %%%
 666     R2. R1 R2. R1 R2. R1 R2. R1 R2. R2*2 R2. R1*2 R2.*2 R1*2 R2.*3 R1
 667     %%% Più vivo %%%
 668     R2. R1 R2.*2 R1 R2. R1 R2. R1 R2.*14 R1*3
 669     %%% Tempo giusto %%%
 670     R1*5 R2. R1*2 R2. R2*3 R2.*2 R2*6 R2.*2
 671     %%% Largo assai %%%
 672     R1 R2.*3 R2 R2. R1*4
 673   }
 674   \new DrumStaff \new DrumVoice \drummode { \Percus
 675     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 676     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 677     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 678     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 679     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 680     R2.*2 R1*2
 681
 682     %%% Recitativo %%%
 683     R2.*2 R1 R2.*3 R1 R2.*4 |
 684     \ind #"Tambour" sn4 sn2:32
 685     \ind #"sur le bord" ss4 s2 |
 686     R2 R2. R1*2 R2.*5 R1
 687
 688     %%% Tempo giusto %%%
 689     R2. R1 R2. R1 R2. R1 R2. R1 R2. R2*2
 690     R2. R1*2 R2.*2 R1*2 R2.*3 R1
 691
 692     %%% Più vivo %%%
 693     R2. R1 R2.*2 R1 R2. R1 R2. R1 R2.*14 R1*3
 694     %%% Tempo giusto %%%
 695     R1*5 R2.
 696     r4 \ind #"Cymb. susp. (bag. douces)" cb4:32 cb4:32~ cb4 |
 697     r4 cb4:32 cb4:32~ cb4 | R2. R2
 698     r4 cb4:32 cb4:32~ cb8 r |
 699     r4 cb4:32 cb8 r | R2.
 700     r8 cb8:32 cb4 |
 701     r8 cb8:32 cb4 |
 702     r8 cb8:32 r4 | r8 cb r4 | R2
 703     r8 cb r cb |
 704     r cb r cb \t {cb cb \ind #"étouffer" cb:32} |
 705     R2.
 706
 707     %%% Largo assai %%%
 708     R1 R2.*3 R2 R2. R1*4
 709   }
 710   \new Staff \relative { \Timbales
 711     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 712     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 713     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 714     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 715     R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2
 716     R2.*2 R1*2
 717
 718     %%% Recitativo %%%
 719     R2.*2 R1 R2.*3 R1 R2.*6 |
 720     R2 R2. R1*2 R2.*5 R1
 721
 722     %%% Tempo giusto %%%
 723     R2. R1 R2. R1 R2. R1 R2. R1 R2. R2*2
 724     R2. R1*2 R2.*2 R1*2 R2.*3 R1 |
 725
 726     %%% Più vivo %%%
 727     sol,4\f r2 R1 | sol4 r8 sol r4 | sol4 sol2:32\fp\< |
 728     sol4\f r8 sol sol32-> sol8.. r4 | dod4-> r8 dod \t {dod-- dod dod} |
 729     sol4-> r8 sol r4 sol | dod4-- r8 dod dod dod |
 730     sol4-> sol8 sol r2 | dod4-- r dod |
 731     sol-- sol-- sol-- sol-- r2 | sol4-- sol-- sol-- si-- r2 |
 732     sib4-- sib-- sib-- re-- r2 | re4-- \simile re8 re re re | re4 r2 |
 733     re8 re16 re re8 re re re | re4 r2 |
 734     re4 re re dod r2 | dod4 dod dod |
 735     fa,1:32~ fa4 r r2 R1 |
 736
 737     %%% Tempo giusto %%%
 738     R1*5 R2. R1*2 R2. R2*3 R2.*2 R2*6 R2.*2
 739     %%% Largo assai %%%
 740     R1 R2.*3 R2 R2. R1*4
 741   }
 742 >>
 743
 744 InterludeDeuxPercus = \new PianoStaff {
 745   \PercuDeuxMains
 746   \relative { \GrandMarimba
 747     r8 <red fad>\p r <red fad> r <red fad> r <red fad> |
 748     r <red fad> r <red fad> r <red fad> r <red fad> r <red fad> |
 749     R2. R2 r4 r8 <mib sol> r <mib sol> | R2
 750     lad'8-.--\p si, <mib, sol>4 \gauche <mib, sol>-- \droite <mib' sol> |
 751     fad'8-.-- si, <mib, sol>4 \gauche <mib, sol>-- \droite <mib' sol> |
 752     <sol' mi'!>-.-- <mi,! sol>-.-- <reb' sib'>-.-- <mi, sol>-.-- <mi' sol>-.-- <mi, sol>-.-- |
 753     <sib' reb>-.-- <mi, sol>-.-- R2*6
 754     \gauche <la,, mi'>4--\p \droite <mi'' sold> r <mi sold> |
 755     \gauche <la,, mi'>-- \droite <mi'' sold> r <mi sold> |
 756     \gauche <la,, mi'>-- \droite <mi'' sold> r <mi sold> |
 757     r <mi sold> r2 | R2.
 758     \gauche <fa,, do'>4-- \droite <mi'' sold>
 759     \gauche la, \droite <mi' sold>
 760     \gauche <fa,, do'>-- \droite <mi'' sold> r R2.
 761     \gauche dod,8( la' \droite <mi' sold>4) r2 | R2.
 762     r4 <mi sold>-- |
 763   }
 764   \relative {
 765     \clef bass r2 r4 <lab, re sol>-- |
 766     r2 <fa mi'>4-- | R2 R2. R2 R2. R2
 767     R2 s2 R2 s2 R2*10 s1*4 R2.
 768     s1 s2. R2. s1 R2. r4 <fa' la>-- |
 769   }
 770 }
 771
 772 ActeUnSceneTroisPercus = <<
 773   \new DrumStaff { \Percus
 774     \new DrumVoice \drummode {
 775       \ind #"Tambour" \ind #"(bag. fagot)" sn2.:32~\mp\> sn8\! \t {sn16\mf sn sn} sn2:32~\> sn2.:
 776       sn8\! \t {sn16\mf sn sn} sn8 \t{sn16 sn sn} sn4:32\> sn8\! sn4-- sn8-. sn4-- |
 777       sn8->\mf \t {sn16 sn sn} sn8-- sn4 sn8--\> sn2.:32 R2.*4\! |
 778       sn4:32\mp sn4 r |
 779       r8 \t {sn16 sn sn} sn4-- r |
 780       r8 \t {sn16 sn sn} sn4-- sn4:32\> |
 781       sn8.--\! sn16 r sn sn8-> r \t {sn16\< sn sn} |
 782       sn4->\! sn32-> sn8.. r8 \t {sn16\< sn sn} |
 783       sn2.:32~\mp\< sn: |
 784       R2.*6\! R1.*6 R1*5/4*5 R1*4 R2.*3 R2*2
 785
 786       R2.*3 sn4:32--\p r8 sn \t {sn sn sn} |
 787       sn4:32 r8 sn \t {sn sn sn} |
 788       sn4 r8 sn \t {sn sn sn} |
 789       sn4 r8 sn \t {sn sn sn} |
 790       sn32-> sn8.. r8 sn \t {sn sn sn} |
 791       \t {sn16-> sn sn} sn8\< r sn \t {sn sn sn} |
 792       sn2.:32\fp\< R2.*4\!
 793       R1.*6 R1*5/4 R1 R2. R2
 794     }
 795   }
 796   \new Staff { \Timbales
 797     \relative { R2.*24
 798       r2 r4 si,--\ppp si-- si-- |
 799       sib2:32\> sib4\! r r2 |
 800       si!2:32\> si4\! r r2 |
 801       sib2:32\> sib4\! r r2 |
 802       si!2:32\> si4\! r r2 |
 803       \simile sib2:32 sib4 r r2 |
 804       si!2:32 si4   r2 |
 805       sib4:32\> \t {sib8 sib sib} sib4--\! sib-- r |
 806       si4:32 \t {si8 si si} si4-- si-- r |
 807       sib4:32 \t {sib8 sib sib} sib4-- sib-- r |
 808       si4:32 \t {si8 si si} si4 si r |
 809       mi,8\p mi\t {mi\< mi mi} mi4:32\> mi8\! r |
 810       mi8 mi \t {mi\< mi mi} mi4:32\> mi8\! r |
 811       mi8 mi \t {mi\< mi mi} mi4:32\> mi8\! r |
 812       mi8 mi \t {mi\< mi mi} mi4:32\! mi8 r |
 813       <mi dod'>\f <mi dod'> \t {<mi dod'> dod' mi,} \pl mi4:32 {dod'8.\< dod32 dod\!} |
 814       <mi,dod'>8-- <mi dod'>-- \t {<mi dod'>-- dod' mi,} \pl mi4:32 {dod'8.\< dod32 dod\!} |
 815       <mi,dod'>8.\sfz dod'16 <mi, dod'>4-> r R2*2
 816       R2.*14
 817       r2 r4 do'\ppp do do do1.:32~ do:~ do:~ do8 do--\> \t {do-- do-- do--} do1:32~ do1\!\laissezVibrer r2|
 818       R1*5/4 R1 R2. R2
 819     }
 820   }
 821 >>
 822
 823
 824 ActeUnSceneTroisBisPercus = {
 825   \new GrandStaff \GrandMarimba \PercuDeuxMains
 826    \relative {
 827      r8<red fad>\p r <red fad> r <red fad> r <red fad> |
 828      r <red fad> r <red fad> r <red fad> r <red fad> |
 829      r <red fad> r <red fad> r <red fad> r <red fad> | R1 r2
 830      r8<red fad> r <red fad>
 831      r <red fad> r <red fad> r <red fad> r <red fad> | R1 r2
 832      r8<red fad> r <red fad>
 833      r <red fad> r <red fad> r2 R1*12
 834      r8<mi sol>\p r <mi sol> r <mi sol> r <mi sol> |
 835      r <mi sol> r <mi sol> r <mi sol> r <mi sol> |
 836      r <mi sol> r <mi sol> r <mi sol>\< r <mi sol>\! | R1*2
 837      r8<red fad>\p r <red fad> r <red fad> r <red fad> |
 838      r <red fad> r <red fad> r <red fad> r <red fad> |
 839      r <red fad> r <red fad> r <red fad> r <red fad> |
 840      r <red fad> r <red fad> r <red fad> r <red fad> |
 841      r <red fad> r <red fad> r <red fad> r <red fad> |
 842      r <red fad> r <red fad> r <red fad> r <red fad> |
 843      r <red fad> r <red fad> r <red fad> r <red fad> |
 844      \ttt {r16 fad\mf( \gauche sol, \droite red' \gauche mi, si)}
 845      \tt {sold( sol' mi sib' do} red4--) \droite r8 <red fad> |
 846      \t {r16 \gauche <mi, sol>\<( \droite <red' fad>} <re' fa>8\!)
 847      r <re fa>
 848      r32 \gauche <sold,,, si>( <sol' sib> <do mib>) \droite <si' re>8-- r <si re> |
 849      r16 \t {sib,32\mp( mib do} la'8--) r16 \gauche \t {sol,32( do sib} \droite fad'8--) s4 |
 850      R1*3
 851      r8 <do re>\p r <do re> r2 r8 <do re> r <do re> r2 |
 852      r8 <do re> r <do re> r <do re> r <do re> |
 853      r <fa lab> r <fa lab> r <fa lab> r <fa lab> |
 854      <la,do>-- <fa'lab> r <fa lab> r <fa lab> r <fa lab> |
 855      \gauche \t {<dod,mi>16-- \droite <la' do> \gauche <dod,mi>} \droite <fa' lab>8
 856      r <fa lab> r <fa lab> r <fa lab> |
 857      R1*7
 858      r4 r8 <do fa>\p r <do fa> r4 |
 859      r4 r8 <do fa> r <do fa> r4 |
 860      r8 <do fa> r <do fa> r <do fa> r <do fa> | R1*16
 861    }
 862    \relative {
 863      R1
 864      r8 la r la r la r la |
 865      r  la r la r la r la |
 866      R1
 867      r2 r8 <sol la> r <sol la> |
 868      r <sol la> r <sol la> r <sol la> r <sol la> |
 869      R1
 870      r2 r8 <mi sol> r <mi sol> |
 871      r <mi sol> r <mi sol> r2  |
 872      R1*12
 873      r8 <fa lab> r <fa lab> r <fa lab> r <fa lab> |
 874      fa,--\mp <fa'lab> r <fa lab> r <fa lab>16( si,) r8 <fa'lab> |
 875      r <fa lab> r <fa lab>32( fa,16) si32-. r8 <fa'lab> r <fa lab> |
 876      R1*3
 877      r8 sol r sol r sol r sol |
 878      r <mi sol> r <mi sol> r <mi sol> r <mi sol> |
 879      r <mi sol> r <mi sol> si-- <mi sol> r <mi sol> |
 880      r <mi sol> si-- <mi sol> r <mi sol> r <mi sol> |
 881      r16 <mi sol> r8 r r16 <mi sol> r8 <mi sol> r <mi sol> |
 882      sold,-- <mi'sol>r<mi sol>r <mi sol> r <mi sol> |
 883      s1*2 s2 \t {r16 si sold} sol'8 |
 884      R1*5
 885      r8 la r la r la r la |
 886      r <la do> r <la do> r <la do> r <la do> |
 887      <dod, mi>-- <la' do> r <la do> r16 <la do> r8 r <la do> |
 888      s8 r16 <la do> r <dod, mi> r8 r r16 <la'do> r8 <la do> |
 889      R1*7
 890      r4 r8 <la si>\p r <la si> r4 |
 891      r4 r8 <la si> r <la si> r4 |
 892      r8<la si> r <la si> r <la si> r <la si> | R1*16
 893    }
 894 }
 895
 896 ActeUnSceneTroisTerPercus = <<
 897   \new Staff { \Vibraphone
 898     \relative {
 899       R2*3 R2. R2*2 R2.*2 r2
 900       \pl {s4\sustainOn sol'~ fad~ mib~ <mib fad sol>}
 901       {si'4~\p si2.~ si4} r2\sustainOff
 902       sib4(\laissezVibrer \sustainOn la\laissezVibrer fad\laissezVibrer
 903       fa re dod) \pl {mib2\sustainOn s mi\sustainOn fa\sustainOn}
 904       {si!4( sib sol fad) do'( si) reb( do)}
 905       <re, re'>8--\sustainOff r r4 r2 | R1*3 R2.*9
 906       r8 si'\pp\sustainOn sib sol fad mib re'2.\laissezVibrer s2.*2
 907       r4 si\sustainOn sib sol fad mib re'2.\laissezVibrer s2.\sustainOff
 908       R2.*23 R1 R2.*18
 909       \t {r4 \ind #"con Ped." dob'8\mp} \t {sib( mib, re)} \t {mib( sib' dob} \t {sib sol fad)}
 910       \t {sol\<( sib dob} sib16 dob sib dob |
 911       sib4.\mf)\sustainOn fa-- dob--\> solb-- do,!2--\! r4\sustainOff R2.*14
 912     }
 913   }
 914   \new Staff { \Marimba
 915     \relative {
 916       R2*3 R2. R2*2 R2.*7 R1*3
 917       r2 r8 r16 mi'32\mf fa mi'4-> |
 918       \t {r16 la-> mi} mib,( sib') r4 r8
 919       <mib,,, re'>--\mp r4 |
 920       r32 re'''->\f fad,8 <fad,, sol'>16--\mp r
 921       <mib re'> <fad sol'>8-- \ottava #1
 922       si'''32->\f\>( fad sib fa sol re fad dod
 923       \ottava #0
 924       \t {mi,8-. sold,-. \clef bass do,,-.\!)}
 925       r8 <dod re'>--\mp r <red mi'>-- \clef treble
 926       \tt {r16 <sold sol'!>\< la sold' re\!} |
 927       \pl re,4-> re''-> r2 |
 928
 929       %%% Poco meno %%%
 930
 931       R2.*17 \clef bass
 932       fa,,,2.:32~\pp fa4 r2 | R2.
 933       fa2.:~ fa4 r2 | R2.
 934       dod'2.:~ dod4 r2 | R2.
 935       dod2.:~ dod4 r2 | R2.
 936       la2.:~ la4 r2 \clef treble
 937       r16 <dod'' dod'>->\mp \t {r fa'( dod} fa,32 dod) do'8.-- <mi, mi'>8-.-> r \clef bass |
 938       la,,,2.:32~ la4 r2 | R2. \clef treble
 939       r32 do''->\mf dod'8. r8 fa32->( mi, dod' dod, do'8) <la,, sold'>-- |
 940       r8 \t {dod'16( mi dod')} \clef bass r8 <la,, sold'>--
 941       <do, si'>16-> <la' sold'>-- \clef treble fa'''8-> |
 942       r <la,,, sold'>-- \ottava #1 r16 red''-> \t {re,\< fad'-> fa,}
 943       lad32-> la, dod'-> do, lab''16-> <sib, sib'>-> |
 944       <sol sol'>4->\f \ottava #0 r8 <do,, si'>16\>( <la' sold'>)
 945       r <sib, la'>( <lab' sol'>8) \clef bass
 946       <si,, lad'>16( <solb' fa'>8.) |
 947       fad,2.:32~\pp fad4 r2 | r8 si( mi fa sold la |
 948       fad,2.:32~) fad4 r2 | r8 sib( si red mi sol)|
 949       fa,!2.:32~ fa4  r2 \clef treble |
 950       r4 r8 <lab''' fa'>-.\mp r16 <reb, do'>-. r8 \clef bass |
 951       fa,,,2.:32~\pp fa4 r2 \clef treble |
 952       r4 r16 fa''''( mi,8) \t {do'16( dod la)} sold'8-> \clef bass |
 953       dod,,,,2.\laissezVibrer R2. \clef treble |
 954       r16 fa'''( mi,8) r16 la,8-- si16( \t {sold' re si')} fa8-> |
 955       <re' mi>16-> <re mi>-> r8 r2 | R2.*17
 956       <mi, red'>8--\p r r2 R2.*3
 957     }
 958   }
 959 >>
 960
 961
 962 InterludeTroisPercus = { \Timbales
 963   \relative {
 964     r8 \st {<sol,mi'>\p r <sol mi'> r2 |
 965     r8 <sol mi'> r <sol mi'> r4 |
 966     <sol mi'>8\pp sol <sol mi'> sol <sol mi'> sol} sol16\< sol32 sol \st {sol8\! |
 967     <sol mi'>8 sol <sol mi'> sol} sol16\< sol sol8-.\! |
 968     \simile <sol mi'>8 sol <sol mi'> sol <sol mi'> sol sol16 sol32 sol sol8 |
 969     <sol mi'>8 sol <sol mi'> sol sol16 sol sol8 |
 970     <sol mi'> sol <sol mi'> sol <sol mi'> sol <sol mi'> <sol mi'> |
 971     <sol mi'> sol <sol mi'> sol <sol mi'> <sol mi'> |
 972     sol16\ppsempre sol mi' mi sol, sol mi' mi sol, sol mi' mi sol,32\< sol sol sol sol8\! |
 973     sol16 sol mi' mi sol, sol mi' mi sol,32\< sol sol sol sol16\! sol |
 974     sol8 mi'16 mi r8 mi16 mi r8 mi32\< mi mi mi |
 975     mi8\! mi16 mi r8 mi32\< mi mi mi |
 976     mi,8\! <mi mi'>-- r <mi mi'>-- r <mi mi'>16-- mi |
 977     <mi mi'>16\< mi32 mi <mi mi'>8--\! r <mi mi'>-- |
 978     mi16 mi <mi mi'>8-- mi16 mi <mi mi'>8-- |
 979     mi16 mi <mi mi'> mi <mi mi'> mi <mi mi'> mi |
 980     mi2:32~ mi:~ mi2: mi'4 r |
 981   }
 982 }
 983
 984 ActeUnSceneQuatrePercus = <<
 985   \new Staff { \Vibraphone
 986     \relative {
 987       \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
 988       R2-\fermataMarkup
 989       R1 R2. \t {\ind #"con Ped." la'2\p la4~} \t {la la2} |
 990       \t {la la4~} \t {la la2} |
 991       \t {sol sol4~} \t {sol sol2} \t {sol sol4} |
 992       \t {fad2 fad4~} \t {fad fad2} |
 993       \t {fad fad4~} \t {fad fad2} |
 994       \t {<si,red fad> <si red fad>4~} \t {<si red fad> <si red fad>2}
 995       \t {<si red fad> <si red fad>4~} \t {<si red fad> <si red fad>2}
 996       <si red fad>2 \t {<sol sib mib> <sol sib mib>4~} <sol sib mib>2
 997       re4-. r2 | R2.*26
 998       R1 R2. R1 R2. R2 R2. R2 R2. R2 R2.
 999       R1*5 R2 R2. R1*10 R2. R1 R2. R1*7 R2*3 R2.*6
1000       R1*4 R2. R1 R2.
1001       R1 R2. R1 R2. R1*2
1002       R2.*3 R1*2
1003
1004       R2. R4. R2. R4. R2 R4. R2*3 R4. R2*3 R4. R2*3 R4. R2.
1005       R1*12 R2 R2.*2 R2 R1
1006
1007       %%% Piu lento %%%
1008       re4\p \laissezVibrer <sib' dob sib'>2-- <sib dob sib'>--\>
1009       <sib dob sib'>4--\!\laissezVibrer R2.
1010       re,4\laissezVibrer \simile <sib' dob sib'>2 <sib dob sib'>\> <sib dob sib'>4\! |
1011       re,4\laissezVibrer <sib' dob sib'>2 <sib dob sib'>\> <sib dob sib'>4\! |
1012       re,4\laissezVibrer <sib' dob sib'>2 <sib dob sib'>\> <sib dob sib'>4\! |
1013       re,4\laissezVibrer <sib' do! sib'>2 <sib do sib'>\>
1014       <sib dob sib'>4\!\laissezVibrer R2.
1015       re,4\laissezVibrer <sib' do sib'>2 <sib re sib'> <sib re sib'>4 |
1016       re,4\laissezVibrer <sib' re sib'>2
1017       re,4\laissezVibrer <sib' mib sib'>2 <sib mib sib'> <sib mib sib'>4 |
1018       r <sib mib sib'>2 |
1019       re,4\laissezVibrer <sib' mi! sib'>2\laissezVibrer | R2.*2
1020       R1. R1 R1. R1 R1. R1 R1. R1 R1. R1 R1.*5 R1 R1. R1 R1. R1 R1.*5 R1 R1. R1
1021     }
1022   }
1023   \new DrumStaff { \Percus
1024     \drummode {
1025       \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
1026       R2-\fermataMarkup
1027       R1 R2. R1*2 R1. R1*2 R1. R1*2
1028       R2.*27
1029       R1 R2. R1 R2. R2 R2. R2 R2. R2 R2.
1030       R1*5 R2 R2. R1*10 R2. R1 R2. R1*7 R2*3 R2.*6 R1*3
1031       \ind #"Crécelle" hh4:32\mp\> hh4\! r8 hh-.-> r4 |
1032       hh4:32\> hh4\! r | r8 hh8:32-- r4 r8 hh8:32-- r8 hh8-. |
1033       hh4:32--\> hh8-.\! hh4:32--\> hh8-.\! | hh8:32--\> hh8\! r16 hh8.-. r2 |
1034       r8 hh8:32-- r2 | r16 hh8.-. r4 r16 hh8.-. \t {hh8-- hh-- hh--} |
1035       hh8:32\> hh8\! r2 | R1*2
1036       R2.*3 R1*2
1037       R2. R4. R2. R4. R2 R4. R2*3 R4. R2*3 R4. R2*3 R4. R2.
1038       R1*12 \ind #"Crécelle" hh4:32\mp r4 | R2. r4 hh4:32 r4 | R2 r2 hh4:32\> hh8\! r |
1039
1040       %%% Piu lento %%%
1041       R2.*21
1042       R1. r2 \ind #"Crécelle" hh4:32\mf r4 | R1. r4 hh2:32\> hh4\! | R1.
1043       r4 r8 r16 \ind #"Tambour" \ind #"(bag. fagot)" sn sn4-> r |
1044       R1. R1 R1. R1 sn4-> r r2 r4 r8 sn16\< sn |
1045       sn4->\! r r2 r4 r8 \t {sn16\< sn sn} |
1046       sn4->\! r r2 r8 sn16\< sn sn8 sn |
1047       sn4->\! r r2 r8 sn sn sn | sn--\> sn sn4\! r1 |
1048       sn4-> r8 \t {sn16\< sn sn} sn4\f r | R1. R1 R1.
1049       sn32-> sn8.. r4 r r8 r16 sn |
1050       sn4-> r r2 r4 sn16\< sn sn sn |
1051       sn4->\! r r2 r4 sn8\< sn |
1052       sn4->\! r r2 r8 sn16 sn sn4-> |
1053       sn4-> r r2 r8 sn\< sn sn | sn\> sn sn4\! r sn\> sn sn |
1054       sn4\! r8 r16 sn sn4-> r |
1055       r2 r4 sn-> sn-> r |
1056       r2 \ind #"Crécelle" hh4:32\mf hh4-- |
1057     }
1058   }
1059   \new Staff { \Timbales
1060     \relative {
1061       \partial 4 r4 R1*5/8 R2*3 R1*5/8 R2*2 R2. R2*2
1062       R2-\fermataMarkup
1063       R1 R2. R1*2 R1. R1*2 R1. R1*2
1064
1065       %%% Agitato %%%
1066       R2.*8
1067       re,4\p r re4:32\< re4->\! r2 |
1068       re8-. re-. re-. re-. re4:32--\< re4->\! r2 |
1069       re8-. re-. re-. re-. re4:32--\< re4->\! r2 |
1070       mib4-.->\p r2 R2.*4
1071       mi32->\f mi8.. r2 mi4-> r2 |
1072       r8 sib32-> sib16. r8 mi-- r sib-. |
1073       mi8-> \t {mi16\< mi mi} mi4\! r |
1074       r8 sib4-- mi-- sib8-. | mi4-> mi32-> mi8.. sib8-. mi-> |
1075       R2. re2.:32\mf\<\glissando |
1076       dod4\sfz r r r8 r16 sol32\f sol | sol4-> r2 |
1077       dod8->\> \t {dod16 dod dod} dod8 \t {dod16 dod dod} dod4--\! r |
1078       r8 sol4--\mf dod-- sol8-. | dod8-> \t {dod16 dod dod} dod4-. |
1079       r8 sol4-- dod-- sol8-. | \tt {dod16\> dod dod dod dod} dod4-. |
1080       r8 dod-.\! r2 | r8 dod4--\> sol8-. | dod--\mp \t {dod16 dod dod} dod4-. r |
1081
1082       %%% Placando assai %%%
1083       dod2--\p r4 dod | sol2:32~\> sol4\! r |
1084       dod2-- r4 dod | sol2:32~\> sol4\! r |
1085       R1 R2 R2. R1
1086
1087       %%% Andante a piacere %%%
1088       fa1:32~--\pp fa2 dod'-- |
1089       fa,1:32~-- fa2 dod'-- |
1090       fa,1:32~-- fa2 dod'-- | fa, r r dod'-- |
1091       sol2~\mp sol2:32~\< sol8\! dod4-- sol-- dod8-. |
1092       sol2~-> sol2:32~\< sol8\! \t {dod16 dod dod} dod8-. sol~-> sol16. sol32 sol8-. |
1093       dod8-> r r4 r2 |
1094       sol1:32~\ppp sol:~sol2.:32~sol4 |
1095       r8 sol \t {sol sol sol} sol2:32~sol1:32~sol2 r |
1096       R2*3 R2.*6
1097
1098       %%% A tempo %%%
1099       r16 do32\f do do8 r8 fad,4\< do' fad,8-. |
1100       r16 do'32 do do8->\! r4 \tt {r16 do\< do fad, do'} \t {fad,8-- do'-- fad,--} |
1101       do'8--->\! \t {do16 do do} do4-> r2 |
1102       R1 R2. R1 R2. R1 R2. R1
1103
1104       \longHairpins {
1105       r2 fad,4:32\mp\<\glissando sol4--\! r r2 |
1106       sol32-> sol8.. r4 r8 \t {dod16\< dod dod\>} dod4\! |
1107       \t {sol16->\> sol sol} sol8\!\laissezVibrer r2 |
1108       sol4\mf sol2:32\<\glissando fa4\f r2 |
1109       fa4---> r8 r16 fa fa4-> r |
1110       fa--\mf r r dod'4:32\<\glissando re4\f r2 |
1111       r16 r32 re re4-> |
1112       sold,8->\> \t {sold16 sold sold} sold4\! r8 sold-. |
1113       r4 sold32-> sold16. | re'32-> re re8. r4 |
1114       r16 r32 re re4-> |
1115       la8->\> la32 la16.\! r4 | R2
1116       mib'4-- mib r4 r8 |
1117       si4-- r R2 |
1118       r8 r16 fa32\mf fa fa4-> | R4.
1119       fa4--\p fa8\< fa \t {fa fa fa} \tt {fa16 fa fa fa fa} |
1120       R2\! R4.
1121       re'2.:32\pp\< re4\f r8 r16 re32 re re4-> r |
1122       re16-> re re8 r4 re-- r r re\> re re |
1123       re8\mp re16 re re4-> re re8 \t {re16 re re} |
1124       re4-> r r re8\< re16 re re4->\! r r re8\< re16 re |
1125       re4->\! r r re re-> r r re re-> r r2 | R1*3 }
1126       R2  R2.*2 R2 R1
1127       R2.*21
1128       R1. R1 R1. R1 R1. R1 R1. R1 R1. R1 R1.*5
1129       R1 R1. R1 R1. R1 R1.*5 R1 R1. R1
1130     }
1131   }
1132 >>
1133
1134
1135 EntractePercus = <<
1136   \new Staff { \Marimba
1137     \relative {
1138       R2*9
1139       R1*38 R2. R1
1140       R1*2 R2.*2 R2 R1 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2
1141       R1*14
1142       R2.-\fermataMarkup
1143       r8 <red fad>\p r <red fad> r <red fad>
1144       r <red fad> r <red fad> r <red fad>
1145       r <red fad> r <red fad> r <red fad>
1146       r <red fad> r <red fad> r4 | R2
1147       r8 <red fad> r <red fad> r <red fad> |
1148       r4 r8 <red fad> r <red fad> r <red fad> |
1149       r4 r8 <red fad> r <red fad> R2
1150       r8 \pl <mi, sol>\psempre <red' fad> r \pl <mi, sol> <red' fad>
1151       r \pl <mi, sol> <red' fad>  r \pl <mi, sol> <red' fad> |
1152       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1153       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1154       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1155       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1156       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1157       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1158       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1159       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1160       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1161       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1162       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1163       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1164       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1165       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1166       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1167       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1168       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1169       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1170       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1171       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1172       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad>
1173       r \pl <mi, sol> <red' fad> r \pl <mi, sol> <red' fad> |
1174       R2.-\fermataMarkup R2.*14
1175       R1 R2 R1 R2 R1 R2 R1 R2.
1176       R1.*18 R1*2 R2. R2
1177     }
1178   }
1179   \new DrumStaff { \Percus
1180     \drummode {
1181       R2*9
1182       R1*14
1183       r4 \ind #"Tambour (bag. de timbale, sur le manche)"
1184       sn\mp r sn | r sn8\> sn16 sn sn4\! r |
1185       R1*9
1186       sn32->\mp sn sn8. r4 r8 sn\< \t {sn sn sn} sn4--\! r r2 |
1187       R1*11 R2. R1
1188       R1*2 R2.*2 R2 R1 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2 R1*2 R2.*2
1189       R1*14
1190       \ind #"Crécelle" hh4:32\>\fermata~ hh4\! r\fermata |
1191       R2.*4 R2 R2. R1 R2. hh8:32 r8 r4 | R1*5 R1.*4 R1
1192       hh4:32~\> hh4\! r\fermata R2.*8 hh4:32-- r2\fermata |
1193       R2.*4 R2.-\fermataMarkup R1 R2 R1 R2 R1 R2 R1 R2.
1194       R1.*18 R1*2 R2. R2
1195     }
1196   }
1197   \new Staff { \Timbales
1198     \relative{
1199       R2*9 |
1200       re,4\mf re-> r re-> r re-> r2 | R1*5
1201       re4 re-> r re-> r re-> r2 | R1*7
1202       re4 re r re r re r2 | R1*3
1203       re4 re-> r re-> r re-> r2 | R1*5
1204       re8.\mf re32 re re4-> r re32-> re8.. |
1205       r4 re-> r re8-> re re4-> r r2 | R1*6
1206       re8.-> re32 re re4-> r re-> r8 re16 re re4-> r |
1207       r8 re16 re re8-> re\< \t {re re re} re->\! re32\< re re re |
1208
1209       %%% Fugato %%%
1210       red4->\ff mi,-> r mi-> r8 mi\< \t {mi mi mi} mi4->\! r |
1211       r8 mi\mf\< \t {mi mi mi} mi4\! | R2. r4 \tt {mi16\mp\< mi mi mi mi} |
1212       mi4\! r r8 mi\< \t {mi mi mi} mi4\! r2 |
1213       r8 mi\p\< \t {mi mi mi} mi4\! mi-- r r2 |
1214       mi8\< mi \t {mi\> mi mi} mi4\! r |
1215       mi-- mi-- r mi8\< mi \t {mi\> mi mi} mi4\! |
1216       r mi-- mi-- r mi8\< mi \t {mi\> mi mi} mi4\! r |
1217       mi-- mi-- mi-- mi\< mi8 mi \t {mi mi mi} mi2:8\mp mi: mi: mi: |
1218       mi: mi4: mi2: mi4:
1219       \t {fa8 fa fa} \t {fa fa fa} \t {fa fa fa} \t {fa fa fa} |
1220       \t {fad fad fad} \t {fad fad fad} \t {fad fad fad} \t {fad fad fad} |
1221       \t {sol\mp sol sol} \t {sol sol sol} \t {sol sol sol} |
1222       \t {sol\< sol sol} \t {sol sol sol} \t {sol sol sol} |
1223       sold16\mf sold sold sold sold4 sold16-> sold sold sold sold8 \t {re'16\< re re} |
1224
1225       %%% Stretto %%%
1226       re4\f re32-> re8.. r8 r16 re32 re re4-> |
1227       r8 re\< \t {re re re} re4\! r8 re |
1228       re4-> r r2 R1*10
1229       %%% Noir %%%
1230       R2.-\fermataMarkup R2.*4 R2 R2. R1 R2. R2
1231       R1*5 R1.*4 R1 R2.-\fermataMarkup R2.*8 R2.-\fermataMarkup
1232
1233       %%% Poco più %%%
1234       R2.*4 R2.-\fermataMarkup
1235
1236       %%% Andantino %%%
1237       la4--\pp la4:32~\> la4\! r mi-- r |
1238       la4-- la4:32~\> la4\! r mi-- r |
1239       la4-- la4:32~\> la4\! r mi-- r |
1240       la4-- la4:32~\> la4\! r R2. |
1241
1242       %%% Largo non troppo %%%
1243       la4\p\< \ttt {la16 la la la la la} la4--\! la-- la2-- |
1244       \simile la4 \ttt {la16 la la la la la} la4 la la2 |
1245       la4 \ttt {la16 la la la la la} la4 la la2 |
1246       la la r |
1247       la4 \ttt {la16 la la la la la} la4 la la2 |
1248       la4 \ttt {la16 la la la la la} la4 la la2 |
1249       la4 \ttt {la16 la la la la la} la4 la la2 |
1250       la4 \t {la8 la la} la2 r |
1251       la4\mp\< \ttt {la16 la la la la la} la4--\! \ttt {la16\< la la la la la} la4->\! la |
1252       \simile la4 \ttt {la16 la la la la la} la4 \ttt {la16 la la la la la} la4 la |
1253       la4 \ttt {la16 la la la la la} la4 \ttt {la16 la la la la la} la4 la |
1254       la4 \ttt {la16 la la la la la} la4 \ttt {la16 la la la la la} la8 la la la |
1255       la4 \ttt {la16 la la la la la} la4 la la2 |
1256       la4 r8 \t {la16 la la} la4 la la2 |
1257       la4\> la8 la la4 la la2\! |
1258       la8\p\< la \t {la la la} la\! la \t {la\< la la} la4--\! la |
1259       la8\< la \t {la la la} la4--\! la16\< la la la la8 la \ttt {la16 la la la la la} |
1260       mi4--\f\< \ttt {mi16 mi mi mi mi mi} mi4-- mi--\! mi2-> |
1261       mi4-- \ttt {mi16\< mi mi mi mi mi} mi2->\! |
1262       r mi4--\ff mi-- r8 mi~ mi2:32\< mi4\sffz r |
1263     }
1264   }
1265 >>
1266
1267 ActeDeuxSceneUnPercus = <<
1268   \new Staff \relative {\Vibraphone
1269     R2.*4 R2 R2.*2 R2
1270     \st {mi,8\mp(\sustainOn do' sol' mib'\> lab si\laissezVibrer\!)} R2.*2
1271     \sustainOff R2 R2. R2 R2.*2 R2
1272     \st {mi,,,8(\sustainOn si' do sol'\> lab mib'\laissezVibrer\!)} R2.*2
1273     \sustainOff R2 R2. R2 R2.*2 R2
1274     <re la'>4--\p\sustainOn mi,-- <re la'>-- |
1275     \t {mi,8( <re' la'> mi)} \t {<re' la'>( mi, <re la'>)}
1276     \t {mi,\<( <re' la'> mi} <re'la'>2*3/2\!)\laissezVibrer R2 \sustainOff
1277     R2.*2 R1 R2. R1 R2. R2 R2. R1
1278
1279     %%% Andantino %%%
1280
1281     %%FIXME: complete. As soon as I have *nothing* else to do.
1282   }
1283   \new PianoStaff {
1284     \PercuDeuxMains
1285     \relative { \GrandMarimba
1286       R2.*4 R2 R2.*2 R2 R2.*3 R2 |
1287       R2. R2 R2.*2 R2 R2.*3 R2 |
1288       R2. R2 R2.*2 R2 R2.*3 R2 |
1289       R2.*2 R1 R2. R1 R2. R2 R2. R1
1290
1291       %%% Andantino %%%
1292       r4 \det {<re mi> r <re mi>} |
1293       r \simile <re mi> r <re mi> |
1294       r <re mi> r |
1295       r <re mi> r |
1296       <re mi> r <re mi> |
1297       r <re mi> r | <re mi> r |
1298       r <re mi> r |
1299       r <re mi> r |
1300       <re mi> r <re mi> |
1301       r <re mi> r |
1302       <re mi> r <re mi> |
1303       r <re mi> r <re mi> |
1304       r <re mi> r |
1305       r <re mi> |
1306       r <mi sold> r |
1307       <mi sold> r <mi sold> r |
1308       <mi sold> r <mi sold> |
1309       r <mi sold> r <mi sold> |
1310       r <mi sold> r |
1311       <mi sold> r <mi sold> r |
1312       s2. R1 R2. R1 R2. R1 R2.
1313       R1 R2. R1 R2. R1 R2. R1
1314       R2. R1
1315       <re mi>4\pp r <re mi> |
1316       r <re mi> r <re mi> |
1317       r <re mi> r |
1318       <re mi> r <re mi> r |
1319       r <re mi> r |
1320       <re mi> r <re mi> r |
1321       r <re mi> r |
1322       <re mi> r <re mi> r |
1323       s2. s1 s2.
1324       s1 s2. s1
1325       s4 <re mi> r |
1326       r <re mi> r <re mi> |
1327       s2. s1 s2. s1 s2.*7 R2.
1328       s4 <do re> r <do re> r <do re> |
1329       R1 s4 <do re> r |
1330       R1 R2. R1
1331       r4\mp <mib solb> <mib solb> |
1332       r <do fa> <do fa> r |
1333       r <mib solb> <mib solb> |
1334       r <do fa>\> r <do fa> |
1335       r <do fa>\pp r | R1
1336       R2. R1 R2. R2 R1 R2. R1 R2. R1 R2. R1
1337     }
1338     \relative {
1339       R2.*4 R2 R2.*2 R2 R2.*3 R2 |
1340       R2. R2 R2.*2 R2 R2.*3 R2 |
1341       R2. R2 R2.*2 R2 R2.*3 R2 |
1342       R2.*2 R1 R2. R1 R2. R2 R2. R1
1343
1344       %%% Andantino %%%
1345       sib,2*2\p\laissezVibrer R1
1346       r4 sib r | mi,2*3/2\laissezVibrer R2.*2 R2
1347       r4 sib' r | mi,2*3/2\laissezVibrer R2.*3 R1 R2. r4 do' |
1348       fad,\mp <la're> r | <la re> r <la re> r |
1349       <la re> r <la re> | r <la re> r <la re> |
1350       fad, <la're> r | <la re> r <la re> r |
1351       sib,8( sib') fa( fa,) mi'( do) | sib2:32--~\> sib4\! r |
1352       fad2.:32--~\p\> fad4\! r r2 | sib4 r2 |
1353       fad2:32--~ fad4 r | R2.
1354       R1 R2. R1 R2. R1 R2. R1
1355       fad2.:32--~\mp\> fad4\! r r2 |
1356       <sold'la>4-- r <sold la>-- |
1357       mi--\p <sold la> si,-- <sold'la> |
1358       fad,-- <sold'la> r |
1359       <sold la> sol-- <sold la> do,-- |
1360       fa,!-- <sold'la> r |
1361       <sold la> mi-- <sold la> si,-- |
1362       fad-- <sold'la> r |
1363       <sold la> r <sold la> r |
1364       do,8\p( la' \droite <re sol>) \gauche
1365       do,\<( la' \droite <re sol>) | <fad do'>\!( <re sol>) \gauche
1366       do,( la' \droite <re sol>) \gauche
1367       do,( la' \droite <do re>) \gauche |
1368       do,\>( fad si \droite mi) \gauche
1369       do,( fad) | do\!( sol' \droite re' <mi la>) \gauche
1370       si( \droite <mi la>) \gauche fad,( \droite <si mi>) \gauche |
1371       dod,\<( la' \droite <la're>) \gauche
1372       dod,,( la' \droite <si'mi>) |
1373       fad\!( <la re>) \gauche dod,,( si' \droite <mi la>) \gauche
1374       dod,\>( si' \droite <mi la>) \gauche |
1375       do,(\! la') s4 r4 | la4 r la r |
1376       fad8--\mf( la \droite <do re> \gauche la \droite <do re> \gauche la) |
1377       fa--( lab \droite <do re> \gauche lab \droite <do re>4) \gauche r |
1378       fad,8--( la\droite <do re> \gauche la \droite <do re> \gauche la) |
1379       fa--( lab \droite <do re> \gauche lab \droite <do re>4) \gauche r |
1380       <fad,,fad'>8--( la' \droite <do re> \gauche la \droite <do re>4) \gauche |
1381       sol,8--\<( re' \droite <do'fa>) \gauche sol,( re' \droite <fa' sib>) \gauche |
1382       re,( do' \droite <sib'mib>) \gauche re,( \droite <mib' lab>4\f) \gauche |
1383       sib,,8\mf( la' \droite <do fa> \gauche la \droite <do fa> \gauche la) |
1384       si,( lab' \droite <si mi> \gauche lab \droite <si mi>4) \gauche |
1385       sib,8( la' \droite <do fa> \gauche la \droite <do fa> \gauche la) |
1386       si,( lab' \droite <si mi> \gauche lab \droite <si mi>4) \gauche |
1387       R2.
1388       mib,8\f( la) s4 r8 la-. s4 r8 mib-. s4 | r2 r4 <la si>--\mf |
1389       mib-- s r |
1390       re--\p <si'dod> r <si dod> |
1391       re,-- <sib'do> r | R1
1392       lab2*3/2\laissezVibrer la\laissezVibrer r4 |
1393       lab2*3/2\laissezVibrer <sol, sol'>2\laissezVibrer r | R2. R1
1394       R2. R1 R2. R2 R1 R2. R1 R2. R1 R2. R1
1395     }
1396   }
1397 >>
1398
1399
1400 ActeDeuxSceneUnBisPercus = <<
1401   \new Staff { \Marimba
1402     \relative {
1403       r8 <mi sold>\p r <mi sold> r <mi sold> r4 |
1404       r8 <mi sol> r <mi sol> r4 |
1405       R2-\markup "Allez au Vibraphone" \Vibraphone
1406       <mi sol>1*5/4\p\laissezVibrer R1*5/4*43 R1*5/4-\fermataMarkup
1407       R1*5/4*32
1408
1409       %%% Moderato assai %%%
1410       \ind #"bag. douces"
1411       <do si'>1*7/4\pp\laissezVibrer s1*7/4
1412       <do si'>1 <si do'>2. <do si'>\> <si do'>1\!\laissezVibrer
1413       s1*7/4 <do si'>2 <si do'>2. <do si'>2 |
1414       <si do'>2. <sib dod'>1\> <la re'>2.\!\laissezVibrer s1 R2. R2 |
1415       <si do'>2.\pp\laissezVibrer r4 <do si'>2\laissezVibrer r2 <si do'>4\laissezVibrer |
1416       s2. <do si'>2.\laissezVibrer r4 <si do'>2\laissezVibrer s2. R2. |
1417       <sib dod'>2. | <la re'>1*7/4\laissezVibrer R1*7/4*2
1418       R2.*7 R1*7/4*4 \repeat volta 2 R1*7/4*3
1419       R1*7/4*2-\markup "Allez au Marimba" \Marimba \clef bass |
1420
1421       %%% Presto subito %%%
1422       \tt {fa,8->\f( mib' solb) do,( mib)} \tt {fa,->( mib' solb) do,( mib)}
1423       \tt {lab,->( mib' solb) do,( mib)} | \tt {fa,->( mib' solb) do,( mib)}
1424       \tt {lab,->( mib' solb) do,( solb')} \tt {do,->( sib' reb) solb,( sib)} |
1425       \tt {do,->( sib' reb) solb,( sib)} \tt {mib,->( sib' reb) solb,( sib)}
1426       \tt {do,->( sib' reb) solb,( reb')} | \tt {fad,->( mi' sol) dod,( mi)}
1427       \tt {red,->( mi' sol) dod,( mi)} \tt {fad,->( mi' sol) sib,( sol')} \clef treble |
1428       \tt {mi->\<( re' fa) sol,( lab')} \tt {mi,->( fa' lab) mi,( fa')} \clef bass
1429       \tt {fad,,->( mi' sol) red,( mi')} |
1430
1431       %%% Tempo giusto %%%
1432       re,,4\! r2 R2.*6 R2*2 R2.*4 R2 R4.
1433       R2*3 R4. R2. R2 R4. R2. R1*5/8 R2 R4. R2.*15 R2 R4. R2 R1*5/8 R2.
1434
1435       %%% Tempo I %%%
1436       R1 R1*5/4*3 R1*5/4-\fermataMarkup
1437       R1*5/4-\markup "Allez au Vibraphone" \Vibraphone
1438       <do'' si'>2.\pp <si do'>2 <do si'> <si do'>2.\laissezVibrer R1*5/4*2
1439       <do si'>2. <si do'>2 <do si'> <si do'>2.\laissezVibrer R1*5/4*14
1440     }
1441   }
1442   \new DrumStaff { \Percus
1443     \drummode {
1444       \set  drumStyleTable = #drums-style
1445       R1 R2. R2 R1*5/4*2
1446       \ind #"Tambour (au centre et sur le tour)" <sn hh>4\mp sn sn8 hh sn4 sn |
1447       \plperc sn4 hh sn sn8 hh sn4 sn |
1448       \plperc sn4 hh sn sn8 hh sn4 sn |
1449       \plperc sn4 hh sn sn8 hh sn4 sn |
1450       \plperc sn4 hh sn sn8 hh sn4 sn |
1451       \plperc sn4 hh sn sn8 hh sn4 sn |
1452       \plperc sn4 hh sn sn8 hh sn4 sn |
1453       \plperc sn4 hh sn sn8 hh sn4 sn |
1454       \plperc sn4 hh sn sn8 hh sn4 sn |
1455       \plperc {\ind #"senza cresc." sn4} hh sn sn8 hh sn8 sn sn sn |
1456       \plperc sn4 hh r2 r4 sn |
1457       \plperc sn4 hh sn r sn sn |
1458       \plperc sn4 hh hh hh hh hh |
1459       \plperc sn4 hh-> r2 r4 \t {sn8 sn sn} |
1460       sn4-> r2 r4 \t {sn8 sn sn} |
1461       sn4-> r r8 sn r sn\< sn sn |
1462       \plperc sn4\mp hh hh hh8 sn hh4 hh |
1463       \plperc sn4 hh hh hh8 sn hh4 hh |
1464       \plperc sn4 hh hh hh8 sn hh4 hh8 sn16 sn |
1465       hh4-> r r8 sn16 sn hh4-> r8 sn16 sn |
1466       hh4-> r8 sn16 sn hh4-> r r8 sn16 sn |
1467       hh-> sn sn sn sn sn sn sn sn sn hh-> sn sn\< sn sn sn sn sn sn sn |
1468       hh4->\! r1 | R1*5/4*3
1469       sn8->\pp sn sn sn sn sn sn sn sn sn |
1470       hh-> sn sn sn sn sn sn sn sn sn |
1471       hh-> sn sn sn sn hh-> sn sn sn sn |
1472       \simile hh sn sn sn sn sn sn sn sn sn |
1473       hh sn sn sn sn sn sn sn sn sn |
1474       hh sn sn sn sn hh sn sn sn sn |
1475       hh sn sn sn sn hh sn sn sn sn |
1476       hh sn sn sn sn hh sn sn sn sn |
1477       hh sn sn sn sn sn sn sn sn sn |
1478       hh\< sn sn sn sn sn sn sn sn sn |
1479       hh4\f r r8 sn16 sn hh4 r8 sn16 sn |
1480       hh4 r8 sn16 sn hh4 r r8 sn16 sn |
1481       hh sn sn sn sn sn sn sn sn sn hh sn sn sn sn sn sn sn sn sn |
1482       hh4 r1 | R1*5/4
1483
1484       %%% Boum %%%
1485       \ind #"Tam-Tam" cb2\laissezVibrer r2 r4 | R1*5/4-\fermataMarkup |
1486       R1*5/4*13 \ind #"Tam-Tam" cb4\f\laissezVibrer r1 R1*5/4 |
1487       cb4\laissezVibrer r1 R1*5/4 |
1488       r4 cb\< \t {cb8 cb cb} cb4\!\laissezVibrer r |
1489       cb4->\laissezVibrer r1 R1*5/4 |
1490       r4 cb\< \t {cb8 cb cb} cb4\!\laissezVibrer r |
1491       cb4->\laissezVibrer r1 |
1492       r4 cb8\< cb cb2 cb8 cb |
1493       cb4->\!\laissezVibrer r1 | r4 \det {cb\mf cb cb cb} |
1494       cb8\< cb cb cb cb cb cb cb \t {cb cb cb} |
1495       cb4->\!\laissezVibrer r1 | R1*5/4*5
1496
1497       %%% Moderato assai %%%
1498       R1*7/4*7 R2. R1 R2. R2
1499       R2.*9 R1*7/4*3 R2.*7 R1*7/4*4
1500       \repeat volta 2 R1*7/4*3 R1*7/4*2
1501
1502       %%% Presto subito %%%
1503       R1.*5
1504
1505       %%% Tempo giusto %%%
1506       R2.*7 R2*2 R2.*4 R2 R4. R2*2
1507       \longHairpins {
1508       r4 \ind #"Cymb." hh4:32~\< hh4.:32~\> hh4\! r2 |
1509       r4 hh4:32~\< hh4.:32~\> hh4\! r2 | R1*5/8
1510       r4 hh-- r8 hh4-- | R2.*4
1511       r4 \ind #"sur le bord" hh2:32~\pp\> hh4\! r2 |
1512       r4 hh2:32~\> hh4\! r2 | r4 hh2:32~\> hh4\! r2 |
1513       r4 hh4:32~\> hh4\! | r hh4:32~\> hh4\! R2.
1514       r8 hh32\> hh hh hh hh2\! R2.-\markup \indic "étouffer"
1515       R2 R4. R2 R1*5/8 R2. }
1516
1517       %%% Tempo I %%%
1518       r2 r4 \ind #"Tambour" sn16\< sn sn sn |
1519       hh4->\! r r8 sn16 sn hh4-> r8 sn16 sn |
1520       hh4-> r8 sn16 sn hh4-> r r8 sn16 sn |
1521       hh4-> r1 | \ind #"Tam-Tam" cb2->\f\laissezVibrer r2 r4\fermata |
1522       R1*5/4*21
1523     }
1524   }
1525   \new Staff { \Timbales
1526     \relative {
1527       R1 R2. R2 R1*5/4*44 R1*5/4-\fermataMarkup
1528
1529       %%% Boum %%%
1530       R1*5/4*32
1531
1532       %%% Moderato assai %%%
1533       R1*7/4*7 R2. R1 R2. R2
1534       R2.*9 R1*7/4*3 R2.*7 R1*7/4*4
1535       \repeat volta 2 R1*7/4*3 R1*7/4*2
1536
1537       %%% Presto subito %%%
1538       R1.*5
1539
1540       %%% Tempo giusto %%%
1541       R2.*7 R2*2 R2.*4 R2 R4. R2 r4 r8 \t {mib,16\< mib mib} |
1542       mib4\sfz r R4. r2 r8 \t {mib16\< mib mib} |
1543       mib4\sfz r R4. r2 r8 \t {mib16 mib mib} |
1544       mib4 mib8 mib mib |
1545       la,4-> r la4-> \t {la16\< la la} |
1546       la4\ff r8 la32-> la16. r4 |
1547       \det {la la la} sold4-> r16 sold32 sold sold8-> r4 |
1548       \det {sold\> sold sold |
1549       sol4\mp r2 | R2. sol4 r2 R2. sol4} r2 r2 r8 sol16\< sol |
1550       sol4\! r r8 \t {sol16\< sol sol} |
1551       sol4\! r2 r4 sol2:32\<\glissando sold2.\psubito\laissezVibrer
1552       R2. R2 R4. R2 R1*5/8 R2.
1553
1554       %%% Tempo I %%%
1555       R1 R1*5/4*3 R1*5/4-\fermataMarkup |
1556       R1*5/4*21
1557     }
1558   }
1559 >>
1560
1561 ActeDeuxSceneDeuxPercus = <<
1562   \new Staff { \Marimba
1563     \relative {
1564       sold'4\p( <mi sold> <fa la>) r r2 |
1565       sold4( <mi sold> <fa la>) r r2 |
1566       R1.
1567       <mi sold>4( <mi sold> <fa la>) r sold-- r |
1568       la-- r r1 | R1.-\markup "Allez au Vibraphone" \Vibraphone
1569       R1*2 R2.*5 R1.*3 R1*2
1570       R2. R1 R4. R1*6 R2. R1. R1
1571       r2 r4 \pl {la\pp fa'\laissezVibrer} {do\glissando do'\laissezVibrer}
1572       \ind #"senza Ped." r2 |
1573       do4 r \pl {la,\> fa'\!\laissezVibrer} {do\glissando do'\laissezVibrer} r2 |
1574       \det {re,4 do' | r si r | mi,,,\laissezVibrer mi'\laissezVibrer mi'\laissezVibrer} |
1575       r2 r8 \hideNote sol8\glissando do4*1/2 \hideNote mi,8\glissando la4 | R4.
1576       R1*5 R2*6 R1 R2. R1. R1 R1.*2 R2. R1
1577
1578       la,2.\p\laissezVibrer \sustainOn r8 sol4.\laissezVibrer r2 |
1579       fa2.\laissezVibrer r8 mi4.\laissezVibrer r2 | fa4 mi fa |
1580       sol la2.\laissezVibrer R2.
1581       R1 <la, la'>2.\laissezVibrer R1 <sib la'>2.\laissezVibrer
1582       <mib la>1\laissezVibrer <sold la>2.\laissezVibrer R1
1583       <la, la'>2.\laissezVibrer R1 R2. R1 R2. R1 R2.
1584       R2*3 R2. R1*3
1585       R1*5/8*14 R1*9 R2. R2 R1*2
1586       la'4\pp sol fa mi2 r4 |
1587       <solb, la! fa' lab>2.--\laissezVibrer R2.*4
1588
1589       R2*2 R2.*2 R2*25
1590       <la' la'>2.\p\laissezVibrer \sustainOn R2.*6
1591       \pl {<fa do'>4--\pp do'-- fa,-- <fa do'>2*3/2--}
1592       {la'8( sol) fa( mi) fa16( mi fa sol) la8( mi8*5)\laissezVibrer }|
1593       R2.
1594       \pl {<la, do>4--\pp do-- la-- <la do>2.-- <sol re'>-- <la do>2--}
1595       {la'8( sol) fa( mi) fa16( mi fa sol) la8( sol) fa( mi) fa16( mi fa sol)
1596       sib8( sol) fa( mi) fa16( mi fa sol) la8( mi8*3) } r4 | R2.*2
1597     }
1598   }
1599   \new DrumStaff { \Percus
1600     \drummode {
1601       R1.*6 R1*2 R2.*5
1602       \longHairpins {
1603       r1 \ind #"Crécelle" hh2:32~\mf\> hh4\! r r1 R1. R1*2
1604       R2. R1 R4.
1605       R1*5 r4 \ind #"Crécelle" hh2.:32-- R2. R1. R1*2
1606       R2.*3 R2 R2.*3 R2 R4. R1*5 R2*6 R1
1607       r4 \ind #"Crécelle" hh2:32 R1. R1 R1.*2 R2.
1608       r2 hh4:32 hh4 |
1609       }
1610       R2. R1 R2. R1 R2. R1 R2. R1 R2. R1 R2. R1 R2. R1
1611       R2. R1 R2. R1 R2. R1 R2.
1612
1613       R2*2 R2 R2. R1*3
1614       r4 \ind #"Tambour" \ind #"(bag. fagot)"  sn8\mf sn sn sn4-> r8 sn sn |
1615       sn4-> sn8 sn sn sn4-> r8 sn sn | sn4-> sn8\< sn16 sn sn sn |
1616       \acc {sn4\! sn} r16 sn32 sn | sn4-> r r8 |
1617       sn4-> r8 sn sn | sn4-> sn8 sn sn | sn4-> sn r16 sn32 sn | sn4-> r r8 |
1618       sn sn sn4 r8 | r sn\< sn sn sn | sn4->\! r r8 |
1619       R1 r2 r4 r8 \t {sn16\< sn sn} | sn4->\! r r2 |
1620       R1*6 R2. R2 R1*2 R2.*7
1621
1622       R2*2 R2.*2 R2*25 R2.*16
1623     }
1624   }
1625   \new Staff { \Timbales
1626     \relative {
1627       R1.*6 R1*2 r2 r8 r16 re,32\< re |
1628       re4\mf re8---. re---. r \t {re16\< re re} |
1629       re8\! re re16-> re-> r8 re32 re re8.-> |
1630       re16 re re re re8 \t {re16 re re} re8 re |
1631       sold,8. re'16 r sold, re'8 r16 re8 sold,16 |
1632       re'2:32~ re4 r r2 | R1.*2 R1*2
1633       r2 r8 \t {si16\< si si} |
1634       si4\mf si8 si32-> si16. r16 si si si r8 \t {si16\< si si} |
1635       sold4->\! r8 | si4--\mp r r8 sold r4 | si4 r r2 |
1636       si4\p r8 si r si r4 | si32-> si8.. r8 si r si r r16 si32 si |
1637       \cresc si4-> r8 si-- r si-- r4 | si-> r8 si-- r si-- r4 |
1638       sold2.:32~\fp\> sold4\! r r1 |
1639       R1*2 R2.*3 R2 R2.*3 R2 R4.
1640
1641       mi4->\f r r \st {mi'8\mf mi16.} mi,32 |
1642       mi4-> r r mi'16.\< mi32 mi8 |
1643       mi,4->\! r8 mi-> r mi-> mi'\< mi16. mi,32 |
1644       mi4->\! r8 mi-> r mi-> mi'16.\< mi32 mi8 |
1645       mi,4->\! r8 mi r mi mi'16\< mi mi8->\! |
1646       mi,8\psubito mi'16. mi32 mi4 |
1647       mi,8 mi'16. mi32 mi16 mi mi8 |
1648       mi,8 mi'16. mi32 mi4 |
1649       mi,8 mi'16. mi32 mi16 mi mi32 mi mi mi |
1650       mi,8 mi'16. mi32 mi4 |
1651       r4 re | dod1:32~\fp dod4 r2 |
1652       dod4\p r r2 r4 dod | sol1:32 | dod4 r r2 r4 dod |
1653       sol1.:32~ sol4 r2 | R1
1654
1655       R2. R1 R2. R1 R2. R1 R2. R1 R2. R1 R2. R1 R2. R1
1656       R2. R1 R2. R1 R2. R1 r2 r8 r16 \t {la32\< la la} |
1657       la4\f r r r8 \t {la16\< la la} la4\! r r2 r8 \t {la16\< la la} |
1658       la1:32~\fp la:~ la2 r8 la\< \t {la la la} |
1659       la4->\f r r8 | R1*5/8*13 R1*6
1660       mi2:32~\fp mi8 mi\< \t {mi mi mi} |
1661       mi2:32~\fp mi8 mi\< \t {mi mi mi} |
1662       mi2:32~\fp\< mi8 mi \t {mi mi mi} |
1663       mi4->\f r2 | R2 R1*2 R2.*7
1664
1665       R2*2 R2.*2 R2*25 R2.*16
1666     }
1667   }
1668 >>
1669
1670 ActeDeuxSceneTroisPercus = <<
1671   \PercuDeuxMains
1672   \relative { \GrandVibraphone
1673     %%% Larghetto %%%
1674     R4.*3 \ind #"con Ped." dod8\pp sold' la\laissezVibrer
1675     R4.*3 dod,8 sold' la\laissezVibrer |
1676     R4. \gauche fa,8( \droite la mi' | <sold la>4.)\laissezVibrer
1677     R4.*2 \gauche fad,8( \droite fad dod' | <sold' la>4.)\laissezVibrer
1678     R4. <la, mi'>4.--\laissezVibrer
1679     R4.*6 mi'4.\laissezVibrer |
1680     R4.*3 <la, mi'>4.\laissezVibrer
1681     R4. mi'4.\laissezVibrer |
1682     R4.*5 \gauche fa,8( \droite <do' sol'> re |
1683     <mi la>4.)\laissezVibrer |
1684     R4.*3 \gauche do,8( \droite <re' la'>) \gauche sol,( |
1685     \droite <mi' fad>4.)\laissezVibrer R4.*4
1686     si16\pp\< \gauche mi, \droite fad' \gauche mi, \droite dod' \gauche mi, |
1687     \droite sold'\> \gauche fad, \droite red' dod <sold' lad>8\! \laissezVibrer |
1688     s4. R4.*2
1689     R4*27 R4. R4*7
1690     R4.*14 R4*28 R2.-\fermataMarkup R2.
1691     re'2.\p\laissezVibrer R2.
1692     <mib, re'>2.\laissezVibrer R2.
1693     <mib re'>2.\laissezVibrer
1694
1695     %%% Interlude %%%
1696     R2*2 mib'8-.\ppp sib4-- mi,8-. |
1697     si4-- \gauche fa-- \droite |
1698     re'''8-. la4.-- | r8 si fad4-- |
1699     si16( fad sold8) red4-- |
1700     r mib8( sib) %%FIXME: Issue #721
1701     \gauche \t { r8 mib,( sib)} \droite lab'(
1702     \gauche fa,) \droite |
1703     fad''-. dod4-. si'8-. \tt {fad16\<(
1704     \gauche fa,, \droite mib' dod' si')} |
1705     mi4--\p\laissezVibrer r |
1706     mi16\pp\>( si) re( mi,) do'( la,) si'( mib,,) |
1707     fa'8--\! do-- fad,8.-- \gauche fad,16~ |
1708     fad2 fa16( do) si'( fad fa do) dod'( sold |
1709     sol re) \droite sol'( re \gauche dod sold) \droite dod'( sold |
1710     sol re) dod''( sol,) sold'( re) \pl {lad-.\< sid-. dod8-.} {lad'16-. sid-. dod-. sid-.} |
1711     dod4---.\! r4 | R2*15 R2*5/4
1712
1713     %%% Quatuor %%%
1714     R2 R4. R2 R4. R2 R4.*2
1715     R2.*7 R2*2 R2.
1716     R2*2 R2. R2*2 R2.
1717     R2*2 R2. R2*2 R2.
1718     R2 R4. R2 R4.
1719     R2*2 R2. R2*2 R2.
1720     R1 R2. R2
1721
1722     %%% Doppio Tempo %%%
1723     R2*7 R2.*7
1724     R2 R2. R2 R2.
1725     R2 R2. R2 R2.
1726     R2 R2. R2 R2.
1727     R2 R2.
1728
1729     %%% Climax %%%
1730     R2 R4. R2*3 R4.
1731     R2*4 R4.*2 R2. R1
1732
1733     R2.\GrandMarimba R1 R2. R1 R2. R1 R2. R1
1734     R2. R1
1735     \gauche sib,,,8\p( \droite mi') \gauche fa,( \droite sol')
1736     \gauche r sib,,-. | \droite mi'( \gauche fa,) \droite sol'(
1737     \gauche fa,,) \droite r mi''-. \gauche sib,( \droite mi') |
1738     \gauche fad,( \droite la') \gauche si,,( \droite mi' la) \gauche fad,,-. |
1739     \droite r mi''-. la( \gauche si,,) \droite mi'( la) \gauche fad,4-- |
1740     sib,8( \droite mi') \gauche fa,( \droite sol') r4 |
1741     R1 R2. R1 R2. R1 R2. R1
1742     R2. R1 R2. R1 R2.
1743     \gauche sib,,8\p( \droite mi') \gauche fa,( \droite sol') r4 r8 mi( |
1744     sol4) \gauche fa,8( \droite mi') r4 | R1 r2 mi8( sold) |
1745
1746     %%% Soprano 2 %%
1747     <re sib'>4-- r r2 | R2. R1 R2. R1
1748     R2. R1
1749     \gauche sib,8\p( \droite mi') \gauche fa,( \droite sol') \gauche r8 sib,,-. |
1750     \droite mi'( \gauche fa,) \droite sol'( \gauche fa,) r sib, \droite do'( \gauche fa,) |
1751     \droite sol'( \gauche sib,,) \droite sol''( re' la'4) |
1752     \gauche sib,,,8( \droite mi') \gauche fa,( \droite <re'' la'>)
1753     r2 | s2. R1 | R2. R1 R2.
1754     mi,8( sol) r4 r2 | R2. s2 r2 |
1755     r4 r8 mi r4 | R1 R2. R1 R2. R1 R2.
1756
1757     %%% Duo %%%
1758     R1*6 R2*3
1759
1760     %%% Baryton 2 %%%
1761     R2.*11\GrandVibraphone R4.
1762     R2.*14
1763     re''4--\pp re-- re-- re2*3/2--\laissezVibrer |
1764     \gauche r8 sib,,(\< \droite \t {la') solb( fa')} re16( dod'8.) |
1765     re4--\pp re-- re-- re2*3/2--\laissezVibrer |
1766     \gauche r16 lab,,( \droite mib' sib'
1767     \t {dod,8 fad si} \tt {fa16 do' sol' mi la} |
1768     re4--) re-- re-- re2*3/2--\laissezVibrer |
1769     \gauche \t {r8 do,,,\mp( si')~} \t {si \droite la'( fad')~}
1770     fad16 \gauche lab,,( \droite sol' fa') |
1771     re'4-- re-- re-- re2*3/2--\laissezVibrer
1772     \tt {mi,,16(\< sold sol si) dod,(} fa mi') mi,( sold')
1773     \t {sol,8( si sib')\!} |
1774     \pl re,4-> re'-> r |
1775     R2*11 R2. R2*6 R2.*4
1776
1777     %%% Ensemble %%%
1778     R1 r4 mi,,--( sold-- la-- sib1--) R1*3
1779     \gauche r8 mi,,(\pdolce si' do \droite sol' lab
1780     mib' si | sib'4) r8 <sib, si'!>--~
1781     \t {<sib si'>4 si,!(\> sib'} lab'1)\pp
1782     s1 R1 r2 s2 <la,! lab'>1->-- |
1783     r4 la8( sold) do4-. la-. | sold'---. r r
1784     \pl {<mi, la>-.-- <re si'>-.--} {<re' sol>-.-- <mi sold>-.--} r r2 |
1785     R1 s1*2 re,8( sib' la') re,, sold'-> sold-> la-> re,, |
1786     si' \gauche fa,( mi' \droite re' si'4) \t {do,8( \gauche lab, reb) \droite} |
1787     r2 <si' dod'>4--\mf <dod si'>-- |
1788     <red la'>-- <mi sold>--\< \pl {red red8( dod)} {la'( mi la si)} |
1789     <si, dod'>4-- reb'8( do reb mib fa4--)\! | R2.
1790
1791     %%% Chute %%%
1792     R2.*5 R2*3
1793
1794     %%% Andante al fine %%%
1795     R2.*6 <do,, si'>2.--\p~ <do si'>4. <si do'>--~ <si do'>4 <do si'>2--\laissezVibrer |
1796     R2.*5 <dod si'>2.--\> <do si'>\!\laissezVibrer R2.*24
1797   }
1798   \relative {
1799     %%% Larghetto %%%
1800     R4.*9
1801     s4. R4.*3 s4. R4.*2
1802     fa,!4.--\laissezVibrer R4.*6 |
1803     la4.\laissezVibrer R4.*3 |
1804     fa4.\laissezVibrer R4. |
1805     la4.\laissezVibrer |
1806     R4.*5 s4. R4.*4 s4. R4.*5 s4.*2 R4.*3
1807     R4*27 R4. R4*7
1808     R4.*14 R4*28
1809
1810     R2.*6 mi!2.\laissezVibrer
1811
1812     %%% Interlude %%%
1813     R2*3 s2 r4 si'\laissezVibrer |
1814     r4 r8 fa\laissezVibrer |
1815     r8 r16 si~ si4 fa2\laissezVibrer s2 |
1816     r4 fa4 s | r8 fad4.\laissezVibrer R2 r4 s |
1817     s2*3 R2*5/4
1818     sol4-- r | R2*15 R1*5/8
1819
1820     %%% Quatuor %%%
1821     R2 R4. R2 R4. R2 R4.*2
1822
1823     %%% Baryton 1 %%%
1824     R2.*7 R2*2 R2.
1825     R2*2 R2. R2*2 R2.
1826     R2*2 R2. R2*2 R2.
1827     R2 R4. R2 R4.
1828     R2*2 R2. R2*2 R2.
1829     R1 R2. R2
1830
1831     %%% Doppio Tempo %%%
1832     R2*7 R2.*7
1833     R2 R2. R2 R2.
1834     R2 R2. R2 R2.
1835     R2 R2. R2 R2.
1836     R2 R2.
1837
1838     %%% Climax %%%
1839     R2 R4. R2*3 R4.
1840     R2*4 R4.*2 R2. R1
1841
1842     %%% Soprano 2 %%%
1843     R2. R1 R2. R1 R2. R1 R2. R1
1844     R2. R1
1845     s2. s1 s2. s1 s2 r4 |
1846     R1 R2. R1 R2. R1 R2. R1 R2. R1 R2. R1 R2.
1847     s2 mi8( do) sib4 r8 sib-. s4 sib8( mi) |
1848     sold,4-- r r2 | r8 sold mi'( sold) s4 |
1849
1850     %%% Soprano 1 %%%
1851     re4-- r r2 | R2. R1 R2. R1
1852     R2. R1
1853     s2. s1 s2. s2 r8 sib( fa'4) |
1854     sib,8( fa' \droite do') \gauche sib,( fa'4) |
1855     r8 sib,-- r4 fa'-- r | sib,-- r2 | R1 R2.
1856     sib4 r r2 | R2.
1857     sib8( \droite sol'') \gauche fa,4-- r2 |
1858     r4 r8 fa r4 | R1
1859     sib,8 fa' sib,4 r | R1 R2. R1 R2.
1860
1861     %%% Duo %%%
1862     R1*6 R2*3
1863
1864     %%% Baryton 2 %%%
1865     R2.*11 R4.
1866     R2.*16
1867     s4 r2 R2.*2
1868     s4 r2 R2.*2
1869     s2. R2. r4 \tt {mi16(\mf sold sol si sib} re4) |
1870     R2.
1871     R2*12 R2. R2*6 R2.*4
1872
1873     %%% Ensemble %%%
1874     \t {r4 fa,(\p la} sold8 do si red)~ red1 R1*4
1875     s1 R1 r4 re,2.-- re4-. sold-. \droite re'-. sold-. \gauche |
1876     re,-. si'-. sold8( fad) re4-. |
1877     dod8( re sold la \t {\droite re4) lab'( \gauche sib,)}|
1878     r2 r8 sol-.\mf si-. sib-. | re4-.-- r r2 | R1*3
1879     re,8\p( la' \droite mi') \gauche re,
1880     \droite sold'-- \gauche re,( la' \droite mi') |
1881     \gauche la,( re \droite sold)
1882     \gauche la, \droite do'-- \gauche la,( re \droite do')\gauche R1 s1
1883     re,,1--\laissezVibrer s1 R1 R2.
1884
1885     %%% Chute %%%
1886     R2.*5 R2*3
1887
1888     %%% Andante al fine %%%
1889     R2.*40
1890
1891   }
1892   \new DrumStaff \drummode {
1893     %%% Larghetto %%%
1894     R4.*51
1895     R4*27 R4. R4*7
1896     R4.*14 R4*7 |
1897     r8 \ind #"Crécelle" hh:32\mf hh4:32\< hh8->\! r |
1898     R4*9 hh8-> r |
1899     R4*8 R2.*7
1900
1901     %%% Interlude %%%
1902     R2*9 R2. R2*6 R1*5/8
1903     R2*16 R1*5/8
1904     R2 R4. R2 R4. R2 R4.*2
1905
1906     %%% Baryton 1 %%%
1907     R2.*7 R2*2 R2.
1908     R2*2 R2. R2*2 R2.
1909     R2*2 R2. R2*2 R2.
1910     R2 R4. R2 R4.
1911     R2*2 R2. R2*2 R2.
1912     R1 R2. R2
1913
1914     %%% Doppio Tempo %%%
1915     R2*7 R2.*7
1916     R2 R2. R2 R2.
1917     R2 R2. R2 R2.
1918     R2 R2. R2 R2.
1919     R2 R2.
1920
1921     %%% Climax %%%
1922     R2 R4.
1923     r8 \ind #"Cymb. susp." hh4.->\laissezVibrer |
1924     R2*2 R4.
1925     r8 hh4.->\laissezVibrer | R2*3
1926     R4.*2 R2. R1
1927
1928     %%% Soprano 2 %%%
1929     R2. R1 R2. R1 R2. R1 R2. R1
1930     R2. R1 R2. R1 R2. R1 R2. R1
1931     R2. R1 R2. R1 R2. R1 R2. R1
1932     R2. R1 R2. R1 R2. R1 R2. R1
1933     R2. R1 R2. R1 R2. R1 R2. R1
1934     R2. R1 R2. R1 R2. R1 R2. R1
1935     R2. R1 R2. R1 R2. R1 R2. R1
1936     R2.
1937
1938     %%% Duo %%%
1939     R1*2 \ind #"Cymb. (sur le bord)" hh1:32~ hh2 r |
1940     hh1:32~ hh2 r | R2*3
1941
1942     %%% Baryton 2 %%%
1943     R2.*11 R4.
1944     R2.*11 \ind #"Tam-tam" cb2-> s4 | R2.*14
1945     R2*2
1946     r8 \ind #"Crécelle" hh-.\f hh4:32-- hh4-> r | R2
1947     r4 hh4:32-- hh4-> r | R2*3
1948     r4 hh8-> hh-> hh4-> r |
1949     R2. R2*6 R2.*4
1950
1951     %%% Ensemble %%%
1952     R1*24 R2.
1953     r2 r8 \ind #"Tam-tam (bag. de timbale)" \t {cb16 cb cb} |
1954     cb2->--\laissezVibrer s4 R2. \ind #"Cymbale" hh2->\laissezVibrer s4 |
1955     R2. R2*3
1956
1957     %%% Épilogue %%%
1958     R2.*40
1959   }
1960   \new Staff  \relative { \Timbales
1961     %%% Larghetto %%%
1962     R4.*51
1963     R4*27 R4. R4*7
1964     R4.*14 R4*28 R2.*7
1965
1966     %%% Interlude %%%
1967     R2*9 R2. R2*6 R1*5/8 R2*7
1968     sol,16.\p sol32 sol16-> sol-. r sol32 sol sol8-> |
1969     sol16-. sol-. r sol32 sol sol8-> sib16.-- sib32 |
1970     sib16-> sib-. r sib32 sib sib8-> sib16. sib32 |
1971     sib16-> sib32 sib sib8-> sol16. sol32 sol16-> sol-. |
1972     r32 sol sol16-> sol sib-> r32 sib sib16-. sib8-> |
1973     r16 sol32 sol32~ sol8 r16 sol sib8-. |
1974     r16 sib32 sib sib sib sib16-. r dod8.-- |
1975     mi,2:32--->\mf dod'16.-> dod32 dod8-. mi,4:32~---> |
1976     mi8 \t {dod'16 dod dod} dod-. mi,-. r16 dod'\< dod dod |
1977     sol4->\f r R4. R2 R4. R2 R4.*2
1978
1979     %%% Baryton 1 %%%
1980     R2.*7 R2*2 R2.
1981     do8\pp \tt {do32\> do do do do} do4\! | r do-- fad,-- fad-- r |
1982     do'8 \tt {do32\> do do do do} do4--\! | r do-- fad,-- fad-- r |
1983     do'8 \tt {do32\> do do do do} do4--\! | r do-- sol8.\> sol32 sol sol4\! r |
1984     do2:32~\pp do:32~ do4 r2 |
1985     r8 sol r16 dod8 sol16 |
1986     dod8.-- dod16\< \t {dod dod dod} |
1987     sol8--\! sol-- r16 dod8-- sol16-. |
1988     dod8.\< dod16 \t {dod dod dod} | do8\pp do4. |
1989     r8 do-- r16 sol8-- do16-. |
1990     r sol-. do8-- r4 do\< |
1991     dod--\mf r | R2 R2.
1992     r8 re\f\< re16 re \tt {re32 re re re re} re2:32~\> re4\! r2 | R2
1993
1994     %%% Doppio Tempo %%%
1995     R2*2 r4 re\f r re re r r re\> r re |
1996     sold,\p sold r sold sold r sold sold r sold r2 | R2.*3 R2 R2.
1997     R2 R2. R2 R2. R2 R2. R2 R2. R2 R2. R2 R2.
1998     \t {re'4\mf\< re re} re8 re \t {re16 re re} re4->\! r R2 |
1999     \t {re4\< re re} re8 re \t {re16 re re} re4->\! r R2 |
2000     \t {re4\< re re} re8 re re16 re re re |
2001     sold,8->\! \t {sold16 sold sold} sold8 |
2002     \t {sold16 sold sold} sold8-> r16 sold |
2003     sold4-> \t {sold\< sold sold8 sold} |
2004     re'2:32 re:\f\> |
2005
2006     %%% Soprano 2 %%%
2007     re4\! r2 R1 R2. R1 R2. R1 R2. R1
2008     R2. R1 R2. R1 R2. R1 R2. R1
2009     R2. R1 R2. R1 R2. R1 R2. R1
2010     R2. R1 R2. R1 R2. R1 R2. R1
2011     R2. R1 R2. R1 R2. R1 R2. R1
2012     R2. R1 R2. R1 R2. R1 R2. R1
2013     R2. R1 R2. R1 R2. R1 R2. R1
2014     R2.
2015
2016     %%% Duo %%%
2017     R1*6 R2*2 r4 r8 \t {re16\< re re} |
2018     re4\f r8 re re4-- re2.:32->\fp\< |
2019     re4->\! r8 re \t {re\< re re} \acc {re2.:32\fp\< |
2020     re4\! re re re8.} re32 re re4-> r8 re re4-> r2 | R2.
2021     re2.:32~\p\< re:32~\mp\> re:32\! |
2022     r8 r16 re\f re re | re4 re r R2.*5
2023     \acc {sold,4\mf sold sold re'} r8 re\< \t {re re re} |
2024     re4->\f r2 | re8\< re \t {re re re} \tt {re16 re re re re} |
2025     re4->\! r2 R2.*15
2026     R2*12 R2. R2*6 R2.*4
2027
2028     %%% Ensemble %%%
2029     R1*24 R2.
2030     R2. r2 r8 sold,\ff r sold\> \t {sold sold sold} sold4\! |
2031     r4 sold2:32\mf\<\glissando lad4.:32\>\glissando mi8\p \t {re' mi, re'}
2032     re\> re r re r re\! r4 R2 |
2033
2034     %%% Épilogue %%%
2035     R2.*32 \longHairpins {
2036     mi2.:32\ppp~ mi:~ mi4 r mi8->\mf mi-> |
2037     mi,2.:32~\fpp mi4 mi'8\mf\< mi \t {mi mi mi} |
2038     mi,2.:32~\fpp \< mi:~\f\> mi8\! mi'\ffsubito \< \t {<mi, mi'>-- mi' mi}
2039     \tt {<mi, mi'>16-- mi' mi-> mi,-> mi'->\!} }
2040   }
2041 >>